Ma Kali Quotes

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When the power comes from within us and we claim it as our own, then we no longer have to affirm ourselves by dominating others. The irony is that we are actually afraid of our own power.
Marion Woodman (Dancing in the Flames: The Dark Goddess in the Transformation of Consciousness)
Whether you worship Christ, Krishna, Kali or Allah, you actually worship the one Light that is also in you, since It pervades all things.
Anandamayi Ma
When the power comes from within us and we claim it as our own, then we no longer have to affirm ourselves by dominating others. The irony is that we are actually afraid of our own power.
Marion Woodman and Elinor Dickson
You young but I’ma tell you anyway. Never leave a man bleeding and breathing if the beef ain’t over. He’ll come back for you. They always do.
T. Styles (Kali: Raunchy Relived)
When the moon was full, my mother would burn sandlewood incense throughout her flat with the windows closed. Kali Mata had told her to do this to vanquish evil spirits and mosquitoes. We stopped the practice for a year when the doctor said it was giving me asthma. Ma believes that was the year everything went wrong.
Avni Doshi (Burnt Sugar)
When Kali unfurls her tongue with ferocious expression, she is embarking upon spiritual deliverance.
Alana Fairchild (Kali Oracle)
Kali's nakedness shows that she has cast away illusion; in her, the entire truth about life and death is revealed. Even her color is esoteric; Kali's dark colors stand for the ultimate void state, where as differences dissolve into the absolute beyond all form. Her sword is the force that slices delusion, ignorance, false hope, and lies. Her position on top of Shiva reveals that she is the dynamic force in the universe, the power that churns the stillness of the void, so worlds can be created inside that transcendent nothingness.
Sally Kempton (Awakening to Kali: The Goddess of Radical Transformation)
Mama, Mama pernah berbahagia?" "Biar pun pendek dan sedikit setiap orang pernah, Ann." "Berbahagia juga Mama sekarang?" "Yang sekarang ini aku tak tahu. Yang ada hanya kekuatiran, hanya ada satu keinginan. Tak ada sangkut-paut dengan kebahagiaan yang kau tanyakan. Apa peduli diri ini berbahagia atau tidak? Kau yang kukuatirkan. Aku ingin lihat kau berbahagia." Aku menjadi begitu terharu mendengar itu. Aku peluk Mama dan aku cium dalam kegelapan itu. Ia selalu begitu baik padaku. Rasa-rasanya takkan ada orang lebih baik. "Kau sayang pada Mama, Ann?" Pertanyaan, untuk pertama kali itu diucapkan, membikin aku berkaca-kaca, Mas. Nampaknya saja ia terlalu keras. "Ya, Mama ingin melihat kau berbahagia untuk selama-lamanya. Tidak mengalami kesakitan seperti aku dulu. Tak mengalami kesunyian seperti sekarang ini: tak punya teman, tak punya kawan, apalagi sahabat. Mengapa tiba-tiba datang membawa kebahagiaan?" "Jangan tanyai aku, Ma, ceritalah." "Ann, Annelies, mungkin kau tak merasa, tapi memang aku didik kau secara keras untuk bisa bekerja, biar kelak tidak harus tergantung kepada suami, kalau ya, moga-moga tidak, kalau-kalau suamimu semacam ayahmu itu." Aku tahu Mama telah kehilangan penghargaannya terhadap Papa. Aku dapat memahami sikapnya, maka tak perlu bertanya tentangnya. Yang kuharap memang bukan omongan tentang itu. Aku ingin mengetahui adakah ia pernah merasai apa yang kurasai sekarang. "Kapan Mama merasa sangat, sangat berbahagia?" "Ada banyak tahun setelah aku ikut Tuan Mallema, ayahmu." "Lantas, Ma?" "Kau masih ingat waktu kau kukeluarkan dari sekolah. Itulah akhir kebahagiaan itu. Kau sudah besar sekarang, sudah harus tahu memang. Harus tahu apa yang sebenarnya terjadi. Sudah beberapa minggu ini aku bermaksud menceritakan. Kesempatan tak kunjung tiba juga. Kau mengantuk?" "Mendengarkan, Ma." "Pernah Papamu bilang dulu, waktu kau masih sangat, sangat kecil, seorang ibu harus menyampaikan kepada anak perempuannya semua yang harus dia ketahui." "Pada waktu itu..." "Pada waktu itu segala dari Papamu aku hormati, aku ingat-ingat, aku jadikan pegangan. Kemudian ia berubah, jadi berlawanan dengan segala yang pernah diajarkannya. Ya, waktu itu mulai hilang kepercayaan dan hormatku padanya." "Ma, pandai dulu Papa, Ma?" "Bukan saja pandai, tapi juga baik hati. Dia yang mengajari aku segala tentang pertanian, perusahaan, pemeliharaan hewan, pekerjaan kantor. Mula-mula diajari aku bahasa Melayu, kemudian membaca dan menulis, setelah itu juga bahasa Belanda. Papamu bukan hanya mengajar, dengan sabar juga menguji semua yang telah diajarkannya. Ia haruskan aku berbahasa Belanda dengannya. Kemudian diajarinya aku berurusan dengan bank, ahli-ahli hukum, aturan dagang, semua yang sekarang mulai kuajarkan juga kepadamu." "Mengapa Papa bisa berubah begitu Ma?" "Ada, Ann, ada sebabnya. Sesuatu telah terjadi. Hanya sekali, kemudian ia kehilangan seluruh kebaikan, kepandaian, kecerdasan, keterampilannya. Rusak, Ann, binasa karena kejadian yang satu itu. Ia berubah jadi orang lain, jadi hewan yang tak kenal anak dan istri lagi." "Kasihan Papa." "Ya. Tak tahu diurus, lebih suka menggembara tak menentu.
Pramoedya Ananta Toer
Mama tak meneruskan ceritanya. Kisahnya seakan jadi peringatan terhadap hari depanku, Mas. Dunia menjadi semakin senyap. Yang kedengaran hanya nafas kami berdua. Sekiranya Mama tidak bertindak begitu keras terhadap Papa, begitu berkali-kali diceritakan oleh Mama, tak tahu aku apa yang akan terjadi atas diriku. Mungkin jauh, jauh lebih buruk daripada yanag dapat kusangkakan. "Tadinya terpikir olehku untuk membawanya ke rumah sakit jiwa. Ragu, Ann. Pendapat orang tentang kau Ann, bagaimana nanti? Kalau ayahmu ternyata memang gila dan oleh Hukum ditaruh onder curateele (di bawah pengampunan)? Seluruh perusahaan, kekayaan dan keluarga akan diatur seorang curator yang ditunjuk oleh Hukum. Mamamu, hanya perempuan Pribumi, akan tidak mempunyai sesuatu hak atas semua, juga tidak dapat berbuat sesuatu untuk anakku sendiri, kau, Ann. Percuma saja akan jadinya kita berdua membanting tulang tanpa hari libur ini. Percuma aku telah lahirkan kau, karena Hukum tidak mengakui keibuanku, hanya karena aku Pribumi dan tidak kawin secara syah. Kau mengerti?" "Mama!" Bisikku. Tak pernah kuduga begitu banyak kesulitan yang dihadapinya. "Bahkan ijin kawinmu pun akan bukan dari aku datangnya, tapi dari curator itu, bukan sanak bukan semenda. Dengan membawa Papamu ke rumah sakit jiwa, dengan campur tangan pengadilan, umum akan tahu keadaan Papamu, umum akan ... kau, Ann, nasibmu nanti, Ann. Tidak!" "Mengapa justru aku, Ma?" "Kau tidak mengerti? Bagaimana kalau kau dikenal umum sebagai anak orang sinting? Bagaimana akan tingkahmu dan tingkahku di hadapan mereka?" Aku sembunyikan kepalaku di bawah ketiaknya, seperti anak ayam. Tiada pernah aku sangka keadaanku bisa menjadi seburuk dan senista itu. "Ayahmu bukan dari keturunannya menjadi begitu," kata Mama meyakinkan. "Dia menjadi begitu karena kecelakaan. Hanya orang mungkin akan menyamakan saja, dan kau bisa dianggap punya benih seperti itu juga." Aku menjadi kecut. "Itu sebabnya dia kubiarkan. Aku tahu dimana dia selama ini bersarang. Cukuplah asal tidak diketahui umum." Lambat-lambat persoalan pribadiku terdesak oleh belas kasihanku pada Papa. "Biarlah, Ma, biar kuurus Papa." "Dia tidak kenal kau." "Tapi dia Papaku, Ma." "Stt. Belas kasihan hanya untuk yang tahu. Kaulah yang lebih memerlukannya, anak orang semacam dia. Ann, kau sudah mengerti, dia sudah berhenti sebagai manusia. Makin dekat kau dengannya, makin terancam hidupmu oleh kerusakan. Dia telah menjadi hewan yang tak tahu lagi baik daripada buruk. Tidak lagi bisa berjasa pada sesamanya. Sudah, jangan tanyakan lagi.
Pramoedya Ananta Toer (Bumi Manusia)
Zarance kuna kemeru, Zonê hode wanena. Qilancike nisena gile dare ra, Zonê xode qiºtnena. Amnon yeno, beno germ, Temuz zonê hode cizeno. Mor u milawin, Teyr u tur, Pil u qiz, Cin u ciamerd, Serre na dinade her çi, Zonê hode waneno. Serre na dinade her çi, her kes zonê hode girano Wertê ninera ça teyna ma zonê hora vozdame! Ça teyna ma zone hora rememe! Ma rememe kata some? Zazaki zonê mao. Bav u kali qeseykerdo. Lawiki vatê, saniki vatê, Zonê ma zof sireno. Zonê ho ça vindkerime, Zonê sari ça ser kerime, Zonê ho ça bin kerime! Zonê sari ça ser kerime! Zonê ma ke bi vind, Ma ki beme vind! Lawiki bene vind, Saniki bene vind, Rost bena vind, Tari maneno! Beme lal, bema kêr, Beme bê pa u bê per, Kume bine destu, Gineme vêrrê dêsu, Halê mare u waxt her kes huyino, - ne ke her!
Hesen dewren
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Astrology Guide
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Astrology Guide
The darkness you see when you close your eyes is Kali.
Vinaya
You fool, don’t you see that martyrdom is also a form of idolatry?
El.T. Fullah (Kali Ma: A Collection of Short Stories)
Shakti is the embodiment of female energy of creativity, life-giving and life-destroying. Essentially, it is the direct agent of all change that takes place throughout the universe.
Baal Kadmon (Kali Mantra Magick: Summoning The Dark Powers of Kali Ma (Mantra Magick Series Book 2))
In time, slowly but surely, the feminine principle was either totally extinguished or relegated to vague ideas that may not have direct discernible meaning to us. Or even worse, they were turned into demons of the night. Notice there are no references to female angels in western tradition
Baal Kadmon (Kali Mantra Magick: Summoning The Dark Powers of Kali Ma (Mantra Magick Series Book 2))
she is not acting harshly to punish you, she is thinking " If that's what you want, ok, but you're not ready for it. But after I get through with you, you will be ". She acts like this to make you aware, that is her goal. To open you up. She is acting from place of pure compassion.
Baal Kadmon (Kali Mantra Magick: Summoning The Dark Powers of Kali Ma (Mantra Magick Series Book 2))
She will challenge the stuffiness and properness you have acquired in this life. She will challenge who you think you are. She will spit in your face, she will push your buttons and will humble you. She will make you face your demons. Cut away your pride. She will make you grow whether you feel you're ready or not.
Baal Kadmon (Kali Mantra Magick: Summoning The Dark Powers of Kali Ma (Mantra Magick Series Book 2))
Some days the writing rushes like the Rio Grande, and sometimes, weeks, months, or even years pass, and my pages don’t budge. When those days arrive, I refuel my well...I visit historic archives and museums...” — @KaliMaFaja
Kali Fajardo-Anstine
The demon is the mental shadow-side archetype. What it shows is that the lifeblood of Raktabija has the power to give birth to thousands of Raktabijas, just like the thinking of the soul. Similarly, thoughts from the mind seem to sprout more and more thoughts as soon as they appear to land. Even if one in meditation cuts them off, more will sprout. It requires the power of Shakti Kundalini to spring the mind, dispatch the demon. Kali comes in in this great mythical tale and cuts the demon's head off. Before it could hit the fertile ground of existence she drank all her blood. In other words, out of all the thoughts, desires, and delusions that plague the seeker and prevent the seeker from knowing pure union, Kali Kundalini takes the life energy. Kali, as She's chopping the heads off, is symbolically slashing through the soul, removing all the emotions that will give birth to slavery and illusion over and over again. She absorbs them into herself; in other words, She frees from those bound forms the life-force, the Shakti. The formation is all forms. She alone has the power to dissolve all forms, to free from them the soul, the life. Kali wears a fifty-skull garland all around her neck. In addition, these fifty skulls reflect the Sanskrit alphabet's fifty letters— the sounds and forms that make up thought, which are the basis of all life. She's the one who sucks the life-force out of them so we can be safe from them, as well as the one who gave them birth to begin with. Taking refuge in Kali takes refuge in that inherent ability to cut off the heads of the very modes of thought, behaviors, values and all of the mind's restricting mechanisms that trap us in illusion. When free, She brings us back into unity with the Infinite — as does Kali with her husband Shiva. Even a myth of this kind, which may seem so bizarre and gruesome to the ignorant, has profound significance for our sadhana, revealing moment by moment what is involved in our spiritual practice. When you do japa, the ritual of mantra repeating, of Om Kali Ma, her mantra, you bring your mind back to Kali again and again. You can do this practice right now, or you can sit for meditation the next time. Close your eyes and dissolve Om Kali Ma, Om Kali Ma, Om Kali Ma with every thought. Kali's story shows that with every repeat of Om Kali Ma, this glorious phenomenon occurs. She cuts off all the emotions, all the deluded ideas, all the bound behaviors and perceptions that might have filled the mind as the pulse of mantra. Keeping the mind in the mantra refuge means holding the mind in a sacred place that is safe from all the modes of thought with which the mind might have developed its own slavery. Every repetition of mantra is a movement of Kali's sword clearing and opening that spaciousness of awareness, freeing our energy and consciousness so we can experience the fullness of who and what we are in each moment.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
everything she does is not out of evil, it’s out of compassion. Tough love, I suppose is one way to put it and that would be quite an understatement.
Baal Kadmon (Kali Mantra Magick: Summoning The Dark Powers of Kali Ma (Mantra Magick Series Book 2))