Magician Famous Quotes

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Some magicians are rich, some are famous, some are stupidly good-looking.' Jamie gave Nick a rather complicated look. Nick raised an eyebrow. 'Some of us manage to be stupidly good-looking on our own.
Sarah Rees Brennan (The Demon's Lexicon)
Chefs are magicians in white, accomplished at slight of hand.
Kathleen Flinn (The Sharper Your Knife, the Less You Cry: Love, Laughter, and Tears at the World's Most Famous Cooking School)
The Glass Cat is one of the most curious creatures in all Oz. It was made by a famous magician named Dr. Pipt before Ozma had forbidden her subjects to work magic. Dr. Pipt had made the Glass Cat to catch mice, but the Cat refused to catch mice and was considered more curious than useful. This astonishing cat was made all of glass and was so clear and transparent that you could see through it as easily as through a window. In the top of its head, however, was a mass of delicate pink balls which looked like jewels but were intended for brains. It had a heart made of a blood-red ruby. The eyes were two large emeralds. But, aside from these colors, all the rest of the animal was of clear glass, and it had a spun-glass tail that was really beautiful.
L. Frank Baum (The Magic of Oz (Oz, #13))
[Vaclav] thinks sometimes you know that it is a very long road to become a famous magician, and sometimes you have to spend your last dollar on buying a soda so that you have something to be grateful for that day, even if it lasts just one small piece of time.
Haley Tanner (Vaclav & Lena)
What is more, the whole apparatus of life has become so complex and the processes of production, distribution, and consumption have become so specialized and subdivided, that the individual person loses confidence in his own unaided capacities: he is increasingly subject to commands he does not understand, at the mercy of forces over which he exercises no effective control, moving to a destination he has not chosen. Unlike the taboo-ridden savage, who is often childishly over-confident in the powers of his shaman or magician to control formidable natural forces, however inimical, the machine-conditioned individual feels lost and helpless as day by day he metaphorically punches his time-card, takes his place on the assembly line, and at the end draws a pay check that proves worthless for obtaining any of the genuine goods of life. This lack of close personal involvement in the daily routine brings a general loss of contact with reality: instead of continuous interplay between the inner and the outer world, with constant feedback or readjustment and with stimulus to fresh creativity, only the outer world-and mainly the collectively organized outer world of the power system-exercises authority: even private dreams must be channeled through television, film, and disc, in order to become acceptable. With this feeling of alienation goes the typical psychological problem of our time, characterized in classic terms by Erik Erikson as the 'Identity Crisis.' In a world of transitory family nurture, transitory human contacts, transitory jobs and places of residence, transitory sexual and family relations, the basic conditions for maintaining continuity and establishing personal equilibrium disappear. The individual suddenly awakens, as Tolstoi did in a famous crisis in his own life at Arzamas, to find himself in a strange, dark room, far from home, threatened by obscure hostile forces, unable to discover where he is or who he is, appalled by the prospect of a meaningless death at the end of a meaningless life.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
In fact, many of the most famous anti-Christian polemicists of the last 200 years—who sought to use science to justify their unbelief—never themselves set foot in a laboratory or conducted a single field observation. That includes the Marquis de Sade (a writer), Percy Bysshe Shelley (a poet), Friedrich Nietzsche (a philologist by training), Algernon Swinburne (a poet), Bertrand Russell (a philosopher), Karl Marx (a philosopher), Robert Ingersoll (a lecturer), George Bernard Shaw (a playwright), Vladimir Lenin (a communist revolutionary), Joseph Stalin (a communist dictator), H. L. Mencken (a newspaper columnist), Jean-Paul Sartre (a philosopher), Benito Mussolini (a fascist dictator), Luis Buñuel (Spanish filmmaker), Clarence Darrow (a lawyer), Ayn Rand (a novelist), Christopher Hitchens (a journalist), Larry Flynt (a pornographer), George Soros and Warren Buffett (investors), and Penn and Teller (magicians).
Robert J. Hutchinson (The Politically Incorrect GuideTM to the Bible (The Politically Incorrect Guides))
Kaylee, For over a hundred years, magicians have been pulling objects out of hats. Rabbits, flowers... It's become such a famous trick that rabbits are known to represent magic in general. I'm a magician. I've been pulling things from hats since I learned the trick at ten years old. It's all about sleight of hand. Misdirection. Distraction. What people don't really know is it isn't the magician that makes the trick magical. It's the object. What is a zig-zag box without the blades? What is a cage without a dove? The object is the spark--the real reason why the illusion is worth seeing, worth doing, worth discovering. Sometimes magicians lose their rabbits. They get lost in the act, or the magician makes a mistake and has to coax the rabbit back out. Because without the rabbit, the trick is useless. Without the rabbit, the hat becomes insignificant. Kaylee Elizabeth Sperling, you are the rabbit to my hat, and I love you. Please forgive me for losing the spark in your trick. I will do whatever I can to make it up to you, starting with this deck of cards. 52 reasons why I love you. And I could fill another deck. Perhaps two more or three. Whatever it takes to coax my rabbit back out. -Nate
Cassie Mae (True Love and Magic Tricks (Beds, #0.5))
Thabit ibn Qurra (AD 836-901, and also born in Harran), would have had little patience with loaded terms like "star idolatry" which seek to place the "paganism" of the Sabians on a lower level than the deadly, and often bigoted, narrow-minded and unscientific clerical monotheism of religions like Christianity, Judaism and Islam. Thabit was well aware that, underlying the ancient Sabian practices misunderstood by these young religions as "star idolatry," were indeed exact sciences of great benefit to mankind, and thus he wrote: 'Who else have civilized the world, and built the cities, if not the nobles and kings of Paganism? Who else have set in order the harbors and rivers? And who else have taught the hidden wisdom? To whom else has the Deity revealed itself, given oracles, and told about the future, if not the famous men among the Pagans? The Pagans have made known all this. They have discovered the art of healing the soul; they have also made known the art of healing the body. They have filled the earth with settled forms of government, and with wisdom, which is the highest good. Without Paganism the world would be empty and miserable.
Graham Hancock (Magicians of the Gods: The Forgotten Wisdom of Earth's Lost Civilization)
The bodhi tree has been converted into a marriage tree. The belief is that young women who die before marriage should have a husband in the next world. Their relatives bring a wedding dress and monks to this tree and perform a wedding ceremony. The spirit of the dead woman is married to a famous singer, poet or magician who died many years ago. Their families believe that he’ll be a good husband will look after each wife as if she were the only one.
Christopher G. Moore (The Marriage Tree: Vincent Calvino Crime Novel)
I'm only a kind of book doctor. I can give books new bindings, rejuvenate them a little, stop the bookworms from eating them, and prevent them from losing their pages over the years like a man loses his hair. But inventing the stories in them, filling new, empty pages with right words-- I can't do that. That's a very different trade. A famous writer once wrote, 'An author can be seen as three things: a storyteller, a teacher, or magician-- but a magician, the enchanter, is in the ascendant.
Cornelia Funke (Inkheart (Inkworld, #1))
Living in the midst of a world where there was a plethora of the new I attached myself to the old. In every object there was a minute particle which particularly claimed my attention. I had a microscopic eye for the blemish, for the grain of ugliness which to me constituted the sole beauty of the object. Whatever set the object apart, or made it unserviceable, or gave it a date, attracted and endeared it to me. If this was perverse it was also healthy, considering that I was not destined to belong to this world which was springing up about me. Soon I too would become like these objects which I venerated, a thing apart, a non-useful member of society. I was definitely dated, that was certain. And yet I was able to amuse, to instruct, to nourish. But never to be accepted, in a genuine way. When I wished to, when I had the itch, I could single out any man, in any stratum of society, and make him listen to me. I could hold him spellbound, if I chose, but, like a magician, or a sorcerer, only as long as the spirit was in me. At bottom I sensed in others a distrust, an uneasiness, an antagonism which, because it was instinctive, was irremediable. I should have been a clown; it would have afforded me the widest range of expression. But I underestimated the profession. Had I become a clown, or even a vaudeville entertainer, I would have been famous. People would have appreciated me precisely because they would not have understood; but they would have understood that I was not to be understood. That would have been a relief, to say the least.
Henry Miller (Tropic of Capricorn (Tropic, #2))
You're going to fuck up a million times. It doesn't make you bad at it. It doesn't make your career ugly. And it doesn't mean it's not what you're meant to do. You're going to make so many mistakes as a human being. You could become a doctor and fail at that too. You could fail at anything in life. So pick the thing that you love the most. And even though it's going to hurt more when you fail, it's better that you're doing something that you love with your life, rather than just picking something random or tolerable and going “if I fail, I don't care”. You should care. You've got one life. You should care.
Gabriella Lester
The vision which has been so faintly suggested in these pages has never been confined to monks or even to friars. It has been an inspiration to innumerable crowds of ordinary married men and women; living lives like our own, only entirely different. That morning glory which St. Francis spread over the earth and sky has lingered as a secret sunshine under a multitude of roots and in a multitude of rooms. In societies like ours nothing is known of such a Franciscan following. Nothing is known of such obscure followers; and if possible less is known of the well-known followers. If we imagine passing us in the street a pageant of the Third Order of St. Francis, the famous figures would surprise us more than the strange ones. For us it would be like the unmasking of some mighty secret society. There rides St. Louis, the great king, lord of the higher justice whose scales hang crooked in favour of the poor. There is Dante crowned with laurel, the poet who in his life of passions sang the praises of Lady Poverty, whose grey garment is lined with purple and all glorious within. All sorts of great names from the most recent and rationalistic centuries would stand revealed; the great Galvani, for instance, the father of all electricity, the magician who has made so many modern systems of stars and sounds. So various a following would alone be enough to prove that St. Francis had no lack of sympathy with normal men, if the whole of his own life did not prove it.
G.K. Chesterton (St. Francis of Assisi)
lived a poor tailor, who had a son called Aladdin, a careless, idle boy who would do nothing but play all day long in the streets with little idle boys like himself. This so grieved the father that he died; yet, in spite of his mother's tears and prayers, Aladdin did not mend his ways. One day, when he was playing in the streets as usual, a stranger asked him his age, and if he were not the son of Mustapha the tailor. "I am, sir," replied Aladdin; "but he died a long while ago." On this the stranger, who was a famous African magician, fell on his neck and kissed him, saying: "I am your uncle, and knew you from your likeness to my brother. Go to your mother and tell her I am coming." Aladdin ran home, and told his mother of his newly found uncle. "Indeed, child," she said, "your father had a brother, but I always thought he was dead." However, she prepared supper, and bade Aladdin seek his uncle, who came laden with wine and fruit. He presently fell down and kissed the place where Mustapha used to sit, bidding Aladdin's mother not to be surprised at not having seen him before, as he had been forty years out of the country.
Anonymous (The Arabian Nights Entertainments)
Bruno reappeared with two baskets swathed in white linen napkins and a ramekin of something bright yellow. Thatcher unveiled one basket. "Pretzel bread," he said. He held up a thick braid of what looked to be soft pretzel, nicely tanned, sprinkled with coarse salt. "This is served with Fee's homemade mustard. So right away the guest knows this isn't a run-of-the-mill restaurant. They're not getting half a cold baguette here, folks, with butter in the gold foil wrapper. This is warm pretzel bread made on the premises, and the mustard ditto. Nine out of ten tables are licking the ramekin clean." He handed the bread basket to a waiter with a blond ponytail (male- everyone at the table was male except for Adrienne, Caren, and the young bar back who was hanging on to Duncan's arm). The ponytailed waiter- name?- tore off a hunk of bread and dipped it in the mustard. He rolled his eyes like he was having an orgasm. The appropriate response, Adrienne thought. But remembering her breakfast she guessed he wasn't faking it. "The other basket contains our world-famous savory doughnuts," Thatcher said. He whipped the cloth off like a magician, revealing six golden-brown doughnuts. Doughnuts? Adrienne had been too nervous to think about eating all day, but now her appetite was roused. After the menu meeting, they were going to have family meal. The doughnuts were deep-fried rings of a light, yeasty, herb-flecked dough. Chive, basil, rosemary. Crisp on the outside, soft on the inside. Savory doughnuts. Who wouldn't stand in line for these? Who wouldn't beg or steal to access the private phone line so that they could make a date with these doughnuts?
Elin Hilderbrand (The Blue Bistro)
Legends of Bangladesh - A bunch of pure souls who achieved the glory for a country, Bangladesh, will remember forever as the legends of the nation. The world will know them for their work, sacrifice, love and mostly commitment to give best to their country until last breath. Some of them are famous for writing, some are journalism, Actor movie directors, sportsmen, cricketer, Footballer, economist, scientist, photographer, singer, businessman, martyr, architect, magician and so on. Its not enough to salute and remember them, nationwide respect and acknowledgment with proper mind will fulfill their destiny of making a golden country with all those hard work.
hb arif
Michigan is a kaleidoscope of light, changing by the minute, an ethereal magician gifted with the ability to cast a blue lake gold, a pine glowing red, the sand pink.
Viola Shipman (Famous in a Small Town)
one of the famous shew stones of the Elizabethan magician and spy, John Dee, was of Aztec obsidian brought back from the New World by Spanish conquistadores. The Aztecs used the obsidian shew stone in an identical fashion to that used by Dee (and, later, Joseph Smith), as a kind of crystal ball.
Jim Hougan (Sinister Forces—The Nine: A Grimoire of American Political Witchcraft (Sinister Forces: A Grimoire of American Political Witchcraft (Paperback) Book 1))
The man’s posture said it all. God help the person dumb enough to ever lay a finger on Savannah Dubrinsky. Johnson had been worried about some San Francisco nutcase trying to get to the famous magician while she was in town, but now that he had met her husband, he figured anyone trying to touch her would have to be suicidal. He
Christine Feehan (Dark Magic (Carpathians, #4))
Readers seek out fellow readers as much as they seek out books, though fellow readers are, alas, harder to find. So we hold on to them for life.
César Aira (The Famous Magician)
As I extended my studies, I soon realised that this spiritual association with arts and crafts had been common knowledge since the third century. Plotinus, one of the most famous Neoplatonist magicians, wrote in his Enneads that ‘the arts are not an imitation of nature, but human-mediated expressions of the spiritual source of which nature is only the outward form.
Philip Carr-Gomm (The Book of English Magic)
The Magic Gang was led by the famous magician Jasper Maskelyne and for details of his war years I am indebted to a fascinating book called The War Magician by David Fisher (Cassell).
Elly Griffiths (The Zig Zag Girl (The Brighton Mysteries #1))
If we look more closely, Wittgenstein’s entire philosophical oeuvre, and especially his later work, is run through with metaphors and allegories of liberation, of exits and escapes. Not just his famous answer to the question “What is your aim in philosophy?” “To shew the fly the way out of the fly-bottle!
Wolfram Eilenberger (Time of the Magicians: Wittgenstein, Benjamin, Cassirer, Heidegger, and the Decade That Reinvented Philosophy)
The Monday meetings were in a sense a tug-of-war, in which the Schlick faction—supposedly in the name of his mentors, Gottlob Frege and Bertrand Russell—sought to drag their master over the demarcation line of the “verification criterion” (Schlick: “The meaning of an assertion lies in the method of its verification”), while a famously indefatigable Wittgenstein held his ground at the other end of the rope with Schopenhauer, Tolstoy, and Kierkegaard, waiting for the whole positivist troop to collapse.
Wolfram Eilenberger (Time of the Magicians: Wittgenstein, Benjamin, Cassirer, Heidegger, and the Decade That Reinvented Philosophy)