Madness At Its Peak Quotes

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What happens to the drop of wine That you pour into the sea? Does it remain itself, unchanged? It is as if it never existed. So it is with the soul: Love drinks it in, It is united with Truth, Its old nature fades away, It is no longer master of itself. The soul wills and yet does not will: Its will belongs to Another. It has eyes only for this beauty; It no longer seeks to possess, as was its wont-- It lacks the strength to possess such sweetness. The base of this highest of peaks Is founded on nichil, Shaped nothingness, made one with the Lord.
Jacopone da Todi (The God-Madness)
I have never wanted to be inside a woman more in my life. I'm going mad in my desire for you. The way you moan, the way you taste, the way you come for me with unrestrained devotion, makes me crazy with wanting to know what will happen when I enter you: how your body will arch against mine, the sounds you'll make, the tightness I'll feel as you peak around my cock. I want you so fucking bad it's taking everything I have not to take you against this door, making you so full and stretched with me in you that you're mine and we both know it.
J.M. Sevilla (The Missing Link (Marked, #1))
I feel sick. It’s one thing to write for the school newspaper. But New York is on a whole different level. It’s a mountain, with a few successful people like Bernard at the top, and a mad of dreamers and strivers like me at the bottom. And then there are people like Viktor, who aren’t afraid to tell you that you’ve never going to reach that peak.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
So easy in the woods to daydream and pray to the local spirits and say “Allow me to stay here, I only want peace” and those foggy peaks answer back mutely Yes—And to say to yourself (if you’re like me with theological preoccupations) (at least at that time, before I went mad I still had such preoccupations) “God who is everything possesses the eye of awakening, like dreaming a long dream of an impossible task and you wake up in a flash, oops, No Task, it’s done and gone
Jack Kerouac (Big Sur)
For one, mad instant, she thought he planned to kiss her, but instead, he ducked under her chin and nuzzled against her shoulder at the site where her pulse pounded so furiously. A shiver of excitement tore through her, and she swallowed a baffled squeal that could have been either delight or indignation. His lips were heated and soft, and he tenderly kissed against her nape then, to her astonishment, he licked across her skin. She jumped then twirled away, only to end up facing the mirror, with him behind her, and she assessed the two of them, evaluating the differences: his tall to her short, bronzed to fair, brawn to lean. Boldly, he settled his hands on her hips and snuggled her backside against him, and she was assailed by an array of unique anatomical impressions. As though she'd been searching for this man all her life and had finally found him, she ignited with sensation, every pore alert and animated, and her nipples tightened painfully, poking at the towel. The knave immediately noticed how they'd peaked. "I can't wait to have my mouth on you." The declaration kindled cryptic messages, and restlessly, she scrambled to flee---from the unusual fleshly perturbation and from him---but because of their positions, he merely nestled her close and flexed against her. His groin stroked across her bottom in a manner she'd never presumed a man might attempt with a woman. There was a solid ridge along his abdomen that dug into her buttocks, and her traitorous body reacted by squirming to get nearer to it. He appreciated her participation and gripped her firmly, flexing again.
Cheryl Holt (Total Surrender)
One morning, a young Taoist priest named Silent Thunder Ghost ran up mount Mianshan to see a Taoist Immortal. The trail was long and arduous, and along the way many perilous paths were obscured by the morning mists. Arriving at the mountain peak he found the one called He Who Hides in Clouds, trying to balance a twisted, gnarly wooden staff on top of his finger. 'Dry me a wooden mountain…' said the Immortal who then threw his staff at least a mile high into the sky, whereupon the sun seemingly appeared from nowhere sending golden beams of sunlight onto his face. 'If it was me, and that was my go at life, I don’t think I’d want to do it again,' he said laughing, then he looked at his visitor. 'You are here to tell me you are making progress no doubt, have you found the Tao?' Unable to conceal his excitement Silent Thunder Ghost replied, 'I am no longer blind. I know the Tao and its ten thousand gifts. I live, I breathe, I see, I am life, I am the mountains, the morning dew on the trees, the moonlight reflecting in the lake, the starlight in my eyes, all these things are mine. My awareness is within me but reaches out to the furthest reaches of space.' As soon as he said this the gnarly old staff fell back to Earth, whereupon He Who Hides in Clouds caught it deftly with one hand and went on to press the tip against Silent Thunder Ghost’s chest. The Immortal said, 'All things are yours except your heart… the Tao keeps that part all to itself.' And then he vanished quite slowly and as he disappeared Silent Thunder Ghost was left holding the gnarly old staff, wondering if the conversation had ever really happened at all.
J.L. Haynes
Before she knew what was happening, she was leaning towards him. Ryam stiffened as she pressed her lips to his. His mouth was warm and inviting. She only tasted him for a second before his hands jerked to her shoulders to hold her away. Undaunted, she grasped at the neck of his tunic while she kissed him, brushing over his lips again, searching, pleading. Slowly, his grip loosened. He yielded with a groan, sliding his tongue past her lips to feed on her desire. She wrapped her arms around him, barely able to circle the broadness of his shoulders. A soft, aching sound rose from her throat as his fingers dug into the nape of her neck, tilting her to him, fitting their mouths together even more intimately. She clung to him, guided by nothing but the desperate beating of her heart and a sharp, sweet yearning deep within her. His hands moved restlessly to grasp her hips, but then he tore himself away from her so abruptly she made a startled sound. He gritted his teeth and turned away, his hands clenched into fists. His pulse skipped along his neck as he gulped in breath after ragged breath. ‘You can’t kiss me like that,’ he growled. ‘You can’t look at me like that.’ Ailey was staring at him. Her fingers lifted to press against lips swollen with want and sensation. Naked desire. He could see it in her eyes, smell it on her skin. She was flushed with it, overflowing. God, the silken taste of her. She didn’t know how to hide her feelings and they clawed at him until the ache between his legs reached an acute peak. ‘What do you want from me?’ he demanded. One moment she made him swear not to touch her and the next she was kissing him into madness. If she made a single move towards him, made a single sweet sound he’d take hold of her, lower her to the ground and make her his right now with the fierce throb of combat and their wild escape still in his veins. Some part of her must have known it. That was why she stayed petrified, her only movement the rise and fall of her breasts as she struggled to breathe. ‘Tell me what it is you want from me and it’s yours,’ he promised dangerously.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
Now I am alone. O, what a rogue and peasant slave am I! (520) Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, (530) That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears. Yet I, A dull and muddy-mettled rascal, peak, Like John-a-dreams, unpregnant of my cause, (540) And can say nothing; no, not for a king, Upon whose property and most dear life A damn'd defeat was made. Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard, and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, As deep as to the lungs? who does me this? Ha! 'Swounds, I should take it: for it cannot be But I am pigeon-liver'd and lack gall (550) To make oppression bitter, or ere this I should have fatted all the region kites With this slave's offal: bloody, bawdy villain! Remorseless, treacherous, lecherous, kindless villain! O, vengeance! Why, what an ass am I! This is most brave, That I, the son of a dear father murder'd, Prompted to my revenge by heaven and hell, Must, like a whore, unpack my heart with words, And fall a-cursing, like a very drab, (560) A scullion! Fie upon't! foh! About, my brain! I have heard That guilty creatures sitting at a play Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ. I'll have these players Play something like the murder of my father Before mine uncle: I'll observe his looks; (570) I'll tent him to the quick: if he but blench, I know my course. The spirit that I have seen May be the devil: and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me: I'll have grounds More relative than this: the play's the thing Wherein I'll catch the conscience of the king.
William Shakespeare (Hamlet)
The sensational event of the ancient world was the mobilisation of the underworld against the established order. This enterprise of Christianity had no more to do with religion than Marxist socialism has to do with the solution of the social problem. The notions represented by Jewish Christianity were strictly unthinkable to Roman brains. The ancient world had a liking for clarity. Scientific research was encouraged there. The gods, for the Romans, were familiar images. It is some what difficult to know whether they had any exact idea of the Beyond. For them, eternal life was personified in living beings, and it consisted in a perpetual renewal. Those were conceptions fairly close to those which were current amongst the Japanese and Chinese at the time when the Swastika made its appearance amongst them. It was necessary for the Jew to appear on the scene and introduce that mad conception of a life that continues into an alleged Beyond! It enables one to regard life as a thing that is negligible here below—since it will flourish later, when it no longer exists. Under cover of a religion, the Jew has introduced intolerance in a sphere in which tolerance formerly prevailed. Amongst the Romans, the cult of the sovereign intelligence was associated with the modesty of a humanity that knew its limits, to the point of consecrating altars to the unknown god. The Jew who fraudulently introduced Christianity into the ancient world—in order to ruin it—re-opened the same breach in modern times, this time taking as his pretext the social question. It's the same sleight-of-hand as before. Just as Saul was changed into St. Paul, Mardochai became Karl Marx. Peace can result only from a natural order. The condition of this order is that there is a hierarchy amongst nations. The most capable nations must necessarily take the lead. In this order, the subordinate nations get the greater profit, being protected by the more capable nations. It is Jewry that always destroys this order. It constantly provokes the revolt of the weak against the strong, of bestiality against intelligence, of quantity against quality. It took fourteen centuries for Christianity to reach the peak of savagery and stupidity. We would therefore be wrong to sin by excess of confidence and proclaim our definite victory over Bolshevism. The more we render the Jew incapable of harming us, the more we shall protect ourselves from this danger. The Jew plays in nature the rôle of a catalysing element. A people that is rid of its Jews returns spontaneously to the natural order. In 1925 I wrote in Mein Kampf (and also in an unpublished work) that world Jewry saw in Japan an opponent beyond its reach. The racial instinct is so developed amongst the Japanese therefore compelled to act from outside. It would be to the considered interests of England and the United States to come to an understanding with Japan, but the Jew will strive to prevent such an understanding. I gave this warning in vain. A question arises. Does the Jew act consciously and by calculation, or is he driven on by his instinct? I cannot answer that question. The intellectual élite of Europe (whether professors of faculties, high officials, or whatever else) never understood anything of this problem. The élite has been stuffed with false ideas, and on these it lives. It propagates a science that causes the greatest possible damage. Stunted men have the philosophy of stunted men. They love neither strength nor health, and they regard weakness and sickness as supreme values. Since it's the function that creates the organ, entrust the world for a few centuries to a German professor—and you'll soon have a mankind of cretins, made up of men with big heads set upon meagre bodies.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
Turning to the northwest I see the much nearer fires on the hill, like a dwarfish volcano. Vigorous figures mill about the blazes, their shadows hopping and hobnobbing, like island natives beside a night-painted ocean. I might’ve been able to catch the sounds of their carnivalesque revelling if there weren’t so much music and mad gaiety behind me. Far beyond the hill, the forest ends at the grey northern stretch of moorland with its dead whip of gritty roadway, down which I had seen the Night Hounds. Now, hooded figures trundle the same gloomy way. I wonder, are those druidic forms en route to the fire-capped hilltop? It seems a long way to go. Further north, past that winding road, the watching mountains tower, nigh-entirely disguised against the sky, one ebon peak protruding sharply, resembling an unapproachable pyramid or similar conical fortress. It must be some falsifying angle of light and shadow from the sky which has accentuated that dome in such a way - I well knew that those mountains should seem far smoother, more gentle, not nearly so sharp and craggy as that peak now appeared.
Avalon Brantley (The House of Silence)
Our fascination with the gothic peaks in times of anxiety, panic, and upheaval. The Victorian gothic revival of the 1890s was stoked by scientific, technological, and social change. Industrialization and urbanization sparked feelings of alienation. Darwin's theories of evolution and the changing roles of women fanned racist, misogynistic, homophobic, and colonialist fears of 'primitivism,' moral decay, and sexual depravity. In the nineteenth century, terror-inducing imagery had shifted away from crumbling castles to crime-infested cities, and fear of villains and ghosts was supplanted by a fear of madness and degeneration. In the twentieth century, we celebrated/mourned the death of authorship, of the grand narrative, of the self, 'going-one-better in eschatological eloquence,' as Jacques Derrida put it, 'the end of history...the end of subject, the end of man, the end of the West, the end of Oedipus, the end of the earth, Apocalypse Now.' A few years into the new millennium, we were zombie hordes, stalking social media for brains. The gothic is the fucked-either-way-and-freaking-the-fuck-out school of artistic interpretation, the hysterical framework of doom. And this tension between horror as morality tale and horror as decadent spectacle is, I believe, what fueled the pandemic of tabloid stories about wayward starlets that raged throughout 2006 and 2007. Celebrity train wreck stories begin, conservatively, as cautionary tales. A young woman, unprotected or legally emancipated, has moved alone from the relatively sheltered and secluded condition of parent-managed child stardom (because who, nowadays, is more cut off from the world than a child star?) into a corrupt and dangerous world, where her beauty, fame, youth, fortune, and sexual allure are regarded with a charged, ambivalent awe. She is instantly besieged with dangers, and preyed upon by unscrupulous adults. Until they can be contained again, by marriage or paternal protection, she exists in a constant state of uncertainty and peril. The peril is created, of course, by the 'author' - the media outlets that shape the train wreck's life, again and again, into thrilling, chilling tales of suspense.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Living here is a commitment to a very specific lifestyle. It's not for everyone. Astra needs to know." Astra blinked at her, visibly surprised by his mom's comments, and Jack didn't blame her. His mom had been pestering him to find someone, and now she was being difficult because she didn't agree with his choice. His dad cleared his throat. "Astra, any questions for us?" his dad said. Jack gave him a grateful smile. Astra finished chewing and took a sip of her water, sitting up straighter as she set her glass down. "Jack's done a wonderful job of answering my questions and giving me the history. I can see why he loves it so much. And who you might be protective of it." Astra's eyes flicked to his mom. "I understand that people join the Julemarked, but I haven't asked about people moving to the Outside." Mads's lips formed a silent "oh" and he heard Ani whisper, "Damn," under her breath. Astra kept her body turned toward his dad, but everyone at the table knew who the comment was directed at. Astra was letting his mom know she didn't intimidate her, that she wouldn't meekly disappear when challenged. Up to this point, Jack knew he could fall in love with Astra, that he stood on the peak, where one nudge would send him plunging headfirst to worship at her feet. This was the moment when he tipped over. When raised by a strong woman, a man can't help but respect and admire other strong women. Astra had proven herself capable of holding her own and now his heart was hers forever.
Amy E. Reichert (Once Upon a December)
She took one look at me and fireworks shot out of her ears. I think she hates me. At least, she’s still mad. But it could mean she still cares,” he added hopefully. “If I knew where to run into her again, I could try my persuasive charm on her without crowding her. I might’ve tried something like that the first time around. Like being at the officers’ club every time I thought she’d be there, till she got so sick of me shadowing her, she gave in.” Luke laughed. “Suave,” he said. “Think I should throw myself on her mercy? Nah,” he answered for himself. “From what I saw, she doesn’t have a lot of mercy in her right now. Besides, humility really isn’t my strong suit.” Luke laughed at him. “And, God forbid, we manly Riordans always play our best cards.” “You know what I mean. What woman wants a man who grovels? Did you grovel? When you and Shelby—?” “I hate to burst your bubble, pal, but I said I’d do anything that would make her happy. I know—it’s hard for you to imagine your tough big brother caving like that, but when I got down to it, I was doomed without her. She’s the breath in me.” Then he grinned. “But she doesn’t make me grovel anymore. She lets me pretend to be the big man.” “Swell,” Sean said, a long way from understanding all the rules for this game.
Robyn Carr (Angel's Peak (Virgin River #10))
I was just about to tell you when she came bounding in the front door. Rosie doesn’t walk anywhere.” “You were just about to tell me? A few years after the fact?” “I told you I needed a commitment, that I wanted a child…children. You were adamant—you were not interested in the same things I was.” “You might’ve left out a couple of things—like you were pregnant. That red hair and those green eyes—they’ve been in my family for generations.” “Did you really think I would tell you? After the way you acted about the whole idea?” “I didn’t have the facts,” he said, anger seeping into his tone. “Do you even remember how it was? Do you remember that I cried and said it was the most important thing to me and you said I’d have to come up with other important things because you weren’t getting into all that? Do you remember telling me not to let the door hit me in the ass? Do you remember saying, ‘Fat chance! Not in this lifetime’?” “And do you remember telling me I was a child, an irresponsible fuck-around who would never grow up? That if I couldn’t settle down and have a wife and children, you weren’t interested in wasting any more time on me? Remember, Franci? But you didn’t tell me you were pregnant!” “I couldn’t! I was afraid to!” “Aw, Jesus, Mary and Joseph—afraid? You’ve never had any reason to be afraid of me!” “I was afraid you’d marry me!” “That was what you wanted!” “I didn’t want you to marry me because I was pregnant! I wanted you to marry me because you loved me!” “I did love you! I just didn’t want to be married!” “Or have children!” she shouted back. She pinched her eyes closed and took a steadying breath. She spoke quietly. “I didn’t want you to be stuck with us. More to the point, I didn’t want us to be stuck with you, regretting our accident every day of our marriage. I wanted my child. I wanted to raise her knowing she was wanted. Loved. You will never understand this, Sean, and I don’t expect you to—but when my period was five minutes late, I started to love her. Passionately. And it grew by the day. If I couldn’t be a hundred percent sure that you’d love her just as much, I wasn’t willing to take a chance on you.” “Were you never going to tell me?” he asked. “If I hadn’t bumped into you, were you—” “Yes, I was going to tell you. I was going to have to—Rosie has just started asking questions. I was dreading it, but I was going to tell you.” “Dreading it? Because you knew how pissed I’d be?” She gave a huff of laughter. Sometimes he was so dense. “No, Sean,” she said patiently. “I don’t care if you get mad at me. I was afraid you’d hurt Rosie. Reject her. Ignore her. Break her heart.” Sean
Robyn Carr (Angel's Peak (Virgin River #10))
I’ve been trying to think of the best way to get in touch with you. I found your address, but no phone number, and I—” “You know where I live?” He looked around a little nervously; she made it sound as if he was some ax murderer or something. “Let’s not get loud here,” he suggested. “I needed to find you. I looked you up on the computer. You bought a house.” “Oh, for God’s sake,” she said, rubbing her temples. She seemed to gather herself from within. “All right. What do you want?” Now this was pissing him off all over again. “Gee, was I confusing you? I want us to have a conversation, maybe talk about what happened to us. I wanted to tell you that it didn’t take me long to wish I’d been more…more…cooperative when we had the argument that broke us up.” “Well, Sean, it did actually take you too long,” she said. “So there—consider your mission accomplished. You told me. Now, can you please go away and leave me alone?” “No, I can’t,” he said. “So I get it—you’re still mad. We can’t really deal with that without talking.” “But I said I don’t want to!” she stated, raising her voice again. “Franci,” he said quietly. “Could we try not to make a big scene here…” “Look, I told you, I’m in a hurry. You still using the same cell number?” she asked. He nodded. “Great, I’ll call you sometime. Now, excuse me, if you’d please just leave me alone, I’d appreciate it very much.” Polite as that might’ve sounded, it was stated angrily, and people had stopped shopping and began watching them. She turned away from him and he grabbed her arm again. “Franci, I am not going away. This is important.” Suddenly
Robyn Carr (Angel's Peak (Virgin River #10))
In Shanghai's prime, no city in the Orient, or the world for that matter, could compare with it. At the peak of its spectacular career the swamp-ridden metropolis surely ranked as the most pleasure-mad, rapacious, corrupt, strife-ridden, licentious, squalid, and decadent city in the world. It was the most pleasure-mad because nowhere else did the population pursue amusement, from feasting to whoring, dancing to powder-taking, with such abandoned zeal. It was rapacious because greed was its driving force; strife-ridden because calamity was always at the door; licentious because it catered to every depravity known to man; squalid because misery stared one brazenly in the face; and decadent because morality, as every Shanghai resident knew, was irrelevant. The missionaries might rail at Shanghai's wickedness and reformers condemn its iniquities, but there was never reason for the city to mend its errant ways, for as a popular Chinese saying aptly observed, "Shanghai is like the emperor's ugly daughter; she never has to worry about finding suitors." Other great cities - Rome, Athens, or St. Petersburg, for instance – might flatter themselves that they had been conceived for virtuous, even heroic, purposes. Not so the ugly daughter who reveled in her bastard status. Half Oriental, half Occidental: half land, half water; neither a colony nor wholly belonging to China; inhabited by the citizens of every nation in the world but ruled by none, the emperor's ugly daughter was an anomaly among cities. The strange fruit of a forced union between East and West, this mongrel princess came into the world through a grasping premise-the right of one nation to foist a poisonous drug upon another. Born in greed and humiliation, the ugly daughter grew up in the shadow of the Celestial Empire's defeat by outsiders in the Opium War. Nonetheless, within decades, she had become Asia's greatest metropolis, a brash sprawling juggernaut of a city that dominated the rest of the country with its power, sophistication, and, most of all money.
Stella Dong (Shanghai : The Rise and Fall of a Decadent City 1842-1949)
She took in a long, unsteadying breath and pushed the bodice of her dress with her hands until it drooped to her waist. She watched his eyes slowly drop from her eyes to her lips... to her... "God,"he murmured with reverent enthusiasm. She almost laughed, but he found her mouth again with his, and then his warm hands were on her bare waist, on her ribs, gliding up, up, up with torturous leisure, until his hands filled with her breasts, and his touch, his lips, became tender beyond words. She nearly sank to her knees. His thumbs traced her nipples into peaks, until at last she needed to take her lips from his and lean her head forward to touch his chest, shivering with helpless pleasure. His hand moved to cup the back of her head there, so he could once more take a kiss as deeply as he could, his other hand pressed against the small of her back, bringing her into the heat of his chest. The sensation of his skin against the hard tips of her breasts was unlike anything she was sure heaven had to offer. She moved her hands down, felt the hard, thick length of his arousal beneath his trousers, dragged her hands over it. He muttered something like "mmm," which she took to mean to do it again. So she did it again, and again, until his hands went down to cup her buttocks and roughly pushed her up against him. She looped her arms around his neck and pushed herself closer still. She wanted desperately to crawl inside him. "Making love to you, Susannah," Kit murmured against her lips, as his hips moved against hers, "would be a rare honor and pleasure." "I want you to make love to me." Her voice was shaking now. "Do you know what that truly means?" His hands had slipped lower now inside her dress, and his finger had found the crease of her buttocks to delicately trace. He looked intently down into her eyes. "Yes." "You do know? You know that I will be inside you..." He kissed her, this one languid, thorough, incinerating. "And that I will move inside you..." He kissed her again, the same way, until her thoughts were glittering fragments. "... Until we are both mad from pleasure?" "I want you inside me." She was nearly weeping with the truth of that.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))