“
Soulmates. That was the word. Maggie could sense what it meant. Two people connected, bound to each other forever, soul to soul, in a way that even death couldn't break. Two souls that were destined for each other.
”
”
L.J. Smith (Night World, No. 3 (Night World, #7-9))
“
And just then Damon stepped out of the coat closet, and at the same time Aunt Maggie tripped him neatly and said, “Bathroom door beside you,” and picked up a vase and hit the rising Damon over the head with it. Hard.
”
”
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
“
What is a week-end? Maggie Smith in Downton Abbey.
”
”
Julian Fellowes
“
Let everything happen to you: beauty and terror. Just keep going. No feeling is final.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
We talk so much of light, please
let me speak on behalf
of the good dark. Let us
talk more of how dark
the beginning of a day is.
—Maggie Smith, from “How Dark the Beginning,” Poetry (February 2020)
”
”
Maggie Smith
“
Ask yourself about the kind of life you want: What would you do day to day, and with whom, and where? Consider the life you have. Do one thing today, however small, to close the gap between the two.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
When you lose someone you love, you start to look for new ways to understand the world.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
I am out with lanterns, looking for myself. —Emily Dickinson
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
When life held your hand in the flames, it taught you something about the kind of burning you can endure. You survived: don’t forget that, and don’t diminish it. KEEP MOVING.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
How much do they be paying you?" he asked mellowly.
"The usual salary. A little more than they think I'm worth and a little less than I think I'm worth.
”
”
Betty Smith (Maggie-Now)
“
Wish for more pain,” a friend’s therapist once told her, “because that’s how you’ll change.” It has to hurt so much that you have to do something differently. The pain forces your hand.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Good Bones"
Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.
”
”
Maggie Smith
“
It is not your job to make other people comfortable with who you are.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
I like the ephemeral thing about theatre, every performance is like a ghost - it's there and then it's gone.
”
”
Maggie Smith
“
We say in the grand scheme of things as if there were one. We say that's not how the world works as if the world works.
”
”
Maggie Smith (Goldenrod: Poems)
“
This is what it is to be rooted in a place, or to have a place rooted inside you: Every bit means something to someone you know, and therefore, every bit means something to you.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
I still carry these versions of myself. It’s a kind of reincarnation without death: all these different lives we get to live in this one body, as ourselves.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Accept that you are a work in progress, both a revision and a draft: you are better and more complete than earlier versions of yourself, but you also have work to do. Be open to change. Allow yourself to be revised.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
Here’s the thing: Betrayal is neat. It absolves you from having to think about your own failures, the ways you didn’t show up for your partner, the harm you might have done.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
What would I have done to save my marriage? I would have abandoned myself, and I did, for a time. I would have done it for longer if he’d let me.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
It was the sort of situation that would be ever so charming and warmly human in a film with Peter Ustinov and Maggie Smith but that sort of film is only charming because they leave out so many details, and real life is all the details they leave out.
”
”
Russell Hoban (Turtle Diary)
“
Don't wait for your life to magically come together--it's your work to do. Every day, every moment, you are making your life from scratch. Today, take one step, however small, toward creating a life you can be proud of.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
In all these places, I loved that person. I loved him. Where does that go? The love is in all of these places—haunting?—and in none of them. The love is everywhere and nowhere.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Is my gardener's pride to be sacrificed on the altar of Mr Molesley's ambitions?
- The Dowager Countess(Maggie Smith)
”
”
Julian Fellowes
“
Tim curled up in a corner of the backseat, sheltering his penguin from the storm, all tensed up in “scandalized Maggie Smith” pose.
”
”
Edgar Cantero (Meddling Kids)
“
How I picture it: We are all nesting dolls, carrying the earlier iterations of ourselves inside. We carry the past inside us. We take ourselves—all of our selves—wherever we go.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
The best things to happen to me individually were the worst things to happen to my marriage. And then, this: But the best things remain.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
We all come into the world unfinished, still stitching ourselves together.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Stop searching yourself trying to understand why someone else treated you the way they did. The answer is not inside you; it's inside them, out of reach.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
Now my wandering days are over. It will be bliss to settle down. Bliss. There's a word, now. Bliss to love and to be loved.
”
”
Betty Smith (Maggie-Now)
“
I am offering the only thing I have. I am holding out my hand, feeding myself to the hungry future.
”
”
Maggie Smith (Goldenrod: Poems)
“
Start making yourself at home in your life as it is.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
At my age, I don’t plan that far ahead. I don’t even buy green bananas.”
Maggie Smith in The Best Exotic Marigold Hotel.
”
”
Maggie Smith
“
Do not be stilled by anger or grief. Burn them both and use that fuel to keep moving. Look up at the clouds and tip your head way back so the roofs of the houses disappear. Keep moving.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
How I picture it: We are all nesting dolls, carrying the earlier iterations of ourselves inside. We carry the past inside us. We take ourselves–all of our selves–wherever we go.
Inside forty-something me is the woman I was in my thirties, the woman I was in my twenties, the teenager I was, the child I was.
Inside divorced me: married me, the me who loved my husband, the me who believed what we had was irrevocable and permanent, the me who believed in permanence.
I still carry these versions of myself. It's a kind of reincarnation without death: all these different lives we get to live in this one body, as ourselves.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Close the gap between yourself and your spirit--the person you know you can be. Let your choices reflect the person you want to become, not just the person you think you are.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
God, all those months of seeing Kelsey’s pictures and hearing about her travels, and I had been raging with jealousy. And now it was my turn.
I wanted to mind the gap at the tube station and eat fish and chips and try to make the Queen’s guards laugh. I wanted to see Big Ben and the Globe and the London Bridge and Dame Judi Dench. Or Maggie Smith. Or Alan Rickman. Or Sir Ian McKellen. Or anybody famous and British, really.
Holy crap. This was really happening.
And I wasn’t just a tourist. I was visiting with someone who’d grown up in the city. With my fiancé.
Take that, world.
”
”
Cora Carmack (Keeping Her (Losing It, #1.5))
“
I’m trying to tell you the truth, so let me be clear: I didn’t want this lemonade. My kids didn’t want this lemonade. This lemonade was not worth the lemons. And yet, the lemons were mine. I had to make something from them, so I did. I wrote. I’ll drink to that.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Mourning a living person is different from mourning the dead. A woman whose husband dies is a widow. But there is no word for a person who grieves a living person—a child, a partner, an estranged family member or dear friend. There is no name for what you are when a part of your life and identity dies, but you go on living. There is no name for what you are when you outlive the life you expected to have and find yourself in a kind of afterlife.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
As if you have to break someone’s heart to make them strong. I could say you don’t get to take credit for someone’s growth if they grow as a result of what you put them through.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
The body remains a house unaware of its rooms.
”
”
Maggie Smith (Goldenrod: Poems)
“
Was this my proudest moment? No. I was not my best self that night. I gave all the fucks, I thought. Why was I the one giving all the fucks? Where were his fucks?
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
The mind is mysterious. A master of sleight of hand.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Give the present the gift of your full attention.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
Recognize the difference between The End and An End.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
Likewise, parents are not wise oracles—they’re just people trying to shepherd other people through the world. We may know the right path to take, but knowing the way and consistently walking it are two different things. Everything we learn, we learn from someone who is imperfect.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Imagine, if you will, a sharper, crueler version of Maggie Smith, and you’ll have some semblance of an idea of my grandmother. Add an unhealthy dose of botulinum toxin, and there’s your visual.
”
”
Michelle Hodkin (The Becoming of Noah Shaw (The Shaw Confessions, #1))
“
Life is short and the world is at least half terrible, and for every kind stranger, there is one who would break you, though I keep this from my children. I am trying to sell them the world. Any decent realtor, walking you through a real shithole, chirps on about good bones: This place could be beautiful, right? You could make this place beautiful.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
It’s a mistake to think of one’s life as plot, to think of the events of one’s life as events in a story. It’s a mistake. And yet, there’s foreshadowing everywhere, foreshadowing I would’ve seen myself if I’d been watching a play or reading a novel, not living a life.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
It was completely illogical: as if part of me wanted him back, and part of me wanted him to disappear, and nothing in between would do. Or: I wanted my husband back, and I wanted the stranger he'd become to disappear.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Stop calling your heart broken; your heart works just fine. If you are feeling--love, anger, gratitude, grief--it is because your heart is doing its work. Let it.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
I’m desperate for you to love the world because I brought you here.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
I wanted to save my marriage, but I wanted to save it without anyone knowing it needed saving. That is some serious firstborn-daughter energy right there.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Maybe this is a story of two human beings who committed to each other very young and didn’t survive one another’s changes.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
What is embarrassment but a relative of fear? You've been seen—caught—at being imperfect.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
They came together, they loved and they married. In innocence, and never dreaming how courageous they were, they started a new life together and a new generation of their own.
”
”
Betty Smith (Maggie-Now: A Novel)
“
Torma means “offering cake.” You offer the torma to your don. You feed the ghost that does you harm, “that which possesses you.” Giving it a little something sweet is a way of saying, Thank you for the pain you caused me, because that pain woke me up. It hurt enough to make me change. “Wish for more pain,” a friend’s therapist once told her, “because that’s how you’ll change.” It has to hurt so much that you have to do something differently. The pain forces your hand.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
You know what one of the saddest damn things is? One of the parts of all this that I’m grieving the most? When I lost my marriage, I lost all that shared history. I lost the person who knew me in a way no one else does, and when I lost him, I also lost being known like that.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
My handwriting is all over these woods.
No, my handwriting is these woods,
each tree a half-print, half-cursive scrawl,
each loop a limb. My house is somewhere
here, & I have scribbled myself inside it.
What is home but a book we write, then
read again & again, each time dog-earing
different pages...
”
”
Maggie Smith (Goldenrod: Poems)
“
By the time you’re reading this sentence, I want to have let go, to have wrestled myself free of this ghost, to have forgiven. I want to be able to say, Thank you, pain, for being my teacher. This book is my torma, my offering. Please take it. Taste its sweetness.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
We can endure anything if we know when it will end, but I had no idea when it would end.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
You don’t have to be in love to have love in your life. Take stock of everything—and everyone—that fills your heart.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
Speak without silencing others. Listen without losing your own voice. KEEP MOVING.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
Do not be ashamed of the intensity of your emotion. That's your humanity. Grief can be feral, wild, frightening. Give it a safe place to live.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
I didn't feel missed as a person, I felt missed as staff. My invisible labor was made painfully visible when I left the house. I was needed back in my post.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
I have to trust this: If what I give my children is love, then they’re receiving it. If I seek to understand them, then they will feel understood. Embraced. Fathomed.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
I’m trying so hard to forgive. I’m wishing hard for peace in every superstitious way. Wishing for it deep inside me, where the truest things live.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Your work is being yourself, offering what you can to others. You’ve been doing it all along. Now do it with intention.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
A silver lining of being alone is being with someone you can trust, someone you respect and understand. You can let your guard down when you're by yourself. You can give yourself permission to live your authentic life, without apology. You can love yourself in a way that no one else can.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
I don’t have to understand everything, and I don’t believe understanding is owed me. I don’t get 2001: A Space OdysseyI—fine, I can live with that. But my own life? It would be nice to get it.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
It’s too late to do anything about the inequity in my now-kaput marriage. But I made the list of tasks anyway. I wanted to see in black and white what I’d been doing in the marriage. Reader, I was going to show you the list, but I decided against it. You don’t need the list. Looking at it, I thought, No wonder so many divorced men get remarried right away and so many divorced women stay on their own.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
But every teacher is human. Likewise, parents are not wise oracles—they’re just people trying to shepherd other people through the world. We may know the right path to take, but knowing the way and consistently walking it are two different things. Everything we learn, we learn from someone who is imperfect.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Fathers don’t feel guilty for wanting an identity apart from their children, because the expectation is that they have lives outside of the home. I’m starring and underlining this fact for future reference.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Do not be led by fear; fear cannot lead you out of the dark. Find whatever bits of hope you can--a trail of even the smallest bread crumbs, even the tiniest pebbles reflecting the moonlight--and follow them.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
That bit of blue doesn't belong to them, and they don't belong to the sky, or to the earth, or to us. Isn't that what you've been taught — nothing is ours? Haven't you learned to keep the loosest possible hold?
”
”
Maggie Smith (Goldenrod: Poems)
“
Fight the urge to withdraw, to fold in on yourself, as if your pain is contagious and might infect someone else. We are here to take care of one another; the care is what's catching, spreading person to person to person. So take--and give--care.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
Life is short, though I keep this from my children. Life is short, and I’ve shortened mine in a thousand delicious, ill-advised ways, a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least fifty percent terrible, and that’s a conservative estimate, though I keep this from my children. For every bird there is a stone thrown at a bird. For every loved child, a child broken, bagged, sunk in a lake. Life is short and the world is at least half terrible, and for every kind stranger, there is one who would break you, though I keep this from my children. I am trying to sell them the world. Any decent realtor, walking you through a real shithole, chirps on about good bones: This place could be beautiful, right? You could make this place beautiful.
”
”
Maggie Smith
“
How I picture it: For months, maybe even years, I folded and folded my happiness until I couldn’t fold it anymore, until it fit under my tongue, and I held it there. I kept silent in order to hold it. I taught myself to read his face and dim mine, a good mirror.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
The thing is, flowers die when you pick them. As soon as you cut them and put them in a vase, the clock’s on. You’re displaying them as something beautiful, and the whole time they’re decomposing. Sometimes I think our marriage was like that. As soon as it began, it was beginning to end.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
BRIDE How long have I been wed to myself? Calling myself darling, dressing for my own pleasure, each morning choosing perfume to turn me on. How long have I been alone in this house but not alone? Married less to the man than to the woman silvering with the mirror. I know the kind of wife I need and I become her: the one who will leave this earth at the same instant I do. I am my own bride, lifting the veil to see my face. Darling, I say, I have waited for you all my life.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
But the more time passed, the less I hurt. The less I hurt, the more I was able to see how beautiful, how full, my life was. I felt myself smiling as I walked in my neighborhood. My eyes followed the calls of birds to find them in the trees—grackles, woodpeckers, crows, robins, blue jays, cardinals. I’d built a life in which my days were like this: taking long walks, writing, mothering, cackling over coffee or cocktails with friends, sleeping alone some nights, being held close by someone I loved other nights. I was unfolding, learning to take up space. Life began to feel open enough, elastic enough, to contain whatever I might choose for it.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
I wonder: How will my children feel if they think that being seen as a mother wasn’t enough for me? What will they think of me, knowing I wanted a full life—a life with them and a life in words, too? I’m dog-earing a realization in my mind now: I don’t think fathers are asking themselves these questions. Fathers don’t feel guilty for wanting an identity apart from their children, because the expectation is that they have lives outside of the home. I’m starring and underlining this fact for future reference.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Wish for more pain,” a friend’s therapist advised, if you want to change. If you’re in enough pain, you won’t be able to continue living the way you’ve been living; you’ll have to do something differently. But be careful what you wish for, because you just might get it—and then what? Then the pain is yours. The pain is yours and it will change you.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Nothing predates danger.
”
”
Maggie Smith (Good Bones)
“
Maybe I shouldn’t have accepted any of them, but I was trying to keep the peace. Now I think, What peace?
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Sometimes yes looks like reminding yourself of what is still possible. I went to find beauty, and it was still there. I go looking for it, and it’s there.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
(Is that what a memoir is—a ghost tour? I’m confronting what haunts me. I’m out with lanterns, looking.)
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
It’s easy to see the beginnings of things, and harder to see the ends. —Joan Didion
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
I’d been trying to save the marriage, but I needed to save myself.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
But feeling lonely when you’re with your partner is worse than being alone. Being with someone who doesn’t want the best for you is worse than being alone. I could say that when I think about my dream partner, what I want in that person is so basic, so low-bar, I’m almost ashamed to say it out loud: Someone who’s happy to see me. Someone who smiles when I walk into a room. Someone who can be happy with me and for me
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
If you’re not careful, you can revise the life right out of a piece of writing. If you’re not careful, you can scrub all the weirdness and wildness right out of it. As counterintuitive as it sounds, you can polish it dull.
”
”
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
“
Marriages are nesting dolls, too. We carry each iteration: the marriage we had before the children, the marriage of love letters and late nights at dive bars and train rides through France; the marriage we had after the children, the marriage of tenderness but transactional communication—who’s doing what, and when, and how—and early mornings and stroller walks and crayon on the walls and sunscreen that always needs to be reapplied; the marriage we had toward the end before we knew there was an end, the marriage of the silent treatment and couch sleeping and the occasional update email. Somewhere at the center is the tiniest doll. Love. The love that started everything. It’s still there, but we’d have to open and open and open ourselves—our together selves—to find it. I can’t bear to think of it in there somewhere, the love. Like the perfect pit of some otherwise rotten fruit.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
When I traveled, I planned carefully for minimal disruption to his schedule. I arranged playdates for after school or asked my parents for help. But I couldn’t pack lunches ahead, give baths ahead, make breakfasts ahead, get the kids dressed ahead, anticipate fevers or stomach flus ahead. Some things would have to be done in real time.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.
”
”
Maggie Smith
“
How I picture it: A scar is a story about pain, injury, healing. Years, too, are scars we wear. I remember their stories. The year everything changed. Kindergarten, fourth grade. The year of the pinecone, the postcard, the notebook. The year of waking in the night, sweating, heart racing. The year of being the only adult in the house, one baseball bat by the front door and another one under the bed. Or the year the divorce was finalized. First grade, fifth grade. Two houses, two beds, two Christmases, two birthdays. The year of where are your rain boots, they must be at Dad’s house. The year of who signed the permission slip? The year of learning to mow the lawn. The year of fixing the lawn mower, unclogging the toilets. The year I was tattooed with lemons. The year of sleeping with the dog instead of a husband. (The dog snores more quietly. The dog takes up less space.) The year of tweeting a note-to-self every day to keep myself moving. The year I kept moving. The year of sitting up at night, forgetting whether the kids were asleep in their beds or not. The year of waking in the morning and having to remember whether they were with me. The year I feared I would lose the house, and the year I did not lose the house. The year I wanted to cut a hole in the air and climb inside, and the year I didn’t want that at all. The year I decided not to disappear. The year I decided not to be small. The year I lived.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
At our wedding, our college creative writing professor read a poem—John Ciardi’s “Most Like an Arch This Marriage.” It’s a poem about imperfection, about being more together than we can be on our own: “Most like an arch—two weaknesses that lean / into a strength. Two fallings become firm.” Being married isn’t being two columns, standing so straight and tall on their own, they never touch. Being married is leaning and being caught, and catching the one who leans toward you.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
William’s weekend with his friends, Geoffrey and Maggie, was turning out to be neither restful nor enjoyable. Things could have been worse, of course: there must be weekends during which the hosts’ house burns to the ground, one of the guests murders another, the hostess is arrested in extradition proceedings or the guests are all poisoned by the inclusion of death’s cap mushrooms in the stew. Such weekends must be very difficult indeed, not least because of the wording of the thank-you letters that one would have to write. The disaster, whatever it was, could hardly be ignored, but must be referred to tactfully in the letter, and always set in proper perspective. Thus, in the case of the mushroom poisoning, one would comment on how the other courses of the meal were delicious; in the case of the hostess’s arrest, one would say something comforting about the ability of defence lawyers in the jurisdiction to which she was being extradited—and so on, mutatis mutandis, trying at all times to be as positive as possible.
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Alexander McCall Smith (A Conspiracy of Friends (Corduroy Mansions, #3))
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The spare Tynmore spinsters lay in their hard virginal bed. They groped for each other’s hands. “Did you hear it, Sister?” asked Miss Maggie. “Her time has come,” answered Miss Lizzie. “That’s why I didn’t marry Harvey—long ago when he asked me. I was afraid of that. So afraid.” “I don’t know,” Miss Lizzie said. “Sometimes I think it’s better to suffer bitter unhappiness and to fight and to scream out, and even to suffer that terrible pain, than just to be…safe.” She waited until the next scream died away. “At least she knows she’s living.” Miss Maggie had no answer. The
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Betty Smith (A Tree Grows in Brooklyn)
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Suggested Reading Atkinson, Kate. Behind the Scenes at the Museum; Binchy, Maeve. Tara Road, The Copper Beech, and Evening Class; Bloom, Amy. Come to Me; Edwards, Kim. The Memory Keeper’s Daughter; Ferris, Joshua. The Unnamed; Flynn, Gillian. Gone Girl; Foer, Jonathan Safran. Extremely Loud and Incredibly Close; Franzen, Jonathan. The Corrections; Ganesan, Indira. Inheritance; Hanilton, Jane. Disobedience; Jonasson, Jonas. The 100-Year-Old Man Who Climbed Out the Window and Disappeared; Joyce, Rachel. The Unlikely Pilgrimage of Harold Fry; Kidd, Sue Monk. The Secret Life of Bees; Mapson, Jo-Ann, The Owl & Moon Cafe; McEwan, Ian. Atonement; Miller, Arthur. All My Sons; Morrison, Toni. Love; O’Neill, Eugene. Long Day’s Journey into Night; Pekkanen, Sarah. The Opposite of Me; Porter, Andrew. In Between Days; Quindlen, Anna. Blessings and One True Thing; Rosenfeld, Lucinda. The Pretty One; Sittenfeld, Curtis. Sisterland; Smith, Ali. There But For The; Tan, Amy. The Joy Luck Club; Tyler, Anne. Dinner at the Homesick Restaurant; White, Karen. The Time Between; Williams, Tennessee. Cat on a Hot Tin Roof; Woolf, Virginia. Mrs. Dalloway; Yates, Richard. The Easter Parade.
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Maggie O'Farrell (Instructions for a Heatwave)
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For a second he thought she might chuckle, and honest to God he didn't know what he would do if she did. "Grey, society didn't give you that scar. A woman you treated with no more regard than your dirty stockings gave you that scar. You cannot blame the actions of one on so many."
HIs fingers tightened into fists at his side. "I do not blame all of society for her actions, of course not."
"How could you? You don't even know who it was, do you?"
"No." But he had suspicions. He was almost completely certain it had been Maggie-Lady Devane. He'd broken her heart the worst of them all.
"Of course you don't." Suddenly her eyes were very dark and hard. "I suspect it could be one of a large list of names, all women who you toyed with and cast aside."
A heavy chill settled over Grey's chest at the note of censure, and disapproval in her tone. He had known this day would come, when she would see him for what he truly was. He just hadn't expected it quite so soon.
"Yes," he whispered. "A long list indeed."
"So it's no wonder you would rather avoid society. I would too if I had no idea who my enemies were. It's certainly preferable to apologizing to every conquest and hope that you got the right one." She didn't say it meanly, or even mockingly, but there was definitely an edge to her husky voice.
"Is this what we've come to, Rose?" he demanded. "You've added your name to the list of the women I've wronged?"
She laughed then, knocking him even more off guard. "Of course not. I knew what I was getting myself into when I hatched such a foolhardy plan. No, your conscience need not bear the weight of me, grey." When she moved to stand directly before him, just inches away, it was all he could do to stand his ground and not prove himself a coward.
Her hand touched his face, the slick satin of her gloves soft against his cheek. "I wish you would stop living under all this regret and rejoin the world," she told him in a tone laden with sorrow. "You have so much to offer it. I'm sure society would agree with me if you took the chance."
Before he could engineer a reply, there was another knock at the door. Rose dropped her hand just as her mother stuck her head into the room.
"Ah, there you are. Good evening, Grey. Rose, Lord Archer is here."
Rose smiled. "I'll be right there, Mama." When the door closed once more, she turned to Grey. "Let us put an end to this disagreeable conversation and put it in the past where it belongs. Friends?"
Grey looked down at her hand, extended like a man's. He didn't want to take it. In fact, he wanted to tell her what she could do with her offer of friendship and barely veiled insults. He wanted to crush her against his chest and kiss her until her knees buckled and her superior attitude melted away to pleas of passion. That was what he wanted.
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Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))