Madame Web Quotes

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for her, life was as cold as an attic with a window looking to the north, and ennui, like a spider, was silently spinning its shadowy web in every cranny of her heart.
Gustave Flaubert (Madame Bovary)
But she—her life was cold as a garret whose dormer window looks on the north, and ennui, the silent spider, was weaving its web in the darkness in every corner of her heart.
Gustave Flaubert (Madame Bovary)
But her life was as cold as an attic facing north; and boredom, like a silent spider, was weaving its web in the shadows, in every corner of her heart.
Gustave Flaubert (Madame Bovary)
But her own life was as cold as an attic with a north-facing window, and boredom, that silent spider, was spinning its web in the darkness in every corner of
Gustave Flaubert (Madame Bovary)
ennui, the silent spider, was weaving its web in the darkness in every corner of her heart.
Gustave Flaubert (Madame Bovary)
She stands alone in Madame Manec's room and smells peppermint, candle wax, six decades of loyalty. Housemaid, nurse, mother, confederate, counselor, chef—what ten thousand things was Madame Manec to Etienne? To them all? German sailors sing a drunken song in the street, and a house spider over the stove spins a new web every night, and to Marie-Laure this is a double cruelty; that everything else keeps living, that the spinning earth does not pause for even an instant in its trip around the sun.
Anthony Doerr (All the Light We Cannot See)
AFTER THE DELUGE AS SOON as the idea of the Deluge had subsided, A hare stopped in the clover and swaying flower-bells, and said a prayer to the rainbow, through the spider’s web. Oh! the precious stones that began to hide,—and the flowers that already looked around. In the dirty main street, stalls were set up and boats were hauled toward the sea, high tiered as in old prints. Blood flowed at Blue Beard’s,—through slaughterhouses, in circuses, where the windows were blanched by God’s seal. Blood and milk flowed. Beavers built. “Mazagrans” smoked in the little bars. In the big glass house, still dripping, children in mourning looked at the marvelous pictures. A door banged; and in the village square the little boy waved his arms, understood by weather vanes and cocks on steeples everywhere, in the bursting shower. Madame *** installed a piano in the Alps. Mass and first communions were celebrated at the hundred thousand altars of the cathedral. Caravans set out. And Hotel Splendid was built in the chaos of ice and of the polar night. Ever after the moon heard jackals howling across the deserts of thyme, and eclogues in wooden shoes growling in the orchard. Then in the violet and budding forest, Eucharis told me it was spring. Gush, pond,—Foam, roll on the bridge and over the woods;—black palls and organs, lightning and thunder, rise and roll;—waters and sorrows rise and launch the Floods again. For since they have been dissipated—oh! the precious stones being buried and the opened flowers!—it’s unbearable! and the Queen, the Witch who lights her fire in the earthen pot will never tell us what she knows, and what we do not know.
Arthur Rimbaud (Illuminations: Prose poems (New Directions Paperbook, No. 56))
A small figure in crimson stood before the bench, sleeves rolled to the elbow, muttering. Dumai cleared her throat. “Master Kiprun?” The alchemist whipped around. He wore round amber panes over his eyes, clipped to his nose, huge and misty with steam. “I did ask for duck feathers,” he said, in a tone of sincere annoyance. Dumai could only blink. His cheeks were flushed, threads of hair were stuck to his forehead, and he brandished a grey feather. “You brought me goose feathers. Goose,” he barked, making her jump. “You do know the difference between a duck and a goose, don’t you? One quacks and the other honks, not to mention the neck. The neck alone—” “Master Kiprun,” Kanifa interjected, “this is Noziken pa Dumai, Crown Princess of Seiiki.” The alchemist sleeved the fog from his eyeglasses. “Ah. Yes.” He interlocked his fingers. Each bore a ring of a different metal: gold, iron, copper. “Princess Dumai. I am Master Kiprun, who shines—well, flickers really—for the Munificent Empress. And you?” he said to Kanifa. “Who are you, the Prince of Seiiki?” “No.” Kanifa cleared his throat. “I’m just a guard, a friend to Princess Dumai. Not a noble.” “Is it not noble to be a guard?” Master Kiprun wafted a brown hand, webbed with scars from burns, like his arms. “No matter. I never understand these things. Yes, your message caught my interest, Princess Dumai of the Faraway Isle. You don’t look much like a princess,” he said, cocking his head. “Aren’t you suppose to wear a crown, or something?” Dumai reunited with her tongue. “Well,” she said, indicating her headpiece, “this is—” “Madam, that is a fish.” After a moment, Dumai decided not to kick against the current. “It is a fish,” she agreed, taking a step toward him. “My fish and I flew here to seek your help, Master Kiprun.” “Yes, I did fear as much. Last time, it was a king who disturbed my work. He found me in the mountains, just to annoy me.” The alchemist snorted. “Once, it was the poor who sought my services, asking me to turn grass to gold. They were, at least, polite, if wildly optimistic. Now I am summoned hither and thither, disturbed by everyone from Golümtan to Ginura.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
Amantes Assemble Sonnet 9 The world doesn't need more avengers, but amantes. Hear me well, my brave amantes, it's time to assemble! More than Captain America we need Amelia Earhart, More than Madame Web we need Madame Curie-like rebel. Scrutinize all tradition with a fresh set of eyes, Rebel against dogma, and stand up to discrimination. Beliefs and doctrines surely have their place, But none of it is above scrutiny of the new generation. Each generation is to write their new set of laws, Learning from the triumphs and downfalls of yesterday. You just remember, that all roads lead to people, And life that doesn't lift people is life gone astray. Ayudar a la gente es la salvación de la mente. Elevación de la gente es la elevación de la mente.
Abhijit Naskar (Amantes Assemble: 100 Sonnets of Servant Sultans)