Mad Dog Quotes

Once on a yellow piece of paper with green lines he wrote a poem And he called it "Chops" because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it "Autumn" because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it "Innocence: A Question" because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three a.m. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it "Absolutely Nothing" Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen.

You can be as mad as a mad dog at the way things went, you can curse the fates, but when it comes to the end, you have to let go.

And how do you know that you're mad? "To begin with," said the Cat, "a dog's not mad. You grant that?" I suppose so, said Alice. "Well then," the Cat went on, "you see a dog growls when it's angry, and wags it's tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.

He dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her. Petra Cotes, for her part, loved him more and more as she felt his love increasing, and that was how in the ripeness of autumn she began to believe once more in the youthful superstition that poverty was the servitude of love. Both looked back then on the wild revelry, the gaudy wealth, and the unbridled fornication as an annoyance and they lamented that it had cost them so much of their lives to find the paradise of shared solitude. Madly in love after so many years of sterile complicity, they enjoyed the miracle of living each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out people they kept on blooming like little children and playing together like dogs.

...But the Mahommedan religion increases, instead of lessening, the fury of intolerance. It was originally propagated by the sword, and ever since, its votaries have been subject, above the people of all other creeds, to this form of madness. In a moment the fruits of patient toil, the prospects of material prosperity, the fear of death itself, are flung aside. The more emotional Pathans are powerless to resist. All rational considerations are forgotten. Seizing their weapons, they become Ghazis—as dangerous and as sensible as mad dogs: fit only to be treated as such. While the more generous spirits among the tribesmen become convulsed in an ecstasy of religious bloodthirstiness, poorer and more material souls derive additional impulses from the influence of others, the hopes of plunder and the joy of fighting. Thus whole nations are roused to arms. Thus the Turks repel their enemies, the Arabs of the Soudan break the British squares, and the rising on the Indian frontier spreads far and wide. In each case civilisation is confronted with militant Mahommedanism. The forces of progress clash with those of reaction. The religion of blood and war is face to face with that of peace.

You, Mad Dog, are exactly what I came here to protect her from. But you know what? We're all broken some way or another. Even with your epic fuckup, you just might be exactly what she needs. You get one more chance

When our thoughts are unsettled and our inner world is in a muddle, we may sharpen our wits and try to recognize the invisible edges of our fractured stance. If we seek to figure out, what our life story is all about, we may be able to put the missing pieces in place and identify what is driving us, what we are actually up to and why we are running like mad dogs, sometimes. (“On a doggy day”)

The world is a den of thieves, and night is falling. Evil breaks its chains and runs through the world like a mad dog. The poison affects us all. No one escapes. Therefore let us be happy while we are happy. Let us be kind, generous, affectionate and good. It is necessary and not at all shameful to take pleasure in the little world.

And I am sure that I never read any memorable news in a newspaper. If we read of one man robbed, or murdered, or killed by accident, or one house burned, or one vessel wrecked, or one steamboat blown up, or one cow run over on the Western Railroad, or one mad dog killed, or one lot of grasshoppers in the winter, - we need never read of another. One is enough. If you are acquainted with the principle, what do you care for a myriad instances and applications?

Beasts bounding through time. Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by the Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly

It was much better to imagine men in some smokey room somewhere, made mad and cynical by privilege and power, plotting over brandy. You had to cling to this sort of image, because if you didn't then you might have to face the fact that bad things happened because ordinary people, the kind who brushed the dog and told the children bed time stories, were capable of then going out and doing horrible things to other ordinary people. It was so much easier to blame it on Them. It was bleakly depressing to think that They were Us. If it was Them, then nothing was anyone's fault. If it was Us, then what did that make Me? After all, I'm one of Us. I must be. I've certainly never thought of myself as one of Them. No one ever thinks of themselves as one of Them. We're always one of Us. It's Them that do the bad things.

Cold sinks in, there to stay. And people, they'll leave you, sure. There's no return to what was and no way back. There's just emptiness all around, and you in it, like singing up from the bottom of a well, like nothing else, until you harm yourself, until you are a mad dog biting yourself for sympathy. Because there is no relenting.

Perfect understanding between beings is no guarantor of happiness. To perfectly understand another's madness, for instance, is to be mad oneself. The veil that separates earthly beings is, at times, a tragic barrier, but it is also, at times, a great kindness.

Cheshire Puss,' [Alice] began, rather timidly, "`But I don't want to go among mad people,' Alice remarked. Oh, you can't help that,' said the Cat: `we're all mad here. I'm mad. You're mad.' How do you know I'm mad?' said Alice. You must be,' said the Cat, `or you wouldn't have come here.' Alice didn't think that proved it at all; however, she went on `And how do you know that you're mad?' To begin with,' said the Cat, `a dog's not mad. You grant that?' I suppose so,' said Alice. Well, then,' the Cat went on, `you see, a dog growls when it's angry, and wags its tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.

Alice didn't think that proved it at all; however, she went on: 'And how do you know that you're mad?' 'To begin with,' said the Cat, 'a dog's not mad. You grant that?' 'I suppose so,' said Alice. 'Well then,' the Cat went on, 'you see, a dog growls when it's angry, and wags its tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.' 'I call it purring, not growling,' said Alice.

the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly.

Our next fighter doesn’t need an introduction, but because he scares the shit outta me, I’ll give him one, anyway! Shake in your boots, boys, and drop your panties, ladies! I give you: Travis ‘Mad Dog’ Maddox!

..when a war ends, what does that look like exactly? do the cells in the body stop detonating themselves? does the orphanage stop screaming for its mother? when the sand in the desert has been melted down to glass and our reflection is not something we can stand to look at does the white flag make for a perfect blindfold? yesterday i was told a story about this little girl in Iraq, six-years-old, who cannot fall asleep because when she does she dreams of nothing but the day she watched her dog eat her neighbor's corpse. if you told her war is over do you think she can sleep?

My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.

I liked music that I didn't have to think about, and most country songs spelled it right out for the listener. The girl was mad because the guy cheated, the guy was mad his pickup got trashed, everyone was sad the dog died, and Taylor Swift had about as much luck with men as I did.

You, Mad Dog, are exactly what I came here to protect her from. But you know what? We’re all broken some way or another. Even with your epic fuckup, you just might be exactly what she needs. You get one more chance,” she said, holding up her index finger an inch from my nose. “Just one. Don’t mess it up . . . you know . . . more than usual.

It is a strange fancy to suppose that science can bring reason to an irrational world, when all it can ever do is give another twist to a normal madness.

I gave myself to you sooner than I ever did to any man, I swear to you; and do you know why? Because when you saw me spitting blood you took my hand; because you wept; because you are the only human being who has ever pitied me. I am going to say a mad thing to you: I once had a little dog who looked at me with a sad look when I coughed; that is the only creature I ever loved. When he died I cried more than when my mother died. It is true that for twelve years of her life she used to beat me. Well, I loved you all at once, as much as my dog. If men knew what they can have for a tear, they would be better loved and we should be less ruinous to them.

Observe things as they are and don't pay attention to other people. There are some people just like mad dogs barking at everything that moves, even barking when the wind stirs among the grass and leaves.

Every man is wise when attacked by a mad dog; fewer when pursued by a mad woman; only the wisest survive when attacked by a mad notion.

Success" If you want a thing bad enough To go out and fight for it, Work day and night for it, Give up your time and your peace and your sleep for it If only desire of it Makes you quite mad enough Never to tire of it, Makes you hold all other things tawdry and cheap for it If life seems all empty and useless without it And all that you scheme and you dream is about it, If gladly you'll sweat for it, Fret for it, Plan for it, Lose all your terror of God or man for it, If you'll simply go after that thing that you want. With all your capacity, Strength and sagacity, Faith, hope and confidence, stern pertinacity, If neither cold poverty, famished and gaunt, Nor sickness nor pain Of body or brain Can turn you away from the thing that you want, If dogged and grim you besiege and beset it, You'll get it!

People don't know how chickens can turn on you, but they can -- just like mad dogs.

I wasn't kidding about the flying-kids part. Or the talking-dog part. Anyone who's up to speed on the Adventures of Amazing Max and Her Flying, Fun-Loving Cohorts, you can skip this next page or so. Those of you who picked up this book cold, even thought it's clearly part three of the series, well, get with the program, people! I can't take two days to get you caught up on everything! Here's the abbreviated version (which is pretty, I might add): A bunch of mad scientists (mad crazy not mad angry- though a lot of them seem to have anger-management issues, especially around me) have been playing around with recombinant life-forms, where they graft different species' DNA together.

You get a dog and you know two things - you're going to fall in love with it and it's going to die one day. You knowingly walk headfirst into a heartbreak. That's the basic madness of dog ownership.

If We Must Die If we must die, let it not be like hogs Hunted and penned in an inglorious spot, While round us bark the mad and hungry dogs, Making their mock at our accursèd lot. If we must die, O let us nobly die, So that our precious blood may not be shed In vain; then even the monsters we defy Shall be constrained to honor us though dead! O kinsmen! we must meet the common foe! Though far outnumbered let us show us brave, And for their thousand blows deal one death-blow! What though before us lies the open grave? Like men we'll face the murderous, cowardly pack, Pressed to the wall, dying, but fighting back!

Well, then,' the Cat went on, 'you see, a dog growls when it's angry, and wags its tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.

George's son had done his work so thoroughly that he was considered too good a workman to live, and was, in fact, taken and tragically shot at twelve o'clock that same day—another instance of the untoward fate which so often attends dogs and other philosophers who follow out a train of reasoning to its logical conclusion, and attempt perfectly consistent conduct in a world made up so largely of compromise.

What kind of a world do we live in that has room for dog yoga but not for Esperanto?

Mankind is like dogs, not gods - as long as you don't get mad they'll bite you - but stay mad and you'll never be bitten. Dogs don't respect humility and sorrow.

Fuckin' wit a madman in a bad mood It's like fuckin' wit a mad dog that wasn't fed food

Fate is trying to kill me. I miss my dog. What's a doctor going to say? You're not ill, you're mad as a muffin? They'll either lock me up or tell me to get a grip and no one will believe the truth anyway.

Solitude is its own kind of madness. Like hope itself.

People should learn to see and so avoid all danger. Just as a wise man keeps away from mad dogs, so one should not make friends with evil men.” —Buddha

I don’t want your apology, least of all for being afraid,” he said. “Without fear, what would we be? Mad dogs with foam on our muzzles and shit drying on our hocks.

A man without reason is no better than a mad dog, and mad dogs must be put down for the good of everyone.

I'm not a bloodhound, your lordships." "Woof, woof," Cameron said, giving Fellows an evil grin. "Good dog.

Young Castle called me "Scoop." "Good Morning, Scoop. What's new in the word game?" "I might ask the same of you," I replied. "I'm thinking of calling a general strike of all writers until mankind finally comes to its senses. Would you support it?" "Do writers have a right to strike? That would be like the police or the firemen walking out." "Or the college professors." "Or the college professors," I agreed. I shook my head. "No, I don't think my conscience would let me support a strike like that. When a man becomes a writer, I think he takes a sacred obligation to produce beauty and enlightenment and comfort at top speed." "I just can't help thinking what a real shake up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems..." "And how proud would you be when people started dying like flies?" I demanded. "They'd die more like mad dogs, I think--snarling & snapping at each other & biting their own tails." I turned to Castle the elder. "Sir, how does a man die when he's deprived of the consolation of literature?" "In one of two ways," he said, "petrescence of the heart or atrophy of the nervous system." "Neither one very pleasant, I expect," I suggested. "No," said Castle the elder. "For the love of God, both of you, please keep writing!

To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid. Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge. Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year? It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to. Now that part, more than ever. It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year. It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one. Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.

Cats are smarter than dogs. You can't get eight cats to pull a sled through snow.

Now remember, when things look bad and it looks like you're not gonna make it, then you gotta get mean. I mean plumb, mad-dog mean. 'Cause if you lose your head and you give up then you neither live nor win. That's just the way it is.

Gran, for the gods' love, it's talk like yours that starts riots!" I said keeping my voice down. "Will you just put a stopper in it?" She looked at me and sighed. "Girl, do you ever take a breath and wonder if folk don't put out bait for you? To see if you'll bite? You'll never get a man if you don't relax." My dear old Gran. It's a wonder her children aren't every one of them as mad as priests, if she mangles their wits as she mangles mine. "Granny, "I told her, "this is dead serious. I can't relax, no more than any Dog. I'm not shopping for a man. That's the last thing I need.

I have a remedy against thirst, quite contrary to that which is good against the biting of a mad dog. Keep running after a dog, and he will never bite you; drink always before the thirst, and it will never come upon you.

He methodically basted the dark skin of the Alsatian, which he had stuffed with garlic and herbs. "One rule in life", he murmured to himself. "If you can smell garlic, everything is all right".

Contact with [menstrual blood] turns new wine sour, crops touched by it become barren, grafts die, seed in gardens are dried up, the fruit of trees fall off, the edge of steel and the gleam of ivory are dulled, hives of bees die, even bronze and iron are at once seized by rust, and a horrible smell fills the air; to taste it drives dogs mad and infects their bites with an incurable poison.

She thought of the grainy video of him she had seen, head tipped back, so covered in blood that she hadn’t remembered his features, hadn’t remembered him as looking like anything but a monster, laughing, endlessly laughing. Mad as a dog. Mad as a god.

It was because he wanted there to be conspirators. It was much better to imagine men in some smoky room somewhere, made mad and cynical by privilege and power, plotting over the brandy. You had to cling to this sort of image, because if you didn't then you might have to face the fact that bad things happened because ordinary people, the kind who brushed the dog and told their children bedtime stories, were capable of then going out and doing horrible things to other ordinary people. It was so much easier to blame it on Them. It was bleakly depressing to think that They were Us. If it was Them, then nothing was anyone's fault. If it was Us, then what did that make Me? After all, I'm one of Us. I must be. I've certainly never thought of myself as one of Them. We're always one of Us. It's Them that do the bad things.

Mad as a dog. Mad as a god.

Now, I learned a long time ago how to be quiet on the outside while I'm freaking on the inside. How to turn away like I don't see all the things that need to be seen, just to keep peace. How to lie low and act like I want nothing, expect nothing, and hope for nothing so I don't become more trouble than I'm worth. I'm five months short of eighteen and I know how to be cursed and ignored and left behind, how to swallow a thousand tears and ignore a thousand delibarate cruelties, but it's two in the morning on New Year's Eve and I'm mad and scared and bone tired and really, really sick of acting like I'm grateful to be staying on a hairy, sagging, dog-stained couch in a junky, mildewed trailer with a fat, dangerous, volatile drunk who sweats stale beer and wallows in his own wastewater, and who doesn't think there's one thing wrong with taking his crap life out on his dog, who comes bellying back for forgiveness every single time, no matter how rotten the treatment-

He is the kind of person I should expect to rescue one from a mad dog at any risk but then insist on a stoical indifference to the fright afterward." Jefferson Davis's future wife describing him at first meeting.

In front of her, Samuel Rain's spectacles shimmered, and she belatedly realized they weren't old-fashioned at all, but tools to allow him to see to a microcellular level. "Imbeciles." The engineer shut the interface panel, nodded at Vasic to close the protective carapace. "Stealing my work and thinking they know what to do with it. Like monkeys deciding to program a computronic system." "Can you fix it?" Vasic asked. "No, I'm brain damaged." With that, he put away the tool, snapped the toolbox shut, and hefted it. "Come back tomorrow." Ivy stared after the engineer, hope a tight, hard knot in her chest. "He's either mad or brilliant." "There's often only a razor-thin line between the two." "And" - Rain called over his shoulder - "bring the dog!

The world of dreams is such a wonderful place! That is, if you have love in your heart. If you have madness in your heart, you will have mad dreams. If you have guilt in your heart, you will have dreams that make you feel more guilt. But me, I have love in my heart and room for nothing else. I love my dreams and they love me.

Madly in love after so many years of sterile complicity, they enjoyed the miracle of loving each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out old people, they kept on blooming like little children and playing like dogs.

My sweetheart, my love, my love, my love—do you know what—all the happiness of the world, the riches, power and adventures, all the promises of religions, all the enchantment of nature and even human fame are not worth your two letters. It was a night of horror, terrible anguish, when I imagined that your undelivered letter, stuck at some unknown post office, was being destroyed like a sick little stray dog . . . But today it arrived—and now it seems to me that in the mailbox where it was lying, in the sack where it was shaking, all the other letters absorbed, just by touching it, your unique charm and that that day all Germans received strange wonderful letters—letters that had gone mad because they had touched your handwriting. The thought that you exist is so divinely blissful in itself that it is ridiculous to talk about the everyday sadness of separation—a week’s, ten days’—what does it matter? since my whole life belongs to you. I wake at night and know that you are together with me,—I sense your sweet long legs, your neck through your hair, your trembling eyelashes—and then such happiness, such simmering bliss follows me in my dreams that I simply suffocate . . .

I want to breathe, I hate this night I want to wake up, I hate this dream I’m trapped inside of myself and I’m dead Don’t wanna be lonely Just wanna be yours Why is it so dark where you’re not here It’s dangerous how wrecked I am Save me because I can’t get a grip on myself Listen to my heartbeat It calls you whenever it wants to Because within this pitch black darkness You are shining so brightly Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me Give me your hand save me save me Save me, save me Today the moon shines brighter on the blank spot in my memories It swallowed me, this lunatic, please save me tonight (Please save me tonight, please save me tonight) Within this childish madness you will save me tonight I knew that your salvation Is a part of my life and the only helping hand that will embrase my pain The best of me, you’re the only thing I have Please raise your voice so that I can laugh again Play on Listen to my heartbeat, it calls you whenever it wants to Because within this pitch black darkness, you are shining so brightly Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me Give me your hand save me save me Thank you for letting me be me For helping me fly For giving me wings For straightening me out For waking me from being suffocated For waking me from a dream which was all I was living in When I think of you the sun comes out So I gave my sadness to the dog (Thank you. For being ‘us’) Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall

Everyone else has a work party,'Kate said. 'So why shouldn't we? We're working hard at not being mad.

Because that's what life is - joy peppered by loss. It's why you get a dog. And then you get another dog. Madness repeating itself just to get another taste of joy.

I don't know how many marriage breakups are caused by these movie-and television-addicted women expecting some bouquets and kissing and hugging and being swept out like Cinderella for dinner and dancing -- then getting mad when a poor, scraggly husband comes in tired and sweaty from working like a dog all day, looking for some food.

You'd been petting a stuffed dog?' she said 'A dead one?' 'It was a really well stuffed dog' I clarified. 'I have seen some bad taxidermy. This was top-notch work. It would have fooled anyone.

Because it is useless, and I tell them so at once. If you had confessed your fears to me sooner, I would have reassured you. My dear friend, a man in love is not only foolish but dangerous. I cease all intercourse with people who love me or pretend to; firstly, because they bore me, and secondly, because I look upon them with dread, as I would upon a mad dog. I know that your love is only a kind of appetite; while with me it would be a communion of souls. Now, look me in the face—" she no longer smiled. "I will never be your sweetheart; it is therefore useless for you to persist in your efforts. And now that I have explained, shall we be friends?

All of that Hollywood stuff! Like these women wanting men to pick them up and carry them across thresholds and some of them weigh more than you do. I don't know how many marriage breakups are caused by these movie and television addicted women expecting some bouquets and kissing and hugging and being swept out like Cinderella for dinner and dancing then getting mad when a poor, scraggly husband comes in tired and sweaty from working like a dog all day, looking for some food. ~Malcolm X

When we gather together in the moonlit village ground it is not because of the moon. Every man can see it in his own compound. We come together because it is good for kinsmen to do so. [...] But I fear for you young people because you do not understand how strong is the bond of kinship. You do not know what it is to speak with one voice. And what is the result? An abominable religion has settled among you. A man can now leave his father and his brothers. He can curse the gods of his fathers and his ancestors, like a hunter's dog that suddenly goes mad and turns on his master. I fear for you; I fear for the clan.

So they were pen pals now, Emma composing long, intense letters crammed with jokes and underlining, forced banter and barely concealed longing; two-thousand-word acts of love on air-mail paper. Letters, like compilation tapes, were really vehicles for unexpressed emotions and she was clearly putting far too much time and energy into them. In return, Dexter sent her postcards with insufficient postage: ‘Amsterdam is MAD’, ‘Barcelona INSANE’, ‘Dublin ROCKS. Sick as DOG this morning.’ As a travel writer, he was no Bruce Chatwin, but still she would slip the postcards in the pocket of a heavy coat on long soulful walks on Ilkley Moor, searching for some hidden meaning in ‘VENICE COMPLETELY FLOODED!!!!

little sun little moon little dog and a little to eat and a little to love and a little to live for in a little room filled with little mice who gnaw and dance and run while I sleep waiting for a little death in the middle of a little morning in a little city in a little state my little mother dead my little father dead in a little cemetery somewhere. I have only a little time to tell you this: watch out for little death when he comes running but like all the billions of little deaths it will finally mean nothing and everything: all your little tears burning like the dove, wasted.

The mice were furious." [...] "Oh yes," said the old man mildly. "Yes well so I expect were the dogs and cats and duckbilled platypuses, but..." "Ah, but they hadn't paid for it you see, had they?" "Look," said Arthur, "would it save you a lot of time if I just gave up and went mad now?" [...] "Earthman, the planet you lived on was commissioned, paid for, and run by mice. It was destroyed five minutes before the completion of the purpose for which it was built, and we've got to build another one." Only one word registered with Arthur. "Mice?" he said. "Indeed Earthman." "Look, sorry - are we talking about the little white furry things with the cheese fixation and women standing on tables screaming in early sixties sit coms?" Slartibartfast coughed politely. "[...] These creatures you call mice, you see, they are not quite as they appear. They are merely the protrusion into our dimension of vast hyperintelligent pandimensional beings. The whole business with the cheese and the squeaking is just a front." The old man paused, and with a sympathetic frown continued. "They've been experimenting on you, I'm afraid.

Mad Dog." Logan cupped her cheeks with his big, warm hands, made her look up into his eyes. "You're my girl," he said, and then he kissed her, right there in front of their school and his Secret Service detail - right in front of the world. So she kissed him back again. And again. And again. Until he pulled back and looked into her eyes. "If anything goes wrong in there, I'll save you." She took his hand. "Not if I save you first.

Madly in love after so many years of sterile complicity, they enjoyed the miracle of loving each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out old people they kept on blooming like little children and playing like dogs.

don't feel sorry for me. I am a competent, satisfied human being. be sorry for the others who fidget complain who constantly rearrange their lives like furniture. juggling mates and attitudes their confusion is constant and it will touch whoever they deal with. beware of them: one of their key words is "love." and beware those who only take instructions from their God for they have failed completely to live their own lives. don't feel sorry for me because I am alone for even at the most terrible moments humor is my companion. I am a dog walking backwards I am a broken banjo I am a telephone wire strung up in Toledo, Ohio I am a man eating a meal this night in the month of September. put your sympathy aside. they say water held up Christ: to come through you better be nearly as lucky.

I have a hunger, for more than food. I have a hunger bigger than Joyce City. I want tongues to tie, and eyes to shine at me like they do at Mad Dog Craddock. Course they never will, not with my hands all scarred up, looking like the earth itself, all parched and rough and cracking, but if I played right enough, maybe they would see past my hands. Maybe they could feel at ease with me again, and maybe then, I could feel at east with myself.

I don't want your apology, least of all for being afraid," he said. "Without fear, what would we be? Mad dogs with foam on our muzzles and shit drying on our hocks." "What do you want, then?" Eddie cried. "You've taken everything else- everything I have to give! No, not even that, because in the end, I gave it to you! So what else do you want from me?" Roland held the key which was their half of Jake Chamber's salvation locked in his fist and said nothing. His eyes held Eddie's, and the sun shone on the green expanse of plain and the blue-gray reach of the Send River, and somewhere in the distance the crow hailed again across the golden leagues of this fading summer afternoon. After awhile, understanding began to dawn in Eddie Dean's eyes. Roland nodded. "I have forgotten the face. . ." Eddie paused. Dipped his head. Swallowed. Looked up at the Gunslinger once more. The thing which had been dying among them had moved on now- Roland knew it. That thing was gone. Just like that. Here, on this sunny wind-swept ridge at the edge of everything, it had gone forever. "I have forgotten the face of my father, gunslinger. . . and I cry your pardon." Roland opened his hand and returned the small burden of the key to him who ka had decreed must carry it. "Speak not so, gunslinger," he said in the High Speech. "Your father sees you very well. . . loves you very well . . . and so do I." Eddie closed his own hand over the key and turned away with his tears still drying on his face. "Let's go," he said, and they began to move down the long hill toward the plain which streched beyond.

Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoyevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly.

Plato (or Socrates) also compared men to dogs. One of the great tragedies of modernity is the lack of opportunity for men to become what they are, to do what they were bred to do, what their bodies want to do. They could be Plato’s noble puppies, but they are chained to a stake in the ground—left to the madness of barking at shadows in the night, taunted by passing challenges left unresolved and whose outcomes will forever be unknown.

To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice "Well, then," the Cat went on, "you see a dog growls when it's angry, and wags its tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "I call it purring, not growling," said Alice. "Call it what you like," said the Cat.

What,” Mick said softly, “is Lad doin’ in me bed?” Hearing his name, Lad opened small, piggish, upside-down eyes, gazing with idiotic adoration as his whip-thin tail thumped the covers. “Ah.” Harry scratched behind one ear. “Well, see, ’e was lookin’ so forlorn, like, out in the courtyard by ’imself. Seemed an awful shame to leave ’im there all alone.” “Off!” Mick roared at the dog. Lad’s transformation was instantaneous. His tiny triangle ears folded back, his eyes narrowed worriedly, and he rolled so that he could crawl toward the edge of the bed on his belly. “Is that mud on his paws?” Mick asked in outrage. Harry glanced at the dog. “I do believe it is,” he said as if making a discovery. “Christ!” Mick watched disgustedly as Lad made the edge of the bed and slithered off, thumping to the floor. The dog seemed to think that his apology was done—or perhaps he’d already forgotten that Mick was mad at him—for he gamboled over as frisky as a lamb. “He’s not even me dog,” Mick muttered. Lad sat, one back leg sprawled out to the side, tongue hanging from his mouth, and grinned up at him. He completely ignored Harry, his supposed master. “The dog ’as a wonderful affection for ye,” Harry said brightly.

That is the only way to get a kettle to boil up the river.  If it sees that you are waiting for it and are anxious, it will never even sing.  You have to go away and begin your meal, as if you were not going to have any tea at all.  You must not even look round at it.  Then you will soon hear it sputtering away, mad to be made into tea. It is a good plan, too, if you are in a great hurry, to talk very loudly to each other about how you don’t need any tea, and are not going to have any.  You get near the kettle, so that it can overhear you, and then you shout out, “I don’t want any tea; do you, George?” to which George shouts back, “Oh, no, I don’t like tea; we’ll have lemonade instead—tea’s so indigestible.”  Upon which the kettle boils over, and puts the stove out. We adopted this harmless bit of trickery, and the result was that, by the time everything else was ready, the tea was waiting.  Then we lit the lantern, and squatted down to supper.

But then there are those people who overidentify with their emotions. Everything is justified for no other reason than they felt it. “Oh, I broke your windshield, but I was really mad; I couldn’t help it.” Or “I dropped out of school and moved to Alaska just because it felt right.” Decision-making based on emotional intuition, without the aid of reason to keep it in line, pretty much always sucks. You know who bases their entire lives on their emotions? Three-year-old kids. And dogs. You know what else three-year-olds and dogs do? Shit on the carpet.

I just can't help thinking what a real shake up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems..." And how proud would you be when people started dying like flies?" I demanded. They'd die more like mad dogs, I think--snarling & snapping at each other & biting their own tails." I turned to Castle the elder. "Sir, how does a man die when he's deprived of the consolation of literature?" In one of two ways," he said, "petrescence of the heart or atrophy of the nervous system." Neither one very pleasant, I expect," I suggested. No," said Castle the elder. "For the love of God, both of you, please keep writing!

The application of creative intelligence to a problem, the finding of a solution at once dogged, elegant, and wild, this had always seemed to him to be the essential business of human beings—the discovery of sense and causality amid the false leads, the noise, the trackless brambles of life. And yet he had always been haunted—had he not?—by the knowledge that there were men, lunatic cryptographers, mad detectives, who squandered their brilliance and sanity in decoding and interpreting the messages in cloud formations, in the letters of the Bible recombined, in the spots on butterflies’ wings. One might, perhaps, conclude from the existence of such men that meaning dwelled solely in the mind of the analyst. That it was the insoluble problems—the false leads and the cold cases—that reflected the true nature of things. That all the apparent significance and pattern had no more intrinsic sense than the chatter of an African gray parrot. One might so conclude; really, he thought, one might.

What was a surprise was when the dog answered his question. 'Want to play ball now,' Gabriel [the dog] declared in a very clear and precise voice. Aaron opened his eyes and gazed up into the grinning face of the animal. There was no doubt now. The day's descent into madness was complete. He was, in fact, losing his mind.

She tried to hurt Fitz!" He turned to Gabriel and Dick. "That'll get her mad. " Gabriel rolled his eyes. "She's been framed for murder twice over, shot in the back, her arms were set on fire, and her parents are being held hostage. You think tampered dog water is what's going to make her angry?" "You tried to hurt my dog!" I wheezed as I lurched toward a grinning Missy. "Oh, big deal, " Missy huffed. "It's the ugliest dog I've ever seen. " "You tried to hurt my dog, " I said again. "I would have been doing you a favor. " Missy sneered. "Nobody. Screws. With. My. Dog. " I growled, punctuating each word with a punch to Missy's face. I gave an upper cut to the chin that sent her flying back into a pile on the ground. Zeb grinned at Dick and Gabriel. "Told you.

This is the story of V and me. Look. Each person has the possibilities of being simultaneously several beings, having several lives. The good family man doesn’t have a sense of responsibility. Simultaneously, he’s my angel. Simultaneously, his family’s a pack of incontinent dogs. In front of men such as him who believe they’re respectable, I love to talk about who they really are, the people they don’t want to know and socially and politically chastise. Look. I have loved and worshiped a pig. This society hates and locks up its madness because they hate and lock up themselves. I know the system of schizophrenia. Nevertheless I loved a pig and couldn’t stop.

And he is about seventy, very dignifed, unwell, and mad. Yes, he is mad. That is to say, psychotic, and I see from his file that he unfortunately was found years ago sheltering in a schoolyard, under a seat, with three dead dogs tied to his leg, which he was dragging about with him. But as I spoke to him, all I could feel was love. That was ridiculous. And I am deeply, deeply suspicious of it.

Remember Barbara It rained all day on Brest that day And you walked smiling Flushed enraptured streaming-wet In the rain Remember Barbara It rained all day on Brest that day And I ran into you in Siam Street You were smiling And I smiled too Remember Barbara You whom I didn't know You who didn't know me Remember Remember that day still Don't forget A man was taking cover on a porch And he cried your name Barbara And you ran to him in the rain Streaming-wet enraptured flushed And you threw yourself in his arms Remember that Barbara And don't be mad if I speak familiarly I speak familiarly to everyone I love Even if I've seen them only once I speak familiarly to all who are in love Even if I don't know them Remember Barbara Don't forget That good and happy rain On your happy face On that happy town That rain upon the sea Upon the arsenal Upon the Ushant boat Oh Barbara What shitstupidity the war Now what's become of you Under this iron rain Of fire and steel and blood And he who held you in his arms Amorously Is he dead and gone or still so much alive Oh Barbara It's rained all day on Brest today As it was raining before But it isn't the same anymore And everything is wrecked It's a rain of mourning terrible and desolate Nor is it still a storm Of iron and steel and blood But simply clouds That die like dogs Dogs that disappear In the downpour drowning Brest And float away to rot A long way off A long long way from Brest Of which there's nothing left.

Could I, I thought, be the last coward on earth? How terrifying!… All alone with two million stark-raving heroic madmen, armed to the eyeballs? With and without helmets, without horses, on motorcycles, bellowing, in cars, screeching, shooting, plotting, flying, kneeling, digging, taking cover, bounding over trails, sputtering, shut up on earth as if it were a loony bin, ready to demolish everything on it, Germany, France, whole continents, everything that breathes, destroy, destroy, madder than mad dogs, worshipping their madness (which dogs don’t), a hundred, a thousand times madder than a thousand dogs, and a lot more vicious! A pretty mess we were in! No doubt about it, this crusade I’d let myself in for was the apocalypse.

There is no way to overpower, outrun, or outsmart the mad dog of hopelessness because it's simply more vicious than I. The only thing to do is let it attack, go limp in its jaws, and be shaken. But I notice one promising pattern. If I play dead, it will eventually let me go. I start thinking of the dog of hopelessness as an obstacle that will reappear on every curve of the spiral staircase. He'll always be there waiting and snarling, but with every go-round, I'll be more confident and less fearful. Eventually, I'll learn the tricks that will allow me to breeze right past him. But the mad dog of hopelessness will always be there. My spiral staircase of progress means that my pain will be both behind me and in front of me, every damn day. I'll never be "over it," but I vow to be stronger each time I face it. Maybe the pain won't change, but I will. I keep climbing.

And what is sin?' said Cotgrave. 'I think I must reply to your question by another. What would your feelings be, seriously, if your cat or your dog began to talk to you, and to dispute with you in human accents? You would be overwhelmed with horror. I am sure of it. And if the roses in your garden sang a weird song, you would go mad. And suppose the stones in the road began to swell and grow before your eyes, and if the pebble that you noticed at night had shot out stony blossoms in the morning? 'Well, these examples may give you some notion of what sin really is.

The Dog-star and Aldebaran, pointing to the restless Pleiades, were half-way up the Southern sky, and between them hung Orion, which gorgeous constellation never burnt more vividly than now, as it soared forth above the rim of the landscape. Castor and Pollux with their quiet shine were almost on the meridian: the barren and gloomy Square of Pegasus was creeping round to the north-west; far away through the plantation Vega sparkled like a lamp suspended amid the leafless trees, and Cassiopeia's chair stood daintily poised on the uppermost boughs. "One o'clock," said Gabriel.

What you think of as fate only applies to the past. Our futures are only predictable because as creatures of this world we are predictable. Think of a cat and mouse. [...] When a cat sees a mouse, it will always chase, unless, perhaps, the cat is pursued by something larger, like a dog. We are much the same. The future knows what things we desire, unless there is something greater in our path that chases us away. [...] But even those things that might alter our course, the future usually sees clearly. [...] It is not fate, it is simply the future observing that which we crave the most. Every person has the power to change their fate if they are brave enough to fight for what they desire more than anything.

Vargo climbed in, twisted and turned a few times to get comfortable on the pillow, then pulled the lid down and latched it. As the eye of narrative drew back from the coffin on its stand, two things happened. One happened comparatively slowly, and this was Vargo's realization that he never recalled the coffin having a pillow before. The other was Greebo deciding that he was as mad as hell and wasn't going to take it any more. He'd been shaken around in the wheely thing and then sat on by Nanny, and he was angry about that because he knew, in a dim, animal way, that scratching Nanny might be the single most stupid thing he could do in the whole world, since no one else was prepared to feed him. This hadn't helped his temper. Then he'd encountered a dog, which had tried to lick him. He'd scratched and bitten it a few times, but this had had no effect apart from encouraging it to try to be more friendly. He'd finally found a comfy resting place and had curled up into a ball, and now someone was using him as a cushion- There wasn't a great deal of noise. The coffin rocked a few times, and then pivoted around.

Mary Magdalene With wandering eyes and aimless zeal, She hither, thither, goes; Her speech, her motions, all reveal A mind without repose. She climbs the hills, she haunts the sea, By madness tortured, driven; One hour's forgetfulness would be A gift from very heaven! She slumbers into new distress; The night is worse than day: Exulting in her helplessness; Hell's dogs yet louder bay. The demons blast her to and fro; She has not quiet place, Enough a woman still, to know A haunting dim disgrace. A human touch! a pang of death! And in a low delight Thou liest, waiting for new breath, For morning out of night. Thou risest up: the earth is fair, The wind is cool; thou art free! Is it a dream of hell's despair Dissolves in ecstasy? That man did touch thee! Eyes divine Make sunrise in thy soul; Thou seest love in order shine:- His health hath made thee whole! Thou, sharing in the awful doom, Didst help thy Lord to die; Then, weeping o'er his empty tomb, Didst hear him Mary cry. He stands in haste; he cannot stop; Home to his God he fares: 'Go tell my brothers I go up To my Father, mine and theirs.' Run, Mary! lift thy heavenly voice; Cry, cry, and heed not how; Make all the new-risen world rejoice- Its first apostle thou! What if old tales of thee have lied, Or truth have told, thou art All-safe with Him, whate'er betide Dwell'st with Him in God's heart!

Would you kick her ass already?" Dick said, shoving me back toward Missy. "Come on, Stretch, man up. You do better than this! Get mad." I nodded, rolling a dislocated shoulder back into place with a grunt and staggering back toward my opponent. Behind me, Zeb yelled, "She tried to hurt Fitz!" He turned to Gabriel and Dick. "That'll get her mad." Gabriel rolled his eyes. "She's been framed for murder twice over, shot in the back, her arms were set on fire, and her parents are being held hostage. You think tampered dog water is what's going to make her angry?" "You tried to hurt my dog!" I wheezed as I lurched toward a grinning Missy.

I had such a frightening experience last week,” Mrs. Pumphrey continued. “I was sure I would have to call you out. Poor little Tricki—he went completely crackerdog!” I mentally lined this up with flop-bott among the new canine diseases and asked for more information. “It was awful. I was terrified. The gardener was throwing rings for Tricki—you know he does this for half an hour every day.” I had witnessed this spectacle several times. Hodgkin, a dour, bent old Yorkshireman who looked as though he hated all dogs and Tricki in particular, had to go out on the lawn every day and throw little rubber rings over and over again. Tricki bounded after them and brought them back, barking madly till the process was repeated. The bitter lines on the old man’s face deepened as the game progressed. His lips moved continually, but it was impossible to hear what he was saying.

Men have dragged us by our hair through the ages, and whether they give us crumbs or bright, shiny rocks, they truly give us nothing at all. If you have not opened your legs for them so that they could drawl out as babies or crawl in as men, they they will leave you to starve like a dog on the street. So now we are done playing the way they want us to play. Now we are moving to music they cannot hear, to a rhythm they cannot understand. They call it madness and we call it truth and find me the magistrate you can trust to judge between the two? Bah. So we dance on, we dance on.

They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.

[From Sid Vicious's letter to Nancy Spungen's mother Deborah] P.S. Thank you, Debbie, for understanding that I have to die. Everyone else just thinks that I'm being weak. All I can say is that they never loved anyone as passionately as I love Nancy. I always felt unworthy to be loved by someone so beautiful as her. Everything we did was beautiful. At the climax of our lovemaking, I just used to break down and cry. It was so beautiful it was almost unbearable. It makes me mad when people say you must have really loved her.' So they think that I don't still love her? At least when I die, we will be together again. I feel like a lost child, so alone. The nights are the worst. I used to hold Nancy close to me all night so that she wouldn't have nightmares and I just can't sleep without my my beautiful baby in my arms. So warm and gentle and vulnerable. No one should expect me to live without her. She was a part of me. My heart. Debbie, please come and see me. You are the only person who knows what I am going through. If you don’t want to, could you please phone me again, and write. I love you. I was staggered by Sid's letter. The depth of his emotion, his sensitivity and intelligence were far greater than I could have imagined. Here he was, her accused murderer, and he was reaching out to me, professing his love for me. His anguish was my anguish. He was feeling my loss, my pain - so much so that he was evidently contemplating suicide. He felt that I would understand that. Why had he said that? I fought my sympathetic reaction to his letter. I could not respond to it, could not be drawn into his life. He had told the police he had murdered my daughter. Maybe he had loved her. Maybe she had loved him. I couldn't become involved with him. I was in too much pain. I couldn't share his pain. I hadn't enough strength. I began to stuff the letter back in its envelope when I came upon a separate sheet of paper. I unfolded it. It was the poem he'd written about Nancy. NANCY You were my little baby girl And I shared all your fears. Such joy to hold you in my arms And kiss away your tears. But now you’re gone there’s only pain And nothing I can do. And I don’t want to live this life If I can’t live for you. To my beautiful baby girl. Our love will never die. I felt my throat tighten. My eyes burned, and I began to weep on the inside. I was so confused. Here, in a few verses, were the last twenty years of my life. I could have written that poem. The feelings, the pain, were mine. But I hadn't written it. Sid Vicious had written it, the punk monster, the man who had told the police he was 'a dog, a dirty dog.' The man I feared. The man I should have hated, but somehow couldn't.

O, ho, are you there with me? No eyes in your head, nor no money in your purse? Your eyes are in a heavy case, your purse in a light: yet you see how this world goes. Ear; of Gloster, “I see it feelingly.” Lear, “What, art mad? A man may see how this world goes with no eyes. Look with thine ears: see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and handy-dandy, which is the justice, which is the thief? - Thou hast seen a farmer’s dog bark at a begger? Earl of Gloster, ‘Ay, sir. Lear, “And the creature run from the cur? There thou mightst behold the great image of authority: a dog’s obey’d in office. - Thou rascal beadle, hold thy bloody hand! Why dost though lash that whore? Strip thine own back; Thou hotly lusts to use her in that kind For which thou whipst her. The usurer hangs the cozener. Through tattere’d clothes small vices to appear; Robes and furr’d gowns hide all. Plate sin with gold, And the strong lance of justice hurtless breaks; Arm it in rags, a pygmy’s straw does pierce it. None does offend, none, - I say, none; I’ll able ‘em to seal the accuser’s lips. Get thee glass eyes; To see the things thou dost not. - Now, now, now, now: Pull off my boots: - harder, harder: - so. Edgar (aside), “O, matter and impertinency mixt! Reason in madness!