Mailbox Love Quotes

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That's what I do. Watch movies and read. Sometimes I even pretend to write, but I'm not fooling anyone. Oh, and I go to the mailbox.
Nicole Krauss (The History of Love)
Love lies in those unsent drafts in your mailbox. Sometimes you wonder whether things would have been different if you'd clicked 'Send'.
Faraaz Kazi
Every time I kiss you After a long separation I feel I am putting a hurried love letter In a red mailbox.
نزار قباني
Those bands, you plan your life around them. You plan vacations around concert dates. You save babysitting money for records. You live for those days when Creem magazine arrives in your dusty mailbox and you frantically flip through it for any information on your favorites. The bands, the musicians that you love, they love you back. And when they quit, when they fall apart, when they die—they ruin that future you thought they’d always be a part of.
Karina Halle (The Devil's Metal (Devils, #1))
Mallory, I lo—" "Wait!" This was from Amy, and she looked at Mallory. "I'm sorry, but don't you think you should tell him about the car before he finishes that sentence?" "No," Mallory said, giving Amy the evil eye. She wanted the rest of Ty's sentence, dammit! Ty frowned. "What's wrong with the Shelby?" "Nothing," Mallory said quickly. "Nothing," Amy agreed. "Except for the dinged door where she parked too close to the mailbox." "Oh my God," Mallory said to her. "What are you, the car police?" "The classic car police," Amy said smugly. "You parked the Shelby on the street?" Ty asked Mallory incredulously. She went brows-up. "Okay," he said, lifting his hands. "It's okay. Never mind about the car.
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
I gave my heart to a man who loved me, who wanted to be with me. Who ultimately was afraid of all I offered. I didn’t understand why he sabotaged our future at the time – cheating on me, again, as we were making final plans to move in together. By the time he came over to smooth talk his way out of it, I was done. No more crying. Even my tears had given up on him. I’d already moved on, his cheating was simply the key left in the mailbox.
Rachel Thompson (Broken Pieces)
My sweetheart, my love, my love, my love—do you know what—all the happiness of the world, the riches, power and adventures, all the promises of religions, all the enchantment of nature and even human fame are not worth your two letters. It was a night of horror, terrible anguish, when I imagined that your undelivered letter, stuck at some unknown post office, was being destroyed like a sick little stray dog . . . But today it arrived—and now it seems to me that in the mailbox where it was lying, in the sack where it was shaking, all the other letters absorbed, just by touching it, your unique charm and that that day all Germans received strange wonderful letters—letters that had gone mad because they had touched your handwriting. The thought that you exist is so divinely blissful in itself that it is ridiculous to talk about the everyday sadness of separation—a week’s, ten days’—what does it matter? since my whole life belongs to you. I wake at night and know that you are together with me,—I sense your sweet long legs, your neck through your hair, your trembling eyelashes—and then such happiness, such simmering bliss follows me in my dreams that I simply suffocate . . .
Vladimir Nabokov (Letters to Vera)
moons after it ended, you still snuck up to my mailbox to deliver bundles of letters- half love notes, half hate notes. when you found someone new, all your letters came back to you marked [returned to sender].- find a new partner in crime.
Amanda Lovelace (To Make Monsters Out of Girls (Things that Haunt, #1))
There is unequaled satisfaction in composing words on a blank page, sealing them in an envelope, writing an address in my own messy hand, adding a stamp, walking it to the mailbox, and raising the flag. It's like preparing a gift, and I feel like I receive one when a letter arrives....
Kim Fay (Love & Saffron)
By then, after all, she understood the nature of romance, and knew it had little to do with trying to create a fantasy. Real romance was spontaneous, unpredictable, and could be as simple as listening to a man read a love letter found in a lonely mailbox on a stormy September afternoon.
Nicholas Sparks (Every Breath)
Stories don’t change much across continents and centuries. Hearts are broken. Pride is wounded. Souls wander too far from home and become lost. The wrong roads are taken. The incorrect choice is made. Stories echo with loneliness. Grief. Longing. Redemption. Forgiveness. Hope. And love.” Now it was her turn to point at the bookstore. “That building is stuffed with books that, once opened, reveal our communal story. And, if you’re lucky, the words in those books will force you to grapple with the hardest truths of your life. After reducing you to a puddle of tears, they’ll raise you to your feet again. The words will pull you up, higher and higher, until you feel the sun on your face again. Until you’re suddenly humming on the way to the mailbox. Or you’re buying bouquets of gerbera daisies because you crave bright colors. And you’ll laugh again—as freely as champagne bubbling in a tall, glass flute. When’s the last time you laughed like that?
Ellery Adams (The Secret, Book, & Scone Society (Secret, Book, & Scone Society, #1))
He looked at the houses he had been passing these weeks and though he had never studied them carefully they had become familiar through the process of seeing them so often, and he was now impressed with the change in their appearance as he looked at them through the gray of the air and whiteness of the snow, each house, shrub, tree, bush and mailbox trimmed with snow and blending into the air as if they were just a picture projected upon the still, pearly grayness, just an impression created by the silent snow, a picture on the edge and verge of disappearing and leaving only the air and snow through which he now lightly walked. It did not seem possible, but the air was even softer and quieter. He continued walking alongside his prints feeling he could walk forever, that as long as the silent snow continued falling he could continue walking, and as he did he would leave behind all worries and cares, all horrors of the past and future. There would be nothing to bother him or torture his mind and fill his body with tremors of fear, the dark night of the soul over. There would only be himself and the soft, silent snow; and each flake, in its own life, its own separate and distinct entity, would bring with it its own joy, and he would easily partake of that joy as he continued walking, the gentle, silent snow falling ever so quietly, ever so joyously ... yes, and ever so love-ing-ly ... loveing-ly....
Hubert Selby Jr. (Song of the Silent Snow)
I just love checking our mailbox. There is something about getting mail that is exciting. Going out to the box each afternoon is sometimes the highlight of my day.
Ann M. Martin (Mary Anne's Bad-Luck Mystery (The Baby-Sitters Club, #17))
He had yet to fall in love to the degree that he felt he was capable of falling, had never written villanelles or declaration veiled in careful metaphor, nor sold his blood plasma to buy champagne or jonquils, nor haunted a mailbox or a phone booth or a certain café, nor screamed his beloved's name in the streets at three in the morning, heedless of the neighbors.
Michael Chabon (A Model World and Other Stories)
Literature is a love that won’t let you down or show its true colors after some time goes by. You know what it’s about from the moment you read it. In a lot of ways it’s a perfect love.
Jason E. Hodges (The Mailbox)
We are all told from the very beginning that we are important. From the moment we can first understand words and perhaps even before then, we are continuously reassured that we have a place in things , that we have a part to play. The human race as a whole is a hopeful species. Of course there are exceptions. Some forgotten children, ones who slip through the cracks. And not everyone is told that they will be important in the same way. Not everyone will be a doctor, or a lawyer. Some people grow up believing that their importance is to love someone fully. Some people grow up believing that their importance is to be loved fully. Perhaps the reason my mailbox was always secret was that the people who visited it came to believe that keeping the secret was a piece of their importance. Maybe I was always given murders because they all thought that contributing to my legend was their importance. But we are all taught, in general, in some way, that someday our worth will be revealed. Someday we will be justified. Someday we will be free.
Katherine Ewell (Dear Killer)
When I write to you, I expect you to read that—my letters, and my songs, and the poems. But I know you’re not reading, so I hold nothing back. Between sleepless, lonely, and scary nights and sometimes even between the happiest nights. I open your mailbox and write some dumb love letters to the guy I found on the internet and fell in love with. — Arya Kashyap
Snehil Niharika (That’ll Be Our Song)
There is one story about letters. A perpetually cheerful Frog pays a visit to Toad but finds Toad glum, sitting on his front porch. "This is my sad time of day," says Toad, "when I wait for the mail to come." "Why is that?" says Frog. "No one has ever sent me a letter. My mailbox is always empty. That is why waiting for the mail is a sad time for me." Then Frog and Toad sit "on the porch, feeling sad together." Frog rescues the situation by running home, writing a letter to Toad, and sending it literally by snail mail. The little snail brings it four days later. Even though Toad saw Frog every day, he longed for the strangeness, the otherness of a letter, for something to come from out there and address him, "Dear Toad." Is that the thrill I feel finding a letter from you in my box? The address of a friend is made into a physical fact and every letter an artifact of the otherwise invisible communion of friendship.
Amy Alznauer (Love and Salt: A Spiritual Friendship Shared in Letters)
Your dad wasn't a big talker," Sam said, his voice a rumble against my chest. "As you know. But I feel like I could tell, from the way he checked his mail, that he was super proud." I bit the inside of my cheek. "Could not." "Oh yeah," he said. "You should've seen it. He'd do this shuffle down the driveway--- it screamed that his daughter was about to become a doctor, he was obnoxious about it, to tell you the truth--- and then he'd open the mailbox and peer inside. Then he'd pull out the envelopes and start sorting them like he was reading through the paper you presented at the pop culture conference last year, the one about masculinity and monstrosity in The Shining---" I propped myself up on my elbows. "Wait, how---?" "I Googled you," Sam said. "Anyway, then he'd amble back up the driveway, his gait making it clear to the whole neighborhood that his daughter was strong and empathetic, smart and hilarious, and gorgeous.
Alicia Thompson (Love in the Time of Serial Killers)
If I could make my neighbors up, I could love them in a minute. I could make them in my own image, looking back at me with deep gratitude for how authentically human I am being to them—and they to me!—reading poetry to each other, admiring pictures of each other’s grandchildren, and taking casseroles to each other when we are sick. But nine times out of ten these are not the neighbors I get. Instead, I get neighbors who cancel my vote, burn trash in their yard, and shoot guns so close to my house that I have to wear an orange vest when I walk to the mailbox. These neighbors I did not make up knock on my front door to offer me the latest issue of The Watchtower. They put things on their church signs that make me embarrassed for all Christians everywhere. They text while they drive, flipping me off when I pass their expensive pickup trucks on the right, in spite of the fish symbols on their shiny rear bumpers.
Barbara Brown Taylor (Holy Envy: Finding God in the Faith of Others)
By then we lived in a small town an hour outside of Minneapolis in a series of apartment complexes with deceptively upscale names: Mill Pond and Barbary Knoll, Tree Loft and Lake Grace Manor. She had one job, then another. She waited tables at a place called the Norseman and then a place called Infinity, where her uniform was a black T-shirt that said GO FOR IT in rainbow glitter across her chest. She worked the day shift at a factory that manufactured plastic containers capable of holding highly corrosive chemicals and brought the rejects home. Trays and boxes that had been cracked or clipped or misaligned in the machine. We made them into toys—beds for our dolls, ramps for our cars. She worked and worked and worked, and still we were poor. We received government cheese and powdered milk, food stamps and medical assistance cards, and free presents from do-gooders at Christmastime. We played tag and red light green light and charades by the apartment mailboxes that you could open only with a key, waiting for checks to arrive. “We aren’t poor,” my mother said, again and again. “Because we’re rich in love.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
The photographer was taking pictures with a small pocket camera but the sergeant sent him back to the car for his big Bertillon camera. Grave Digger and Coffin Ed left the cellar to look around. The apartment was only one room wide but four storeys high. The front was flush with the sidewalk, and the front entrance elevated by two recessed steps. The alleyway at the side slanted down from the sidewalk sufficiently to drop the level of the door six feet below the ground-floor level. The cellar, which could only be entered by the door at the side, was directly below the ground-floor rooms. There were no apartments. Each of the four floors had three bedrooms opening on to the public hall, and to the rear was a kitchen and a bath and a separate toilet to serve each floor. There were three tenants on each floor, their doors secured by hasps and staples to be padlocked when they were absent, bolts and chains and floor locks and angle bars to protect them from intruders when they were present. The doors were pitted and scarred either because of lost keys or attempted burglary, indicating a continuous warfare between the residents and enemies from without, rapists, robbers, homicidal husbands and lovers, or the landlord after his rent. The walls were covered with obscene graffiti, mammoth sexual organs, vulgar limericks, opened legs, telephone numbers, outright boasting, insidious suggestions, and impertinent or pertinent comments about various tenants’ love habits, their mothers and fathers, the legitimacy of their children. “And people live here,” Grave Digger said, his eyes sad. “That’s what it was made for.” “Like maggots in rotten meat.” “It’s rotten enough.” Twelve mailboxes were nailed to the wall in the front hall. Narrow stairs climbed to the top floor. The ground-floor hallway ran through a small back courtyard where four overflowing garbage cans leaned against the wall. “Anybody can come in here day or night,” Grave Digger said. “Good for the whores but hard on the children.” “I wouldn’t want to live here if I had any enemies,” Coffin Ed said. “I’d be scared to go to the john.” “Yeah, but you’d have central heating.” “Personally, I’d rather live in the cellar. It’s private with its own private entrance and I could control the heat.” “But you’d have to put out the garbage cans,” Grave Digger said. “Whoever occupied that whore’s crib ain’t been putting out any garbage cans.” “Well, let’s wake up the brothers on the ground floor.” “If they ain’t already awake.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
I can never understand why Londoners fail to see that they live in the most wonderful city in the world. It is, if you ask me, far more beautiful and interesting than Paris and more lively than anywhere but New York—and even New York can’t touch it in lots of important ways. It has more history, finer parks, a livelier and more varied press, better theaters, more numerous orchestras and museums, leafier squares, safer streets, and more courteous inhabitants than any other large city in the world. And it has more congenial small things—incidental civilities, you might call them—than any other city I know: cheery red mailboxes, drivers who actually stop for you at pedestrian crossings, lovely forgotten churches with wonderful names like St. Andrew by the Wardrobe and St. Giles Cripplegate, sudden pockets of quiet like Lincoln’s Inn and Red Lion Square, interesting statues of obscure Victorians in togas, pubs, black cabs, double-decker buses, helpful policemen, polite notices, people who will stop to help you when you fall down or drop your shopping, benches everywhere. What other great city would trouble to put blue plaques on houses to let you know what famous person once lived there, or warn you to look left or right before stepping off the curb? I’ll tell you. None.
Bill Bryson (Notes from a Small Island)
His hand felt odd against her swollen belly. She started to speak at the same moment that the baby suddenly moved. Tate’s hand jerked back as if it had been stung. He stared at her stomach with pure horror as it fluttered again. She couldn’t help it. She burst out laughing. “Is that…normal?” he wanted to know. “It’s a baby,” she said softly. “They move around. He kicks a little. Not much, just yet, but as he grows, he’ll get stronger.” “I never realized…” He drew in a long breath and put his hand back against her body. “Cecily, does it hurt you when he…” He hesitated. His black, stunned eyes met hers. “He?” She nodded. “They can tell, so soon?” “Yes,” she said simply. “They did an ultrasound.” His fingers became caressing. A son. He was going to have a son. He swallowed. It was a shock. He hadn’t thought past her pregnancy, but now he realized that there was going to be a miniature version of himself and Cecily, a child who would embody the traits of all his ancestors. All his ancestors. It made him feel humble. “How did you find me?” she asked. He glared into her eyes. “Not with any help from you, let me tell you! It took me forever to track down the driver who brought you to Nashville. He was off on extended sick leave, and it wasn’t until this week that anybody remembered he’d worked that route before Christmas.” She averted her eyes. “I didn’t want to be found.” “So I noticed. But you have been, and you’re damned well coming home,” he said furiously. “I’m damned if I’m going to leave you here at the mercy of people who go nuts over an inch of snow!” She sat up, displacing his hand, noticed that she was too close to him for comfort, swung her legs off the sofa and got up. “I’m not going as far as the mailbox with you!” she told him flatly. “I’ve made a new life for myself here, and I’m staying!” “That’s what you think.” He got up, too, and went toward the bedroom. He found her suitcase minutes later, threw it open on the bed and started filling it. “I’m not going with you,” she told him flatly. “You can pack. You can even take the suitcase and all my clothes. But I’m not leaving. This is my life now. You have no place in it!” He whirled. He was furious. “You’re carrying my child!” The sight of him was killing her. She loved him, wanted him, needed him, but he was here only out of a sense of duty, maybe even out of guilt. She knew he didn’t want ties or commitments; he’d said so often enough. He didn’t love her, either, and that was the coldest knowledge of all. “Colby asked me to marry him for the baby’s sake,” she said bitterly. “Maybe I should have.” “Over my dead body,” he assured her.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Hey, you’re the one who came here talking about ‘I’m sorry’ and ‘let’s be friends.’ You don’t get to force me into accepting your half-assed apology.” “Well, I wish you a happy new year anyway.” Now I’m the one being sarcastic, and it sure is satisfying. “Have a nice life. Auld lang syne and all that.” “Fine. Bye.” I turn to go. I was so hopeful this morning. I had such stars in my eyes imagining how this was all going to go. God, what a jerk Peter is. Good riddance to him! “Wait a minute.” Hope leaps into my heart like Jamie Fox-Pickle leaps into my bed--swift and unbidden. But I turn back around, like Ugh, what do you want now, so he doesn’t see it. “What’s that you’ve got crumpled up in your pocket?” My hand flies down to my pocket. “That? Oh, it’s nothing. It’s junk mail. It was on the ground by your mailbox. No worries, I’ll recycle it for you.” “Give it to me and I’ll recycle it right now,” he says, holding out his hand. “No, I said I’ll do it.” I reach down to stuff the letter deeper into my coat pocket, and Peter tries to snatch it out of my hand. I twist away from him wildly and hold on tight. He shrugs, and I relax and let out a small sigh of relief, and then he lunges forward and plucks it away from me. I pant, “Give it back, Peter!” Blithely he says, “Tampering with US mail is a federal offense.” Then he looks down at the envelope. “This is to me. From you.” I make a desperate grab for the envelope, and it takes him by surprise. We wrestle for it; I’ve got the corner of it in my grip, but he’s not letting go. “Stop, you’re going to rip it!” he yells, prying it out of my grasp. I try to grab harder, but it’s too late. He has it.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
What’s that you’ve got crumpled up in your pocket?” My hand flies down to my pocket. “That? Oh, it’s nothing. It’s junk mail. It was on the ground by your mailbox. No worries, I’ll recycle it for you.” “Give it to me and I’ll recycle it right now,” he says, holding out his hand. “No, I said I’ll do it.” I reach down to stuff the letter deeper into my coat pocket, and Peter tries to snatch it out of my hand. I twist away from him wildly and hold on tight. He shrugs, and I relax and let out a small sigh of relief, and then he lunges forward and plucks it away from me. I pant, “Give it back, Peter!” Blithely he says, “Tampering with US mail is a federal offense.” Then he looks down at the envelope. “This is to me. From you.” I make a desperate grab for the envelope, and it takes him by surprise. We wrestle for it; I’ve got the corner of it in my grip, but he’s not letting go. “Stop, you’re going to rip it!” he yells, prying it out of my grasp. I try to grab harder, but it’s too late. He has it. Peter holds the envelope above my head and tears it open and begins to read. It’s torturous standing there in front of him, waiting--for what, I don’t know. More humiliation? I should probably just go. He’s such a slow reader. When he’s finally done, he asks, “Why weren’t you going to give me this? Why were you just going to leave?” “Because, I don’t know, you didn’t seem so glad to see me…” My voice trails off lamely. “It’s called playing hard to get! I’ve been waiting for you to call me, you dummy. It’s been six days.” I suck in my breath. “Oh!” “Oh.” He pulls me by the lapels of my coat, closer to him, close enough to kiss. He’s so close I can see the puffs his breath makes. So close I could count his eyelashes if I wanted. In a low voice he says, “So then…you still like me?” “Yeah,” I whisper. “I mean, sort of.” My heartbeat is going quick-quick-quick. I’m giddy. Is this a dream? If so, let me never wake up. Peter gives me a look like Get real, you know you like me. I do, I do.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
It was clear just how much Tommy loved the city. New York City. The CKY Grocery on Amsterdam had giant, bright red Spartan apples every day of the year, even if it wasn’t the right season. He loved that grocery, and the old, shaky Persian man who owned it. Tommy emphatically, yet erroneously believed that the CKY Grocery was the genuine heart of the great city. All five boroughs embodied distinct feelings for him, but there was only one that he’d ever truly romanticized. To him, Manhattan was the entire world. He loved everything between the East River and the Hudson; from the Financial District up to Harlem; from Avenue A to Zabar’s. He loved the four seasons, although autumn was easily the most anticipated. To Tommy, Central Park’s bright, almost copper hues in the fall were the epitome of orange. He loved the unique perfume of deli meats and subway steam. He loved the rain with such verve that every time it so much as drizzled, he would turn to the sky so he could feel the drops sprinkle onto his teeth. Because every raindrop that hit him had already experienced that much envied journey from the tips of the skyscrapers all the way down to the cracked and foot-stamped sidewalks. He believed every inch of the city had its own predetermined genre of music that suited it to a tee. The modal jazz of Miles Davis and Wayne Shorter was absolutely meant for the Upper East Side, north of 61st Street. Precisely between Gershwin and gospel. He loved the view from his apartment, even if it was just the leaves of the tree outside in July or the thin shadows of its bare branches crawling along the plain brick wall in January. Tommy loved his career. He loved his friends. And he loved that first big bite of apple I watched him take each and every morning. Everything was perfect in the city, and as long as things remained the way he wanted them to, Tommy would continue to love the city forever. Which is exactly why his jaw dropped when he opened the letter he found in his mailbox that morning. The first bite of still un-chewed apple fell out of his mouth and firmly planted itself within the crack of that 113th Street sidewalk.
Ryan Tim Morris (The Falling)
Is it Weird I Want to Mail You a Lock of my Hair?   Well? Would you find it weird if I mailed you a lock of my hair? I have really nice hair.   What if I placed a birch tree decorated with crepe paper in your front yard? Would that make you feel all warm and fuzzy inside? Or might you find both of these a little strange? Either, nowadays, might warrant a call to the police ;-)   Do you realize in other cultures these are very passionate ways of stating your love for someone? Some women would cry tears of joy to receive these gifts from the boy of their desires.   I know a dad who is workaholic. It is the only way he knows to show his family he loves them by providing for them and buying them stuff. They aren't getting the message. They want to hear it. They want to feel it. They want time with him.   You probably wouldn't get the message either if you woke up to some hair in your mailbox or a tree on the lawn. So the point is, maybe it's not enough to just "love" someone. Maybe it's not enough to show them we love them our way. Maybe, just maybe, we need to express our love for them in ways they understand.   So as a Christian, a church, a minister, a representative of God in your community, you might be voicing" God loves you" to the world at large, but is it in a way they can understand it and receive it?   I've been reviewing a lot of things I have done in ministry over the last 20 plus years in ministry. I've been contemplating what the core message unbelievers would have received from our actions. I have to admit these are some of the messages that I participated in communicating to the world:   God does not approve of you God will judge and punish you If you become like us, God will love you If you do not conform to our moral standards we will boycott you We are better than you If you attend our meetings we can help meet some of your needs Our church has the only truth God is American God is political   Is there a way we can do ministry better? Is there a way we can demonstrate to the
Scott Blair (Wrestling with God)
Complaining     “I am not saying this because I am in need, for I have learned to be content whatever the circumstances” (Philippians 4:11).     God hates complaining. In the Old Testament, God rescued the Israelites from 400 years of slavery in Egypt. They had a miraculous escape through the Red Sea and were on their way to the Promised Land. Yet only two of the original group actually arrived at the final destination. The rest perished in the desert. Why? One contributing factor was their complaining.   First, they complained that they had no food so God graciously provided manna. This was food that miraculously appeared each morning for them to collect for their families for the day. However, it wasn’t long before they complained about the manna. They even went so far as to say that they preferred their lives of slavery in Egypt to another day of eating manna.   I’m disgusted by their ungratefulness. They were a complaining, grumbling bunch that couldn’t see how good they actually had it. They were constantly looking for the bad in their situation instead of focusing on how God had favoured them, heard their cries, saved them from slavery, and provided for them on their way to the Promised Land.   However, it’s easy for me to pass judgment on them as I read about their story in the Bible. It’s obvious to me what they did wrong. But I was recently convicted of my own behaviour. Some days I am no better than those complainers.   I can think specifically of a job I received. This job was a miracle from God in itself. My two co-workers had been waiting over three years to get this job – I had just applied a month before. It was only part-time hours so it allowed me to continue to pursue my other interests and hobbies. It was close to my home, within the hours that my children were at school and doing what I love to do – teach.   However, when I was first offered the job I complained about the topic I would be teaching – accounting. It was not my first love. I would have preferred to teach creative writing or marketing – something fun. But accounting? I balked. Then I complained about the cost of parking. Then I complained that I had to share an office. Then I complained that my mailbox was too high, the water was too cold, the photocopier was too far away, the computer was too slow – well, you get the point. Instead of focusing on the answer to prayer, I focused on the little irritants about which to complain.   Finally, I started to complain about the students – one particular student. She would come to class with a snarl and sit in the back of the classroom with her arms crossed, feet up and a scowl that would scare crows away. It seemed to me that she not only hated the topic I was teaching, but she also hated the teacher.   Each day, I returned home and complained to my husband about this particular student. Things didn’t improve. She became more and more despondent and even poisoned the entire class with her sickly attitude. I complained more. I complained to other teachers and my friends; anyone who dared to ask the question, “How do you enjoy teaching?”  
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
After a very enjoyable half hour in the shower, we dressed and walked down to his SUV. Even with the weather too cold for the Harley, I spotted Judd and Tawny riding theirs in the opposite direction as us. I loved how Tawny had her own Harley and tried to imagine myself on one. The vision ended with me crashing into a mailbox, so I figured I’d leave the Harley riding to Tawny and Harlow.
Bijou Hunter (Damaged and the Bulldog (Damaged, #6))
There was a mailman I loved as a little girl. He would stop at the communal mailbox On the street In the center of the apartment complex And begin sorting mail away Into 150 different little boxes We lived in 1202 I would rush from my house To greet the mailman And he would talk to me as he worked Filing away bills and cards and coupons He would ask me questions Quiz me And give me a piece of Bazooka gum For every question I got right I would spin around and crush my sneakers rocking up and down on my toes I would curl one piece of hair Around my finger while I thought of the answers I would slide my tongue between my teeth and the windows where they were missing And between every mailbox The mailman would look at me and smile He’d pat me on the cheek And tell me That I was as smart as he was. As smart as any man. And I believed him. Because why wouldn’t I? I was 8. I knew that George Bush would win the election. I knew the Pythagorean theorem. I read 300 books from the public library And I could draw every animal by memory. I liked him ’cause he gave me chewing gum And talked to me in his low voice Calm and soft Not the shrill, high-pitched voice They would use on my baby brother. One day the mailman didn’t show up for work I ran out and stopped in my tracks There was a different man there I asked if my friend was sick The imposter ignored me The new mailman showed up a few days in a row The kids in the neighborhood said The old one had a heart attack in a bowl of spaghetti And died with noodles up his nose I cried One Wednesday I ran out to the new mailman And asked if he had any gum He told me to stay away Because he didn’t want to get in trouble like Charlie I didn’t know my friend’s name was Charlie And I didn’t know how I could have gotten him in trouble So I asked my mom How you could give someone a heart attack And she rubbed her head and stretched her feet across the couch and said, “It feels like you’re gonna give me one right now.” I didn’t want my mom to die too. So I hid in my room And I cried Because I was 8 And a murderer.
Halsey (I Would Leave Me If I Could: A Collection of Poetry)
He'd amble back up the driveway, his gait making it clear to the whole neighborhood that his daughter was strong and empathetic, smart and hilarious, and gorgeous. When he chucked all the mail directly in his garbage can, his regret was painfully obvious, that he couldn't find a way to tell you all those things himself." My throat burned as I said, "All from a walk to the mailbox, huh?" "He did it every day," Sam said. "What can I say, I'm observant.
Alicia Thompson (Love in the Time of Serial Killers)
Meanwhile back at the mailbox, the plot was thickening. The valentine pace was rapidly quickening. Still another valentine Awaited Brother there. It first caught the eye of small Sister Bear. It was flowery and pink and smelled of perfume. It increased Brother’s feeling of Valentine’s doom. It was even mushier than the one before. As far as he was concerned, this thing called “love” was a terrible, awful, sickening bore. “And as I said before in no uncertain terms, when it comes to mush, I would rather eat worms.
Stan Berenstain (The Berenstain Bears' Comic Valentine)
Do build on the child’s strengths: “You are such a good cook! Help me remember what we need for our meat loaf recipe. Then, you can mix it.” Or, “You have energy to spare. Could you run over to Mrs. Johnson’s house and get a magazine she has for me?” Think “ability,” not “disability.” Do build on the child’s interests: “Your collection of rocks is growing fast. Let’s read some books about rocks. We can make a list of the different kinds you have found.” Your interest and support will encourage the child to learn more and do more. Do suggest small, manageable goals to strengthen your child’s abilities: “How about if you walk with me just as far as the mailbox? You can drop the letter in. Then I’ll carry you piggy-back, all the way home.” Or, “You can take just one dish at a time to clear the table. We aren’t in a hurry.” Do encourage self-help skills: To avoid “learned helplessness,” sponsor your child’s independence. “I know it’s hard to tie your shoes, but each time you do it, it will get easier.” Stress how capable she is, and how much faith you have in her, to build her self-esteem and autonomy. Show her you have expectations that she can help herself. Do let your child engage in appropriate self-therapy: If your child craves spinning, let him spin on the tire swing as long as he wants. If he likes to jump on the bed, get him a trampoline, or put a mattress on the floor. If he likes to hang upside down, install a chinning bar in his bedroom doorway. If he insists on wearing boots every day, let him wear boots. If he frequently puts inedible objects into his mouth, give him chewing gum. If he can’t sit still, give him opportunities to move and balance, such as sitting on a beach ball while he listens to music or a story. He will seek sensations that nourish his hungry brain, so help him find safe ways to do so. Do offer new sensory experiences: “This lavender soap is lovely. Want to smell it?” Or, “Turnips crunch like apples but taste different. Want a bite?” Do touch your child, in ways that the child can tolerate and enjoy: “I’ll rub your back with this sponge. Hard or gently?” Or, “Do you know what three hand squeezes mean, like this? I-Love-You!
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)