M Angelou Quotes

Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me.

Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

It’s the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I’m a woman Phenomenally.

I don't know if I continue, even today, always liking myself. But what I learned to do many years ago was to forgive myself. It is very important for every human being to forgive herself or himself because if you live, you will make mistakes- it is inevitable. But once you do and you see the mistake, then you forgive yourself and say, 'Well, if I'd known better I'd have done better,' that's all. So you say to people who you think you may have injured, 'I'm sorry,' and then you say to yourself, 'I'm sorry.' If we all hold on to the mistake, we can't see our own glory in the mirror because we have the mistake between our faces and the mirror; we can't see what we're capable of being. You can ask forgiveness of others, but in the end the real forgiveness is in one's own self. I think that young men and women are so caught by the way they see themselves. Now mind you. When a larger society sees them as unattractive, as threats, as too black or too white or too poor or too fat or too thin or too sexual or too asexual, that's rough. But you can overcome that. The real difficulty is to overcome how you think about yourself. If we don't have that we never grow, we never learn, and sure as hell we should never teach.

It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.

I'm young as morning and fresh as dew. Everybody loves me and so do you.

What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat,’.... And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.

Life likes to be taken by the lapel and told, "I'm with you kid. Let's go!

Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me. Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman Phenomenally. Phenomenal woman, That's me. Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.

That knowledge humbles me, melts my bones, closes my ears, and makes my teeth rock loosely in their gums. And it also liberates me. I am a big bird winging over high mountains, down into serene valleys. I am ripples of waves on silver seas. I'm a spring leaf trembling in anticipation.

Go," she whispered. "Go. Show them you spell your name W-O-M-A-N.

I’m grateful for being here, for being able to think, for being able to see, for being able to taste, for appreciating love – for knowing that it exists in a world so rife with vulgarity, with brutality and violence, and yet love exists. I’m grateful to know that it exists.

When I am writing, I am trying to find out who I am, who we are, what we're capable of, how we feel, how we lose and stand up, and go on from darkness into darkness. I'm trying for that. But I'm also trying for the language. I'm trying to see how it can really sound. I really love language. I love it for wate it does for us, how it allows us to explain the pain and the glory, the nuances and delicacies of our existence. And then it allows us to laugh, allows us to show wit. Real wit is shown in language. We need language.

You said to lean on your arm And I am leaning You said to trust in your love And I am trusting You said to call on your name And I am calling I'm stepping out on your word

You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

love. she liberated me to life, she continued to do that. and when she was in her final sickness i went out to san francisco and the doctor said she had 3 weeks to live, i asked her "would you come to north carolina?" she said yes. she had emphysema and lung cancer, i brought her to my home. she lived for a year and a half ..and when she was finally in extemis, she was on oxygen and fighting cancer for her life and i remembered her liberating me, and i said i hoped i would be able to liberate her, she deserved that from me. she deserved a great daughter and she got one. so in her last days, i said "i understand some people need permission to go… as i understand it you may have done what god put you here to do. you were a great worker, you must've been a great lover cause a lot of men and if I'm not wrong maybe a couple of woman risked their lives to love you. you were a piss poor mother of small children but a you were great mother of young adults, and if you need permission to go, i liberate you". and i went back to my house, and something said go back- i was in my pajamas, i jumped in my car and ran and the nurse said "she just gone". you see love liberates. it doesn't bind, love says i love you. i love you if you're in china, i love you if you're across town, i love you if you're in harlem, i love you. i would like to be near you, i would like to have your arms around me i would like to have your voice in my ear but thats not possible now, i love you so go. love liberates it doesn't hold. thats ego. love liberates.

Soft you day, be velvet soft, My true love approaches, Look you bright, you dusty sun, Array your golden coaches. Soft you wind, be soft as silk My true love is speaking. Hold you birds, your silver throats, His golden voice I'm seeking. Come you death, in haste, do come My shroud of black be weaving, Quiet my heart, be deathly quiet, My true love is leaving.

I’ll be there for the whole thing. Whatever you need, you tell me. I’ll be your running bitch. I’ll give you a radio and you can call me any moment. I’ll come running. I’ll do whatever. If you want an inspirational poem, call me Logan Angelou. If you want music to warm you up, I’m the new Beastie Boy. Whatever you want.

I'm happy...I laugh as much as I can and cry when I have to, without apology. I think that’s happy.

She liberated me from a society that would have had me think of myself as the lower of the low. She liberated me to life. And from that time to this time, I have taken life by the lapels and I have said, "I'm with you, kid.

You don’t want modesty, you want humility. Humility comes from inside out. It says someone was here before me and I’m here because I’ve been paid for. I have something to do and I will do that because I’m paying for someone else who has yet to come.

When I walk in, they may like me or dislike me, but everybody knows I'm here

Teachers of my early youth Taught forgiveness stressed the truth Here then is my Christian lack: If I'm struck then I'll strike back.

Maya Angelou said, "People will forget what you said, people will forget what you did, but people will never forget how you made them feel." I'm proud that Mike Schur and I rejected the idea that creativity needs to come from chaos. I like how we ran our writers' room and our set. People had a great time when they came to work on our show and that mattered to us. I like to think the spirit we had on set found its way onto the show.

You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

I'm convinced of this: Good done anywhere is good done everywhere. For a change, start by speaking to people rather than walking by them like they're stones that don't matter. As long as you're breathing, it's never too late to do some good.

I am a big bird winging over high mountains, down into serene valleys. I am ripples of waves on silver seas. I'm a spring leaf trembling in anticipation of full growth.

But there’s still more I can do, other ways for me to grow and — as I keep relearning — it’s okay to own a desire for more. In fact, it’s how we honor those who have paved the way for our place at the table. “You don’t want modesty,” Maya Angelou once said, “you want humility. Humility comes from inside out. It says someone was here before me and I’m here because I’ve been paid for. I have something to do and I will do that because I’m paying for someone else who has yet to come.” When we dim our light we don’t do anyone a favor. It’s a disservice because when you’re in the presence of someone who knows his or her worth, like the extraordinary Maya did, you want to shine brighter. Self-honoring energy is contagious.

If you must look back, do so forgivingly. If you must look forward, do so prayerfully. However, the wisest thing you can do is to be present in the present. Gratefully. —Maya Angelou

The kindnesses … I never forget them. And so they keep one from becoming bitter. They encourage you to be as strong, as volatile as necessary to make a well world. Those people who gave me so much, and still give me so much, have a passion about them. And they encourage the passion in me. I’m very blessed that I have a healthy temper. I can become quite angry and burning in anger, but I have never been bitter. Bitterness is a corrosive, terrible acid. It just eats you and makes you sick.

When I am writing, I am trying to find out who I am, who we are, what we're capable of, how we feel, how we lose and stand up, and go on from darkness into darkness. I'm trying for that. But I'm also trying for the language. I'm trying to see how it can really sound. I really love language. I love it for wate it does for us, how it allows us to explain the pain and the glory, the nuances and delicacies of our existence. And then it allows us to laugh, allows us to show wit. Real wit is shown in language. We need language.

I said, “What do I think? That's what I'm asking you? What is there to think?” “Looks like he wants you to be his valentine.” “Louise, I can read. But what does it mean?” “Oh, you know. His valentine. His love.” There was that hateful word again. That treacherous word that yawned up at you like a volcano. “Well, I won't. Most decidedly I won't. Not ever again.” “Have you been his valentine before? What do you mean never again?” I couldn't lie to my friend and I wasn't about to freshen old ghosts. “Well, don't answer him then, and that's the end of it.” I was a little relieved that she thought it could be gotten rid of so quickly. I tore the note in half and gave her a part. Walking down the hill we minced the paper in a thousand shreds and gave it to the wind.

I missed you but I knew you were in the best place for you. I would have been a terrible mother. I had no patience. Maya, when you were about two years old, you asked me for something. I was busy talking, so you hit my hand, and I slapped you off the porch without thinking. It didn’t mean I didn’t love you; it just meant I wasn’t ready to be a mother. I’m explaining to you, not apologizing. We would have all been sorry had I kept you.

If I'm living a little better now, it's because I treats everybody right.

They fought too hard, they loved too well. My crime is I’m alive to tell.

Alone" Lying, thinking Last night How to find my soul a home Where water is not thirsty And bread loaf is not stone I came up with one thing And I don’t believe I’m wrong That nobody, But nobody Can make it out here alone. Alone, all alone Nobody, but nobody Can make it out here alone. There are some millionaires With money they can’t use Their wives run round like banshees Their children sing the blues They’ve got expensive doctors To cure their hearts of stone. But nobody No, nobody Can make it out here alone. Alone, all alone Nobody, but nobody Can make it out here alone. Now if you listen closely I’ll tell you what I know Storm clouds are gathering The wind is gonna blow The race of man is suffering And I can hear the moan, ‘Cause nobody, But nobody Can make it out here alone. Alone, all alone Nobody, but nobody Can make it out here alone.

Maya Angelou once wisely pointed out that “when someone shows you who they are, believe them the first time.” It took me thirty years to understand these sage words. I’m pretty sure Dr. Angelou meant that people—the folks you date, the friends you have, your parents, your siblings, basically all of the people you encounter on a daily basis—are constantly telling you who they are through their words and actions. They can’t hide it! There’s no magic to understanding them other than making sure you are watching, listening, and paying attention to what is genuinely happening.

I am truly grateful: for being here, for being able to think, for being able to see, for being able to taste, for appreciating love—for knowing that it exists in a world so rife with vulgarity, with brutality and violence … And I’m grateful to know it exists in me, and I’m able to share it with so many people.

When you learn, teach. When you get, give” “But still, like dust, I’ll rise” “I’m not on top but I call it swell if I’m able to work and get paid right...” “I’m a woman Phenomenally. Phenomenal woman, That’s me.

I'm startled or at least taken aback when people walk up to me and without being questioned inform me that they are Christians. My first response is the question "Already?" It seems to me that becoming a Christian is a lifelong endeavor.

You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Love. And again, see I don't mean, I think love is that condition in the human spirit so profund, that it allows us to forgive, and it may be the energy which keeps the stars in the firmament, I'm not sure. It may be the energy which keeps the blood running smoothly through our veins. I'm not sure, but it's something beyond the explanation. It can be used for anything you can explain. Any good thing you can explain.

Still I Rise - 1928-2014 You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ’Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

LIFE DOESN'T FRIGHTEN ME Shadows on the wall Noises down the hall Life doesn't frightnes me at all Bad dogs barking loud Big ghosts in a cloud Life doesn't frighten me at all. Mean old Mother Goose Lions on the loose They don't frighten me at all Dragons breathing flame On my counterpane That doesn't frighten me at all. I go boo Make them shoo I make fun Way they run I won't cry So they fly I just smile They go wild Life doesn't frighten me at all. Tough guys in a fight All alone at night Life doesn't frighten me at all. Panthers in the park Strangers in the dark No, they don't frighten me at all. That new classrom where Boys all pull my hair (Kissy little girls With their hair in curls) They don't frighten me at all. Don't show me frogs and snakes And listen for my scream, If I'm afraid at all It's only in my dreams. I've got a magic charm That I keep up my sleeve, I can walk the ocean floor And never have to breathe. Life doesn't frighten me at all Not at all Not at all. Life doesn't frigthen me at all.

Watch for me and you will see That I’m present in the songs that children sing.” People

When you see me sitting quietly, Like a sack left on the shelf, Don’t think I need your chattering. I’m listening to myself. Hold!

You can never go home again, but the truth is you can never leave home, so it's all right

I'm a feminist. I've been a female for a long time now. It'd be stupid not to be on my own side.

Cause I’m a woman Phenomenally. Phenomenal woman, That’s me.

You can’t forgive without loving. And I don’t mean sentimentality. I don’t mean mush. I mean having enough courage to stand up and say, “I forgive. I’m finished with it.” —Maya Angelou

On the day we moved from her house, Mother liberated me by letting me know she was on my side. I realized that I had grown close to her and that she had liberated me. She liberated me from a society that would have had me think of myself as the lower of the low. She liberated me to life. And from that time to this time, I have taken life by the lapels and I have said, “I’m with you, kid.

Still I rise" You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ‘Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ‘Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Humility says there were people before me who found the path. I'm a road builder. For those who are yet to come, I seem to be finding the path and they will be road builders. That keeps one humble. Love keeps one humble.

I know for sure that love saves me. And that it is here to save us all. I know it's a sense, it's more close to us than air, more loud to us than hearing. I know it. I know that we can sit in it. Yes, love honey, and you know by that, I don't mean mush, or any, I don't mean romance, or sentimentality. I mean something is so, it can raise the dead. It can make a mountain move. I know it. I haven't done it, but i know it. As surely as I'm sitting here.

He was a simple man who had no inferiority complex about his lack of education and, even more amazing, no superiority complex since he had succeeded despite that lack. He would say often, "I been to school three years in my life. In Slaten, Texas, times was hard, and I had to help my daddy on the farm." No recriminations lay hidden under the plain statement, nor was there boasting when he said, "If I'm living a little better now, it's because I treats everybody right.

Though I prided myself on tender sensitivity, I have never known when a great love affair was beginning. Some barricade lies midway my mind, and I'm usually on my back scrutinising a ceiling before it is borne in on me that this is the man I fantasised in my late-night fingering.

I am writing, I am trying to find out who I am, who we are, what we're capable of, how we feel, how we lose and stand up, and go on from darkness into darkness. I'm trying for that. But I'm also trying for the language. I'm trying to see how it can really sound. I really love language. I love it for wate it does for us, how it allows us to explain the pain and

Still I Rise You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

He was a simple man who had no inferiority complex about his lack of education and, even more amazing, no superiority complex because he had succeeded despite that lack. He would say often, "I been to school three years in my life. In Slaten, Texas, times was hard, and I had to help my daddy on the farm." No recriminations lay hidden under the plain statement, nor was there boasting when he said, "If I'm living a little better now, it's because I treats everybody right.

Human beings are more alike than unalike. There's no real mystique. Every human being, every Jew, Christian, backslider, Muslim, Shintoist, Zen Buddhist, atheist, agnostic, every human being wants a nice place to live, a good place for the children to go to school, somebody to love, the courage, the unmitigated gall to accept love in return, someplace to party on Saturday or Sunday night, and someplace to perpetuate that God. There's no mystique. None. And if I'm right in my work, that's what my work says.

Still I Rise You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Phenomenal Woman Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me. Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them, They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman Phenomenally. Phenomenal woman, That's me. Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing, It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, The palm of my hand, The need for my care. 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.

There’s just no owning any success you achieve and stacking it in your win column. The force just won’t let it happen. What happens when imposter syndrome has you in its grip? You become terrified you’ll be found out. Despite all her acclaim and success, this is what Maya Angelou feared. “I have written 11 books, but each time I think, ‘Uh-oh, they’re going to find out now. I’ve run a game on everybody, and they’re going to find me out.’”1 You might be surprised to find out how many accomplished people think to themselves they’ll be “found out,” then ostracized and ridiculed. However, it’s irrational. It would only happen if you actually did have no skill, no ability, or no knowledge, but that isn’t the case for most people. This is the ultimate fear, isn’t it? Being found out and kicked out of our tribe? By nature, we’re tribal. Humans survived through the millennia because we were part of a tribe that hunted, gathered, sheltered, and protected one another from the elements, from predators, and from other tribes. You couldn’t be out hunting and watching the fire simultaneously. You needed other people if you had any hope of surviving through the night. If your tribe finds out you’re a fraud, it triggers that primordial “Uh-oh, they’re going to kick me out! I’m going to be caught in the wilderness alone!” When plagued by imposter syndrome, people don’t take themselves, their abilities, or their accomplishments seriously. If you don’t take yourself seriously on any Field of Play, you most likely won’t be getting the results you want.

You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don't you take it awful hard ’Cause I laugh like I've got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Simonton finds that on average, creative geniuses weren’t qualitatively better in their fields than their peers. They simply produced a greater volume of work, which gave them more variation and a higher chance of originality. “The odds of producing an influential or successful idea,” Simonton notes, are “a positive function of the total number of ideas generated.” Consider Shakespeare: we’re most familiar with a small number of his classics, forgetting that in the span of two decades, he produced 37 plays and 154 sonnets. Simonton tracked the popularity of Shakespeare’s plays, measuring how often they’re performed and how widely they’re praised by experts and critics. In the same five-year window that Shakespeare produced three of his five most popular works—Macbeth, King Lear, and Othello—he also churned out the comparatively average Timon of Athens and All’s Well That Ends Well, both of which rank among the worst of his plays and have been consistently slammed for unpolished prose and incomplete plot and character development. In every field, even the most eminent creators typically produce a large quantity of work that’s technically sound but considered unremarkable by experts and audiences. When the London Philharmonic Orchestra chose the 50 greatest pieces of classical music, the list included six pieces by Mozart, five by Beethoven, and three by Bach. To generate a handful of masterworks, Mozart composed more than 600 pieces before his death at thirty-five, Beethoven produced 650 in his lifetime, and Bach wrote over a thousand. In a study of over 15,000 classical music compositions, the more pieces a composer produced in a given five-year window, the greater the spike in the odds of a hit. Picasso’s oeuvre includes more than 1,800 paintings, 1,200 sculptures, 2,800 ceramics, and 12,000 drawings, not to mention prints, rugs, and tapestries—only a fraction of which have garnered acclaim. In poetry, when we recite Maya Angelou’s classic poem “Still I Rise,” we tend to forget that she wrote 165 others; we remember her moving memoir I Know Why the Caged Bird Sings and pay less attention to her other 6 autobiographies. In science, Einstein wrote papers on general and special relativity that transformed physics, but many of his 248 publications had minimal impact. If you want to be original, “the most important possible thing you could do,” says Ira Glass, the producer of This American Life and the podcast Serial, “is do a lot of work. Do a huge volume of work.” Across fields, Simonton reports that the most prolific people not only have the highest originality; they also generate their most original output during the periods in which they produce the largest volume.* Between the ages of thirty and thirty-five, Edison pioneered the lightbulb, the phonograph, and the carbon telephone. But during that period, he filed well over one hundred patents for other inventions as diverse as stencil pens, a fruit preservation technique, and a way of using magnets to mine iron ore—and designed a creepy talking doll. “Those periods in which the most minor products appear tend to be the same periods in which the most major works appear,” Simonton notes. Edison’s “1,093 patents notwithstanding, the number of truly superlative creative achievements can probably be counted on the fingers of one hand.

You can’t use up creativity. The more you use, the more you have. As quoted in Conversations with Maya Angelou (1989)

Still I Rise BY MAYA ANGELOU You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own backyard. Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

I’m a feminist. I’ve been a female for a long time now. It’d be stupid not to be on my own side.” -Maya angelou

Perhaps the best advice for facing indecision is to recognize that we can make a choice and it doesn’t have to be the right one—because there is no such thing. Either it’s impossible to determine how we got it right, or we will convince ourselves we were right in time. Maybe we could save ourselves from the turmoil of indecision if we stop trying to find the “right” choice and just go with what feels good right now in our hearts. That might sound trite, but if a pro-and-con list is, at best, projection, who is to say the heart can’t be a better guide? I’m reminded of the words of writer Maya Angelou: “I’ve learned that whenever I decide something with an open heart, I usually make the right decision.

If you don't like something, change it. If you can't change it, change your attitude. Maya Angelou (1928 – 2014)

Sixty-nine percent of ongoing problems never get resolved. No, I'm not saying that to depress you. The point is that it's not what you talk about, it's how you talk about it. Everyone thinks the issue is clarity, but studies show that most couples (if they do talk) are actually pretty clear... It's about regulation, not resolution of the conflict. War is inevitable, but you have to obey the Geneva Convention rules. No chemical warfare. No torturing prisoners. Maya Angelou once said, "I've learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.

Jealousy in romance is like salt in food. ​— ​Maya Angelou Back in the locker room, I feel an immediate surge of guilt. I didn’t have to go so hard on Black Eye. I could have won by decision—I didn’t have to knock him out. I’ve never felt guilty after a fight before. But I’ve also never let my emotions get the best of me. I’m usually totally in control.

You may not be able to control events that happen, but you can decide not to be reduced by them. —Maya Angelou

I'm not modest,' she said last year. 'I have no modesty. Modesty is a learned behavior. But I do pray for humility, because humility comes from the inside out.' Angelou, a renaissance woman and cultural pioneer, died Wednesday at her home in Winston-Salem, N.C. She was 86.

I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel. Maya Angelou

It’s in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I’m a woman Phenomenally. Phenomenal woman, That’s me.

I've learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel. Maya Angelou (1928 – 2014)

I've learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel. -Maya Angelou (1928 – 2014)

Maya Angelou is here. Would you like to meet her?” Tunnel vision. Time slowed down. It’s all too much. Maybe I’m dead.

WILD HEART I wish there was a secret handshake for the wild heart club. I love that kind of stuff. I want the payoff for braving the wilderness to be some kind of ritual or symbol that says, I’m part of this wild heart club. I know what it means to stand alone and brave the criticism, fear, and hurt. I know the freedom of belonging everywhere and nowhere at all. The reward is great, but believe me, when Maya Angelou said “the price is high”—she was not kidding. I have made this quest and I have the scars to prove it.

chapter 2 finding your voice  “There is no agony like bearing an untold story inside you.” —Maya Angelou

I have great respect for the past. If you don’t know where you’ve come from, you don’t know where you’re going. I have respect for the past, but I’m a person of the moment. I’m here, and I do my best to be completely centered at the place I’m at, then I go forward to the next place. —Maya Angelou

Hope is something worth practising. Hope makes each day go down as easy as a cold martini or a cup of gazpacho or a spicy shrimp salad or a big, hearty roast chicken shared amongst friends. I wish we were having this conversation in this real life, but i am grateful to have had this feast with you all the same. And I will let Maya Angelou give us a benediction from that stage in New York decades ago. Most people don't grow up. It's too damn difficult. What happens is most people get older, that's the truth of it. They honour their credit cards, they find parking spaces, they marry, they have the nerve to have children, but they don't grow up. Not really. They get older. But to grow up costs the earth, the earth. It means you take responsibility for the time you take up, for the space you occupy. It's serious business. And you find out what it costs us to love and to lose, to dare and to fail, and maybe even more, to succeed. What it costs, in truth. Not superficial costs. Anybody can have that. I mean, in truth. That's what I write. What it really is like. I'm just telling a very simple story, feast by feast, friend by friend, nightcap by nightcap, hope by hope. Let's grow up together, just telling our simple stories over a good meal, learning from those who've done it before us.

Maya Angelou once passed on to me: “I’m convinced that the negative has power—and if you allow it to perch in your house, in your mind, in your life, it can take you over,” she said. “Those negative words climb into the woodwork, into the furniture, and the next thing you know, they’re on your skin. A negative statement is poison.

Pretty women wonder where my secret lies. I’m not cute or built to suit a fashion model’s size. But when I start to tell them, they think I’m telling lies. I say, it’s in the reach of my arms the span of my hips, the stride of my step, the curl of my lips. I’m a woman. Phenomenally. Phenomenal woman, that’s me.

much but they can’t touch my inner mystery. When I try to show them they say they still can’t see. I say, it’s in the arch of my back, the sun of my smile, the ride of my breasts, the grace of my style. I’m a woman. Phenomenally. Phenomenal woman, that’s me.

I know that I’m not the easiest person to live with. The challenge I put on myself is so great that the person I live with feels himself challenged. I bring a lot to bear, and I don’t know how not to.

Soft you day, be velvet soft, My true love approaches, Look you bright, you dusty sun, Array your golden coaches. Soft you wind, be soft as silk, My true love is speaking. Hold you birds, your silver throats, His golden voice I’m seeking. Come you death, in haste, do come, My shroud of black be weaving, Quiet my heart, be deathly quiet, My true love is leaving.

When I’m writing, I am trying to find out who I am, who we are, what we’re capable of, how we feel, how we lose and stand up, and go on from darkness into darkness.” —

Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman Phenomenally. Phenomenal woman, That's me.

I'm a woman Phenomenally. Phenomenal women, That's me.

The more creative the activitty is, the more structured the work routine should probably be. When she was writing, Maya Angelou would get up every morning at 5:30 and have coffee. At 6:30 she would go off to a hotel room she kept--a modest room with nothing in it but a bed, a desk, a Bible, a dictionary, a deck of cards, and a bottle of sherry. She would arrive at 7:00 A.M. and write very day until 12:30 P.M.

Still I Rise You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ’Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.