Magnificent View Quotes

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Our life is like a land journey, too even and easy and dull over long distances across the plains, too hard and painful up the steep grades; but, on the summits of the mountain, you have a magnificent view--and feel exalted--and your eyes are full of happy tears--and you want to sing--and wish you had wings! And then--you can't stay there, but must continue your journey--you begin climbing down the other side, so busy with your footholds that your summit experience is forgotten.
Lloyd C. Douglas (The Robe)
Our first stage of existence is truly honored by the magnificent view of our destination.
Sergio Tinoco (Proud American)
Paris, viewed from the towers of Notre Dame in the cool dawn of a summer morning, is a delectable and a magnificent sight; and the Paris of that period must have been eminently so.
Victor Hugo (The Hunchback of Notre-Dame)
I take in the view for a moment. It's like a wall of ocean and beach in front of us as far as I can see. The water looks like it's alive. Heaving. Breathing. It's both magnificent and terrifying.
Colleen Hoover (Heart Bones)
You are not white, but a rainbow of colors. You are not black, but golden. You are not just a nationality, but a citizen of the world. You are not just for the right or left, but for what is right over the wrong. You are not just rich or poor, but always wealthy in the mind and heart. You are not perfect, but flawed. You are flawed, but you are just. You may just be conscious human, but you are also a magnificent reflection of God.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
It is a place that 'grows upon you' every day. There seems to be always something to find out in it. There are the most extraordinary alleys and by-ways to walk about in. You can lose your way (what a comfort that is, when you are idle!) twenty times a day, if you like; and turn up again, under the most unexpected and surprising difficulties. It abounds in the strangest contrasts; things that are picturesque, ugly, mean, magnificent, delightful, and offensive, break upon the view at every turn.
Charles Dickens (Pictures from Italy (Penguin Classics))
OxyContin was, in his view, entirely beyond reproach—a magnificent gift that the Sacklers had bestowed upon humanity that was now being sullied by a nihilistic breed of hillbilly pill poppers.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
There is no ultimate satisfaction in the cultivation of one element of human nature at the expense of all the others, nor in viewing all the world as raw material for the magnificence of one’s own ego.
Bertrand Russell (The Conquest of Happiness)
I sat on a somewhat higher sand dune and watched the eastern sky. Dawn in Mongolia was an amazing thing. In one instant, the horizon became a faint line suspended in the darkness, and then the line was drawn upward, higher and higher. It was as if a giant hand had stretched down from the sky and slowly lifted the curtain of night from the face of the earth. It was a magnificent sight, far greater in scale, [...] than anything that I, with my limited human faculties, could comprehend. As I sat and watched, the feeling overtook me that my very life was slowly dwindling into nothingness. There was no trace here of anything as insignificant as human undertakings. This same event had been occurring hundreds of millions - hundreds of billions - of times, from an age long before there had been anything resembling life on earth.
Haruki Murakami (The Wind-Up Bird Chronicle)
As we go through life, it helps us all if we can view situations positively, with love, compassion, hope and optimism. It raises up the community. It’s a higher vibration. It calls for a world of more peace and love, which is always a good thing.
Andrew Lutts (How to Live a Magnificent Life: Becoming the Living Expression of Higher Consciousness)
The river breeze washed over him. He saw the magnificent views of the city and the bridge connecting Algiers Point to New Orleans. He marveled at the crescent shape of New Orleans as the ferry traveled nearly parallel to the curve in the Mississippi River.
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
A KING WHO PLACED MIRRORS IN HIS PALACE There lived a king; his comeliness was such The world could not acclaim his charm too much. The world's wealth seemed a portion of his grace; It was a miracle to view his face. If he had rivals,then I know of none; The earth resounded with this paragon. When riding through his streets he did not fail To hide his features with a scarlet veil. Whoever scanned the veil would lose his head; Whoever spoke his name was left for dead, The tongue ripped from his mouth; whoever thrilled With passion for this king was quickly killed. A thousand for his love expired each day, And those who saw his face, in blank dismay Would rave and grieve and mourn their lives away- To die for love of that bewitching sight Was worth a hundred lives without his light. None could survive his absence patiently, None could endure this king's proximity- How strange it was that man could neither brook The presence nor the absence of his look! Since few could bear his sight, they were content To hear the king in sober argument, But while they listened they endure such pain As made them long to see their king again. The king commanded mirrors to be placed About the palace walls, and when he faced Their polished surfaces his image shone With mitigated splendour to the throne. If you would glimpse the beauty we revere Look in your heart-its image will appear. Make of your heart a looking-glass and see Reflected there the Friend's nobility; Your sovereign's glory will illuminate The palace where he reigns in proper state. Search for this king within your heart; His soul Reveals itself in atoms of the Whole. The multitude of forms that masquerade Throughout the world spring from the Simorgh's shade. If you catch sight of His magnificence It is His shadow that beguiles your glance; The Simorgh's shadow and Himself are one; Seek them together, twinned in unison. But you are lost in vague uncertainty... Pass beyond shadows to Reality. How can you reach the Simorgh's splendid court? First find its gateway, and the sun, long-sought, Erupts through clouds; when victory is won, Your sight knows nothing but the blinding sun.
Attar of Nishapur
A soft luxurious course of habitual indulgence, is the practice of the bulk of modern Christians: and that constant moderation, that wholesome discipline of restraint and self-denial, which are requisite to prevent the unperceived encroachments of the inferior appetites, seem altogether disused, as the exploded austerities of monkish superstition... But the persons of whom we are now speaking, forgetting alike the duties they owe to themselves and to their fellow-creatures, often act as though their condition were meant to be a state of uniform indulgence, and vacant, unprofitable sloth... To multiply the comforts of affluence, to provide for the gratification of appetite, to be luxurious without diseases, and indolent without lassitude, seems the chief study of their lives. Others again seem more to attach themselves to what have been well termed the ‘pomps and vanities of this world.’ Magnificent houses, grand equipages, numerous retinues, splendid entertainments, high and fashionable connections, appear to constitute, in their estimation, the supreme happiness of life.
William Wilberforce (A Practical View of the Prevailing Religious Systems)
one thing that I realized early on in thinking about this book, when I found, to my consternation, that I was writing a fantasy. I hadn't expected ever to write a fantasy, because I am not a great fantasy fan. But I realized that I could use the apparatus of fantasy to say things that I thought were true. Which was exactly what, I then realized, Milton had been doing with Paradise Lost. Paradise Lost is not a story of people and some other people who've got wings. It's not one of those banal fantasies that just rely on somebody having magic and someone dropping a ring down a volcano. Paradise Lost is a great psychological novel that happens to be cast in the form of a fantasy, because the devils and the angels are, of course, embodiments of psychological states. The portrait of Satan, especially in the Temptation scene (I think it's in Book 9), is a magnificent piece of psychological storytelling. So it was possible to do, I realized, and with Milton as my encouragement, I launched into this book -- which I reluctantly accept has to be called a fantasy. Finding physical embodiments for things that were not themselves physical was one of the ways I approached what I wanted to say. But then, that's what we do with metaphor all the time. That's the way metaphor works. The way metaphor works is not the way allegory works. Allegory works because the author says, "This means so-and-so, that means such-and-such, and this can only be understood in such-and-such a way. If you don't understand it like this, the book won't work." It seems to me that some critics of mine, from the religious point of view, are treating my novel as if it were an allegory and they had the key to it. It is not an allegory, and they don't have the key to it, because there is no key apart from the sympathetic and open-minded understanding of the reader.
Philip Pullman
We might find it easy to look at some majestic view like a glorious sunset or the grandeur of the mountains and ponder the magnificence of God's handiwork. But this sense needs to extend beyond the "wow" moments to encompass all of our experience of his world. We have the same problem when we only recognize God in some incredible occurrence in our lives and forget that he provides for us, cares for us and protects us moment by moment, day after day. God did not just create at some time in the past; he is the Creator - past, present and future." (The Lost World of Genesis One.)
John H. Walton
When I visited George Bernard Shaw, in 1948, at his home in Aylot, a suburb of London, he was extremely anxious for me to tell him all that I knew about Ingersoll. During the course of the conversation, he told me that Ingersoll had made a tremendous impression upon him, and had exercised an influence upon him probably greater than that of any other man. He seemed particularly anxious to impress me with the importance of Ingersoll's influence upon his intellectual endeavors and accomplishments. In view of this admission, what percentage of the greatness of Shaw belongs to Ingersoll? If Ingersoll's influence upon so great an intellect as George Bernard Shaw was that extensive, what must have been his influence upon others? What seed of wisdom did he plant into the minds of others, and what accomplishments of theirs should be attributed to him? The world will never know. What about the countless thousands from whom he lifted the clouds of darkness and fear, and who were emancipated from the demoralizing dogmas and creeds of ignorance and superstition? What will be Ingersoll's influence upon the minds of future generations, who will come under the spell of his magic words, and who will be guided into the channels of human betterment by the unparalleled example of his courageous life? The debt the world owes Robert G. Ingersoll can never be paid.
Joseph Lewis (Ingersoll the Magnificent)
Our culture's response to egotism is as misguided as our approach to inadequacy. When people feel and act as if they're better than others—belittling those around them, for instance, or persistently interrupting to assert their own views—we're encouraged to "bring them down a peg." According to my guides, however, people who strive for superiority are wrestling with a deep internal conflict. Disconnected at a conscious level from the genuine magnificence of their Spirit, they retain an unconscious remembrance of this innate grandeur. Longing to realize the potential they sense within, but confused by identifying only with what is commonly referred to as the ego—the limited, human aspect of their being—they believe they can feel powerful and significant only through dominating and outshining others.
Ellen Tadd (The Infinite View: A Guidebook for Life on Earth)
Tower Bridge looked very grand in its new coat of blue, cream and gold paint. Gone was the dingy black and white of my youth. But otherwise it was just the same: gulls screaming overhead, and black water rushing past beneath. A magnificent view of the Tower from here. I took some pictures just for the record; then continued towards the East End which was only a short walk away. This would be the most painful part of my journey.
Bernie Morris (sweets for my sweet)
I began to reflect how magnificent a thing it was to die in such a manner, and how foolish it was in me to think of so paltry a consideration as my own individual life, in view of so wonderful a manifestation of God’s power.
Edgar Allan Poe (Edgar Allan Poe: Complete Tales and Poems)
A magnificent natural view is a pink curtain. Open the curtain; you will then see the most horrible life struggles over there! Could it be that the beauty of the nature is a bribe given to us by God to forget the atrocities of the nature?
Mehmet Murat ildan
I am not sure whether you could call this abuse, but when I was (long ago) abroad in the world of dry men, I saw parents, usually upscale and educated and talented and functional and white, patient and loving and supportive and concerned and involved in their children’s lives, profilgate with compliments and diplomatic with constructive criticism, loquacious in their pronouncements of unconditional love for and approval of their children, conforming to every last jot-tittle in any conceivably definition of a good parent, I saw parent after unimpeachable parent who raised kids who were (a) emotionally retarded or (b) lethally self-indulgent or (c) chronically depressed or (d) borderline psychotic or (e) consumed with narcissistic self-loathing or (f) neurotically driven/addicted or (g) variously psychosomatically Disabled or (h) some conjunctive permutation of (a) … (g). Why is this. Why do many parents who seem relentlessly bent on producing children who feel they are good persons deserving of love produce children who grow to feel they are hideous persons not deserving of love who just happen to have lucked into having parents so marvelous that the parents love them even though they are hideous? Is it a sign of abuse if a mother produces a child who believes not that he is innately beautiful and lovable and deserving of magnificent maternal treatment but somehow that he is a hideous unlovable child who has somehow lucked in to having a really magnificent mother? Probably not. But could such a mother then really be all that magnificent, if that’s the child’s view of himself? ...I think, Mrs. Starkly, that I am speaking of Mrs. Avril M.-T. Incandenza, although the woman is so multileveled and indictment-proof that it is difficult to feel comfortable with any sort of univocal accusation of anything. Something just was not right, is the only way to put it. Something creepy, even on the culturally stellar surface.
David Foster Wallace (Infinite Jest)
The oak was, of course, a great stealer of the surrounding pasture—its only value to provide shade for the livestock—but it was a magnificent tree. It had been there at least as long as Luxtons had owned the land. To have removed it would have been unthinkable (as well as a forbidding practical task). It simply went with the farm. No one taking in that view for the first time could have failed to see that the tree was the immovable, natural companion of the farmhouse, or, to put it another way, that so long as the tree stood, so must the farmhouse. And no mere idle visitor—especially if they came from a city and saw that tree on a summer’s day—could have avoided the simpler thought that it was a perfect spot for a picnic.
Graham Swift (Wish You Were Here)
Yet they are unmoved when told of the cruel blow that fortune has dealt them, happy to see out their days on this unknown and unspoiled atoll. They will tell you that the view from their windows is infinitely more magnificent than Manhattan's glittering skyline.
Giles Milton (Nathaniel's Nutmeg: How One Man's Courage Changed the Course of History)
After seeing the various fantastic sights, a visitor to Panorama Island would have had to gasp in amazement at this unsurpassable view. He would have had the impression that the entire island was a rose floating on the vast ocean and that the giant scarlet flower of an opium dream was conversing on an equal footing with the sun in the sky, just the two of them. What kind of strange beauty had that incomparable simplicity and grandeur created? Some travelers might have recalled the world of myth that their distant ancestors had seen. . . . How can the author describe the madness and debauchery, the pleasures of revelry and drunkenness, the numberless games of life and death that were played day and night on that magnificent stage? You readers might find something that resembled it, in part, in your most fantastic, bloodiest, and most beautiful nightmares.
Edogawa Rampo (Strange Tale of Panorama Island)
Steve Jobs said creativity is “just connecting things.” Salvador Dali said “those who do not want to imitate anything, produce nothing.” Picasso said “good artists copy but great artists steal.” Mark Twain said “all ideas are second-hand, consciously and unconsciously drawn from a million outside sources.” No magnificent product of the imagination—whether a machine, painting, or philosophy—was created in a complete vacuum. The invention of the telegraph took the efforts of a thousand, but the last man, who added that final inspired touch, got the credit. When you start viewing
Sean Patrick (Nikola Tesla: Imagination and the Man That Invented the 20th Century)
The atheist generally says (though the bold Dr. Victor Stenger goes a bit further) that the existence of a deity cannot be dis-proved. It can only be found to be entirely lacking in evidence or proof. The theist can opt to be a mere deist, and to say that the magnificence of the natural order strongly implies an ordering force. (This was the view taken, at least in public, by opponents of religion such as Thomas Jefferson and Thomas Paine.) But the religious person must go further and say that this creative force is also an intervening one: one that cares for our human affairs and is interested in what we eat and with whom we have sexual relations, as well as in the outcomes of battles and wars. To assert this is quite simply to assert more than any human can possibly claim to know, and thus it falls, and should be discarded, and should have been discarded long ago.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
We will simply say here that, as a means of contrast with the sublime, the grotesque is, in our view, the richest source that nature can offer art. Rubens so understood it, doubtless, when it pleased him to introduce the hideous features of a court dwarf amid his exhibitions of royal magnificence, coronations and splendid ceremonial. The universal beauty which the ancients solemnly laid upon everything, is not without monotony; the same impression repeated again and again may prove fatiguing at last. Sublime upon sublime scarcely presents a contrast, and we need a little rest from everything, even the beautiful. On the other hand, the grotesque seems to be a halting-place, a mean term, a starting-point whence one rises toward the beautiful with a fresher and keener perception. The salamander gives relief to the water-sprite; the gnome heightens the charm of the sylph.
Victor Hugo
There is always an open space as big as a city square in front of each building. . . . And in addition there is nearly always a broad avenue leading directly to it, giving a view from a long distance. It is this, as much as the buildings and monuments themselves, that makes Paris such a magnificent city.
David McCullough (The Wright Brothers)
There appears no assurance that in the times of our own grandchildren the world will contain viable populations of wild African Lions, Tigers, Polar Bears, Emperor Penguins, gorillas, or coral reefs. These are the animals expectant parents pain on nursery room walls. Their implied wish: to welcome precious new life in to a world endowed with the magnificence and delight and fright of companions we have traveled with since the beginning. Some people debate the “rights of the unborn” as though a human life begins at conception but we don’t need to concern ourselves with its prospects after birth. Raging over the divine sanctity of anyone else’s pregnancy is a little overwrought and a little too easy when nature itself terminates one out of four by the sixth week. There are much bigger, more compassionate pro-life fish to fry. Passing along a world that can allow real children to flourish and the cavalcade of generations to unfold, and the least to live in modest dignity would be the biggest pro-life enterprise we could undertake.
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
Richard Stouthamer discovered a group of asexual, all-female wasps, which only reproduced by cloning themselves. This trait was the work of a bacterium, Wolbachia: when Stouthamer treated the wasps with antibiotics, the males suddenly reappeared and both sexes started mating again. Thierry Rigaud found bacteria in woodlice that transformed males into females by interfering with the production of male hormones; it was Wolbachia, too. In Fiji and Samoa, Greg Hurst found that a bacterium was killing the male embryos of the magnificent blue-moon butterfly, so that the females outnumbered the males by a hundred to one. Again: Wolbachia. Maybe not exactly the same strain, but all were different versions of the microbe from Hertig and Wolbach’s mosquito.
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
If you look at the world from the point of view of a hungry virus,” the historian William H. McNeill has noted, “or even a bacterium—we offer a magnificent feeding ground with all our billions of human bodies, where, in the very recent past, there were only half as many people. In some 25 or 27 years, we have doubled in number. A marvelous target for any organism that can adapt itself to invading us.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
Thank you, for creating this vast and flexible playground. Thank you for creating one of the twentieth century's most popular myths, a gift that has brought billions of happy viewing hours at a critical time in world history, a time when perhaps, we need more than ever to blieve in honor, sacrifice, heart, and that special magic called life itself. As long as I live I will never forget The Moment when Luke Skywalker flew so desperately into the Death Star's trench, John William's score soaring magnificently, and the audience overwhelmed by Industrial Light and Magic's mind-bending inaugural. At that pulse-pounding moment, a moment when it seemed the individual human being could have no point or purpose, no meaning in a universe so vast and cybernetic, we heard Obi-Wan Kenobi whisper that we should trust our feelings. The Force flows through us. It controls us. We control it. Life creates it. It is more powerful than any Death Star. Hundreds of millions of people said yes, and sighed, and applauded, and went home or turned off their videos feeling just a little more empowered than they did before the lights went down and the Twentieth Century-Fox fanfare came up. No small feat. May the Force be with you, Mr. Lucas. And with us all. Always".
Steven Barnes (The Cestus Deception (Star Wars))
No one could discuss racial justice with President Eisenhower without coming away with mixed emotions. His personal sincerity on the issue was pronounced, and he had a magnificent capacity to communicate it to individuals. However, he had no ability to translate it to the public, or to define the problem as a supreme domestic issue. I have always felt that he failed because he knew that his colleagues and advisers did not share his views, and he had no disposition to fight even for cherished beliefs. Moreover, President Eisenhower could not be committed to anything which involved a structural change in the architecture of American society. His conservatism was fixed and rigid, and any evil defacing the nation had to be extracted bit by bit with a tweezer because the surgeon's knife was an instrument too radical to touch this best of all possible societies.
Martin Luther King Jr. (Why We Can't Wait)
Suddenly life was good, even glamorous. We were poor but didn’t know it, or maybe we did know, but we didn’t care, because my mother had stopped disappearing into her bedroom. Our apartment building was surrounded by empty lots, which were all that separated us from the ocean. Within a couple of decades, those stretches of undeveloped land – prime coastline real estate –would be built upon, with upscale apartment complexes and million-dollar houses with ocean views. But in 1967, those barren lots were our magnificent private playground. I had a tomboy streak and recruited neighborhood boys onto an ad hoc softball team. Dieter and my mother installed a tetherball pole, which acted as a magnet for kids in the neighborhood. For the first time in years, we were enjoying what felt like a normal, quasi-suburban existence, with us at the center of everything–the popular kids with the endless playground.
Katie Hafner (Mother Daughter Me)
Richard opened the door, then stood back. “After you, my lady.” Jessica walked into the room and gasped. She turned around and around, trying to take in the entire view. He had painted the bedroom walls. Talk about an unobstructed ocean view. It was more magnificent than she ever could have imagined. She laughed and threw herself at him. “You’re amazing,” she said breathlessly. “It’s beautiful!” “Nay,” he said, shutting the door and bolting it. “You are the beautiful one.
Lynn Kurland (The More I See You (de Piaget, #7; de Piaget/MacLeod, #6))
Elizabeth was standing at the edge of the grassy plateau, a few yards beyond where they’d held their shooting match. Wind ruffled through the trees, blowing her magnificent hair about her shoulders like a shimmering veil. He stopped a few steps away from her, looking at her, but seeing her as she had looked long ago-a young goddess in royal blue, descending a staircase, aloof, untouchable; an angry angel defying a roomful of men in a card room; a beguiling temptress in a woodcutter’s cottage, lifting her wet hair in front of the fire-and at the end, a frightened girl thrusting flowerpots into his hands to keep him from kissing her. He drew in a deep breath and shoved his hands into his pockets to keep from reaching for her. “It’s a magnificent view,” she commented, glancing at him. Instead of replying to her remark, Ian drew a long, harsh breath and said curtly, “I’d like you to tell me again what happened that last night. Why were you in the greenhouse?” Elizabeth suppressed her frustration. “You know why I was there. You sent me a note. I thought it was from Valerie-Charise’s sister-and I went to the greenhouse.” “Elizabeth, I did not send you a note, but I did receive one.” Sighing with irritation, Elizabeth leaned her shoulders against the tree behind her. “I don’t see why we have to go through this again. You won’t believe me, and I can’t believe you.” She expected an angry outburst; instead he said, “I do believe you. I saw the letter you left on the table in the cottage. You have a lovely handwriting.” Caught completely off balance by his solemn tone and his quiet compliment, she stared at him. “Thank you,” she said uncertainly. “The note you received,” he continued. “What was the handwriting like?” “Awful,” she replied, and she added with raised brows, “You misspelled ‘greenhouse.’” His lips quirked with a mirthless smile. “I assure you I can spell it, and while my handwriting may not be as attractive as yours, it’s hardly an illegible scrawl. If you doubt me, I’ll be happy to prove it inside.
Judith McNaught (Almost Heaven (Sequels, #3))
Some lives are like steps and stairs, every period an achievement built on a previous success. Other lives hum with the arc of the swift spear. Only ever one thing, that dedicated life, from start to finish, but how magnificently concentrated its journey. The trajectory seems so true as to be proof of predestination. Still other lives are more like the progress of a child scrabbling over boulders at a lakeside—now up, now down, always the destination blocked from view. Now a wrenched ankle, now a spilled sandwich, now a fishhook in the face.
Gregory Maguire (The Wicked Years Complete Collection: Wicked, Son of a Witch, A Lion Among Men, and Out of Oz)
The flat area immediately below was broken up into a formal pattern of beds containing oleander and more clipped clouds of box, a southern imitation of the grand parterres of aristocratic chateaux. A rose garden beyond was the first in a series of gardens created on descending levels, apparently linked by a magnificently overgrown wisteria. Dense lines of cypress hid any farther areas from view, including the memorial garden that was her special brief. As a whole, the garden was charming, luxuriant, but- from a professional point of view- dilapidated.
Deborah Lawrenson (The Sea Garden)
On hers . . . a mess, the teacher had said, but she had already heard the other children exclaim over what she could see for herself. Magnificence, glory, all the things they weren’t supposed to have. She woke up with tears still wet on her cheeks, and blinked them out of her eyes. Something vividly red swung in and out of view at the window. Dayvine trumpets, in the breeze—the vine on that side of the house must have grown a foot overnight. Barto had insisted on keeping the house free of vines; she lay there and felt a deep happiness work out from her bones at the sight of those flowers dancing in the sunlight.
Elizabeth Moon (Remnant Population)
Something is happening in Memphis; something is happening in our world. And you know, if I were standing at the beginning of time, with the possibility of taking a kind of general and panoramic view of the whole of human history up to now, and the Almighty said to me, "Martin Luther King, which age would you like to live in?" I would take my mental flight by Egypt and I would watch God's children in their magnificent trek from the dark dungeons of Egypt through, or rather across the Red Sea, through the wilderness on toward the promised land. And in spite of its magnificence, I wouldn't stop there. I would move on by Greece and take my mind to Mount Olympus. And I would see Plato, Aristotle, Socrates, Euripides and Aristophanes assembled around the Parthenon. And I would watch them around the Parthenon as they discussed the great and eternal issues of reality. But I wouldn't stop there. I would go on, even to the great heyday of the Roman Empire. And I would see developments around there, through various emperors and leaders. But I wouldn't stop there. I would even come up to the day of the Renaissance, and get a quick picture of all that the Renaissance did for the cultural and aesthetic life of man. But I wouldn't stop there. I would even go by the way that the man for whom I am named had his habitat. And I would watch Martin Luther as he tacked his ninety-five theses on the door at the church of Wittenberg. But I wouldn't stop there. I would come on up even to 1863, and watch a vacillating President by the name of Abraham Lincoln finally come to the conclusion that he had to sign the Emancipation Proclamation. But I wouldn't stop there. I would even come up to the early thirties, and see a man grappling with the problems of the bankruptcy of his nation. And come with an eloquent cry that we have nothing to fear but "fear itself." But I wouldn't stop there.
Martin Luther King Jr.
Consider it a Solstice and birthday present in one.' He gestured to the house, the gardens, the grounds that flowed to the river's edge. With a perfect view of the Rainbow at night, thanks to the land's curve. 'It's yours. Ours. I purchased it on Solstice Eve. Workers are coming in two days to begin clearing the rubble and knock down the rest of the house.' I blinked again, long and slow. 'You bought me an estate?' 'Technically, it will be our estate, but the house is yours. Build it to your heart's content. Everything you want, everything you need- build it.' The cost alone, the sheer size of this gift had to astronomical. 'Rhys.' He paced a few steps, running his hands through his blue-black hair, his wings tucked in tight. 'We have no space at the town house. You and I can barely fit everything in the bedroom. And no one wants to be at the House of Wind.' He again gestured to the magnificent estate around us. 'So build a house for us, Feyre. Dream as wildly as you want. It's yours.' I didn't have words for it. What cascaded through me. 'It- the cost-' 'Don't worry about the cost.' 'But...' I gaped at the sleeping, tangled land, the ruined house. Pictured what I might want there. My knees wobbled. 'Rhys- it's too much.' His face became deadly serious. 'Not for you. Never for you.' He slid his arms around my waist, kissing my temple. 'Build a house with a painting studio.' He kissed my other temple. 'Build a house with an office for you, and one for me. Build a house with a bathtub big enough for two- and for wings.' Another kiss, this time to my cheek. 'Build a house with a garden for Elain, a training ring for the Illyrian babies, a library for Amren, and an enormous dressing room for Mor.' I choked on a laugh at that. But Rhys silenced it with a kiss to my mouth, lingering and sweet. 'Build a house with a nursery, Feyre.' My heart tightened to the point of pain, and I kissed him back. Kissed him again and again, the property wide and clear around us. 'I will,' I promised.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
The gnarled pine, I would have said, touch it. This is China. Horticulturalists around the world have come to study it. Yet no one has ever been able to explain why it grows like a corkscrew, just as no one can adequately explain China. But like that tree, there it is, old, resilient, and oddly magnificent. Within that tree are the elements in nature that have inspired Chinese artists for centuries: gesture over geometry, subtlety over symmetry, constant flow over static form. And the temples, walk and touch them. This is China. Don't merely stare at these murals and statues. Fly up to the crossbeams, get down on your hands and knees, and press your head to the floor tiles. Hide behind that pillar and come eye to eye with its flecks of paint. Imagine that you are the interior decorator who is a thousand years in age. Start with a bit of Tibetan Buddhism, plus a dash each of animism and Taoism. A hodgepodge, you say? No, what is in those temples is an amalgam that is pure Chinese, a lovely shabby elegance, a glorious new motley that makes China infinitely intriguing. Nothing is ever completely thrown away and replaced. If one period of influence falls out of favor, it is patched over. The old views still exist, one chipped layer beneath, ready to pop through with the slightest abrasion. That is the Chinese aesthetic and also its spirit. Those are the traces that have affected all who have traveled along China's roads.
Amy Tan (Saving Fish from Drowning)
hotel where their relationship had finally been consummated. The Hôtel du Cap was one of the most beautiful, exclusive, and illustrious hotels in Europe, with prices to match. The main building had marble halls, high ceilings, and magnificent rooms and suites, most of them looking out at the sea shimmering like glass. There was an impressive outdoor staircase leading down to the even more exclusive Eden Roc, with gardens on either side of the wide path and closer to the water. It was the vacation spot for aristocrats, royalty, the immensely rich, and in recent years jet-setters, Russian tycoons, and movie stars, many of whom preferred to stay at the less formal lower building, with smaller but still elegantly appointed suites, and even better views of the sea from their balconies. There
Danielle Steel (Precious Gifts)
Perhaps the most wrenching by-product of the scientific revolution has been to render untenable many of our most cherished and most comforting beliefs. The tidy anthropocentric proscenium of our ancestors has been replaced by a cold, immense, indifferent Universe in which humans are relegated to obscurity. But I see the emergence in our consciousness of a Universe of a magnificence, and an intricate, elegant order far beyond anything our ancestors imagined. And if much about the Universe can be understood in terms of a few simple laws of Nature, those wishing to believe in God can certainly ascribe those beautiful laws to a Reason underpinning all of Nature. My own view is that it is far better to understand the Universe as it really is than to pretend to a Universe as we might wish it to be.
Carl Sagan (Billions & Billions: Thoughts on Life and Death at the Brink of the Millennium)
The creature you find in Speak, Memory is rare enough to be zoo-worthy. He’s not just smarter but somehow more effete than most of us without seeming put on. Resenting him for it would be like resenting a gazelle for her grace. He doesn’t sound prissy painting himself as a cultivated synesthete who can hear colors and see music, nor vain talking as a polyglot who translates his own work back and forth into many languages. He’s just your standard virtuoso aristocrat from a gilded age. Which is the miracle of his talent. He has shaped the book to highlight his own magnificent way of viewing the world, a viewpoint that so eats your head that you never really leave his very oddly bejeweled skull, and you value things in the book’s context as he does, never missing what you otherwise adore in another kind of writer.
Mary Karr (The Art of Memoir)
I maintain that truth is a pathless land, and you cannot approach it by any path whatsoever, by any religion, by any sect. That is my point of view, and I adhere to that absolutely and unconditionally. Truth, being limitless, unconditioned, unapproachable by any path whatsoever, cannot be organized; nor should any organization be formed to lead or coerce people along a particular path. ... This is no magnificent deed, because I do not want followers, and I mean this. The moment you follow someone you cease to follow Truth. I am not concerned whether you pay attention to what I say or not. I want to do a certain thing in the world and I am going to do it with unwavering concentration. I am concerning myself with only one essential thing: to set man free. I desire to free him from all cages, from all fears, and not to found religions, new sects, nor to establish new theories and new philosophies.
J. Krishnamurti
The great create an atmosphere which reacts badly upon the small. This atmosphere is easily and quickly felt. Walk among the magnificent residences, the splendid equipages, the gilded shops, restaurants, resorts of all kinds; scent the flowers, the silks, the wines; drink of the laughter springing from the soul of luxurious content, of the glances which gleam like light from defiant spears; feel the quality of the smiles which cut like glistening swords and of strides born of place, and you shall know of what is the atmosphere of the high and mighty. Little use to argue that of such is not the kingdom of greatness, but so long as the world is attracted by this and the human heart views this as the one desirable realm which it must attain, so long, to that heart, will this remain the realm of greatness. So long, also, will the atmosphere of this realm work its desperate results in the soul of man. It
Theodore Dreiser (Delphi Collected Works of Theodore Dreiser (Illustrated) (Delphi Series Eight Book 25))
There is, strictly speaking, neither unselfish conduct, nor a wholly disinterested point of view. Both are simply sublimations in which the basic element seems almost evaporated and betrays its presence only to the keenest observation. All that we need and that could possibly be given us in the present state of development of the sciences, is a chemistry of the moral, religious, aesthetic conceptions and feeling, as well as of those emotions which we experience in the affairs, great and small, of society and civilization, and which we are sensible of even in solitude. But what if this chemistry established the fact that, even in its domain, the most magnificent results were attained with the basest and most despised ingredients? Would many feel disposed to continue such investigations? Mankind loves to put by the questions of its origin and beginning: must one not be almost inhuman in order to follow the opposite course?
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
You're too handsome to wear a beard," she informed him. "I might allow it someday if you need to conceal a sagging chin, but for now, it has to go." "At the moment," West said with his eyes still closed, "nothing I have is sagging." Phoebe glanced downward reflexively. From her vantage point between his splayed legs, she had a perfect view of his lap, where the ridge of a rather magnificent erection strained the fabric of his trousers. Her mouth went dry, and she wavered between uneasiness and intense curiosity. "That looks uncomfortable," she said. "I can bear it." "I meant for me." The cheeks beneath her fingertips tautened as West tried- unsuccessfully- to hold back a grin. "If it makes you nervous, don't worry. It will disappear as soon as you pick up that damned razor." He paused before adding huskily, "But... it wouldn't be. Uncomfortable, I mean. If we were going to... I would make sure you were ready. I would never hurt you.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Marlboro Man picked me up the next evening, exactly one month before our wedding day. Our evening apart had made the heart grow fonder, and we greeted each other with a magnificently tight embrace. It filled my soul, the way his arms gripped me…how he almost always used his superior strength to lift me off the ground. A wannabe strong, independent woman, I was continually surprised by how much I loved being swept, quite literally, off my feet. We drove straight into the sunset, arriving on his ranch just as the sky was changing from salmon to crimson, and I gasped. I’d never seen anything so brilliant and beautiful. The inside of Marlboro Man’s pickup glowed with color, and the tallgrass prairie danced in the evening breeze. Things were just different in the country. The earth was no longer a mere place where I lived--it was alive. It had a heartbeat. The sight of the country absolutely took my breath away--the vast expanse of the flat pastures, the endless view of clouds. Being there was a spiritual experience.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Now I know what makes you so different from other women," said John Tenison, when he and Margaret were alone. "It's having that wonderful mother! She--she--well, she's one woman in a million; I don't have to tell you that! It's something to thank God for, a mother like that; it's a privilege to know her. I've been watching her all day, and I've been wondering what SHE gets out of it--that was what puzzled me; but now, just now, I've found out! This morning, thinking what her life is, I couldn't see what REPAID her, do you see? What made up to her for the unending, unending effort, and sacrifice, the pouring out of love and sympathy and help--year after year after year..." He hesitated, but Margaret did not speak. "You know," he went on musingly, "in these days, when women just serenely ignore the question of children, or at most, as a special concession, bring up one or two--just the one or two whose expenses can be comfortably met!--there's something magnificent in a woman like your mother, who begins eight destinies instead of one! She doesn't strain and chafe to express herself through the medium of poetry or music or the stage, but she puts her whole splendid philosophy into her nursery--launches sound little bodies and minds that have their first growth cleanly and purely about her knees. Responsibility--that's what these other women say they are afraid of! But it seems to me there's no responsibility like that of decreeing that young lives simply SHALL NOT BE. Why, what good is learning, or elegance of manner, or painfully acquired fineness of speech, and taste and point of view, if you are not going to distill it into the growing plants, the only real hope we have in the world! You know, Miss Paget," his smile was very sweet in the half darkness, "there's a higher tribunal than the social tribunal of this world, after all; and it seems to me that a woman who stands there, as your mother will, with a forest of new lives about her, and a record like hers, will--will find she has a Friend at court!" he finished whimsically.
Kathleen Thompson Norris
Are you willing?" Through the shadows, he found her gleaming eyes, her slightly curved mouth. "No, it's too reckless. Too irresponsible." "You're sounding like a father. Or a constable, Constable." "I'm both, Miss Connor." He watched her lips tilt and flow into a glorious smile. "Rory's in bed, safe and sound. Most of the town is in bed, safe and sound. And you're here, with a pragmatic woman who can take care of herself. Two adults and one magnificent challenge." "More like a dare," he said and drained his glass. She took a step closer, until her skirt brushed his knee. "Call it a dare if you like." "No." His resolve slipped a notch when she crouched before him, the pleasing angles of her face flooding into view. She was much, much too tempting. "I'll do it all. You don't have to participate. That should be enough to prove my case." "I wasn't serious when I said that. I'm sure you're not, hell, frigid." She leaned in, her hands sliding along the arms of the chair, her face fading out of view as it closed in on his. A scent, provocative and earthy, stole in with his stuttered breath. "You see, Constable, I'm always serious." He watched her moisten her lips, so near he could almost taste her. "Close your eyes. I've heard that's the way it's done.
Tracy Sumner (Tides of Passion)
I can’t help thinking,” she confided when he finished answering her questions about women in India who covered their faces and hair in public, “that it is grossly unfair that I was born a female and so must never know such adventures, or see but a few of those places. Even if I were to journey there, I’d only be allowed to go where everything was as civilized as-as London!” “There does seem to be a case of extreme disparity between the privileges accorded the sexes,” Ian agreed. “Still, we each have our duty to perform,” she informed him with sham solemnity. “And there’s said to be great satisfaction in that.” “How do you view your-er-duty?” he countered, responding to her teasing tone with a lazy white smile. “That’s easy. It is a female’s duty to be a wife who is an asset to her husband in every way. It is a male’s duty to do whatever he wishes, whenever he wishes, so long as he is prepared to defend his country should the occasion demand it in his lifetime-which it very likely won’t. Men,” she informed him, “gain honor by sacrificing themselves on the field of battle while we sacrifice ourselves on the altar of matrimony.” He laughed aloud then, and Elizabeth smiled back at him, enjoying herself hugely. “Which, when one considers it, only proves that our sacrifice is by far the greater and more noble.” “How is that?” he asked, still chuckling. “It’s perfectly obvious-battles last mere days or weeks, months at the very most. While matrimony lasts a lifetime! Which brings to mind something else I’ve often wondered about,” she continued gaily, giving full rein to her innermost thoughts. “And that is?” he prompted, grinning, watching her as if he never wanted to stop. “Why do you suppose, after all that, they call us the weaker sex?” Their laughing gazes held, and then Elizabeth realized how outrageous he must be finding some of her remarks. “I don’t usually go off on such tangents,” she said ruefully. “You must think I’m dreadfully ill-bred.” “I think,” he softly said, “that you are magnificent.” The husky sincerity in his deep voice snatched her breath away. She opened her mouth, thinking frantically for some light reply that could restore the easy camaraderie of a minute before, but instead of speaking she could only draw a long, shaky breath. “And,” he continued quietly, “I think you know it.” This was not, not the sort of foolish, flirtatious repartee she was accustomed to from her London beaux, and it terrified her as much as the sensual look in those golden eyes. Pressing imperceptibly back against the arm of the sofa, she told herself she was only overacting to what was nothing more than empty flattery. “I think,” she managed with a light laugh that stuck in her throat, “that you must find whatever female you’re with ‘magnificent.’” “Why would you say a thing like that?” Elizabeth shrugged. “Last night at supper, for one thing.” When he frowned at her as if she were speaking in a foreign language, she prodded, “You remember Lady Charise Dumont, our hostess, the same lovely brunette on whose every word you were hanging at supper last night?” His frown became a grin. “Jealous?” Elizabeth lifted her elegant little chin and shook her head. “No more than you were of Lord Howard.” She felt a small bit of satisfaction as his amusement vanished. “The fellow who couldn’t seem to talk to you without touching your arm?” he inquired in a silky-soft voice. “That Lord Howard? As a matter of fact, my love, I spent most of my meal trying to decide whether I wanted to shove his nose under his right ear or his left.” Startled, musical laughter erupted from her before she could stop it. “You did nothing of the sort,” she chuckled. “Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.” “Wouldn’t I?” he asked softly. “Those are two very different issues.
Judith McNaught (Almost Heaven (Sequels, #3))
The great German philosopher Schopenhauer, in a magnificent essay on “The Foundation of Morality,” treats of this transcendental spiritual experience. How is it, he asks, that an individual can so forget himself and his own safety that he will put himself and his life in jeopardy to save another from death or pain—as though that other’s life were his own, that other’s danger his own? Such a one is then acting, Schopenhauer answers, out of an instinctive recognition of the truth that he and that other in fact are one. He has been moved not from the lesser, secondary knowledge of himself as separate from others, but from an immediate experience of the greater, truer truth, that we are all one in the ground of our being. Schopenhauer’s name for this motivation is “compassion,” Mitleid, and he identifies it as the one and only inspiration of inherently moral action. It is founded, in his view, in a metaphysically valid insight. For a moment one is selfless, boundless, without ego.3 And I have lately had occasion to think frequently of this word of Schopenhauer as I have watched on television newscasts those heroic helicopter rescues, under fire in Vietnam, of young men wounded in enemy territory: their fellows, forgetful of their own safety, putting their young lives in peril as though the lives to be rescued were their own. There, I would say—if we are looking truly for an example in our day—is an authentic rendition of the labor of Love.
Joseph Campbell (Myths to Live By)
Lost Things" There are many ways to understand the word lost, my love. When you were born, the last Pyrenean ibex, a tawny female named Celia, had not yet lived to see the view from Torla overlooking Monte Perdido, but her great- grandsire stood on the cliffs of Ordesa, positioned on hoof-tips dainty as dimes, and he shook his impregnable skull, a coffer of brass and nobility crowned with bayonets, as though in defiance of all who dwelt in the highlands from Catalonia to Aquataine. Their kind is vanished now. Forever lost. Perdido. And when you dressed in a Girl Guide’s uniform of Persian blue on Tuesday nights, my love, in the long-lost basement of Grace United Church, to play indoor baseball and make believe that faerie magic could make you rich or important or happy, pods of baiji dolphins still swam in a river you’d never heard of and would not think about until years later, when together we would learn from the evening news that the baiji were lost, at last, from the Yangtze, and in their place there came a universal emptiness. There are many ways to understand the word lost, but it does not help to imagine a secret place where lost things go. When last I held you in my arms, my love, the West African black rhinoceros was still magnificent and still alive, but now the gentleness of your breath on my bare neck is as lost as the dusty, confident snort of that once breath-taking beast. Great strength is no protection, and neither is love. We are born, and our births are lost. We can’t go back to them. Each embrace ends with an ending. When we become, what we once thought we’d be is lost. We keep becoming.
Paul Vermeersch (The Reinvention of the Human Hand)
The concentrated structure of musical form, based on dramatic climaxes, gradually breaks up in romanticism and gives way again to the cumulative composition of the older music. Sonata form falls to pieces and is replaced more and more often by other, less severe and less schematically moulded forms—by small-scale lyrical and descriptive genres, such as the Fantasy and the Rhapsody, the Arabesque and the Étude, the Intermezzo and the Impromptu, the Improvisation and the Variation. Even extensive works are often made up of such miniature forms, which no longer constitute, from the structural point of view, the acts of a drama, but the scenes of a revue. A classical sonata or symphony was the world in parvo: a microcosm. A succession of musical pictures, such as Schumann’s Carnaval or Liszt’s Années de Pèlerinage, is like a painter’s sketch-book; it may contain magnificent lyrical-impressionistic details, but it abandons the attempt to create a total impression and an organic unity from the very beginning. [...] This change of form is accompanied by the literary inclinations of the composers and their bias towards programme music. The intermingling of forms also makes itself felt in music and is expressed most conspicuously in the fact that the romantic composers are often very gifted and important writers. In the painting and poetry of the period the disintegration of form does not proceed anything like so quickly, nor is it so far-reaching as in music. The explanation of the difference is partly that the cyclical ‘medieval’ structure had long since been overcome in the other arts, whereas it remained predominant in music until the middle of the eighteenth century, and only began to yield to formal unity after the death of Bach. In music it was therefore much easier to revert to it than, for example, in painting where it was completely out of date. The romantics’ historical interest in old music and the revival of Bach’s prestige had, however, only a subordinate part in the dissolution of strict sonata form, the real reason is to be sought in a change of taste which was in essentials sociologically conditioned.
Arnold Hauser (The Social History of Art Volume 3: Rococo, Classicism and Romanticism)
I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me. Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.
Martine Bailey (A Taste for Nightshade)
Tell me you didn’t,” she groaned, knowing it would not be the truth. “Please tell me you didn’t take advantage of these poor people.” “I didn’t,” he chirped. “Liar.” With an irritated sigh he tried to convince her. “Amora, you’re not seeing things from an immortal perspective. The people who built this temple…” “Temple?” she cried, cutting him off. “You forced these people to build you a temple? Why? Because all of a sudden you’re God now?” Perturbed by her interruption, he raised a warning finger. “No, no, Amora, not God. But from their viewpoint I may seem a bit…..god-like.” She rolled her eyes in an exaggerated manner. “If you would let me finish,” he went on, “these particular individuals had no part in the construction of that monument; it was their ancestors who erected it. And I must say, they did a fine job. My likeness has weathered the centuries quite well.” “You’re despicable.” He frowned at the insult. “Nobody was forced to build us a temple, Amora. They chose to do so.” “You were that impressive to them, huh?” “Apparently.” His eyes twinkled at the memory. He took a few steps toward the distant city, pulling Eena along. “Come on, let’s go have some fun.” “No way.” She planted her feet, refusing. Surprisingly it put a stop to him. “And why not?” “Because your sudden appearance will upset them! No doubt you’ll want to show off with some shockingly grand entrance. I’m not going to take part in a game of deceit.” “I’m not deceiving anyone,” Edgar disputed. “I can’t help it if they happen to think I’m perfectly magnificent.” His pompous view of himself earned a nasty look as well as a lecture. “I can’t believe you’re okay with selling people lies that affect the way they live and think! You’re not even close to being a god, Edgar, and yet you allow them to accept you as some sort of deity because of your unusual abilities. For centuries now you’ve abandoned this world and a population who probably looked to you and your lousy sisters for help. It’s all a big, disgusting sham!” Edgar pouted like a child. “Fine—spoil all my fun. We’ll go do something else. Something that doesn’t include your poor, fragile, stupid mortals.” “They’re not stupid.” “They think I’m a god,” he snapped. That was a pretty good argument.
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
At a time when I believed what people told me, I should have been tempted to believe Germany, then Bulgaria, then Greece when they proclaimed their pacific intentions. But since my life with Albertine and with Françoise had accustomed me to suspect those motives they did not express, I did not allow any word, however right in appearance of William II, Ferdinand of Bulgaria or Constantine of Greece to deceive my instinct which divined what each one of them was plotting. Doubtless my quarrels with Françoise and with Albertine had only been little personal quarrels, mattering only to the life of that little spiritual cellule which a human being is. But in the same way as there are bodies of animals, human bodies, that is to say, assemblages of cellules, which, in relation to one of them alone, are as great as a mountain, so there exist enormous organised groupings of individuals which we call nations; their life only repeats and amplifies the life of the composing cellules and he who is not capable of understanding the mystery, the reactions and the laws of those cellules, will only utter empty words when he talks about struggles between nations. But if he is master of the psychology of individuals, then these colossal masses of conglomerate individuals facing one another will assume in his eyes a more formidable beauty than a fight born only of a conflict between two characters, and he will see them on the scale on which the body of a tall man would be seen by infusoria of which it would require more than ten thousand to fill one cubic milimeter. Thus for some time past the great figure of France, filled to its perimeter with millions of little polygons of various shapes and the other figure of Germany filled with even more polygons were having one of those quarrels which, in a smaller measure, individuals have. But the blows that they were exchanging were regulated by those numberless boxing-matches of which Saint-Loup had explained the principles to me. And because, even in considering them from the point of view of individuals they were gigantic assemblages, the quarrel assumed enormous and magnificent forms like the uprising of an ocean which with its millions of waves seeks to demolish a secular line of cliffs or like giant glaciers which, with their slow and destructive oscillation, attempt to disrupt the frame of the mountain by which they are circumscribed. In spite of this, life continued almost the same for many people who have figured in this narrative, notably for M. de Charlus and for the Verdurins, as though the Germans had not been so near to them; a permanent menace in spite of its being concentrated in one immediate peril leaving us entirely unmoved if we do not realise it.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
To test these ideas, Dr. Mario Beauregard of the University of Montreal recruited a group of fifteen Carmelite nuns who agreed to put their heads into an MRI machine. To qualify for the experiment, all of them must “have had an experience of intense union with God.” Originally, Dr. Beauregard had hoped that the nuns would have a mystical communion with God, which could then be recorded by an MRI scan. However, being shoved into an MRI machine, where you are surrounded by tons of magnetic coils of wire and high-tech equipment, is not an ideal setting for a religious epiphany. The best they could do was to evoke memories of previous religious experiences. “God cannot be summoned at will,” explained one of the nuns. The final result was mixed and inconclusive, but several regions of the brain clearly lit up during this experiment: •  The caudate nucleus, which is involved with learning and possibly falling in love. (Perhaps the nuns were feeling the unconditional love of God?) •  The insula, which monitors body sensations and social emotions. (Perhaps the nuns were feeling close to the other nuns as they were reaching out to God?) •  The parietal lobe, which helps process spatial awareness. (Perhaps the nuns felt they were in the physical presence of God?) Dr. Beauregard had to admit that so many areas of the brain were activated, with so many different possible interpretations, that he could not say for sure whether hyperreligiosity could be induced. However, it was clear to him that the nuns’ religious feelings were reflected in their brain scans. But did this experiment shake the nuns’ belief in God? No. In fact, the nuns concluded that God placed this “radio” in the brain so that we could communicate with Him. Their conclusion was that God created humans to have this ability, so the brain has a divine antenna given to us by God so that we can feel His presence. David Biello concludes, “Although atheists might argue that finding spirituality in the brain implies that religion is nothing more than divine delusion, the nuns were thrilled by their brain scans for precisely the opposite reason: they seemed to provide confirmation of God’s interactions with them.” Dr. Beauregard concluded, “If you are an atheist and you live a certain kind of experience, you will relate it to the magnificence of the universe. If you are a Christian, you will associate it with God. Who knows. Perhaps they are the same thing.” Similarly, Dr. Richard Dawkins, a biologist at Oxford University and an outspoken atheist, was once placed in the God helmet to see if his religious beliefs would change. They did not. So in conclusion, although hyperreligiosity may be induced via temporal lobe epilepsy and even magnetic fields, there is no convincing evidence that magnetic fields can alter one’s religious views.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
I have come, my lovely,” Roddy said with his usual sardonic grin as he swept her a deep bow, “in answer to your urgent summons-and, I might add,-“ he continued, “before I presented myself at the Willingtons’, exactly as your message instructed.” At 5’10”, Roddy Carstairs was a slender man of athletic build with thinning brown hair and light blue eyes. In fact, his only distinguishing characteristics were his fastidiously tailored clothes, a much-envied ability to tie a neckcloth into magnificently intricate folds that never drooped, and an acid wit that accepted no boundaries when he chose a human target. “Did you hear about Kensington?” “Who?” Alex said absently, trying to think of the best means to persuade him to do what she needed done. “The new Marquess of Kensington, once known as Mr. Ian Thornton, persona non grata. Amazing, is it not, what wealth and title will do?” he continued, studying Alex’s tense face as he continued, “Two years ago we wouldn’t have let him past the front door. Six months ago word got out that he’s worth a fortune, and we started inviting him to our parties. Tonight he’s the heir to a dukedom, and we’ll be coveting invitations to his parties. We are”-Roddy grinned-“when you consider matters from this point of view, a rather sickening and fickle lot.” In spite of herself, Alexandra laughed. “Oh, Roddy,” she said, pressing a kiss on his cheek. “You always make me laugh, even when I’m in the most dreadful coil, which I am now. You could make things so very much better-if you would.” Roddy helped himself to a pinch of snuff, lifted his arrogant brows, and waited, his look both suspicious and intrigued. “I am, of course, your most obedient servant,” he drawled with a little mocking bow. Despite that claim, Alexandra knew better. While other men might be feared for their tempers or their skill with rapier and pistol, Roddy Carstairs was feared for his cutting barbs and razor tongue. And, while one could not carry a rapier or a pistol into a ball, Roddy could do his damage there unimpeded. Even sophisticated matrons lived in fear of being on the wrong side of him. Alex knew exactly how deadly he could be-and how helpful, for he had made her life a living hell when she came to London the first time. Later he had done a complete turnabout, and it had been Roddy who had forced the ton to accept her. He had done it not out of friendship or guilt; he had done it because he’d decided it would be amusing to test his power by building a reputation for a change, instead of shredding it. “There is a young woman whose name I’ll reveal in a moment,” Alex began cautiously, “to whom you could be of great service. You could, in fact, rescue her as you did me long ago, Roddy, if only you would.” “Once was enough,” he mocked. “I could hardly hold my head up for shame when I thought of my unprecedented gallantry.” “She’s incredibly beautiful,” Alex said. A mild spark of interest showed in Roddy’s eyes, but nothing stronger. While other men might be affected by feminine beauty, Roddy generally took pleasure in pointing out one’s faults for the glee of it. He enjoyed flustering women and never hesitated to do it. But when he decided to be kind he was the most loyal of friends.
Judith McNaught (Almost Heaven (Sequels, #3))
Jane, the captain, and the colonel begged out of cards, sat by the window, and made fun of Mr. Nobley. She glanced once at the garden, imagined Martin seeing her now, and felt popular and pretty--Emma Woodhouse from curls to slippers. It certainly helped that all the men were so magnificent. Unreal, actually. Austenland was feeling cozier. “Do you think he hears us?” Jane asked. “See how he doesn’t lift his eyes from that book? In all, his manners and expression are a bit too determined, don’t you think?” “Right you are, Miss Erstwhile,” Colonel Andrews said. “His eyebrow is twitching,” Captain East said gravely. “Why, so it is, Captain!” the colonel said. “Well observed.” “Then again, the eyebrow twitch could be caused by some buried guilt,” Jane said. “I believe you’re right again, Miss Erstwhile. Perhaps he does not hear us at all.” “Of course I hear you, Colonel Andrews,” said Mr. Nobley, his eyes still on the page. “I would have to be deaf not to, the way you carry on.” “I say, do not be gruff with us, Nobley, we are only having a bit of fun, and you are being rather tedious. I cannot abide it when my friends insist on being scholarly. The only member of our company who can coax you away from those books is our Miss Heartwright, but she seems altogether too pensive tonight as well, and so our cause is lost.” Mr. Nobley did look up now, just in time to catch Miss Heartwright’s face turn away shyly. “You might show a little more delicacy around the ladies, Colonel Andrews,” he said. “Stuff and nonsense. I agree with Miss Erstwhile, you are acting like a scarecrow. I do not know why you put on this act, Nobley, when around the port table or out in the field you’re rather a pleasant fellow.” “Really? That is curious,” Jane said. “Why, Mr. Nobley, are you generous in your attentions with gentlemen and yet taciturn and withdrawn around the fairer sex?” Mr. Nobley’s eyes were back on the printed page, though they didn’t scan the lines. “Perhaps I do not possess the type of conversation that would interest a lady.” “You say ‘perhaps’ as though you do not believe it yourself. What else might be the reason, sir?” Jane smiled. Needling Mr. Nobley was feeling like a very productive use of the evening. “Perhaps another reason might be that I myself do not find the conversation of ladies to be very stimulating.” His eyes were dark. “Hm, I just can’t imagine why you’re still unmarried.” “I might say the same for you.” “Mr. Nobley!” cried Aunt Saffronia. “No, it’s all right, Aunt,” Jane said. “I asked for it. And I don’t even mind answering.” She put a hand on her hip and faced him. “One reason why I am unmarried is because there aren’t enough men with guts to put away their little boy fears and commit their love and stick it out.” “And perhaps the men do not stick it out for a reason.” “And what reason might that be?” “The reason is women.” He slammed his book shut. “Women make life impossible until the man has to be the one to end it. There is no working it out past a certain point. How can anyone work out the lunacy?” Mr. Nobley took a ragged breath, then his face went red as he seemed to realize what he’d said, where he was. He put the book down gently, pursed his lips, cleared his throat. No one in the room made eye contact. “Someone has issues,” said Miss Charming in a quiet, singsongy voice. “I beg you, Lady Templeton,” Colonel Andrews said, standing, his smile almost convincingly nonchalant, “play something rousing on the pianoforte. I promised to engage Miss Erstwhile in a dance. I cannot break a promise to such a lovely young thing, not and break her heart and further blacken her view of the world, so you see my urgency.” “An excellent suggestion, Colonel Andrews,” Aunt Saffronia said. “It seems all our spirits could use a lift.
Shannon Hale (Austenland (Austenland, #1))
In your dreams you see what daylight obscures. The magnificence of your being, like constellations of stars, that fade from view on waking.
Jane Teresa Anderson
The seed: 4807473561118841822 This is another great mushroom island seed. You start off on an island for survival, and right in view is a magnificent mushroom biome to explore. A few things that make this mushroom island seed special. First, it has a small section containing dirt. With that, it has one tree. You don’t often see that in a mushroom biome. This, together with the island, makes it one of the most interesting mushroom island seeds around. Something else is that there are almost no caves on the entire island; another rarity. Some mushroom biomes will have elaborate cavern systems going down all the way to the bedrock, while others have at least a few closer to the surface. This one, though, has almost none at all. There are two, easily found, but they don’t lead anywhere.     The seed: -1469366519271110166 This seed is perfect for anyone looking to gain some enchanting books.
Michael Marlon (Minecraft Seeds: 50 Incredible Minecraft Seeds You Must Use)
I don’t know’,” he said. “Those three words from a willing soul are the start of a grand and magnificent voyage.” And with that he began a discourse that lasted for several weeks, covering scene-setting, establishing conflict, plot twists, and first- and third-person narration. [ I learned in these rapid-fire mini-dissertations that like most literature lovers I would come to know, Henry was a book snob. He assumed that if a current author was popular and widely enjoyed, then he or she had no merit. He made a few exceptions, such as Kurt Vonnegut, although that was mostly because Vonnegut lived on Cape Cod and so he probably had some merits as a human being, if not as a writer. I think that the way Henry saw it was that he was not being a snob. In fact I would venture that in his view of things, snobbery had nothing to do with it. Rather, it was a matter of standards. It was bout quality in the author’s craftsmanship.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
The view of the sea was magnificent. The
Corina Bomann (The Moonlit Garden)
How you think about Heaven affects everything in life—how you prioritize love, how willing you are to sacrifice for the long term, how you view suffering, what you fear or don’t fear. I’m convinced we can’t even begin—but we should try—to picture how magnificent, how spectacular, how much fun Heaven will be—how much of what we love about this life and more awaits us in eternity. As the Scripture says, “No eye has seen, no ear has heard, and no mind has imagined what God has prepared for those who love him” (1 Corinthians 2:9 NLT).
John Burke (Imagine Heaven: Near-Death Experiences, God's Promises, and the Exhilarating Future That Awaits You)
What was I so enthusiastic about? The American Dream - The opportunity for everyone to success, to get somewhere by their own efforts, and like many teenagers, I was also a fan of a certain brand of jeans that couldn't be bought in the GDR, but I had an aunt in the west who used to send them to me. I loved the vast American landscapes, where the air is full of spirit of freedom and independence. In 1990 my husband and I flew to America for the very first time, to California. We will never forget that view of the Pacific Ocean. It was nothing short of magnificent.
Stefan Kornelius
THE INTERNATIONAL BESTSELLER THE Royal Physician’s Visit PER OLOV ENQUIST Translated from the Swedish by Tiina Nunnally Set in Denmark in the 1760s, The Royal Physician’s Visit magnificently recasts the dramatic era of Danish history when Johann Friedrich Struensee, a German doctor from Altona, student of Enlightenment philosophers Diderot and Voltaire, and court physician to mad young King Christian, stepped through the aperture history had opened for him and became for two years the holder of absolute power in Denmark. Dr. Struensee, tall, handsome, and charismatic, introduced hundreds of reforms, many of which would become hallmarks of the French Revolution twenty years later, including freedom of the press and improvement of the treatment of the peasantry. He also took young Queen Caroline Mathilde—unsatisfied by her unstable, childlike husband—as his mistress. He was a brilliant intellectual and brash reformer, yet Struensee lacked the cunning and subtlety of a skilled politician and, most tragically, lacked the talent to choose the right enemies at court, a flaw which would lead to his torture and execution. An international sensation sold in twenty countries, The Royal Physician’s Visit is a view from the seat of absolute power, a gripping tale, vividly and entertainingly told. Enquist’s talent is in full force as he brilliantly explores the connections that will always run between political theory and practice, power, sex, love, and the life of the mind. “A great book, a powerful book—it effortlessly and self-confidently surmounts the standard works of fiction.” —Die Zeit “Incomparably exciting in its uncompromising lucidity and at the same time unsettling.” —Suddeutsche Zeitung “Time and time again the story takes to the air on the wings of fantasy … a magnificent adventure.” —Upsala Nya Tidning “The erotic scenes are among the most beautiful I have read in modern literature.” —Kvällsposten
Per Olov Enquist (The Royal Physician's Visit)
With a cry of ‘Land Ahoy!’, Lieutenant Wood confirmed that not only had Erebus and Terror become the first sailing ships to break through the ice-pack, but they were now the first ships to come face-to-face with irrefutable proof that an Antarctic continent existed. Surprisingly, Ross’s first reaction was less than ecstatic. All he could see was that this ‘coastline’ had effectively blocked the way to his most coveted goal, the South Magnetic Pole. Nevertheless he was, like everyone else, humbled and overawed by what he saw as they drew closer to land. ‘We had a most enchanting view of . . . two magnificent ranges of mountains . . . The glaciers that filled their intervening valleys, and which descended from near the mountain summits, projected in many places several miles into the sea . . .The sky was a clear azure blue, with the most brilliant sunshine . . . all that could be desired for giving effect to such a magnificent panorama.’ For Joseph Hooker, it was simply ‘one of the most gorgeous sights I have ever witnessed’. And there was another cause for celebration. Measurements showed that Erebus and Terror had reached latitude 71°14'S, passing Captain Cook’s furthest south. ‘We have now but Weddell’s track to get beyond,’ wrote Captain Ross, referring to the whaling captain’s 74°15'S, a record that had stood since 1823.
Michael Palin (Erebus: One Ship, Two Epic Voyages, and the Greatest Naval Mystery of All Time)
Suspended in the dim light before the window overlooking the magnificent tenth-floor view, the plants breathed softly, resting. By now the rain had stopped, and the atmosphere, sparkling, replete with moisture, refracted the glittering night splendidly.
Banana Yoshimoto (Kitchen)
Fortieth Pole is particularly good for evening beach barbecues with kids—the water is calm and warm, and you’ll have a magnificent view of the sunset. Smith’s Point is hands down my favorite beach because you can access both the waves of the ocean and the flat water of the sound.
Elin Hilderbrand (The Hotel Nantucket)
Jeeps; they were rugged vehicles). There were years when my kids climbed on my friends’ cars (even better). Because you can drive onto it, Fortieth Pole is particularly good for evening beach barbecues with kids—the water is calm and warm, and you’ll have a magnificent view of the sunset. Smith’s Point is hands down my favorite beach because you can access both the waves of the ocean and the flat water of the sound. There’s
Elin Hilderbrand (The Hotel Nantucket)
Now, supposing we should abolish all other taxes direct and indirect, substituting for them a tax upon land values, what would be the effect? In the first place it would be to kill speculative values. It would be to remove from the newer parts of the country the bulk of the taxation and put it on the richer parts. It would be to exempt the pioneer from taxation and make the larger cities pay more of it. It would be to relieve energy and enterprise, capital and labour, from all those burdens that now bear upon them. What a start that would give to production! In the second place we could, from the value of the land, not merely pay all the present expenses of the government, but we could do infinitely more. In the city of San Francisco James Lick left a few blocks of ground to be used for public purposes there, and the rent amounts to so much, that out of it will be built the largest telescope in the world, large public baths and other public buildings, and various costly works. If, instead of these few blocks, the whole value of the land upon which the city is built had accrued to San Francisco what could she not do?  So in this little town, where land values are very low as compared with such cities as Chicago and San Francisco, you could do many things for mutual benefit and public improvement did you appropriate to public purposes the land values that now go to individuals. You could have a great free library; you could have an art gallery; you could get yourselves a public park, a magnificent public park, too. You have here one of the finest natural sites for a beautiful town I know of, and I have travelled much. You might make on this site a city that it would be a pleasure to live in. You will not as you go now—oh, no! Why, the very fact that you have a magnificent view here will cause somebody to hold on all the more tightly to the land that commands this view and charge higher prices for it. The State of New York wants to buy a strip of land so as to enable the people to see Niagara, but what a price she must pay for it! Look at all the great cities; in Philadelphia, for instance, in order to build their great city hall they had to block up the only two wide streets they had in the city. Everywhere you go you may see how private property in land prevents public as well as private improvement.  But I have not time to enter into further details.
Henry George (The Crime of Poverty)
To the tribute of my caliber, will you bring the symbol into elevated heights, into the air, towards the magnificent sun, its life giving light may bring the image into view, for all to see and enjoy.
Julien Coallier (Vedas 1, 2, 3, 4, 5: Digital Age Edition)
That morning i awoke. I felt the rising sun. A glimpse of true restoration, with kings crying, emperors imploring mercy, world living, earth within. The light of the rays throughout magnificent pieces of hollow stone. I'm happy. I'm happy. The sun it did shine. The sunrise, it was beautiful, sitting in between the vast open crests of the mountains. The sky's color orange. The mountains a deep pink. This view was a sensation of the universal language. And the best part had to be the sun's fiery, multicolored, rays! Where the glory of this moment, this sunrise, originated. What a bountiful moment. It was filled with glory and strength. The firefly lighting inescapable and somewhat inexpressive. Because of this, all insecurities melted away. There was something comforting about this rise. It was as if it was a message from God. It had the energy of a new day. No, not a new day. Not another day to wake up. Not ANOTHER PLAIN DAY! No, this was a "new day". The beginning of a new era. That's what this sunlight told me. Situations will now explode and dissolve. In a benevolent way. It said, Feel the warmth of the sun. Let it's warm welcoming waves of light surround and caress your being. Feel its care and courage. Connect and let its power become yours. Once i connected i no longer reflected. The time for reflection ended. And being pushed aside, the time or immortality began. The invincible irresistible, sensational, nature of the sun brought a new wave. The nine waves of the sun, They touched me on that sunrise. They touched my heart. Just as they mixed and breed with the unusually blue but now pink mountains. The loving amalgamation of sunrise and environment. It was truly a spectacle to behold. This was a true sunrise. The first true sunrise of my life. THE SUNRISE OF THE NEW DAY. MAY YOU SEE IT AS WELL!
Kalen Doleman, Sunrise of The New Day
When he paused before a set of wooden doors, the slight smile he gave me was enough to make me blurt, 'Why do anything- anything this kind?' The smile faltered. 'It's been a long time since there was anyone here who appreciated these things. I like seeing them used again.' Especially when there was such blood and death in every other part of his life. He opened the gallery doors, and the breath was knocked from me. The pale wooden floors gleamed in the clean, bright light pouring in from the windows. The room was empty save for a few large chairs and benches for viewing the... the... I barely registered moving into the long gallery, one hand absent-mindedly wrapping around my throat as I looked up at the paintings. So many, so different, yet all arranged to flow together seamlessly. Such different views and snippets and angles of the world. Pastorals, portraits, still lifes... each a story and an experience, each a voice showing or whispering or singing about what that moment, that feeling had been like, each a cry into the void of time that they had been here, had existed. Some had been painted through eyes like mine, artists who saw in colours and shapes I understood. Some showcased colours I had not considered, these had a bend to the world that told me a different set of eyes had painted them. A portal into the mind of a creature so unlike me, and yet... and yet I looked at its work and understood, and felt, and cared. 'I never knew,' Tamlin said from behind me, 'that humans were capable of...' He trailed off as I turned, the hand I'd put on my throat sliding down to my chest, where my heart roared with a fierce sort of joy and grief and overwhelming humility- humility before that magnificent art. He stood by the doors, head cocked in that animalistic way, the words still lost on his tongue. I wiped at my damp cheeks. 'It's...' Perfect, wonderful, beyond my wildest imaginings didn't cover it. I kept my hand over my heart. 'Thank you,' I said. It was all I could find to show him what these paintings- to be allowed into this room- meant. 'Come here whenever you want.' I smiled at him, hardly able to contain the brightness in my heart. His returning smile was tentative but shining, and then he left me to admire the gallery at my own leisure. I stayed for hours- stayed until I was drunk on the art, until I was dizzy with hunger and wandered out to find food.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
she stopped, breath taken. Although the air was chilly, a warm glow filled Maude as she took in the magnificent view that unraveled itself beautifully before her eyes. The city in all its splendor stood before her, separated by the sea but yet so close she could almost reach out to it.
Anna Adams (A French Girl in New York (The French Girl, #1))
The Red Army and the kettlebell are inseparable. Every Russian military unit has a gym called “the courage corner.” Every courage corner is equipped with kettlebells. While other countries waste time testing their troopers with push-ups, Russia tests repetition kettlebell snatches with a 53-pound kettlebell. “The rank and file of the Red Army was magnificent from a physical point of view,” marveled Lt. Gen. Giffard Martel, chief of the British military mission to the USSR during World War II. “Much of the equipment we carry on vehicles accompanying the infantry is carried on the man’s back in Russia. The Russians seem capable of carrying these great loads. They are exceptionally tough.
Pavel Tsatsouline (Enter the Kettlebell!: Strength Secret of the Soviet Supermen)
The beaches in Dubai are well-known for their cleanliness and tranquility. While many individuals enjoy a relaxing weekend at the beach, thrill-seekers prefer to participate in thrilling water sports. Jet skiing is one of Dubai's most popular water activities, and adventure seekers love to try it. Do you want to know what the most extraordinary Dubai marine adventures are? What is the best method to see this magnificent city? There is plenty to do in this city-state of the UAE, and we have several fun aquatic activities for you to enjoy while on vacation or to live in the Emirates! How about a Jet Ski Ride along the Dubai waterfront? It can be done with your family, as a couple, with friends, or by yourself. We jet ski around all of Dubai's most famous attractions, skyscrapers, and landmarks. All of our Jet Ski trips include a stop at the luxury Burj Al Arab hotel, which is constructed into the sea, where you can have fun and receive a photo souvenir of Dubai. Jet skiing in Dubai is unquestionably the most acceptable way to see the city and have a good time during your vacation. Dubai Yacht Rental Experience When it comes to a luxury Boat Party in Dubai for those who can afford it, the pleasure and adventure that Yachts can provide cannot be overstated. Yachting is, without a doubt, the most beautiful sport on the planet. It's a once-in-a-lifetime opportunity to splash around in the ocean's deep blue waves and lose yourself in an environment that is both soothing and calming to the soul. The sensation you get from a yacht requires a whole new set of words to explain it. It's a fantastic experience that transports people to another zone while also altering their mental state. People who have the advantage of owning private yachts go sailing to have a relaxing excursion and clear their minds whenever they feel the need. Those who cannot afford to purchase a yacht can enjoy the thrill of cruising from one coastal region to the other by renting an economical Dubai yacht. It is not a challenging task to learn to sail. Some people believe that yachting can only be done by experts, which is a ridiculous misconception. Anyone willing to acquire a few tactics and hints can master the art of yachting. READ MORE About Dubai Jet Ski: Get lost in the tranquility of blue waters while waiting to partake in action. With the instructor sitting right behind you, you’ll learn astonishing stunts and skills for riding a Jet ski. This adventure will take your excitement to a new level of adventure in the open sea. While sailing past the picturesque shorelines of the islands, take in stunning views of prominent Dubai monuments such as the Burj Al Arab and more. About the activity: Jumeirah Beach is the meeting site for this activity. You have the option of riding for 30 minutes or 60 minutes Jet Ski around the beaches while being accompanied at all times by an instructor, as your safety is our top priority. Begin your journey from the marina and proceed to the world-famous Burj-Al-Arab, a world well known hotel, for a photo shoot. where you may take as many pictures as you want
uaebestdesertsafar
A lawyer and a pope show up in heaven at the same time and are greeted by St. Peter. St. Peter first takes the lawyer to his home, which is a magnificent house with a stunning view. The pope thinks to himself, ‘I can’t wait to see my home if this is what the lawyer gets.’ The pair arrives at a very run down looking motel and St. Peter shows the pope to his small room. The pope asks St. Peter, ‘I don’t understand. That lawyer got such a nice place. But I was the pope. What gives?’ St. Peter replied, ‘We’ve got hundreds of popes. That was our very first lawyer.
Ivy Wild (The Estate (Kings of Capital, #1))
To hold your soul in hell and not despair is to manage to hang on to the faith in the reality of the spiritual realm, even in the harshest time of the physical realm, even when all seems lost and in fact if you want to climb the mountain of spiritual awakening, spiritual consciousness there must be that stage where we are taken to the far edge beyond what we can bear or think we can bear. And if we hang on in faith and trust, if we call upon the help of that spiritual reality, that miracle will happen and against all odds renewal, new beginnings, redemption, can take place. This is a verifiable, magnificent experience that I know personally, that I know others have experienced, and that you can experience. So, from the point of view of the Fourth Way all the difficulties of life become firewood for the fire. In other words, strengthen your consciousness, raise your consciousness to another level of perspective and transcendence so that you can walk calmly through the nightmare and holding on through that dark night you will achieve a new level of faith, understanding, and relationship with the spiritual reality. If some of you are in times of great suffering and all of us walk that path somehow sometime, remember that and take it seriously for it is one of the pearls of great price and discover that the very negative things of life, personal and destructive can turn into the fertilizer for your soul, the awakening of a deeper self, and the face-to-face encounter with the reality of God's help. (p. 142-142)
Theodore J. Nottingham (Doorway to Spiritual Awakening: Becoming Partakers of the Divine (Transformational Wisdom Book 1))
Sacré, Belle!" Marguerite had exclaimed upon entering, and though the grandeur of the room had never dulled for Belle, it was a treat to see it through Marguerite's eyes, and only made Belle more certain that opening it to the public was the right decision. "I know. It's magnificent, isn't it?" Belle replied dreamily. Marguerite ran her hands along the gilded banisters encircling the spiral staircase. "I've never seen so many books in all my life." She turned back to Belle and gave her a wry grin. "Is it true that your husband simply gave it to you during your courtship?" A blush crept up her neck. She had thought of her time in the castle as many things, but a courtship was never one of them. "Something like that," she admitted. She wondered if she would ever feel close enough to Marguerite to tell her the truth. Marguerite let out an appraising whistle. "No wonder you married him." Belle blushed as she pulled her through the stacks, pointing out favorite books along the way. She ushered Marguerite to her favorite chaise nestled in her favorite alcove. "This spot is best for a gloomy afternoon," Belle told her, pointing to a red velvet settee next to a small fireplace, framed by a window almost as tall as the room itself. "The patter of raindrops on the glass mixed with the warmth of the fire..." "It must be heavenly," said Marguerite. "It is." Marguerite spun back around, head tilted to the ceiling, before collapsing in a heap on the plush carpet and motioning for Belle to join her on the floor. Belle acquiesced, lying down beside her friend and noting the view was even more remarkable from that new vantage.
Emma Theriault (Rebel Rose (The Queen's Council, #1))
The trail continues in a southerly direction, climbing below Peak 3, Peak 4, and Peak 5 before reaching a seasonal stream at mile 7.6 (12,320). Continue climbing until you reach the crest of the Tenmile Range at mile 8.0 (12,495). The views on a clear day are magnificent. Along the way up, Lake Dillon and the town of Dillon are visible to the north, Breckenridge sits stately to the east, and Copper Mountain lies 2,500 feet below to the west. After topping out, follow the ridge, passing just west of Peak 6. Descending south, reach a seasonal spring at mile 9.0 (12,176). Continue on a steep descent to reach tree line at mile 9.9 (11,720). The trail then makes a sharp right turn where the Wheeler Trail diverges south at mile 10.4 (11,249). Traverse downhill to the northwest, crossing several small seasonal streams before reaching the valley floor and joining a paved rec path. Continue straight, crossing a bridge over Tenmile Creek at mile 12.4 (9,767). Continue 50 yards more alongside the Copper Far East Parking Lot and trail-head where the trail diverges left onto dirt single-track. There is good access to water and possible campsites before reaching CO Hwy 91, where parking is prohibited, and the end of Segment 7 at mile 12.8 (9,820). Ahead, there is no camping within the first 4 miles of Segment 8 while on Copper Mountain Resort property.
Colorado Trail Foundation (The Colorado Trail)
Kai's eyes move between mine and where she's hanging at my side with what has to be a truly magnificent view of my ass. Really, she should feel blessed to start her day with such a bang. I'm helping her out and giving her a view. Never let it be said that Macallan Astor isn't a thoughtful bastard.
R. Phillips (Revel (Mortals at Play #1))
In order to remain whole as persons, we must appreciate the wholeness of knowledge. Our nature craves after unity. The travail of thought, which is going on to-day and has gone on as long as we have any record of men’s thoughts, has been with a view to establishing some principle for the unification of life. Here we have the scheme of a magnificent unity. We are apt to think that piety is one thing, that our intellectual and artistic yearnings are quite another matter, and that our moral virtues are pretty much matters of inheritance and environment, and have not much to do with our conscious religion. Hence, there come discords into our lives, discords especially trying to young and ardent souls who want to be good and religious, but who cannot escape from the overpowering drawings of art and intellect and mere physical enjoyment; they have been taught to consider that these things are, for the most part, alien to the religious life, and that they must choose one or the other; they do choose, and the choice does not always fall upon those things which, in our unscriptural and unphilosophical narrowness, we call the things of God. (School Education, pp. 154–55)
Karen Glass (In Vital Harmony: Charlotte Mason and the Natural Laws of Education)
Flowers bloom in valleys and the view from peaks are only as magnificent as the difficult trek to reach them.
Brittany Burgunder
My dear Mrs. Post, had you not been able to move the glass doors to get the view you wanted, you would have just relocated the Monument itself, isn’t that right?
Allison Pataki (The Magnificent Lives of Marjorie Post)
...the magnificent Abarth FIAT 124 Spider Rally Cabrio. I accelerated towards Ravello. The sound emanating from that little Fiat’s double-exit exhaust was music along those winding roads and breathtaking views all the way to the top of Ravello.
Leilac Leamas (Devil's Puzzle: Love, Sex & Espionage)
We can understand whether a person looking at a magnificent view is a wise person or a slave to her mind by looking at whether she is looking at the view itself or something that the view evokes in her mind! Focusing on the moment itself is an important part of wisdom!
Mehmet Murat ildan
What will happen when we reach the summit? We will look around and take in the magnificent, panoramic view. From the vantage point at the top, we will be able to see other mountains in the hazy distance. We may rest for a bit; we may spend a moment in celebration. Then, we will start out for the next destination, savoring every breath of fresh air and every sight of natural beauty.
Lao Tzu (Tao Te Ching)
I maintain that truth is a pathless land, and you cannot approach it by any path whatsoever, by any religion, by any sect. That is my point of view, and I adhere to that absolutely and unconditionally. Truth, being limitless, unconditioned, unapproachable by any path whatsoever, cannot be organized; nor should any organization be formed to lead or coerce people along a particular path … This is no magnificent deed, because I do not want followers, and I mean this. The moment you follow someone you cease to follow Truth. I am not concerned whether you pay attention to what I say or not. I want to do a certain thing in the world and I am going to do it with unwavering concentration. I am concerning myself with only one essential thing: to set man free. I desire to free him from all cages, from all fears, and not to found religions, new sects, nor to establish new theories and new philosophies … You can form other organizations and expect someone else. With that I am not concerned, nor with creating new cages, new decorations for those cages. My only concern is to set man absolutely, unconditionally free.
Mitch Horowitz (Modern Occultism: History, Theory, and Practice)
He took her hand out of gentlemanly habit, and they walked out of her driveway and started their stroll in a row of garlic, the pungent scent filling the air. Grape vines contrasted with nascent strawberry plants, which would probably be ready to harvest this spring. This farm was massive. Normally, Enrique loved staring out at the ocean from his home in La Jolla, but the view of all these plants as far as his eyes could see almost seemed better. The round artichoke globes reminded him of the undulating waves in the ocean. Wind blew the leaves of the garlic plants, which varied in size. And all this magnificent greenery fed people throughout California.
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos))
Beer detested the practice, already entrenched in the 1970s, of accumulating ‘giant data-banks of dead information’, which he called ‘the biggest waste of a magnificent invention that mankind has ever perpetrated’.16 He likened that approach to steering a car using only the rear-view mirror. His
Bob Hughes (The Bleeding Edge: Why Technology Turns Toxic in an Unequal World)
The view was in an unearthly way beautiful, but it was also unendurable. It implied too much
Robert Charles Wilson (Axis (Spin, #2))
Since the notion of quality, as understood by [the Swedish Research Council], is supposed to ignore practical applicability, quality as the sole selection criterion means that we value the production of new knowledge and its own right, rather than just a means towards attaining other goals. I have long been – and still am – highly sympathetic to this romantic view of knowledge and intellectual achievements. To improve our understanding of the world we live in really is one of the most magnificent and worthy the goals of human activity one can think of. And yet, it is not the only worthy goal. A bright future for humanity, where everyone has the best possible prospects of leading a happy and prosperous life, and where such things as poverty, pain and misery are reduced to a minimum, seems like another goal worth striving for, at least as important as the quest for ever-increasing knowledge.
Olle Häggström (Here Be Dragons: Science, Technology and the Future of Humanity)
The span of the attention I have got from the audience is directly proportional to the time taken by them to understand it wholly. It simply means if I want to continue getting their attention, I would have to endlessly seek (till I reach the final point) them through my words without letting them down in any dilemma. It is so consistent an approach that I can’t get any extra time but the time they read the preceding. No matter what I must stick to the same pattern unless I want to divert their attention. The moment I divert them I am on the different track but parallel. The whole journey or communication or the conversation becomes worthful only if I can reach the destination without any distraction and distortion. Mindful I should be in switching the tracks because if not I end up putting or leaving them half way unaware of where to go on an unknown track. I must not lose them halfway, I keep that in my mind. It holds true when at first, audience is already impressed with your beginning gestures, conversational lines and an excellent entry. They then wait for something miraculous or magnificent to happen at the end. The entire process is a chain of a peculiar starting point, intimate intermediate lines and a particular ending dot. At last, from the top view, it seems that you have taken your audience via a lengthy diagonal roadway but it’s not. The whole theory is named as Parallel Perpendicular Process, where I use the oxymoron because you know where you want your audience to be at but you are improvised alongside the shifting of tracks whenever audience is one the verge of divergence and you apply your instinct immediately to converge. This is a cognitive advertising theory that can sell An Old Product to the respective customer A Joke to the laughable audience A First Impression to the corresponding prospects A New Product to the fresh market An Inspiring Speech to the potential crowd An Advertising to the target spectators The big benefit of this, if applied continuously, it gets from the start to the end on a go. While the disadvantage of it may go simultaneously, this theory fails when the audience is generic because it’s niche that this follows.
Bhavik Sarkhedi
The Caribbean is still an exciting destination. I have been to just about every notable island surrounding this sea and have yet to be bored. Some of the islands are administered by other countries like Saint Martín; some are independent countries such as Cuba, Haiti and the Dominican Republic. The languages differ from island to island and include English, French, Spanish, Dutch Haitian Creole and Papiamento although English is understood on most islands. This time I returned to the Dominican Republic, an island nation that I first visited when Santo Domingo was called Ciudad Trujillo in 1955 and have returned numerous times. I have also been to Haiti the country that shares the Island of Hispaniola with the Dominican Republic and I have stood at the mountainous border dividing the two countries. Driving around the country offers magnificent views with every turn in the road. On this visit I enjoyed the northern Atlantic coast named the Amber Coast because of the amount of amber found there. The primary site along the northern coast is La Cordillera Septentrional. The amber-bearing stones named clastic rocks are usually washed down the steep inclines along with sandstone and other debris and are even found in deep water at the end of the run. The Amber Coast of the Dominican Republic has mostly low mountains and beautiful beaches. Overlooking the city of Puerto Plata is Mount Isabel de Torres, which is covered by dense jungles but can be ascended by a cableway. Some of these jungle areas were used as sites for the movie Jurassic Park. A new 30 acre tourist port for Carnival Cruise Lines has been constructed in Amber Cove at a cost of $85 Million. It is one of the newest destinations to visit in the Caribbean and well worth the effort.
Hank Bracker
From the Introduction to Christopher Columbus and the Age of Exploration for Kids: In 1892, with the 400th anniversary of Christopher Columbus’s arrival in the West Indies, the world rushed to celebrate—or at least the United States did. In America, the glorifying of the Discoverer took its most lofty form in the Columbian Exposition, held in Chicago. In a nation with 63 million people, the fair attracted 24 million visitors. It cost as much to put on the extravaganza as it would to build the Panama Canal more than a decade later. The Columbian Exposition had but one purpose: to celebrate America’s magnificence—a result of Columbus’s brave and daring initial voyage, its surprising revelation, and its marvelous impact on world history. Clearly, in 1892, Christopher Columbus held center stage. Not so a hundred years later, in 1992, when the 500th, anniversary of the Discovery rolled around. No longer, it was said, should Columbus’s achievement be considered an unmixed blessing. Nor should the man, himself, be viewed with uncritical reverence. Columbus, many historians were now willing to concede, had numerous character flaws that resulted in misadventures and moral failure. The Admiral was seen as the first of many Europeans, who, in coming to the New World, would ravage the land, plunder its wealth, and eventually introduce African slavery. There was no Columbian Exposition in 1992. In the United States, Columbus was hardly mentioned at all. Christopher Columbus is possibly the most researched and written about individual in history. That is not surprising. No matter what one may think of Columbus, hero, heel, or both, the significance of what he did, however interpreted, is monumental. Christopher Columbus changed the world. For that, the Admiral of the Ocean Sea deserves to be known and explored. What follows, hopefully, will be your own act of discovery.
Ronald A. Reis (Christopher Columbus and the Age of Exploration for Kids: With 21 Activities (52) (For Kids series))
I also went to Kyoto. I had found no occasion to visit the city in over twenty years, and was struck to find that the graceful, vital metropolis I remembered was nearly extinct, disappearing like an unloved garden given over to vapid, industrious weeds. Where was the fulgent peak of Higashi Honganji Temple, sweeping upward among the surrounding tiled roofs like the upturned chin of a princess among her retainers? That magnificent view, which had once greeted travelers to the city, was now blotted out by the new train station, an abomination that sprawled along a half-mile length of tracks like a massive turd that had plummeted from space and embedded itself there, too gargantuan to be carted away.
Barry Eisler (A Lonely Resurrection (John Rain, #2))