Machine Lover Quotes

Ride?" Rhage snorted. "Please. That thing is a sewing machine with an air dam taped to it. My GTO could dust the fucker in fourth gear from a dead stop." When there was an odd sound from behind, John looked back. So did the three Brothers. "What." Xhex bristled and crossed her arms over her chest. "I can laugh, you know. And that's . . . pretty damn funny." Rhage beamed. "I knew I liked you.

In case you haven't noticed, as the result of a shamelessly rigged election in Florida, in which thousands of African Americans were arbitrarily disenfranchised, we now present ourselves to the rest of the world as proud, grinning, jut-jawed, pitiless war-lovers with appalling powerful weaponry - who stand unopposed. In case you haven't noticed, we are now as feared and hated all over the world as the Nazi's once were. And with good reason. In case you haven't noticed, our unelected leaders have dehumanized millions and millions of human beings simply because of their religion and race. We wound 'em and kill 'em and torture 'em and imprison 'em all we want. Piece of cake. In case you haven't noticed, we also dehumanize our own soldiers, not because of their religion or race, but because of their low social class. Send 'em anywhere. Make 'em do anything. Piece of cake. The O'Reilly Factor. So I am a man without a country, except for the librarians and a Chicago paper called "In These Times." Before we attacked Iraq, the majestic "New York Times" guaranteed there were weapons of destruction there. Albert Einstein and Mark Twain gave up on the human race at the end of their lives, even though Twain hadn't even seen the First World War. War is now a form of TV entertainment, and what made the First World War so particularly entertaining were two American inventions, barbed wire and the machine gun. Shrapnel was invented by an Englishman of the same name. Don't you wish you could have something named after you? Like my distinct betters Einstein and Twain, I now give up on people too. I am a veteran of the Second World War and I have to say this is the not the first time I surrendered to a pitiless war machine. My last words? "Life is no way to treat an animal, not even a mouse." Napalm came from Harvard. Veritas! Our president is a Christian? So was Adolf Hitler. What can be said to our young people, now that psychopathic personalities, which is to say persons without consciences, without senses of pity or shame, have taken all the money in the treasuries of our government and corporations and made it all their own?

I'll cab it home." "Naw. I'll hang until you're through. Then I'll drag you back to your apartment. Watch you throw up for an hour. Push you into bed. Before I leave I'll get the coffee machine set up. Aspirin will be right next to the sugar bowl." "I don't have a sugar bowl." "So it'll be next to the bag." Butch smiled. "You'd have made a great wife, Jose." "That's what mine tells me.

There's green eyes in my eyes And a lover on my mind And I sing from the piano Tear my yellow dress and Cry and cry and cry Over the love of you

We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until we’re happy. Because they elevate sports to religion. Because they’re never afraid of the dark. Because they don’t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because they’re always ready for sex. Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because they’re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them there’s no such thing as too much adrenaline. Because when all is said and done, they can’t live without us, no matter how hard they try. Because they’re truly as simple as they claim to be. Because they love extremes and when they go to extremes, we’re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they don’t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to. Because when we say “I love you” they ask for an explanation.

Abandoned lovers were often lured into the false embrace of faithless mistresses and this caused the Minister the gravest concern for he feared that one day a man would impregnate an illusion and then a generation of half-breed ghosts would befoul the city

He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer- excellent for drawing the veil from men's motives and actions. But for the trained observer to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his.

Time machines, magic portals, transporters, worm holes, flying carpets, relocation charms—such things do exist. They're called books.

He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position.

Love is the synthesis of dream and actuality; love is the only matrix of the unprecedented; love is the tree which buds lovers like roses.

How many people ruin themselves by laying out money on trinkets of frivolous utility? What pleases these lovers of toys is not so much the utility, as the aptness of the machines which are fitted to promote it. All their pockets are stuffed with little conveniences. They contrive new pockets, unknown in the clothes of other people, in order to carry a greater number. They walk about loaded with a multitude of baubles, in weight and sometimes in value not inferior to an ordinary Jew's-box, some of which may sometimes be of some little use, but all of which might at all times be very well spared, and of which the whole utility is certainly not worth the fatigue of bearing the burden.

because when i feel the human world is doomed, has doomed itself by its own mingy beastliness, then i feel the colonies aren't far enough. the moon wouldn't be far enough, because even there you could look back and see the earth, dirty, beastly, unsavory among all the stars: made foul by men. Then i feel i've swallowed gall, and its eating my inside out, and nowhere's far enough to get away. but when i get a turn, i forget it all again. though it's a shame, what's been done to people these last hundred years: men turned into nothing but labor-insects, and all their manhood taken away, and all their real life. i'd wipe the machines off the face of the earth again, and end the industrial epoch absolutely, like a black mistake. but since i can't, an' nobody can, i'd better hold my peace, an' try an' life my own life: if i've got one to live, which i rather doubt.

Still adore me?” he said into that kiss, his tone husky. A tone between lovers, between mates, between a man and the only woman he had ever wanted. “Too much,” was her response. “I only feel whole when I’m with you. Does that make me weak?” The cat stretched out inside him as she pressed kisses along his jawline, down his neck. “If you’re weak, then so am I.” He could function without her but in the way a machine functions. His heart, his soul, he had given to her a long time ago.

With that, the poignant charm vanished. Inside the fifth machine, all was rampant malignity. Deformed flowers thrust monstrous horned tusks and trumpets ending in blaring teeth through the crimson walls, rending them; the ravenous garden slavered over its prey and every brick was shown in the act of falling. Amid the violence of this transformation, the oblivion of the embrace went on. The awakened girl, in all her youthful loveliness, still clasped in the arms of a lover from whom all the flesh had fallen. He was a grinning skeleton.

If I had my wilderness, nature could be my lover. What can I do in the paved streets for my thirsty roots? I waste time. I encourage fools. I slip the vital hours into penny slot machines -- to pass time, to start my stuck wheels only love can oil.

What if our bodies were transparent, like a washing machine window? How wondrous to watch ourselves. Joggers would job even harder, blood pumping away. Lovers would love more. God damn! Look at that old semen go! Diets would improve-- kiwi fruit and strawberries, borscht with sour cream.

It's like when you find out your lover has been unfaithful: in one horrible instant everything she was to you, the whole beautiful enchantment, falls away, and you see her as she really is - mortal, machinating, tethered like everyone else to a little patch of space and time. And the worst of it is that you knew all along.

The body which will be loved is in advance selected and manipulated by the lens, subjected to a kind of zoom effect which magnifies it, brings it closer, and leads the subject to press his nose to the glass: is it not the scintillating object which a skillful hand causes to shimmer before me and will hypnotize me, capture me? This “affective contagion,” this induction, proceeds from others, from the language, from books, from friends: no love is original. (Mass culture is a machine for showing desire: here is what must interest you, it says, as if it guessed that men are incapable of finding what to desire by themselves.)

She’s purring,” I exclaimed in delight. “Stop taming the battlecat,” Draven said, looking slightly annoyed. “She’s a killing machine. Not a house pet.” “Says the man who snuggled beside her all night,” I retorted.

Well, we've been waiting for years...we wait longer. Hate's a growing thing like anything else. It's the inevitable outcome of forcing ideas on to life, of forcing one's deepest instincts; our deepest feelings we force according to certain ideas. We drive ourselves with a formula, like a machine.

though it's a shame, what's been done to people these last hundred years: men turned into nothing but labor-insects, and all their manhood taken away, and all their real life. i'd wipe the machines off the face of the earth again, and end the industrial epoch absolutely, like a black mistake. but since i can't, an' nobody can, i'd better hold my peace, an' try an' life my own life: if i've got one to live, which i rather doubt.

Human, you are a machine, an organism, an animal, a primate, an artist, an athlete, a thinker, a sponge, a spirit, a comedian, a connoisseur, a cycle of breath in and breath out, an inventor, an expressor, an orator, a lover, an explorer, a creator, evolved. Your mind paints the flowers and the sky using the mind's eye as a paintbrush and light as paint. Splashing life across the blank canvas of reality. That's what you do. Every moment of every day.

Prayer before Birth I am not yet born; O hear me. Let not the bloodsucking bat or the rat or the stoat or the club-footed ghoul come near me. I am not yet born, console me. I fear that the human race may with tall walls wall me, with strong drugs dope me, with wise lies lure me, on black racks rack me, in blood-baths roll me. I am not yet born; provide me With water to dandle me, grass to grow for me, trees to talk to me, sky to sing to me, birds and a white light in the back of my mind to guide me. I am not yet born; forgive me For the sins that in me the world shall commit, my words when they speak me, my thoughts when they think me, my treason engendered by traitors beyond me, my life when they murder by means of my hands, my death when they live me. I am not yet born; rehearse me In the parts I must play and the cues I must take when old men lecture me, bureaucrats hector me, mountains frown at me, lovers laugh at me, the white waves call me to folly and the desert calls me to doom and the beggar refuses my gift and my children curse me. I am not yet born; O hear me, Let not the man who is beast or who thinks he is God come near me. I am not yet born; O fill me With strength against those who would freeze my humanity, would dragoon me into a lethal automaton, would make me a cog in a machine, a thing with one face, a thing, and against all those who would dissipate my entirety, would blow me like thistledown hither and thither or hither and thither like water held in the hands would spill me. Let them not make me a stone and let them not spill me. Otherwise kill me.

Jen's Mum Will Write Jen's mum writes advertising copy. She specializes in white goods: washing machines, dryers, fridges, freezers, dishwashers. She hates these appliances hulking in corners, power-hungry and fractious. One day, she will have a wood stove, and she'll write about things that matter- she will write about birth and death, about love and the absence of love, about fathers and children, about mothers and daughters, about lovers and friends. She'll write about the whole goddamn wonderful, awful business of loving and being loved

To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men’s motives and actions. But for the trained

First machine kicked man’s ass physically, then machine started taking over the left-brain when Deep Blue bested Kasparov in chess, and then finally the machine fully took over the left-brain when Watson beat the great Ken Jennings on Jeopardy. And now these terminators are coming after right-brained activities too—the creative and emotional side of the brain. Pretty soon we’ll all be driving cars with bumper stickers that say, “Robots make better lovers.

It was not the same as charging down a machine-gun nest armed only with a Bowie knife, or strapping in to the tail-gunner seat of a four-engined heavy bomber. And no one else would ever know, since one did not get a medal for letting go of a woman’s hand on a gray Saturday morning in the middle of a European war. But to have faith—that a lover would be constant and life clement—this did require courage in a city more disposed to beginnings than safe continuations. As

PRAYER BEFORE BIRTH I am not yet born; O hear me. Let not the bloodsucking bat or the rat or the stoat or the club-footed ghoul come near me. I am not yet born; console me. I fear that the human race may with tall walls wall me, with strong drugs dope me, with wise lies lure me, on black racks rack me, in blood-baths roll me. I am not yet born; provide me With water to dandle me, grass to grow for me, trees to talk to me, sky to sing to me, birds and a white light in the back of my mind to guide me. I am not yet born; forgive me For the sins that in me the world shall commit, my words when they speak me, my thoughts when they think me, my treason engendered by traitors beyond me, my life when they murder by means of my hands, my death when they live me. I am not yet born; rehearse me In the parts I must play and the cues I must take when old men lecture me, bureaucrats hector me, mountains frown at me, lovers laugh at me, the white waves call me to folly and the desert calls me to doom and the beggar refuses my gift and my children curse me. I am not yet born; O hear me, Let not the man who is beast or who thinks he is God come near me. I am not yet born; O fill me With strength against those who would freeze my humanity, would dragoon me into a lethal automaton, would make me a cog in a machine, a thing with one face, a thing, and against all those who would dissipate my entirety, would blow me like thistledown hither and thither or hither and thither like water held in the hands would spill me. Let them not make me a stone and let them not spill me. Otherwise kill me.

To Sherlock Holmes she is always THE woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men's motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his. And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.

Toulouse is to lose. Good on us,
 That one never lied And said it’s still alive. A full life is a series Of incompletions. Whole with holes. Entirely fragmented. Carrying one-days, Sentences, Old lovers, And looks. Absolutes turn men and women 
Into machines that need 
Numbers to work.
 But people were never meant to work Just to live.

Ryanna Raines: And why did you choose "Desire Under the Elms?" Jordan De Carlo: It's ferocious. A full-throttle rage machine. Rage over land, over family, over sexual lust.

Catch my heart and take my Hand to find yourself some Big Time Love.

Heller’s Catch-18, Fitzgerald’s The High-Bouncing Lover, Orwell’s The Last Man in Europe, Tolstoy’s All’s Well That Ends Well

The typical capitalists are lovers of power rather than sensual indulgence, but they have the same tendency to crush and to take tribute that the cruder types of sensualism possess. The discipline of the capitalist is the same as that of the frugalist. He differs from the latter in that he has no regard for the objects through which productive power is acquired. HE does not hesitate to exploit natural resources, lands, dumb animals and even his fellowman. Capital to such a man is an abstract fund, made up of perishable elements which are quickly replaced… The frugalist…stands in marked contrast to the attitude of the capitalist. The frugalist takes a vital interest in his tools, in his land, and in the goods he produces. He has a definite attachment to each. He dislikes to see an old coat wear out, an old wagon break down, or an old horse go lame. He always thinks of concrete things, wants them and nothing else. He desires not land, but a given farm, not horses or cattle and machines, but particular breeds and implements; not shelter, but a home…. He rejects as unworthy what is below standard and despises as luxurious what is above or outside of it. Dominated by activities, he thinks of capital as a means to an end.

All the lot. Their spunk is gone dead. Motor-cars and cinemas and aeroplanes suck that last bit out of them. I tell you, every generation breeds a more rabbity generation, with India rubber tubing for guts and tin legs and tin faces. Tin people! It’s all a steady sort of bolshevism just killing off the human thing, and worshipping the mechanical thing. Money, money, money! All the modern lot get their real kick out of killing the old human feeling out of man, making mincemeat of the old Adam and the old Eve. They’re all alike. The world is all alike: kill off the human reality, a quid for every foreskin, two quid for each pair of balls. What is cunt but machine-fucking! — It’s all alike. Pay ’em money to cut off the world’s cock. Pay money, money, money to them that will take spunk out of mankind, and leave ’em all little twiddling machines.

I had a friend, a lover. Or did I dream it? So many dreams are crowding upon me now that I can scarcely tell true from false: dreams like light imprisoned in bright mineral caves; hot, heavy dreams; ice-age dreams; dreams like machines in the head.

When you neglect your Soul, you are not living at all. You are a biological robot, a machine. You walk, talk, smile, visit parties, have lovers. Soul knows & sees everything you do. When one day your body is no more, you have to answer to your Soul. While in the body, Soul was a prisoner of your mind, ego, greed, envy, anything else, now there is no escape from the judgement of your own Soul.

What about television?" a young man asked. "It's an octopus. It's no longer just a little box, it's the Love Machine." "Why the Love Machine?" a reporter asked. "Because it sells love. It creates love. Presidents are chosen by their appeal on that little box. It's turned politicians into movie stars and movie stars into politicians. It can you engaged if you use a certain mouthwash. It claims you'll have women hanging on your coattails if you use a certain hair cream. It tells the kids to eat their cereal if they want to be like their baseball idol. But like all great lovers, the Love Machine is a fickle bastard. It has great magnetism--but it has no heart. In place of a heart beats a Nielsen rating. And when the Nielsen falters, the program dies. It's the pulse and heart of the twentieth century--The Love Machine.

Then the individual, especially the personal man, is bourgeois: so he must be suppressed. You must submerge yourselves in the great thing, the Soviet-social thing. Even an organism is bourgeois: so the ideal must be mechanical. The only thing that is a unit, non-organic, composed of many different, and equally essential parts, is the machine. Each man a machine-part, and the driving power of the machine, hate… hate of the bourgeois. That, to me, is Bolshevism.

Money, money, money! All the modern lot get their real kick out of killing the old human feeling out of man, making mincemeat of the old Adam and the old Eve. They’re all alike. The world is all alike: kill off the human reality, a quid for every foreskin, two quid for each pair of balls. What is cunt but machine-fucking!—It’s all alike. Pay ’em money to cut off the world’s cock. Pay money, money, money to them that will take spunk out of mankind, and leave ’em all little twiddling machines.

exciting time in the age of computers, when the machines first became personal and later, fashionable accessories. It is also a textbook study of the rise and fall and rise of Apple and the brutal clashes that destroyed friendships and careers. And it is a gadget lover’s dream, with fabulous, inside accounts of how the Macintosh, iPod, iPhone and iPad came into being. But more than anything, Isaacson has crafted a biography of a complicated, peculiar personality—Jobs was charming, loathsome, lovable, obsessive, maddening—and the author shows how Jobs’s character was instrumental in shaping some of the greatest technological innovations of our time.

Intimacy The woman in the cafe making my cappuccino — dark eyes, dyed red hair, sleeveless black turtleneck — used to be lovers with the man I’m seeing now. She doesn’t know me; we’re strangers, but still I can’t glance at her casually, as I used to, before I knew. She stands at the machine, sinking the nozzle into a froth of milk, staring at nothing — I don’t know what she’s thinking. For all I know she might be remembering my lover, remembering whatever happened between them — he’s never told me, except to say that it wasn’t important, and then he changed the subject quickly, too quickly now that I think about it; might he, after all, have been lying, didn’t an expression of pain cross his face for just and instant? I can’t be sure. And really it was nothing, I tell myself; there’s no reason for me to feel awkward standing here, or complicitous, as though there’s something significant between us. She could be thinking of anything; why, now, do I have the sudden suspicion that she knows, that she feels me studying her, trying to imagine them together?— her lipstick’s dark red, darker than her hair — trying to see him kissing her, turning her over in bed the way he likes to have me. I wonder if maybe there were things about her he preferred, things he misses now that we’re together; sometimes, when he and I are making love, there are moments I’m overwhelmed by sadness, and though I’m there with him I can’t help thinking of my ex-husband’s hands, which I especially loved, and I want to go back to that old intimacy, which often felt like the purest happiness I’d ever known, or would. But all that’s over; and besides, weren’t there other lovers who left no trace? When I see them now, I can barely remember what they looked like undressed, or how it felt to have them inside me. So what is it I feel as she pours the black espresso into the milk, and pushes the cup toward me, and I give her the money, and our eyes meet for just a second, and our fingers touch?

The Shadow Spokeswoman for Unbelievable Lies steps out of the circling assassins. She is Casca, she is Cassius, and she is Marcus Brutus. She channels them all. She is carrying a long glinting dagger, as sharp as a razor fabricated from the steel callousness of a woman whose lies have destroyed the life of her former lover. She is a silent cat climbing steps of air to a platform of the purest hate. She is a Death’s Head butterfly emerging from an encircling teardrop of one of her victims. Her eyes are fixed in an impassive stare. She has come from William Blake’s House of Death. She is a stone heart. She is a machine. A rain of blood falls on her, on her alone. She is horror.

Isaacson’s biography can be read in several ways. It is on the one hand a history of the most exciting time in the age of computers, when the machines first became personal and later, fashionable accessories. It is also a textbook study of the rise and fall and rise of Apple and the brutal clashes that destroyed friendships and careers. And it is a gadget lover’s dream, with fabulous, inside accounts of how the Macintosh, iPod, iPhone and iPad came into being. But more than anything, Isaacson has crafted a biography of a complicated, peculiar personality—Jobs was charming, loathsome, lovable, obsessive, maddening—and the author shows how Jobs’s character was instrumental in shaping some of the greatest technological innovations

Isaacson’s biography can be read in several ways. It is on the one hand a history of the most exciting time in the age of computers, when the machines first became personal and later, fashionable accessories. It is also a textbook study of the rise and fall and rise of Apple and the brutal clashes that destroyed friendships and careers. And it is a gadget lover’s dream, with fabulous, inside accounts of how the Macintosh, iPod, iPhone and iPad came into being. But more than anything, Isaacson has crafted a biography of a complicated, peculiar personality—Jobs was charming, loathsome, lovable, obsessive, maddening—and the author shows how Jobs’s character was instrumental in shaping some of the greatest technological innovations of our time.

I’ve a dread of puttin’ children i’ th’ world,” he said. “I’ve such a dread o’ th’ future for ’em.” “But you’ve put it into me. Be tender to it, and that will be its future already. Kiss it!” He quivered, because it was true. “Be tender to it, and that will be its future.”—At that moment he felt a sheer love for the woman. He kissed her belly and her mound of Venus, to kiss close to the womb and the fetus within the womb. “Oh, you love me! You love me!” she said, in a little cry like one of her blind, inarticulate love cries. And he went in to her softly, feeling the stream of tenderness flowing in release from his bowels to hers, the bowels of compassion kindled between them. And he realized as he went into her that this was the thing he had to do, to come into tender touch, without losing his pride or his dignity or his integrity as a man. After all, if she had money and means, and he had none, he should be too proud and honorable to hold back his tenderness from her on that account. “I stand for the touch of bodily awareness between human beings,” he said to himself, “and the touch of tenderness. And she is my mate. And it is a battle against the money, and the machine, and the insentient ideal monkeyishness of the world. And she will stand behind me there. Thank God I’ve got a woman! Thank God I’ve got a woman who is with me, and tender and aware of me. Thank God she’s not a bully, nor a fool. Thank God she’s a tender, aware woman.” And as his seed sprang in her, his soul sprang towards her too, in the creative act that is far more than procreative.

I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of

But here they are, leaving the stress and shit food and endless misunderstandings. Leaving. The jobcentre, the classroom, the pub, the gym, the car park, the flat, the filth, the TV, the constant swiping of newsfeeds, the hoover, the toothbrush, the laptop bag, the expensive hair product that makes you feel better inside, the queue for the cash machine, the cinema, the bowling alley, the phone shop, the guilt, the absolute nothingness that never stops chasing, the pain of seeing a person grow into a shadow. The people’s faces twisting into grimaces again, losing all their insides in the gutters, clutching lovers till the breath is faint and love is dead, wet cement and spray paint, the kids are watching porn and drinking Monster. Watch the city fall and rise again through mist and bleeding hands. Keep holding on to power-ballad karaoke hits. Chase your talent. Corner it, lock it in a cage, give the key to someone rich and tell yourself you’re staying brave. Tip your chair back, stare into the eyes of someone hateful that you’ll take home anyway. Tell the world you’re staying faithful. Nothing’s for you but it’s all for sale, give until your strength is frail and when it’s at its weakest, burden it with hurt and secrets. It’s all around you screaming paradise until there’s nothing left to feel. Suck it up, gob it, double-drop it. Pin it deep into your vein and try for ever to get off it. Now close your eyes and stop it. But it never stops. They

Doremus Jessup, so inconspicuous an observer, watching Senator Windrip from so humble a Boeotia, could not explain his power of bewitching large audiences. The Senator was vulgar, almost illiterate, a public liar easily detected, and in his "ideas" almost idiotic, while his celebrated piety was that of a traveling salesman for church furniture, and his yet more celebrated humor the sly cynicism of a country store. Certainly there was nothing exhilarating in the actual words of his speeches, nor anything convincing in his philosophy. His political platforms were only wings of a windmill. Seven years before his present credo—derived from Lee Sarason, Hitler, Gottfried Feder, Rocco, and probably the revue Of Thee I Sing—little Buzz, back home, had advocated nothing more revolutionary than better beef stew in the county poor-farms, and plenty of graft for loyal machine politicians, with jobs for their brothers-in-law, nephews, law partners, and creditors. Doremus had never heard Windrip during one of his orgasms of oratory, but he had been told by political reporters that under the spell you thought Windrip was Plato, but that on the way home you could not remember anything he had said. There were two things, they told Doremus, that distinguished this prairie Demosthenes. He was an actor of genius. There was no more overwhelming actor on the stage, in the motion pictures, nor even in the pulpit. He would whirl arms, bang tables, glare from mad eyes, vomit Biblical wrath from a gaping mouth; but he would also coo like a nursing mother, beseech like an aching lover, and in between tricks would coldly and almost contemptuously jab his crowds with figures and facts—figures and facts that were inescapable even when, as often happened, they were entirely incorrect. But below this surface stagecraft was his uncommon natural ability to be authentically excited by and with his audience, and they by and with him. He could dramatize his assertion that he was neither a Nazi nor a Fascist but a Democrat—a homespun Jeffersonian-Lincolnian-Clevelandian-Wilsonian Democrat—and (sans scenery and costume) make you see him veritably defending the Capitol against barbarian hordes, the while he innocently presented as his own warm-hearted Democratic inventions, every anti-libertarian, anti-Semitic madness of Europe. Aside from his dramatic glory, Buzz Windrip was a Professional Common Man. Oh, he was common enough. He had every prejudice and aspiration of every American Common Man. He believed in the desirability and therefore the sanctity of thick buckwheat cakes with adulterated maple syrup, in rubber trays for the ice cubes in his electric refrigerator, in the especial nobility of dogs, all dogs, in the oracles of S. Parkes Cadman, in being chummy with all waitresses at all junction lunch rooms, and in Henry Ford (when he became President, he exulted, maybe he could get Mr. Ford to come to supper at the White House), and the superiority of anyone who possessed a million dollars. He regarded spats, walking sticks, caviar, titles, tea-drinking, poetry not daily syndicated in newspapers and all foreigners, possibly excepting the British, as degenerate. But he was the Common Man twenty-times-magnified by his oratory, so that while the other Commoners could understand his every purpose, which was exactly the same as their own, they saw him towering among them, and they raised hands to him in worship.

I climbed under the covers and shone the flashlight on Mason's gift: a roll of something or somethings, bound in string. I unfurled it to reveal an 8x10 black-and-white photograph. The girl in the picture was me. Me in the Mystery Machine, eyes locked with the eye of Mason's camera, mouth tilted in an incredulous smirk. It was the girl from the mirror, it was the girl from the wall in McGrath's tomb, it was the girl from the moon, as far away as that. A familiar girl with a faraway look in her eye. I'd know her anywhere; I didn't know her at all. Over her eyes Mason had outlined a pair of 3-D movie glasses–a nod to Weegee's 3-D-movie lovers, no doubt, although this girl–me, I– was alone, not locked in some passionate embrace. Underneath her/my face, Mason had taped a fortune cookie message: One who admires you greatlyis hidden before your eyes. God! He almost had me. So if I was the 3-D girl with hidden eyes, did he think I was his admirer? Oh, Mr. Mad Hatter, I thought. How fearfully wrong thou art.

And then what happens to the reformer, lover? He either has to build up a political machine or else he’s defeated at the next election. If he builds up a political machine, he has to do it by distributing gravy to the boys who are on the inside.—Hell, Donald, politicians always have cake. The people pass it to them on silver platters, and when the politicians cut it, they have to cut a piece for each of their friends. Otherwise, the friend becomes an enemy.—

It’s broken!” Gieo stumbled back out of the airship crash with a cornucopia of devices cradled in her arms, discarding most of them as she went, finally filtering down to one specific machine, no bigger than a television remote, hemorrhaging copper wires. “What is it?” Fiona asked, hoping it wasn’t something useful she might later steal. “It’s a Sapphic Intimate-Encounter Reciprocity Concluder,” Gieo said glumly. “Um…okay…what does it do?” “Only let’s a lesbian couple know when they’re done having sex, duh,” Gieo said. “Without it, girl-girl sex could hypothetically go on indefinitely. I mean, how else would you know when you were done?” “Usually when everyone’s happy or my jaw starts hurting.” “You’ve clearly had better lovers than me.

How does a vast, uncontrollable feeling like love fit into that? It's a loose cog in a delicate machine.

I consider reading the greatest bargain in the world. A shelf of books is a shelf of many lives and ideas and imaginations which the reader can enjoy whenever he wishes and as often as he wishes. Instead of experiencing just one life, the book-lover can experience hundreds or even thousands of lives. He can live any kind of adventure in the world. Books are his time machine into the past and also into the future. Books are his “transporter” by which he can beam instantly to any part of the universe and explore what he finds there. Books are an instrument by which he can become any person for a while—a man, a woman, a child, a general, a farmer, a detective, a king, a doctor, anyone. Great books are especially valuable because a great book often contains within its covers the wisdom of a man or woman’s whole lifetime. But the true lover of books enjoys all kinds of books, even some nonsense now and then, because enjoying nonsense from others can teach us to also laugh at ourselves. A person who does not learn to laugh at his own problems and weaknesses and foolishness can never be a truly educated or a truly happy person. Also, probably the same thing could be said of a person who does not enjoy learning and growing all his life

I consider reading the greatest bargain in the world. A shelf of books is a shelf of many lives and ideas and imaginations which the reader can enjoy whenever he wishes and as often as he wishes. Instead of experiencing just one life, the book-lover can experience hundreds or even thousands of lives. He can live any kind of adventure in the world. Books are his time machine into the past and also into the future. Books are his "transporter" by which he can beam instantly to any part of the universe and explore what he finds there. Books are an instrument by which he can become any person for a while—a man, a woman, a child, a general, a farmer, a detective, a king, a doctor, anyone. Great books are especially valuable because a great book often contains within its covers the wisdom of a man or woman's whole lifetime. But the true lover of books enjoys all kinds of books, even some nonsense now and then, because enjoying nonsense from others can teach us to also laugh at ourselves. A person who does not learn to laugh at his own problems and weaknesses and foolishness can never be a truly educated or a truly happy person. Also, probably the same thing could be said of a person who does not enjoy learning and growing all his life.

I consider reading the greatest bargain in the world. A shelf of books is a shelf of many lives and ideas and imaginations which the reader can enjoy whenever he wishes and as often as he wishes. Instead of experiencing just one life, the book-lover can experience hundreds or even thousands of lives. He can live any kind of adventure in the world. Books are his time machine into the past and also into the future. Books are his "transporter" by which he can beam instantly to any part of the universe and explore what he finds there. Books are an instrument by which he can become any person for a while—a man, a woman, a child, a general, a farmer, a detective, a king, a doctor, anyone. Great books are especially valuable because a great book often contains within its covers the wisdom of a man or woman's whole lifetime. But the true lover of books enjoys all kinds of books, even some nonsense now and then, because enjoying nonsense from others can teach us to also laugh at ourselves. A person who does not learn to laugh at his own problems and weaknesses and foolishness can never be a truly educated or a truly happy person. Also, probably the same thing could be said of a person who does not enjoy learning and growing all his life.

Finding a girl like that in the back of the car is alarming. Like putting a quarter in a gumball machine, and the Hope Diamond tumbles out. This can’t end well.

was made from a lightweight polymer material, not metal, making it very light and easy to carry. It was well balanced for a sub gun, and small enough to fit in the back pocket of most dress pants. Only a passionate gun lover would think it was pretty, but I could see the purpose and function. It was a gun made to kill people. Like the folding machine guns carried by Big H’s security goons, it was perfect for concealed carry and could be disguised in a small bag or package.

I live the essence of living, while you spin your simulations of life in machines wrought by genius and lust. Your lies become truth, your way becomes lost, your frittered souls slip like sand through your fingers. Billions lost to the winds of time. You hold out the golden chalice, but it is empty. A rest stop on the way to nowhere. You sit on a bench, like a boy waiting in the rain for his lover to return, not knowing she’s already been crushed by the gears of your ambition.

The image of pollution suggests bringing together what ought to be kept apart. To pollute soil, air, or water is to blend into them foreign materials — machine oil, for example — so that these natural resources no longer nourish or delight very well. Similarly, the introduction of a third lover into a marriage or an idol into the natural human relation to God adds a foreign agent to them; it corrupts these entities by addition.

We’ve become conditioned to expect instant gratification. Sometimes, we treat our lover as if he were a washing machine! It’s much easier to get a new one than to repair an existing one, right? So once the color blue is felt, it quickly leads to purple and that’s the end of the love story for many of us; we move on…

So can we arrive at a general principle as to why e-books have flopped in developed markets while audio and video streaming have triumphed? The technology commentator and best-selling author Edward Tenner argues that there are several reasons people are sometimes reluctant to abandon an old technology in favor of a new one. The first involves the potential vulnerabilities of the new thing. For instance, the fax machine is now a museum piece, but for a while people continued to prefer it over emailing scanned documents out of security concerns. Another potential reason involves aesthetics and nostalgia. Although dwarfed by music CDs and streaming, vinyl record sales continue to grow within the niche market of music aficionados. And despite improvements in automatic transmissions, certain car lovers prefer stick shifts. Perhaps the key to understanding format resilience is that technologies rise and fall as part of ecosystems, rarely on their own or by themselves. Those ecosystems need to evolve quickly, through open innovation, in order to appeal to new generations of users, transforming the landscape in the process. E-book platforms have remained fundamentally closed to external innovators, especially on the software side. As a result, the functionality of e-books remains limited. Moreover, research indicates that reading a physical book enables the reader to absorb information more efficiently than reading the same book on an e-reader or a tablet. “The implicit feel of where you are in a physical book turns out to be more important than we realized,” argues Abigail Sellen, a scientist and engineer at Microsoft Research Cambridge in England. “Only when you get an e-book do you start to miss it. I don’t think e-book manufacturers have thought enough about how you might visualize where you are in a book.

A popular misconception is that decision analysis is unemotional, dehumanizing, and obsessive because it uses numbers and arithmetic in order to guide important life decisions. Isn’t this turning over important human decisions “to a machine,” sometimes literally a computer — which now picks our quarterbacks, our chief executive officers, and even our lovers? Aren’t the “mathematicizers” of life, who admittedly have done well in the basic sciences, moving into a context where such uses of numbers are irrelevant and irreverent? Don’t we suffer enough from the tyranny of numbers when our opportunities in life are controlled by numerical scores on aptitude tests and numbers entered on rating forms by interviewers and supervisors? In short, isn’t the human spirit better expressed by intuitive choices than by analytic number crunching? Our answer to all these concerns is an unqualified “no.” There is absolutely nothing in the von Neumann and Morgenstern theory — or in this book — that requires the adoption of “inhumanly” stable or easily accessed values. In fact, the whole idea of utility is that it provides a measure of what is truly personally important to individuals reaching decisions. As presented here, the aim of analyzing expected utility is to help us achieve what is really important to us. As James March (1978) points out, one goal in life may be to discover what our values are. That goal might require action that is playful, or even arbitrary. Does such action violate the dictates of either rationality or expected utility theory? No. Upon examination, an individual valuing such an approach will be found to have a utility associated with the existential experimentation that follows from it. All that the decision analyst does is help to make this value explicit so that the individual can understand it and incorporate it into action in a noncontradictory manner.

Love Logic Intention (The Drunken Sonnet) Love that keeps you sober is no love, There is no soldier only drunken lover. A thousand dazzling Vegas turn bleak, When the soul shines with love's labor. For once, let go of all judgment my friend, Wipe out all cynicism from your core. Close your eyes and look with your heart, Either we are lovers or at death's door. Nutty logic makes nice machines, Nutty love makes a good society. Scars of love add definition to life, Tears of a lover are diamonds of divinity. Right world is the result of right intention. If you want light, burn, burn 'n burn again.

The geese are all asleep. A few tip their heads out from under their wings as we approach. I open the cookie tin and a few more sway slowly over to us. It’s cold, and Silas has wrapped the green blanket around me so I feel like I have wings, too. I shake the tin and walk backward in a circle around them. The ground is warmer than the air and warmer still where the geese have been sleeping. The ashes fall out evenly onto the grass. They peck at the silver flakes, their beaks moving like machines, faster than the eyes can register. More join them, they don't fight, there is enough to go around. I hold the blanket open for Silas and he slips beside me and pulls it closed. "Is this weird?" "Yeah," he says. He puts his lips in my hair. "I love weird." They peck and naw for a long time. There's not much left when they are done. They putter around for a while on their wide rubber feet, their necks look made of fur not feathers. A few are trying to sleep, curtsying to the ground and burying their heads between the folded wings on their backs. I’ll miss them when they take flight. I won’t be there. Their fast excited chatter, their wings finally spread wide, their feet tucking in behind them. Wheels up. I’ll miss it. I’ll be in class or at my desk or in bed when they cut across the sky. "I want them to go right now." "I know," Silas says. "They'll go when they're ready." A book in the library said that some Canadian Geese may travel as far as Jalisco, Mexico. My mother will like that. The long, exhilirating trip, the foreign landing. But others, the book said, will stay where they are for the winter. Those geese are already home.

the same person is simultaneously a mass of atoms, a physiology, a mind, an object with a shape that can be painted, a cog in the economic machine, a voter, a lover etc',

Mum tries smiling at herself in the mirror again and from the lounge I can hear my dad having a solitary coughing fit. How can love look so old and tired? How can you be properly in love if you're thinking about washing machines and paying the electric- ity bills? How can I wander among the great literary lovers, hob nob with Lord Byron and share a steed with John Willoughby, and then suffer the hum drum when I come down to breakfast? Where have my fairy tales gone, Muse? I'm so frightened that this is a world where, when you kiss your handsome prince, he steps out of the magic puff of smoke and he's got socks and sandals on and a dirty t-shirt with a belly under it.

The rhythms of our bodies and our voices are not, as we know, immune from the rhythms of things around us – lovers and neighbors and friends, animals, plants; the colored, flavored sewage flowing daily from the television screen; the hum, clatter, and throb of automobiles and other machines. Welcome or not, these rhythms leak into poems. – from “Everywhere Being is Dancing, Knowing is Known”, Everywhere Being is Dancing

I had a friend, a lover. It was a dream.

will you hold my curls when I'm expelling phantoms/ who open tunnels into the past will you consider the sky/ contra the west with its grinding machines will you Spartacus/ with me will you jump in and fight can it be your caravan too/ record my face lover record my limbs record them for/ us all I'm lucky I'm lucky I'm so lucky that I'm lucky

José popped some peanuts into his mouth. “I’m not leaving you here.” “I’ll cab it home.” “Naw. I’ll hang until you’re through. Then I’ll drag you back to your apartment. Watch you throw up for an hour. Push you into bed. Before I leave I’ll get the coffee machine set up. Aspirin will be right next to the sugar bowl.” “I don’t have a sugar bowl.” “So it’ll be next to the bag.” Butch smiled. “You’d have made a great wife, José.” “That’s what mine tells me.

cross their open sky. “Now!” “Mason.” “Mason, what?” “Mason Shaw!” “And who am I?” It was hard to resist a sarcastic answer to that one. Mrs. Claus. Abraham Lincoln. My partner. My lover. Jeremiah the Reefer Thief. But Dakota’s face with those intense eyebrows told him to speak straight. What he didn’t understand, she very much did. And though she’d never admit as much, she was terrified by it.  “Dakota. Dakota Ward. Former internal affairs for USPD, now director of intake for the Revival Corporation’s privatized HRO 22, Union Station, California. What do I win?”  She blinked but said nothing. It looked like a reserved comment held for later. Then she startled yet again at something above them that Mason couldn’t see and ducked back without answering.  Dakota planted one foot on a box then sprung upward with her arms extended overhead. She grabbed a machine just above the gutter — a giant thing, churning in her grip like the deck of a running lawnmower. She used gravity and her core to pike the thing downward, driving it hard against the concrete with a devastating crack. The machine sputtered before slowing. Dakota popped a compartment on its back, one she’d clearly known where to find. Its lights died, and the hulk became a hunk of dead metal. Dakota threw something ― whatever she’d yanked from its innards ― away with a clatter.  “Is that a prison drone?” Mason asked, gawking. “How … How did you …

Because there is a growing belief among the community of thinking beings that by 2050 men and women will be marrying human like robots. At that point, how Craig Raine will describe his experiences will be fascinating to know. And in my imagination I have already travelled with the Green Man into the future called 2075 and witnessed How humans will experience love in 2075. Because this science fiction novel navigates through the possibility of men and women falling in love with machines, without knowing they are robots imitating human emotions. Will you still dare to fall in love in 2075 or will you strive to tell the difference between a human lover and a robotic lover? Now it is your turn to join the Green Man on this exciting journey into 2075, where he will reveal to you what the world would look like in 2075, and take you on an excitingly epic journey with the protagonist, Saabir, who criss crosses the highways and all by ways of emotional trajectory in the midst of synthetic emotions and feelings that engulf him. To know more, travel with the Green Man via the science fiction titled, They Loved in 2075. With this anticipation I shall dream of you tonight and hope that you will be able to unlock the alien imagination within you, to realise the part of you that is from Heaven. If you have any doubts, here is the poem by ​​Craig Raine to make you a dreamer who while asleep is always awake in his/her subconscious state too. Because he/she has learned the art of having a rendezvous with the light that radiates through the universe, to eventually settle in a dreamer's eyes who dares to dream beyond the ordinary and the 3 dimensional reality. "A Martian Sends A Postcard Home” Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut. Dedicated to you, the Green Man and Saabir who hails from 2075 and dares to love a real woman in 2075 because he loves her a lot!

As I lay on my cot, I recalled a passage from the diary. Klara spoke of the 3 as her favorite card. It represents the human triumvirate of mind, body, and spirit—or soul. She spoke of the needs of the mind, including the stimulation of good books and intellectual conversation. To be aware of one’s world, to understand its “machinations” as she called it. To perceive the good and the bad in the dealings with people was paramount. Second, Klara emphasized the needs of the body, proper health, exercise, and nutrition as fundamental to her philosophy of life. Critical were frequent sexual fulfillment along with good food, wine, and spirits. Finally, the soul demands that one extend compassion and kindness to other people. She rejected the idea that people were placed on the Earth by a magical entity who doomed us to suffer, laboring under the hopes that a reward might come in an afterlife. “Only people can create heaven, and we do that by taking care of one another,” Eve had quoted Klara.

Huxley was fascinated by the fact that ‘the same person is simultaneously a mass of atoms, a physiology, a mind, an object with a shape that can be painted, a cog in the economic machine, a voter, a lover etc’,

Mass culture is a machine for showing desire; here is what must interest you, it says, as if it guessed that men are incapable of finding what to desire themselves.

I bought the drinks and sat at a round table with Karen, Max and Suzi. Karen was as cheerful as she’d been the day before, but Max and Suzi would barely look at each other. A lovers’ tiff? Max swiftly downed his pint of bitter and announced he was going to play on the quiz machine. I watched him jabbing at the buttons and swearing under his breath

My brain lit up like an arcade pinball machine. Flippers flipped. Lights flashed. Bells rang. I abandoned all rational frontal lobe activity and slid willingly into a pathological puddle of misery disguised as happiness.