M'dear Quotes

We've searched our database for all the quotes and captions related to M'dear. Here they are! All 26 of them:

Odd's fish, m'dear! The man can't even tie his own cravat!
Emmuska Orczy
M'Dear," I said cordially, "Your butt's blocking my bumper. Do you think you could move your loitering five feet to the south and let me leave?
Maggie Stiefvater (Ballad: A Gathering of Faerie (Books of Faerie, #2))
Roses," she thought sardonically, "All trash, m’dear.
Virginia Woolf (Mrs. Dalloway)
December 26, 7:40 p.m. Dear America, I’ve been thinking of our first kiss. I suppose I should say first kisses, but what I mean is the second, the one I was actually invited to give you. Did I ever tell you how I felt that night? It wasn’t just getting my first kiss ever; it was getting to have that first kiss with you. I’ve seen so much, America, had access to the corners of our planet. But never have I come across anything so painfully beautiful as that kiss. I wish it was something I could catch with a net or place in a book. I wish it was something I could save and share with the world so I could tell the universe: this is what it’s like; this is how it feels when you fall. These letters are so embarrassing. I’ll have to burn them before you get home. Maxon
Kiera Cass (The One (The Selection, #3))
Why are you naked?" "The better to feed you, m'dear." He pointed between his legs and my gaze roved along his cock. Then I saw his forefinger tapping his inner thigh. "Femoral artery." "Riiight. And the major vein in your neck wasn't good enough because… ?" One black brow winged up and those delicious lips curved into a naughty smile. "Ah. Because then I wouldn't have had an excuse to get naked.
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
Odd's fish, m'dear, would you have me challenge the poor countess to a duel?
The Scarlet Pimpernel
I'm sorry, Silvan. I didn't mean to wake you." "I wouldn't have missed seeing my son getting barricaded in the privy by a wee lass for anything. Bonny fortune with your plan, m'dear.
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
Why are you naked?" "The better to feed you, m'dear." Then I saw his forefinger tapping his inner thigh. "Femoral artery." "Riiight. And the major vein in your neck wasn't good enough because… ?" One black brow winged up and those delicious lips curved into a naughty smile. "Ah. Because then I wouldn't have had an excuse to get naked." "Or get chained to a wall." "Hmmm.
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
Oi sweetheart, is your mummy a thief?' 'No she's not.' she said, sucking her thumb to signal a temper tantrum. 'Well, then, m'dear,' said the thief, 'who stole those diamonds and put them in your eyes?
Biyi Bandele-Thomas (The Street)
Why, you'll be 'changed, m'dear. We'll just swap you for a human child who'll make a good servant to the Band. Half Humans never work out 'mongst the Folk. No, never do." "But--I'm half Folk too... What if I never work out 'mongst the humans?" "Aye, you're neither one thing nor yet quite t'other. Pity, but there 'tis.
Eloise Jarvis McGraw
December 25, 10:35 p.m. Dear America, It’s nearly bedtime, and I’m trying to relax, but I can’t. All I can think about is you. I’m terrified you’re going to get hurt. I know someone would tell me if you weren’t all right, and that has led to its own kind of paranoia. If anyone comes up to me to deliver a message, my heart stops for a moment, fearing the worst: You are gone. You’re not coming back. I wish you were here. I wish I could just see you. You are never getting these letters. It’s too humiliating. I want you home. I keep thinking of your smile and worrying that I’ll never see it again. I hope you come back to me, America. Merry Christmas. Maxon
Kiera Cass (The One (The Selection, #3))
At first, I thought their dance was too intimate to watch, my father in his pajamas, his eyes all red from lack of sleep, my beautiful mother’s face drawn and tired—both of them dancing themselves out of pain. I could see that it wasn’t easy for M’Dear and Papa to move like this when they hurt so much. I watched as she leaned into him for strength. I saw that pain is part of beauty—that inside of all that music, all that love, all the moonlight and sunlight, are shafts of pain, and we are meant to bear it all.
Rebecca Wells (The Crowning Glory of Calla Lily Ponder)
December 26, 10:00 a.m. Dear America, Miracles of miracles, I’ve made it through the night. When I finally woke up, I convinced myself I was worried for nothing. I vowed that I would focus on work today and not fret so much about you. I got through breakfast and most of a meeting before thoughts of you consumed me. I told everyone I was sick and am now hiding in my room, writing to you, hoping this will make me feel like you’re home again. I’m so selfish. Today you will bury your father, and all I can think of is bringring you here. Having written that out, seeing it in ink. I feel like an absolute ass. You are exactly where you need to be. I think I already said this, but I’m sure you’re such a comfort to your family. You know, I haven’t told this to you and I ought to have, but you’ve gotten so much stronger since I met you. I’m not arrogant enough to believe that has anything to do with me, but I think this experience has changed you. I know it’s changed me. From the very beginning you had your own brand of fearlessness, and that has been polished into something strong. Where I used to imagine you as a girl with a bag full of stones, ready to throw them at any foe who crossed her path, you have become the stone itself. You are steady and able. And I bet your family sees that in you. I should have told you that. I hope you come home soon so I can. Maxon
Kiera Cass (The One (The Selection, #3))
This MS. was read, and contents thereof disapproved, by Peter Zudotyeshin. M. M. M. M. Dear Sir, Peter Zudotyeshin, My dear Sir.
Ivan Turgenev (Diary of a Superfluous Man)
December 25, 4:30 p.m. Dear America, It’s been seven hours since you left. Twice now I’ve started to go to your room to ask how you liked your presents and then remembered you weren’t here. I’ve gotten so used to you, it’s strange that you aren’t around, drifting down the halls. I’ve nearly called a few times, but I don’t want to seem possessive. I don’t want you to feel like I’m a cage to you. I remember how you said the palace was just that the first night you came here. I think, over time, you’ve felt freer, and I’d hate to ruin that freedom, I’m going to have to distract myself until you come back. I decided to sit and write to you, hoping maybe it would feel like I was talking to you. It sort of does, I can imagine you sitting here, smiling at my idea, maybe shaking your head at me as if to say I’m being silly. You do that sometimes, did you know? I like that expression on you. You’re the only person who wears it in a way that doesn’t come across like you think I’m completely hopeless. You smile at my idiosyncrasies, accept that they exist, and continue to be my friend. And, in seven short hours, I’ve started to miss that. I’ve wonder what you’ve done in that time. I’m betting by now you’ve flown across the country, made it to your home, and are safe. I hope you are safe. I can’t imagine what a comfort you must be to your family right now. The lovely daughter has finally returned! I keep trying to picture you home. I remember you telling me it was small, that you had a tree house, and that your garage was where you father and sister did all their work. Beyond that I’ve had to resort to my imagination. I imagine you curled up in a hug with you sister or kicking around a ball with your little brother. I remember that, you know? That you said he liked to play ball. I tried to imagine walking into your house with you. I would have liked that, to see you where you grew up. I would love to see you brother run around or be embraced by your mother. I think it would be comforting to sense the presence of people near you, floorboards creaking and doors shutting. I would have liked to sit in one part of the house and still probably be able to smell the kitchen. I’ve always imagined that real homes are full of the aromas of whatever’s being cooked. I wouldn’t do a scrap of work. Nothing having to do with armies or budgets or negotiations. I’d sit with you, maybe try to work on my photography while you played the piano. We’d be Fives together, like you said. I could join your family for dinner, talking over one another in a collection of conversations instead of whispering and waiting our turns. And maybe I’d sleep in a spare bed or on the couch. I’d sleep on the floor beside you if you’d let me. I think about that sometimes. Falling asleep next to you, I mean, like we did in the safe room. It was nice to hear your breaths as they came and went, something quiet and close keeping me from feeling so alone. This letter has gotten foolish, and I think you know how I detest looking like a fool. But still I do. For you. Maxon
Kiera Cass (The One (The Selection, #3))
Warren,still staring at the splendid black eye and several cuts on his face, remarked, "Hate to see what the other fellow looks like," which James supposed was a compliment of sorts, since Warren had personal experience of his fists from numerous occasions himself. "Like to congratulate the other fellow myself," Nicholas said with a smirk, which got him a kick under the table from his wife. James nodded to Reggie. "Appreciate it, m'dear. My feet wouldn't reach." To which she blushed that her kick had been noticed. And Nicholas, still wincing, managed a scowl,which turned out rather comical looking, considering the two expressions didn't mix all that well. "Is Uncle Toony still among the living?" Amy asked, probably because neither James nor his brother had returned back downstairs last night. "Give me a few more days to figure that out,puss, 'cause I bloody well ain't sure just now," Anthony said as he came slowly into the room,an arm tucked to his side as if he were protecting some broken ribs. A melodramatic groan escaped as he took the seat across from his brother. James rolled his eyes hearing it. "Give over,you ass," he sneered. "Your ife ain't here to witness your theatrics." "She's not?" Anthony glanced down the table, then made a moue and sat back in his chair-minus groaning this time. However, he did complain to James, "You did break my ribs,you know." "Devil I did, though I'll admit I considered it. And by the by, the option is still open." Anthony glared at him. "We're too bloody old to be beating on each other." "Speak for yourself, old man. One is never too old for a spot of exercise." "Ah,so that's what we were doing?" Anthony shot back dryly, as he gently fingered his own black eye. "Exercising, was it?" James raised a brow. "And that's not what you do weekly at Knighton's Hall? But I understand your confusion in the matter, since you're used to doling out the damage, rather than receiving any. Tends to give one a skewed perspective. Glad to have cleared that up for you." It was at that point that Jason walked in, took one look at his two younger brothers' battered faces, and remarked, "Good God, and at this time of the year,no less? I'll see you both in my study.
Johanna Lindsey (The Holiday Present)
Liberty,” boomed Wednesday, as they walked to his car, “is a bitch who must be bedded on a mattress of corpses.” “Yeah?” said Shadow. “Quoting,” said Wednesday. “Quoting someone French. That’s who they have a statue to, in their New York harbor: a bitch, who liked to be fucked on the refuse from the tumbril. Hold your torch as high as you want to, m’dear, there’s still rats in your dress and cold jism dripping down your leg.
Neil Gaiman (American Gods)
She thought I should woo you into removing the mask I told her you were wearing." She'd managed to surprise him yet again, to go by his expression and the lambent look that entered his eyes. "That sounds entirely too interesting. You have my rapt attention. Woo away." "I wouldn't know how," she admitted, lowering her head and suddenly feeling embarrassed. "Move a little closer,m'dear. I promise I'll get the message." Her head shot back up. "You're entirely too bold,Rupert St. John." "I know.It's wonderful,isn't it?" She rolled her eyes. She supposed this Rupert was much preferable to the dangerous one she'd briefly met in Nigel's room.But which was the real St. John? Aware that the dance was going to end at any moment,she said, "Now it's my turn.Are you really a spy?" "Good God,do you really think I'd say so if I was?" he replied,aghast, which was obviously feigned. "I thought we were being honest." "No,you are being honest. I'm merely being delighted by it." Rebecca gritted her teeth. He'd finally managed to provoke her ire with his evasiveness. She stopped dancing, pulled away from his hands,and walked away. But she heard him call softly after her, "Wait! You haven't heard my dire warnings!" "Keep them," she shot back. "I wouldn't believe them anyway." DId he have to laugh at that?
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
Rebecca,why haven't you burned his wardrobe yet?" Rebecca turned to see what had provoked that question, then just stared. Her husband was wearing one of those horribly bright satin coats better suited to a costume ball, this one in a ghastly orange, with excesive lace at the wrists and the throat. With his long black hair and his soft cheeks so smoothly shaved,it made him look somewhat effeminate when she knew he was anything but. But he actually looked to be trying not to laugh when he said to his mother, "She'll do nothing of the sort. She likes my taste in clothes. It reminds her of when we first met." Rebecca continued to just stare, her mind in a whirl. It sounded as if he was just teasing, but she couldn't be sure. To imply that she had fond memories of their first meeting wasn't even remotely amusing. She had nothing of the sort. "You can't seriously intend to take your wife out wearing something like that?" Julie continued. "What's wrong with what she's wearing?" "Not her,you fool.You! You're married now. Your old taste in clothes-" "Marriage has nothing to do with taste, Mother," Rupert cut in. "Well, perhaps a little,at least in women, but nothing a'tall to do with one's wardrobe.Shall we go, m'dear?" The last was added for Rebecca as he put an arm around her to lead her out of the room. His hand on her hip was all she could think about. But his mother refused to be dismissed so easily. Julie actually shouted at him, "Find a new tailor! You're mortifying your wife!
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
It’s not the most uncommon thing in the world. I keep a journal, you know.” Kate looked up. “You do? I never knew that.” “For years and years.” He moved another stack of muffin tins to the sink. She watched as he cleaned one, scraping crust from its edges. “Why? If you don’t mind my asking,” she said. He paused in his scrubbing. “I mean, are you going to do anything with them? Do you love writing?” He looked over his shoulder at her. “It’s not a matter of loving writing. It’s something I need to do. It helps me vent and figure things out. I don’t have to think about anyone else’s feelings or judgments. It’s the one place I really get to have my say.” “Why not just call a friend?” He gave her a wry smile that suggested she’d missed the point in some important way. “ ‘The unexamined life’ and all that, m’dear.” They sat in silence while he drained the sink. “Besides. Who wants to hear all that? Really.
Nichole Bernier (The Unfinished Work of Elizabeth D.)
While I don’t doubt your word, m’dear, I must point out that one person can never fully control another’s actions.
Johanna Lindsey (Captive of My Desires (Malory-Anderson Families #8))
She wasn’t meant for these scenes, wasn’t meant to be sitting up there in the Southwest Community Infirmary with her ass out, in the middle of the day, and strangers cluttering up the treatment room, ogling her in her misery. She wasn’t meant for any of it. But then M’Dear Sophie always said, “Find meaning where you’re put, Vee.” So she exhaled deeply and tried to relax and stick it out and pay attention.
Toni Cade Bambara (The Salt Eaters (Penguin Modern Classics))
The musicians downed their instruments and the gang formed up for a full-frontal assault on the beer table. Ellie pulled Alfie to one side. ‘You really don’t have anything to worry about, you know,’ she said. ‘You’ve got it.’ ‘You’re very kind to say so,’ he said. ‘Always been a bit of a duffer, you know. Since I was a child. Ma and Pa despaired. Couldn’t wait to send me away to school.’ ‘I’m sure you were never as bad as you think. You survived the war, after all. You were on the front line?’ ‘First Lieutenant, First Battalion, Essex Regiment. Gallipoli, Egypt, then France. Wasn’t so bad as all that, really. Surrounded by good chaps. Camaraderie and all that.’ ‘I guess,’ said Ellie. ‘But something like three out of every twenty junior officers didn’t make it. More than that, some say. But you did.’ ‘Well, when you put it like that . . .’ ‘If you can survive four years of war, you can survive four minutes of dancing.’ ‘Dash it all, m’dear, you’re right. I bally well can. Were you like this in your what-do-you-call-it . . . aid station? You’d have built the boys right back up. I bet you broke a few hearts, what?’ ‘I couldn’t say. I’d already given my own heart to another.’ ‘Yonder
T.E. Kinsey (The Deadly Mystery of the Missing Diamonds (A Dizzy Heights Mystery #1))
M'dear, if it wasn't for the bad things, good things like meetin' each other never would've happened. The good Lord has a way of turnin' all the bad stuff on its head and redeemin' it in some way.
Heather L.L. FitzGerald (The Flaming Sword (The Tethered World Chronicles, #2))
You’d be lost without these three. Wouldn’t he?’ She ruffled the ears of the three friendly and inquisitive gun dogs. ‘Yes, he would.’ ‘You’re right, m’dear,’ he said cheerfully. ‘But it would be so wonderful if at least one person in my life did as I asked. Ever.
T.E. Kinsey (In the Market for Murder (Lady Hardcastle Mysteries, #2))
Got to know one’s neighbours out here, m’dear. Rely on each other, d’you see?’ Lady Farley-Stroud raised her voice, ‘Don’t we, Mr Caradine?’ He looked up from his pie. ‘Beg pardon, m’lady?’ ‘I say we look out for each other. It’s the country way. Stick together.
T.E. Kinsey (In the Market for Murder (Lady Hardcastle Mysteries, #2))