Magnet And Steel Quotes

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But the moment our eyes meet, I'm right back under his spell, a helpless hunk of steel to his irresistible magnet.
Alyson Noel (Evermore (The Immortals, #1))
It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
He was a magnet and I was steel
Rainbow Rowell (Attachments)
Well, at first, I was sure that he would feel the cosmic forces pulling us together. I wanted him so badly, I could feel my heart racing for him with every beat. It was destiny. "He was a magnet and I was steel.
Rainbow Rowell (Attachments)
We’re both girls whose bones got forged from secrets instead of steel. No wonder we snapped together like magnets.
Tess Sharpe (The Girls I've Been)
Remember, the thoughts you think, along with your feelings and emotions, control your vibration. Your vibration is a magnet and everything that comes to you is steel.
Jodi Livon (The Happy Medium: Speaking the Language of Intuition)
Thus, by an inevitable necessity, as a magnet attracts steel-fillings, so did our man of business draw to himself the difficulties which everybody met with.
Nathaniel Hawthorne (The Scarlet Letter)
Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
We’re both girls whose bones got forged from secrets instead of steel. No wonder we snapped together like magnets. We are made of the same stuff, somehow.
Tess Sharpe (The Girls I've Been)
And Pasquale forced himself to look away from her then. It was like prying a magnet off steel, but he did it: he turned forward in the boat, closed his eyes, still seeing her standing there in his memory. He shook with the strain of not looking back until they rounded the breakwater into the open sea and Pasquale exhaled, his head falling to his chest. "You are a strange young man," Tomasso the Communist said.
Jess Walter (Beautiful Ruins)
Tell me not to kiss you, Jessica. Tell me right now. And best you make me believe you mean it,” he warned softly, a breath from her lips. “Don’t kiss me.” She wet her lips. “Try again,” he said flatly. “Don’t kiss me.” She swayed toward his body, a magnet to steel. “Try again,” he hissed. “And best ’ware, woman, ’tis your last chance.” Jessi took a deep breath. “Don’t.” Another deep breath. “Kiss me?” He laughed, a cocky, rich purr of a sound.
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
no matter where we were, an invisible force drew us together like magnets to steel.
Ana Huang (King of Pride (Kings of Sin, #2))
The sound of my name from her lips is like the magnetic pull toward my true north.
L. Steele (Mafia Obsession (Arranged Marriage, #7))
The world moves with motiveless necessity. By this is meant that it has no motive of its own, but is under the necessity of manifesting your concept, the arrangement of your mind, and your mind is always arranged in the image of all you believe and consent to as true. The rich man, poor man, beggar man or thief are not different minds, but different arrangements of the same mind, in the same sense that a piece of steel when magnetized differs not in substance from its demagnetized state but in the arrangement and order of its molecules. A single electron revolving in a specified orbit constitutes the unit of magnetism.
Neville Goddard (The Power of Awareness)
American planes full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors exerted a miraculous magnetism which shrunk the fires gathered them into cylindrical steel containers and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though German fighters came up again made everything and everybody as good as new. When the bombers got back to their base the steel cylinders were taken from the racks and shipped back to the United States of America where factories were operating night and day dismantling the cylinders separating the dangerous contents into minerals. Touchingly it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground to hide them cleverly so they would never hurt anybody ever again.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
The sparkling smile became enormous. ‘Do you think she has a dagger there? Do you? Ask her, M. Francis? For,’ said the most noble and most powerful Princess Mary Stewart, Queen of Scotland, delving furiously under all the stiff red velvet, showing shift, hose and garters, shoes, knees and a long ribboned end of something recently torn loose, and emerging therefrom with a fist closed tight on an object short and hard and glittering, ‘for I have!’ And breathlessly, flinging back her head, with the little knife offered like a quill, ‘Try to stab me!’ she encouraged her visitor. There was a queer silence, during which the eyes of Oonagh O’Dwyer and her love of one night met and locked like magnet and iron. The child, waiting a moment, offered again, the ringing, joyful defiance still in her voice. ‘Try to stab me! … Go on, and I’ll kill you all dead!’ Her throat dry, Oonagh spoke. ‘Save your steel for those you trust. They are the ones who will carry your bier; the men who cannot hate, nor can they know love. Send away the cold servants.’ The red mouth had opened a little; the knife hung forgotten in her hand. ‘I would,’ said Mary, surprised. ‘But I do not know any.’ And, anxiously demonstrating her point, she caught Lymond by the hand.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
Her skirts are long and don't seem to have straight hems, and her shirts are loose and hang over the skirts, so it's hard to see where one ends and the other begins. But with her children, she has clear control. They flow around her like her long skirts, flapping away and returning. Karen knows they will return to her side, like a magnet assured of its eternal attraction to tiny metal filings.
Kathy B. Steele (Rocks That Float)
This passage is particularly interesting because it allows us to look deep into the world of obscure archetypal ideas that fill the mind of the alchemist. The author goes on to say that the steel, which is at the same time the “infernal fire,” the “key of our Work,” is attracted by the magnet, for which reason “our magnet” is the true “minera” (raw material) of the steel. The magnet has a hidden centre which “with an archetic appetite38 turns towards the Pole, where the virtue of the steel is exalted.” The centre “abounds in salt”—evidently the sal sapientiae, for immediately afterwards the text says: “The wise man will rejoice, but the fool will pay small heed to these things, and will not learn wisdom, even though he see the outward-turned central Pole marked with the notable sign39 of the Almighty.
C.G. Jung (Aion: Researches into the Phenomenology of the Self (Collected Works, Vol 9ii))
Until around A.D. 1450, China was technologically much more innovative and advanced than Europe, even more so than medieval Islam. The long list of Chinese inventions includes canal lock gates, cast iron, deep drilling, efficient animal harnesses, gunpowder, kites, magnetic compasses, movable type, paper, porcelain, printing (except for the Phaistos disk), sternpost rudders, and wheelbarrows. China then ceased to be innovative for reasons about which we shall speculate in the Epilogue.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
Innovation in China too fluctuated markedly with time. Until around A.D. 1450, China was technologically much more innovative and advanced than Europe, even more so than medieval Islam. The long list of Chinese inventions includes canal lock gates, cast iron, deep drilling, efficient animal harnesses, gunpowder, kites, magnetic compasses, movable type, paper, porcelain, printing (except for the Phaistos disk), sternpost rudders, and wheelbarrows. China then ceased to be innovative for reasons about which we shall speculate in the Epilogue. Conversely, we think of western Europe and its derived North American societies as leading the modern world in technological innovation, but technology was less advanced in western Europe than in any other “civilized” area of the Old World until the late Middle Ages.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. •  •  • When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Okay,let's do it," Robbie said, slapping his hands together as he stood. He stepped towards me with his arms outstreched and I tripped back. " What? No" " What? Yes," he said. He hit the rewind button and the tape zipped backward. He paused it right as the dance began. " You don't really expect me to ask Tama to dance with me without any practice. Even I'm not that stupid." I was suddenly very aware of my heartbeat. " There's no way I'm dancing with you." " You really know how to stroke a guy's ego," Robbie joked. "Come on. I'm not that repulsive." "You're not repulsive at all, it's just-" " Well, that's good to hear," Robbie said with a teasing smile. He was enjoying this. "it's just that I don't dance," I admitted. Never had. Not once. Not with a guy. I was a dance free-zone. " Well, neither do II mean, except on stage. But i've never danced like this, so we're even" he said. He hit "play". The music started and Robbie pulled me toward him by my wrist. he grabbed my hand, which was sweating, and held it, then put his other hand on my waist. My boobs pressed sgsinst his chest and I flinched, but Robbie didn't seem to notice. He was too busy consulting the TV screen. " Here goes nothing," he said. "Okay, it's a waltz, so one, two, three,,, one, two, three. Looks like a big step on one and two little steps on two and three. Got it?" "Sure." I so didn't have it. " Okay, go." He started to step in a circle, pulling me with him.I staggered along, mortified. " One, two, three. One two, three," he counted under his breath. My foot caught on his ankle. " Oops! Sorry." I was sweating like mad now, wishing I'd taken off my sweater, at least. " I got ya," he said, his grip tightiening on my hand. " K eep going." " One, two, three," I counted, staring down at our feet. He slammed one of his hip into one of the set chairs. " Ow. Dammit!" " Are you okay?"I asked."Yeah. Keep going," he said through his teeth. " One, two, three," I counted. I glanced up at the Tv screen, and the second I took my eyes off our feet, they got hopelessly tangled. I felt that instant swoop of gravity and shouted as we went down. The floor was not soft. " Oof?" " Ow. Okay, ow," Robbie said, grabbing his elbow. " That was not a good bone to fall on." He shook his arm out and I brought my knees up under my chin. " Maybe this wasn't the best idea." "No! No. We cannot give up that easily," Robbie said, standing. He took my hands and hoisted my up. " Maybe we just need to simplify it a little. " Actually i think its the twirl and the dip at the end that are really important," I theorized. It seemed like the most romantic part to me. " Okay, good." Robbie was phsyched by this development. "So maybe instead of going in circles, we just step side to side and do the twirl thing a couple of times. " Sounds like a plan," I said. " Let's do it." Robbie rewound the tape and we started from the beginning of the music. He took my hand again and held it up, then placed his other hand on my waist. This time we simply swayed back and forth. I was just getting used to the motion, when I realized that Robbie was staring at me.Big time." What?" i said, my skin prickling. " Trying to make eye contact," he said. " I hear eye contact while dancing is key." " Where would you hear something like that?" I said. " My grandmother. She's a wise woman," he said. His grandmother. How cute was that? His eyes were completely focused on my face. I tried to stare back into them, but I keep cracking up laughing. And he thought I'd make a good actress. " Wow. You suck at eye contact," he said. "Come on. Give me something to work here." I took a deep breath and steeled myself. It's just Robbie Delano, KJ. You can do this. And so I did. I looked right back into his eyes. And we continued to sway at to the music. His hand around mine. His hand on my waist. Our chests pressed together. I stared into his eyes, and soon i found that laughing was the last thing on my mind. " How's this working for you?
Kieran Scott (Geek Magnet)
Yeah, baby! And you are the magnet and I'm the steel! Bring to me your leather, take from me my lace!
Elizabeth Gilbert (Eat, Pray, Love)
For every man is a magnet, highly and singularly sensitized. Some draw to them fields and woods and hills, and are drawn in return; and some draw swift streets and the riches which are known to cities. It is not of importance what we draw, but that we really draw. And the greatest tragedy in life, as I see it, is that thousands of men and women never have the opportunity to draw with freedom; but they exist in weariness and labour, and are drawn upon like inanimate objects by those who live in unhappy idleness. They do not farm: they are farmed. But that is a question foreign to present considerations. We may be assured, if we draw freely, like the magnet of steel which gathers its iron filings about it in beautiful and symmetrical forms, that the things which we attract will also become symmetrical and harmonious with our lives.
Anonymous
At their invitation we crowded into the spacious control cabin of the great airship, where scientific gear occupied every available cubic—perhaps hypercubic—inch. Among the fantastical glass envelopes and knottings of gold wire as unreadable to us as the ebonite control panels scrupulously polished and reflecting the Arctic sky, we were able here and there to recognize more mundane items—here Manganin resistance-boxes and Tesla coils, there Leclanché cells and solenoidal magnets, with electrical cables sheathed in commercial-grade Gutta Percha running everywhere. Inside, the overhead was much higher than expected, and the bulkheads could scarcely be made out in the muted light through three hanging Fresnel lenses, the mantle behind each glowing a different primary color, from sensitive-flames which hissed at different frequencies. Strange sounds, complex harmonies and dissonances, resonant, sibilant, and percussive at once, being monitored from someplace far Exterior to this, issued from a large brass speaking-trumpet, with brass tubing and valvework elaborate as any to be found in an American marching band running back from it and into an extensive control panel on which various metering gauges were ranked, their pointers, with exquisite Breguet-style arrowheads, trembling in their rise and fall along the arcs of italic numerals. The glow of electrical coils seeped beyond the glass cylinders which enclosed them, and anyone’s hands that came near seemed dipped in blue chalk-dust. A Poulsen’s Telegraphone, recording the data being received, moved constantly to and fro along a length of shining steel wire which periodically was removed and replaced. “Ætheric impulses,” Dr. Counterfly was explaining. “For vortex stabilization we need a membrane sensitive enough to respond to the slightest eddies. We use a human caul—a ‘veil,’ as some say.” “Isn’t a child born with a veil believed to have powers of second sight?” Dr. Vormance inquired. “Correct. And a ship with a veil aboard it will never sink—or, in our case, crash.” “Things have been done to obtain a veil,” darkly added a junior officer, Mr. Suckling, “that may not even be talked about.
Thomas Pynchon (Against the Day)
The words we speak and the thoughts we think control our vibration. Our vibration is a magnet and everything that comes to us is steel.
Jodi Livon
That is why I set up my fighting manifesto and tailored it deliberately to attract only the toughest and most determined minority of the German people at first. When we were quite small and unimportant I often told my followers that if this manifesto is preached year after year, in thousands of speeches across the nation, it is bound to act like a magnet: gradually one steel filing after another will detach itself from the public and cling to this magnet, and then the moment will come when there'll be this minority on the one side and the majority on the other – but this minority will be the one that makes history, because the majority will always follow where there's a tough minority to lead the way.
David Irving (The War Path)
Loss was something that couldn’t be escaped. It followed you around like magnet to steel.
Penelope Sky (Buttons & Hate (Buttons, #2))
Advantages of the ASP I have already explained how the ASP is advantageous with regard to its compactness and ease of carry, but there are other advantages. Carrying an impact weapon gives you the ability to counter a threat with less than lethal force, which may save you a long stint in prison. The compact ASP has advantages over the 28-inch stick of the traditional Filipino martial arts. When you are chest-to-chest against an opponent, it's difficult to hit him decisively with a 26-28 inch long stick. Filipino martial artists practice raising the arm and twisting the wrist to snap the tip into an opponent's head, but these flicking strikes can't be counted on to drop an attacker. Also, because of the stick's light weight, space and distance are needed to wind up and generate power. At very close range the short, heavy stick –such as a blackjack, sap, or an 8-inch steel bar-- is a better weapon. The striking tip of the ASP is made of steel, and the middle section is high-grade aluminum. This solid construction means that the ASP hits hard. The unexpanded ASP can be used like a metal yawara (palm stick), which is devastating in close. The Knife The second weapon in Steel Baton EDC is a knife carried at the neck. The knife should be compact and relatively light so that it is comfortable enough for neck carry. Get a light beaded chain that will break away, so that you aren't strangled with your own neck lanyard. The knife should have a straight handle without loops or fingerholes, because you want to be able to access the knife with either hand in an instant, without having to thread your fingers into holes or work to secure a grip. Avoid folding knives. You want a knife that you can draw in an instant. No matter how much you practice drawing and opening your knife, or even if you get an automatic (switchblade) or assisted opener, you will always be slower getting the folding knife open and into action, particularly under stress. Keep in mind that “under stress” may mean somebody socking you in the face repeatedly. Once again, you want open carry. Open carry is almost always legal and is more easily accessible if you are under attack. You can get a neodymium magnet and put it in the gap between the seam of your shirt, in between the buttons. The magnet will attract the steel blade of your knife so that the knife will stay centered and not flop around if you're moving. My recommended knives for neck carry are the Cold Steel Super Edge and the Cold Steel Hide Out. The Super Edge is small, light, and inconspicuous. It also comes in useful as a day-to-day utility tool, opening packages, trimming threads, removing tags, and so on. Get the Rambo knife image out of your mind. You only need a small knife to deter an attacker, because nobody wants to get cut. And if your life is on the line, you can still do serious damage with a small blade.
Darrin Cook (Steel Baton EDC: 2nd Edition)
He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. • • •
Kurt Vonnegut Jr. (Slaughterhouse-Five)
He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. • • • When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed. • • •
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Aluminum Hulls In 1931 England, aluminum was used in the construction of the Diana II, a 55 foot express cruiser, which is still in use. Aluminum is non-magnetic and is almost never found in the elemental state. As a ductile metal it is malleable and has about one-third the density and stiffness of steel. Aluminum is a corrosion resistant, easily machined, cast, drawn and extruded, however the procedure to weld it is more difficult and different from other metals. In 1935 the Bath Iron Works in Maine, built an experimental hull for Alcoa. Named the Alumette, it was floated to the James River in Newport News, Virginia for the purpose of testing its structural properties. The MV Sacal Borincano was an all-aluminum constructed Roll on Roll off, or Ro-Ro ship, designed to carry 40 highway trailers between Miami, FL and San Juan. PR. The relatively small ship was 226 feet in length and has a displacement of 2000 tons. The South Atlantic and Caribbean Line Inc. operated the vessel which was constructed by American Marine in 1967, with help from the Reynolds Metal Company. The vessel was constructed completely of heli-arced aluminum plates to achieve a working speed of 14 knots with a diesel electric power plant of 3000 hp generating 2240kW.
Hank Bracker (Suppressed I Rise)
Tempe is a magnet, and I’m the metal that can’t escape her pull.
Eva Simmons (Steel (Twisted Kings MC #1))
Besides, black eyes are pussy magnets.” “And what if your vision’s too fucked to stare at their tits?” “Who needs to see shit so long as they’ll get on their knees to take my pain away?” “You’re a fucking idiot.
Eva Simmons (Steel (Twisted Kings MC #1))
Even if he hadn’t dropped the upstairs hint, instinct would’ve guided me to him. The melding of gazes in a crowded ballroom, a chance meeting in a quiet hallway… no matter where we were, an invisible force drew us together like magnets to steel.
Ana Huang (King of Pride (Kings of Sin, #2))
But she was the same. Sweet, moral, magnetic. Everything I wasn’t, yet everything I craved. The light to my dark.
C.C. Gedling (Steel Vengeance (Steel Ventures #1))
Sarah had expected to be slightly bored at the Wandlebury Ladies’ Bazaar, but she had forgotten that it was impossible to be bored with Barbara at your side. Barbara was a sort of magnet, she attracted funny little incidents as a magnet attracts steel, and, this being so, Sarah began to enjoy herself in a slightly malicious way. She noticed that, although Barbara’s manner was more assured, she was still nervous when it behooved her to speak to people she did not like. It was therefore quite easy to discern which of her neighbors she liked and trusted and which she did not.
D.E. Stevenson (The Two Mrs. Abbotts (Miss Buncle #3))
Illumination, transformation, & characterization of an individual only develops with the glance of the perfect spiritual master. Otherwise, we are pushing ourselves into the deeper darkness which leads to an even darker self and corruption of the soul. When you are in the companionship of the perfect master, with his light all your inner darkness washes away. It's a process after which you attain contentment and your heart becomes capable of receiving divine light. Not before but after you have got initiated on the path towards enlightenment. You become light, an epitome of love and a body that emits God's light from the heart. Now that you have received light, you become a representative of light to others and whoever passes by you observes it. A perfect spiritual master is like a magnet filled with divine energy, having an ability to attract and produce the same quality as a magnet in steel attracts. One who submits himself on this path towards love of and for god, Get this divine light within. There is no other way!
Aiyaz Uddin (The Inward Journey)
A magnetized piece of steel will lift about twelve times its own weight, and if you demagnetize this same piece of steel, it will not even lift a feather. Similarly, there are two types of men. There is the magnetized man who is full of confidence and faith. He knows that he is born to win and to succeed. Then, there is the type of man who is demagnetized. He is full of fears and doubts. Opportunities come, and he says, “I might fail; I might lose my money; people will laugh at me.” This type of man will not get very far in life because, if he is afraid to go forward, he will simply stay where he is.
Joseph Murphy (The Power of Your Subconscious Mind)
I once thought of our love as gravity and if her eyes are steel gray like the moon then I am simply the sun that fuels her magnetic force. Warming the gravity that holds us together, giving her the freedom to float safely through space.
EJ Heater (The Hundred Little Ways (New England Bookkeepers Book 2))
Infinite riches are all around you if you will open your mental eyes and behold the treasure house of infinity within you. There is a gold mine within you from which you can extract everything you need to live life gloriously, joyously, and abundantly. Many are sound asleep because they do not know about this gold mine of infinite intelligence and boundless love within themselves. Whatever you want, you can draw forth. A magnetized piece of steel will lift about twelve times its own weight, and if you demagnetize this same piece of steel, it will not even lift a feather. Similarly, there are two types of men. There is the magnetized man who is full of confidence and faith. He knows that he is born to win and to succeed. Then, there is the type of man who is demagnetized. He is full of fears and doubts. Opportunities come, and he says, “I might fail; I might lose my money; people will laugh at me.” This type of man will not get very far in life because, if he is afraid to go forward, he will simply stay where he is. Become a magnetized man and discover the master secret of the ages.
Joseph Murphy (The Power of Your Subconscious Mind)
He held out his hand as if to receive something, and the Turanian cried out sharply like a man in mortal agony. He reeled drunkenly, and then, with a splintering of bones, a rending of flesh and muscle and a snapping of mail-links, his breast burst outward with a shower of blood, and through the ghastly aperture something red and dripping shot through the air into the Master's outstretched hand, as a bit of steel leaps to the magnet.
Robert E. Howard (Conan: The Barbarian - Collected Adventures (Illustrated))
During the next two weeks Trurl fed general instructions into his future electropoet, then set up all the necessary logic circuits, emotive elements, semantic centers. He was about to invite Klapaucius to attend a trial run, but thought better of it and started the machine himself. It immediately proceeded to deliver a lecture on the grinding of crystallographical surfaces as an introduction to the study of submolecular magnetic anomalies. Trurl bypassed half the logic circuits and made the emotive more electromotive; the machine sobbed, went into hysterics, then finally said, blubbering terribly, what a cruel, cruel world this was. Trurl intensified the semantic fields and attached a strength of character component; the machine informed him that from now on he would carry out its every wish and to begin with add six floors to the nine it already had, so it could better meditate upon the meaning of existence. Trurl installed a philosophical throttle instead; the machine fell silent and sulked. Only after endless pleading and cajoling was he able to get it to recite something: "I had a little froggy." That appeared to exhaust its repertoire. Trurl adjusted, modulated, expostulated, disconnected, ran checks, reconnected, reset, did everything he could think of, and the machine presented him with a poem that made him thank heaven Klapaucius wasn't there to laugh — imagine, simulating the whole Universe from scratch, not to mention Civilization in every particular, and to end up with such dreadful doggerel! Trurl put in six cliché filters, but they snapped like matches; he had to make them out of pure corundum steel. This seemed to work, so he jacked the semanticity up all the way, plugged in an alternating rhyme generator — which nearly ruined everything, since the machine resolved to become a missionary among destitute tribes on far-flung planets. But at the very last minute, just as he was ready to give up and take a hammer to it, Trurl was struck by an inspiration; tossing out all the logic circuits, he replaced them with self-regulating egocentripetal narcissistors. The machine simpered a little, whimpered a little, laughed bitterly, complained of an awful pain on its third floor, said that in general it was fed up, through, life was beautiful but men were such beasts and how sorry they'd all be when it was dead and gone. Then it asked for pen and paper.
Stanisław Lem (The Cyberiad)
Some utopias become purer, harder, and harsher as they diminish, like an evaporating lake growing more saline every year in its shores of crystalline salt: think of the theorist-revolutionary Guy Debord, ostracizing and expelling people from the Situationist International movement until you could fit the future of artsy council communism around the back table of a Parisian bar. Some utopias dilute into the surrounding society that gives them context - the well-lit, spare, clean, glass-and-steel spaces of the Bauhaus are now the default settings for expensive apartments and bank lobbies, their mystic-visionary content reduced to homeopathic doses. Some die all at once with their founder or settle into a second act as businesses: silverware from the Oneida Perfectionists, hammocks from the Skinnerian behaviorist community Twin Oaks, or wind chimes from Arcosanti, which was once the be the germ of anthill arcologies honeycombing the planet. Of all these ways to end, a handful of utopian projects -perhaps the most successful - evaporate in practice but produce a persistent icon of the future for a group or a subculture, a shared arrangement of visions, a magnetic field by which other people unknowingly set their compasses. Extropy was one of these.
Finn Brunton (Digital Cash: The Unknown History of the Anarchists, Utopians, and Technologists Who Created Cryptocurrency)
A magnetized piece of steel will lift about twelve times its own weight, and if you demagnetize this same piece of steel, it will not even lift a feather.
Joseph Murphy (The Power of Your Subconscious Mind)
Stay, shadow of contentment too short-lived, illusion of enchantment I most prize, fair image for whom I happily die, sweet fiction for whom I painfully live. If to your sweet charms attracted I submit, obedient, like steel to magnet fly, by what logic do you flatter and entice, only to flee, a taunting fugitive? 'Tis no triumph that you so smugly boast that I fell victim to your tyranny; though from encircling bonds that held you fast your elusive form too readily slipped free, and though to my arms you are forever lost, you are a prisoner in my fantasy.
Juana Inés de la Cruz
Despite my magnetic bracelet meant to mask my ability to detect his energetic signature, I could sense he was neither Kinetic nor Elemental, and especially not human. As if my senses weren’t at peak level already, all the fibrous hairs on my body now stood on end. What the hell was he?
K.L. DeVore (The Embrace of Steel and Sorrow (Celestials of Arcadia: Insurgency, #1))
I tried to think of one word good enough to describe Tessa, but it was impossible. There wasn’t just one word. She was a feeling. She was all the words together. Magnetic. Radiant. Funny. Beautiful. She was storm clouds and rain and the best summer day. She was pink toenail polish and a ponytail. She was cutoff shorts and a teasing eyebrow. A porch swing after a long day. A large Pepsi, not diet. She was soft and prickly. Salty and Sweet. The best combo. She was perfect. No. That word was too sterile. …she was magnificent.
Cindy Steel (Double or Nothing (Pride and Pranks, #2))