Magical Disney Quotes

We've searched our database for all the quotes and captions related to Magical Disney. Here they are! All 100 of them:

Here you leave today and enter the world of yesterday, tomorrow, and fantasy.
Walt Disney Company
Here is the world of imagination, hopes, and dreams. In this timeless land of enchantment, the age of chivalry, magic and make-believe are reborn - and fairy tales come true. Fantasyland is dedicated to the young-in-heart, to those who that when you wish upon a star, your dreams come true.
Walt Disney Company
Across the river, a row of crystal castles glittered in the sunlight in a way that would make Walt Disney want to throw rocks at his “Magic Kingdom.
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
If you don't believe in yourself, who will?' ~Maybeck
Ridley Pearson (Disney After Dark (Kingdom Keepers, #1))
Simon?” “Yeah?” “Can you tell me a story?” He blinked. “What kind of story?” “Something where the good guys win and the bad guys lose. A nd stay dead.” “So, like a fairy tale?” he said. He racked his brain. He knew only the Disney versions of fairy tales, and the first knew only the Disney versions of fairy tales, and the first image that came to mind was A riel in her seashell bra. He’d had a crush on her when he was eight. Not that this seemed like the time to mention it. “No.” The word was an exhaled breath. “We study fairy tales in school. A lot of that magic is real—but, anyway. No, I want something I haven’t heard yet.” “Okay. I’ve got a good one.” Simon stroked Isabelle’s hair, feeling her lashes flutter against his neck as she closed her eyes. “A long time ago, in a galaxy far, far away…
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
We stick to the magical places in the world,” Asahi clarified. “Places like the MBRC, the Redwood forest of California, the less populated parts of New Zealand and Japan, Disney World, and Atlantis,” Madeline listed, ticking the places off on her fingers. “Wait, Disney World?” I interrupted. “The most magical place on Earth.
K.M. Shea (My Life at the MBRC (The Magical Beings' Rehabilitation Center, #1))
I had a friend in college who loved to say: 'If you can dream it, you can do it.' It became my mantra. I assumed it was a pearl of wisdom from some great thinker, a philosopher perhaps, like Descartes. It turned out to be Walt Disney, which in no way diminishes the wisdom of the advice. Anyone who can build a Magic Kingdom deserves to be listened to.
Michele Gorman (Single in the City)
Is that Disney magic of pixie magic?" I kid... "It is life magic".
Carrie Jones (Entice (Need, #3))
You forgot something: evil never wins in the Magic Kingdom.
Ridley Pearson (Disney After Dark)
How can the heart and mind work together? The mind wants logic and to travel in straight lines, while the heart wants to be free and travel upward in spirals to dizzying heights.
Gillian Johns (Demons And Dangers: Magic And Mayhem - Book 4)
I’ve often wished that I had some suave and socially acceptable hobby that I could fall back on in times like this. You know, play the violin (or was it the viola) like Sherlock Holmes, or maybe twiddle away on the pipe organ like the Disney version of Captain Nemo. But I don’t. I’m sort of the arcane equivalent of a classic computer geek. I do magic, in one form or another, and that’s pretty much it. I really need to get a life, one of these days
Jim Butcher (Storm Front (The Dresden Files, #1))
Summer Magic’… two words that go well together, because summer always means a certain kind of magic to most of us. In fact, I think almost everybody looking back remembers summer times more often than the other seasons.
Walt Disney Company
Pick someplace that you could actually get to without building a spaceship.” Six asks I think it over for a moment. “I don’t know. Disney World?” Six and Sarah both exchange a look and then start laughing. “Disney World?” exclaims Six. “You’re so cheesy, John.” “No, it’s sweet,” says Sarah, patting my hand. “It’s the most magical place on Earth.” “You know, I’ve never actually been on a roller coaster. Henri wasn’t down with the whole amusement-park thing. I used to see the commercials and I always wanted to go.” “That’s so sad!” exclaims Sarah. “We’re definitely going to get you to Disney World. Or at least on a roller coaster. They’re amazing.” Six snaps her fingers. “What’s that one ride? It’s supposed to be like a rocket ship?” “Space Mountain,” answers Sarah. “Yeah,” replies Six, and then hesitates as if she’s worried she’s about to divulge too much. “I actually remember looking that up online when I was little. I insisted to Katarina that it had something to do with us.” The thought of a young Six investigating Disney World is priceless. The three of us share a laugh. “Aliens,” mutters Sarah jokingly. “You need to get out more.
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
Do you trust me?
Aladdin Paperbacks
Whatever form it might take, enjoy the magic! Remember, Disneyland is all about you.
Leslie Le Mon (The Disneyland Book of Secrets 2014 - Disneyland: One Local's Unauthorized, Rapturous and Indispensable Guide to the Happiest Place on Earth)
She stood at the edge of a glassy river lined with impossibly tall trees, fanning out their wide emerald leaves among the puffy white clouds. Across the river, a row of crystal castles glittered in the sunlight in a way that would make Walt Disney want to throw rocks at his “Magic Kingdom.” To her right, a golden path led into a sprawling city, where the elaborate domed buildings seemed to be built from brick-size jewels—each structure a different color. Snowcapped mountains surrounded the lush valley, and the crisp, cool air smelled like cinnamon and chocolate and sunshine.
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
The ranks included a carpenter and furniture-maker named Elias Disney, who in coming years would tell many stories about the construction of this magical realm beside the lake. His son Walt would take note.
Erik Larson (The Devil in the White City)
Once we face our fear, once we treat our anxiety itself as a thing, we can then choose otherwise. Instead of filling the unknown in our minds with expectations of the tragic, we can choose to fill the void with a different expectation – the expectation of adventure. For example, Seneca, the Greek philosopher, refused to be afraid of what he did not know. When asked if he was afraid of dying, he replied, “Absolutely not, why should I be afraid of something I know nothing about.” His orientation toward the unknown of death was not to fill the gap in his understanding with horror but potential.
David W. Jones (Moses and Mickey Mouse: How to Find Holy Ground in the Magic Kingdom and Other Unusual Places)
a workplace can look as diverse as the United Nations, but if the employees are not truly respected, not truly valued, not truly involved, and not truly treated with dignity, what you have is a great photo opportunity, not real inclusion.
Lee Cockerell (Creating Magic: 10 Common Sense Leadership Strategies from a Life at Disney)
People who go to Disney who have magic in themselves experience magic there, just as people who go to the grocery store who have magic in themselves experience magic at the grocery store. The principle is simple: fun, joy, and happiness, are something we bring to life, not something life, circumstance, or situation bring to us. There are truly no magic kingdoms, only magic people. Fun, joy and happiness are choices, orientations, approaches, attitudes, a way of living in the world, not the world itself...
David W. Jones (Moses and Mickey Mouse: How to Find Holy Ground in the Magic Kingdom and Other Unusual Places)
In this timeless land of enchantment, the age of chivalry, magic and make-believe are reborn and fairy tales come true.
Walt Disney Company
All you have to do is own up to your ignorance honestly, and you will find people who are eager to fill your head with information.” WALT DISNEY
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Fantasyland was designed as a home for some of the classic characters [from those films], and as a symbol of the magic, hope and beauty of the human imagination.
Leslie Le Mon (The Disneyland Book of Secrets 2014 - Disneyland: One Local's Unauthorized, Rapturous and Indispensable Guide to the Happiest Place on Earth)
The calories in natural, unprocessed, real foods are more than just calories. They’re full of more magic than a Disney Princess convention.
Liz Wolfe (Eat the Yolks)
Accept the pain of the past. Learn the lessons of the past. Embrace the nostalgic memories of the past. Then dream big dreams of the future and start chasing them!
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
We’ve always done it that way” could mean that you’ve been doing it wrong all along.
Lee Cockerell (Creating Magic: 10 Common Sense Leadership Strategies from a Life at Disney)
Dream big dreams, and pursue those dreams with courage, optimism and perseverance. Commit yourself to making the world a better place.
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
sometimes it's not so much what the characters saying, but what they r feeling,thinking or doing that is important to an animated feature.
Don Hahn (Disney's Animation Magic: A Behind-the-Scenes Look at How an Animated Film Is Made)
But wealth isn’t a magic lamp that suddenly erases all your problems,
Walt Disney Company (Aladdin: A Whole New World)
We keep moving forward, opening new doors, and doing new things, because we are curious—and curiosity keeps leading us down new paths.” WALT DISNEY
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Walt was a dreamer, but one who pursued his goals with clarity and an almost ferocious intensity.” JACK KINNEY DISNEY ANIMATOR
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Walt’s grandson, Walter Disney Miller, told me, “EPCOT was my grandfather’s biggest dream—the city of the future that would point the way to a better world. His dream remains unbuilt.
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Just watch Snow White. Just visit Disneyland or Walt Disney World in Florida—he was laying the plans for the Florida park while he was on his death bed. People kept telling him his dreams were impossible. Walt knew better. He had wished upon a star.
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Creativity is just connecting things,” Apple cofounder Steve Jobs said in 1996. “When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things. And the reason they were able to do that was that they’ve had more experiences or they have thought more about their experiences than other people.” People become creative brokers, in other words, when they learn to pay attention to how things make them react and feel. “Most people are too narrow in how they think about creativity,” Ed Catmull, the president of Disney Animation, told me. “So we spend a huge amount of time pushing people to go deeper, to look further inside themselves, to find something that’s real and can be magical when it’s put into the mouth of a character on a screen. We all carry the creative process inside us; we just need to be pushed to use it sometimes.
Charles Duhigg (Smarter Faster Better: The Secrets of Being Productive in Life and Business)
As millennial women, most of us aspire to motherhood. We grow up craving to start our own families (damn Disney movies with magical Prince Charming, oh and Lifetime). We are ready to use our natural instinct to nurture, love and support our own families - blended and created by us!
Natalie Grace Smith
Cinderella, until lately, has never been a passive dreamer waiting for rescue. The forerunners of the Ash-girl have all been hardy, active heroines who take their lives into their own hands and work out their own salvations .... Cinderella speaks to all of us in whatever skin we inhabit: the child mistreated, a princess or highborn lady in disguise bearing her trials with patience, fortitude, and determination. Cinderella makes intelligent decisions, for she knows that wishing solves nothing without concomitant action. We have each been that child. (Even boys and men share thatdream, as evidenced by the many Ash-boy variants.) It is the longing of any youngster sent supperless to bed or given less than a full share at Christmas. And of course it is the adolescent dream. To make Cinderella less than she is, an ill-treated but passive princess awaiting her rescue, cheapens our most cherished dreams and makes a mockery of the magic inside us all—the ability to change our own lives, the ability to control our own destinies. [The Walt Disney film] set a new pattern for Cinderella: a helpless, hapless, pitiable, useless heroine who has to be saved time and time again by the talking mice and birds because she is “off in a world of dreams.” It is a Cinderella who is not recognized by her prince until she is magically back in her ball gown, beribboned and bejewelled. Poor Cinderella. Poor us.
Jane Yolen (Once Upon a Time (she said))
Behind the magical name of Disney and the public spaces it represents lurks the power of a multinational conglomerate that has little regard for free speech and public criticism.
Henry A. Giroux (The Mouse that Roared: Disney and the End of Innocence)
Across the river, a row of crystal castles glittered in the sunlight in a way that would make Walt Disney want to throw rocks at his 'Magic Kingdom
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
This burgeoning interest in exclusive green spaces bespoke a desire for solitude in the urban landscape.
Karen R. Jones & John Wills (The Invention of the Park: From the Garden of Eden to Disney's Magic Kingdom)
Instead of getting mad or getting even, get creative.
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Good leaders are humble enough to admit what they don’t know, and great leaders are constantly looking for new information.
Lee Cockerell (Creating Magic: 10 Common Sense Leadership Strategies from a Life at Disney)
Many people talk about having a business life and a personal life, but in reality you have only one life, and the best leaders are passionate about everything in it. 2.
Lee Cockerell (Creating Magic: 10 Common Sense Leadership Strategies from a Life at Disney)
People will not be committed to your leadership unless they can trust you as a competent professional and respect you as a person of good character.
Lee Cockerell (Creating Magic: 10 Common Sense Leadership Strategies from a Life at Disney)
What if the cloak wasn't magic at all, like the feather in that story Granny used to tell me about the elephant with the big ears?
Wendy Toliver (Red's Untold Tale (Once Upon A Time, #4))
Keep your chin up. Keep your eyes on the goal. You can overcome anything if you keep this in mind.
Nao Kodaka (Disney Manga: Magical Dance, Volume 1)
THE FAIR HAD A POWERFUL and lasting impact on the nation’s psyche, in ways both large and small. Walt Disney’s father, Elias, helped build the White City; Walt’s Magic Kingdom may well be a descendant. Certainly the fair made a powerful impression on the Disney family. It proved such a financial boon that when the family’s third son was born that year, Elias in gratitude wanted to name him Columbus. His wife, Flora, intervened; the baby became Roy. Walt came next, on December 5, 1901. The writer L. Frank Baum and his artist-partner William Wallace Denslow visited the fair; its grandeur informed their creation of Oz. The Japanese temple on the Wooded Island charmed Frank Lloyd Wright, and may have influenced the evolution of his “Prairie” residential designs. The fair prompted President Harrison to designate October 12 a national holiday, Columbus Day, which today serves to anchor a few thousand parades and a three-day weekend. Every carnival since 1893 has included a Midway and a Ferris Wheel, and every grocery store contains products born at the exposition. Shredded Wheat did survive. Every house has scores of incandescent bulbs powered by alternating current, both of which first proved themselves worthy of large-scale use at the fair; and nearly every town of any size has its little bit of ancient Rome, some beloved and be-columned bank, library or post office. Covered with graffiti, perhaps, or even an ill-conceived coat of paint, but underneath it all the glow of the White City persists. Even the Lincoln Memorial in Washington can trace its heritage to the fair.
Erik Larson (The Devil in the White City)
You know, there's this bullshit idea that you just magically know when you like someone romantically or sexually. But that's all it is - bullshit. Emotions are messy. People are messy. I imagine that magic makes it all just messier. And anything that isn't a clear-cut heterosexual romance out of a Disney film or a Hollywood romcom is constantly being put into doubt and questioned, because we are so used to seeing the same simple story repeated over and over again. That being straight or gay are the only options, that one person is right for you your entire life, that you just know you're meant to be, that couples have to be exclusive to be real relationships, that couples need to be couples, that romance always comes with sex. Life is not that easy. People and attraction are way more complicated than that.
Anna Kirchner (Little Black Bird)
The fairy tale of film—created with the magic of animation—is the modern equivalent of the great parables of the Middle Ages. Creation is the word. Not adaptation. We can translate the ancient fairy tale into its modern equivalent without losing the lovely patina and savor of its once-upon-a-time quality. We have proved that age-old kind of entertainment based on the classic fairy tale recognizes no young, no old.
Walt Disney Company
You can’t possibly adopt stray French monsters; wherever would you put it?” “I have no idea,” she said. “It doesn’t appear to be in bad shape; honestly, I think someone’s been taking at least basic care of it—no mats or snarls, it’s a decent weight for its size, completely tame. It’s not a thoroughbred, though, which means either it’s an adopted stray or it’s been summoned, which is a little odd. God knows why anyone would bother doing that kind of magic, but whatever—I suppose Parisian monster fanciers have to get their jollies somehow. I think it’s come to visit, not to stow away in my suitcase.” “If this keeps up, you are going to be the most absurd Disney princess of all time,” Ruthven told her. “Instead of happy little bluebirds perching on your finger to sing duets, you will be hung about with monsters like a tree with monkeys, and it will thoroughly complicate your personal life.
Vivian Shaw (Dreadful Company (Dr. Greta Helsing, #2))
To help cement the friendship between Japan and Disney, Emperor Hirohito personally presented to Roy O. Disney, for the dedication of the Magic Kingdom, a stone Japanese lantern known as a Toro to light the way to success and happiness.
Jim Korkis (Secret Stories of Walt Disney World: Things You Never Knew You Never Knew)
After my initial disappointment, I realized that Milicent being a normal, non-royal was more important to her position as a role model. It was more inspirational. She didn't have superpowers or a magic wand. She was simply intelligent and savvy and good at what she did. We need women to be allowed to be simply good at what they do. We need them on set, in meetings, behind cameras and pens and paintbrushes. We need them to be themselves, to be human: ordinary and flawed. That way, more girls can see them and think "I can do that." That way, no one can look at them and say " She got that job because she's beautiful. She got that gig because she slept with someone." Actually, she got hired because she was damn good.
Mallory O'Meara (The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick)
You've probably heard this a dozen times, but I think it always goes back to the story," Imagineer David Wilson said. "When you walk into our parks, you enter somewhere else.... That's the magic of being in a Disney park. It's the magic of reading a good book.
Leslie Iwerks (The Imagineering Story: The Official Biography of Walt Disney Imagineering)
If we put aside the hatred, intolerance and bigotry this was a truly magical and enchanting era. You see how even Arabic Genies are very like ours. Ours live in a bottle or a lamp and by rubbing the lamp we allow the Genie to escape, for which he grants us three wishes – the biggest castle, the most beautiful princess and an unlimited amount of gold are usually favourites. But unlike the giant, blue-skinned, muscular Genies westerners are familiar with through Disney films, the Arabic Djinni are often invisible, although they have the power to shape-shift to just about any form they like, even human. Many people still believe they are with us today, although mostly living in deserts, mountains and caves. Many western soldiers have reported seeing them on night exercises in the Middle East.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
So it fell to Lil to make sure that there were no bugs in the meager attractions of Liberty Square: the Hall of the Presidents, the Liberty Belle riverboat, and the glorious Haunted Mansion, arguably the coolest attraction to come from the fevered minds of the old-time Disney Imagineers.
Cory Doctorow (Down and Out in the Magic Kingdom)
One thing I know from personal experience: nothing in my relationship with Walt Disney or his brother was influenced either positively or negatively because I'm Jewish... Walt had called one day when I was attending services at our synagogue during the Jewish High Holy Days, Rosh Hashannah and Yom Kippur. When Tommie told Walt where I was, she let me know his reaction: "That's where he should be, with his family.
Marty Sklar (Dream It! Do It! (The People, The Places, The Projects): My Half-Century Creating Disney's Magic Kingdoms)
Walt Disney bought some orange groves in the middle of Florida and built a tourist town on them. No magic there of any kind, although I think there might be something real in the original Disneyland. There may be some power there, although twisted, and hard to access. There’s definitely nothing out of the ordinary about Disney World. But some parts of Florida are filled with real magic. You just have to keep your eyes open. Ah, for the mermaids of Weeki Wachee…Follow me, this way.
Neil Gaiman (American Gods)
When he realized that his sexual potency had gone, he said bitterly to his son Claude: “I am old and you are young. I wish you were dead.” His last years were punctuated by family quarrels over his money. His demise was followed by many years of ferocious litigation. Marie-Thérèse hanged herself. His widow shot herself. His eldest child died of alcoholism. Some of his mistresses died in want. Picasso, an atheist transfixed by primitive superstitions, who had his own barber so that no one could collect clippings of his hair and so “get control” of him by magic,
Paul Johnson (Creators: From Chaucer and Durer to Picasso and Disney)
The literature of the fantastic — the wonder tale, the fable, the folk tale, the magic-realist novel — has always embodied profound truths about human beings, their finest attributes and their deepest prejudices too. The wonder tale tells us truths about ourselves that are often unpalatable; it exposes bigotry, explores the libido, brings our deepest fears to light. Such stories are by no means intended simply for the amusement of children, and many of them were not originally intended for children at all. Sinbad the Sailor and Aladdin were not Disney characters when they started out on their journeys.
Salman Rushdie
The construction of castle arbours, monastic cloister gardens and Byzantine courtyards with trees and flowers attested to Western interest in the natural world. Paradise remained synonymous with perfect environments. In Anglo-Saxon, 'paradise' translated as 'meadow' or 'pasture'. Notions of a classical Golden Age, local legends, religion and romantic poetry all perpetuated the concept of nature as a refuge from society. For the nobility, nature signified a retreat for aesthetic pleasure and a venue for spiritual uplift. However, for the average medieval peasant, the organic world meant livestock rearing and crop production.
Karen R. Jones & John Wills (The Invention of the Park: From the Garden of Eden to Disney's Magic Kingdom)
the only thing the hero knows about the girl is that she is beautiful. He shows no interest in her intellect or personality—or even her sexuality. The man is either a ruler or has the magic power to awaken her, and all she can do is hope that her physical appearance fits the specifications better than the other girls. In the original Cinderella story, the stepsisters actually cut off parts of their feet to try to fit into the glass slipper. Maybe this marks the origins of the first cosmetic surgery. Besides romanticizing Cinderella’s misery, the story also gives the message that women’s relationships with each other are full of bitter competition and animosity. The adult voice of womanly wisdom in the story, the stepmother, advises all her girls to frantically do whatever it takes to please the prince. This includes groveling, cutting off parts of themselves, and staying powerless. I was heartsick to watch Disney’s “The Little Mermaid” with my three-year-old daughter. The little mermaid agrees to give up her voice for a chance to go up on the “surface” and convince her nobleman to marry her. She is told by her local matron sea witch that she doesn’t need a voice—she needs only to look cute and get him to kiss her. And in the story, it works. These are the means to her one and only end: to buy a rich and respected guy. Women are taught to only listen to an outside patriarchal authority. No wonder there is so much self-doubt and confusion when faced with the question, “What do you want out of your life?” This question alone can be enough to trigger an episode of depression. It often triggers a game of Ping-Pong in a woman’s head. Her imagination throws up a possibility and then her pessimistic shotgun mind shoots it down. The dialog may look something like this: “Maybe I want to go back to school.... No, that would be selfish of me because the kids need me…. Maybe I’ll start a business.... No I hate all that dogeat-dog competition…. Maybe I’ll look for a love relationship…. No, I am not sure I am healed ye….” and on it goes.
Kelly Bryson (Don't Be Nice, Be Real)
Sue stepped into a haven that smelled of candles and lemon-scented dish soap, a cabinet of curiosities, one of which was the bathtub smack dab in the middle of the small kitchen. Bob Roy’s railroad flat was four tight, connected rooms, each stuffed with koombies, knickknacks, doodads, furniture pieces of any style, shelves, books, photos in frames, trophies bought from flea markets, old records, small lamps, and calendars from decades before. “I know,” he said. “It looks like I sell magic potions in here, like I’m an animated badger from a Disney cartoon.” He lit a burner on the stove with a huge kitchen match, then filled a shiny, Olde English–style kettle with water from the tap. As he prepared cups on a tray he said, “Tea in minutes, titmouse. Make a home for yourself.
Tom Hanks (Uncommon Type: Some Stories)
Nope.' He grabs my hand and places it over his heart. 'I already know the truth. We’re dating.' His eyebrows waggle. 'Exclusively.' 'Gross.' 'Do you want to wear my letterman’s jacket?' 'I’m going to vomit.' '“Should I buy you a corsage?' 'Seriously. Gagging.' 'Okay, no corsage.' He laughs. 'Just the matching tattoos, then?' 'Seriously.' I fight the urge to stomp my foot. 'Let it go, Parker. Let it go.' 'Hey, Elsa, don’t quote Frozen to me unless you’re prepared to listen to the entire soundtrack in my car on the way to Seaport.' I stare up at him. 'I’m not sure whether I should be disturbed or turned on by the fact that you know all the words to Let It Go.' He grins. 'Definitely turned on.' 'Downloaded in your iTunes library, no doubt.' I shake my head. 'This is nearly as disturbing as the time I learned the song A Whole New World from Aladdin is a metaphor for mind-blowing sex.' 'I’m sorry, what?' 'I can open your eyes? Lead you wonder by wonder? Over, sideways, and under?' I snort. 'Come on. That’s basically soft-core porn.' 'Thank you, Zoe, for ruining a beloved Disney classic for me.' 'Anytime.' 'For the record…' He trails off. I wince, anticipating the worst. 'What?' 'I’ll take you on my magic carpet ride any time you want, snookums.' 'Pass.' 'So, that’s a no on rubbing my lamp then?' 'You know, I think I’ll just find my own way to Nate’s…' I turn and start walking to the elevator. 'Oh, come on.' Parker twines his fingers with mine and pushes the call button, humming under his breath. 'I’m a genie in a bottle, baby, gotta rub—' 'AH!' I stare at him in horror as the elevator arrives. 'So help me god if you start singing vintage Christina Aguilera lyrics right now, I will murder you with my bare hands.
Julie Johnson (One Good Reason (Boston Love, #3))
Lo que Disney decidió hacer, y es parte de la forma única de Disney de hacer las cosas, fue hacer que todos estos trabajadores se sintieran parte de la familia Disney: hacerlos que se identificaran con Epcot, aun cuando en realidad no formaran parte de la organización Disney. Esto no se había hecho nunca antes. Así es como lo hicieron. Cerraron la obra un domingo al mes durante un año. Hay que tener en mente que se trataba del proyecto de construcción más grande del mundo y que se acercaba una fecha de entrega inamovible, por lo que cerrar la obra un día al mes era muy importante. Disney trajo varias carpas de circo y las colocó en lo que a la larga sería el estacionamiento de Epcot. El servicio de alimentación se encontraba en una de las tiendas. Cocinábamos hot dogs y hamburguesas, y servíamos Coca - Cola, papas fritas, todo eso. En otras palabras, celebrábamos un día de campo.
Tom Connellan (Inside the Magic Kingdom)
Divorced people try to maintain at least a shred of respect for their former spouses. They say, He or she is the parent of my children and I will do it for that reason. This statement brings me down. I always feel defeated after hearing it. As if that's the only reason there is to err on the side of slack toward this person you once loved, slept next to, cried over, made love to, bought presents for, married. I also think it's a lot of heavy webbing to drape over the kids, as if you're offering your tolerance as some hard-earned prize: See how I sacrifices for my children by continuing to endure that freak show that is the other person? I always hope there is more to it. This is a person, after all, whom we pluck out of a crowd of possibilities. Magic attends that choice. Or if that word belongs irrevocably to the World of Disney, then use the word mystery. At any rate, it's a remarkable kind of calculus that makes you look at a field of men or women and quickly zero in on the one person who turns you on most.
Wendy Plump (Vow: A Memoir of Marriage (and Other Affairs))
Jay took them and stepped in front of the TV. His biceps bulged as he swung the weapon. Carlos watched him, laughing and whooping as Jay fought off the animated attackers. “Guys!” said Mal. “Do I have to remind you what we’re all here for?” “Fairy Godmother, blah, blah, blah,” said Jay as he swung. “Magic wand, blah, blah, blah.” Evie laughed at him. “This is our one chance to prove ourselves to our parents,” said Mal. Evie stopped laughing and faced Mal. “To prove that we are evil and vicious and ruthless and cruel,” said Mal. Jay and Carlos stared at her, too. She had their attention. “Yeah?” Mal asked them. Her friends nodded solemnly. “Evie, mirror me,” said Mal. Mal and Evie sat at the table as Jay and Carlos gathered around them. Evie lifted her mirror. “Mirror, mirror, on the…in my hand. Where is Fairy Godmother’s wand”—she searched for a rhyming word—“stand?” In the mirror, there was an extreme close-up of the sparkling wand. “There it is!” said Evie. “Zoom out,” said Carlos. “Magic Mirror, not so close,” Evie whispered into it.
Walt Disney Company (Descendants Junior Novel)
THERE WERE LAUGHS, TOO. One night, after playing a college in Orlando, as I found myself sitting on the floor, full of a cheap red blend and organic tobacco smoke in a hotel room so sparse and lonely that even Bukowski would’ve been like, “They should get a fern in here or something,” my pity party was strangely and hilariously interrupted. Turned out, my hotel was right next to Disney World. And turned out, Disney World has fireworks every night. Gorgeous, sensational fireworks. Imagine a man, drunk and alone, trying to get a good cry going, slurring along to Adam Duritz playing out of an iPhone speaker, as every joyful color bounces and pops, splashing into the night sky as a barely visible Tinker Bell zips lines to and from the Magic Kingdom, literally granting wishes to the hope-filled children below, all of them audibly cheering and gasping with delight as I lie on the floor motionless, like a pair of sad pants kicked off and waiting for laundry day. I had to laugh. There I was, Depressed Guy, being depressed as gigantic speakers blasted over the cracking fireworks, You can fly! You can fly! You can flyyyy!
Pete Holmes (Comedy Sex God)
6. Rethink the meeting structure. One typical symptom of a flawed organizational design is too much time spent in meetings. If your employees complain about useless meetings or meetings that last too long, you may want to rethink the contents of the meetings, how often they are being held, and who is being included.
Lee Cockerell (Creating Magic: 10 Common Sense Leadership Strategies from a Life at Disney)
CJ just flashed her the smirk again. Then, for the tenth time since they’d magically arrived in Auradon, CJ reached into the pocket of her coat and ran her fingertips over the very special object she’d been keeping with her since she was a little girl. Fortunately, it had survived the trip. Her whole secret plan depended on it. Freddie sighed in surrender and stood up. “Well, maybe they’ll have a music class I can take or something. Singing will be a good distraction from whatever horrors Headmistress Fairy Godmother has in store for me.” She turned back to CJ and pouted. “Whatever it is you’re planning, can you at least try not to get caught? The last time you plotted secretly, you got us both in huge trouble.” CJ shook her head. “Two minutes in Auradon and you’ve already gone soft on me? Since when do you care about getting in trouble?” Freddie seemed to think about that for a second.
Jessica Brody (CJ's Treasure Chase (Disney Descendants: School of Secrets, #1))
All people are essentially creative because we are all made in the image of a creative God. Creativity is our birthright; imagination is the essence of our being. Only when we are dreaming big dreams are we truly fulfilling our God-given purpose in life.
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Creativity is not so much an ability as a state of awareness.
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Mickey was not merely the right idea at the right time; he was the creative solution to a crisis in Walt's life.
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
And what is a futurist? Not a fortune-teller or a soothsayer, not a reader of tea leaves or crystal balls. A futurist is a planner and a doer. Futurists look at trends and innovation. They look for patterns of change. Then they act. Futurists don't just predict the future. They make the future happen.
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
The difference between today and tomorrow is some thing called change. It takes courage to embrace the future, because the future is about change, and change brings uncertainty and anxiety. We fear change; we prefer the comfort of the familiar. But change is inevitable. If we do not become future-focused, we are doomed to obsolescence when tomorrow arrives.
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Successful people are those who have learned how to learn. Whether college-educated or self-educated, successful people depend on themselves, not others, for their own knowledge, skills, and wisdom. People who are committed to life-long learning have everything they need to shape their own.
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Found it! But it’s on the other side,” said Ian, pointing across the massive pit. He handed Dad’s leash to Barley and lifted the staff. “Okay, I got this. Aloft Elevar!” Magic shot out of the staff, but it disappeared halfway across the chasm.
Walt Disney Company (Onward: The Deluxe Junior Novelization (Disney/Pixar Onward))
If you can dream it, you can do it.” —Walt Disney
Lowey Bundy Sichol (From an Idea to Disney: How Imagination Built a World of Magic)
I knew as I was leaving Disney World that I had a long way left to go on the road to adulthood. But unlike in Disney films, you can't just wave a wand or try on a slipper and have your dreams come true. In real life, magic takes time. Sometimes it takes so long, you start to doubt it even exists. Romance, just like a pixie fairy, will die if you don't believe in it.
Zach Anner (If at Birth You Don't Succeed: My Adventures with Disaster and Destiny)
Did you know I was capable of magic? If you did, why didn’t you tell me? Were you ashamed I was born with this power? Scared? Worried about what our people would think? I’ll never know. You’ve taken your secrets to the grave and left me alone to figure things out.
Jen Calonita (Disney Frozen: Let It Go)
Their cheers and applause told her all she needed to know. Her magic no longer felt like a shackle. It was truly a gift, as her mother had always told her, and now she used it with joy instead of fear.
Jen Calonita (Disney Frozen: Let It Go)
Together the alphas make up the Pack Council. But as Disney taught us, there must be a king,
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
Okay, I know it sounds like a Disney movie, but isn't there a grain of truth in every myth and fairytale?
Ruth Sanger (The Price of Broken Magic (The Statera Cycle))
Whatever you do, do it well. Do it so well that when people see you do it they will want to come back and see you do it again
Lowey Bundy Sichol (From an Idea to Disney: How Imagination Built a World of Magic)
and they will want to bring others and show them how well you do what you do.” —Walt Disney
Lowey Bundy Sichol (From an Idea to Disney: How Imagination Built a World of Magic)
This was my first visit to Walt Disney’s Magical Money Maw, and I initially had a typically cynical Chicagoan’s reaction. This place was an amusement park posing as a Disney movie come to life, with college kids in big-headed cartoon-character costumes mingling like monsters among children whose reactions veered between disappointment and terror. Here, the creator (not God but the beaming mustached one on TV) served up turn-of-the-century childhood memories painted with a pastel brush, inviting visitors into a fanciful American past sprinkled with pixie dust to banish actual memories of an era awash in financial failures, railroad strikes, immigrant tenements, racist lynchings, and social protest, right and left.
Max Allan Collins (The Big Bundle)
But it is his The Once and Future King, a sequence of four novels, for which White will be most remembered, particularly since the musical Camelot and the Walt Disney film The Sword in the Stone were based upon these books.
Philip Carr-Gomm (The Book of English Magic)
(Ursula) She was a boss babe running a business, and doing it in style.
Lily Hart (Black Magic: How to Be a Bad Witch)
Pinocchio’s transformation into a real boy is accomplished not thorugh some final magical action, as Disney has it, but by the inner working of a grace that converts the heart and moves the self toward acts of geniuine love.
Vigen Guroian (Tending the Heart of Virtue: How Classic Stories Awaken a Child's Moral Imagination)
When I was thirteen, my parents and I drove to Disney World, fleeing a hurricane. The magic there was packaged, perfectly choreographed, frothy as the carbonated drinks that crackled on my tongue. It didn’t creep through the cracks and secret spaces of the world, like moss growing between broken slabs of concrete. That kind of magic didn’t ask for blood or tears. It simply was. So
R.M. Romero (The Ghosts of Rose Hill)
In other words, the customer doesn’t come first; leadership comes first.
Lee Cockerell (Creating Magic: 10 Common Sense Leadership Strategies from a Life at Disney)
The Enchanted Tiki Room was often said to have been Walt's favorite. Not bad for an attraction originally conceived as a restaurant-one with the show, of course!
The Imagineers (The Imagineering Field Guide to the Magic Kingdom at Walt Disney World)
Remember, well-rounded people who want balanced lives will ultimately be more productive than workaholics with no interests outside the office.
Lee Cockerell (Creating Magic: 10 Common Sense Leadership Strategies from a Life at Disney)
First, Cast are blocked out during the weeks of Christmas and New Years. Second, the parade is actually filmed weeks prior Christmas. Sorry to ruin the magic for you but the broadcasts do say at various times previously filmed, taped earlier or something to that effect depending on the station that televises it for you.
Eric Root (The Disney College Program 2.0: The Updated Unofficial and Unauthorized Guide)
So step back periodically and evaluate your organizing processes—and not just during your working hours. Make sure your whole life is under control, or else the personal and professional will spill into each other and create a mess on both ends.
Lee Cockerell (Creating Magic: 10 Common Sense Leadership Strategies from a Life at Disney)
When a mishap arises, instead of immediately looking for someone to blame, first see if a flawed procedure or policy is causing the problem.
Lee Cockerell (Creating Magic: 10 Common Sense Leadership Strategies from a Life at Disney)
Now more than ever, we need people with the qualities Walt had: optimism, imagination, creativity, leadership, integrity, courage, boldness, perseverance, commitment to excellence, reverence for the past, hope for tomorrow and faith in God. How
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
Arguably, Versailles amounted to a prototype Disney World.
Karen R. Jones & John Wills (The Invention of the Park: From the Garden of Eden to Disney's Magic Kingdom)
Isn’t that amazing? Here are all of these people, different in so many ways, yet united by their hopes and goals and dreams. This is how the world should be.” The
Pat Williams (How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life)
The hitchhiking ghosts at the end now get to interact with guests in a more technologically advanced way, especially if you are wearing a MagicBand. For example, if the information embedded in your MagicBand states that you live in Maine, the ghosts will hold up a sign next to your vehicle that reads, “Maine, here we come!
Arielle Tuan (Totally Biased Ride Reviews: Adventures and Advice from a Former Walt Disney World Cast Member)
The Warm Welcome of Hospitality. Walt Disney World is the epitome of world-class customer service. Employees must be hyper-vigilant of spatial orientation to engage, impress, and interact with guests. For simply being near a guest, employees are trained to: • Make eye contact and smile. • Greet and welcome each and every guest. • Seek out guest contact. • Provide immediate service recovery. • Always display appropriate body language. • Preserve the “magical” guest experience. • Thank each guest and demonstrate that appreciation.
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
The old gods and their magics did not dwindle away into murky memories of brownies and little fairies more at home in a Disney cartoon; rather, they changed. The coming of Christ and Christians actually freed them. They were no longer bound to people’s expectations, but could now become anything that they could imagine themselves to be. “They are still here, walking among us. We just don’t recognize them anymore.
Charles de Lint (Ghosts of Wind and Shadow)