β
Books are a uniquely portable magic.
β
β
Stephen King (On Writing: A Memoir of the Craft)
β
Those who don't believe in magic will never find it.
β
β
Roald Dahl
β
And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it.
β
β
Roald Dahl
β
Don't touch any of my weapons without my permission."
"Well, there goes my plan for selling them all on eBay," Clary muttered.
"Selling them on what?"
Clary smiled blandly at him. "A mythical place of great magical power.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Books may well be the only true magic.
β
β
Alice Hoffman
β
May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you're wonderful, and don't forget to make some art -- write or draw or build or sing or live as only you can. And I hope, somewhere in the next year, you surprise yourself.
β
β
Neil Gaiman
β
We do not need magic to transform our world. We carry all the power we need inside ourselves already.
β
β
J.K. Rowling
β
Believe in Your Heart
Believe in your heart that you're meant to live a life full of passion, purpose, magic and miracles.
β
β
Roy T. Bennett (The Light in the Heart)
β
I don't believe in the kind of magic in my books. But I do believe something very magical can happen when you read a good book.
β
β
J.K. Rowling
β
Any fool can be happy. It takes a man with real heart to make beauty out of the stuff that makes us weep.
β
β
Clive Barker (Abarat: Days of Magic, Nights of War)
β
The world is full of magic things, patiently waiting for our senses to grow sharper.
β
β
W.B. Yeats
β
If you are a dreamer come in
If you are a dreamer a wisher a liar
A hoper a pray-er a magic-bean-buyer
If youre a pretender com sit by my fire
For we have some flax golden tales to spin
Come in!
Come in!
β
β
Shel Silverstein
β
Ah, music," he said, wiping his eyes. "A magic beyond all we do here!
β
β
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
β
Hope can be a powerful force. Maybe there's no actual magic in it, but when you know what you hope for most and hold it like a light within you, you can make things happen, almost like magic.
β
β
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
β
We do not need magic to transform our world. We carry all of the power we need inside ourselves already.
β
β
J.K. Rowling (Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination)
β
A well-composed book is a magic carpet on which we are wafted to a world that we cannot enter in any other way.
β
β
Caroline Gordon
β
Literature is a textually transmitted disease, normally contracted in childhood.
β
β
Jane Yolen (Touch Magic: Fantasy, Faerie & Folklore in the Literature of Childhood)
β
I address you all tonight for who you truly are: wizards, mermaids, travelers, adventurers, and magicians. You are the true dreamers.
β
β
Brian Selznick (The Invention of Hugo Cabret)
β
Whatever you can do or dream you can, begin it.
Boldness has genius, power and magic in it!
β
β
John Anster (The First Part Of Goethe's Faust)
β
In that moment, Blue was a little in love with all of them.
Their magic. Their quest. Their awfulness and strangeness.
Her raven boys.
β
β
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β
Yes, of course duct tape works in a near-vacuum. Duct tape works anywhere. Duct tape is magic and should be worshiped.
β
β
Andy Weir (The Martian)
β
The moment you doubt whether you can fly, you cease for ever to be able to do it.
β
β
J.M. Barrie (Peter Pan)
β
Words are, in my not-so-humble opinion, our most inexhaustible source of magic. Capable of both inflicting injury, and remedying it.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
Wishes are false. Hope is true. Hope makes its own magic.
β
β
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
β
Women have served all these centuries as looking glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
Any sufficiently advanced technology is indistinguishable from magic.
β
β
Arthur C. Clarke (Profiles of the Future: An Inquiry into the Limits of the Possible)
β
...disbelief in magic can force a poor soul into believing in government and business....
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Stories you read when you're the right age never quite leave you. You may forget who wrote them or what the story was called. Sometimes you'll forget precisely what happened, but if a story touches you it will stay with you, haunting the places in your mind that you rarely ever visit.
β
β
Neil Gaiman (M Is for Magic)
β
You believe in a book that has talking animals, wizards, witches, demons, sticks turning into snakes, burning bushes, food falling from the sky, people walking on water, and all sorts of magical, absurd and primitive stories, and you say that we are the ones that need help?
β
β
Mark Twain
β
Where there is a woman there is magic.
β
β
Ntozake Shange
β
Almost seventy years later I remember clearly how the magic of translating the words in books into images enriched my life, breaking the barriers of time and space...
β
β
Mario Vargas Llosa
β
There is nothing more luxurious than eating while you readβunless it be reading while you eat. Amabel did both: they are not the same thing, as you will see if you think the matter over.
β
β
E. Nesbit (The Magic World)
β
The real story of the Fleece: there were these two children of Zeus, Cadmus and Europa, okay? They were about to get offered up as human sacrifices, when they prayed to Zeus to save them. So Zeus sent this magical flying ram with golden wool, which picked them up in Greece and carried them all the way to Colchis in Asia Minor. Well, actually it carried Cadmus. Europa fell off and died along the way, but that's not important."
"It was probably important to her.
β
β
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
β
He liked the mere act of reading, the magic of turning scratches on a page into words inside his head.
β
β
John Green (An Abundance of Katherines)
β
I'd rather die on an adventure than live standing still.
β
β
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.
β
β
Ray Bradbury (Fahrenheit 451)
β
I believe in the magic and authority of words.
β
β
RenΓ© Char
β
Sometimes its necessary to embrace the magic, to find out what's real in life, and in one's own heart.
β
β
Sarah Addison Allen (First Frost (Waverley Family, #2))
β
There is no magic cure, no making it all go away forever. There are only small steps upward; an easier day, an unexpected laugh, a mirror that doesn't matter anymore.
β
β
Laurie Halse Anderson (Wintergirls)
β
It's still magic even if you know how it's done.
β
β
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
β
Children see magic because they look for it.
β
β
Christopher Moore (Lamb: The Gospel According to Biff, Christβs Childhood Pal)
β
Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you werenβt chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
β¦There is the heat of Love, the pulsing rush of Longing, the loverβs whisper, irresistibleβmagic to make the sanest man go mad.
β
β
Homer (The Iliad)
β
Perhaps the future belongs to magic, and it's we women who control magic.
β
β
J.G. Ballard (Rushing to Paradise)
β
Science is magic that works.
β
β
Kurt Vonnegut Jr. (Catβs Cradle)
β
There is something about words. In expert hands, manipulated deftly, they take you prisoner. Wind themselves around your limbs like spider silk, and when you are so enthralled you cannot move, they pierce your skin, enter your blood, numb your thoughts. Inside you they work their magic.
β
β
Diane Setterfield (The Thirteenth Tale)
β
I mean, really. Who sends their kid to boarding school? It's so Hogwarts. Only mine doesn't have cute boy wizards or magic candy or flying lessons.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Sometimes the right thing feels all wrong until it is over and done with.
β
β
Alice Hoffman (Practical Magic (Practical Magic, #1))
β
Oh the places you'll go! There is fun to be done! There are points to be scored. There are games to be won. And the magical things you can do with that ball will make you the winning-est winner of all.
β
β
Dr. Seuss (Oh, The Places Youβll Go!)
β
Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
She's mad, but she's magic. There's no lie in her fire.
β
β
Charles Bukowski
β
Magic exists. Who can doubt it, when there are rainbows and wildflowers, the music of the wind and the silence of the stars? Anyone who has loved has been touched by magic. It is such a simple and such an extraordinary part of the lives we live.
β
β
Nora Roberts
β
I'm not going to die," she said. "Not till I've seen it."
"Seen what?"
Her smile widened. "Everything.
β
β
V.E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
Just because something isn't practical doesn't mean it's not worth creating. Sometimes beauty and real-life magic are enough.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
By the way, my name's Rose Hathaway. I'm seventeen years old, training to protect and kill vampires, in love with a completely unsuitable guy, and have a best friend whose weird magic could drive her crazy.
Hey, no one said high school was easy.
β
β
Richelle Mead (Frostbite (Vampire Academy, #2))
β
Real magic can never be made by offering someone else's liver. You must tear out your own, and not expect to get it back.
β
β
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
β
There are some things, after all, that Sally Owens knows for certain: Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
β
β
Alice Hoffman (Practical Magic (Practical Magic, #1))
β
It is not the gentle kiss of a couple on a first date, nor is it the kiss of a man driven by simple lust. He kisses me with the desperation of a dying man who believes the magic of eternal life is in this kiss.
β
β
Susan Ee (Angelfall (Penryn & the End of Days, #1))
β
I apologize for anything I might have done. I was not myself.β
βI apologize for shooting you in the leg.β said Lila. βI was myself entirely.
β
β
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
But magic is neither good nor evil. It is a tool, like a knife. Is a knife evil? Only if the wielder is evil.
β
β
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
β
She wore flowers in her hair and carried magic secrets in her eyes. She spoke to no one. She spent hours on the riverbank. She smoked cigarettes and had midnight swims...
β
β
Arundhati Roy (The God of Small Things)
β
Books were, and always would be, something a little magic and something to respect.
β
β
Sally Thorne (The Hating Game)
β
Scientists have calculated that the chances of something so patently absurd actually existing are millions to one.
But magicians have calculated that million-to-one chances crop up nine times out of ten.
β
β
Terry Pratchett (Mort (Mundodisco, #4))
β
Believe something and the Universe is on its way to being changed. Because you've changed, by believing. Once you've changed, other things start to follow. Isn't that the way it works?
β
β
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
β
Life changes in the instant. The ordinary instant.
β
β
Joan Didion (The Year of Magical Thinking)
β
I don't want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth, I tell what ought to be the truth. And it that's sinful, then let me be damned for it!
β
β
Tennessee Williams (A Streetcar Named Desire)
β
If complete and utter chaos was lightning, then he'd be the sort to stand on a hilltop in a thunderstorm wearing wet copper armour and shouting 'All gods are bastards!
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Then Day reaches out and touches my hand with his. He encloses it in a handshake. And just like that, I am linked with him again, I feel the pulse of our bond and his- tory and love through our hands, like a wave of magic, the return of a long-lost friend. Of something meant to be. The feeling brings tears to my eyes. Perhaps we can take a step forward together.
βHi,β he says. βIβm Daniel.β
βHi,β I reply. βIβm June.
β
β
Marie Lu (Champion (Legend, #3))
β
I do believe in an everyday sort of magic -- the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of synchronicity; the whispered voice, the hidden presence, when we think we're alone.
β
β
Charles de Lint
β
Curran looked back at me. "Why is it you always attract creeps?"
"You tell me." Ha! Walked right into that one, yes, he did.
β
β
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
β
What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic."
[Cosmos, Part 11: The Persistence of Memory (1980)]
β
β
Carl Sagan (Cosmos)
β
A book is made from a tree. It is an assemblage of flat, flexible parts (still called "leaves") imprinted with dark pigmented squiggles. One glance at it and you hear the voice of another person, perhaps someone dead for thousands of years. Across the millennia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time β proof that humans can work magic.
β
β
Carl Sagan
β
I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.
β
β
Charles de Lint
β
I want morning and noon and nightfall with you. I want your tears, your smiles, your kisses...the smell of your hair, the taste of your skin, the touch of your breath on my face. I want to see you in the final hour of my life...to lie in your arms as I take my last breath.
β
β
Lisa Kleypas (Again the Magic (Wallflowers, #0))
β
The sunset bled into the edges of the village. Smoke curled out of the cottage chimney like a crooked finger.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?
We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.
They can keep their heaven. When I die, I'd sooner go to middle Earth.
β
β
George R.R. Martin
β
There's nothing wrong with reading a book you love over and over. When you do, the words get inside you, become a part of you, in a way that words in a book you've read only once can't.
β
β
Gail Carson Levine (Writing Magic: Creating Stories that Fly)
β
People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in the ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.
β
β
Diane Setterfield (The Thirteenth Tale)
β
Lucky Charms are like the vampires of breakfast cereal. They're magical, they're delicious, they're a little bit dangerous and bad for you. They initially make you feel great, but then over time you realize that maybe your relationship with Lucky Charms is just a little bit unhealthy and you start to think, 'Maybe I don't want to be in a long-term relationship with a breakfast cereal that tastes delicious but damages my health.' But then the Lucky Charms gets all stalker on you and for some reason you kind of like that. It makes you feel special. So yeah, you spend your life with Lucky Charms. That's awesome. That's a great way to... get diabetes.
β
β
John Green
β
your hand
touching mine.
this is how
galaxies
collide.
β
β
Sanober Khan
β
Here, Kitty, Kitty, Kitty...
β
β
Ilona Andrews (Magic Bites (Kate Daniels, #1))
β
Nature loves courage. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under, it will lift you up. This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold, this is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. By hurling yourself into the abyss and discovering it's a feather bed.
β
β
Terence McKenna
β
Stop fighting me!" he said, trying to pull on the arm he held.
He was in a precarious position himself, straddling the rail as he tried to lean over far enough to get me and actually hold onto me.
βLet go of me!β I yelled back.
But he was too strong and managed to haul most of me over the rail, enough so that I wasnβt in total danger of falling again.
See, hereβs the thing. In that moment before I let go, I really had been contemplating my death. Iβd come to terms with it and accepted it. I also, however, had known Dimitri might do something exactly like this. He was just that fast and that good. That was why I was holding my stake in the hand that was dangling free.
I looked him in the eye. "I will always love you."
Then I plunged the stake into his chest.
It wasnβt as precise a blow as I would have liked, not with the skilled way he was dodging. I struggled to get the stake in deep enough to his heart, unsure if I could do it from this angle. Then, his struggles stopped. His eyes stared at me, stunned, and his lips parted, almost into a smile, albeit a grisly and pained one.
"Thatβs what I was supposed to say. . .β he gasped out.
Those were his last words.
β
β
Richelle Mead (Blood Promise (Vampire Academy, #4))
β
Love and loss,β he said, βare like a ship and the sea. They rise together. The more we love, the more we have to lose. But the only way to avoid loss is to avoid love. And what a sad world that would be.
β
β
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
β
It happens like this.
"One day you meet someone and for some inexplicable reason, you feel more connected to this stranger than anyone else--closer to them than your closest family. Perhaps this person carries within them an angel--one sent to you for some higher purpose; to teach you an important lesson or to keep you safe during a perilous time. What you must do is trust in them--even if they come hand in hand with pain or suffering--the reason for their presence will become clear in due time."
Though here is a word of warning--you may grow to love this person but remember they are not yours to keep. Their purpose isn't to save you but to show you how to save yourself. And once this is fulfilled; the halo lifts and the angel leaves their body as the person exits your life. They will be a stranger to you once more.
-------------------------------------------------
It's so dark right now, I can't see any light around me.
That's because the light is coming from you. You can't see it but everyone else can.
β
β
Lang Leav (Love & Misadventure)
β
If you want some adviceβwhich I'm sure you don'tβyou guys should lay off on the magic. Christian still thinks you're moving in on Lissa."
"What?" he asked in mock astonishment. "Doesn't he know my heart belongs to you?"
"It does not. And no, he's still worried about it, despite what I've told him."
"You know, I bet if we started making out right now, it would make him feel better."
"If you touch me," I said pleasantly, "I'll provide you with the opportunity to see if you can heal yourself. Then we'd see how badass you really are.
β
β
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
β
...the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They donβt deceive you with thrills and trick endings. They donβt surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your loverβs skin. You know how they end, yet you listen as though you donβt. In the way that although you know that one day you will die, you live as though you wonβt. In the Great Stories you know who lives, who dies, who finds love, who doesnβt. And yet you want to know again.
That is their mystery and their magic.
β
β
Arundhati Roy (The God of Small Things)
β
Someone needs to tell those tales. When the battles are fought and won and lost, when the pirates find their treasures and the dragons eat their foes for breakfast with a nice cup of Lapsang souchong, someone needs to tell their bits of overlapping narrative. There's magic in that. It's in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict. From the mundane to the profound. You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift. Your sister may be able to see the future, but you yourself can shape it, boy. Do not forget that... there are many kinds of magic, after all.
β
β
Erin Morgenstern (The Night Circus)
β
Luna had decorated her bedroom ceiling with five beautifully painted faces: Harry, Ron, Hermione, Ginny, and Neville. They were not moving as the portraits at Hogwarts moved, but there was a certain magic about them all the same: Harry thought they breathed. What appeared to be fine golden chains wove around the pictures, linking them together, but after examining them for a minute or so, Harry realized that the chains were actually one word, repeated a thousand times in golden ink: friends . . . friends . . . friends . . .
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters.
β
β
Neil Gaiman (The Books of Magic)
β
When two people meet and fall in love, there's a sudden rush of magic. Magic is just naturally present then. We tend to feed on that gratuitous magic without striving to make any more. One day we wake up and find that the magic is gone. We hustle to get it back, but by then it's usually too late, we've used it up. What we have to do is work like hell at making additional magic right from the start. It's hard work, but if we can remember to do it, we greatly improve our chances of making love stay.
β
β
Tom Robbins (Still Life with Woodpecker)
β
The vampire stared at me, his mouth slack as Ghastek assessed his options. I took a couple of forms from my desk, put them into the vamp's mouth, and pulled them up by their edges.
"What are you doing?" Ghastek asked.
"My hole puncher broke."
"You have no respect for the undead.
β
β
Ilona Andrews (Magic Burns (Kate Daniels, #2))
β
I dreamed I spoke in another's language,
I dreamed I lived in another's skin,
I dreamed I was my own beloved,
I dreamed I was a tiger's kin.
I dreamed that Eden lived inside me,
And when I breathed a garden came,
I dreamed I knew all of Creation,
I dreamed I knew the Creator's name.
I dreamed--and this dream was the finest--
That all I dreamed was real and true,
And we would live in joy forever,
You in me, and me in you.
β
β
Clive Barker (Abarat: Days of Magic, Nights of War)
β
Not only will you sleep with me, but you will say 'please.'"
I stared at him, shocked.
The smile widened. "You will say 'please' before and 'thank you' after."
Nervous laughter bubbled up. "You've gone insane. All that peroxide in your hair finally did your brain in, Goldilocks.
β
β
Ilona Andrews (Magic Burns (Kate Daniels, #2))
β
That same night, I wrote my first short story. It took me thirty minutes. It was a dark little tale about a man who found a magic cup and learned that if he wept into the cup, his tears turned into pearls. But even though he had always been poor, he was a happy man and rarely shed a tear. So he found ways to make himself sad so that his tears could make him rich. As the pearls piled up, so did his greed grow. The story ended with the man sitting on a mountain of pearls, knife in hand, weeping helplessly into the cup with his beloved wife's slain body in his arms.
β
β
Khaled Hosseini (The Kite Runner)
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I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far.
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J.K. Rowling
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Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those left grieving said anoshe.
Anoshe brought solace. And hope. And the strength to let go.
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Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
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I walked past Malison, up Lower Main to Main and across the road. I didnβt need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.Β
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. βDo you like living in the High Lordβs kitchens?β
He, of course, replied, βNo.β
βWell, weβre going to a better place.β
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calecβs cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. βItβs a graveyard.β
βAre you afraid of ghosts?β I asked.
βMy fatherβs a ghost,β he whispered.
I asked if he wanted to learn how to throw a knife. He said, βYes,β as I knew he would.Β He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. Iβd spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.Β
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
βArenβt you going to show me?β Malison prompted, as if to echo my prayer.
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K. Ritz (Sheever's Journal, Diary of a Poison Master)
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Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me.
I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic.
The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it.
It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't.
I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me.
Always,
Your Peter
P.S. Please give my love to Tink. She was always such a funny little bug.
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Jodi Lynn Anderson (Tiger Lily)
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The ones who are not soul-mated β the ones who have settled β are even more dismissive of my singleness: Itβs not that hard to find someone to marry, they say. No relationship is perfect, they say β they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation β yes, honey, okay, honey β is the same as concord. Heβs doing what you tell him to do because he doesnβt care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked.
Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Donβt land me in one of those relationships where weβre always pecking at each other, disguising insults as jokes, rolling our eyes and βplayfullyβ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if onlyβ¦ and you sense the if only list is a lot longer than either of them realizes.
So I know I am right not to settle, but it doesnβt make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if Iβm the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart β perfect-on-paper men who make me feel like Iβm in a foreign land, trying to explain myself, trying to make myself known. Because isnβt that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isnβt that the simple magic phrase?
So you suffer through the night with the perfect-on-paper man β the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that youβve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
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Gillian Flynn (Gone Girl)