“
I wish I could draw you how I see you. I'd draw a boy with the most magnetic smile, and the kindest hands, and eyes that are gloomy, but can sometimes be bright. I'd draw a boy who deserves to see the ocean.
”
”
Jasmine Warga (My Heart and Other Black Holes)
“
But the moment our eyes meet, I'm right back under his spell, a helpless hunk of steel to his irresistible magnet.
”
”
Alyson Noel (Evermore (The Immortals, #1))
“
Because when I thought of him, of his voice, his hypnotic eyes, the magnetic force of his personality, I wanted nothing more than to be with him right now.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
Vampires have bright eyes glistening white teeth unnaturally smooth skin and a certain animal magnetism. If they aren't pretty they starve. It's sort of like life in Los Angeles.
”
”
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
“
There is a relationship between the eye contacts we make and the perceptions that we create in our heads, a relationship between the sound of another's voice and the emotions that we feel in our hearts, a relationship between our movements in space all around us and the magnetic pulls we can create between others and ourselves. All of these things (and more) make up the magic of every ordinary day and if we are able to live in this magic, to feel and to dwell in it, we will find ourselves living with magic every day. These are the white spaces in life, the spaces in between the written lines, the cracks in which the sunlight filters into. Some of us swim in the overflowing of the wine glass of life, we stand and blink our eyes in the sunlight reaching unseen places, we know where to find the white spaces, we live in magic.
”
”
C. JoyBell C.
“
As he stared back, he altered...as if a shield slid away fro his eyes, revealing a scorching force of will that sucked the air from my lungs. The intense magnetism he exuded grew in strength, becoming a near tangible impression of vibrant and unrelenting power.
”
”
Sylvia Day (Bared to You (Crossfire, #1))
“
Sebastian's eyes were the color of smoke and silver. His pale skin, raven hair, and naturally dark red lips, paired with a rebel attitude and a poet's soul, pulled me in like a dark, magnetic force.
”
”
Kelly Keaton (A Beautiful Evil (Gods & Monsters, #2))
“
Yet I liked him too much… way too much, and I ripped him out of my heart so it wouldn’t get to hurt me more than it did. Oh, he’s magnetic, he’s charming; you could fall into his eyes. Let’s face it: his sex appeal was unbearably strong. I wanted to know him—- the thoughts, the ideas behind the handsome, confident, wisecracking mask… then the friction increased, centered. His nearness was electric in itself. ‘Can’t you see,’ he said. ‘I want to kiss you.’ So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. ‘I wish I hated you,’ I said
”
”
Sylvia Plath
“
It was like a magnet, constantly drawing his eye, but Victor forced himself not to stop and look at it. Not to think about what it meant, that Eli Cardale was really, truly dead. The way the knowledge knocked Victor off-balance. A counterweight finally removed.
An opposite but equal force erased.
”
”
Victoria E. Schwab (Vengeful (Villains, #2))
“
He had been violently confused by her real presence in the opposite inaccessible corner. For months he had been possessed by the imagination of her. She had been distant and closed away, a princess in a tower, and his imagination’s work had been all to make her present, all of her, to his mind and senses, the quickness of her and the mystery, the whiteness of her, which was part of her extreme magnetism, and the green look of those piercing or occluded eyes. Her presence had been unimaginable, or more strictly, only to be imagined. Yet here she was, and he was engaged in observing the ways in which she resembled, or differed from, the woman he dreamed, or reached for in sleep, or would fight for.
”
”
A.S. Byatt
“
Victoria?" she hissed. "Laurent?"
I nodded, a teensy bit alarmed by the expression in her black eyes. I pointed at my chest. "Danger magnet, remember?
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
We open our eyes and we think we're seeing the whole world out there. But what has become clear—and really just in the last few centuries—is that when you look at the electro-magnetic spectrum we are seeing less than 1/10 Billionth of the information that's riding on there. So we call that visible light. But everything else passing through our bodies is completely invisible to us.
Even though we accept the reality that's presented to us, we're really only seeing a little window of what's happening.
”
”
David Eagleman
“
L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
”
”
André Breton (Poems of André Breton: A Bilingual Anthology)
“
I have not yet lost a feeling of wonder, and of delight, that this delicate motion should reside in all the things around us, revealing itself only to him who looks for it. I remember, in the winter of our first experiments, just seven years ago, looking on snow with new eyes. There the snow lay around my doorstep — great heaps of protons quietly precessing in the earth's magnetic field. To see the world for a moment as something rich and strange is the private reward of many a discovery.
”
”
Edward M. Purcell
“
He did it (listened) as the world's most charming and magnetic people do, always asking the right question at the right time, never fidgeting or taking his eyes from the speaker's face, making the other guy feel like the most knowledgeable, brilliant, and intellectually savvy person on the planet.
”
”
Stephen King
“
From his soft fur, golden and brown,
Goes out so sweet a scent, one night
I might have been embalmed in it
By giving him one little pet.
He is my household's guardian soul;
He judges, he presides, inspires
All matters in his royal realm;
Might he be fairy? or a god?
When my eyes, to this cat I love
Drawn as by a magnet's force,
Turn tamely back upon that appeal,
And when I look within myself,
I notice with astonishment
The fire of his opal eyes,
Clear beacons glowing, living jewels,
Taking my measure, steadily.
”
”
Charles Baudelaire (Les Fleurs du Mal)
“
Lisa's eyes, once so magnetic, now just look empty.
”
”
Susanna Kaysen (Girl, Interrupted)
“
You are such a jerk” I know you did the glass and plate thing. That was so wrong!”
He held up his hands, laughing. “What? It was funny. The look on Bo’s face was priceless. And the kiss he gave you? What was that? I’ve seen dolphins give hotter kisses than that.”
“His name is Blake!” I punched his leg this time. “And you know it” I can’t believe you acted like that. And he doesn’t kiss like a dolphin!”
“From what I’ve seen, he does.”
“You didn’t see the last time we kissed.”
His laughter died off. Uh oh. He turned to me slowly. “You’ve kissed him before?”
“That’s none of your business.” My cheeks flushed, giving me away.
Anger sparked in his magnetic eyes. “I don’t like him.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
Imagine a person, tall, lean and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true cat-green.
”
”
Sax Rohmer (The Insidious Dr. Fu-Manchu)
“
What’s the good of these great fragile fits of enthusiasm, these jaded jumps of joys? We know nothing anymore, but the dead stars; we gaze at their faces; and we gasp with pleasure. Our mouths are dry as the lost beaches, and our eyes turn aimlessly and without hope. Now all that remain are these cafés where we meet to drink these cool drinks, these diluted spirits, and the tables are stickier than the pavements where our shadows of the day before have fallen.
”
”
André Breton (The Magnetic Fields)
“
Los Angeles was a magnet for human aspirations - the perfect place for mortals to gather, starry-eyed with dreams of fame, then fail, die and circle down the drain, flushed into oblivion.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
I'm not too chicken," she said. "I know exactly what I want. I honestly thought I could do this with you, the whole friends-with-benefits thing." She slowly shook her head, her eyes suspiciously shiny. "But as it turns out, I can't. Now with you, Adam. With you, I want it all."
(...)
"It's not that simple for me," he heard himself say.
"Of course it is. Life is as simple as you make it, Adam. You're born. You live. You die. I don't plan on dying without doing the living part, though.
”
”
Jill Shalvis (Rescue My Heart (Animal Magnetism, #3))
“
She is beautiful. Magnetic, really, the kind of individual who draws people with her idiosyncratic hair and heterochromatic eyes.
”
”
Mary Kubica (Don't You Cry)
“
I love beautiful things, beautiful people, the magnetism of someone you can't take your eyes off of.
”
”
Emily Itami (Fault Lines)
“
She's a slinky sort of person, no angles at all; and magnetic - you can't take your eyes off her. She's dressed like a Westerner, but her eyes have a slant to them. They are the eyes of an Easterner. She doesn't walk like our women do, she seems to writhe all in one piece - undulates is the word. ("Kiss Of The Cobra")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
A child is born into a world of phenomena all equal in their power to enslave. It sniffs - it sucks - it strokes its eyes over the whole uncomfortable range. Suddenly one strikes. Why? Moments snap together like magnets, forging a chain of shackles.
”
”
Peter Shaffer (Equus (Penguin Plays))
“
She described for me the powerful magnet that Hitler was to German youth. The youth had lost their sense of belonging. They did not count; there was no center of hope for their marginal egos. According to my friend, Hitler told them: “No one loves you—I love you; no one will give you work—I will give you work; no one wants you—I want you.” And when they saw the sunlight in his eyes, they dropped their tools and followed him. He stabilized the ego of the German youth, and put it within their power to overcome their sense of inferiority. It is true that in the hands of a man like Hitler, power is exploited and turned to ends which make for havoc and misery; but this should not cause us to ignore the basic soundness of the theory upon which he operated. A
”
”
Howard Thurman (Jesus and the Disinherited)
“
Cellophane flowers of yellow and green…
And I can’t even help myself, I start laughing—I’m laughing and laughing and
laughing like an absolute crazy person, until the tears track down my face, because it has
to be a sign. I can’t believe it’s anything less. Lucy in the Sky with Diamonds. Of course.
Look for the girl with the sun in her eyes
And she’s gone
The words echo in my mind, making it ache all over again. She’s gone.
Don’t go, don’t go, don’t go—I hate those words, I hate the magnetic pull of whatever it is I’ve forgotten, the regret waiting to make itself known.
”
”
Alexandra Bracken (The Rising Dark: A Darkest Minds Collection (Darkest Minds Short Stories))
“
His whole being is a ridiculously strong magnet to my eyes, and I’m beginning to give up trying to resist him. It seems my eyes are craving him as much as my body.
”
”
Jodi Ellen Malpas (Promised (One Night, #1))
“
If you keep on saying a single thing to yourself, you are likely to attract it to yourself, dreaming it always, then in a twinkle of an eye, it comes to you.
”
”
Michael Bassey Johnson
“
He was lost in her eyes as the two pulled together like magnets.
”
”
Staci Hart (Deer in Headlights (Good Gods, #1))
“
I didn’t know if there ever was a choice, really. I was already in too deep. Now that I knew — if I knew — I could do nothing about my frightening secret. Because when I thought of him, of his voice, his hypnotic eyes, the magnetic force of his personality, I wanted nothing more than to be with him right now.
”
”
Stephenie Meyer
“
He smiled. “And you liked what you saw.”
Oh God. She had. She really, really had. She closed her eyes and wished for a big hole to swallow her up. “I hardly even noticed you were naked.
”
”
Jill Shalvis (All I Want (Animal Magnetism, #7))
“
I don’t need to drape myself over a woman to show she belongs to me. It’s all in the eyes. In hers, in mine. If a woman truly belongs to you it’s written all over her. She smells of it. It’s in her smile. In the flutter of her lashes. In the way her body pulls towards yours, like a magnet. A charge.
”
”
Jade West (Buy Me, Sir)
“
Decent people sometimes create bad art. Amoral people can and have created transcendent works. A cruel and selfish person—a criminal, even—might make something that was generous, life-giving, and humane. Or alternatively, they might create something that was grotesque in a way that you couldn’t tear your eyes away from it, full of contradictions that were themselves magnetic.
”
”
Emily Nussbaum (I Like to Watch: Arguing My Way Through the TV Revolution)
“
And, inevitably, like the iron and the magnet with sweet obedience to their precise, immutable laws, I poured myself into her. There was no pink ticket, there were no calculations, there was no One State, there was no me. There were only gentle, sharp, clenched teeth and there were gold eyes thrown wide open to me- and through them I slowly went inside, deeper and deeper still. And silence- except in the corner, thousands of miles away, where drops were dripping into the sink. I was the universe, and eras and epochs passed as drop followed drop...
”
”
Yevgeny Zamyatin (We)
“
He was standing in the Inner Court, shouting for his enemy. When Guenever saw him, and he saw her, the electric message went between their eyes before they spoke a word. It was as if Elaine and the whole Quest for the Grail had never been. So far as we can make it out, she had accepted her defeat. He must have seen in her eyes that she had given in to him, that she was prepared to leave him to be himself-to love God, and to do whatever he pleased-so long as he was only Lancelot. she was serene and sane again. she had renounced her possessive madness and was joyful to see him living, whatever he did. They were young creatures-the same creatures whose eyes had met with the almost forgotten click of magnets in the smoky Hall of Camelot so long ago. And, in truly yielding, she had won the battle by mistake.
”
”
T.H. White (The Once and Future King)
“
He was gazing down at me, and his eyes were endless, deep pools of pleading and fire and barely restrained something or other, and they were magnetic, like black holes, but full of flames, and yet gray, and yet full of colors and see-through and dancing with little flecks of glitter, and I couldn’t look away, and what pretty eyelashes he had, as long and dark as a woman’s, as a kitten’s, as a panther’s, and the smell, oh, the smell, like crushed heather and berries and springtime in the morning and bodies rolling over and over in the grass and everything covered with dew like cobwebs making mandalas of raindrops, and I couldn’t stand it, couldn’t hold back for one more second...
”
”
Delilah S. Dawson (Wicked as They Come (Blud, #1))
“
He took a small step forward.
As if we were the same poles of a magnet, I took one back.
He dropped his hand to his side, the slightest bit of amusement coming to life in his eyes as if I’d just done a trick that entertained him. I suddenly had the distinct feeling I didn’t want to be his entertainment. And an even stronger feeling that I already was.
”
”
Danielle Lori (The Sweetest Oblivion (Made, #1))
“
Centuries of navel-gazing. Millennia of masturbation. Plato to Descartes to Dawkins to Rhanda. Souls and zombie agents and qualia. Kolmogorov complexity. Consciousness as Divine Spark. Consciousness as electromagnetic field. Consciousness as functional cluster.
I explored it all.
Wegner thought it was an executive summary. Penrose heard it in the singing of caged electrons. Nirretranders said it was a fraud; Kazim called it leakage from a parallel universe. Metzinger wouldn't even admit it existed. The AIs claimed to have worked it out, then announced they couldn't explain it to us. Gödel was right after all: no system can fully understand itself.
Not even the synthesists had been able to rotate it down. The load-bearing beams just couldn't take the strain.
All of them, I began to realize, had missed the point. All those theories, all those drugdreams and experiments and models trying to prove what consciousness was: none to explain what it was good for. None needed: obviously, consciousness makes us what we are. It lets us see the beauty and the ugliness. It elevates us into the exalted realm of the spiritual. Oh, a few outsiders—Dawkins, Keogh, the occasional writer of hackwork fiction who barely achieved obscurity—wondered briefly at the why of it: why not soft computers, and no more? Why should nonsentient systems be inherently inferior? But they never really raised their voices above the crowd. The value of what we are was too trivially self-evident to ever call into serious question.
Yet the questions persisted, in the minds of the laureates, in the angst of every horny fifteen-year-old on the planet. Am I nothing but sparking chemistry? Am I a magnet in the ether? I am more than my eyes, my ears, my tongue; I am the little thing behind those things, the thing looking out from inside. But who looks out from its eyes? What does it reduce to? Who am I? Who am I? Who am I?
What a stupid fucking question. I could have answered it in a second, if Sarasti hadn't forced me to understand it first.
”
”
Peter Watts (Blindsight (Firefall, #1))
“
They glued magnets to the goats and now they’re all sort of stuck to the fence.
”
”
Barbra Annino (Tiger's Eye (A Stacy Justice Mystery, #4))
“
Uh, she said maybe your eyes matched the Fog like a synchronous magnetic field?”
“I don’t even know what language that is.
”
”
Joel N. Ross (The Lost Compass (The Fog Diver, #2))
“
Religion decays, the icon remains; a narrative is forgotten, yet its representation still magnetizes (the ignorant eye triumphs – how galling for the informed eye).
”
”
Julian Barnes (A History of the World in 10½ Chapters)
“
...I found my eyes repelled by hers as if they were the like poles of a pair of magnets.
”
”
Alan Bradley (As Chimney Sweepers Come to Dust (Flavia de Luce, #7))
“
His eyes followed Zara everywhere. She was such a bloody magnet, while every other woman had to endure a nuclear winter of lack of attention from the opposite sex.
”
”
Mike Hockney (The Millionaires' Death Club)
“
The restaurant faded as our eyes locked with a near audible click, two magnets drawn together by force rather than free will.
”
”
Ana Huang (King of Pride (Kings of Sin, #2))
“
Guau. The girl in the garden was breathtakingly gorgeous. She had a petite frame, dark iridescent skin, and magnetic energy. Her haunting espresso-colored eyes hypnotized him. Ramón had to force himself to stop staring at her fabulous cleavage. But her curves didn't stop there. That ass was the kind that songs were written about. He could write one about her right now.
”
”
Alana Albertson (Ramón and Julieta (Love & Tacos, #1))
“
Beauty magnetizes curiosity and wonder, beckoning us to discover—in the literal sense, to uncover and unconceal—what lies beneath the surface of the human label. What we recognize as beauty may be a language for encoding truth, a memetic mechanism for transmitting it, as native to the universe as mathematics—the one perceived by the optical eye, the other by the mind's eye.
”
”
Maria Popova (Figuring)
“
He sits next to me, the veins on his neck and arms seeming more prominent than they did earlier. His mouth compresses, igniting his eyes with esoteric light, pulling me into the magnetic undertow.
”
”
Poppet (Ryan (Neuri, #2))
“
Thank you for this. You’re a very talented agent of deassholization.”
“Oh, this isn’t my method of choice. Trust me. But if it makes you happy then I’m okay with it.”
She looks away shyly, but her eyes come back to mine, unable to resist the magnetism that’s between us. “Well, it makes me very happy.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
And Pasquale forced himself to look away from her then. It was like prying a magnet off steel, but he did it: he turned forward in the boat, closed his eyes, still seeing her standing there in his memory. He shook with the strain of not looking back until they rounded the breakwater into the open sea and Pasquale exhaled, his head falling to his chest.
"You are a strange young man," Tomasso the Communist said.
”
”
Jess Walter (Beautiful Ruins)
“
I would not for the whole world diminish you. I know it is usual in these circumstances to protest—"I love you for yourself alone"—"I love you essentially"—and as you imply, my dearest, to mean by "you essentially"—lips hands and eyes. But you must know—we do know—that it is not so—dearest, I love your soul and with that your poetry—the grammar and stopping and hurrying syntax of your quick thought—quite as much essentially you as Cleopatra's hopping was essentially hers to delight Antony—more essentially, in that while all lips hands and eyes resemble each other somewhat (though yours are enchanting and also magnetic)—your thought clothed with your words is uniquely you, came with you, would vanish if you vanished—
”
”
A.S. Byatt (Possession)
“
Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
For as I am standing there I look closer into the grandstand and see that there is someone waiting. It is my mother, and all at once I cannot stop seeing her. Her skin is rough. Her whole face seems magnetized, like ore. Her deep brown eyes are circled with dark skin, but full of eagerness. In her eyes I see the force of her love. It is bulky and hard to carry, like a package that keeps untying. It is like this dress that no excuse accounts for. It is embarrassing. I walk to her, drawn by her, unable to help myself.
”
”
Louise Erdrich (The Beet Queen)
“
Electricity, Werner is learning, can be static by itself. But couple it with magnetism, and suddenly you have movement—waves. Fields and circuits, conduction and induction. Space, time, mass. The air swarms with so much that is invisible! How he wishes he had eyes to see the ultraviolet, eyes to see the infrared, eyes to see radio waves crowding the darkening sky, flashing through the walls of the house.
”
”
Anthony Doerr (All the Light We Cannot See)
“
The girl whose table I occupied was reading a book but I couldn’t help but notice that all this time, she was secretly watching me.
“You are beautiful.”
I took my eyes off my phone and I saw the girl talking to me. I was embarrassed and didn’t know what to say or how to react.
”
”
Nico J. Genes (Magnetic Reverie)
“
Her eyes, though tired, had the glint of one who never stopped expecting to be amused, and her mouth turned up at the corners as if she'd just remembered a joke. It was the sort of face that drew strangers , that enchanted them and made them want to know her better. The way she had of making you feel, with a slight twitch of the jaw, that she had suffered as you did, that everything would be better now simply for having come within her orbit: that was her real beauty - her presence, her joy, her magnetism. That, and her splendid appetite for the make-believe.
”
”
Kate Morton (The Secret Keeper)
“
It wasn't just the way he always looked at her- with a mix of genuine joy and longing rolled into one- or his appearance, although he wasn't hard on the eyes with those rippling pectorals. She found herself drawn to those kind blue eyes and the hard line of his jaw, which moved when he was thinking. It was the dimples in his cheeks when he flashed her that magnetic smile, and the way his reddish blond hair had a single curl that was always falling in front of his eyes. But mostly it was that earnest nature of his, and his need to find the good in every situation, which was so different from how she viewed life, and gave her hope that the world could be more than she imagined it to be.
”
”
Jen Calonita (Go the Distance)
“
I sense that the thing I am seeking is higher than love and higher than the joy of life and higher than science and glory and higher even than starts. Don’t keep my wings tied in Your embrace.
You are only a shadow and only a smile in the great journey of my soul. Your eyes are the two clear springs where my thoughts came to drink and rest for a moment. And between Your breasts hides the soft pillow where I slept for a moment in order to waken again. Don’t hold me bound. The enigma is not hidden in Your Lions nor in Your enormous eyes. And Your arms are small and weak and do not embrace my entire soul. There is a magnet above the stars that pulls me. And my entire body shudders, magnetized by the Great Nostalgia and the Great Longing. Someone is pulling at me from the stars. Do not hold me bound. The thing I am seeking is higher than love and higher than the joy of life.
”
”
Nikos Kazantzakis (Serpent and Lily: A Novella with a Manifesto: The Sickness of the Age)
“
Beyond the horizon of the place we lived when we were young
In a world of magnets and miracles
Our thoughts strayed constantly and without boundary
The ringing of the division bell had begun
Along the Long Road and on down the Causeway
Do they still meet there by the Cut
There was a ragged band that followed in our footsteps
Running before times took our dreams away
Leaving the myriad small creatures trying to tie us to the ground
To a life consumed by slow decay
The grass was greener
The light was brighter
When friends surrounded
The nights of wonder
Looking beyond the embers of bridges glowing behind us
To a glimpse of how green it was on the other side
Steps taken forwards but sleepwalking back again
Dragged by the force of some sleeping tide
At a higher altitude with flag unfurled
We reached the dizzy heights of that dreamed of world
Encumbered forever by desire and ambition
There's a hunger still unsatisfied
Our weary eyes still stray to the horizon
Though down this road we've been so many times
The grass was greener
The light was brighter
The taste was sweeter
The nights of wonder
With friends surrounded
The dawn mist glowing
The water flowing
The endless river
Forever and ever
”
”
David Gilmour
“
How many years have passed since that far-off June afternoon? More than thirty. And yet, if I close my eyes, Micòl Finzi-Contini is still there, leaning over her garden wall, looking at me and talking to me. In 1929 Micòl was little more than a child, a thin, blond thirteen-year old with large, clear, magnetic eyes. And I was a boy in short trousers, very bourgeois and very vain, whom a small academic setback was sufficient to cast down into the most childish desperation. We both fixed our eyes on each other. Above her head the sky was a compact blue, a warm already summer sky without the slightest cloud. Nothing, it seemed, would be able to alter it, and nothing indeed has altered it, at least in memory.
”
”
Giorgio Bassani (The Garden of the Finzi-Continis)
“
Not randomly, though. Farder Coram was a chess player, and he knew how chess players looked at a game in play. An expert player seemed to see lines of force and influence on the board, and looked along the important lines and ignored the weak ones; and Lyra’s eyes moved the same way, according to some similar magnetic field that she could see and he couldn’t.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Devil. That seemed a good title for Arthur. Most people were terrified of him. He was unapproachable, with eyes that could cut you where you stood. And he had the allure of Satan too. A magnet to sin and temptation, stirring wants and desires inside of me that were anything but chaste and holy. And if the rumours were true, he had the evilness of the dark lord too.
”
”
Tillie Cole (Lord of London Town (Adley Firm #1))
“
There are sparkles of rain on the bright
Hair over your forehead;
Your eyes are wet and your lips
Wet and cold, your cheek rigid with cold.
Why have you stayed
Away so long, why have you only
Come to me late at night
After walking for hours in wind and rain?
Take off your dress and stockings;
Sit in the deep chair before the fire.
I will warm your feet in my hands;
I will warm your breasts and thighs with kisses.
I wish I could build a fire
In you that would never go out.
I wish I could be sure that deep in you
Was a magnet to draw you always home.
from "Runaway
”
”
Kenneth Rexroth (Collected Shorter Poems)
“
Once again a 'hate stare' drew my attention like a magnet. It came from a middle-aged, heavyset, well-dressed white man. He sat a few yards away, fixing his eyes on me. Nothing can describe the withering horror of this. You feel lost, sick at heart before such unmasked hatred, not so much because it threatens you as because it shows humans in such an inhuman light. You see a kind of insanity, something so obscene the very obscenity of it (rather than its threat) terrifies you. It was so new I could not take my eyes from the man's face. I felt like saying, 'What in God's name are you doing to yourself?
”
”
John Howard Griffin (Black Like Me)
“
Jesse, you're not going to lose me. I had the situation totally under control." Sort of. "But I have to say that after so many years of you keeping your feelings for me hidden out of propriety, it's really nice to hear you say all those things. Plus, it's emotionally healthy that you're letting them out this way. Keep unburdening yourself." I wrapped my arms around his neck. "What is it exactly, that you find so irresistible about me? Is it my magnetic personality? Or my emerald green eyes? Or maybe it's just my hot bod?" I felt something against my torso. "Oh, I'm getting the impression that it's my hot bod.
”
”
Meg Cabot (Proposal (The Mediator, #6.5))
“
The poet he was escorting into Wales was a Horus-headed dud of some personal magnetism. The hair was feathered gell, the nose hooked. He stared at me and he didn’t. His eyes belonged to a magician; one bored into you, right through the lens into the depths of the vitreous humor—while the other popped and wobbled in the style of Ben Turpin. He folded in on himself, profile sharp as an axe. A labrys. This man would have no problem seeing around a corner.
”
”
Iain Sinclair (Landor's Tower: or, Imaginary Conversations)
“
Oh, My God..." Even as he saw the face and heard that voice say "Crow..." he was throwing himself backward out of the shaft. Then the top of the elevator car blew out and the air was filler with shrapnel, everybody hit the deck, and crow grabbed his crossbow, yelling, "Get back! It's him, the vampire!" But it was too late. The vampire rose with the grip of a single beautiful hand, almost levitating toward them, his power and eyes and smile and terrible beauty so alien but so familiar, so pale but so solid, so horrible but so magnetic. And he came closer and closer. "Get back," ordered crow, and the Team started to obey. "Too late," the vampire said, halting them with the voice. "You've let me get too close." Crow raised his crossbow all the way then saied: "Hold it there." The thing laughed and said, "Are you joking?" "Stop!" said Crow. And the vampire smiled and showed his big teeth and said: "Stop me...
”
”
John Steakley
“
Aside from my little girl, life had never gifted me anything so beautiful. I knew every inch of her golden skin, had drowned in the icy-blue pools of her eyes, and basked in her warmth. I’d pulled every sweet sip from her lips. We’d become magnetic and inseparable and I let it happen in my selfish haze knowing it would rip us to shreds to lose it.
She was my golden shore after the shipwreck that was my life and she’d loved me with her whole heart, only to let me break it.
”
”
Kate Stewart (Someone Else's Ocean)
“
The sparkling smile became enormous. ‘Do you think she has a dagger there? Do you? Ask her, M. Francis? For,’ said the most noble and most powerful Princess Mary Stewart, Queen of Scotland, delving furiously under all the stiff red velvet, showing shift, hose and garters, shoes, knees and a long ribboned end of something recently torn loose, and emerging therefrom with a fist closed tight on an object short and hard and glittering, ‘for I have!’ And breathlessly, flinging back her head, with the little knife offered like a quill, ‘Try to stab me!’ she encouraged her visitor. There was a queer silence, during which the eyes of Oonagh O’Dwyer and her love of one night met and locked like magnet and iron. The child, waiting a moment, offered again, the ringing, joyful defiance still in her voice. ‘Try to stab me! … Go on, and I’ll kill you all dead!’
Her throat dry, Oonagh spoke. ‘Save your steel for those you trust. They are the ones who will carry your bier; the men who cannot hate, nor can they know love. Send away the cold servants.’ The red mouth had opened a little; the knife hung forgotten in her hand.
‘I would,’ said Mary, surprised. ‘But I do not know any.’ And, anxiously demonstrating her point, she caught Lymond by the hand.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
My eyes trip over a man and get stuck. He’s looking at me, and it’s hard not to look back. He’s striking in a dark, magnetic way, his size, weapons, and bearing all telling me he’s a tribal warlord. His build is strong and masculine, his gait perfectly balanced and fluid. He walks with predatory confidence, unhurried, and yet there’s no mistaking his potential for swift, explosive violence. It’s not latent or hidden, just leashed.
Watchful, alert, he’s aware of everything in his vicinity. Especially me.
”
”
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
“
She was trying to become invisible in the snow. Sudden terror had seized her: the thought of the man whose ice-blue eyes had a magnetic power which could deprive her of will and thrust her down into hallucination and horror. The fear she lived with, always near her, close behind the world's normal façade, had become concentrated on him. And there was another connected with him, they were in league together, or perhaps they were the same person.
Both of them persecuted her, she did not understand why. But she accepted the fact as she accepted all the things that happened to her, expecting to be ill-treated, to be made a victim, ultimately to be destroyed, either by unknown forces or by human beings. This fate seemed always to have been waiting for her, ever since time began. Only love might have saved her from it. But she had never looked for love. Her part was to suffer; that was known and accepted. Fatality brought resignation. It was no use fighting against her fate. She knew she had been beaten before the start.
”
”
Anna Kavan (Ice)
“
Alessandro, in pictures or in person, he made me think of duels and courting, of a time when men carried swords and women concealed daggers. There was a dangerous edge to him, hidden deep in his eyes, and it drew me to him like a magnet. But that Alessandro was a fantasy, born from reading too many books set in medieval Italy with all its wars, glamour, art, and poison. He was a fantasy the way imagining being a secret princess was a fantasy. I knew it wasn’t real, but it was so seductive, I couldn’t let it go.
”
”
Ilona Andrews (Sapphire Flames (Hidden Legacy, #4))
“
in this you have failed
you have invalidated your dysfunctional efforts
of innocence
of perverted virginity
with a mangy face before the eye of God
not even summations of crawling
not even rust cutters or combustion
as if to test your blue vaginal mirrors
inside a Protestant Crimea
listening to your fallacious absorption neurosis
you've forfeited your flames
you've cast into the moat
salacious bonfire bathing
you've given up the power of deepened torturing rums
of magnetic chromosomal nerves
for a weakly neutered clairaudience of failure
”
”
Will Alexander
“
It was August 5th in 1971. The vortex of summer. Joshua looked unwaveringly at Meredith Hurley. She looked back with kindness, and smiled softly as she looked back, feeling a connection that was invisible to the naked eye, yet magnetic and manifested in both of their hearts.
”
”
Keira D. Skye (A Breath Until Forever)
“
Last Night’s Moon,"
“When will we next walk together
under last night’s moon?”
- Tu Fu
March aspens, mist
forest. Green rain pins down
the sea, early evening
cyanotype. Silver saltlines, weedy
toques of low tide, pillow lava’s
black spill indelible
in the sand. Unbroken
broken sea.
—
Rain sharpens marsh-hair
birth-green of the spring firs.
In the bog where the dead never disappear,
where river birch drown, the surface
strewn with reflection. This is the acid-soaked
moss that eats bones, keeps flesh;
the fermented ground where time stops and
doesn’t; dissolves the skull, preserves
the brain, wrinkled pearl in black mud.
—
In the autumn that made love
necessary, we stood in rubber boots
on the sphagnum raft and learned
love is soil–stronger than peat or sea–
melting what it holds.
The past
is not our own. Mole’s ribbon of earth,
termite house,
soaked sponge. It rises,
keloids of rain on wood; spreads,
milkweed galaxy, broken pod
scattering the debris of attention.
Where you are
while your body is here, remembering
in the cold spring afternoon.
The past
is a long bone.
—
Time is like the painter’s lie, no line
around apple or along thigh, though the apple
aches to its sweet edge, strains
to its skin, the seam of density. Invisible line
closest to touch. Lines of wet grass
on my arm, your tongue’s
wet line across my back.
All the history in the bone-embedded hills
of your body. Everything your mouth
remembers. Your hands manipullate
in the darkness, silver bromide
of desire darkening skin with light.
—
Disoriented at great depths,
confused by the noise of shipping routes,
whales hover, small eyes squinting as they consult
the magnetic map of the ocean floor. They strain,
a thousand miles through cold channels;
clicking thrums of distant loneliness
bounce off seamounts and abyssal plains. They look up
from perpetual dusk to rods of sunlight,
a solar forest at the surface.
Transfixed in the dark summer
kitchen: feet bare on humid
linoleum, cilia listening. Feral
as the infrared aura of the snake’s prey, the bees’
pointillism, the infrasonic
hum of the desert heard by the birds.
The nighthawk spans the ceiling;
swoops. Hot kitchen air
vibrates. I look up
to the pattern of stars under its wings.
”
”
Anne Michaels
“
The eyes have been used to signify a perverse capacity - honed to perfection in the history of science tied to militarism, capitalism, colonialism, and male supremacy - to distance the knowing subject from everybody and everything in the interests of unfettered power. The instruments of visualization in multinationalist, postmodernist culture have compounded these meanings of dis-embodiment. The visualizing technologies are without apparent limit; the eye of any ordinary primate like us can be endlessly enhanced by sonography systems, magnetic resonance imaging, artificial intelligence-linked graphic manipulation systems, scanning electron microscopes, computer-aided tomography scanners, colour enhancement techniques, satellite surveillance systems, home and office VDTs, cameras for every purpose from filming the mucous membrane lining the gut cavity of a marine worm living in the vent gases on a fault between continental plates to mapping a planetary hemisphere elsewhere in the solar system. Vision in this technological feast becomes unregulated gluttony; all perspective gives way to infinitely mobile vision, which no longer seems just mythically about the god-trick of seeing everything from nowhere, but to have put the myth into ordinary practice. And like the god-trick, this eye fucks the world to make techno-monsters. Zoe Sofoulis (1988) calls this the cannibal-eye of masculinist extra-terrestrial projects for excremental second birthing.
”
”
Donna J. Haraway (Simians, Cyborgs, and Women: The Reinvention of Nature)
“
Shubha let me sleep for a few moments in your violent silvery uterus
Give me peace, Shubha, let me have peace
Let my sin-driven skeleton be washed anew in your seasonal bloodstream
Let me create myself in your womb with my own sperm
Would I have been like this if I had different parents?
Was Malay alias me possible from an absolutely different sperm?
Would I have been Malay in the womb of other women of my father?
Would I have made a professional gentleman of me like my dead brother without Shubha?
Oh, answer, let somebody answer these
Shubha, ah, Shubha
Let me see the earth through your cellophane hymen
Come back on the green mattress again
As cathode rays are sucked up with the warmth of magnet's brilliance
I remember the letter of the final decesion of 1956
The surroundings of your clitoris were being embellished with coon at that time
Fine rib-smashing roots were descending into your bosom
Stupid relationship inflted in the bypass of senseless neglect
Aaaaaaaaaaaaaaaaaaaah
I do not know whether I am going to die
Squandering was roaring within heart's exhaustive impatience
I'll disrupt and destroy
I'll split all into pieces for the sake of Art
There isn't any other way out for poetry except suicide
Shubha
Let me enter into the immemorial incontinence of your labia majora
Into the absurdity of woeless effort
In the golden chlorophyll of the drunken heart
Why wasn't I lost in my mother's urethra?
Why wasn't I driven away in my father's urine after his self-coition?
Why wasn't I mixed in the ovum-flux or in the phlegm?
With her eyes shut supine beneath me
I felt terribly distressed when I saw comfort seize Shubha
Women could be treacherous even after unfolding a helpless appeareance
Today it seems there is nothing so treacherous as Women and Art
Now my ferocious heart is rinning towards an impossible death
Vertigoes of water are coming up to my neck from the pierced earth
I will die
Oh what are these happening within me?
I am failing to fetch out my hand and my palm
From the dried sperms on my trousers spreading wings
300000 children are gliding toward the district of Shubha's bosom
Millions of needles are now running from my blood into Poetry
Now the smuggling of my obstinate leg is trying to plunge
Into the death killer sex-wig entangled in the hypnotic kingdom of words
In violent mirrors on each wall of the room I am observing
After letting loose a few naked Malay, his unestablished scramblings.
”
”
Malay Roy Choudhury (Selected Poems)
“
Horse Frightened by a Lion depicts a majestic stallion in a very different situation. Stubbs painted this magnetic masterpiece to illustrate the nature of the sublime, which was one of his era's most popular philosophical concepts,and its relation to a timelessly riveting feeling: fear. The magnificent horse galloping through a vast wilderness encounters the bottom-up stimulus of a crouching predator and responds with a dramatic display of what psychologists mildly call "negative emotion." The equine superstar's arched neck, dilated eyes, and flared nostrils are in fact the very picture of overwhelming dread. The painting's subject matter reflects he philosopher Edmund Burke's widely circulated Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, which asserts that because "terror" is unparalleled in commanding "astonishment," or total, single-pointed,--indeed, rapt--attention, it is "the ruling principle of the sublime.
”
”
Winifred Gallagher
“
No one could deny that his face matched the sexy timbre of his voice; he was strikingly beautiful, with shaggy black hair and piercing eyes. A little bit of his mouth always remained open, even when his lips were closed in a tiny, perfect diamond shape.
He was two men: there was the one she saw in interviews- goofy, self-effacing, and gifted with the ability to make fun of himself and his profession, which put everyone at ease- and then there was the other Callum, the one on stage. Magnetic, dark, guarded, as if he was holding something back, as if it would simply be too much to give his purest and most authentic self to the audience.
”
”
Amy S. Foster (When Autumn Leaves)
“
A Hand-Mirror Hold it up sternly— see this it sends back, (who is it? is it you?) Outside fair costume, within ashes and filth, No more a flashing eye, no more a sonorous voice or springy step, Now some slave's eye, voice, hands, step, A drunkard's breath, unwholesome eater's face, venerealee's flesh, Lungs rotting away piecemeal, stomach sour and cankerous, Joints rheumatic, bowels clogged with abomination, Blood circulating dark and poisonous streams, Words babble, hearing and touch callous, No brain, no heart left, no magnetism of sex; Such from one look in this looking-glass ere you go hence, Such a result so soon— and from such a beginning!
”
”
Walt Whitman
“
Ig had always liked to listen to his father, to watch him while he played. It was almost wrong to say his father played. It often seemed the other way around: that the horn was playing him. The way his cheeks swole out, then caved in as if he were being inhaled into it, the way the golden keys seemed to grab his fingers like little magnets snatching at iron filings, causing them to leap and dance in unexpected, startling fits. The way he shut his eyes and bent his head and twisted back and forth at the hips, as if his torso were in auger, screwing its way deeper and deeper into the centre of his being, pulling the music up from somewhere in the pit of his belly.
”
”
Joe Hill (Horns)
“
So when nobody's watching, is the rainbow there? No, it is not. Your eyes are needed to complete the geometry. The triad of Sun, water droplets, and observer are all required for a rainbow. When no one is present, we can picture the situation as an infinity of potential rainbows, each slightly offset from the others with various color emphases (since bigger droplets produce more vivid rainbows but rob them of blue). Moreover, only when neurons in the retina and brain are stimulated by light's invisible magnetic and electrical pulses do they conjure the subjective experience of spectral colors. For both reasons, we are as necessary for rainbows as the Sun and the rain.
”
”
Bob Berman
“
She seems to be resuscitating me from far away as soon as I start to weaken. I close my eyes and see myself fleeing from the bed to the mattress on the floor, and from there to the couch, and the rug, and Melanie following me sleepily from one place to the next. I shout that I can’t fall asleep within the magnetic field of another body, and she mumbles, half asleep, “Come on, try a little longer.” And so for a few bleary-eyes, sleepwalking weeks—and as if having no knowledge of it the next morning—she gave me the nocturnal portion of a withdrawal treatment from the loneliness: one night we spent a whole hour together, the next night two hours, then a week of regression and crisis as I tried to adapt to the horrific idea of a shared blanket. Until suddenly, out of utter exhaustion, I discovered that our bodies had already reached an agreement—even mine, the illiterate one, must have caught on, because one night I woke up from a deep sleep and realized how beautifully we turned over together in bed, embraced.
”
”
David Grossman (Her Body Knows)
“
Lighthouse people are beacons that call all the sailors in ships back to land, beckoning them in toward the light. Lighthouse people are magnetic and luminescent, so much so that even when one sailor manages to row all the way to land and climbs up into the lighthouse, the rest of the sailors will stay out there on the water, waiting for their chance to come to shore. They will feel that it’s always best to keep an eye on the lighthouse, even if they have to come and go due to other sailorly obligations. The lighthouse might act like it doesn’t know it’s so popular with the sailors, but it does. How could it not? Even if the lighthouse has a special sailor for the moment, its light is always on. It can’t help it.
”
”
Katie Heaney (Never Have I Ever: My Life (So Far) Without a Date)
“
Brushing through my hair was usually bad enough after a shower. Letting it dry without brushing it was a terrible mistake. It was full of painful tangles, and I hadn’t made much progress when the door at the end of the veranda opened and Ren walked out. I squeaked in alarm and hid behind my hair. Perfect, Kells.
He was still barefoot, but had on khaki pants and a sky-blue button-down shirt that matched his eyes. The effect was magnetic, and here I was in flannel pajamas with giant tumbleweed hair.
He sat across from me and said, “Good evening, Kells. Did you sleep well?”
“Uh, yes. Did you?”
He grinned a dazzling white smile and nodded his head slightly. “Are you having trouble?” he asked and watched my detangling progress with an amused expression.
“Nope. I’ve got it all under control.”
I wanted to divert his attention away from my hair, so I said, “How’s your back and your, um, arm, I guess it would be?”
He smiled. “They’re completely fine. Thank you for asking.”
“Ren, why aren’t you wearing white? That’s all I’ve ever seen you wear. Is it because your white shirt was torn?”
He responded, “No, I just wanted to wear something different. Actually, when I change to a tiger and back, my white clothes reappear. If I changed to a tiger now and then switch back to a man again, my current clothes would be replaced with my old white ones.”
“Would they still be torn and bloody?”
“No. When I reappear, they’re clean and whole again.”
“Hah. Lucky for you. It would be pretty awkward if you ended up naked every time you changed.”
I bit my tongue as soon as the words came out and blushed a brilliant shade of red. Nice, Kells. Way to go. I covered up my verbal blunder by tugging my hair in front of my face and yanking through the tangles.
He grinned. “Yes. Lucky for me.”
I tugged the brush through my hair and winced. “That brings up another question.”
Ren rose and took the brush out of my hand.
“What…what are you doing?” I stammered.
“Relax. You’re too edgy.”
He had no idea.
Moving behind me, Ren picked up a section of my hair and started gently brushing through it. I was nervous at first, but his hands in my hair were so warm and soothing that I soon relaxed in the chair, closed my eyes, and leaned my head back.
After a minute of brushing, he pulled a lock away from my neck, leaned down by my ear, and whispered, “What was it you wanted to ask me?”
I jumped.
“Umm…what?” I mumbled disconcertingly.
“You wanted to ask me a question.”
“Oh, right. It was, uh-that feels nice.”
Did I say that out loud?
Ren laughed softly. “That’s not a question.”
Apparently, I did.
“Was it something about me changing into a tiger?”
“Oh, yes. I remember now. You can change back a forth several times per day, right? Is there a limit?”
“No. There’s no limit as long as I don’t remain human for more than a total of twenty-four minutes in a twenty-four hour day.” He moved to another section of hair. “Do you have any more questions, sundari?
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Well,all she had to do was ask," one offended male replied.
"I hope you're satisfied!" Lauren whispered furiously.
"I'm not," Nick chuckled in her ear. "But I'm going to be."
Fully intending to leave him to take his own notes, Lauren slammed her notebook closed and tried to shove her chair back. Nick's body blocked the chair. She twisted her head around to say something scathing, and his lips captured hers in a kiss that forced her head against the back of the chair, tripled her pulse rate and robbed her of thought. When he took his mouth away, she was too shaken to do anything except stare at him.
"What do you think,Nick?" a voice asked over the speaker.
"I think it gets better every time," he answered huskily.
When the call was finally over, Nick pressed a button on the desk, and Lauren saw the door leading into Mary's office swing shut electronically. He grasped her arms and drew her out of the chair, turning her toward him. His mouth came closer to hers,and Lauren felt herself being helplessly drawn into his magnetic spell. "Don't!" she pleaded. "Please don't do this to me."
His hands tightened on her arms. "Why can't you just admit you want me and enjoy the consequences?"
"All right," she said wretchedly, "You win. I want you...I admit it." She saw the gleam of triumph in his eyes, and her chin lifted. "When I was eight years old, I also wanted a monkey I saw in a pet store."
The triumph faded. "And?" he sighed irritably,letting go of her.
"And unfortunately I got him," Lauren said. "Daisy bit me,and I had to have twelve stitches in my leg."
Nick looked as if he was torn between laughter and anger. "I imagine he bit you for naming him Daisy."
Lauren ignored his mockery. "And when I was thirteen, I wanted sisters and brothers. My father obliged me by remarrying, and I got a stepsister who stole my clothes and my boyfriends, and a stepbrother who stole my allowances."
"What the hell does that have to do with us?"
"Everything!
”
”
Judith McNaught (Double Standards)
“
And Lotto beamed with pleasure, preening, eyes darting around to see which kind soul in the room could have sent along the champagne, the force of his delight such that wherever his eyes landed, the recipients of the gaze would look up out of their food and conversation. and a startled expression would come over their face, a flush, and nearly everyone began grinning back, so that on this spangled early evening with the sun shining through the windows in gold streams, and the treetops rustling in the wind, and the streets full of congregating, relieved people, Lotto sparked upwellings of inexplicable glee in dozens of chests, lightening the already buoyant mood in one swift wave. Animal magnetism is real. It spreads through bodily convection. Even Ariel smiled back. The stunned grin stayed on the faces of some people, an expressions of speculation growing, hoping he would look at them again, or wondering who he was because on this day, and in this world, he was someone.
”
”
Lauren Groff (Fates and Furies)
“
Everything was so beautiful in this magical moment before sunrise. The wild blue irises around the pond, the violet shadows in the curves of the dunes, the white, filmy mist hanging over the buttercup valley across the pond, the cloth of gold and silver thtat was called a field of daisies, thye cool, delicious gulf breeze, the blue of far lands beyond the harbour, plumes of purple and mauve smoke going up on the still, golden air from the chimneys of Stovepipe Town where the fishermen rose early. And Teddy lying at her feet, his slim brown hands clasped behind his head. Again she felt thye magnetic attraction of his personality. Felt it so strongly that she dared not meet his eyes. Yet she was admitting to herself with a secret cadour which would have horrified Aunt Elizabeth that she wanted to run her fingers through his sleek black hair- feel his arms about her- press her face against his dark tender ne- feel his lips on her lips-
Teddy took one of his hands from under his head and put it over hers.
”
”
L.M. Montgomery
“
He was beautiful.
Whatever else he was, Sage was by far the most magnetic man I had ever seen. I had felt it in my dreams, and it was even more true in real life. I welcomed the chance to study him without his knowledge.
He glanced up, and I quickly closed my eyes, feigning sleep. Had he seen me? The scratching stopped. He was looking at me, I knew it. I held my breath and willed my eyes not to pop open and see if he was staring.
Finally the scratching started up again. I forced myself to slowly count to ten before I opened my eyelids the tiniest bit and peeked through my lashes.
Good-he wasn’t looking at me.
I opened my eyes a little wider. What was he doing? Moving only my eyes, I glanced down at the dirt floor in front of him…
…and saw a picture of me, fast asleep.
It was incredible. I could see his tools laid out beside the picture: rocks in several sizes and shapes, a couple of twigs…the most rudimentary materials, and yet what he was etching into the floor wouldn’t look out of place on an art gallery wall. It was beautiful…far more beautiful than I thought I actually looked in my sleep. Is that how he saw me?
Sage lifted his head again, and I shut my eyes. I imagined him studying me, taking careful note of my features and filtering them through his own senses. My heartbeat quickened, and it took all my willpower to remain still.
“You can keep pretending to be asleep if you’d like, but I don’t see a career for you as an actress,” he teased.
My eyes sprang open. Sage’s head was again bent over his etching, but a grin played on his face as he worked.
“You knew?” I asked, mortified.
Sage put a finger to his lips, glancing toward Ben. “About two minutes before you woke up, I knew,” he whispered. “Your breathing hanged.” He bent back over the drawing, then impishly asked, “Pleasant dreams?”
My heart stopped, and I felt myself blush bright crimson as I remembered our encounter in the bottom of the rowboat. I sent a quick prayer to whoever or whatever might be listening that I hadn’t re-enacted any of it in my sleep, then said as nonchalantly as possible, “I don’t know, I can’t remember what I dreamed about. Why?”
He swapped out the rock in his hand for one with a thinner edge and worked for another moment. “No reason…just heard my name.”
I hoped the dim moonlight shadowed the worst of my blush. “Your name,” I reiterated. “That’s…interesting. They say dreams sort out things that happen when we’re awake.”
“Hmm. Did you sort anything out?” he asked.
“Like I said, I can’t remember.”
I knew he didn’t believe me. Time to change the subject. I nodded to the etching. “Can I come look?
”
”
Hilary Duff (Elixir (Elixir, #1))
“
How often things must have been seen and dismissed as unimportant, before the speculative eye and the moment of vision came! It was Gilbert, Queen Elizabeth's court physician, who first puzzled his brains with rubbed amber and bits of glass and silk and shellac, and so began the quickening of the human mind to the existence of this universal presence. And even then the science of electricity remained a mere little group of curious facts for nearly two hundred years, connected perhaps with magnetism—a mere guess that—perhaps with the lightning. Frogs' legs must have hung by copper hooks from iron railings and twitched upon countless occasions before Galvani saw them. Except for the lightning conductor, it was 250 years after Gilbert before electricity stepped out of the cabinet of scientific curiosities into the life of the common man… . Then suddenly, in the half-century between 1880 and 1930, it ousted the steam-engine and took over traction, it ousted every other form of household heating, abolished distance with the perfected wireless telephone and the telephotograph… .
”
”
H.G. Wells (The World Set Free)
“
I shall describe one example of this kind of world, the greatest planet of a mighty sun. Situated, if I remember rightly, near the congested heart of the galaxy, this star was born late in galactic history, and it gave birth to planets when already many of the older stars were encrusted with smouldering lava. Owing to the violence of solar radiation its nearer planets had (or will have) stormy climates. On one of them a mollusc-like creature, living in the coastal shallows, acquired a propensity to drift in its boatlike shell on the sea’s surface, thus keeping in touch with its drifting vegetable food. As the ages passed, its shell became better adapted to navigation. Mere drifting was supplemented by means of a crude sail, a membrane extending from the creature’s back. In time this nautiloid type proliferated into a host of species. Some of these remained minute, but some found size advantageous, and developed into living ships. One of these became the intelligent master of this great world. The hull was a rigid, stream-lined vessel, shaped much as the nineteenth-century clipper in her prime, and larger than our largest whale. At the rear a tentacle or fin developed into a rudder, which was sometimes used also as a propeller, like a fish’s tail. But though all these species could navigate under their own power to some extent, their normal means of long-distance locomotion was their great spread of sail. The simple membranes of the ancestral type had become a system of parchment-like sails and bony masts and spars, under voluntary muscular control. Similarity to a ship was increased by the downward-looking eyes, one on each side of the prow. The mainmast-head also bore eyes, for searching the horizon. An organ of magnetic sensitivity in the brain afforded a reliable means of orientation. At the fore end of the vessel were two long manipulatory tentacles, which during locomotion were folded snugly to the flanks. In use they formed a very serviceable pair of arms.
”
”
Olaf Stapledon (Star Maker (S.F. MASTERWORKS Book 52))
“
Isaiah lazily yet deliberately tilts his head as he stares into my eyes. My entire body hums and a fuzzy sensation fills my head, making it hard to focus. My mouth opens then closes. And as he slowly bends down, my tongue quickly licks my dry lips.
I hope I’m doing this right. I want to do this right.
Isaiah slips his hand from my chin to cradle my head. His fingers tunnel through my hair, making the back of my neck tingle with anticipation as the pad of his thumb whispers gently against my cheek. His lips hover right next to mine and his warm breath heats my face.
The blood pounds so wildly in my veins that he has to sense the vibration. There’s a magnetic pull taking over the small distance between our lips. An energy I can’t resist. My head inclines opposite his and the moment I close my eyes, his mouth brushes mine.
Soft. Warm. Gentle. His lips move slowly, exerting pressure. And I feel like I can’t breathe, yet like I’m flying. The pressure ends, but his mouth stays near mine. His hand grips my waist and my spine gives at the shockingly right pleasure of his touch.
Isaiah senses my weakness and his hand snakes its way around my waist, his strong arm holds me up. And he explores again. A little pressure on my lower lip. A little pressure on the top. And then I remember that I’m supposed to kiss him back.
Nerves send small shock waves through my chest, and my hand trembles as I raise it to his shoulders. I press both my lips into his lower one right as my fingers caress the side of his neck. Isaiah shivers. In a good way, I think.
I open my mouth to ask when his lips move fast against mine, sucking in my lower one, causing warmth and excitement to explode in my body, the aftermath of that divine encounter melting every piece of me.
I moan, and Isaiah’s arm tightens, bringing my body closer to his. My lips maneuver against his in response. A yes to his pulling me closer. A yes to his lips taking in mine. A yes to the fact that he allows me to perform the same succulent kiss on him.
I can’t help it. I permit the tip of my tongue to barely brush his lower lip. Isaiah curls my hair into his fist and I love how my touch affects him, affects me. Wrapping my other arm around his neck, I lose all sense of independence with his sweet taste.
I like this. I like this a lot.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
Beauty and the Illiterate"
Often, in the Repose of Evening her soul took a lightness from
the mountains across, although the day was harsh and
tomorrow foreign.
But, when it darkened well and out came the priest’s hand over
the little garden of the dead, She
Alone, Standing, with the few domestics of the night—the blowing
rosemary and the murmur of smoke from the kilns—
at sea’s entry, wakeful
Otherly beauty!
Only the waves’ words half-guessed or in a rustle, and others
resembling the dead’s that startle in the cypress, strange
zodiacs that lit up her magnetic moon-turned head.
And one
Unbelievable cleanliness allowed, to great depth in her, the real
landscape to be seen,
Where, near the river, the dark ones fought against the Angel,
exactly showing how she’s born, Beauty
Or what we otherwise call tear.
And long as her thinking lasted, you could feel it overflow the
glowing sight bitterly in the eyes and the huge, like an
ancient prostitute’s, cheekbones
Stretched to the extreme points of the Large Dog and of the Virgin.
“Far from the pestilential city I dreamed of her deserted place
where a tear may have no meaning and the only light be
from the flame that ravishes all that for me exists.
“Shoulder-to-shoulder under what will be, sworn to extreme silence
and the co-ruling of the stars,
“As if I didn’t know yet, the illiterate, that there exactly, in extreme
silence are the most repellent thuds
“And that, since it became unbearable inside a man’s chest, solitude
dispersed and seeded stars!
”
”
Odysseas Elytis (Eros, Eros, Eros: Selected & Last Poems)
“
Oh I'll die I'll die I'll die
My skin is in blazing furore
I do not know what I'll do where I'll go oh I am sick
I'll kick all Arts in the butt and go away Shubha
Shubha let me go and live in your cloaked melon
In the unfastened shadow of dark destroyed saffron curtain
The last anchor is leaving me after I got the other anchors lifted
I can't resist anymore, a million glass panes are breaking in my cortex
I know, Shubha, spread out your matrix, give me peace
Each vein is carrying a stream of tears up to the heart
Brain's contagious flints are decomposing out of eternal sickness
other why didn't you give me birth in the form of a skeleton
I'd have gone two billion light years and kissed God's ass
But nothing pleases me nothing sounds well
I feel nauseated with more than a single kiss
I've forgotten women during copulation and returned to the Muse
In to the sun-coloured bladder
I do not know what these happenings are but they are occurring within me
I'll destroy and shatter everything
draw and elevate Shubha in to my hunger
Shubha will have to be given
Oh Malay
Kolkata seems to be a procession of wet and slippery organs today
But i do not know what I'll do now with my own self
My power of recollection is withering away
Let me ascend alone toward death
I haven't had to learn copulation and dying
I haven't had to learn the responsibility of shedding the last drops
after urination
Haven't had to learn to go and lie beside Shubha in the darkness
Have not had to learn the usage of French leather
while lying on Nandita's bosom
Though I wanted the healthy spirit of Aleya's
fresh China-rose matrix
Yet I submitted to the refuge of my brain's cataclysm
I am failing to understand why I still want to live
I am thinking of my debauched Sabarna-Choudhury ancestors
I'll have to do something different and new
Let me sleep for the last time on a bed soft as the skin of
Shubha's bosom
I remember now the sharp-edged radiance of the moment I was born
I want to see my own death before passing away
The world had nothing to do with Malay Roychoudhury
Shubha let me sleep for a few moments in your
violent silvery uterus
Give me peace, Shubha, let me have peace
Let my sin-driven skeleton be washed anew in your seasonal bloodstream
Let me create myself in your womb with my own sperm
Would I have been like this if I had different parents?
Was Malay alias me possible from an absolutely different sperm?
Would I have been Malay in the womb of other women of my father?
Would I have made a professional gentleman of me
like my dead brother without Shubha?
Oh, answer, let somebody answer these
Shubha, ah Shubha
Let me see the earth through your cellophane hymen
Come back on the green mattress again
As cathode rays are sucked up with the warmth of a magnet's brilliance
I remember the letter of the final decision of 1956
The surroundings of your clitoris were being embellished
with coon at that time
Fine rib-smashing roots were descending in to your bosom
Stupid relationship inflated in the bypass of senseless neglect
Aaaaaaaaaaaaaaaaaaaaaaaah
I do not know whether I am going to die
Squandering was roaring within heart's exhaustive impatience
I'll disrupt and destroy
I'll split all in to pieces for the sake of Art
There isn't any other way out for Poetry except suicide
Shubha
Let me enter in to the immemorial incontinence of your labia majora
In to the absurdity of woeless effort
In the golden chlorophyll of the drunken heart
Why wasn't I lost in my mother's urethra?
Why wasn't I driven away in my father's urine after his self-coition?
Why wasn't I mixed in the ovum -flux or in the phlegm?
With her eyes shut supine beneath me
I felt terribly distressed when I saw comfort seize S
”
”
Malay Roy Choudhury (Selected Poems)
“
The ghost was not a ghost at all, or so it claimed - it claimed to be a psychic energy baby, birthed in some ethereal dimension, and pulled into the phone by the powerful magnetism of phone signals. It remembered with perfect clarity how it came to be - remembered coalescing from the membranous surface of the world, streaked with reflected light, humming with surface tension under the pressure of emptiness underneath. The Psychic Energy Baby found form among the emanations of people's minds and the susurrus of their voices, it found flesh in the shapes of their lips and eyes made, the surprise of 'o's and the sibilations of 's's; its skin stretched taut like a soap bubble, forged from the wet sound of lips touching; its thoughts were the musky smells and the nerves twined around the transparent water balloons of the muscles like stems of toadflax, searching restlessly for every available crevice, stretching along cold rough surfaces. Its veins, tiny rivers, pumped heartbeats striking in unison, the dry dallying of billions of ventricular contractions. And it spoke, spoke endlessly, it spokes words that tasted of dark air and formic acid. It could speak long before it took it's final shape.
And when it happened, when all the sounds and smells and words in the world, when all the thoughts had aligned so that it could become - then it found itself pulled into the wires, surrounded by taut copper and green and red and yellow insulation; twined and quartered among the cables, rent open by millions of voices that shouted and whispered and pleaded and threatened, interspersed with the rasping of breaths and tearing laughter. It traveled through the criss-crossing of the wires so fast that it felt itself being pulled into a needle, head spearing into the future while its feet infinitely receded into the past, until it came into a dark quiet pool of the black rotary phone, where it could reassemble itself and take stock.
”
”
Ekaterina Sedia (The House of Discarded Dreams)
“
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic.
“Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself?
I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans.
“Hiding,” I replied, stepping into them and buttoning the waist.
“Well, c’mere,” he said softly.
My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door.
He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did.
“Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio.
“Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness.
“So,” Marlboro Man said. “What have you been doing all day?”
I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.”
“Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me.
He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors.
Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened.
And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor.
“R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched.
“Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug.
“Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him.
It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Marlboro Man’s call woke me up the next morning. It was almost eleven.
“Hey,” he said. “What’s up?”
I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged.
“Were you asleep?” he said.
“Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings.
“Yes. You,” he said, chuckling. “I can’t believe you were asleep!”
“I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser.
“You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me.
I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?”
“Oh, I had to run to the city early this morning,” he said.
“Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there?
Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.”
Huh?
I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged.
“Yep. I am,” he answered.
“No you’re not,” I repeated.
“Yes. I am,” he said.
I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking.
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic.
“Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself?
I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans.
“Hiding,” I replied, stepping into them and buttoning the waist.
“Well, c’mere,” he said softly.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Bannon thrived on the chaos he created and did everything he could to make it spread. When he finally made his way through the crowd to the back of the town house, he put on a headset to join the broadcast of the Breitbart radio show already in progress. It was his way of bringing tens of thousands of listeners into the inner sanctum of the “Breitbart Embassy,” as the town house was ironically known, and thereby conscripting them into a larger project. Bannon was inordinately proud of the movement he saw growing around him, boasting constantly of its egalitarian nature. What to an outsider could look like a cast of extras from the Island of Misfit Toys was, in Bannon’s eyes, a proudly populist and “unclubbable” plebiscite rising up in defiant protest against the “globalists” and “gatekeepers” who had taken control of both parties. Just how Phil Robertson of Duck Dynasty figured into a plan to overthrow the global power structure wasn’t clear, even to many of Bannon’s friends. But, then, Bannon derived a visceral thrill anytime he could deliver a fuck-you to the establishment. The thousands of frustrated listeners calling in to his radio show, and the millions more who flocked to Breitbart News, had left him no doubt that an army of the angry and dispossessed was eager to join him in lobbing a bomb at the country’s leaders. As guests left the party, a doorman handed out a gift that Bannon had chosen for the occasion: a silver hip flask with “Breitbart” imprinted above an image of a honey badger, the Breitbart mascot. — Bannon’s cult-leader magnetism was a powerful draw for oddballs and freaks, and the attraction ran both ways. As he moved further from the cosmopolitan orbits of Goldman Sachs and Hollywood, there was no longer any need for him to suppress his right-wing impulses. Giving full vent to his views on subjects like immigration and Islam isolated him among a radical fringe that most of political Washington regarded as teeming with racist conspiracy theorists. But far from being bothered, Bannon welcomed their disdain, taking it as proof of his authentic conviction. It fed his grandiose sense of purpose to imagine that he was amassing an army of ragged, pitchfork-wielding outsiders to storm the barricades and, in Andrew Breitbart’s favorite formulation, “take back the country.” If Bannon was bothered by the incendiary views held by some of those lining up with him, he didn’t show it. His habit always was to welcome all comers. To all outward appearances, Bannon, wild-eyed and scruffy, a Falstaff in flip-flops, was someone whom the political world could safely ignore. But his appearance, and the company he kept, masked an analytic capability that was undiminished and as applicable to politics as it had been to the finances of corrupt Hollywood movie studios. Somehow, Bannon, who would happily fall into league with the most agitated conservative zealot, was able to see clearly that conservatives had failed to stop Bill Clinton in the 1990s because they had indulged this very zealotry to a point where their credibility with the media and mainstream voters was shot. Trapped in their own bubble, speaking only to one another, they had believed that they were winning, when in reality they had already lost.
”
”
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)
“
In case you haven't noticed,rodeos are a serious business.Careless cowboys tend to break bones,or even their skulls,as hard as that may be to believe."
She stared down at the hand holding her wrist. Despite his smile,she could feel the strength in his grip. If he wanted to,he could no doubt break her bone with a single snap. But she wasn't concerned with his strength,only with the heat his touch was generating. She felt the tingle of warmth all the way up her arm.It alarmed her more than she cared to admit.
"My job is to minimize damage to anyone who is actually hurt."
"I'm grateful." He sat up so his laughing blue eyes were even with hers. If possible,his were even bluer than the perfect Montana sky above them. "What do you think? Any damage from that fall?"
Her instinct was to move back,but his fingers were still around her wrist,holding her close. "I'm beginning to wonder if you were actually tossed from that bull or deliberately fell."
"I'd have to be a little bit crazy to deliberately fell."
"I'd have to be a little bit crazy to deliberately jump from the back of a raging bull just to get your attention, wouldn't I?"
"Yeah." She felt the pull of that magnetic smile that had so many of the local females lusting after Wyatt McCord. Now she knew why he'd gained such a reputation in such a short time. "I'm beginning to think maybe you are. In fact,more than a little.A whole lot crazy."
"I figured it was the best possible way to get you to actually talk to me. You couldn't ignore me as long as there was even the slightest chance that I might be hurt."
There was enough romance in her nature to feel flattered that he'd go to so much trouble to arrange to meet her. At least,she thought,it was original. And just dangerous enough to appeal to a certain wild-and-free spirit that dominated her own life.
Then her practical side kicked in, and she felt an irrational sense of annoyance that he'd wasted so much of her time and energy on his weird idea of a joke.
"Oh,brother." She scrambled to her feet and dusted off her backside.
"Want me to do that for you?"
She paused and shot him a look guaranteed to freeze most men.
He merely kept that charming smile in place. "Mind if we start over?" He held out his hand. "Wyatt McCord."
"I know who you are."
"Okay.I'll handle both introductions. Nice to meet you,Marilee Trainor. Now that we have that out of the way,when do you get off work?"
"Not until the last bull rider has finished."
"Want to grab a bite to eat? When the last rider is done,of course."
"Sorry.I'll be heading home."
"Why,thanks for the invitation.I'd be happy to join you.We could take along some pizza from one of the vendors."
She looked him up and down. "I go home alone."
"Sorry to hear that." There was that grin again,doing strange things to her heart. "You're missing out on a really fun evening."
"You have a high opinion of yourself, McCord."
He chuckled.Without warning he touched a finger to her lips. "Trust me.I'd do my best to turn that pretty little frown into an even prettier smile."
Marilee couldn't believe the feelings that collided along her spine. Splinters of fire and ice had her fighting to keep from shivering despite the broiling sun.
Because she didn't trust her voice, she merely turned on her heel and walked away from him.
It was harder to do than she'd expected. And though she kept her spine rigid and her head high, she swore she could feel the heat of that gaze burning right through her flesh.
It sent one more furnace blast rushing through her system. A system already overheated by her encounter with the bold, brash,irritatingly charming Wyatt McCord.
”
”
R.C. Ryan (Montana Destiny)