Magic The Gathering Quotes

She bent most of the rules. She broke the rest.

Oh yes, your relationship with Miss Bard is positively ordinary." "Be quiet." "Crossing worlds, killing royals, saving cities. The marks of every good courtship.

Whatever I am, let it be enough

Everyone’s immortal until they’re not.

Kell would say it was impossible. What a useless word, in a world with magic.

Standing there on display was painful enough. Now came the truly unfortunate task of socializing.

I know where you sleep, Bard." She smirked. "Then you know I sleep with knives.

Look, everyone talks about the unknown like it's some big scary thing, but it's the familiar that's always bothered me. It's heavy, builds up around you like rocks, until it's walls and a ceiling and a cell.

Everyone thinks I have a death wish, you know? But I don't want to die - dying is easy. No, I want to live, but getting close to death is the only way to feel alive. And once you do, it makes you realize that everything you were actually doing before wasn't actually living. It was just making do. Call me crazy, but I think we do the best living when the stakes are high.

A song she heard Of cold that gathers Like winter's tongue Among the shadows It rose like blackness In the sky That on volcano's Vomit rise A Stone of ruin From burn to chill Like black moonrise Her voice fell still...

I gave him my life, but you cannot ask me to stop living.

After all, if you run far enough, no one can catch you.

The prince shrugged. “Who needs magic when you look this good?

They danced in silence for several long moments, spinning together and apart, a slower version of their cadence in the ring. And then, out of nowhere, Lila asked, “Why?” “Why what?” “Why did you ask me to dance?” He almost smiled. A ghost. A trick of the light. “So you couldn’t run away again before I said hello.” “Hello,” said Lila. “Hello,” said Kell. “Where have you been?

Fix your crown, my prince," he called back as he reached the door. "It's crooked.

My father was a vulture. My mother was a magpie. My oldest brother is a crow. My sister, a sparrow. I have never really been a bird." Lila resisted the urge to say he might have been a peacock. It didn't seem the time.

I am Delilah Bard, she thought, as the ropes cut into her skin. I am a thief and a pirate and a traveler. I have set foot in three different worlds, and lived. I have shed the blood of royals and held magic in my hands.

Please tell me this is easier to take off than it was to put on.” Calla raised a brow. “You do not think Master Kell knows how?

What a waste of life, to stand around and think so much on every little thing.

Strength and weakness are tangled things,” the Aven Essen had said. “They look so much alike, we often confuse them, the way we confuse magic and power.

Don't you see?" said Calla. "He wasn't coming to pay your debt. He was coming to see if you'd returned to pay it yourself." Lila felt her face go hot. "I do not know why you two are circling each other like stars. It is not my cosmic dance. But I do know that you come asking after one another, when only a few strides and a handful of stars divide you.

They crashed into each other as if propelled by gravity, and he didn't know which one of them was the object and which the earth, only that they were colliding. The kiss was Lila pressed into a single gesture. Her brazen pride and her stubborn resolve, her recklessness and her daring and her hunger for freedom. It was all those things, and it took Kell's breath away.

Politics is a dance until the moment it becomes a war. And we control the music.

As I look out at all of you gathered here, I want to say that I don't see a room full of Parisians in top hats and diamonds and silk dresses. I don't see bankers and housewives and store clerks. No. I address you all tonight as you truly are: wizards, mermaids, travelers, adventurers, and magicians. You are the true dreamers.

The world is neither fair nor right, but it has a way of balancing itself.

Magic is tangled, so you must be smooth. Magic is wild, so you must be tame. Magic is chaos, so you must be calm. Are you calm, Kell?

How do you know when the Sarows is coming? (Is coming is coming is coming aboard) When the wind dies away but still sings in your ears, (In your ears in your head in your blood in your bones.) When the current goes still but the ship, it drifts along, (Drifts on drifts away drifts alone.) When the moon and the stars all hide from the dark, (For the dark is not empty at all at all.) (For the dark is not empty at all.) How do you know when the Sarows is coming? (Is coming is coming is coming aboard) Why you don't and you don't and you won't see it coming, (You won't see it coming at all.)

I know it’s mad, but for a second I thought it was …” “Saints, you’re seeing her in everyone and everything now, Kell? There’s a word for that.” “Hallucination?” “Infatuation.

She straightened. “You tried to seduce me, for information.” “You can’t hold that against me forever.” “It was last night.” “Well I was running out of options, and I figured it was worth a shot.” Lila rolled her eyes. “You really know how to make a girl feel special.

What brings you to my room?” he asked, relief bleeding into annoyance. “Adventure. Intrigue. Brotherly concern. Or,” continued the prince lazily, “perhaps I’m just giving your mirror something to look at besides your constant pout.” Kell frowned, and Rhy smiled. “Ah, there it is! That famous scowl.

Writing novels is much the same. You gather up bones and make your gate, but no matter how wonderful the gate might be, that alone doesn't make it a living breathing novel. A story is not something of this world. A real story requires a kind of magical baptism to link the world on this side with the world on the other side.

Rhy held Kell's pain in his hands, while Kell held Rhy's life in his.

Kell has only two faces. The one he wears for the world at large, and the one he wears for those he loves.” He sipped his wine. “For us.” Lila’s expression hardened. “Whatever he feels for me, it isn’t love.” “Because it isn’t soft and sweet and doting?” Rhy rocked back, stretching against the pillar. “Do you know how many times he’s nearly beat me senseless out of love? How many times I’ve done the same? I’ve seen the way he looks at those he hates …” He shook his head. “There are very few things my brother cares about, and even fewer people.

Dill was off again. Beautiful things floated around in his dreamy head. He could read two books to my one, but he preferred the magic of his own inventions. He could add and subtract faster than lightning, but he preferred his own twilight world, a world where babies slept, waiting to be gathered like morning lilies.

Why are you defending her?” he snapped, rounding on his brother. “Why am I the only one in this fucking world to be held accountable for my actions?

Walking away had been easy. Not looking back was harder.

I'm sorry." He sounded so...earnest, which made Lila instantly suspicious. Alucard was many things, but genuine wasn't usually one of them. "For growing on me?" she asked. He shook his head. "For whatever happened to you. For whoever hurt you so deeply that you see things like friends and fondness as weapons instead of shields.

For the ones who fight their way forward

A person chose their path. Or they made a new one.

Corrival looked around. 'So is this it? Is everyone here? Erskine, maybe you should start the ball rolling. I have places to go and things to do.' 'Me?' Ravel asked. 'Why do I have to start it? You're the most respected mage here. You start it, or Skulduggery.' Skulduggery shook his head. 'I can't start it. I don't like most of these people. I might start shooting.

No,” he muttered, running a hand through his copper hair. “No. No. There are dozens.” “Kell?” she asked, moving to touch his arm. He shook her off. “Dozens of ships, Lila! And you had to climb aboard his.” “I’m sorry,” she shot back, bristling, “I was under the impression that I was free to do as I pleased.” “To be fair,” added Alucard, “I think she was planning to steal it and slit my throat.” “Then why didn’t you?” snarled Kell, spinning on her. “You’re always so eager to slash and stab, why couldn’t you have stabbed him?

If you decide to leave- when you decide to leave- don't do it without saying good-bye.

Not much of a morning person?” “Such a useless time of day,” she said, dragging herself upright and taking the cup. “Can’t sleep. Can’t steal.

Everyone's immortal until they're not.

The magic still gathers, and the past is gilded; I see the beauty in what has been but only because I have tasted both sorrow and joy in equal measures.

If anyone could make the strange seem ordinary, the impossible look easy, it was Delilah Bard

Most girls covet dresses.” “I am not most girls.

There you go again,” murmured Rhy, leaning his head on Kell’s shoulder. “You never let me fall.

Perhaps power had to be tended, like Tieren said, but not all things grew in gardens. Plenty of plants grew wild. And Lila had always thought of herself more as a weed than a rose bush.

What are you supposed to be?” she asked in Arnesian. “A fish?” Alucard made a noise of mock affront. “Obviously,” he said, brandishing the helmet, “I’m a dragon.” “Wouldn’t it make more sense for you to be a fish?” challenged Lila. “After all, you do live on the sea, and you are rather slippery, and—” “I’m a dragon,” he interjected. “You’re just not being very imaginative.

Alucard snaked an arm possessively around his shoulders and brought his lips to the prince’s neck, just below his ear. Rhy actually shivered. “You are far too familiar with your prince,” he warned. “So you confess it, then?” His brushed his lips against Rhy’s throat. “That you are mine.

Impossibility is a thing that begs to be disproven," said Ned brightly. "Perhaps it hasn't been possible for years, perhaps it's not even possible right now, but that doesn't mean it can't be. It doesn't mean it won't be. You say the magic guttered, the flame went out. But what if it simply needed to be stoked?

Death comes for us all, Brother. You cannot hide from it forever. We will die one day, you and I." "And that doesn't frighten you?" Rhy shrugged. "Not nearly as much as the idea of wasting a perfectly good life in fear of it.

I brought your son back from the dead!" shouted Kell, lunging to his feet. "I did it knowing it would bind our lives, knowing what it would mean for me, what I would become, knowing that the resurrection of his life would mean the end of mine, and I did it anyway, because he is my brother and your son and the future king of Arnes." Kell gasped for breath, tears streaming down his face "What more could I possibly do?

He flashed up in her vision like a flare, auburn hair and that constant furrow between his eyes: one blue, one black. Antari. Magic boy. Prince.

What do you want to know?” Lila returned to the chair and leaned forward, her elbows on her knees. “Everything

I look up, right into the Archgod of Chaos and Destruction’s bewildered eyes, gathering more of my magic. “Here’s a taste of consequences.

Tell your story. Shout it. Write it. Whisper it if you have to. But tell it. Some won't understand it. Some will outright reject it. But many will thank you for it. And then the most magical thing will happen. One by one, voices will start whispering, 'Me, too.' And your tribe will gather. And you will never feel alone again.

Kell used to feel like a possession. Now he felt like a prisoner.

Dammit Bard, you're going to set the cat on fire.

I didn't want to believe that killing was deep inside of me. I didn't want to think about the part of me that took a dark joy in gathering all the power it could and using it as I saw fit, everything else be damned. There was power to be had in hatred, too, in anger and in lust, in selfishness and in pride. And I knew that there was some dark corner of me that would enjoy using magic for killing—and then long for more. That was black magic, and it was easy to use. Easy and fun. Like Legos.

At the sunroom doors, he cast a glance back, and found Rhy looking at him with an expression that might have been I’m sorry, but also could have been fuck off, or at the very least we’ll talk later.

Mysteries are always more exciting than truths

Whenever she felt the weight of those bonds, she wished she could take her sharpest knife and cut them free, carve out the part of her that wanted, that cared, that warmed at the feeling

Ah, there you are, Bard,” came a familiar voice, and she turned to see Alucard striding over. “Saints, is that a dress you’re in? The crew will never believe it.” “You’ve got to be kidding me,” growled Kell.

She used to think that if she stole enough, the want would fade, the hunger would go away, but maybe it wasn’t that simple. Maybe it wasn’t a matter of what she didn’t have, of what she wasn’t, but what she was.

All right,” she said. She got to her feet and crossed to his desk, where her knife still sat atop the maps. She thought of the way he’d plucked it out of her grip. “But I want a favor in return.” “Funny, I thought the favor was allowing you to remain on my ship, despite the fact you’re a liar, a thief, and a murderer. But please, do go on.

He dreamed of her hand tangling in his, a pulse of power twining them together. He dreamed of them racing through foreign streets, not the London ones they’d navigated, but crooks and bends in places he’d never been, and ones he might never see. But there she was, at his side, pulling him toward freedom.

Master Kell,” said Alucard, cheerfully. “What an unexpected pleasure, running into you here.” His voice had a natural undercurrent of laughter in it, and Kell could never tell if he was being mocked. “I don’t see how it’s unexpected,” said Kell, “as I live here. What is unexpected is running into you, since I thought I made myself quite clear the last time we met.” “Quite,” echoed Alucard. “Then what were you doing in my brother ’s chambers?” Alucard raised a single studded brow. “Do you want a detailed account? Or will a summary suffice?

He came to me, after you were gone. Master Kell.” Lila’s eyes widened. “What for?” “To pay the debt for your clothes.” Her mood darkened. “I can pay my own debts,” she snapped, “and Kell knows it.” Calla smiled. “That is what I told him. And he went away. But a week later, he came back, and made the same offer. He comes every week.” “Bastard,” mumbled Lila, but the merchant shook her head. “Don’t you see?” said Calla. “He wasn’t coming to pay your debt. He was coming to see if you’d returned to pay it yourself.

My greatest fear in life isn’t dying. It’s being the source of someone else’s suffering.

Now, as the party reached the royal hall the brothers shared, Tolners produced a note and held it up for Kell to read. “This isn’t funny.” Apparently Rhy had had the grace to pin the note to his door, in case anyone in the palace should worry. "Not kidnapped. Out for a drink with Kell. Sit tight.

Lila!" he said cheerfully. "So you aren't a figment of my brothers imagination after all.

We're all here for a reason, Bard. Some reasons are just bigger than others. So I guess I'm not scared of who you are, or even what you are. I'm scared of why you are.

My love for Christmas Eve goes way back to those big gatherings at my grandparents’ house, the focus on Santa Claus and childhood joy. As the years unfolded, I've moved to and visited different cities during the holidays, so my celebration of Christmas Eve took on multiple denominational tones and the focus became the Christ child.

Sometimes he worried that the coat had a mind of its own. The only other person who'd ever managed to find what they wanted in its pockets was Lila. He'd never managed to find out how she'd done that. Traitorous coat.

When I was four or five years old, my mom made me a beautiful white dress with red embroidery on the top for Christmas. I remember her laboring over it because sewing didn’t come naturally to her. I tried it on, and the gathered waistline with the fitted bodice just didn’t please her. It didn’t lie the way it should, so she ripped it out several times.

I’ve always been unique.” “Yes, well, it is no wonder you and Kell attract. Both unique. Both … a bit …” Suddenly, conveniently, the language seemed to fail her. “Mean?” offered Lila. Calla smiled. “No, no, not mean. Guard up. But tonight,” she said, fastening a silver brim-veil into Lila’s hair, “you bring his guard down.” Lila smiled, despite herself. “That’s the idea.

If these men worshipped anything, they worshipped magic, which she supposed would be heresy back in Grey London. But then again, Christians worshipped an old man in the sky, and if Lila had to say which one seemed more real at the moment, she’d have to side with magic.

The whole sphere of air that surrounds us, Alma, is alive with invisible attractions — electric, magnetic, fiery and thoughtful. There is a universal sympathy all around us… When we cease all argument and debate — both internal and external — our true questions can be heard and answered…That is the gathering of magic.

Close your eyes," he said into her ear. "Come with me." She did so, and suddenly she saw what he saw. She was the wind, the clouds gathering in the smoky sky, the thick snow of deep winter. She was nothing. She was everything. The power gathered somewhere in the space between them, between her flickers of awareness. There is no magic. Things are. Or they are not. She was beyond wanting anything. She didn't care whether she lived or died. She could only feel; the gathering storm, the breath of the wind.

We still have time," Kell assured him, getting to his feet. "How do you know?" asked Hastra. "We can't hear the bells down here, and there are no windows to gauge the light." "Magic," Kell said, and then, when Hastra's eyes widened, he gestured to the hourglass sitting on the table with his other tools. "And that.

Later on Lady Maccon was to describe that particular day as the worst of her life. She had neither the soul nor the romanticism to consider childbirth magical or emotionally transporting. So far as she could gather it mostly involved pain indignity and mess. There was nothing engaging or appealing about the process. And as she told her husband firmly she intended never to go through it again.

Rhy felt Alucard’s eyes wandering slowly, hungrily, over him, and he blushed. The heat started in his face and spread down, through his collar, his chest, beneath shirt and belt. It was disconcerting; Rhy might not have magic, but when it came to conquests, he was used to holding the power—things happened at his whim, and at his pleasure. Now he felt that power falter, slip. In all of Ames, there was only one person capable of flustering the prince, of reducing him from a proud royal to a nervous youth, and that was Alucard Emery. Misfit. Rogue. Privateer. And royal.

Why must you hurt me, when I love you so? When I can do nothing else nor want to, for love made me and fed me and kept me in better days? Why will you cut me, and disfigure my face, and fill me with woe? I have only loved you for your beauty as you once loved me for mine in the days before the world moved on. Now you scar me with nails and put burning drops of quicksilver in my nose; you have set the animals on me, so you have, and they have eaten of my softest parts. Around me the can-toi gather and there’s no peace from their laughter. Yet still I love you and would serve you and even bring the magic again, if you would allow me, for that is how my heart was cast when I rose from the Prim. And once I was strong as well as beautiful, but now my strength is almost gone. If torture were to stop now, I might still recover – if never my looks, then at least my strength and my kes. But other week… or maybe five days… or even three… and it will be too late. Even if the torture stops, I’ll die. And you’ll die too, for when love leaves the world, hearts are still. Tell them of my love and tell them of my pain and tell them of my hope, which still lives. For this is all I have and all I am and all I ask.

My sweet lordy, lordy. It built up to the Summer of Love down by the Psychedelic Shop on Haight-Ashbury when the sunshine poured in mellow yellow and the Age of Aquarius was rising and the tribes gathered in the rain, in the park and everything and everyone fringed the bottoms of their jeans and put flowers in their hair.

Once clean, he dressed in Rhy’s chosen attire, willing to humor his brother. It was the least he could do—though Kell wondered, as he slipped on the tunic, how long Rhy would be calling in this payment. He could picture the prince a decade from now, telling Kell to fetch him tea. “Get it yourself,” he would say, and Rhy would tut and answer, “Remember Kamerov?

I took the liberty of designing your pennant,” said Rhy, resting his elbows on the gallery’s marble banister. “I hope you don’t mind.” Kell cringed. “Do I even want to know what’s on it?” Rhy tugged the folded piece of fabric from his pocket, and handed it over. The cloth was red, and when he unfolded it, he saw the image of a rose in black and white. The rose had been mirrored, folded along the center axis and reflected, so the design was actually two flowers, surrounded by a coil of thorns. “How subtle,” said Kell tonelessly. “You could at least pretend to be grateful.” “And you couldn’t have picked something a little more … I don’t know … imposing? A serpent? A great beast? A bird of prey?” “A bloody handprint?” retorted Rhy. “Oh, what about a glowing black eye?” Kell glowered. “You’re right,” continued Rhy, “I should have just drawn a frowning face. But then everyone would know it’s you. I thought this was rather fitting.

You missed me,” said Alucard. It was not a question, but there was a confession in it, because everything about Alucard—the tension in his back, the ways his hips pressed into Rhy’s, the race of his heart and the tremor in his voice—said that the missing had been mutual. “I’m a prince,” said Rhy, striving for composure. “I know how to keep myself entertained.” The sapphire glinted in Alucard’s brow. “I can be very entertaining.

As I lay there, listening to the soft slap of the sea, and thinking these sad and strange thoughts, more and more and more stars had gathered, obliterating the separateness of the Milky Way and filling up the whole sky. And far far away in that ocean of gold, stars were silently shooting and falling and finding their fates, among these billions and billions of merging golden lights. And curtain after curtain of gauze was quietly removed, and I saw stars behind stars behind stars, as in the magical Odeons of my youth. And I saw into the vast soft interior of the universe which was slowly and gently turning itself inside out. I went to sleep, and in my sleep I seemed to hear a sound of singing.

Shouldn’t she stay on the boat?” The cat’s ear twitched, and Lila felt that whatever pleasant inclinations the cat was forming toward her, she’d just lost them. “Don’t be ridiculous,” said Alucard. “The ship’s no place for a cat.” Lila was about to point out that the cat had been aboard the ship as long as she had when he added, “I believe in keeping my valuables with me.” Lila perked up. Were cats so precious here? Or rare? She hadn’t ever seen another one, but in the little time she was ashore, she hadn’t exactly been looking. “Oh yeah?” “I don’t like that look,” Alucard said, twisting chest and cat away. “What look?” asked Lila innocently. “The look that says Esa might conveniently go missing if I tell you what she’s worth.

She had her eyes on one ship in particular, had been watching, coveting, all day. It was a gorgeous vessel, its hull and masts carved from dark wood and trimmed in silver, its sails shifting from midnight blue to black, depending on the light. A name ran along its hull—Saren Noche—and she would later learn that it meant Night Spire. For now she only knew that she wanted it. But she couldn’t simply storm a fully manned craft and claim it as her own. She was good, but she wasn’t that good. And then there was the grim fact that Lila didn’t technically know how to sail.

Because Rhy didn’t need his protection, not anymore, and he’d only told a partial truth when he said they both needed this. The whole truth was, Rhy needed it more. Because Kell had given him a gift he did not want, could never repay. He’d always envied his brother ’s strength. And now, in a horrible way, it was his. He was immortal. And he hated it. And he hated that he hated it. Hated that he’d become the thing he never wanted to be, a burden to his brother, a source of pain and suffering, a prison. Hated that if he’d had a choice, he would have said no. Hated that he was grateful he hadn’t had a choice, because he wanted to live, even if he didn’t deserve to. But most of all, Rhy hated the way his living changed how Kell lived, the way his brother moved through life as if it were suddenly fragile. The black stone, and whatever lived inside it, and for a time in Kell, had changed his brother, woken something restless, something reckless. Rhy wanted to shout, to shake Kell and tell him not to shy away from danger on his account, but charge toward it, even if it meant getting hurt. Because Rhy deserved that pain. He could see his brother suffocating beneath the weight of it. Of him. And he hated it. And this gesture—this foolish, mad, dangerous gesture—was the best he could do. The most he could do.

If you missed your chance to read a particular book, even if it was recommended to you or is one you have been intending to read for ages, this is your chance to let it go. You may have wanted to read it when you bought it, but if you haven't read it by now, the book's purpose was to teach you that you didn't need it. There is no need to finish reading books that you only got halfway through. Their purpose was to be read halfway. So get rid of all those unread books. It will be far better for you to read the book that really grabs you right now than one that you left to gather dust for years.

And there she was. In deepening blues of descending night, amid the snow beginning till, Aelin Galathynius had appeared before the sealed southern gate. Had appeared before Erawan and Maeve. Her unbound hair billowed in the wind like a golden banner, a last ray of light with the dying of the day. Silence fell. Even the screaming stopped as all turned toward the gate. But Aelin did not balk. Did not run from the Valg queen and king who halted as if in delight at the lone figure who dared face them. Lysandra let out a strangled sob. "She-she has no magic left." The shifter's voice broke. "She has nothing left." Still Aelin lifted her sword. Flames ran down the blade. One flame against the darkness gathered. One flame to light the night. Aelin raised her shield, and flames encircled it, too. Burning bright, burning undaunted. A vision of old, reborn once more. The cry went down the castle battlements, through the city, along the walls. The queen had come home at last. The queen had come to hold the gate.

Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.

Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.

The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.

Style is not how you write. It is how you do not write like anyone else. * * * How do you know if you're a writer? Write something everyday for two weeks, then stop, if you can. If you can't, you're a writer. And no one, no matter how hard they may try, will ever be able to stop you from following your writing dreams. * * * You can find your writer's voice by simply listening to that little Muse inside that says in a low, soft whisper, "Listen to this... * * * Enter the writing process with a childlike sense of wonder and discovery. Let it surprise you. * * * Poems for children help them celebrate the joy and wonder of their world. Humorous poems tickle the funny bone of their imaginations. * * * There are many fine poets writing for children today. The greatest reward for each of us is in knowing that our efforts might stir the minds and hearts of young readers with a vision and wonder of the world and themselves that may be new to them or reveal something already familiar in new and enlightening ways. * * * The path to inspiration starts Beyond the trails we’ve known; Each writer’s block is not a rock, But just a stepping stone. * * * When you write for children, don't write for children. Write from the child in you. * * * Poems look at the world from the inside out. * * * The act of writing brings with it a sense of discovery, of discovering on the page something you didn't know you knew until you wrote it. * * * The answer to the artist Comes quicker than a blink Though initial inspiration Is not what you might think. The Muse is full of magic, Though her vision’s sometimes dim; The artist does not choose the work, It is the work that chooses him. * * * Poem-Making 101. Poetry shows. Prose tells. Choose precise, concrete words. Remove prose from your poems. Use images that evoke the senses. Avoid the abstract, the verbose, the overstated. Trust the poem to take you where it wants to go. Follow it closely, recording its path with imagery. * * * What's a Poem? A whisper, a shout, thoughts turned inside out. A laugh, a sigh, an echo passing by. A rhythm, a rhyme, a moment caught in time. A moon, a star, a glimpse of who you are. * * * A poem is a little path That leads you through the trees. It takes you to the cliffs and shores, To anywhere you please. Follow it and trust your way With mind and heart as one, And when the journey’s over, You’ll find you’ve just begun. * * * A poem is a spider web Spun with words of wonder, Woven lace held in place By whispers made of thunder. * * * A poem is a busy bee Buzzing in your head. His hive is full of hidden thoughts Waiting to be said. His honey comes from your ideas That he makes into rhyme. He flies around looking for What goes on in your mind. When it is time to let him out To make some poetry, He gathers up your secret thoughts And then he sets them free.

Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.