Magnetic Sayings Quotes

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One thing I do know about intimacy is that there are certain natural laws which govern the sexual experience of two people, and that these laws cannot be budged any more than gravity can be negotiated with. To feel physically comfortable with someone else's body is not a decision you can make. It has very little to do with how two people think or act or talk or even look. The mysterious magnet is either there, buried somewhere deep behind the sternum, or it is not. When it isn't there (as I have learned in the past, with heartbreaking clarity) you can no more force it to exist than a surgeon can force a patient's body to accept a kidney from the wrong donor. My friend Annie says it all comes down to one simple question: "Do you want your belly pressed against this person's belly forever --or not?
Elizabeth Gilbert (Eat, Pray, Love)
You’re not the only one in this relationship who loves a challenge,” he says. “And just so you know for the future, I like my double-chocolate chip cookies warm and soft in the middle . . . and without magnets glued to them.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
Needle in a haystack's easy - just bring a magnet." Eliot stared witheringly at Hardison. "You take the poetry out of everything." "Says the man who'd just punch the haystack.
Keith R.A. DeCandido (The Zoo Job (Leverage, #2))
People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.
Bret Easton Ellis (Less Than Zero)
How many beers do y'all think it takes before one internationally scientist turns to another and says, 'Dude, bet you twenty bucks I can levitate a frog with a magnet?' ' Sam drawled.
Robyn Schneider (The Beginning of Everything)
That was until two nights later when we kissed, and it felt like gravity had let go, and you were a magnet holding me in place. I promised myself I wouldn’t say anything to scare you off, but you need to know that even though I didn’t want to wait three months to see you, I would have waited three years if I had to.
Nancy Straight (Meeting Destiny (Destiny, #1))
Boner," Peanut said. "Oh no," Jade said to the parrot. "No, no, no...you can't say- "Boner" "Oh G-d" Jade panicked. "Peanut-" "Pretty bird," Dell broke in, smiling at the parrot and speaking low and soft. "Such a pretty girl, Peanut." Peanut preened under his admiring tone. "Pretty Peanut.
Jill Shalvis (Animal Attraction (Animal Magnetism, #2))
He was tall in the bed and I could see the silver through his eyelids. His soul sat up. It met me. Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping. He lay in my arms and rested. There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there that he hoped to read one day.
Markus Zusak (The Book Thief)
If I have more than one life, I would definitely dedicate this one entirely to you.
Nico J. Genes (Magnetic Reverie)
You went from worrying about being weak to wanting a fence with me?" "I don't give a flying fuck about being weak. You're the only thing I care about. You make me whole. You make me feel. You make me..." He searched for the word. "Everything." He pulled her tighter to him. "It's always been you, Holly. And it always will be. Say yes." "Yes," she said instantly. "To everything.
Jill Shalvis (Rescue My Heart (Animal Magnetism, #3))
Standing on the roof at night, beside the golden ship I look across the city and I dream a wild trip. The waves are high, the wind is strong, the moon is white and full. I smell the salt upon the sea, a strong magnetic pull. I shout into the endless dark, awaiting the reply: 'Away! Away' It says: 'Away! Now spread your wings and fly.
Brian Selznick (The Marvels)
Once you're into a story everything seems to apply- what you overhear on a city bus is exactly what your character would say on the page you're writing. Wherever you go, you meet a part of your story. I guess you're tuned in for it, and the right things are sort of magnetized.
Eudora Welty
ME LIKE THE MAGNET Men I like, I repel Like a magnet do So if I'm nasty Then you know I probably fancy you. "It's defence," the shrinks would say. "It's protects against a fall." It's impenetrable this fence of mine It's like the Berlin Wall.
Rae Earl (My Fat, Mad Teenage Diary (Rae Earl, #1))
Did you send Attolia to me at the farewell?" Eddis asked. "Not I," said Gen quietly. "The magus. I thought you knew that you loved him - the two of you have been like magnets drawing ever nearer to each other since you met - but the magus was concerned. He thought the grief of leave-taking might surprise you." "I feel very stupid." She leaned back into his embrace. "'I look forward to hearing of your adventures.'" She shook her head in disgust and sniffed. "I should have had something better to say, something...more appropriate." He couldn't disagree. Sounis had clearly hoped for some message of her affection to carry with him. "You could write him a letter," he said. "A fast horse will catch him before he reaches the pass.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
I'm not too chicken," she said. "I know exactly what I want. I honestly thought I could do this with you, the whole friends-with-benefits thing." She slowly shook her head, her eyes suspiciously shiny. "But as it turns out, I can't. Now with you, Adam. With you, I want it all." (...) "It's not that simple for me," he heard himself say. "Of course it is. Life is as simple as you make it, Adam. You're born. You live. You die. I don't plan on dying without doing the living part, though.
Jill Shalvis (Rescue My Heart (Animal Magnetism, #3))
When you say no to the wrong people, it opens up the space for the right people to come in.
Joe Calloway (Magnetic: The Art of Attracting Business)
Degrade him from what position? As a happy, hard-working, goods-consuming citizen he's perfect. Of course, if you choose some other standard than ours, then perhaps you might say he was degraded. But you've got to stick to one set of postulates. You can't play Electro-magnetic Golf according to rules of Centrifugal Bumble-puppy.
Aldous Huxley
If you keep on saying a single thing to yourself, you are likely to attract it to yourself, dreaming it always, then in a twinkle of an eye, it comes to you.
Michael Bassey Johnson
Here’s an interesting fact: how you eat a gingerbread man says a lot about your personality. Head-first eaters are ambitious, independent, and magnetic. Feet-first are the more artistic, creative types, and those who start with the hands are kind and nurturing. Same rules apply to chocolate Easter bunnies.
Emma Chase (Baby, It's Cold Outside)
Lacan wrote about two levels of speaking, one in which we know what we are saying (even when struggling with something difficult or contradictory) and another in which we have no idea of what we are saying. In this second level of speaking there are repeating words, phrases, and even sounds that function as magnets of unconscious meaning, condensing multiple scenes, times, and ideas. He called such markers in speech 'signifiers.
Annie Rogers (The Unsayable: The Hidden Language of Trauma)
We are connected to other human beings on this earth– genetically, historically,' Winn says. 'It's like magnets, I may not know where the other end of the magnet is, but I'm being pulled to it. How can we answer anything about ourselves if we don't know what our roots are, if we don't know who are people are?
Libby Copeland (The Lost Family: How DNA Testing Is Uncovering Secrets, Reuniting Relatives, and Upending Who We Are)
Let's see if I got this right," she would say to herself. "I've taken an inert gas that's in the air, made it into a liquid, put some impurities in a ruby, attached a magnet, and detected the fires of creation.
Carl Sagan (Contact)
What do you have to say for yourself, boy?" Cgerise "Sorry, Ma, I'm a sexy demon magnet?" Nick "Cherise!" Bubba "Don't you even take that tone with me, Mr. Triple-Threat-I-don't-have-to-listen-to-anyone-because-I'm-the-size-of-a-tabk. You're in the doghouse, buster. You might as well pack a bag 'cause you're going to be in there so long your name's going to be engraved on the mailbox." Cherise "Ah, what'd I do, cher?" Bubba "You dragged my baby into danger, and you-- Are you one of them?" Cherise "I'm going with whatever answer doesn't get me swatted with that bat." Savitar "Cherise, calm down. What are you doing here?" Bubba "What do you think? I'm protecting my boys. Both of you ... Because Mark values his own life and inparticular his male body parts, he called me after he got off the phone with you to tell me what the two of you were doing. You didn't honestly believe that I've been ignorant of what you and Mark do at night all these years? Did you?" Cherise "Um, yeah." Bubba "Well then you're a fool,Michael Burdette. And I'm not." Cherise
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
When Your Life Looks Back, When your life looks back-- As it will, at itself, at you--what will it say? Inch of colored ribbon cut from the spool. Flame curl, blue-consuming the log it flares from. Bay leaf. Oak leaf. Cricket. One among many. Your life will carry you as it did always, With ten fingers and both palms, With horizontal ribs and upright spine, With its filling and emptying heart, That wanted only your own heart, emptying, filled, in return. You gave it. What else could do? Immersed in air or in water. Immersed in hunger or anger. Curious even when bored. Longing even when running away. "What will happen next?"-- the question hinged in your knees, your ankles, in the in-breaths even of weeping. Strongest of magnets, the future impartial drew you in. Whatever direction you turned toward was face to face. No back of the world existed, No unseen corner, no test. No other earth to prepare for. This, your life had said, its only pronoun. Here, your life had said, its only house. Let, your life had said, its only order. And did you have a choice in this? You did-- Sleeping and waking, the horses around you, the mountains around you, The buildings with their tall, hydraulic shafts. Those of your own kind around you-- A few times, you stood on your head. A few times, you chose not to be frightened. A few times, you held another beyond any measure. A few times, you found yourself held beyond any measure. Mortal, your life will say, As if tasting something delicious, as if in envy. Your immortal life will say this, as it is leaving.
Jane Hirshfield (Come, Thief)
In that memorable year, 1822: Oersted, a Danish physicist, held in his hands a piece of copper wire, joined by its extremities to the two poles of a Volta pile. On his table was a magnetized needle on its pivot, and he suddenly saw (by chance you will say, but chance only favours the mind which is prepared) the needle move and take up a position quite different from the one assigned to it by terrestrial magnetism. A wire carrying an electric current deviates a magnetized needle from its position. That, gentlemen, was the birth of the modern telegraph.
Louis Pasteur
Yuan approaches the edge of the cliff. The waterfall feels like a magnet full of untainted energy when his hand has touched something dead. Although, the hand feels energetically cleaner after healing a life with prana. His half-aging, half-youthful skin at the back of that hand has tightened. It looks younger than his other one now. He examines that hand. His skin hasn’t felt this smooth for so long. “Recharge my car,” he says.
Misba (The High Auction (Wisdom Revolution, #1))
Magnets. That’s what the boys say about us. Sometimes we’re the same pole, sometimes we’re opposites, but we move each other.
Jessa Hastings (Magnolia Parks (The Magnolia Parks Universe, #1))
I have this theory. I call it the theory of socio-magnetic homogeny. A bunch of big words, but it basically says that people gravitate toward people who share their interests and whatnot.
John David Anderson (Posted)
Yeah. I guess we were both willing to do that, Gavin. I was ready to take that plunge and never look back. Never. I was ready to risk everything for you, to push away the overwhelming fear I had because I knew you and I are worth it. We fell in love in a second. I was barely able to blink, and you had my entire world upside-down. I was scared you weren’t… real. I was scared no one could be as magnetic as you are to me. It still scares me. You still scare me.” Pausing, Emily shook her head. “Then I saw Gina, and all my fears came back. My heart wanted to believe you, but my head wouldn’t allow it after I’d already taken that risk on us. I’m so sorry, Gavin. I don’t know what else to say other than I love you and need you with everything inside me
Gail McHugh (Pulse (Collide, #2))
Everyone would believe her because at the back of their minds, everyone thinks that twin brothers and sisters grow up magnetized towards each other, the prince at the foot of Rapunzel’s tower before the tower is even built, the lover you can get at all the fucking time, the one who is you but a girl, or you but a boy, whose bed you know as well as your own. How could you endure that without falling in love? The question is, were they born in love with each other, these twins, or did it blossom? At any rate it’s already happened, the onlookers agree. It must have. Ask them when they fell. The brother and sister say no, no, it’s nothing like that, but what they mean is that they can’t remember when.
Helen Oyeyemi (White Is for Witching)
Do you know that the spectator is the last of the rings which, as I am saying, receive the power of the original magnet from one another? The rhapsode like yourself and the actor are intermediate links, and the poet himself is the first of them. Through all these the God sways the souls of men in any direction which he pleases, and makes one man hang down from another. Thus there is a vast chain of dancers and masters and undermasters of choruses, who are suspended, as if from the stone, at the side of the rings which hang down from the Muse. And every poet has some Muse from whom he is suspended, and by whom he is said to be possessed, which is nearly the Ion 5 same thing; for he is taken hold of.
Socrates
I knew Frank Herbert for more than thirty-eight years. He was a magnificent human being, a man of great honor and distinction, and the most interesting person at any gathering, drawing listeners around him like a magnet. To say he was an intellectual giant would be an understatement, since he seemed to contain all of the knowledge of the universe in his marvelous mind. He was my father, and I loved him deeply.
Frank Herbert (Dune (Dune, #1))
Put any company of people together with freedom for conversation, and a rapid self-distribution takes place into sets and pairs. The best are accused of exclusiveness. It would be more true to say they separate as oil from water, as children from old people, without love or hatred in the matter, each seeking his like; and any interference with the affinities would produce constraint and suffocation. All conversation is a magnetic experiment, I know that my friend can talk eloquently; you know that he cannot articulate a sentence: we have seen him in different company.
Ralph Waldo Emerson (Society and Solitude)
[...] but they and I had fallen apart, as one could in England and only there, into separate worlds, little spinning planets of personal relationship; there is probably a perfect metaphor for the process to be found in physics, from the way in which, I dimly apprehend, particles of energy group and regroup themselves in separate magnetic systems; a metaphor ready to hand for the man who can speak of these things with assurance; not for me, who can only say that England abounded in these small companies of intimate friends, so that, as in this case of Julia and myself, we could live in the same street in London, see at times, a few miles distant, the rural horizon, could have a liking one for the other, a mild curiosity about the other's fortunes, a regret, even, that we should be separated, and the knowledge that either of us had only to pick up the telephone and speak by the other's pillow, enjoy the intimacies of the levee, coming in, as it were, with the morning orange juice and the sun, yet be restrained from doing so by the centripetal force of our own worlds, and the cold, interstellar space between them.
Evelyn Waugh (Brideshead Revisited)
So,” she says slowly, reviewing my case item by item, “you like ice holes, sinkholes, peepholes and blowholes?” I nod. “But not loopholes?” I nod again. Hole this, hole that – even when I’m determined not to just be myself, I’m such an asshole. I just can’t help it.
Lauren Baratz-Logsted (The Bro-Magnet (Nice Guy, #1))
The girl whose table I occupied was reading a book but I couldn’t help but notice that all this time, she was secretly watching me. “You are beautiful.” I took my eyes off my phone and I saw the girl talking to me. I was embarrassed and didn’t know what to say or how to react.
Nico J. Genes (Magnetic Reverie)
- Then I realized maybe Atlas wasn't supposed to be my whole life. Maybe he was only supposed to be a part of it. - I'm going to make a promise to you. When my life is good enough for you to be a part of it, I'll come find you. But I don't want you to wait around for me, because that might never happen. - You pushed me. "You fell", he says. - You are my wife. I'm supposed to be the one who protects you from the monsters. I'm not supposed to be the one. - Where did you get that magnet, Lily? - Lily saved your life, now you're saving hers. - I had nothing to offer you but live, and to me, you deserved more than that- Atlas - If you severer need me, I want you to call me. But only if it's an emergency. I'm not capable of being casual with you, Lily.- Atlas - In the future..if by some miracle you ever find yourself in the position to fall in love again..fall in love with me. You're still my favourite person, Lily. Always will be.- Atlas - Just because someone hurts you doesn't mean you can simply stop loving them. It's not a person's actions that hurt the most. It's the love. -It stops here. With me and you. It ends with us- Lily to her baby Emerson. - I feel like my life is good enough for you now. So whenever you're ready...- Atlas - You can stop swimming now, Lily. We finally reached the shore."- Atlas
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Why didn't the Eskimo keep it?" she asked, looking at the Magnet with interest. "He got tired of being loved and longed for some one to hate him. So he gave me the Magnet and the very next day a grizzly bear ate him." "Wasn't he sorry then?" she inquired. "He didn't say," replied the shaggy man,
L. Frank Baum (The Wizard of Oz Series)
Whenever he can, Werner records what the partisans say on magnetic tape. Everybody, he is learning, likes to hear themselves talk. Hubris, like the oldest stories. They raise the antenna too high, broadcast for too many minutes, assume the world offers safety and rationality when of course it does not.
Anthony Doerr (All the Light We Cannot See)
We are all connected -- I believed it then and believe it still now -- at least in an energetic sense. And who’s to say this energy is not real? We can’t see gravity, either, yet we don’t deny it. We can’t see magnetism, yet we don’t question its forcefulness. So, why, then, when people -- spiritual people -- talk about a force of substance that binds us all, that unites us all -- when these people talk about souls -- why do we dismiss them as charlatans?
Garth Stein
He is a type of our best — our rarest. Electrical, I was going to say, beyond anyone, perhaps, ever was: charged, surcharged. Not a founder of new philosophies — not of that build. But a towering magnetic presence, filling the air about with light, warmth, inspiration. A great intellect, penetrating, in ways (on his field) the best of our time — to be long kept, cherished, passed on... It should not be surprising that I am drawn to Ingersoll, for he is 'Leaves of Grass.' He lives, embodies, the individuality I preach. 'Leaves of Grass' utters individuality, the most extreme, uncompromising. I see in Bob the noblest specimen —American-flavored—pure out of the soil, spreading, giving, demanding light. {Whitman's thought on his good friend, the great Robert Ingersoll}
Walt Whitman
We all want love. From God, and from the creation. We are all running towards something. Ironically, the more we run after the creation, the more the creation runs away from us! As soon as we stop running after the creation, and reorient, as soon as we start running towards God, the creation runs after us. It’s a simple, simple formula: Run towards the creation, you lose God and the creation. Run towards God, you gain God *and* the creation. Allah is “Al Wadood” (The Source of Love). Therefore, love comes from God—not people. “To acquire love…fill yourself up with it until you become a magnet.” When you fill yourself with the Source of love (Al Wadood), you become a magnet for love. Allah teaches us this in the beautiful hadith Qudsi: “If Allah has loved a servant [of His], He calls Gabriel and says: “I love so-and-so, therefore love him.’” He (the Prophet pbuh) said: “So Gabriel then loves him. Then he (Gabriel) calls out in Heaven, saying: ‘Allah loves so-and-so, therefore love him.’ And the inhabitants of Heaven love him. Then acceptance is established for him on earth.” [Bukhari, Malik, & Tirmidhi] We’re all running. But so few of us are running in the right direction. We have the same goal. But to get there, we need to stop. And examine if we are running towards the Source–or just a reflection.
Yasmin Mogahed (Reclaim Your Heart: Personal Insights on Breaking Free from Life's Shackles)
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
Herman Melville (Moby-Dick or, The Whale)
For while they'd stayed close during the absurd years of his sharp rise, having children had knocked it all into a different arrangement. The minute you had children you closed ranks. You didn't plan this in advance, but it happened. Families were like individual, discrete, moated island nations. The little group of citizens on the slab of rock gathered together instinctively, almost defensively, and everyone who was outside the walls--even if you'd once been best friends--was now just that, outsiders. Families had their ways. You took note of how other people raised their kids, even other people you loved, and it seemed all wrong. The culture and practices of one's own family were the only way, for better or worse. Who could say why a family decided to have a certain style, to tell the jokes it did, to put up its particular refrigerator magnets?
Meg Wolitzer (The Interestings)
Fitz had listened to me speak a truth we'd taken great pains never to say out loud, plus a newer, magnificent, frightening one. I can't do this alone, I told him. He had looked at my belly, still flat. You aren't. There was no denying Eric's magnetism, but that afternoon I realized that, united, Fitz and I were a force to be reckoned with as well.
Jodi Picoult (Vanishing Acts)
Unknowingly it happens between you and me. There is a pull that happens between you and me. What is it between you and me? Something that you do to me. Something that I do to you.
Avijeet Das (Why the Silhouette?)
Anything that says ‘smart’ in front of its name, is a potential magnet for trojans. The same goes for anything that is endorsed as ‘open source’.
Abhijit Naskar (Vatican Virus: The Forbidden Fiction)
You’re using positive body language to build rapport: All good salespeople know that people buy from people they like.
John Alanis (Animal Magnetism: How to Attract Women Without Saying a Word)
I believe nobody really dies. We are energy and continue to exist. So where else would our spirits go than where there is the magnet of love, where we have a shared interest?
Elizabeth Garden (TREE OF LIVES: My rocky path out of the Wildwoods)
Will it ultimately reach the clear surface of my consciousness, this memory, this old, dead moment which the magnetism of an identical moment has travelled so far to importune, to disturb, to raise up out of the very depths of my being? I cannot tell. Now that I feel nothing, it has stopped, has perhaps gone down again into its darkness, from which who can say whether it will ever rise?
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
Once again a 'hate stare' drew my attention like a magnet. It came from a middle-aged, heavyset, well-dressed white man. He sat a few yards away, fixing his eyes on me. Nothing can describe the withering horror of this. You feel lost, sick at heart before such unmasked hatred, not so much because it threatens you as because it shows humans in such an inhuman light. You see a kind of insanity, something so obscene the very obscenity of it (rather than its threat) terrifies you. It was so new I could not take my eyes from the man's face. I felt like saying, 'What in God's name are you doing to yourself?
John Howard Griffin (Black Like Me)
Jesse, you're not going to lose me. I had the situation totally under control." Sort of. "But I have to say that after so many years of you keeping your feelings for me hidden out of propriety, it's really nice to hear you say all those things. Plus, it's emotionally healthy that you're letting them out this way. Keep unburdening yourself." I wrapped my arms around his neck. "What is it exactly, that you find so irresistible about me? Is it my magnetic personality? Or my emerald green eyes? Or maybe it's just my hot bod?" I felt something against my torso. "Oh, I'm getting the impression that it's my hot bod.
Meg Cabot (Proposal (The Mediator, #6.5))
She swiped at her eyes. “Suck it up,” she whispered fiercely to herself. “It’s all good, no matter how hard it is.” “I’m going to refrain from saying ‘That’s what she said’ since you seem to be having a moment.
Jill Shalvis (Animal Magnetism (Animal Magnetism, #1))
Our mind is nothing less than a magnet. If we always think of positivity, we attract and beget more n more of it. If we always think of problems, we attract and beget nothing but more of it. So, choice is yours.
Bhawna Dehariya
One can still say that quantum mechanics is the key to understanding magnetism. When one enters the first room with this key there are unexpected rooms beyond, but it is always the master key that unlocks each door.
John H. Van Vleck
Oh, My God..." Even as he saw the face and heard that voice say "Crow..." he was throwing himself backward out of the shaft. Then the top of the elevator car blew out and the air was filler with shrapnel, everybody hit the deck, and crow grabbed his crossbow, yelling, "Get back! It's him, the vampire!" But it was too late. The vampire rose with the grip of a single beautiful hand, almost levitating toward them, his power and eyes and smile and terrible beauty so alien but so familiar, so pale but so solid, so horrible but so magnetic. And he came closer and closer. "Get back," ordered crow, and the Team started to obey. "Too late," the vampire said, halting them with the voice. "You've let me get too close." Crow raised his crossbow all the way then saied: "Hold it there." The thing laughed and said, "Are you joking?" "Stop!" said Crow. And the vampire smiled and showed his big teeth and said: "Stop me...
John Steakley
There is a myth I grew up with and heard so many times that I had believed it. They say money doesn’t buy you happiness. This is a delusion the poor cling to and the rich find comical. Money does buy happiness. Money equals freedom, the highest form of happiness. Money equals pleasure. The more you have the more pleasurable life is. People with money can never know what it is like to be without money. Money is a magnet, it doesn’t trickle down, it is sucked up.
Clifford Thurlow (Gigolo: Inside the Secret World of the Super Rich)
What a skeletal wreck of man this is. Translucent flesh and feeble bones, the kind of temple where the whores and villains try to tempt the holistic domes. Running rampid with free thought to free form, and the free and clear. When the matters at hand are shelled out like lint at a laundry mat to sift and focus on the bigger, better, now. We all have a little sin that needs venting, virtues for the rending and laws and systems and stems are ripped from the branches of office, do you know where your post entails? Do you serve a purpose, or purposely serve? When in doubt inside your atavistic allure, the value of a summer spent, and a winter earned. For the rest of us, there is always Sunday. The day of the week the reeks of rest, but all we do is catch our breath, so we can wade naked in the bloody pool, and place our hand on the big, black book. To watch the knives zigzag between our aching fingers. A vacation is a countdown, T minus your life and counting, time to drag your tongue across the sugar cube, and hope you get a taste. WHAT THE FUCK IS ALL THIS FOR? WHAT THE HELL’S GOING ON? SHUT UP! I can go on and on but lets move on, shall we? Say, your me, and I’m you, and they all watch the things we do, and like a smack of spite they threw me down the stairs, haven’t felt like this in years. The great magnet of malicious magnanimous refuse, let me go, and punch me into the dead spout again. That’s where you go when there’s no one else around, it’s just you, and there was never anyone to begin with, now was there? Sanctimonious pretentious dastardly bastards with their thumb on the pulse, and a finger on the trigger. CLASSIFIED MY ASS! THAT’S A FUCKING SECRET, AND YOU KNOW IT! Government is another way to say better…than…you. It’s like ice but no pick, a murder charge that won’t stick, it’s like a whole other world where you can smell the food, but you can’t touch the silverware. Huh, what luck. Fascism you can vote for. Humph, isn’t that sweet? And we’re all gonna die some day, because that’s the American way, and I’ve drunk too much, and said too little, when your gaffer taped in the middle, say a prayer, say a face, get your self together and see what’s happening. SHUT UP! FUCK YOU! FUCK YOU! I’m sorry, I could go on and on but their times to move on so, remember: you’re a wreck, an accident. Forget the freak, your just nature. Keep the gun oiled, and the temple cleaned shit snort, and blaspheme, let the heads cool, and the engine run. Because in the end, everything we do, is just everything we’ve done.
Stone Sour (Stone Sour)
How does life build the vital currents that we live from? Where does the magnetic force that pulls me toward this friend's house originate? What are the essential moments that made this presence into a vital pole for me? What are the secret events that mold particular affections and, through them, love of country? How little stir the real miracles cause! How simple are the most vital events! There is so little to say about the instant I want to recall that I have to relive it in a dream and speak to this friend.
Antoine de Saint-Exupéry (Lettre à un otage)
Lots of kitchens have a “catch-all” drawer. What’s in here? It’s always a surprise. Soy sauce packets from carryout, rubber bands, pennies, matches, pushpins, a stray refrigerator magnet. I’m only going to say this once: No. Junk. Drawer. Do I make myself clear?
Peter Walsh (It's All Too Much: An Easy Plan for Living a Richer Life with Less Stuff)
The worst fear of the race yes, the world suddenly transformed into a senseless nightmare, horrible dissolution of things. Nothing compares, even oblivion is a sweet dream. You understand why, of course. Why this peculiar threat. These brooding psyches, all the busy minds everywhere. I hear them buzzing like flies in the blackness. I see them as glow worms flitting in the blackness. They are struggling, straining every second to keep the sky above them, to keep the sun in the sky, to keep the dead in the earth-to keep all things, so to speak, where they belong. What an undertaking! What a crushing task! Is it any wonder that they are all tempted by a universal vice, that in some dark street of the mind a single voice whispers to one and all, softly hissing, and says: 'Lay down your burden.' Then thoughts begin to drift, a mystical magnetism pulls them this way and that, faces start to change, shadows speak... sooner or later the sky comes down, melting like wax. But as you know, everything has not yet been lost: absolute terror has proved its security against this fate. Is it any wonder that these beings carry on the struggle at whatever cost?
Thomas Ligotti (Grimscribe: His Lives and Works)
Putting It into Practice: Neutralizing Negativity Use the techniques below anytime you’d like to lessen the effects of persistent negative thoughts. As you try each technique, pay attention to which ones work best for you and keep practicing them until they become instinctive. You may also discover some of your own that work just as well. ♦ Don’t assume your thoughts are accurate. Just because your mind comes up with something doesn’t necessarily mean it has any validity. Assume you’re missing a lot of elements, many of which could be positive. ♦ See your thoughts as graffiti on a wall or as little electrical impulses flickering around your brain. ♦ Assign a label to your negative experience: self-criticism, anger, anxiety, etc. Just naming what you are thinking and feeling can help you neutralize it. ♦ Depersonalize the experience. Rather than saying “I’m feeling ashamed,” try “There is shame being felt.” Imagine that you’re a scientist observing a phenomenon: “How interesting, there are self-critical thoughts arising.” ♦ Imagine seeing yourself from afar. Zoom out so far, you can see planet Earth hanging in space. Then zoom in to see your continent, then your country, your city, and finally the room you’re in. See your little self, electrical impulses whizzing across your brain. One little being having a particular experience at this particular moment. ♦ Imagine your mental chatter as coming from a radio; see if you can turn down the volume, or even just put the radio to the side and let it chatter away. ♦ Consider the worst-case outcome for your situation. Realize that whatever it is, you’ll survive. ♦ Think of all the previous times when you felt just like this—that you wouldn’t make it through—and yet clearly you did. We’re learning here to neutralize unhelpful thoughts. We want to avoid falling into the trap of arguing with them or trying to suppress them. This would only make matters worse. Consider this: if I ask you not to think of a white elephant—don’t picture a white elephant at all, please!—what’s the first thing your brain serves up? Right. Saying “No white elephants” leads to troops of white pachyderms marching through your mind. Steven Hayes and his colleagues studied our tendency to dwell on the forbidden by asking participants in controlled research studies to spend just a few minutes not thinking of a yellow jeep. For many people, the forbidden thought arose immediately, and with increasing frequency. For others, even if they were able to suppress the thought for a short period of time, at some point they broke down and yellow-jeep thoughts rose dramatically. Participants reported thinking about yellow jeeps with some frequency for days and sometimes weeks afterward. Because trying to suppress a self-critical thought only makes it more central to your thinking, it’s a far better strategy to simply aim to neutralize it. You’ve taken the first two steps in handling internal negativity: destigmatizing discomfort and neutralizing negativity. The third and final step will help you not just to lessen internal negativity but to actually replace it with a different internal reality.
Olivia Fox Cabane (The Charisma Myth: How Anyone Can Master the Art and Science of Personal Magnetism)
I remembered his teasing laughter that night at my place and the look in his eyes whenever he was furious with me. We were like two magnets constantly pushing at each other, and as much as he aggravated me, I had grown used to having him around. I could almost hear him saying “I told you so” at the mess I’d landed in this time,
Karen Lynch (Relentless (Relentless, #1))
Ig had always liked to listen to his father, to watch him while he played. It was almost wrong to say his father played. It often seemed the other way around: that the horn was playing him. The way his cheeks swole out, then caved in as if he were being inhaled into it, the way the golden keys seemed to grab his fingers like little magnets snatching at iron filings, causing them to leap and dance in unexpected, startling fits. The way he shut his eyes and bent his head and twisted back and forth at the hips, as if his torso were in auger, screwing its way deeper and deeper into the centre of his being, pulling the music up from somewhere in the pit of his belly.
Joe Hill (Horns)
Brushing through my hair was usually bad enough after a shower. Letting it dry without brushing it was a terrible mistake. It was full of painful tangles, and I hadn’t made much progress when the door at the end of the veranda opened and Ren walked out. I squeaked in alarm and hid behind my hair. Perfect, Kells. He was still barefoot, but had on khaki pants and a sky-blue button-down shirt that matched his eyes. The effect was magnetic, and here I was in flannel pajamas with giant tumbleweed hair. He sat across from me and said, “Good evening, Kells. Did you sleep well?” “Uh, yes. Did you?” He grinned a dazzling white smile and nodded his head slightly. “Are you having trouble?” he asked and watched my detangling progress with an amused expression. “Nope. I’ve got it all under control.” I wanted to divert his attention away from my hair, so I said, “How’s your back and your, um, arm, I guess it would be?” He smiled. “They’re completely fine. Thank you for asking.” “Ren, why aren’t you wearing white? That’s all I’ve ever seen you wear. Is it because your white shirt was torn?” He responded, “No, I just wanted to wear something different. Actually, when I change to a tiger and back, my white clothes reappear. If I changed to a tiger now and then switch back to a man again, my current clothes would be replaced with my old white ones.” “Would they still be torn and bloody?” “No. When I reappear, they’re clean and whole again.” “Hah. Lucky for you. It would be pretty awkward if you ended up naked every time you changed.” I bit my tongue as soon as the words came out and blushed a brilliant shade of red. Nice, Kells. Way to go. I covered up my verbal blunder by tugging my hair in front of my face and yanking through the tangles. He grinned. “Yes. Lucky for me.” I tugged the brush through my hair and winced. “That brings up another question.” Ren rose and took the brush out of my hand. “What…what are you doing?” I stammered. “Relax. You’re too edgy.” He had no idea. Moving behind me, Ren picked up a section of my hair and started gently brushing through it. I was nervous at first, but his hands in my hair were so warm and soothing that I soon relaxed in the chair, closed my eyes, and leaned my head back. After a minute of brushing, he pulled a lock away from my neck, leaned down by my ear, and whispered, “What was it you wanted to ask me?” I jumped. “Umm…what?” I mumbled disconcertingly. “You wanted to ask me a question.” “Oh, right. It was, uh-that feels nice.” Did I say that out loud? Ren laughed softly. “That’s not a question.” Apparently, I did. “Was it something about me changing into a tiger?” “Oh, yes. I remember now. You can change back a forth several times per day, right? Is there a limit?” “No. There’s no limit as long as I don’t remain human for more than a total of twenty-four minutes in a twenty-four hour day.” He moved to another section of hair. “Do you have any more questions, sundari?
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
A full explanation of this is beyond the scope of this book, suffice to say that Einstein was forced into this bold move primarily because Maxwell’s equations for electricity and magnetism were incompatible with Newton’s 200-year-old laws of motion. Einstein abandoned the Newtonian ideas of space and time as separate entities and merged them. In Einstein’s theory there is a special speed built into the structure of spacetime itself that everyone must agree on, irrespective of how they are moving relative to each other. This special speed is a universal constant of nature that will always be measured as precisely 299,792,458 metres (983,571,503 feet) per second, at all times and all places in the Universe, no matter what they are doing. This
Brian Cox (Wonders of the Universe)
I hate e-mail,” John says. Harvard Li stares him in the eye for a while. “What do you mean?” “The concept is good. The execution is poor. People don’t observe any security precautions. A message arrives claiming to be from Harvard Li, they believe it’s really from Harvard Li. But this message is just a pattern of magnetized spots on a spinning disk somewhere. Anyone could forge it.
Neal Stephenson (Cryptonomicon)
Well,all she had to do was ask," one offended male replied. "I hope you're satisfied!" Lauren whispered furiously. "I'm not," Nick chuckled in her ear. "But I'm going to be." Fully intending to leave him to take his own notes, Lauren slammed her notebook closed and tried to shove her chair back. Nick's body blocked the chair. She twisted her head around to say something scathing, and his lips captured hers in a kiss that forced her head against the back of the chair, tripled her pulse rate and robbed her of thought. When he took his mouth away, she was too shaken to do anything except stare at him. "What do you think,Nick?" a voice asked over the speaker. "I think it gets better every time," he answered huskily. When the call was finally over, Nick pressed a button on the desk, and Lauren saw the door leading into Mary's office swing shut electronically. He grasped her arms and drew her out of the chair, turning her toward him. His mouth came closer to hers,and Lauren felt herself being helplessly drawn into his magnetic spell. "Don't!" she pleaded. "Please don't do this to me." His hands tightened on her arms. "Why can't you just admit you want me and enjoy the consequences?" "All right," she said wretchedly, "You win. I want you...I admit it." She saw the gleam of triumph in his eyes, and her chin lifted. "When I was eight years old, I also wanted a monkey I saw in a pet store." The triumph faded. "And?" he sighed irritably,letting go of her. "And unfortunately I got him," Lauren said. "Daisy bit me,and I had to have twelve stitches in my leg." Nick looked as if he was torn between laughter and anger. "I imagine he bit you for naming him Daisy." Lauren ignored his mockery. "And when I was thirteen, I wanted sisters and brothers. My father obliged me by remarrying, and I got a stepsister who stole my clothes and my boyfriends, and a stepbrother who stole my allowances." "What the hell does that have to do with us?" "Everything!
Judith McNaught (Double Standards)
Dell pulled out his cell phone, speed-dialed a number, and put the phone on speaker. A woman answered with a professionally irritated tone: “What do you need now?” “Jade,” Dell said. “Nope, it’s the Easter Bunny. And your keys are on your desk.” Dell shook his head. “Now darlin’, I don’t always call you just because I’ve lost my keys.” “I’m sorry, you’re right. You wallet’s on your desk, too. As for your little black book, you’re on your own with that one, Dr. Flirt. I’m at lunch.” Dell sighed. “What did we say about you and the whole power-play thing?” “That it’s good for your ego to have at least one woman in your life that you can’t flash a smile at and have them drop their panties?” Dell grinned. “I really like it when you say ‘panties.’ And for the record, I knew where my keys and wallet were.” “No you didn’t.” “Okay, I didn’t, but that’s not why I’m calling. Can you bring burgers and fries for me and Brady? Oh, and Adam, too, or he’ll bitch like a little girl.” “You mean ‘Jade, will you pretty please bring us burgers and fries?’” “Yes,” Dell said, nodding. “That. And Cokes.” He looked at Brady, who nodded. “And don’t forget the ketchup.” “You forgot the nice words.” “Oh, I’m sorry,” Dell said. “You look fantastic today, I especially love the attitude and sarcasm you’re wearing.” Jade’s voice went saccharine sweet. “So some low-fat chicken salads, no dressing, and ice water to go, then?” “Fine,” Dell said, and sighed. “Can we please have burgers and fries?" “You forgot the ‘Thank you, Goddess Jade,’ but we’ll work on that. Later, boss.
Jill Shalvis (Animal Magnetism (Animal Magnetism, #1))
This passage is particularly interesting because it allows us to look deep into the world of obscure archetypal ideas that fill the mind of the alchemist. The author goes on to say that the steel, which is at the same time the “infernal fire,” the “key of our Work,” is attracted by the magnet, for which reason “our magnet” is the true “minera” (raw material) of the steel. The magnet has a hidden centre which “with an archetic appetite38 turns towards the Pole, where the virtue of the steel is exalted.” The centre “abounds in salt”—evidently the sal sapientiae, for immediately afterwards the text says: “The wise man will rejoice, but the fool will pay small heed to these things, and will not learn wisdom, even though he see the outward-turned central Pole marked with the notable sign39 of the Almighty.
C.G. Jung (Aion: Researches into the Phenomenology of the Self (Collected Works, Vol 9ii))
But those comparisons are meaningless. Because to me she is someone special. A 'complete presence,' I guess you could call it. All of her qualities are tightly bound into one core. You can't separate each individual quality to measure & analyse it, to say it's better or worse than the same quality in someone else. It's what's in her core that attracts me so strongly like a powerful magnet. It's beyond logic.
Haruki Murakami (Men Without Women)
Are you sure? Because it looks bad. And you’re pale. You’re never pale.” “I’ve seen him look much worse,” Dell said. “Like last year, when I signed him up for this online dating thing. He got all scared. He was pretty pale then.” “Because I was stalked,” Adam said. “By a crazy person.” “Aw, she wasn’t that bad. And she bought you that teddy bear, remember? Because you were her cuddle umpkins. How scary can a woman who says ‘cuddle umpkins’ be?
Jill Shalvis (Rescue My Heart (Animal Magnetism, #3))
[ Dr. Lois Jolyon West was cleared at Top Secret for his work on MKULTRA. ] Dr. Michael Persinger [235], another FSMF Board Member, is the author of a paper entitled “Elicitation of 'Childhood Memories' in Hypnosis-Like Settings Is Associated With Complex Partial Epileptic-Like Signs For Women But Not for Men: the False Memory Syndrome.” In the paper Perceptual and Motor Skills,In the paper, Dr. Persinger writes: On the day of the experiment each subject (not more than two were tested per day) was asked to sit quietly in an acoustic chamber and was told that the procedure was an experiment in relaxation. The subject wore goggles and a modified motorcycle helmet through which 10-milligauss (1 microTesla) magnetic fields were applied through the temporal plane. Except for a weak red (photographic developing) light, the room was dark. Dr. Persinger's research on the ability of magnetic fields to facilitate the creation of false memories and altered states of consciousness is apparently funded by the Defense Intelligence Agency through the project cryptonym SLEEPING BEAUTY. Freedom of Information Act requests concerning SLEEPING BEAUTY with a number of different intelligence agencies including the CIA and DEA has yielded denial that such a program exists. Certainly, such work would be of direct interest to BLUEBIRD, ARTICHOKE, MKULTRA and other non-lethal weapons programs. Schnabel [280] lists Dr. Persinger as an Interview Source in his book on remote viewing operations conducted under Stargate, Grill Flame and other cryptonyms at Fort Meade and on contract to the Stanford Research Institute. Schnabel states (p. 220) that, “As one of the Pentagon's top scientists, Vorona was privy to some of the strangest, most secret research projects ever conceived. Grill Flame was just one. Another was code-named Sleeping Beauty; it was a Defense Department study of remote microwave mind-influencing techniques ... [...] It appears from Schnabel's well-documented investigations that Sleeping Beauty is a real, but still classified mind control program. Schnabel [280] lists Dr. West as an Interview Source and says that West was a, “Member of medical oversight board for Science Applications International Corp. remote-viewing research in early 1990s.
Colin A. Ross (The CIA Doctors: Human Rights Violations by American Psychiatrists)
Mestre. Say the word without hissing the conurbated villain, and pitying its citizens. As quickly as they can, two million tourists pass through, or by, Mestre each year, and each one will be struck by the same thought as they wonder at the aesthetic opposition that it represents. Mestre is an ugly town but ugly only in the same way that Michael Jackson might be desccribed as eccentric or a Tabasco Vindaloo flambéed in rocket fuel might be described as warm. Mestre is almost excremental in its hideousness: a fetid, fly-blown, festering, industrial urbanization, scarred with varicose motorways, flyovers, rusting railway sidings and the rubbish of a billion holidaymakers gradually burning, spewing thick black clouds into the Mediterranean sky. A town with apparently no centre, a utilitarian ever-expandable wasteland adapted to house the displaced poor, the shorebound, outpriced, domicile-deprived exiles from its neighbouring city. For, just beyond the condom- and polystyrene-washed, black-stained, mud shores of Marghera, Mestre's very own oil refinery, less than a mile away across the waters of the lagoon in full sight of its own dispossessed citizens, is the Jewel of Adriatic. Close enough for all to feel the magnetism, there stands the most beautiful icon of Renaissance glory and, like so much that can attract tourism, a place too lovely to be left in the hands of its natives, the Serenissima itself, Venice.
Marius Brill (Making Love: A Conspiracy of the Heart)
... but I love language. It is a living, breathing, evolving thing, and language has power. Whether in a song lyric, a poem, a speech, or a simple conversation, we’ve all experienced words that resonate with us. They may make us recall a powerful moment, inspire us, move us, or perhaps, comfort us…. But at the same time, we don’t think in words. We think in pictures. If I say the word ‘dog’ to you, you aren’t picturing the letters, d-o-g, you’re picturing a dog from your memory...
Lily Velden (Animal Magnetism)
Real Estate: A lot like the legal profession, people want an advocate. So they need to know that YOU are in THEIR corner. Real estate is one of those fields where the laws are different everywhere and always changing. The confusion makes it such that the average citizen cannot properly advocate for himself or herself. They need an expert. And while they may say that they want to get a great price, what they REALLY want is an expert in their corner fighting for them. You are really selling that hero.
Dan S. Kennedy (Magnetic Marketing: How To Attract A Flood Of New Customers That Pay, Stay, and Refer)
He was beautiful. Whatever else he was, Sage was by far the most magnetic man I had ever seen. I had felt it in my dreams, and it was even more true in real life. I welcomed the chance to study him without his knowledge. He glanced up, and I quickly closed my eyes, feigning sleep. Had he seen me? The scratching stopped. He was looking at me, I knew it. I held my breath and willed my eyes not to pop open and see if he was staring. Finally the scratching started up again. I forced myself to slowly count to ten before I opened my eyelids the tiniest bit and peeked through my lashes. Good-he wasn’t looking at me. I opened my eyes a little wider. What was he doing? Moving only my eyes, I glanced down at the dirt floor in front of him… …and saw a picture of me, fast asleep. It was incredible. I could see his tools laid out beside the picture: rocks in several sizes and shapes, a couple of twigs…the most rudimentary materials, and yet what he was etching into the floor wouldn’t look out of place on an art gallery wall. It was beautiful…far more beautiful than I thought I actually looked in my sleep. Is that how he saw me? Sage lifted his head again, and I shut my eyes. I imagined him studying me, taking careful note of my features and filtering them through his own senses. My heartbeat quickened, and it took all my willpower to remain still. “You can keep pretending to be asleep if you’d like, but I don’t see a career for you as an actress,” he teased. My eyes sprang open. Sage’s head was again bent over his etching, but a grin played on his face as he worked. “You knew?” I asked, mortified. Sage put a finger to his lips, glancing toward Ben. “About two minutes before you woke up, I knew,” he whispered. “Your breathing hanged.” He bent back over the drawing, then impishly asked, “Pleasant dreams?” My heart stopped, and I felt myself blush bright crimson as I remembered our encounter in the bottom of the rowboat. I sent a quick prayer to whoever or whatever might be listening that I hadn’t re-enacted any of it in my sleep, then said as nonchalantly as possible, “I don’t know, I can’t remember what I dreamed about. Why?” He swapped out the rock in his hand for one with a thinner edge and worked for another moment. “No reason…just heard my name.” I hoped the dim moonlight shadowed the worst of my blush. “Your name,” I reiterated. “That’s…interesting. They say dreams sort out things that happen when we’re awake.” “Hmm. Did you sort anything out?” he asked. “Like I said, I can’t remember.” I knew he didn’t believe me. Time to change the subject. I nodded to the etching. “Can I come look?
Hilary Duff (Elixir (Elixir, #1))
But the greatest human problems are not social problems, but decisions that the individual has to make alone. The most important feelings of which man is capable emphasise his separateness from other people, not his kinship with them. The feelings of a mountaineer towards a mountain emphasise his kinship with the mountain rather than with the rest of mankind. The same goes for the leap of the heart experienced by a sailor when he smells the sea, or for the astronomer’s feeling about the stars, or for the archaeologist’s love of the past. My feeling of love for my fellowmen makes me aware of my humanness; but my feeling about a mountain gives me an oddly nonhuman sensation. It would be incorrect, perhaps, to call it ‘superhuman’; but it nevertheless gives me a sense of transcending my everyday humanity. Maslow’s importance is that he has placed these experiences of ‘transcendence’ at the centre of his psychology. He sees them as the compass by which man gains a sense of the magnetic north of his existence. They bring a glimpse of ‘the source of power, meaning and purpose’ inside himself. This can be seen with great clarity in the matter of the cure of alcoholics. Alcoholism arises from what I have called ‘generalised hypertension’, a feeling of strain or anxiety about practically everything. It might be described as a ‘passively negative’ attitude towards existence. The negativity prevents proper relaxation; there is a perpetual excess of adrenalin in the bloodstream. Alcohol may produce the necessary relaxation, switch off the anxiety, allow one to feel like a real human being instead of a bundle of over-tense nerves. Recurrence of the hypertension makes the alcoholic remedy a habit, but the disadvantages soon begin to outweigh the advantage: hangovers, headaches, fatigue, guilt, general inefficiency. And, above all, passivity. The alcoholics are given mescalin or LSD, and then peak experiences are induced by means of music or poetry or colours blending on a screen. They are suddenly gripped and shaken by a sense of meaning, of just how incredibly interesting life can be for the undefeated. They also become aware of the vicious circle involved in alcoholism: misery and passivity leading to a general running-down of the vital powers, and to the lower levels of perception that are the outcome of fatigue. ‘The spirit world shuts not its gates, Your heart is dead, your senses sleep,’ says the Earth Spirit to Faust. And the senses sleep when there is not enough energy to run them efficiently. On the other hand, when the level of will and determination is high, the senses wake up. (Maslow was not particularly literary, or he might have been amused to think that Faust is suffering from exactly the same problem as the girl in the chewing gum factory (described earlier), and that he had, incidentally, solved a problem that had troubled European culture for nearly two centuries). Peak experiences are a by-product of this higher energy-drive. The alcoholic drinks because he is seeking peak experiences; (the same, of course, goes for all addicts, whether of drugs or tobacco.) In fact, he is moving away from them, like a lost traveller walking away from the inn in which he hopes to spend the night. The moment he sees with clarity what he needs to do to regain the peak experience, he does an about-face and ceases to be an alcoholic.
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
He whom I bow to only knows to whom I bow When I attempt the ineffable Name, murmuring Thou… (“Footnote to All Prayers”) Lewis proceeds to acknowledge that when he says the Name of God, his best thoughts are mere fancies and symbols, which he knows “cannot be the thing thou art.” Then with postmodern sensitivity, Lewis ponders the inadequacy of human language and perspective: And all men are idolators, crying unheard To a deaf idol, if Thou take them at their word. Even as we pray, then, we must count on God to take our misguided arrows and magnetize them toward their goal. He concludes: Take not, oh Lord, our literal sense. Lord, in Thy great, Unbroken speech our limping metaphor translate.
Brian D. McLaren (Adventures in Missing the Point: How the Culture-Controlled Church Neutered the Gospel)
Chiropractic: There are obviously a lot of different niches you could serve in this industry. But, let’s say for a moment that you serve the elderly demographic. You might think that they just want to be able to play a little more golf or keep up with their grandkids. Those things might be true and they’ll certainly admit to them. But if you go deeper, you’ll find that they want to be the envy of all of their friends who are falling apart. That’s the secret ego motivation that inspires them to find you. And further, they do NOT want to be put into a nursing home. That’s the secret fear that has them searching for you. Sell them abilities their friends don’t have and you’ll have them eating out of your hand.
Dan S. Kennedy (Magnetic Marketing: How To Attract A Flood Of New Customers That Pay, Stay, and Refer)
breath, life after seven decades plus three years is a lot of breathing. seventy three years on this earth is a lot of taking in and giving out, is a life of coming from somewhere and for many a bunch of going nowhere. how do we celebrate a poet who has created music with words for over fifty years, who has showered magic on her people, who has redefined poetry into a black world exactness thereby giving the universe an insight into darkroads? just say she interprets beauty and wants to give life, say she is patient with phoniness and doesn’t mind people calling her gwen or sister. say she sees the genius in our children, is visionary about possibilities, sees as clearly as ray charles and stevie wonder, hears like determined elephants looking for food. say that her touch is fine wood, her memory is like an african roadmap detailing adventure and clarity, yet returning to chicago’s south evans to record the journey. say her voice is majestic and magnetic as she speaks in poetry, rhythms, song and spirited trumpets, say she is dark skinned, melanin rich, small-boned, hurricane-willed, with a mind like a tornado redefining the landscape. life after seven decades plus three years is a lot of breathing. gwendolyn, gwen, sister g has not disappointed our expectations. in the middle of her eldership she brings us vigorous language, memory, illumination. she brings breath. (Quality: Gwendolyn Brooks at 73)
Haki R. Madhubuti (Heartlove: Wedding and Love Poems)
Secret Summaries • The Great Secret of Life is the law of attraction. • The law of attraction says like attracts like, so when you think a thought, you are also attracting like thoughts to you. • Thoughts are magnetic, and thoughts have a frequency. As you think thoughts, they are sent out into the Universe, and they magnetically attract all like things that are on the same frequency. Everything sent out returns to the source—you. • You are like a human transmission tower, transmitting a frequency with your thoughts. If you want to change anything in your life, change the frequency by changing your thoughts. • Your current thoughts are creating your future life. What you think about the most or focus on the most will appear as your life. • Your thoughts become things.
Rhonda Byrne (The Secret)
I say this—after six million years of evolution, is there anything else more in tune with the planet than the human body? We grow muscles to withstand fourteen pounds of air pressure per square inch at sea level. We develop senses to detect changes in wind patterns and know when a storm is approaching. We can hear threatening footsteps approaching and feel the stares of an angry ex-girlfriend as her eyes burn a hole in our back. We have millions of nerve endings in our skin to feel our environment. In short, we evolve. We become more in tune with the world, like birds that use the Earth’s magnetic field to help guide them on their long migration or mammals that can feel winter coming and prepare for hibernation. So when my body tells me there’s a spirit present, I trust it.
Zak Bagans (Dark World: Into the Shadows with the Lead Investigator of the Ghost Adventures Crew)
Since our civilization is irreversibly dependent on electronics, abolition of EMR is out of the question. However, as a first step toward averting disaster, we must halt the introduction of new sources of electromagnetic energy while we investigate the biohazards of those we already have with a completeness and honesty that have so far been in short supply. New sources must be allowed only after their risks have been evaluated on the basis of the knowledge acquired in such a moratorium. 
With an adequately funded research program, the moratorium need last no more than five years, and the ensuing changes could almost certainly be performed without major economic trauma. It seems possible that a different power frequency—say 400 hertz instead of 60—might prove much safer. Burying power lines and providing them with grounded shields would reduce the electric fields around them, and magnetic shielding is also feasible. 
A major part of the safety changes would consist of energy-efficiency reforms that would benefit the economy in the long run. These new directions would have been taken years ago but for the opposition of power companies concerned with their short-term profits, and a government unwilling to challenge them. It is possible to redesign many appliances and communications devices so they use far less energy. The entire power supply could be decentralized by feeding electricity from renewable sources (wind, flowing water, sunlight, georhermal and ocean thermal energy conversion, and so forth) into local distribution nets. This would greatly decrease hazards by reducing the voltages and amperages required. Ultimately, most EMR hazards could be eliminated by the development of efficient photoelectric converters to be used as the primary power source at each point of consumption. The changeover would even pay for itself, as the loss factors of long-distance power transmission—not to mention the astronomical costs of building and decommissioning short-lived nuclear power plants—were eliminated. Safety need not imply giving up our beneficial machines. 
Obviously, given the present technomilitary control of society in most parts of the world, such sane efficiency will be immensely difficult to achieve. Nevertheless, we must try. Electromagnetic energy presents us with the same imperative as nuclear energy: Our survival depends on the ability of upright scientists and other people of goodwill to break the military-industrial death grip on our policy-making institutions.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
A common refrain among theoretical physicists is that the fields of quantum field theory are the “real” entities while the particles they represent are images like the shadows in Plato's cave. As one who did experimental particle physics for forty years before retiring in 2000, I say, “Wait a minute!” No one has ever measured a quantum field, or even a classical electric, magnetic, or gravitational field. No one has ever measured a wavicle, the term used to describe the so-called wavelike properties of a particle. You always measure localized particles. The interference patterns you observe in sending light through slits are not seen in the measurements of individual photons, just in the statistical distributions of an ensemble of many photons. To me, it is the particle that comes closest to reality. But then, I cannot prove it is real either.
Victor J. Stenger (The Fallacy of Fine-Tuning: Why the Universe Is Not Designed for Us)
Nevertheless, it is interesting to note that almost the entire first two sections of his relativity paper deal directly and in vivid practical detail (in a manner so different from the writings of, say, Lorentz and Maxwell) with the two real-world technological phenomena he knew best. He writes about the generation of “electric currents of the same magnitude” due to the “equality of relative motion” of coils and magnets, and the use of “a light signal” to make sure that “two clocks are synchronous.” As Einstein himself stated, his time in the patent office “stimulated me to see the physical ramifications of theoretical concepts.”51 And Alexander Moszkowski, who compiled a book in 1921 based on conversations with Einstein, noted that Einstein believed there was “a definite connection between the knowledge acquired at the patent office and the theoretical results.
Walter Isaacson (Einstein: His Life and Universe)
Admiral Leonard H. "Bones" McCoy: How old do you think I am, anyway? Lt. Commander Data: 137 years, Admiral, according to Starfleet records. Admiral Leonard H. "Bones" McCoy: Explain how you remember that so exactly! Lt. Commander Data: I remember every fact I am exposed to, sir. Admiral Leonard H. "Bones" McCoy: [looking at both sides of Data's head] I don't see no points on your ears, boy, but you sound like a Vulcan. Lt. Commander Data: No, sir. I am an android. Admiral Leonard H. "Bones" McCoy: Hmph. Almost as bad.' 'Data: [uses a device in his arm to open a door] Open sesame! You could say I have a magnetic personality. [laughs at his joke] Data: Humor! I love it!' 'Lt. Commander Data: Spot, you are disrupting my ability to work. [he puts Spot to the floor, but she jumps back on Data's desk] Spot: Meow. Lt. Commander Data: Vamoose, ye little varmint!
Star Trek The Next Generation
And remember when I said that Liam doesn’t spend money to the excess? I take that back. I might not be a car expert, but I know a Bugatti Veyron when I see one. And that’s what I’m looking at right now. A sexy-as-hell Bugatti. “This car is a total babe magnet.” I run my fingertips over the smooth, shiny black paintwork. “Like its owner,” he says, shutting the trunk with a soft clunk. “Ha!” I laugh. “Seriously though, you could look like the Hunchback of Notre Dame and still score a supermodel if you had this car.” Liam gives a mock-offended look. “I hope to fuck you’re not implying that chicks only dig me because of my car.” I laugh again. “As if. This is the first time I’ve seen your car, and I totally dug you long before this.” He comes around the car, toward me. Standing before me, he takes my face in his hands, tipping it back so that I’m looking up into his eyes. Leaning in, he softly kisses me on the lips. “I kinda dig you, too, Boston.
Samantha Towle (The Ending I Want)
I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-
Junipurr- Sometimes Trudy
That pain of wanting, the burning desire to possess what you lack, is one of the greatest allies you have. It is a force you can harness to create whatever you want in your life. When you took an honest look at your life back in the previous chapter and rated yourself as being either on the up curve or the down curve in seven different areas, you were painting a picture of where you are now. This diagram shows that as point A. Where you could be tomorrow, your vision of what’s possible for you in your life, is point B. And to the extent that there is a “wanting” gap between points A and B, there is a natural tension between those two poles. It’s like holding a magnet near a piece of iron: you can feel the pull of that magnet tugging at the iron. Wanting is exactly like that; it’s magnetic. You can palpably feel your dreams (B) tugging at your present circumstances (A). Tension is uncomfortable. That’s why it sometimes makes people uncomfortable to hear about how things could be. One of the reasons Dr. Martin Luther King, Jr.’s famous “I have a dream” speech made such a huge impact on the world and carved such a vivid place in our cultural memory is that it made the world of August 1963 very uncomfortable. John Lennon painted his vision of a more harmonious world in the song Imagine. Within the decade, he was shot to death. Gandhi, Jesus, Socrates … our world can be harsh on people who talk about an improved reality. Visions and visionaries make people uncomfortable. These are especially dramatic examples, of course, but the same principle applies to the personal dreams and goals of people we’ve never heard of. The same principle applies to everyone, including you and me. Let’s say you have a brother, or sister, or old friend with whom you had a falling out years ago. You wish you had a better relationship, that you talked more often, that you shared more personal experiences and conversations together. Between where you are today and where you can imagine being, there is a gap. Can you feel it?
Jeff Olson (The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness)
I now turn to a *subjective* consideration that belongs here; yet I can give even less distinctness to it than to the objective consideration just discussed, for I shall be able to express it only by image and simile. Why is our consciousness brighter and more distinct the farther it reaches outwards, so that its greatest clearness lies in sense perception, which already half belongs to things outside us; and, on the other hand, becomes more obscure as we go inwards, and leads, when followed to its innermost recesses, into a darkness in which all knowledge ceases? Because, I say, consciousness presupposes *individuality*; but this belongs to the mere phenomenon, since, as the plurality of the homogeneous, it is conditioned by the forms of the phenomenon, time and space. On the other hand, our inner nature has its root in what is no longer phenomenon but thing-in-itself, to which therefore the forms of the phenomenon do not reach; and in this way, the chief conditions of individuality are wanting, and distinct consciousness ceases therewith. In this root-point of existence the difference of beings ceases, just as that of the radii of a sphere ceases at the centre. As in the sphere the surface is produced by the radii ending and breaking off, so consciousness is possible only where the true inner being runs out into the phenomenon. Through the forms of the phenomenon separate individuality becomes possible, and on this individuality rests consciousness, which is on this account confined to phenomena. Therefore everything distinct and really intelligible in our consciousness always lies only outwards on this surface on the sphere. But as soon as we withdraw entirely from this, consciousness forsakes us―in sleep, in death, and to a certain extent also in magnetic or magic activity; for all these lead through the centre. But just because distinct consciousness, as being conditioned by the surface of the sphere, is not directed towards the centre, it recognizes other individuals certainly as of the same kind, but not as identical, which, however, they are in themselves. Immortality of the individual could be compared to the flying off at a tangent of a point on the surface; but immortality, by virtue of the eternity of the true inner being of the whole phenomenon, is comparable to the return of that point on the radius to the centre, whose mere extension is the surface. The will as thing-in-itself is entire and undivided in every being, just as the centre is an integral part of every radius; whereas the peripheral end of this radius is in the most rapid revolution with the surface that represents time and its content, the other end at the centre where eternity lies, remains in profoundest peace, because the centre is the point whose rising half is no different from the sinking half. Therefore, it is said also in the *Bhagavad-Gita*: *Haud distributum animantibus, et quasi distributum tamen insidens, animantiumque sustentaculum id cognoscendum, edax et rursus genitale* (xiii, 16, trans. Schlegel) [Undivided it dwells in beings, and yet as it were divided; it is to be known as the sustainer, annihilator, and producer of beings]. Here, of course, we fall into mystical and metaphorical language, but it is the only language in which anything can be said about this wholly transcendent theme.
Arthur Schopenhauer (The World as Will and Representation, Volume II)
You have criminals?” “Of course.” But the mere fact that Quin responded in this way caused Orolo to jump to a new leaf of the questionnaire. “How do you know?” “What?!” “You say of course there are criminals, but if you look at a particular person, how do you know whether or not he is a criminal? Are criminals branded? Tattooed? Locked up? Who decides who is and isn’t a criminal? Does a woman with shaved eyebrows say ‘you are a criminal’ and ring a silver bell? Or is it rather a man in a wig who strikes a block of wood with a hammer? Do you thrust the accused through a doughnut-shaped magnet? Or use a forked stick that twitches when it is brought near evil? Does an Emperor hand down the decision from his throne written in vermilion ink and sealed with black wax, or is it rather that the accused must walk barefoot across a griddle? Perhaps there is ubiquitous moving picture praxis—what you’d call speelycaptors—that know all, but their secrets may only be unlocked by a court of eunuchs each of whom has memorized part of a long number. Or perhaps a mob shows up and throws rocks at the suspect until he’s dead.
Neal Stephenson (Anathem)
This man constructed along the most convincing, believable emotional lines, this force with a history as a force, this benignly wily, smoothly charming, seeming totality of a manly man nonetheless has a gigantic secret. How do I reach this conclusion? Why a secret? Because it is there when he’s with her. And when he’s not with her it’s there too—it’s the secret that’s his magnetism. It’s something not there that beguiles, and it’s what’s been drawing me all along, the enigmatic it that he holds apart as his and no one else’s. He’s set himself up like the moon to be only half visible. And I cannot make him fully visible. There is a blank. That’s all I can say. They are, together, a pair of blanks. There’s a blank in her and, despite his air of being someone firmly established, if need be an obstinate and purposeful opponent—the angry faculty giant who quit rather than take their humiliating crap—somewhere there’s a blank in him too, a blotting out, an excision, though of what I can’t begin to guess . . . can’t even know, really, if I am making sense with this hunch or fancifully registering my ignorance of another human being.
Philip Roth (The Human Stain (The American Trilogy, #3))
My father was a firm believer in raising his children according to his Christian faith as elucidated in Proverbs 22:6. Unfailingly at five every morning, my father would wake us children for devotion. "Get up. It's time to pray," he came calling. "I’m still very sleepy," I often complained. The prayers normally lasted about ten minutes and it had to be ten minutes of wakefulness, else we incurred the wrath of our father if he saw anyone sleeping. "Wake up, say 'Amen!'" he would yell. After that daily morning time for prayers, we were free to go about preparing for our day. He also taught us to say a simple prayer for him whenever he gave us money. “I pray God to bless you. May He replenish your pocket and may you be blessed by others. Amen.” We were also commanded to say the prayer to thank any other grownup who gifted us with money. The prayer became a magnet for monetary gifts because his friends were always excited to hear our little voices reciting the prayer dutifully. Some came to our house solely to be entertained by our family tradition of saying this particular prayer after being given money. They gave, we prayed, we were delighted and our piggy banks gained weight in coins.
Emmanuel Olawale (The Flavor of Favor: Quest for the American Dream)
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When we put an electron in an electric field, we say it is "pulled." We then have two rules: (a) charges make a field, and (b) charges in fields have forces on them and move. The reason for this will be- come clear when we discuss the following phenomena: If we were to charge a body, say a comb, electrically, and then place a charged piece of paper at a distance and move the comb back and forth, the paper will respond by always pointing to the comb. If we shake it faster, it will be discovered that the paper is a little behind, there is a delay in the action. (At the first stage, when we move the comb rather slowly, we find a complication which is magnetism. Magnetic influences have to do with charges in relative motion, so magnetic forces and electric forces can really be attributed to one field, as two different aspects of exactly the same thing. A changing electric field cannot exist without magnetism.) If we move the charged paper farther out, the delay is greater. Then an interesting thing is observed. Although the forces between two charged objects should go inversely as the square of the distance, it is found, when we shake a charge, that the influence extends very much farther out than we would guess at first sight. That is, the effect falls off more slowly than the inverse square.
Richard P. Feynman (The Feynman Lectures on Physics)
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
However, perhaps the most insidious aspect of the New Age movement is what I call the Optimism Gestapo, or those who regulate and insist on positive thinking by any means necessary, where any criticism or expression of negative or painful emotions are disdained. I once brought up to an Ashtar Command "ascencionist" (i.e. someone who believes that extraterrestrials will come and save her), the fact that democratic senator Paul Wellstone may have been murdered in order to get republican Norm Coleman elected. Before I could elaborate, she cut me off by saying, "It was just his time." She was intolerant of the fact that I dared interfere with the reality she was creating, free of conspiracy, cutthroat politicians, and skullduggery. And the more I have played devil's advocate with New Agers, the more I have discovered that such intolerance is the norm. For there currently is a belief amongst New Agers that anything negative that one expresses will only further magnetize negativity. However, those who pursue this line of thinking just end up repressing their negative emotions, only to have them burst forth in uncontrollable ways…. Anyone seeking a supportive metaphysical community should first ask themselves if their ability to think independently is being compromised. For keeping one's metaphysical radar functioning is most important in a world crawling with "forced cheer" gurus, COINTELPRO channelers, and self-help authors.
David Icke
Simonton finds that on average, creative geniuses weren’t qualitatively better in their fields than their peers. They simply produced a greater volume of work, which gave them more variation and a higher chance of originality. “The odds of producing an influential or successful idea,” Simonton notes, are “a positive function of the total number of ideas generated.” Consider Shakespeare: we’re most familiar with a small number of his classics, forgetting that in the span of two decades, he produced 37 plays and 154 sonnets. Simonton tracked the popularity of Shakespeare’s plays, measuring how often they’re performed and how widely they’re praised by experts and critics. In the same five-year window that Shakespeare produced three of his five most popular works—Macbeth, King Lear, and Othello—he also churned out the comparatively average Timon of Athens and All’s Well That Ends Well, both of which rank among the worst of his plays and have been consistently slammed for unpolished prose and incomplete plot and character development. In every field, even the most eminent creators typically produce a large quantity of work that’s technically sound but considered unremarkable by experts and audiences. When the London Philharmonic Orchestra chose the 50 greatest pieces of classical music, the list included six pieces by Mozart, five by Beethoven, and three by Bach. To generate a handful of masterworks, Mozart composed more than 600 pieces before his death at thirty-five, Beethoven produced 650 in his lifetime, and Bach wrote over a thousand. In a study of over 15,000 classical music compositions, the more pieces a composer produced in a given five-year window, the greater the spike in the odds of a hit. Picasso’s oeuvre includes more than 1,800 paintings, 1,200 sculptures, 2,800 ceramics, and 12,000 drawings, not to mention prints, rugs, and tapestries—only a fraction of which have garnered acclaim. In poetry, when we recite Maya Angelou’s classic poem “Still I Rise,” we tend to forget that she wrote 165 others; we remember her moving memoir I Know Why the Caged Bird Sings and pay less attention to her other 6 autobiographies. In science, Einstein wrote papers on general and special relativity that transformed physics, but many of his 248 publications had minimal impact. If you want to be original, “the most important possible thing you could do,” says Ira Glass, the producer of This American Life and the podcast Serial, “is do a lot of work. Do a huge volume of work.” Across fields, Simonton reports that the most prolific people not only have the highest originality; they also generate their most original output during the periods in which they produce the largest volume.* Between the ages of thirty and thirty-five, Edison pioneered the lightbulb, the phonograph, and the carbon telephone. But during that period, he filed well over one hundred patents for other inventions as diverse as stencil pens, a fruit preservation technique, and a way of using magnets to mine iron ore—and designed a creepy talking doll. “Those periods in which the most minor products appear tend to be the same periods in which the most major works appear,” Simonton notes. Edison’s “1,093 patents notwithstanding, the number of truly superlative creative achievements can probably be counted on the fingers of one hand.
Adam M. Grant (Originals: How Non-Conformists Move the World)
I put my hand on his forearm, I don't know why I do this, and it's not exactly natural, although it's not unnatural, except that I really want to touch his skin. It's smooth and tan just a little bit and feels like summer, like something familiar and warm and good, like my skin did on the first days aboard 'Fishful Thinking' before it salted and burned and peeled. 'We broke up three years after that.' I sit back in my chair and give a sly smile. Relationships are complex and sometimes you can't really explain them to an outside party. 'I can't believe I just told you that' 'YES! YOU! ARE! LIVING! YOUR! FULL! LIFE!' A third time. I am not imagining it. 'There you are.' This time my heart does skip a beat. I look down at his arm, and we are still touching, and he has made no attempt to retract his arm or retreat. All my surroundings, the red formica table top, the pink yogurt, the blue sky, the green vegetables in the market, they all come alive in vibrant technicolor as the sun peers from behind a cloud. I am living my full life. 'Honesty in all things,' Byron adds, lifting his cup of yogurt for a toast of sorts. I pull my hand away from him and the instant my hand is back by his side, I miss the warmth of his arm, the warmth of him. Honesty in all things. I should put my hand back, that's where it wants to be, that's Lily's lesson to me. Be present in the moment, give spontaneous affection. I'm suddenly aware I haven't spoken in a bit. 'Did you know that an octopus has three hearts?' As soon as it comes out of my mouth, I realize I sound like that kid from 'Jerry McGuire.' 'Did you know the human head weighs eight pounds?' I hope my question comes off almost a fraction as endearing. 'No,' Byron says with a glint in his eye that reads as curiosity, at least I hope that it does, but even if it doesn't I'm too into the inertia of the trivia to stop it. 'It's true, one heart called the systemic heart that functions much like the left side of the human heart, distributing blood throughout the heart, then two smaller branchial heart with gills that act like the right side of our hearts to pump the blood back.' 'What made you think of that?' I smile. It may be entirely inappropriate first date conversation, but at least it doesn't bore me in the telling. I look up at the winsome August sky, marred only by the contrails of a passing jet, and a vaguely dachshund shaped cloud above the horizon. I don't believe in fate. I don't believe in love at first site. I don't believe in angels. I don't believe in heaven and that our loved ones are looking down on us, but the sun is so warm and the breeze is so cool and the company is so perfect and the whole afternoon so intoxicating, ti's hard not to hear Lily's voice dancing in the gentle wind, 'one! month! is Long! Enough TO! BE! SAD!' ... 'I recently lost someone close to me....I don't know, I feel her here today with us, you, me, her, three hearts, like an octopus,' I shrug. If I were him, I would run. What a ridiculously creepy thing to say. I would run and I would not stop until I was home in my bed with a gallon of ice cream deleting my profile from every dating site I belonged to. Maybe it's because it's not rehearsed, maybe it's because it's as weird a thing to say as it is genuine, maybe it's because this is finally the man for me. Byron stands and offers me his hand, 'Let's take a walk and you can tell me about her.' The gentle untying of a shoe lace. It takes me a minute to decide if I can do this, and I decide that I can, and I throw our yogurt dishes away, and I put my hand in his, and it's soft and warm, and instead of awkward fumbling, our hands clasp together like magnets and metal, like we've been hand-in-hand all along, and we are touching again. ...
Steven Rowley (Lily and the Octopus)