Mad Honey Quotes

We've searched our database for all the quotes and captions related to Mad Honey. Here they are! All 100 of them:

recant, v. I want to take back at least half of the “I love you”s, because I didn’t mean them as much as the other ones. I want to take back the book of artsy photos I gave you, because you didn’t get it and said it was hipster trash. I want to take back what I said about you being an emotional zombie. I want to take back the time I called you “honey” in front of your sister and you looked like I had just shown her pictures of us having sex. I want to take back the wineglass I broke when I was mad, because it was a nice wineglass and the argument would have ended anyway. I want to take back the time we had sex in a rent-a-car, not because I feel bad about the people who got in the car after us, but because it was massively uncomfortable. I want to take back the trust I had while you were away in Austin. I want to take back the time I said you were a genius, because I was being sarcastic and I should have just said you’d hurt my feelings. I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.
David Levithan (The Lover's Dictionary)
One must not put trust in novelists, Beth; they create worlds to fit their own needs and drive their characters mad in doing it.
Mary Robinette Kowal (Shades of Milk and Honey (Glamourist Histories, #1))
How similar does someone have to be to you before you remember to see them, first, as human?
Jodi Picoult (Mad Honey)
Sometimes, making the world a better place just involves creating space for the people who are already in it.
Jodi Picoult (Mad Honey)
It's salt. Why don't you sprinkle some on me, honey? Aren't I just good enough to eat?
Grant Morrison (Batman: Arkham Asylum - A Serious House on Serious Earth)
People, the people we really love, where did they come from? What did we do to deserve them?
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
Being gay or straight,” says Elizabeth, “is about who you want to go to bed with. Being trans—or cis—is about who you want to go to bed as.
Jodi Picoult (Mad Honey)
If you want to understand something, you first need to accept the fact of your own ignorance. And then, you need to talk to people who know more than you do, people who have not just thought about the facts, but lived them.
Jodi Picoult (Mad Honey)
Life can only be understood backwards, but it must be lived forwards. Søren Kierkegaard
Jodi Picoult (Mad Honey)
We are all flawed, complicated, wounded dreamers; we have more in common with one another than we don't. Sometimes making the world a better place just involves creating space for the people who are already in it.
Jodi Picoult (Mad Honey)
In one sense, reading is a great waste of time. In another sense, it is a great extension of time, a way for one person to live a thousand and one lives in a single lifespan, to watch the great impersonal universe at work again and again,
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
We are all one question and the best answer seems to be love--a connection between things.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
And who among us is not neurotic, and has never complained that they are not understood? Why did you come here, to this place, if not in the hope of being understood, of being in some small way comprehended by your peers, and embraced by them in a fellowship of shared secrets? I don't know about you, but I just want to be held.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
If I could do girlhood again, I’d ask to be scarier. Less whimpering—more pyromaniac urges, more flirting with kerosene.
Sally Wen Mao (Mad Honey Symposium)
We are so lucky to have our children, even for a little while, but we take them for granted. We make the stupid assumption that as long as we are here, they will be, too, though that’s never been part of the contract.
Jodi Picoult (Mad Honey)
Where is the line between keeping something private, and being dishonest?
Jodi Picoult (Mad Honey)
you don’t ever recover from losing someone you love—even the ones you leave behind because you’re better off without them.
Jodi Picoult (Mad Honey)
being a woman has meant being someone who gets talked over in conversations or ignored; someone who gets judged as a body instead of as a sentient soul; someone who, no matter who you are or what you are doing, always has to be on guard, lest someone else decide that you’re going to be his victim.
Jodi Picoult (Mad Honey)
What’s shocking to you isn’t that the justice system is flawed, Olivia. It’s that you were naïve enough to believe all this time that it wasn’t.
Jodi Picoult (Mad Honey)
If you want to understand something, you first need to accept the fact of your own ignorance.
Jodi Picoult (Mad Honey)
I don't think it's an invisible chromosome, or the inability to get pregnant, or anything else, that makes people so cruel to transgender folks. I think what they hate is difference. What they hate is that the world is complicated in ways they can't understand. People want the world to be simple.
Jodi Picoult (Mad Honey)
In the absence of knowledge, the mind is an amazing Tilt-A-Whirl of worst-case scenarios.
Jodi Picoult (Mad Honey)
there is still something about faith that I cannot let go of. I do not know what this world is, but I know that it contains miracles that I cannot explain, and the love that people have for each other is the biggest mystery of all.
Jodi Picoult (Mad Honey)
c'mon now, honey, don't be mad at me. I don't mean to lie, I just remember big.
Beth Hoffman (Saving CeeCee Honeycutt)
If your teachers suggest that your poems are sentimental, that is only half of it. Your poems probably need to be even more sentimental. Don’t be less of a flower, but could you be more of a stone at the same time?
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
People always talk about how their love for you is unconditional. Then you reveal your most private self to them, and you find out how many conditions there are in unconditional love.
Jodi Picoult (Mad Honey)
Is it really lying if all you’re doing is keeping your mouth shut, about something that’s nobody’s business anyway?
Jodi Picoult (Mad Honey)
Choice, and all its attendant energy, is a characteristic of youth. It is before one chooses that one feels desire and longing without fulfillment, which gives an edge to any artistic endeavor. Galway Kinnell recently said in an interview that a young poet has so many choices but an old poet must simply endure his chosen life.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
you need to think about the difference between what is secret and what is private.
Jodi Picoult (Mad Honey)
It is not what a poem says with its mouth, it’s what a poem does with its eyes.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
She lashed out because when you hurt someone else, you’re less likely to feel your own pain.
Jodi Picoult (Mad Honey)
Here’s what they do not tell you about falling in love: there’s not always a soft landing beneath you. It’s called falling, because it’s bound to break you.
Jodi Picoult (Mad Honey)
Once I witnessed a windstorm so severe two 100-year-old trees were uprooted on the spot. The next day, walking among the wreckage, I found the friable nests of birds, completely intact and unharmed on the ground. That the featherweight survive the massive, that this reversal of fortune takes place among us — that is what haunts me. I don’t know what it means.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
The whole panorama makes me realize how small I am, in the grand scheme of things. How insignificant my problems are when you zoom out and out and out and see the whole of the world.
Jodi Picoult (Mad Honey)
People want the world to be simple. But gender isn’t simple, much as some might want it to be. The fact that it’s complicated—that there’s a whole spectrum of ways of being in the world—is what makes it a blessing. Surely nature—or god, or the universe—is full of miracles and wild invention and things way beyond our understanding, no matter how hard we try. We aren’t here on earth in order to bend over backwards to resemble everybody else. We are here to be ourselves, in our gnarly brilliance”.
Jodi Picoult (Mad Honey)
It takes a dozen bees to gather enough nectar to make a teaspoon of honey, each of them alighting on roughly 2,600 flowers and flying 850 miles back and forth. A worker bee weighs little more than a breath—around 100 milligrams—but she can carry half her body weight in nectar.
Jodi Picoult (Mad Honey)
I feel like I’ve been starving for decades and he’s a feast.
Jodi Picoult (Mad Honey)
don’t ever recover from losing someone you love—even the ones you leave behind because you’re better off without them.
Jodi Picoult (Mad Honey)
The gotta, as in: “I think I’ll stay up another fifteen-twenty minutes, honey, I gotta see how this chapter comes out.” Even though the guy who says it spent the day at work thinking about getting laid and knows the odds are good his wife is going to be asleep when he finally gets up to the bedroom. The gotta, as in: “I know I should be starting supper now — he’ll be mad if it’s TV dinners again — but I gotta see how this ends.” I gotta know will she live. I gotta know will he catch the shitheel who killed his father. I gotta know if she finds out her best friend’s screwing her husband. The gotta. Nasty as a hand-job in a sleazy bar, fine as a fuck from the world’s most talented call-girl. Oh boy it was bad and oh boy it was good and oh boy in the end it didn’t matter how rude it was or how crude it was because in the end it was just like the Jacksons said on that record — don’t stop til you get enough.
Stephen King (Misery)
wonder if it would be like being forced to wear size two clothes when you are a size twelve. You wouldn’t be able to move comfortably. You’d always be aware of the fact that something pinched. There would be wardrobe malfunctions and embarrassment when you thought people were looking at you oddly. You’d be thinking constantly about taking off the outfit just so you could breathe.
Jodi Picoult (Mad Honey)
Dark honey from the second harvest. It's made late in the season after the nectar drought at the end of July when the bees turn to goldenrod and sunflowers instead. It's deeper and richer, it tastes like secrets.
Jodi Picoult (Mad Honey)
Science is less messy than emotion,
Jodi Picoult (Mad Honey)
In so many ways my entire career has been about untangling the knots that society tangles itself in as we futilely attempt to separate the us from the them.
Jodi Picoult (Mad Honey)
But let’s be real. When you’ve already failed at killing yourself, anything else you might screw up seems minor.
Jodi Picoult (Mad Honey)
I don’t even know if you’re real,” I whispered, laughing and crying and feeling infinitely foolish. My hands trembled. “I’m probably talking to myself right now like a madwoman. And maybe I am mad. But—but if you are real, if you are listening, please, please . . .” I dropped my head and closed my eyes. “Don’t abandon me.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
I do not think I really have anything to say about poetry other than remarking that it is a wandering little drift of unidentified sound, and trying to say more reminds me of following the sound of a thrush into the woods on a summer's eve - if you persist in following the thrush it will only recede deeper and deeper into the woods; you will never actually see the thrush (the hermit thrush is especially shy), but I suppose listening is a kind of knowledge, or as close as one can come." (viii)
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
The Bible promises a land of milk and honey. The Koran says paradise has rivers of honey for those who guard against evil. Krishna, the Hindu deity, is often shown with a blue bee on his forehead. The bee itself is considered a symbol of Christ: the sting of justice and the mercy of honey, side by side.
Jodi Picoult (Mad Honey)
I take my paycheck in sunsets.
Jodi Picoult (Mad Honey)
This has always been my favorite fact about bees: in their world, destiny is fluid. You might start life as a worker, and end up a queen.
Jodi Picoult (Mad Honey)
Did you know playing Ping-Pong activates your brain more than any other sport?
Jodi Picoult (Mad Honey)
Are you sad, honey?” Mad placed her small, chalky hands on either side of her mother’s face. “No. But you are.
Bonnie Garmus (Lessons in Chemistry)
Better to have a boy, who would never be someone’s victim.
Jodi Picoult (Mad Honey)
That’s what you’re after? Establishing new case precedence? Never going to happen. Not on this point. You want to turn Dani. Assuming she’s ever Dani again.” “Nobody’s turning my fucking honey,” Lor muttered darkly. “You took the Highlander, as your test case,” Barrons said. Ryodan said nothing. “Kas doesn’t speak. X is half mad on a good day, bugfuck crazy on a bad one. You’re tired of it. You want your family back. You want a full house, like the old days.
Karen Marie Moning (Feverborn (Fever, #8))
The Poet Asks His Love to Write" Visceral love, living death, in vain, I wait your written word, and consider, with the flower that withers, I wish to lose you, if I have to live without self. The air is undying: the inert rock neither knows shadow, nor evades it. And the heart, inside, has no use for the honeyed frost the moon pours. But I endured you: ripped open my veins, a tiger, a dove, over your waist, in a duel of teeth and lilies. So fill my madness with speech, or let me live in my calm night of the soul, darkened for ever.
Federico García Lorca (Collected Poems)
It wasn’t perfect. It isn’t now. I still have days when I want to exit the system quicker then you can say, “don’t you dare give up now”, and you still have days where you can’t even taste the sweetness in raw honey and neither one of us believes in pills. Days when I so want to kiss you but your mouth is sour and my thoughts are bitter and I’m angry…just mad, just crazy with it all. But we are each others home sweet home, Love. The roof is screwed on too tight at times and the walls of our purple house can pinch a little but my God, they are always warm.
Yrsa Daley-Ward
transgender?” “I like to think about it in terms of handedness,” Dr. Powers explains. “If I asked you to sign your name with your nondominant hand, it would feel weird. If I asked you to describe it to me, you’d probably say things like the pen doesn’t fit comfortably in my hand; or it’s awkward; or I have to try hard to make legible something that I can do with my other hand effortlessly. It feels forced.
Jodi Picoult (Mad Honey)
But gender isn’t simple, much as some might want it to be. The fact that it’s complicated—that there’s a whole spectrum of ways of being in the world—is what makes it a blessing.
Jodi Picoult (Mad Honey)
Her best friend is me; her second-best friend is herself.
Jodi Picoult (Mad Honey)
I find myself thinking of Lily. Were the fences she built meant to keep others out, or to keep herself in?
Jodi Picoult (Mad Honey)
He taught me that if a body is easily crushed, it develops a weapon to prevent that from happening.
Jodi Picoult (Mad Honey)
People always talk about their love for you is unconditional. Then you reveal your most private self to them, and you find out how many conditions there are in unconditional love.
Jodi Picoult (Mad Honey)
It was the first time I realized that you can cut someone out of your life, but that doesn’t mean they’ll cut you out of theirs.
Jodi Picoult (Mad Honey)
Is there anyone worth knowing who doesn’t have something about themselves that is theirs, and theirs alone?
Jodi Picoult (Mad Honey)
I think about how you never realize how empty you feel until you are filled.
Jodi Picoult (Mad Honey)
Nobody is a do-over of anybody else, and if you get to do anything at all on earth it’s live your own life, not be some sort of ghost version of somebody else’s.
Jodi Picoult (Mad Honey)
I used to think I wrote because there was something I wanted to say. Then I thought, 'I will continue to write because I have not yet said what I wanted to say'; but I know now I continue to write because I have not yet heard what I have been listening to.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
Do not listen to anyone who tells you a broken heart is a metaphor. You can feel the cracks and the fissures. It’s like ice splintering under your feet; like the cliff crumbling beneath your weight.
Jodi Picoult (Mad Honey)
A sound of laughter was heard-they turned sharply. Vera Claythorne was standing in the yard. She cried out in a high shrill voice, shaken with wild bursts of laughter: "Do they keep bees on this island? Tell me that. Where do we go for honey? Ha! ha!" They stared at her uncomprehendingly. It was as though the sane well-balanced girl had gone mad right before their eyes. She went on in that high unnatural voice: "Don't stare like that! As though you thought I was mad. It's sane enough what I'm asking. Bees, hives, bees! Oh, don't you understand? Haven't you read that idiotic rhyme? It's up in all of your bedrooms-put it there for you to study! We might have come here straightaway if we'd had sense. Seven little soldiers chopping up sticks. And the next verse, I know the whole thing by heart, I tell you! Six little soldier boys playing with a hive. And that's why I'm asking-do they keep bees on this island- isn't it damned funny...?
Agatha Christie (And Then There Were None)
If you want to understand something, you first need to accept the fact of your own ignorance. And then, you need to talk to people who know more than you do, people who have not just thought about the facts, but lived them.
Jodi Picoult (Mad Honey)
I told Lily that when you were with Dad, he wanted you to be someone you weren’t. If you’d stayed with him, maybe you would have made yourself into that person…but it wouldn’t have been you. It would have been who he said you were.
Jodi Picoult (Mad Honey)
As I speak, blood is coursing through our bodies. As it moves away from the heart it marches to a 2/4 or 4/4 beat and it's arterial blood, reoxygenated, assertive, active, progressive, optimistic. When it reaches our extremities and turns home--the heart--well, it's nostalgic, venous blood (as in veins), it's tired, wavelike, rising and falling, fighting against gravity and inertia, and it moves to the beat of a waltz, a 3/4 beat, a little homesick now, and full of longing.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
The moon occurs more frequently than the sun as an image in lyric poetry. There is a greater contrast between the moon and the night sky than there is between the sun and the daytime sky. And this contrast is more conducive to sorrow, which always separates or isolates itself, than it is to happiness, which always joins or blends. And to stand face-to-face with the sun is preposterous -- it would blind you. The moon has no light of its own; our apprehension of it is but a reflection of the sun. And some believe artists reflect the creative powers of some original impulse too great to name. The moon is the incunabulum of photography, the first photograph, the first stilled moment, the first study in contrasts. Me here -- you there. Between 1969 and 1972, six missions left for the moon and six missions came back. The men who went to the moon who were forever altered without exception all say the same thing -- it was not being on the moon that profoundly affected them as much as it was looking at the earth from the vantage point of the moon. You there -- me here.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
When I was little, I learned quickly what adults expected of me, even when it felt like I was wearing shoes three sizes too small. When I was bullied, I pasted a smile on my face and told my parents I loved school. When I was sad, I rarely let my mother see me cry. If there was an award given away for acting your way through life, I'd win.
Jodi Picoult (Mad Honey)
Jordan pinched the bridge of his nose. ‘The only decent piece of trivia I know is that it’s against the law to cross the state boundaries of Iowa with a duck on your head.
Jodi Picoult (Salem Falls)
For a while we just lie there, not talking, the two of us folded perfectly into each other, human origami.
Jodi Picoult (Mad Honey)
It’s called falling, because it’s bound to break you.
Jodi Picoult (Mad Honey)
The medicinal power of honey is well documented—it’s antibacterial, so has been used in treating wounds. In dressings, it helps clean pus or dead tissue, suppresses inflammation, and promotes new skin growth. A 2007 study at Penn State suggests that it is more effective than dextromethorphan in treating a cough. Irish labs have shown that it combats MRSA infections. Manuka honey kills the bacteria that cause ulcers and is used to preserve corneas for transplants
Jodi Picoult (Mad Honey)
I guess there are different kinds of depression. There’s the kind that just crushes you for no reason, what Mom calls the clinical kind. But this isn’t that. This is the other kind, the kind that comes because the things that have happened to you are actually just unbelievably, heartbreakingly sad.
Jodi Picoult (Mad Honey)
Jesse realized what he was doing. The man was trying to make her angry enough to give him what he wanted in the scene, mad enough to be completely submissive. "You want me to just lie there and like it? Just beg for it? gimme, gimme, come on, baby, fuck me, stick me, kill me, make me come, make me bleed, fuck me like there's no tomorrow, take it away from me, honey, fuck my mind, fuck me to death, fuck me dead! Is that what you want?" Morrison looked at her, his smile actually growing, "that's a start.
Alice Alfonsi (Dark Seductions)
According to natural selection, bees should not exist. Although workers construct the comb, tend to the queen, and feed the larvae, they’re sterile themselves, and don’t pass those productive genes to the next generation. Plus, stinging is suicide, and passing on a suicide gene makes no biological sense. And yet, the species has been around for a hundred million years. Why? A biologist will say it’s because of group selection.
Jodi Picoult (Mad Honey)
HOPE CAKES 2 tablespoons butter 8 ounces cream cheese 3 bananas 1 teaspoon vanilla 2 cups white sugar 2 eggs, refrigerated 3 cups flour ½ teaspoon baking powder ½ teaspoon baking soda ½ teaspoon salt Topping 1 tablespoon flour ⅔ cup brown sugar 1 cup butter ½ cup nuts Preheat oven to 350 degrees. Grease a big baking pan with butter. In a large bowl, mix together the butter, cream cheese, bananas, vanilla, and white sugar. Add the eggs. Add the flour, baking powder, baking soda, and salt, mixing all the while. Pour the batter into the pan. To make the topping, in a medium bowl combine flour and brown sugar, then mix in the butter and the nuts. Using a fork, gently lay the topping on the batter. Bake in oven for 40 minutes, or until an impossible thing comes true. Whichever comes first. AUTHORS’ NOTES JENNIFER FINNEY BOYLAN
Jodi Picoult (Mad Honey)
I keep trying to be an atheist, but it just won’t take. In spite of how much garbage there is in the Bible—like all the instructions on how to treat your slaves, and how women should pretty much accept that we’re destined to be the property of men—there is still something about faith that I cannot let go of. I do not know what this world is, but I know that it contains miracles that I cannot explain, and the love that people have for each other is the biggest mystery of all.
Jodi Picoult (Mad Honey)
In college, educated women (I found out) were frigid; active women (I knew) were neurotic; women (we all knew) were timid, incapable, dependent, nurturing, passive, intuitive, emotional, unintelligent, obedient, and beautiful. You can always get dressed up and go to a party. Woman is the gateway to another world; Woman is the earth-mother; Woman is the eternal siren; Woman is purity; Woman is carnality; Woman has intuition; Woman is the life-force; Woman is selfless love. "I am the gateway to another world," (said I, looking in the mirror) "I am the earth-mother; I am the eternal siren; I am purity," (Jeez, new pimples) "I am carnality; I have intuition; I am the life-force; I am selfless love." (Somehow it sounds different in the first person, doesn't it?) Honey (said the mirror, scandalised) Are you out of your fucking mind? I AM HONEY I AM RASPBERRY JAM I AM A VERY GOOD LAY I AM A GOOD DATE I AM A GOOD WIFE I AM GOING CRAZY Everything was peaches and cream.
Joanna Russ (The Female Man)
THERE IS ONE type of honey you should avoid at all costs. Mad honey comes from bees that forage on rhododendrons and mountain laurel, and it’s full of poisonous grayanotoxins. It causes dizziness, nausea and vomiting, convulsions, cardiac disorders, and more. Symptoms last for twenty-four hours, and although rarely, if left untreated, can be fatal. It has been used in biological warfare as far back as 399 b.c., to make Xenophon and the Greek army retreat from Persia. During the Third Mithridatic War in 65 b.c., citizens of Pontus placed mad honey on the route taken by Pompey’s soldiers, and when the enemy helped themselves to the treat, they were easily conquered. The secret weapon of mad honey, of course, is that you expect it to be sweet, not deadly. You’re deliberately attracted to it. By the time it messes with your head, with your heart, it’s too late.
Jodi Picoult (Mad Honey)
Girls run the bee world, and worker bees are all female. They feed baby bees, shape new cells out of beeswax, forage for and store nectar and pollen, ripen the honey, cool down the hive when it’s too hot. They also are undertakers, working in pairs to drag out the dead. But their most important job, arguably, is taking care of the queen, who can’t take care of herself—feeding and cleaning her while she lays fifteen hundred eggs a day.
Jodi Picoult (Mad Honey)
My father taught me that beekeeping is both a burden and a privilege. You don’t bother the bees unless they need your help, and you help them when they need it. It’s a feudal relationship: protection in return for a percentage of the fruits of their labors. He taught me that if a body is easily crushed, it develops a weapon to prevent that from happening. He taught me that sudden movements get you stung. I took these lessons a bit too much to heart.
Jodi Picoult and Jennifer Finney Boylan (Mad Honey)
Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected. He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie. “So,” he said, as I finished the last bit, “I’m forgiven?” “You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him. “I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin. I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.” He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh. To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.” He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.” It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?” “Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.” I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said. He just smiled.
Patricia Briggs (Moon Called (Mercy Thompson, #1))
But, Cass, ask yourself, look out and ask yourself – wouldn’t you hate all white people if they kept you in prison here?’ They were rolling up startling Seventh Avenue. The entire population seemed to be in the streets, draped, almost, from lamp-posts, stoops, and hydrants, and walking through the traffic as though it were not there. ‘Kept you here, and stunted you and starved you, and made you watch your mother and father and sister and lover and brother and son and daughter die or go mad or go under, before your very eyes? And not in a hurry, like from one day to the next, but, every day, every day, for years, for generations? Shit. They keep you here because you’re black, while they go around jerking themselves off with all the jazz about the land of the free and the home of the brave. And they want you to jerk yourself off with the same music, too, only keep your distance. Some days, honey, I wish I could turn myself into one big fist and grind this miserable country to powder. Some days, I don’t believe it has a right to exist. Now, you’ve never felt like that, and Vivaldo’s never felt like that. Vivaldo didn’t want to know my brother was dying because he doesn’t want to know that my brother would still be alive if he hadn’t been born black.
James Baldwin (Another Country)
Oh Kay you are like a key that opens the door of my heart. Your charm crushes me. Like a clinking machete slicing my flesh thinly cutting my heart. Let you hit my neck with the longing that you create without compassion and mercy. Kay oh Kay there's no one like you in this world. Because for you, I'm a little kid who can cry for a stuffed toy. Wherever you sing, the rhythm of the music will accompany you. And let the dance floor come to you, twisting and lifting you in a dance that makes everyone crazy. Kay oh Kay you are my sickle machete. You are the dagger that stabbed my soul, you stoned me with the sweet needle of your innocent smile. You're the sweet mouth that sighs that moans that laughs that makes my soul restless. Kay oh Kay. Your sweet spit drips like the most sugary honey on my thirsty mind. I desire you from the most sordid nests, the most abominable paths and the most perverted thoughts. I want to taste the most delicious nectar of your flowers. Oh how you taint me with your fire. You trapped me with your innocence. With your nakedness that leads me astray. How you give hope that I do not have. You won a heart I didn't fight for. Kay oh Kay you are the only answer I never questioned. A destination I never expected but greeted me with joy. You are the reality that I never dreamed of but came true by itself. How do I accept you as you accept me with all the charm of your madness. Kay oh Kay my sunshine moon. You are my river and sea. Only you my eyes are fixed, only you my heart trembles. You let me be the key that enters the darkest hole of your soul. It is not in your majesty that my dreams wander, but in your intoxicating beauty. You have imprisoned my most wretched soul. Oh Kay you are my kitchen knife, my axe, my saw, my hammer, my screwdriver. You enslaved me in this unbreakable lust. I serve you like a stupid servant. A deaf and blind goat that only serves one master. You are the master of all this passion and madness. Everything I know about you is a lie. How did you deign to allow me to love someone other than you? Kay oh Kay, if truly adoring you will give me the true meaning of a poem, then how can you give me true love that you never had?
Titon Rahmawan
Well,the hell with you." She natched up her purse. "The hell with both of you." "We love you, Margo." That stopped her.She whirled back to glare at Kate. "That's a lousy thing to say.Bitch." When Kate grinned,she tried to grin back.Instead she dropped her purse back behind the counter and burst into tears. "Oh,shit." Shocked,Kate leaped forward to gather her close. "Oh,hell.Oh, shit.Lock the door,Laura.I'm sorry, Margo.I'm sorry.Bad plan.I thought you'd just get mad and go tearing off to fix his butt.What did the bastard do to you,honey?I'll fix his butt for you." "He dumped me." Thoroughly ashamed, she sobbed wretchedly on Kate's shoulder. "He hates me.I wish he were dead.I wish I had slept with Claudio." "Wait.Whoa." Firmly, Kate drew he back,while Laura brought over a cup of tea. "Who's Claudio and when didn't you sleep with him?" "He's a friend,just a friend.And I never slept with him." The tears were so hot it felt as though her eyes were on fire. "Especially not when Josh found us in the bedroom." "Uh-oh." Kate rolled her eyes at Laura. "Is it a French farce or a Greek tragedy?You be the judge." "Shut up,Kate.Come on Margo.Let's sit down.This time you tell us everything.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
I still remember one from when I was a child. It was about a bear trying to get into a jar of honey. He never gave up. I thought about that when I was trying to get clean. I had to just keep on trying to open that honey jar.” “I liked to read to my kids when they were young. My son much preferred my wife to do it, but when I got to do it, it felt really special. I liked the stories, too.” “Everyone has a good story to tell, Arthur. If you’d have told me last night that I’d have an adventurous old bloke kipping at my house for the night, I’d think I was going mad. But here you are. You’re all right, Arthur, for a posh pensioner,” he teased. “And so are you, for a bit of a scruffbag.
Phaedra Patrick (The Curious Charms of Arthur Pepper)
O Dionysus O Dionysus, Plague me with your Drunken spirit, Fill my veins with the rush, With the ecstasy and the bliss, Let me revel in your happiness O Dionysus, I beg you drive me insane Drive me far So far, I can never come back down, My mind cannot go on, Let me revel in your happiness O Dionysus, I want it all, I want to dream of trees Becoming drops of colours, I want to dream of honey Bubbling from the grounds, I want to dream of clouds Dancing and dancing, I want to feel, To feel and feel and feel, Until I can feel no more O Dionysus, You have my cure, But you won't give it To me.
-L.S.
Jimmy (to Allison):We'll be together in our bear's cave, and our squirrel's drey, and we'll live on honey, and nuts-lots and lots of nuts. And we'll sing songs about ourselves-about warm trees and snug caves, and lying in the sun. And you'll keep those big eyes on my fur, and help me keep my claws in order, because I'm a bit of a soppy, scruffy sort of a bear. And I'll see that you keep that sleek, bushy tail glistening as it should, because you're a very beautiful squirre, but you're none too bright either, so we've got to be careful. There are cruel steel traps lying about everywhere, just waiting for rather mad, slightly satanic, and very timid little animals.
John Osborne (Look Back in Anger (Penguin Plays))
Beekeeping is the world’s second oldest profession. The first apiarists were the ancient Egyptians. Bees were royal symbols, the tears of Re, the sun god. In Greek mythology, Aristaeus, the god of beekeeping, was taught by nymphs to tend bees. The Bible promises a land of milk and honey. The Koran says paradise has rivers of honey for those who guard against evil. Krishna, the Hindu deity, is often shown with a blue bee on his forehead. The bee itself is considered a symbol of Christ: the sting of Justice and mercy of honey, side by side. The first voodoo dolls were molded from beeswax; an oungan might tell you to smear honey on a person to keep ghosts at bay; a manbo would make little cakes of honey, amaranth, and whiskey, which, eaten before the new moon, could show you your future. Sometimes I wonder which of my prehistoric ancestors first stuck his arm into a hole in a tree. Did he come out with a handful of honey, or a fistful of stings? Is the promise of one worth the risk of the other?
Jodi Picoult and Jennifer Finney Boylan (Mad Honey)
He held no illusions. Lazarevo was not going to come again, neither for him nor for her. Tatiana held those illusions. And he thought—it was better to have them. Look at him. And look at her. Tatiana so ceaselessly and happily did for him, so constantly smiled and touched him and laughed—even as their twenty-nine moon-cycle days spun faster around the loop of grief—that Alexander had to wonder if she ever even thought about the future. He knew she sometimes thought about the past. He knew she thought about Leningrad. She had a stony sadness around her edges that she had not had before. But for the future, Tatiana seemed to harbor a rosy hope, or at the very least a sense of humming unconcern. What are you doing? she would ask him when he was sitting on the bench and smoking. Nothing, Alexander would reply. Nothing but growing my pain. He smoked and wished for her. It was like wishing for America when he was a few years younger. Wishing for a life with her, a life that was full of nothing else but her, a simple, long, married life of being able to smell her and taste her, to hear the lyre of her voice and see the honey of her hair. To feel her staggering comfort. All of it, every day. Could he find a way to turn his back on Tatiana and have her faithful face free him? Would she forgive him? For leaving her, for dying, for killing her? He felt punched in the gut when he watched her skip stark naked out of the cabin in the morning, and throw herself squealing into the river, and then get out and head across the clearing to him, sitting on his stump of a heart. Watching her nipples hard from the cold, her flawless body trembling to be held by him, Alexander gritted his teeth and smiled and thanked God that when he pressed her to him, she could not see his contorted face. Alexander smoked and watched her from his tree stump bench. What are you doing? she would ask him. Nothing, he would reply. Nothing but growing my pain into madness.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
At Chicago I read again 'Philip Van Artevelde,' and certain passages in it will always be in my mind associated with the deep sound of the lake, as heard in the night. I used to read a short time at night, and then open the blind to look out. The moon would be full upon the lake, and the calm breath, pure light, and the deep voice, harmonized well with the thought of the Flemish hero. When will this country have such a man ? It is what she needs — no thin Idealist, no coarse Realist, but a man whose eye reads the heavens while his feet step firmly on the ground and his hands are strong and dextrous in the use of human instruments. A man, religious, virtuous and — sagacious; a man of universal sympathies, but self-possessed; a man who knows the region of emotion, though he is not its slave; a man to whom this world is no mere spectacle or fleeting shadow, but a great, solemn game, to be played with good heed, for its stakes are of eternal value, yet who, if his own play be true, heeds not what he loses by the falsehood of others. A man who lives from the past, yet knows that its honey can but moderately avail him; whose comprehensive eye scans the present, neither infatuated by its golden lures nor chilled by its many ventures; who possesses prescience, as the wise man must, but not so far as to be driven mad to-day by the gift which discerns to-morrow. When there is such a man for America, the thought which urges her on will be expressed.
Margaret Fuller
This is called a piqué machine, it sews that finest stitch, called piqué, requires far more skill than the other stitches.... This is called a polishing machine and that is called a stretcher and you are called honey and I am called Daddy and this is called living and the other is called dying and this is called madness and this is called mourning and this is called hell, pure hell, and you have to have strong ties to be able to stick it out, this is called trying-to-go-on-as-though-nothing-has-happened and this is called paying-the-full-price-but-in-God's-name-for-what, this is called wanting-to-be-dead-and-wanting-to-find-her-and-to-kill-her-and-to-save-her-from-whatever-she-is-going-through-wherever-on-earth-she-may-be-at-this-moment, this unbridled outpouring is called blotting-out-everything and it does not work, I am half insane, the shattering force of that bomb is too great ... And then they were back at his office again.
Philip Roth
I’m possessive, and I get jealous. I know that. I accept it. I own up to it. I would be picturing thisimaginary person I love having s-e-x,” I whispered the word just in case, “with whoever he’s been in a relationship with, and I’d want to stab each one of those girls. But not everyone is like that. That’s part of the reason why I don’t have a boyfriend. I know I’m crazy. I already feel sorry for whatever poor bastard ends up with me some day, but he’ll know what he’s getting into. I don’t hide it.” Trip shook his head, grinning wide. “You said it. You’re fuckin’ nuts.” What was I going to do? Deny it? “Diana, I hate to tell you, I don’t know anybody like that.” I frowned. “That’s okay. I’m sure there’s some nice, divorced Catholic boy out there somewhere in the world, who waited to lose it until he got married and now he’s waiting again for the right girl.” “Doubt it.” I gave Trip a face before checking on the steaks again. “Quit killing my dreams.” “I’m just keepin’ it real for you, honey.” “Okay, maybe if he’s really nice to me and good to me, and I’m the love of his life, and he writes me sweet notes on a regular basis telling me that I’m the light of his life and he can’t live without me, I’ll give him ten women tops. Tops.” I let out a breath. “I’m getting mad just thinking about it.
Mariana Zapata (Wait for It)
I was still walking behind Mrs. Haze through the dining room when, beyond it, there came a sudden burst of greenery – “the piazza," sang out my leader, and then, without the least warning, a blue sea-wave swelled under my heart and, from a mat in a pool of sun, half-naked, kneeling, turning about on her knees, there was my Riviera love peering at me over dark glasses. It was the same child-the same frail, honey-hued shoulders, the same silky supple bare back, the same chestnut head of hair. A polka-dotted black kerchief tied around her chest hid from my aging ape eyes, but not from the gaze of young memory, the juvenile breasts I had fondled one immortal day. And, as if I were the fairy-tale nurse of some little princess (lost, kidnapped, discovered in gypsy rags through which her nakedness smiled at the king and his hounds), I recognized the tiny dark-brown mole on her side. With awe and delight (the king crying for joy, the trumpets blaring, the nurse drunk) I saw again her lovely indrawn abdomen where my southbound mouth had briefly paused; and those puerile hips on which I had kissed the crenulated imprint left by the band of her shorts – that last mad immortal day behind the "Roches Roses." The twenty-five years I had lived since then, tapered to a palpitating point, and vanished.
Vladimir Nabokov
A lady told me about one of her husband’s relatives who was very opinionated. He was always making these cutting, demeaning remarks about her. This couple hadn’t been married that long. Every time they went to family get-togethers, this relative would say something to offend her. She would get all upset and it would ruin the day. She reached the point where she refused to even go to family events. Finally, she told her husband, “You’ve got to do something about that man. He’s your relative.” She was expecting her husband to say, “You’re right, honey. He shouldn’t talk to you like that. I will set him straight.” But the husband did just the opposite. He said, “Honey, I love you but I cannot control him. He has every right to have his opinion. He can say what he wants to, but you have every right to not get offended.” At first she couldn’t understand why her husband wouldn’t really stick up for her. Time and time again she would become upset. If this relative was in one room she would go to another. If he went outside she would make sure she stayed inside. She was always focused on avoiding this man. One day she realized she was giving away her power. It was like a light turned on in her mind. She was allowing one person with issues to keep her from becoming who she was meant to be. When you allow what someone says or does to upset you, you’re allowing them to control you. When you say, “You make me so mad,” what you’re really doing is admitting that you’re giving away your power. As long as that person knows they can push this button and you’ll respond this way, you are giving them exactly what they want. When you allow what someone says or does to upset you, you’re allowing them to control you. People have a right to say what they want, to do what they want, as long as it’s legal. But we have a right to not get offended. We have a right to overlook it. But when we get upset and go around angry, we change. What’s happening is we’re putting too much importance on what they think about us. What they say about you does not define who you are. Their opinion of you does not determine your self-worth. Let that bounce off of you like water off of a duck’s back. They have every right to have their opinion, and you have every right to ignore it.
Joel Osteen (I Declare: 31 Promises to Speak Over Your Life)