Magician Master Quotes

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But for the most part, love is a recognition, an opportunity to say, 'There is something about you I cherish.
Raymond E. Feist (Magician: Master (The Riftwar Saga, #2))
The soul is a magician. Only living flesh hampers it.
Tanith Lee (Death's Master (Flat Earth, #2))
When one believes in oneself, even the extraordinary is possible.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
She still had her bad days, no question, when the black dog of depression sniffed her out and settled its crushing weight on her chest and breathed its pungent dog breath in her face. On those days she called in sick to the IT shop where, most days, she untangled tangled networks for a song. On those days she pulled down the shades and ran dark for twelve or twenty-four or seventy-two hours, however long it took for the black dog to go on home to its dark master.
Lev Grossman (The Magician King (The Magicians, #2))
Decide where you want your life to go before you set it rolling.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Magick comes in many forms, and there are many covert master magicians who are so covert that they don't even know they are magicians.
Christopher Penczak (The Witch's Coin: Prosperity and Money Magick)
There are times i wish i was a master magician so i could disappear into the folds of time, without consequence, without missing a beat. As an introvert, i need so much time to myself. I feel expansive and peaceful in my own space, constricted and chained, when confined to social situations. I can't blossom when pressed against everyone else.
Jaeda DeWalt
- Няма друго място като морето, господа. Тези, които цял живот изкарват на сушата, никога няма да го разберат. Морето е първично, понякога е жестоко, друг път - нежно, и никога - предсказуемо.
Raymond E. Feist (Magician: Master (The Riftwar Saga, #2))
nothing like jam and cold bread to make a man appreciate a woman.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
You cut your hair!” she exclaimed. He paused, eyebrows skewed. “And . . . your hand is on fire.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
A double-edged sword was more useful than no weapon at all.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Alfred snorted. “Paperwork. A Folder of all people, complaining about paperwork.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
You are the kind of woman who makes me believe in God, Ceony,” he murmured. “I don’t know how else it could be possible to find you. For heaven’s sake, you even delivered yourself to my front door.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
I’ve been shot to hell, haven’t I?” “Language, love.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Secrets make friendships fonder, no?
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Sometimes Ceony wished he would forget she was a lady.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Master Richard!” Hunch’s voice was not loud, but it expressed volumes of scandalized disapproval. Mairelon paused and looked up. “What is it?” “You ain’t going to just—” Hunch stopped and looked at Kim. “Not with ‘er standing there!” “Oh, is that all that’s bothering you?” Mairelon looked at Kim and grinned. “Turn your back, child; you’re offending Hunch’s proprieties.” Kim flushed, as much from surprise as embarrassment, and turned away. “I ain’t no child,” she muttered under her breath. “Under the circumstances, that’s so much the worse,” Mairelon replied cheerfully.
Patricia C. Wrede (Mairelon the Magician (Mairelon, #1))
I never traded my humanity for my long life, Doctor. I've always remembered my roots....You worked so hard to be like your Elder master that you've forgotten what it is like to feel human - to be human. And we humans...have the capacity to feel another creature's pain. It is what lifted humani above the Elders, it is what made them great.
Michael Scott (The Magician (The Secrets of the Immortal Nicholas Flamel, #2))
Is that not what magic is? Every wise man, every scholar I have met who pretended to the title of magician, that was their study. They sought to learn how the world worked, so that they could control and master it. That is magic.
Adrian Tchaikovsky (Elder Race (Elder Race #1))
Gunfire doesn’t startle real Texans, particularly those from rural towns. Miranda’s children mastered pistols, shotguns, and rifles like magicians master top hats, rabbits, and playing cards. Texas bravado aside, however, fully automatic gunfire wasn’t kosher. Not even close. Mirandites cowered at the ominous sounds of hoodlums firing M-16s and AK-47s from train cars barreling through the town’s arteries on largely secluded tracks. 
Chad Boudreaux (Homecoming Queen: A Small-Town Political Thriller)
Our fellow men are black magicians. And whoever is with them is a black magician on the spot. Think for a moment, can you deviate from the path that your fellow men have lined up for you? And if you remain with them, your thoughts and your actions are fixed forever in their terms. That is slavery. The warrior, on the other hand, is free from all that. Freedom is expensive, but the price is not impossible to pay. So, fear your captors, your masters. Don't waste your time and your power fearing freedom.
Carlos Castaneda
- Вземете който щете моряк, газил в дълбоки води и срещал смъртта толкова пъти, колкото мен, драснете го с нокът по кожата и отдолу ще намерите философ. Засуканите думи ще са му чужди, гарантирам ви, но ще намерите дълбок и траен усет за мястото му в света.
Raymond E. Feist (Magician: Master (The Riftwar Saga, #2))
Знаеш вече как да се смееш на смъртта, Арута - каза Амос. - Никога повече няма да си същият.
Raymond E. Feist (Magician: Master (The Riftwar Saga, #2))
Treating others with kindness is the first magical act the magician learns and the last one he masters.
Virgil*
He opened his mouth to respond, closed it. Pushed fingers back through his short hair, then actually laughed. “I suppose we’re both horrible people.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
It’s like you have a checklist for dangerous criminals tucked into your pocket, and you won’t be satisfied until you’ve had a personal encounter with each.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
There are many ways to love someone. Sometimes we want to love so much we're not too choosy about who we love. Other times we make love such a pure and noble thing no poor human can ever meet our vision. But for the most part, love is a recognition, an opportunity to say, 'There is something about you I cherish.' It doesn't entail marriage, or even physical love. There's love of parents, love of city or nation, love of life, and love of people. All different, all love.
Raymond E. Feist (Magician: Master (The Riftwar Saga, #2))
THE MAGICIAN They asked St. Germain's manservant if his master was truly a thousand years old, as it was rumored he had claimed. 'How would I know?" the man replied. "I have only been in the master's employ for three hundred years.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
How many men can honestly say a woman has walked their heart?” he asked. “But I can. And if you’ll have me, I’d like you to stay there.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Once a secret spread to too many minds and mouths, anyone could learn it
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
The clouds looked like ethereal creatures, sky-fish swimming across the blue expanse, following the sun to the other side of the world.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
There is always a choice, though it is not always apparent.
Raymond E. Feist (Magician: Master (The Riftwar Saga, #2))
There is tragedy all around us, we pick up pieces, we find our feet and before long another turn of events stare us in the eyes; like we're some kind of magician- the fight seems endless, so I look to the world for inspiration. I observe and I watch how others face adversity, some hide from it, some master each lesson and some create a life with it... Our lessons don't define us, our integrity to keep rising after every fall is.
Nikki Rowe
What is a writer? A writer is a magician who can create a masterpiece With a wave of a pencil A writer has the key to a new world Capturing readers and taking them on a roller coaster ride away from reality But a writer can be a commanding tyrant Or a hypnotist stealing minds What is a writer? A writer is a powerful being, an intelligent thinker And an artist creating mind pictures through words. A writer is a keeper of secrets Or like a roomful of words waiting for a book But a writer is also a puppet master taking control With no strings attached What is a writer? A writer is a true friend Using words to spread smiles to the world A writer is….. The voice of the hear
Carol Archer
The world around us is a production of pure magic, a magnificent illusion. It appears to us as real because we are as much a part of the illusion as everything else. In fact, it is we who are the master magicians, as it is we who are the creators of the illusion.
M.G. Hawking (The Living Part of a Legend - Vol. 4 - Into a Looking Glass Several Thousand Years Old)
silly girl little angel little devil so oblivious to being the miracle worker you are the mother the magician the master of your life
Rupi Kaur (Home Body)
Once a secret spread to too many minds and mouths, anyone could learn it—including
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
You see, there are few objective limits. What they teach you is useful, but never accept the proposition that just because a solution satisfies a problem, that it must be the only solution.
Raymond E. Feist (Magician: Master (The Riftwar Saga, #2))
What great minds lie in the dust,” said Guyal in a low voice. “What gorgeous souls have vanished into the buried ages; what marvellous creatures are lost past the remotest memory … Nevermore will there be the like; now in the last fleeting moments, humanity festers rich as rotten fruit. Rather than master and overpower our world, our highest aim is to cheat it through sorcery.
Jack Vance (Mazirian the Magician (The Dying Earth, #1))
All knowledge that takes special training to acquire is the province of the Magician energy. Whether you are an apprentice training to become a master electrician and unraveling the mysteries of high voltage; or a medical student, grinding away night and day, studying the secrets of the human body and using available technologies to help your patients; or a would-be stockbroker or a student of high finance; or a trainee in one of the psychoanalytic schools, you are in exactly the same position as the apprentice shaman or witch doctor in tribal societies. You are spending large amounts of time, energy, and money in order to be initiated into rarefied realms of secret power. You are undergoing an ordeal testing your capacities to become a master of this power. And, as is true in all initiations, there is no guarantee of success. [Magician energy]
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering Masculinity Through the Lens of Archetypal Psychology - A Journey into the Male Psyche and Its Four Essential Aspects)
He did not see a hero of romance, but a plain man who had done his best-- not a leader of chivalry, but the pupil who had tried to be faithful to his curious master, the magician, by thinking all the time-- not Arthur of England, but a lonely old gentleman who had worn his crown for half a lifetime in the teeth of fate.
T.H. White (The Once and Future King)
Who was he?” “A magician who took me in after I left the Bone-master. On his good days, he tried to teach me everything he knew.” “What about his bad days?” “On his bad days, he generally thought he was an onion.” “That’s awful,” said Jinx. “No, it’s not. What was awful was when he thought he was a potato masher.” “Oh.” “He always said to me, ‘Mildred, one day this will all be yours.’” Simon made a wide gesture, encompassing books, cats, and the door to Samara. “Er, he called you Mildred?” “Often as not.” “Maybe he really meant to leave everything to Mildred,” said Jinx. “If she ever shows up, we’ll talk,” said Simon. “But I think she may have been a dog he once had.
Sage Blackwood (Jinx's Magic (Jinx #2))
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Sahara Sanders
For the true magician there is no very clear line between what lies inside the mind and what lies outside it.If you desire something, it will become substance. If you despise it, you will see it destroyed. A master magician is not much different from a child or a madman in that respect. It takes a very clear head and a very strong will to operate once you are in that place. And you will find out very quickly whether or not you have that clarity and that strength.
Lev Grossman (The Magicians (The Magicians, #1))
Peace and quiet. That’s one thing to be said for deserts. They give you a chance to get away from the everyday pressures of life. And when those everyday pressures consist of seven furious djinn and one apperplectic master magician, a few hindered thousand square miles of sand, rock, wind, and desolation is exactly what you need.
Jonathan Stroud (The Ring of Solomon (Bartimaeus, #0.5))
He was the greatest magician of his time, and a con artist, astrologer, and charlatan. He was as clever and learned as a dozen scholars and as cunning as the Borgias
Oliver Pötzsch (The Master's Apprentice: A Retelling of the Faust Legend (Faustus, #1))
Ишап, морето е голямо, а лодката ми - малка. Имай милост към мен.
Raymond E. Feist (Magician: Master (The Riftwar Saga, #2))
if the man could hear anyone speak with that ego pressing against his eardrums.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Bennet was a wonderful friend and, admittedly, a wonderful specimen of a man, but she worried over his friendliness.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
I just need to find some old rich man to marry.” “And that’s not a handout?” Her sister smirked. “To suffer through a marriage like that? I’d be earning my allowance.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Ceony nodded, feeling an unseen band of rubber stretch between her and Emery as he turned to go.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
You are the kind of women who makes me believe in God...I don't know how else it could be possible to find you.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
but with their enemies either dead, jailed, or in a perpetual state of being frozen, danger had decided to leave them alone.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Love is like a lot of things, it is always best done with the head. Save mindless efforts for mindless things.
Raymond E. Feist (Magician: Master (The Riftwar Saga, #2))
There’s a reason Tristan Miles is the takeover king. When he knows what he wants, he goes and gets it. A charming, aggressive sales pitch that is second to none. The master magician.
T.L. Swan (The Takeover (The Miles High Club #2))
When the change comes, I ask only that you know it for what it is, and be aware. For the true magician there is no very clear line between what lies inside the mind and what lies outside it. If you desire something, it will become substance. If you despise it, you will see it destroyed. A master magician is not much different from a child or a madman in that respect. It takes a very clear head and a very strong will to operate once you are in that place. And you will find out very quickly whether or not you have that clarity and that strength.
Lev Grossman (The Magicians (The Magicians, #1))
- Като дете изпитвах същото по клоните на големите дървета. Да стоиш прилепен до един ствол, толкова древен, че и най-древната човешка памет бледнее пред него, ти внушава същото чувство за място в света.
Raymond E. Feist (Magician: Master (The Riftwar Saga, #2))
Hi, Ceony,” he said. He then stiffened like a soldier and added, “Magician Thane, it’s a pleasure to meet you finally.” Bennet took a few long strides and offered his hand to the paper magician, who stood taller in height by several inches. Emery shook the apprentice’s hand with an amused twinkle in his eye. Bennet continued. “I’ve heard a great many things about you.” “And you still shook my hand?” Emery asked. “Your mother raised you well.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Nyrgoth Elder,” Esha said slowly. “Is that not what magic is? Every wise man, every scholar I have met who pretended to the title of magician, that was their study. They sought to learn how the world worked, so that they could control and master it. That is magic.
Adrian Tchaikovsky (Elder Race (Elder Race #1))
The textbook industry must be doing remarkably well.” “Textbooks?” “Last I heard, that was Prit’s specialty. Enchanted textbooks that rewrite themselves depending on the student’s reading level, diagrams that pop off the page, and the like. Very popular in America.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
A fair magician knows that self-control is the key to remaining self-less. For when we give in to fear and anger, is not our first instinct to be selfish? To put ourselves first and lash out at whatever is causing our discomfort? The only way to truly master the weather is first to master yourself.
B. B. Alston (Amari and the Great Game: Supernatural Investigations, Book 2)
We all did as much as the Dwarfs and none more than the King.” “Tell that tale your own way for all I care,” answered Nikabrik. “But whether it was that the Horn was blown too late, or whether there was no magic in it, no help has come. You, you great clerk, you master magician, you know-all; are you still asking us to hang our hopes on Aslan and King Peter and all the rest of it?” “I must confess--I cannot deny it--that I am deeply disappointed in the results of the operation,” came the answer. (“That’ll be Doctor Cornelius,” said Trumpkin.) “To speak plainly,” said Nikabrik, “your wallet’s empty, your eggs addled, your fish uncaught, your promises broken.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
Human are very grateful to the God for their life, life is the mystery for which they can realize their existence. It is because of life they can think not because of their thinking they are alive. The great magicians or illusionists made this trick on human to spread their control over them. Illusion is the game of light and dark, master mages use them almost perfectly not perfectly. :)
Hell
The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight. "I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land. "The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero." "The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change." "These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly." "They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination." "And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.
Ben Okri (A Way of Being Free)
The yogi tends to work inwardly, focusing on the body, whereas the magus directs the will outwardly upon the objects of the greater world. This apparent distinction is misleading, since inner world and outer world have no dividing boundary, but are an indivisible universe perceived by a single human mind. The ultimate goal is similar in both practices-to master the personal universe and yoke it to the higher aspirations.
Donald Tyson (The Magician's Workbook: Practicing the Rituals of the Western Tradition)
The buggy should be here soon. Do you have your suitcase packed?” “So eager to get rid of me?” “Eager?” he repeated, rolling back the sleeves of his favorite indigo coat. “My kitchen will be empty in two days and I’ll be forced to purchase my own groceries. How could I be eager for that?” Ceony smiled and scooped out more egg. “You could always have Jonto cook your meals.” In fact, Emery once had tried to get Jonto to cook his meals. It had taken the paper magician two days to reconstruct the right hand and arm of the paper skeleton, which had burned off after Jonto attempted to light the coals in the oven. “I’ll be sure to stock up on sandwich supplies,” Emery murmured. And all you’ll miss is the food, hm?” His eyes glimmered. “I may miss the mid-night companionship.” Ceony flushed. “Emery Thane!” That was one time. Emery just chuckled, the cursed man. 
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
What he'd find there, of course, was up to Pete. But he was sure there were magicians in Tampico and leopard-skins and golden thrones in Juba. Dragons and pirates and white temples where magic dwelt. And best of all, the places he didn't know about yet, the ones that would come as surprises. Oh, not entirely pleasant surprises. There should be a hint of peril, a touch of terror, to emphasize the brightness of adventure... ("Before I Wake...")
Henry Kuttner (Masters of Horror)
Kingsley wrote to Maurice, ‘They find that now they have got rid of an interfering God – a master-magician, as I call it – they have to choose between the absolute empire of accident, and a living, immanent, ever-working God.’21 To another correspondent, an atheist, he wrote, ‘Whatever doubt or doctrinal Atheism you and your friends may have, don’t fall into moral atheism. Don’t forget the Eternal Goodness, whatever you call it. I call it God.’22
A.N. Wilson (The Victorians)
The Isle of Pines was Circe's isle, with white marble columns here and there in the dark, green, and pirates would be dueling with a flash of clashing swords and a flash of recklessly smiling white teeth. The Gulf, like the Caribbean, is haunted by the ghosts of the old buccaneers. Tampico, to Pete, wasn't the industrial shipping port his father knew. It had palaces and parrots of many colors, and winding white roads. It was an Arabian Nights city, with robed magicians wandering the streets, benign most of the time, but with gnarled hands like tree-roots that could weave spells. Manoel, his father, could have told him a different story, for Manoel had shipped once under sail, in the old days, before he settled down to a fisherman's life in Cabrillo. But Manoel didn't talk a great deal. Men talk to men, not to boys, and that was why Pete didn't learn as much as he might have from the sun-browned Portuguese who went out with the fishing fleets. He got his knowledge out of books, and strange books they were, and strange knowledge. ("Before I Wake...")
Henry Kuttner (Masters of Horror)
I was a she was a he was a we were a girl and a girl and a boy and a boy, we were blades, were a knife that could cut through myth, were two knives thrown by a magician, were arrows fired by a god, we hit heart, we hit home, we were the tail of a fish were the reck of a cat were the beack of a bird were the feather that mastered gravity were high above every landscape then down deep in the purple haze of the heather were roamin in a gloamin in a brash unending Scottish piece of perfect jiggling reeling reel can we really keep this up? this fast? this high? this happy?
Ali Smith
There are two Santa Monicas. One is a fairy tale of spangled gowns and improbable breasts and faces from the tabloids, of big money and fixed noses and strung-out voice teachers and heiresses on skateboards and even bigger big money; of movie stars you thought were dead and look dead; of terraced apartment buildings cascading down perilous yellow bluffs toward the sea; of Olympic swimmers and hip-hop hit men and impresarios of salvation and twenty-six-year-old agents backing out of deals in the lounge bar at Shutters; of yoga masters and street magicians; of porn kings and fast cars and microdosing prophets
Tim O'Brien (The Things They Carried)
The Devil One evening after my brother disciple and I had walked thirty miles in the mountains, we stopped to rest two miles beyond Kedarnath. I was very tired and soon fell asleep, but my sleep was restless because of my extreme fatigue. It was cold and I did not have a blanket to wrap around me, so I put my hands around my neck to keep warm. I rarely dream. I had dreamt only three or four times in my life, and all of my dreams had come true. That night I dreamt that the devil was choking my throat with strong hands. I felt as though I were suffocating. When my brother disciple saw my breath rhythm change and realized that I was experiencing considerable discomfort, he came to me and woke me up. I said, “Somebody was choking my throat!” Then he told me that my own hands were choking my throat. That which you call the devil is part of you. The myth of the devil and of evil is imposed on us by our ignorance. The human mind is a great wonder and magician. It can assume the form of both a devil and a divine being any time it wishes. It can be a great enemy or a great friend, creating either hell or heaven for us. There are many tendencies hidden in the unconscious mind which must be uncovered, faced, and transcended before one intends to tread the path of enlightenment.
Swami Rama (Living With the Himalayan Masters)
These books you’re reading . . . I question your taste, Miss Twill.” She straightened the collar of his maroon coat. “I’ll read what I please, Mr. Thane.” “I have a suggestion,” he said with a wry smile, stepping away and glancing back at the sunset, which had already grown ruddier. “I have a dissertation on eighteenth-century Folding basics on interlibrary loan. It’s wonderfully dry and has all its nouns capitalized. I think you’ll enjoy it.” Ceony frowned. “You want me to study primitive Folding techniques?” “Only subprimitive,” he said, a smirk playing on his lips. “It never hurts to go back to basics, even if you think you know them.” “I do know them.” “Are you sure?” Ceony paused. “Is this a hint for my test?
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Prit?” she asked. “The boy you bullied in school?” Emery scratched the back of his head. “‘Bullied’ sounds so juvenile . . .” “But it’s him, isn’t it?” Ceony pushed. “Pritwin Bailey? He became a Folder after all?” Emery nodded. “We graduated from Praff together, actually. But yes, he’s the same.” Ceony relaxed somewhat. “So you two are on good terms, then?” The paper magician barked a laugh. “Oh, heavens no. We haven’t spoken to each other since Praff, save for this telegram. He quite loathes me, actually.” Ceony’s eyes bugged. “And you’re sending me to test with him?” Emery smiled. “Of course, in a few days. What better way to prove you had no bias than to place your career aspirations in the hands of Pritwin Bailey?” Ceony stared at him a long moment. “I’ve been shot to hell, haven’t I?” “Language, love.
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
Malygris turned to the viper and spoke in a tone of melancholy reproof: “Why did you not warn me?” “Would the warning have availed?” was the counter-question. “All knowledge was yours, Malygris, excepting this one thing; and in no other way could you have learned it.” “What thing?” queried the magician. “I have learned nothing except the vanity of wisdom, the impotence of magic, the nullity of love, and the delusiveness of memory… Tell me, why could I not recall to life the same Nylissa whom I knew, or thought I knew?” “It was indeed Nylissa whom you summoned and saw,” replied the viper. “Your necromancy was potent up to this point; but no necromantic spell could recall for you your own lost youth or the fervent and guileless heart that loved Nylissa, or the ardent eyes that beheld her then. This, my master, was the thing that you had to learn.
Clark Ashton Smith (The End Of The Story)
Of the many wonderful tales Moor told me, the most wonderful, the most delightful one, was “Hans Röckle.” It went on for months; it was a whole series of stories... Hans Röckle himself was a Hoffman-like magician, who kept a toyshop, and who was always “hard up.” His shop was full of the most wonderful things—of wooden men and women, giants and dwarfs, kings and queens, workmen and masters, animals and birds as numerous as Noah got into the Ark, tables and chairs, carriages, boxes of all sorts and sizes. And though he was a magician, Hans could never meet his obligations either to the devil or to the butcher, and was therefore—much against the grain—constantly obliged to sell his toys to the devil. These then went through wonderful adventures—always ending in a return to Hans Röckle’s shop. —Eleanor Marx, on her father Karl’s bedtime stories (in Stallybrass 1998:198)
David Graeber (Toward An Anthropological Theory of Value: The False Coin of Our Own Dreams)
Here the genie of fire showed me in a crimson tableau the booth of a chestnut-seller where a pair of non-commissioned officers, their belts abandoned on chairs, were playing cards, without suspecting that they had been conjured out of the darkness by a magician, like a stage apparition, and presented as they actually were at that very moment to the eyes of a stopping passer-by who was invisible to them. In a little junk shop, a half-spent candle projected its red glow on to an engraving and turned it to the colour of blood, while the light cast by a big lamp, struggling with the darkness, bronzed a fragment of leather, nielloed a dagger with glittering spangles, spread a sheen of precious gold like the patina of the past or the varnish of a master over pictures which were only bad copies, and turned this whole hovel, in which there was nothing but cheap imitations and cast-off rubbish, into a marvellous Rembrandt painting. Occasionally I looked up towards some vast old apartment with its shutters still open and where amphibious men and women, adapting themselves each evening to living in an element different from their daytime one, swam about slowly in the dense liquid which at nightfall rises incessantly from the wells of lamps and fills the rooms to the brink of their walls of stone and glass, and as they moved about in it, their bodies sent forth unctuous golden ripples.
Marcel Proust (The Guermantes Way)
There is an Eastern tale that speaks about a very rich magician who had a great many sheep. But at the same time this magician was very mean. He did not want to hire shepherds, nor did he want to erect a fence about the pasture where the sheep were grazing. The sheep consequently often wandered into the forest, fell into ravines and so on, and above all, they ran away, for they knew that the magician wanted their flesh and their skins, and this they did not like. At last the magician found a remedy. He hypnotized his sheep and suggested to them, first of all, that they were immortal and that no harm was being done to them when they were skinned; that on the contrary, it would be very good for them and even pleasant; secondly he suggested that the magician was a good master who loved his flock so much that he was ready to do anything in the world for them; and in the third place, he suggested that if anything at all were going to happen to them, it was not going to happen just then, at any rate not that day, and therefore they had no need to think about it. Further, the magician suggested to his sheep that they were not sheep at all; to some of them he suggested that they were lions, to some that they were eagles, to some that they were men, to others that they were magicians. After this all his cares and worries about the sheep came to an end. They never ran away again, but quietly awaited the time when the magician would require their flesh and skins. This tale is a very good illustration of man’s position
Colin Wilson (The Outsider)
There are two Santa Monicas. One is a fairy tale of spangled gowns and improbable breasts and faces from the tabloids, of big money and fixed noses and strung-out voice teachers and heiresses on skateboards and even bigger big money; of movie stars you thought were dead and look dead; of terraced apartment buildings cascading down perilous yellow bluffs toward the sea; of Olympic swimmers and hip-hop hit men and impresarios of salvation and twenty-six-year-old agents backing out of deals in the lounge bar at Shutters; of yoga masters and street magicians; of porn kings and fast cars and microdosing prophets and shuck-and-jive evangelists and tattooed tycoons and considerably bigger big money; of Sudanese busboys with capped teeth and eight-by-ten glossies in their back pockets; of Ivy League panhandlers, teenage has-beens, home-run kinds in diamonds and fur coats, daughters of sultans, sons of felons, widows of the silver screen, and the kind of meaningless big money that has forgotten what money is. There is that. But start at the pier and head southeast until you reach a neighborhood of tidy, more or less identical stucco houses separated by fourteen feet of scorched grass. In a number of these homes, you will find families, or the descendants of families, who have lived here since the mid-to-late forties. For them, upscale was a Chevy in the driveway. Mom mixed up Kool-Aid at ten cents a gallon, Pop pushed used cars at a dealership off Wilshire Boulevard, Junior had a paper route, Sis did some weekend babysitting. Nowadays, the house Pop bought for $37,000 will fetch just under two million in a sluggish market, but as Pop loved to say, secretly proud "What kind of house do you buy with the profit? A pup tent? A toolshed in Laguna?
Tim O'Brien (America Fantastica)
Magic,” Yennefer continued after a while, “is, in some people’s opinion, art. Great, elitist art, capable of creating beautiful and extraordinary things. Magic is a talent granted to only a chosen few. Others, deprived of talent, can only look at the results of the artists’ works with admiration and envy, can admire the finished work while feeling that without these creations and without this talent the world would be a poorer place. The fact that, following the Conjunction of the Spheres, some chosen few discovered talent and magic within themselves, the fact that they found Art within themselves, is the blessing of beauty. And that’s how it is. Those who believe that magic is art are also right.” On the long bare hill which protruded from the heath like the back of some lurking predator lay an enormous boulder supported by a few smaller stones. The magician guided her horse in its direction without pausing her lecture. “There are also those according to whom magic is a science. In order to master it, talent and innate ability alone are not enough. Years of keen study and arduous work are essential; endurance and self-discipline are necessary. Magic acquired like this is knowledge, learning, the limits of which are constantly stretched by enlightened and vigorous minds, by experience, experiments and practice. Magic acquired in such a way is progress. It is the plough, the loom, the watermill, the smelting furnace, the winch and the pulley. It is progress, evolution, change. It is constant movement. Upwards. Towards improvement. Towards the stars. The fact that following the Conjunction of the Spheres we discovered magic will, one day, allow us to reach the stars. Dismount, Ciri.” Yennefer approached the monolith, placed her palm on the coarse surface of the stone and carefully brushed away the dust and dry leaves. “Those who consider magic to be a science,” she continued, “are also right. Remember that, Ciri. And now come here, to me.” The girl swallowed and came closer. The enchantress put her arm around her. “Remember,” she repeated, “magic is Chaos, Art and Science. It is a curse, a blessing and progress. It all depends on who uses magic, how they use it, and to what purpose. And magic is everywhere. All around us. Easily accessible. It is enough to stretch out one’s hand. See? I’m stretching out my hand.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))