Maiden Heaven Quotes

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It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
Edgar Allan Poe
Oh, Lord Montgomery, what do you mean to do with me in this bedroom when you have me all alone? An innocent maiden, and unprotected? Is my virtue safe? 'I, ah- what?' 'I know you are a dangerous man. Some call you a rake. Everybody knows you are a devil with the ladies with your poetically puffed shirt and irresistible pants. I pray you will consider my innocence. And my poor, vulnerable heart.' Simon decided this was a lot like role-playing in D&D, but potentially more fun.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled. He walked along and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came. Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless.
J.R.R. Tolkien (The Lord of the Rings (Middle Earth, #2-4))
The accepted and betrothed lover has lost the wildest charm of his maiden in her acceptance of him. She was heaven whilst he pursued her as a star: she cannot be heaven, if she stoops to such a one as he.
Ralph Waldo Emerson (Nature)
Can the sun find its match in anything but the moon? Can the heavens lose interest in the earth?" Hades pulled away from her and stroked her cheek. "Can death exist without life?
Rachel Alexander (Destroyer of Light (Hades & Persephone, #2))
There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.
Victor Hugo (Les Misérables)
Prophet!" said I, "thing of evil! - prophet still, if bird or devil! By that Heaven that bends above us- by that God we both adore- Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore- Clasp a rare and radiant maiden whom the angels name Lenore." Quoth the Raven, "Nevermore.
Edgar Allan Poe
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
Women revert to their maiden names in Heaven, Rutherford feels fairly certain. He can't remember where he learned this--France or the Bible.
Karen Russell (Vampires in the Lemon Grove: Stories)
He blinked a few times, each motion so slow that he was never quite sure if he’d get his eyes open again. He wasn’t wearing a shirt. Funny how he was only just realizing it. Funnier still that he couldn’t seem to summon any concern for her maidenly sensibilities. She might be blushing. He couldn’t tell. It was too dark to see. But it didn’t matter. This was Honoria. She was a good egg. A sensible egg. She wouldn’t be scarred forever by the sight of his chest.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
When I speak of God, I mean that god who prevented man from putting forth his hand and taking also of the fruit of the tree of life that he might live forever; of that god who multiplied the agonies of woman, increased the weary toil of man, and in his anger drowned a world—of that god whose altars reeked with human blood, who butchered babes, violated maidens, enslaved men and filled the earth with cruelty and crime; of that god who made heaven for the few, hell for the many, and who will gloat forever and ever upon the writhings of the lost and damned.
Robert G. Ingersoll (Some Mistakes of Moses)
If the bible be true, God commanded his chosen people to destroy men simply for the crime of defending their native land. They were not allowed to spare trembling and white-haired age, nor dimpled babes clasped in the mothers' arms. They were ordered to kill women, and to pierce, with the sword of war, the unborn child. 'Our heavenly Father' commanded the Hebrews to kill the men and women, the fathers, sons and brothers, but to preserve the girls alive. Why were not the maidens also killed? Why were they spared? Read the thirty-first chapter of Numbers, and you will find that the maidens were given to the soldiers and the priests. Is there, in all the history of war, a more infamous thing than this? Is it possible that God permitted the violets of modesty, that grow and shed their perfume in the maiden's heart, to be trampled beneath the brutal feet of lust? If this was the order of God, what, under the same circumstances, would have been the command of a devil? When, in this age of the world, a woman, a wife, a mother, reads this record, she should, with scorn and loathing, throw the book away. A general, who now should make such an order, giving over to massacre and rapine a conquered people, would be held in execration by the whole civilized world. Yet, if the bible be true, the supreme and infinite God was once a savage.
Robert G. Ingersoll (Some Mistakes of Moses)
Across the distance, the Acropolis museum cradled within its protective walls its legendary treasures, lulling them to a peaceful sleep under the eerie light from the heavens. Yet, through the large window, the five Caryatids stood alert on their strong platform. The ageless maidens with the long braided hair down their backs remained awake even at this hour gazing across to the Acropolis, full of nostalgia for their sacred home. Inside their marble chests, they nurtured as always, precious hope for the return of their long lost sister.
Effrosyni Moschoudi (The Necklace of Goddess Athena)
Thus they fell: for Heaven to them no hope imparts, To those who hear not for their beating hearts. A maiden-angel and her seraph-lover, O! where (and ye may seek the wide skies over Was Love, the blind, near sober Duty known? Unguided Love hath fallan-'mid "tears of perfect moan.
Édgar Allan García
The paintings here were mystifying. In the reds and greens of the canvases, maidens danced with animals, a goat or something carried a violin in its mouth, and a man and a woman embraced under a gigantic blazing bouquet. This swarm of unrelated images was like a glimpse into a dream. But not a good one. The joy I saw there was ferocious, and the sadness suffocatingly cold. Blues thrown onto the canvas warred with yellows approaching like tornadoes. People gathered round aghast to watch a circus spin to life.
Mieko Kawakami (Heaven)
Only fools fail to recognize you, knowing no sleep but the shadow which you, taking pity, cast over us in the twilight before true night. They do not taste you in the golden flood of grapes, in the magic oil of the almond tree and the brown juice of the poppy. They do not know that it is you who hovers over a tender maiden’s bosom, making a heaven of her lap − never suspect that it is you who comes to them out of old stories, opening the doors to heaven and carrying the key to the dwellings of the blessed, a silent messenger of infinite mysteries.
Novalis (Hymns to the Night)
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea." "It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
Edgar Allan Poe
Prophet!” said I, “thing of evil!— prophet still, if bird or devil! By that Heaven that bends above us— by that God we both adore— Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore— Clasp a rare and radiant maiden whom the angels name Lenore.” Quoth the Raven “Nevermore
Edgar Allan Poe (The Raven)
Yes," Nicholas replied, in a bored voice. "The name is Dutch. Dragonwyck, meaning place of the dragon. It derives from an Indian legend about a flying serpent whose eyes were fire and whose flaming breath withered the corn." "Heavens!" With a light laugh, Miranda asked her new employer if the red men had sent forth a champion to do battle with the dragon. The patroon's face was dark, unsmiling. "To appease him the wise men of the tribe sacrificed a pure maiden on the rocky bluff you see above you." Miranda's laughter died. Something in Nicholas Van Ryn's cruel, handsome features made her imagine herself in the Indian maiden's place.
Anya Seton (Dragonwyck)
Something wonderful has happened to me. I was carried up into the seventh heaven. There all the gods sat assembled. By special grace I was granted the favor of a wish. "Will you," said Mercury, "have youth, or beauty, or power, or a long life, or the most beautiful maiden, or any of the other glories we have in the chest? Choose, but only one thing." For a moment I was at a loss. Then I addressed myself to the gods as follows: "Most honorable contemporaries, I choose this one thing, that I may always have the laugh on my side." Not one of the gods said a word, on the contrary, they all began to laugh. Hence, I concluded that my request was granted, and found that the gods knew how to express themselves with great taste; for it would hardly have been suitable for them to answer gravely: "It is granted thee.
Søren Kierkegaard (Either/Or: A Fragment of Life)
When kindled was the fire, with sober face Unto Diana spoke she in that place. “O thou chaste goddess of the wildwood green, By whom all heaven and earth and sea are seen, Queen of the realm of Pluto, dark and low, Goddess of maidens, that my heart dost know For all my years, and knowest what I desire, Oh, save me from thy vengeance and thine ire That on Actaeon fell so cruelly. Chaste goddess, well indeed thou knowest that I Desire to be a virgin all my life, Nor ever wish to be man’s love or wife. I am, thou know’st, yet of thy company, A maid, who loves the hunt and venery, And to go rambling in the greenwood wild, And not to be a wife and be with child. I do not crave the company of man.
Geoffrey Chaucer (The Canterbury Tales)
Not the soul that’s whitest Wakens love the sweetest: When the heart is lightest Oft the charm is fleetest. While the snow-frail maiden, 5 Waits the time of learning, To the passion laden Turn with eager yearning. While the heart is burning Heaven with earth is banded: 10 To the stars returning Go not empty-handed. Ah, the snow-frail maiden! Somehow truth has missed her, Left the heart unladen 15 For its burdened sister.
Æ (Collected poems,)
Nature has no human inhabitant who appreciates her. The birds with their plumage and their notes are in harmony with the flowers, but what youth or maiden conspires with the wild luxuriant beauty of Nature? She flourishes most alone, far from the towns where they reside. Talk of heaven! ye disgrace earth.
Henry David Thoreau (Walden)
Time’s relativity is considered and abandoned, for the more revelatory experiences of starlight in strands, and pearly floors that span as far as absolute compassion...
Kristen Henderson
On her one glance upwards, enough paintings are created by heavenly maidens on the magical canvas of god.
Manan Sheel
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
The accepted and betrothed lover has lost the wildest charm of his maiden in her acceptance of him. She was heaven whilst he pursued her as a star: she cannot be heaven if she stoops to such a one as he.
Ralph Waldo Emerson (Self-Reliance & Other Essays)
To My Priestess Sisters To my priestess sisters: the keepers of mysteries, the medicine women, the story keepers and story tellers, the holy magicians, the wild warriors, the original ones, the ones who carry the ancients within the marrow of your bones, the ones forged in the fires, the ones who have bathed in thier own blood, the heroines who wear thier scars as stars, the ones who give birth to their visions and dreams, the ones who weep and howl upon the holy altars, the avatars, the mothers, maidens and crones, the mystics, the oracles, the artists, the musicians, the virgins, the sensual and sexual, the women of our world- I honor you. I stand for you and with you. I celebrate both your autonomy and our sisterhood of One. We are many. We are fierce. We are tender. We are the change agents and we are radically holding and clearing space for the bursting forth of the holy seeds of the collective conscience and consciousness. We are manifestors and flames of purification and transformation. We are living our lives in authenticity, vulnerability, transparency and unapologetically. We are committed to integrity, impeccability, accountability, responsibility and passionate love. We are here on purpose, with purpose and give no energy to conformity, acceptance or approval. We are the daughters of the earth and the courageous of the cosmos. Priestess, keep living your life passionately, raising the cosmic vibrations and lowering your standards for no one. You are brazenly blessed and a force of nature. Nurture yourself and one another. You are a crystalline bridge between realms and uniting heaven and earth. You are a priestess and you are divinely anointed, appointed and unstoppable.
Mishi McCoy
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
Alexander Pushkin (Eugene Onegin)
The seventh daughter is beautiful and wise beyond all measure. She spins the cloud-silk for the King and Queen of Heaven, and presides over the weaving which maidens do on earth. It is for this reason she is called the Weaving Maiden.
Frederick H. Martens (Chinese Fairy Tales)
It is one of the secrets in that change of mental poise which has been fitly named conversion, that to many among us neither heaven nor earth has any revelation till some personality touches theirs with a peculiar influence, subduing them into receptiveness.
George Eliot (Daniel Deroda (Volume I): Book I - The Spoiled Child, Book II - Meeting Streams, Book III - Maidens Choosing, Book IV - Gwendolen Gets Her Choice)
The streak of sunshine journeying through the prisoner's cell; it may be considered as something sent from Heaven to keep the soul alive and glad within him. And there is something equivalent to this sunbeam in the darkest circumstances; as flowers, which figuratively grew in Paradise, in the dusky room of a poor maiden in a great city; the child, with its sunny smile, is a cherub. God does not let us live any where or any how on earth, without placing something of Heaven close at hand, by rightly using and considering which, the earthly darkness or trouble will vanish, and all be Heaven.
Nathaniel Hawthorne (The American Notebooks: The Centenary Edition (Volume 8))
Lost in the stormy kiss, Elizabeth felt her legs gliding down his as he gently lowered her against him until her feet touched the floor. But when his fingers pulled at the ribbon that held her gown in place at her shoulder, she jerked free of his kiss, automatically clamping her hand over his. “What are you doing?” she asked in a quaking whisper. His fingers stilled, and Ian lifted his heavy-lidded gaze to hers. The question took him by surprise, but as he stared into her green eyes Ian saw her apprehension, and he had a good idea what was causing it. “What do you think I’m doing?” he countered cautiously. She hesitated, as if unwilling even to accuse him of such an unspeakable act, and then she admitted in a small, reluctant voice, “Disrobing me.” “And that surprises you?” “Surprises me? Of course it does. Why wouldn’t it?” Elizabeth asked, more suspicious than ever of what Lucinda had told her. Quietly he said, “What exactly do you know about what takes place between a husband and wife in bed?” “You-you mean ‘as it pertains to the creation of children’?” she said, quoting his words to her the day she agreed to become betrothed to him. He smiled with tender amusement at her phrasing. “I suppose you can call it that-for now.” “Only what Lucinda told me.” He waited to hear an explanation, and Elizabeth reluctantly added, “She said a husband kisses his wife in bed and that it hurts the first time, and that is how it is done.” Ian hesitated, angry with himself for not having followed his own instincts and questioned her further when she seemed fully informed and without maidenly qualms about lovemaking. As gently as he could, he said, “You’re a very intelligent young woman, love, not an overly fastidious spinster like your former duenna. Now, do you honestly believe the rules of nature would be completely set aside for people?
Judith McNaught (Almost Heaven (Sequels, #3))
The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.
Matthew Gregory Lewis (The Monk)
jack laughed at my attempts to avoid being felt up by a mythical beast. "Apparently you're a virgin." "Shut up!Like that's any of your business!" He shrugged,the motion less effective upside down."Unicorns love maidens. Haven't you done any research at all?" "What,you have?" He flipped off the branch,startling the unicorn so badly it bolted from the meadow. Thank heavens.
Kiersten White (Supernaturally (Paranormalcy, #2))
If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…” A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…” When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment. “What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.” Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her. Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.” The image was so absurd that Elizabeth chuckled. Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped. Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“ Ian realized what she was asking for, but he responded with a questioning lift of his brows. “I-“ she began, uncomfortably aware of the knowing look in his eyes. “Yes?” he prompted. “I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms. “Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.” “What!” “You heard me.” “Of all the arrogant-“ He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
Judith McNaught (Almost Heaven (Sequels, #3))
Part Three: Love V DOUBT me, my dim companion! Why, God would be content With but a fraction of the love Poured thee without a stint. The whole of me, forever, 5 What more the woman can,— Say quick, that I may dower thee With last delight I own! It cannot be my spirit, For that was thine before; 10 I ceded all of dust I knew,— What opulence the more Had I, a humble maiden, Whose farthest of degree Was that she might 15 Some distant heaven, Dwell timidly with thee!
Emily Dickinson
Must we believe those who tell us that a hand foul with the filth of a shameful life is the only one a young girl cares to be caressed by? That is the teaching that is bawled out day by day from between those yellow covers. Do they ever pause to think, I wonder, those devil's lady-helps, what mischief they are doing crawling about God's garden, and telling childish Eves and silly Adams that sin is sweet, and that decency is ridiculous and vulgar? How many an innocent girl do they not degrade into an evil-minded woman? To how many a weak lad do they not point out the dirty by-path as the shortest cut to a maiden's heart? It is not as if they wrote of life as it really is. Speak truth, and right will take care of itself. But their pictures are coarse daubs painted from the sickly fancies of their own diseased imaginations. We want to think of women not--as their own sex would show them--as Loreleis luring us to destruction, but as good angels beckoning us upward. They have more power for good or evil than they dream of. It is just at the very age when a man's character is forming that he tumbles into love, and then the lass he loves has the making or marring of him. Unconsciously he molds himself to what she would have him, good or bad. I am sorry to have to be ungallant enough to say that I do not think they always use their influence for the best. . . . And yet, women, you could make us so much better, if you only would. It rests with you more than with all the preachers, to roll this world a little nearer heaven. Chivalry is not dead; it only sleeps for want of work to do. It is you who must wake it to noble deeds. You must be worthy of knightly worship. You must be higher than ourselves. [1886]
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
The nymph who laments, guardian of our spring of tears, Dares come only within the compass of praising, of song, - She who watches over the settling of the precipitate, That it be clear, on that same rock That bears the gates and the altars. - See, about her shoulders so tranquil there rises The sensation that she must be the youngest Of those sisters, to be disposed so. Exultation knows, and fierce Desire acknowledges, - Only Lamentation must still learn; with a maiden’s hand She counts out the old sorrows through the night. But suddenly, slantwise and unpractised, She holds aloft a constellation of our voices Against the heavens, left unobscured by her breath.
Rainer Maria Rilke (Letters to a Young Poet)
I suppose I don’t need two tries to guess whose voice that is,” she said before glancing at the doorway. “Well, it sure isn’t Prince Charming,” I muttered. My eyes narrowed on the figure hovering in the doorway. “If I was Prince Charming, I’d be wearing tights and serenading some fair maiden on bended knee.” Knox entered the room, appraising Harlow and me and our position with a wicked smile. “I’m more along the lines of Prince Reality.” “Prince? That’s a stretch and a half.” I rolled off the bed. Once I was standing, I crossed my arms and leveled him with a look. “Kind of like considering you a fair maiden. So aren’t we just a match made in un-fairytale heaven?” “Introductions,
Nicole Williams (Hard Knox: The Outsider Chronicles)
Caitlin.” Hawkins touched her cheek. “That wasn’t quite what I had in mind.” “Oh, for heaven’s sake,” she burst out, “do you not see how silly you’re being?” “It’s only silly if you continue to shy from me like a maiden. You’re the MacBride. You’ve done worse than kiss an Englishman.” His hands held her fast at the arms, and he bent to whisper in her ear. “I won the forfeit.” His breath caressed the curve of her ear. “I want to feel the fullness of your lips with my own. I want to slide them open with my tongue and taste the sweetness of your mouth. I want to feel your body pressed to—” Summoning the last of her composure, she said, “You’ve made your point.” His hands lifted to her shoulders. “Well? I’m waiting.
Susan Wiggs (The Maiden of Ireland (Women of War))
Something wonderful has happened to me. I was carried up into the seventh heaven. There all the gods sat assembled. By special grace I was granted the favor of a wish. "Will you," said Mercury, "have youth, or beauty, or power, or a long life, or the most beautiful maiden, or any of the other glories we have in the chest? Choose, but only one thing." For a moment I was at a loss. Then I addressed myself to the gods as follows: "Most honorable contemporaries, I choose this one thing, that I may always have the laugh on my side." Not one of the gods said a word, on the contrary, they all began to laugh. Hence, I concluded that my request was granted, and found that the gods knew how to express themselves with great taste; for it would hardly have been suitable for them to answer gravely: "It is granted thee".
Søren Kierkegaard (Either/Or: A Fragment of Life)
Something wonderful has happened to me. I was carried up into the seventh heaven. There all the gods sat assembled. By special grace I was granted the favor of a wish. "Will you," said Mercury, "have youth, or beauty, or power, or a long life, or the most beautiful maiden, or any of the other glories we have in the chest? Choose, but only one thing." For a moment I was at a loss. Then I addressed myself to the gods as follows: "Most honorable contemporaries, I choose this one thing, that I may always have the laugh on my side." Not one of the gods said a word, on the contrary, they all began to laugh. Hence, I concluded that my request was granted, and found that the gods knew how to express themselves with taste; for it would hardly have been suitable for them to have answered gravely: "It is granted thee.
Søren Kierkegaard (Either/Or: A Fragment of Life)
Sunday Morning V She says, "But in contentment I still feel The need of some imperishable bliss." Death is the mother of beauty; hence from her, Alone, shall come fulfilment to our dreams And our desires. Although she strews the leaves Of sure obliteration on our paths, The path sick sorrow took, the many paths Where triumph rang its brassy phrase, or love Whispered a little out of tenderness, She makes the willow shiver in the sun For maidens who were wont to sit and gaze Upon the grass, relinquished to their feet. She causes boys to pile new plums and pears On disregarded plate. The maidens taste And stray impassioned in the littering leaves. VI Is there no change of death in paradise? Does ripe fruit never fall? Or do the boughs Hang always heavy in that perfect sky, Unchanging, yet so like our perishing earth, With rivers like our own that seek for seas They never find, the same receding shores That never touch with inarticulate pang? Why set the pear upon those river-banks Or spice the shores with odors of the plum? Alas, that they should wear our colors there, The silken weavings of our afternoons, And pick the strings of our insipid lutes! Death is the mother of beauty, mystical, Within whose burning bosom we devise Our earthly mothers waiting, sleeplessly. VII Supple and turbulent, a ring of men Shall chant in orgy on a summer morn Their boisterous devotion to the sun, Not as a god, but as a god might be, Naked among them, like a savage source. Their chant shall be a chant of paradise, Out of their blood, returning to the sky; And in their chant shall enter, voice by voice, The windy lake wherein their lord delights, The trees, like serafin, and echoing hills, That choir among themselves long afterward. They shall know well the heavenly fellowship Of men that perish and of summer morn. And whence they came and whither they shall go The dew upon their feet shall manifest. VIII She hears, upon that water without sound, A voice that cries, "The tomb in Palestine Is not the porch of spirits lingering. It is the grave of Jesus, where he lay." We live in an old chaos of the sun, Or old dependency of day and night, Or island solitude, unsponsored, free, Of that wide water, inescapable. Deer walk upon our mountains, and the quail Whistle about us their spontaneous cries; Sweet berries ripen in the wilderness; And, in the isolation of the sky, At evening, casual flocks of pigeons make Ambiguous undulations as they sink, Downward to darkness, on extended wings
Wallace Stevens
Lalla Ruk Dearest dream, my soul's enchantment Lovely guest from heav'n above, Most benevolent attender To the earthly realm below, You gave me blissful satisfaction Momentary but complete: Bringing with you happy tidings - Like a herald from the skies. I dreamed dreams of life eternal In that Promised Land of peace; I dreamed dreams of fragrant regions, Of a tranquil, sweet Kashmir; I could witness celebrations, Festivals of roses vernal Honoring that lovely maiden From lands strange and far away. And, with glistening enchantment Like an angel from above, - This untainted, youthful vision Came before my dreaming eyes; Like a veil, a shining shroud Screened her lovely face from view, Tenderly she did incline Her shy gazes toward the earth. All her traits - her timid shyness Underneath her shining crown, Childlike her animation, And her face's noble beauty - Glowing with a depth of feeling, Sweet serenity and peace - All of these completely artless Indescribably sublime! As I watched, the apparition (Captivating me in passing) Never to return, flew by; I pursued - but it had gone! T'was a vision merely fleeting, Transient illumination Leaving nothing but a legend Of its passing through my life! T'is not ours to harbor Beauty's spirit - Ah, so pure! It comes nigh but for a moment From its heavenly abode; Like a dream, it slips away, Like an airy dream of morning: But in sacred reminiscence It is married with the heart! Only in the purest instants Of our life does it appear Bringing with it revelations Beneficial to our hearts; That our hearts may know of heaven In this earthly shadow realm, It allows us momentary Glimpses through the earthly veil. And through all that here is lovely, All that animates our lives, To our souls it speaks a language Reassuring and distinct; When it quits our earthly region It bestows a gift of love Glowing in our evening heaven: "Tis a farewell star for all to see.
Vasily Zhukovsky
To these same myths, I take it, belong all those fairy stories of which Beauty and the Beast is the type. Here, a maiden noted as a rule for her amiability and gentleness is served each day by invisible hands, and at night receives her lover, in the form of a handsome prince. By the ordinary light of day, he is a monster, appalling to behold, or, in some of the stories, he is invisible; but night and the marriage couch cause him to materialize in his true shape. Finally, her family and friends--themselves quite outsiders as to these experiences--work upon her feelings and make her believe that this union is evil (in occult parlance, it would be termed diabolical) and she breaks off her connection with him. In the end, true love triumphs, and the lovers are reunited under happier auspices--that is, in the fairy story; in actual life, it too often happens that Beauty and the Beast are permanently separated by meddling outsiders who ignorantly assume that everything which they cannot understand comes from the Devil.
Ida Craddock (Heavenly Bridegrooms)
sky instead of the lake. But when he talked about being in heaven, the princess laughed at him dreadfully. When the moon came, she brought them fresh pleasure. Everything looked strange and new in her light, with an old, withered, yet unfading newness. When the moon was nearly full, one of their great delights was, to dive deep in the water, and then, turning round, look up through it at the great blot of light close above them, shimmering and trembling and wavering, spreading and contracting, seeming to melt away, and again grow solid. Then they would shoot up through the blot; and lo! there was the moon, far off, clear and steady and cold, and very lovely, at the bottom of a deeper and bluer lake than theirs, as the princess said. The prince soon found out that while in the water the princess was very like other people. And besides this, she was not so forward in her questions or pert in her replies at sea as on shore. Neither did she laugh so much; and when she did laugh, it was more gently. She seemed altogether more modest and maidenly in the water than out of it. But when the prince, who had really fallen in love when he fell in the lake, began to talk to her about love, she
George MacDonald (The Light Princess)
In the first place, the lords of philosophy have never, from their youth upwards, known their way to the Agora, or the dicastery, or the council, or any other political assembly; they neither see nor hear the laws or decrees, as they are called, of the state written or recited; the eagerness of political societies in the attainment of offices—clubs, and banquets, and revels, and singing-maidens,—do not enter even into their dreams. Whether any event has turned out well or ill in the city, what disgrace may have descended to any one from his ancestors, male or female, are matters of which the philosopher no more knows than he can tell, as they say, how many pints are contained in the ocean. Neither is he conscious of his ignorance. For he does not hold aloof in order that he may gain a reputation; but the truth is, that the outer form of him only is in the city: his mind, disdaining the littlenesses and nothingnesses of human things, is 'flying all abroad' as Pindar says, measuring earth and heaven and the things which are under and on the earth and above the heaven, interrogating the whole nature of each and all in their entirety, but not condescending to anything which is within reach.
Plato (Theaetetus)
Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please—” Ian realized what she was asking for, but he responded with a questioning lift of his brows. “I—” she began, uncomfortably aware of the knowing look in his eyes. “Yes?” he prompted. “I don’t know—exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms. “Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.” “What!” “You heard me.” “Of all the arrogant—” He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted. To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer. “Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, exactly as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, invited—brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight . . . wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking . . . teasing! She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quite the way I remembered it.” “Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation.
Judith McNaught (Almost Heaven (Sequels, #3))
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
Judith McNaught (Almost Heaven (Sequels, #3))
He had no desire to form attachments to people. That would have required more trust and intimacy than he could summon. But he did care for all the Hathaway brood, even Leo. And then there was Win, for whom Kev would have died a thousand times over. He would never degrade Win with his touch, or dare to assume a place in her life other than as a protector. She was too fine, too rare. As she grew into womanhood, every man in the county was enthralled by her beauty. Outsiders tended to view Win as an ice maiden, neat and unruffled and cerebral. But outsiders knew nothing of the sly wit and warmth that lurked beneath her perfect surface. Outsiders hadn't seen Win teaching Poppy the steps to a quadrille until they had both collapsed to the floor in giggles. Or frog-hunting with Beatrix, her apron filled with leaping amphibians. Or the droll way she read a Dickens novel with an array of voices and sounds, until the entire family howled at her cleverness. Kev loved her. Not in the way that novelists and poets described. Nothing so tame. He loved her beyond earth, heaven, or hell. Every moment out of her company was agony; every moment with her was the only peace he had ever known. Every touch of her hands left an imprint that ate down his soul. He would have killed himself before admitting it to anyone. The truth was buried deep within his heart.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
To the Highland Girl of Inversneyde SWEET Highland Girl, a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head: And these gray rocks, this household lawn, These trees—a veil just half withdrawn, This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode; In truth together ye do seem Like something fashion’d in a dream; Such forms as from their covert peep When earthly cares are laid asleep! But O fair Creature! in the light Of common day, so heavenly bright I bless Thee, Vision as thou art, I bless thee with a human heart: God shield thee to thy latest years! I neither know thee nor thy peers: And yet my eyes are fill’d with tears. With earnest feeling I shall pray For thee when I am far away; For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scatter’d, like a random seed, Remote from men, Thou dost not need The embarrass’d look of shy distress, And maidenly shamefacédness: Thou wear’st upon thy forehead clear The freedom of a mountaineer: A face with gladness overspread, Soft smiles, by human kindness bred; And seemliness complete, that sways Thy courtesies, about thee plays; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech: A bondage sweetly brook’d, a strife That gives thy gestures grace and life! So have I, not unmoved in mind, Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways, and dress, A shepherd, thou a shepherdess! But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea: and I would have Some claim upon thee, if I could, Though but of common neighbourhood. What joy to hear thee, and to see! Thy elder brother I would be, Thy father, anything to thee. Now thanks to Heaven! that of its grace Hath led me to this lonely place: Joy have I had; and going hence I bear away my recompense. In spots like these it is we prize Our memory, feel that she hath eyes: Then why should I be loth to stir? I feel this place was made for her; To give new pleasure like the past, Continued long as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl! from thee to part; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall; And Thee, the spirit of them all
William Wordsworth
Annabel Lee It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea: But we loved with a love that was more than love— I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me— Yes!—that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we— Of many far wiser than we— And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I see the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling, my darling, my life and my bride, In her sepulchre there by the sea— In her tomb by the side of the sea.
Edgar Allan Poe (Edgar Allan Poe's Complete Poetical Works)
Annabel Lee By Edgar Allan Poe (1809–1849)   It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; And this maiden she lived with no other thought Than to love and be loved by me.   I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me.   And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea.   The angels, not half so happy in heaven, Went envying her and me — Yes! — that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee.   But our love it was stronger by far than the love Of those who were older than we — Of many far wiser than we — And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee.   For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling — my darling — my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
Rudolph Amsel (The Best of Poetry: Thoughts that Breathe and Words that Burn: In Two Hundred Poems)
Now the children, there, are not born as the children are born in worlds nearer to the sun. For they arrive no one knows how. A maiden, walking alone, hears a cry: for even there a cry is the first utterance; and searching about, she findeth, under an overhanging rock, or within a clump of bushes, or, it may be, betwixt gray stones on the side of a hill, or in any other sheltered and unexpected spot, a little child. This she taketh tenderly, and beareth home with joy, calling out, "Mother, mother"—if so be that her mother lives—"I have got a baby—I have found a child!" All the household gathers round to see;—"WHERE IS IT? WHAT IS IT LIKE? WHERE DID YOU FIND IT?" and such-like questions, abounding. And thereupon she relates the whole story of the discovery; for by the circumstances, such as season of the year, time of the day, condition of the air, and such like, and, especially, the peculiar and never-repeated aspect of the heavens and earth at the time, and the nature of the place of shelter wherein it is found, is determined, or at least indicated, the nature of the child thus discovered. Therefore, at certain seasons, and in certain states of the weather, according, in part, to their own fancy, the young women go out to look for children. They generally avoid seeking them, though they cannot help sometimes finding them, in places and with circumstances uncongenial to their peculiar likings. But no sooner is a child found, than its claim for protection and nurture obliterates all feeling of choice in the matter.
George MacDonald (Phantastes)
Beauty Void lay the world, in nothingness concealed, Without a trace of light or life revealed, Save one existence which second knew- Unknown the pleasant words of We and You. Then Beauty shone, from stranger glances free, Seen of herself, with naught beside to see, With garments pure of stain, the fairest flower Of virgin loveliness in bridal bower. No combing hand had smoothed a flowing tress, No mirror shown her eyes their loveliness No surma dust those cloudless orbs had known, To the bright rose her cheek no bulbul flown. No heightening hand had decked the rose with green, No patch or spot upon that cheek was seen. No zephyr from her brow had fliched a hair, No eye in thought had seen the splendour there. Her witching snares in solitude she laid, And love's sweet game without a partner played. But when bright Beauty reigns and knows her power She springs indignant from her curtained bower. She scorns seclusion and eludes the guard, And from the window looks if doors be barred. See how the tulip on the mountain grown Soon as the breath of genial Spring has blown, Bursts from the rock, impatient to display Her nascent beauty to the eye of day. When sudden to thy soul reflection brings The precious meaning of mysterious things, Thou canst not drive the thought from out thy brain; Speak, hear thou must, for silence is such pain. So beauty ne'er will quit the urgent claim Whose motive first from heavenly beauty came When from her blessed bower she fondly strayed, And to the world and man her charms displayed. In every mirror then her face was shown, Her praise in every place was heard and known. Touched by her light, the hearts of angels burned, And, like the circling spheres, their heads were turned, While saintly bands, whom purest at the sight of her, And those who bathe them in the ocean sky Cries out enraptured, "Laud to God on high!" Rays of her splendour lit the rose's breast And stirred the bulbul's heart with sweet unrest. From her bright glow its cheek the flambeau fired, And myriad moths around the flame expired. Her glory lent the very sun the ray Which wakes the lotus on the flood to-day. Her loveliness made Laila's face look fair To Majnún, fettered by her every hair. She opened Shírín's sugared lips, and stole From Parvíz' breast and brave Farhád's the soul. Through her his head the Moon of Canaan raised, And fond Zulaikha perished as she gazed. Yes, though she shrinks from earthly lovers' call, Eternal Beauty is the queen of all; In every curtained bower the screen she holds, About each captured heart her bonds enfolds. Through her sweet love the heart its life retains, The soul through love of her its object gains. The heart which maidens' gentle witcheries stir Is, though unconscious, fired with love of her. Refrain from idle speech; mistake no more: She brings her chains and we, her slaves, adore. Fair and approved of Love, thou still must own That gift of beauty comes from her alone. Thou art concealed: she meets all lifted eyes; Thou art the mirror which she beautifies. She is that mirror, if we closely view The truth- the treasure and the treasury too. But thou and I- our serious work is naught; We waste our days unmoved by earnest thought. Cease, or my task will never end, for her Sweet beauties lack a meet interpreter. Then let us still the slaves of love remain For without love we live in vain, in vain. Jámí, "Yúsuf and Zulaikha". trans. Ralph T. H. Griffith. Ballantyne Press 1882. London. p.19-22
Nūr ad-Dīn 'Abd ar-Rahmān Jāmī
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
Awake ye muses nine, sing me a strain divine, Unwind the solemn twine, and tie my Valentine! Oh the Earth was made for lovers, for damsel, and hopeless swain, For sighing, and gentle whispering, and unity made of twain. All things do go a courting, in earth, or sea, or air, God hath made nothing single but thee in His world so fair! The bride, and then the bridegroom, the two, and then the one, Adam, and Eve, his consort, the moon, and then the sun; The life doth prove the precept, who obey shall happy be, Who will not serve the sovereign, be hanged on fatal tree. The high do seek the lowly, the great do seek the small, None cannot find who seeketh, on this terrestrial ball; The bee doth court the flower, the flower his suit receives, And they make merry wedding, whose guests are hundred leaves; The wind doth woo the branches, the branches they are won, And the father fond demandeth the maiden for his son. The storm doth walk the seashore humming a mournful tune, The wave with eye so pensive, looketh to see the moon, Their spirits meet together, they make their solemn vows, No more he singeth mournful, her sadness she doth lose. The worm doth woo the mortal, death claims a living bride, Night unto day is married, morn unto eventide; Earth is a merry damsel, and heaven a knight so true, And Earth is quite coquettish, and beseemeth in vain to sue. Now to the application, to the reading of the roll, To bringing thee to justice, and marshalling thy soul: Thou art a human solo, a being cold, and lone, Wilt have no kind companion, thou reap'st what thou hast sown. Hast never silent hours, and minutes all too long, And a deal of sad reflection, and wailing instead of song? There's Sarah, and Eliza, and Emeline so fair, And Harriet, and Susan, and she with curling hair! Thine eyes are sadly blinded, but yet thou mayest see Six true, and comely maidens sitting upon the tree; Approach that tree with caution, then up it boldly climb, And seize the one thou lovest, nor care for space, or time! Then bear her to the greenwood, and build for her a bower, And give her what she asketh, jewel, or bird, or flower — And bring the fife, and trumpet, and beat upon the drum — And bid the world Goodmorrow, and go to glory home!
Emily Dickinson (The Complete Poems from Emily Dickinson: (Annotated Edition))
On quitting Bretton, which I did a few weeks after Paulina’s departure—little thinking then I was never again to visit it; never more to tread its calm old streets—I betook myself home, having been absent six months. It will be conjectured that I was of course glad to return to the bosom of my kindred. Well! the amiable conjecture does no harm, and may therefore be safely left uncontradicted. Far from saying nay, indeed, I will permit the reader to picture me, for the next eight years, as a bark slumbering through halcyon weather, in a harbour still as glass—the steersman stretched on the little deck, his face up to heaven, his eyes closed: buried, if you will, in a long prayer. A great many women and girls are supposed to pass their lives something in that fashion; why not I with the rest? Picture me then idle, basking, plump, and happy, stretched on a cushioned deck, warmed with constant sunshine, rocked by breezes indolently soft. However, it cannot be concealed that, in that case, I must somehow have fallen overboard, or that there must have been wreck at last. I too well remember a time—a long time—of cold, of danger, of contention. To this hour, when I have the nightmare, it repeats the rush and saltness of briny waves in my throat, and their icy pressure on my lungs. I even know there was a storm, and that not of one hour nor one day. For many days and nights neither sun nor stars appeared; we cast with our own hands the tackling out of the ship; a heavy tempest lay on us; all hope that we should be saved was taken away. In fine, the ship was lost, the crew perished. As far as I recollect, I complained to no one about these troubles. Indeed, to whom could I complain? Of Mrs. Bretton I had long lost sight. Impediments, raised by others, had, years ago, come in the way of our intercourse, and cut it off. Besides, time had brought changes for her, too: the handsome property of which she was left guardian for her son, and which had been chiefly invested in some joint-stock undertaking, had melted, it was said, to a fraction of its original amount. Graham, I learned from incidental rumours, had adopted a profession; both he and his mother were gone from Bretton, and were understood to be now in London. Thus, there remained no possibility of dependence on others; to myself alone could I look. I know not that I was of a self-reliant or active nature; but self-reliance and exertion were forced upon me by circumstances, as they are upon thousands besides; and when Miss Marchmont, a maiden lady of our neighbourhood, sent for me, I obeyed her behest, in the hope that she might assign me some task I could undertake.
Charlotte Brontë (Villette)
[the virgin birth account] occurs everywhere. When the Herod figure ( the extreme figure of misgovernment) has brought man to the nadir of spirit, the occult forces of the cycle begin to move. In an inconspicuous village, Mary is born who will maintain herself undefiled by fashionable errors of her generation. Her womb, remaining fallw as the primordial abyss, summons itself by its very readiness the original power that fertilzed the void. Mary's virgin birth story is recounted everywhere. and with such striking unity of the main contours, that early christian missionaries had to think the devil must be creating mockeries of Mary's birth wherever they testified. One missionary reports that after work was begun among Tunja and Sogamozzo South American Indians, "the demon began giving contrary doctrines. The demon sought to discredit Mary's account, declaring it had not yet come to pass; but presently, the sun would bring it to pass by taking flesh in the womb of a virgin in a small village, causing her to conceive by rays of the sun while she yet remained virgin." Hindu mythology tells of the maiden parvati who retreated to the high hills to practice austerities. Taraka had usurped mastery of the world, a tyrant. Prophecy said only a son of the high god Shiva could overthrow him. Shive however was the pattern god of yoga-alone, aloof, meditating. It was impossible Shiva could be moved to beget. Parvati tried changing the world situation by metching Shiva in meditation. Aloof, indrawn in her soul meditating, she fasted naked beneath the blazing sun, even adding to the heat by building four great fires. One day a Brahmin youth arrived and asked why anyone so beautiful should be destroying herself with such torture. "My desire," she said "is Shiva, the Highest. He is the god of solitude and concentration. I therefore imitate his meditation to move him from his balance and bring him to me in love." Shiva, the youth announced, is a god of destruction, shiva is World Annhilator. Snakes are his garlands. The virgin said: He is beyond the mind of such as you. He is terrifying but the source of grace. snake garlands or jewel garlands he can assume or put off at will. Shiva is my love. The youth thereupon put away his disguise-he was Shiva. The Buddha descended from heaven to his mother's womb in the shape of a milk white elephant. The Aztec Coatlicue was approached by a god in the form of a ball of feathers. The chapters of Ovid's Metamorphoses swarm with nymphs beset by gods in sundry masquerades: jove as a bull, a swan, a shower of gold. Any leaf, any nut, or even the breath of a breeze, may be enough to fertilize the ready virgin womb. The procreating power is everywhere. And according to whim or destiny of the hour, either a hero savior or a world--annihilating demon may be conceived-one can never know.
Joseph Campbell
Women revert to their maiden names in Heaven, Rutherford feels fairly certain. He can’t remember where he learned this—France or the Bible.
Karen Russell (Vampires in the Lemon Grove: Stories)
There can be no light without dark. Our Heavenly Father and our Father of Fire have already forgiven you
Celia Aaron (The Maiden (The Cloister, #1))
Doing things that seem wrong, if they’re done for the Heavenly Father or the Father of Fire—that makes them righteous
Celia Aaron (The Maiden (The Cloister, #1))
Please always remember you only live once. Nothing has meaning without life.
Alice Poon (The Heavenly Sword (Sword Maiden from the Moon, #1))
One of the Maidens, a very tall golden-haired woman, gave Mat a roguish grin that seemed to embarrass him. And well it should; she was much too old for him.
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
In the bleak midwinter, frosty wind made moan, Earth stood hard as iron, water like a stone; Snow had fallen, snow on snow, snow on snow, In the bleak midwinter, long ago. Our God, Heaven cannot hold Him, nor earth sustain; Heaven and earth shall flee away when He comes to reign. In the bleak midwinter a stable place sufficed The Lord God Almighty, Jesus Christ. Enough for Him, whom cherubim, worship night and day, Breastful of milk, and a mangerful of hay; Enough for Him, whom angels fall before, The ox and ass and camel which adore. Angels and archangels may have gathered there, Cherubim and seraphim thronged the air; But His mother only, in her maiden bliss, Worshipped the beloved with a kiss. What can I give Him, poor as I am? If I were a shepherd, I would bring a lamb; If I were a Wise Man, I would do my part; Yet what I can I give Him: give my heart.
Christina Rossetti (In the Bleak Midwinter)
Ione, colored by the brilliant pink of a Maiden Card, stared down at me. My aunt picked herself out of the hedge, brushing her skirt off. “Heavens, Elspeth.” She pulled me to my feet and began to pick leaves out of my hair, but I waved her off. All I could think about was the bright pink Card in my cousin’s pocket. And the implications of the magic it held.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Maiden
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
The psalmist agreed: Young men and maidens together, old men and children! Let them praise the name of the Lord, for his name alone is exalted; his majesty is above earth and heaven. (Ps. 148:12–13)
John Dunlop (Finishing Well to the Glory of God: Strategies from a Christian Physician)
TO MUSIC, TO BECALM HIS FEVER" CHARM me asleep and melt me so With thy delicious numbers, That, being ravished, hence I go Away in easy slumbers. Ease my sick head And make my bed, Thou power that canst sever From me this ill ; And quickly still, Though thou not kill My fever. Thou sweetly canst convert the same From a consuming fire Into a gentle-licking flame, And make it thus expire. Then make me weep My pains asleep ; And give me such reposes That I, poor I, May think thereby I live and die 'Mongst roses. Fall on me like a silent dew, Or like those maiden showers Which, by the peep of day, do strew A baptim o'er the flowers. Melt, melt my pains With thy soft strains ; That, having ease me given, With full delight I leave this light, And take my flight For heaven.
Robert Welch Herrick
ANNABEL LEE It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee;— And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child In this kingdom by the sea, But we loved with a love that was more than love— I and my Annabel Lee— With a love that the wingéd seraphs of Heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre, In this kingdom by the sea. The angels, not half so happy in Heaven, Went envying her and me— Yes! that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we— Of many far wiser than we— And neither the angels in Heaven above Nor the demons down under the sea Can ever dissever my soul from the soul Of the beautiful Annabel Lee:— For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise, but I feel the bright eyes Of the beautiful Annabel Lee:— And so, all the night-tide, I lie down by the side Of my darling—my darling—my life and my bride, In her sepulchre there
Anonymous
I wrought me a lyric of fire and fear, And called on the world to heed — Till strong men blenched at my haggard face And shuddered, but would not read. So I stole me the gold of the mines of Joy And fashioned a conscious lie — And they gave me the wreath of the kings of Song And prayed that I might not die! (For the lie that I wrought was as old as the world And dear as the vision of Heaven — Of the crimson lure of a maiden's lips And the myth of a sin forgiven!) But my heart was sick, and my soul grew less, With the light of my failing days, Because I had lied to my Knowledge-God For the pottage of human praise. O I clung to the rim of the cliffs of Hell And called on an empty Name — Till there dropped the tears of a weeping Truth And saved my soul from the flame. So I hid my soul in a maiden's hair, And climbed to a clearer view — And I found I had lied to a lying God, And the myth I had sung - was true!
Kenneth Rand
How much fairer than the pool before the farmer’s door, in which his ducks swim! Hither the clean wild ducks come. Nature has no human inhabitant who appreciates her. The birds with their plumage and their notes are in harmony with the flowers, but what youth or maiden conspires with the wild luxuriant beauty of Nature? She flourishes most alone, far from the towns where they reside. Talk of heaven! Ye disgrace earth.
Henry David Thoreau (Walden)
She was a seductive rose who didn't mind flaunting her deadly thorns. But that didn't change the petal-soft essence of her soul. It was this aching softness that he wanted so much to protect.
Alice Poon (The Heavenly Sword (Sword Maiden from the Moon, #1))
Long ago there was a little land, over which ruled a regulus or kinglet, who was called King Peter, though his kingdom was but little. He had four sons whose names were Blaise, Hugh, Gregory and Ralph: of these Ralph was the youngest, whereas he was but of twenty winters and one; and Blaise was the oldest and had seen thirty winters. Now it came to this at last, that to these young men the kingdom of their father seemed strait; and they longed to see the ways of other men, and to strive for life. For though they were king's sons, they had but little world's wealth; save and except good meat and drink, and enough or too much thereof; house-room of the best; friends to be merry with, and maidens to kiss, and these also as good as might be; freedom withal to come and go as they would; the heavens above them, the earth to bear them up, and the meadows and acres, the woods and fair streams, and the little hills of Upmeads, for that was the name of their country and the kingdom of King Peter.
William Morris (The Well at the World's End)
त्वदीयं सौन्दर्यं तुहिनगिरिकन्ये तुलयितुं कवीन्द्राः कल्पन्ते कथमपि विरिञ्चि-प्रभृतयः I यदालोकौत्सुक्या-दमरललना यान्ति मनसा तपोभिर्दुष्प्रापामपि गिरिश-सायुज्य-पदवीम् II Tvadīyaṃ Soundaryaṃ Tuhinagirikanyē Tulayituṃ Kavīndrāḥ Kalpantē Kathamapi Viriñchi-Prabhṛtayaḥ I Yadālōkautsukyā-Damaralalanā Yānti Manasā Tapōbhirduṣprāpāmapi Giriśa-Sāyujya-Padavīm II Oh, Daughter of ice mountain, even the creator who leads, an array of great poets, fail to describe your sublime beauty. The heavenly pretty maidens, with a wish to see your pristine loveliness, try to see you through the eyes of your Lord, the great Shiva, and do penance to him and reach him through their mind. Oh, daughter of ice mountain, even the creator who leads, an array of great poets, fails to describe your sublime beauty. The heavenly maidens pretty, with a wish to see your pristine loveliness, try to see you through the eyes your Lord, the great Shiva and do penance to him and reach him through their mind.
Ramamurthy N. (Śrī Soundaryalaharī – an Insight)
Lovely Hekate of the roads and of the crossroads I invoke. In heaven, on earth, then in the sea, saffron-cloaked, tomb spirit reveling in the souls of the dead, daughter of Perses, haunting deserted places, delighting in deer, nocturnal, dog-loving, monstrous queen, devouring wild beasts, ungirt and repulsive. Herder of bulls, queen and mistress of the whole world, leader, nymph, mountain-roaming nurturer of youths, maiden, I beseech you to come to these holy rites, ever with joyous heart, ever favoring the oxherd.2
Cyndi Brannen (Entering Hekate's Cave: The Journey Through Darkness to Wholeness)
I admire thee, master of the tides, Of the Yore-flood, of the year's fall; The recurb and the recovery of the gulf's sides, The girth of it and the wharf of it and the wall; Staunching, quenching ocean of a motionable mind; Ground of being, and granite of it: past all Grasp God, throned behind Death with a sovereignty that heeds but hides, bodes but abides; With a mercy that outrides The all of water, an ark For the listener; for the lingerer with a love glides Lower than death and the dark; A vein for the visiting of the past-prayer, pent in prison, The-last-breath penitent spirits—the uttermost mark Our passion-plungèd giant risen, The Christ of the Father compassionate, fetched in the storm of his strides. Now burn, new born to the world, Doubled-naturèd name, The heaven-flung, heart-fleshed, maiden-furled Miracle-in-Mary-of-flame, Mid-numbered he in three of the thunder-throne! Not a dooms-day dazzle in his coming nor dark as he came; Kind, but royally reclaiming his own; A released shower, let flash to the shire, not a lightning of fíre hard-hurled. Dame, at our door Drowned, and among our shoals, Remember us in the roads, the heaven-haven of the Reward: Our Kíng back, Oh, upon énglish sóuls! Let him easter in us, be a dayspring to the dimness of us, be a crimson-cresseted east, More brightening her, rare-dear Britain, as his reign rolls, Pride, rose, prince, hero of us, high-priest, Our hearts' charity's hearth's fire, our thoughts' chivalry's throng's Lord.
Gerard Manley Hopkins (The Wreck of the Deutschland)
Primitive ideas about life and existence are neither congruous with our concepts nor diametrically opposed to our science and psychology. The belief in souls does not include personification of natural objects, but on the other hand it does not exclude the possibility that Sun and Earth may assume a human-like appearance. In Scandinavia, nature is peopled by powers in human shape. Up from the earth and out from the hills elf and dwarf peer forth, a host of giants bellow from the mountains, from the sea answer Ran's daughters, those enticing and hardhearted wave-maidens, with their cruel mother, and at home in the hall of the deep sits venerable Ægir. Over the heavens go sun and moon; some indeed declare that the two drive in chariots with steeds harnessed to their carts; the sun is chased by two wolves eager to swallow its shining body. Of the sun and the moon it is said, both that they were given and taken in marriage, and that they have left offspring.
Vilhelm Grønbech (The Culture of the Teutons: Volumes 1 and 2)
This is the earthshaking insight that gave Luther the solidest of all foundations in Scripture upon which to base what may well be reckoned the greatest revolution in human history. But by jesting in 1532 that it happened in that most humbling and humiliating of places—“upon the toilet”—Luther made it a perfect illustration of his theological foundation. That is because it is in keeping with everything he knew about the incarnated God of the Bible. The specific point here is that the infinite and omniscient and omnipotent creator God of heaven did not descend to earth on a golden cloud. He came to us through screaming pain, through the bloody agony of a maiden’s vagina, in a cattle stall filthy with and stinking of dung. This is how humans enter the world, and
Eric Metaxas (Martin Luther: The Man Who Rediscovered God and Changed the World)