Macho Man Best Quotes

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Perhaps the best known of these films were the three that Clint Eastwood starred in for director Sergio Leone: A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly, in which he played a gunslinger or bounty hunter wandering the countryside and settling scores for a price. Eastwood’s character took the law into his own hands, but he was essentially on the side of good and order. While Eastwood’s character, a dark hero type, employed unusual means to bring about justice, viewers found him irresistible because he was inscrutable, macho, and capable. While his motives were questionable, he brings his own kind of order out of chaos—actions that readers and film viewers always appreciate. In fact, he was a man of action, was extremely self-reliant, and just didn’t give a damn—all qualities that have universal appeal. His character’s darkness was a departure from the usual heroes starring in traditional Westerns, and this stirred the viewers’ imaginations.
Jessica Page Morrell (Bullies, Bastards And Bitches: How To Write The Bad Guys Of Fiction)
Look like chick books.” “And you’re a chick, so what’s the problem?” She laughs. “Well, you've got beans and franks, or so I assume.” “Hey,” he says, suddenly all serious. “Reading books by female authors does not limit my macho vibe. Plus, bitches write the best characters, man. It’s like they get people, you know?
Chuck Wendig (Atlanta Burns (Atlanta Burns, #1))
Not at all perturbed by the surprise arrival and very official-looking demeanor, and yet respectful of it all the same--he’d have done as much or more if some bloke was sniffing after his sister--he doffed his hat and stuck out his hand. “You must be Logan. Or should I call you Chief McCrae?” Logan McCrae hesitated a short moment, then took Cooper’s hand in a quick, firm shake. Cooper was also glad to see McCrae didn’t feel the need to resort to some kind of macho game of whose handshake is the firmest to prove who would control their little meeting. But then, he did have a gun strapped to his hip, Cooper noted, so possibly that was simply unnecessary. “Cooper Jax,” McCrae said, sidestepping his name query for now anyway. “I thought maybe we could take a quick walk if you have a few moments?” “Off a short pier?” Cooper replied, smile unwavering as he gestured for McCrae to lead the way through the courtyard. The bigger man’s dark gaze remained zeroed in, but the tight line of his square jaw relaxed, as did his shoulders. “That depends. We do have one or two.” Cooper knew a lot more about the oldest McCrae sib than he assumed McCrae knew about him, but from all that Kerry had said about her only brother, Cooper was predisposed to like the bloke. The hint of humor underlying McCrae’s words told him to trust that instinct. “I’ll do my best to keep both feet on the ground then.” “Good start,” McCrae replied, then headed through the courtyard.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
When love grows diseas’d, the best thing we can do is put it to a violent death; I cannot endure the torture of a lingring and consumptive passion. —Sir George Etherege
M.C. Beaton (Death of a Macho Man (Hamish Macbeth, #12))