Lyrics Motivational Quotes

We've searched our database for all the quotes and captions related to Lyrics Motivational. Here they are! All 37 of them:

I just want to be someone, to mean something to anyone…
Charlotte Eriksson
Then came the healing time, hearts started to shine, soul felt so fine, oh what a freeing time it was.
Aberjhani (Songs from the Black Skylark zPed Music Player)
Music is the beat of a drum that keeps time with our emotions.
Shannon L. Alder
He's a real nowhere man, Sitting in his Nowhere Land, Making all his nowhere plans for nobody. Doesn't have a point of view, Knows not where he's going to, Isn't he a bit like you and me?
The Beatles ("Revolver": the Beatles)
I’ve been trying to stay real and true and proud of who I am, all those ideals of how to look I’ve been trying not to care. But I’m still holding my breath, I ‘m still watching every step. I’m still tip-toeing away, when I’m getting to ashamed of myself. I don’t want to be your letdown, I’m scared like hell I’m not enough. I don’t wanna be your failure anymore. — The Glass Child, Letdown
Charlotte Eriksson
I could crawl inside the lyrics and know each note intimately. They would claw at my soul, until I could no longer fight the emotions that took me to a place I couldn't experience. But, it was the possibility that made every verse a heart filled prediction and every beat a direction to follow.
Shannon L. Alder
The whole world's a canvas for our sketches Horizons as far as the mind stretches A work of art with soft edges Waiting to come alive Now's the time
Marie Helen Abramyan
Take all of your wasted honor Every little past frustration Take all of your so-called problems, Better put 'em in quotations
John Mayer (John Mayer - Strum & Sing (Strum & Sing: Guitar, Vocal))
We're all made the same but then born to change. Which then don't make us the same.
Jonathan Anthony Burkett (Neglected But Undefeated: The Life Of A Boy Who Never Knew A Mother's Love)
Time is always new, for dreams to come true Destiny is yours, to do what you do Change is different, but only for awhile Free will it always, brings in a whole new style Competition makes, the fight all worth your while
Marie Helen Abramyan
Show them what you’re made of Your endless nights deserve a loud ovation Shine bright and prove them wrong ‘Cause we can feel our progress
Stray Kids
Just like how countless stars did, always in the same spot you will shine brightly on your own.
DO Kyungsoo
You shine bright, in the night Like a star, lit so bright It's your story right now Say it loud, say it proud It's your glory right now So stand up, take a bow
Marie Helen Abramyan
Who can understand the profound mystery of God?
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
Music is breath of life.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
[J.Ivy:] We are all here for a reason on a particular path You don't need a curriculum to know that you are part of the math Cats think I'm delirious, but I'm so damn serious That's why I expose my soul to the globe, the world I'm trying to make it better for these little boys and girls I'm not just another individual, my spirit is a part of this That's why I get spiritual, but I get my hymns from Him So it's not me, it's He that's lyrical I'm not a miracle, I'm a heaven-sent instrument My rhythmatic regimen navigates melodic notes for your soul and your mental That's why I'm instrumental Vibrations is what I'm into Yeah, I need my loot by rent day But that is not what gives me the heart of Kunte Kinte I'm tryina give us "us free" like Cinque I can't stop, that's why I'm hot Determination, dedication, motivation I'm talking to you, my many inspirations When I say I can't, let you or self down If I were of the highest cliff, on the highest riff And you slipped off the side and clinched on to your life in my grip I would never, ever let you down And when these words are found Let it been known that God's penmanship has been signed with a language called love That's why my breath is felt by the deaf And why my words are heard and confined to the ears of the blind I, too, dream in color and in rhyme So I guess I'm one of a kind in a full house Cuz whenever I open my heart, my soul, or my mouth A touch of God reigns out [Chorus] [Jay-Z (Kanye West)] Who else you know been hot this long, (Oh Ya, you know we ain't finished) Started from nothing but he got this strong, (The ROC is in the building) Built the ROC from a pebble, pedalled rock before I met you, Pedalled bikes, got my nephews pedal bikes because they special, Let you tell that man I'm falling, Well somebody must've caught him, Cause every fourth quarter, I like to Mike Jordan 'em, Number one albums, what I got like four of dem, More of dem on the way, The Eight Wonder on the way, Clear the way, I'm here to stay, Y'all can save the chitter chat, this and that, this and Jay, Dissin' Jay 'ill get you mased, When I start spitting them lyrics, niggas get very religious, Six Hail Maries, please Father forgive us, Young, the Archbishop, the Pope John Paul of y'all niggas, The way y'all all follow Jigga, Hov's a living legend and I tell you why, Everybody wanna be Hov and Hov still alive.
Kanye West
It doesn’t seem like Christmas. I cannot say just why. I see the gifts and mistletoe and snowflakes falling from the sky. It doesn’t feel like Christmas. Though snow is on the ground. I watch old Rudolph, Frosty too. I serve hot cocoa all around. But still it doesn’t feel like Christmastime. There’s something missing, something more sublime. My heart tells me this holiday was meant to make me feel something deeper, something warm and real. It doesn’t sound like Christmas. The air is filled with noise. I hear a thousand loud requests yet see unhappy girls and boys. It doesn’t feel like Christmas. Though Santa’s on his way. So why this dullness in my heart as if it’s just another day? It really doesn’t feel like Christmastime. There’s something missing, something more sublime. My heart tells me this holiday was meant to make me feel something deeper, something warm and real. I close my eyes, I bow my head, and drop down to my knees. I talk to God and bear my soul. At length, my spirit warms with peace. It feels much more like Christmas. My heart o’er flows with love. I look at you through caring eyes, the way God sees from up above. It surely is like Christmas. Good will pervades my soul. For Christ was born in Bethlehem to ransom all; my joy is full. It’s starting now to feel like Christmastime. My heart is new, my outlook more sublime. I’ll love the world as God loves me and practice charity. Help and comfort, share with those in need, and it will feel like Christmastime indeed.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
In this article, we embark on a journey to explore the timeless beauty of, their significance, and the impact they have on our lives. دل کی آواز ہے شعور کی زبان جذبات کی ترجمان، اردو کا فسانہ محبت کا سفر ہے یہ اردو کی نغمہ جب دلوں کو بھاگتا ہے، بے نیاز سامہ یادوں کی بستی میں بسایا ہے اردو کو حقیقتوں کو ہمسفر، ہمراز بنایا ہے اردو نے دل کو چھو جانے والی اردو کی باتیں روح کو جگا دیتی ہیں، احساس کی لہریں بھرتی ہیں اردو قواعدوں کے سائے شاعری کی بستی میں بہتی ہیں جلوے اردو کے لفظوں میں روشنی کی روشنی ہر تصویر، ہر احساس، سرمستی کی جوشنی یونہی بہتا رہے گا اردو کا سفر جدید دور کیا کہتا ہے، لبوں کا ورق The Essence of Urdu Quotes: Urdu quotes serve as windows to the soul, capturing complex emotions and experiences in just a few words. With their eloquence, they transcend boundaries of time and culture, resonating with individuals around the world. Whether it's about love, life, or spirituality, Urdu quotes beautifully express the depth of human emotions and offer glimpses of wisdom that can guide us through our journeys. The Power of Words: Urdu quotes hold a unique power. Each carefully chosen word carries weight and meaning, creating a powerful impact on the reader's mind. These quotes have the ability to inspire, motivate, and uplift spirits. They encapsulate life's truths in a poetic and concise manner, making them accessible to a wide audience. The Beauty of Urdu Language: Urdu, known for its lyrical qualities and mellifluous flow, adds an extra layer of charm to the quotes. Its poetic nature and rich vocabulary enable the creation of verses that resonate deeply with readers. Whether it's the delicate expressions of love or the introspective reflections on life's complexities, Urdu quotes possess a unique ability to stir emotions and touch the soul. Reflections of Culture and History: Urdu quotes reflect the cultural and historical tapestry of the region. They are imbued with the traditions, values, and experiences of generations. These quotes provide a glimpse into the literary heritage of renowned poets and philosophers, offering insights into their perspectives and contributions to Urdu literature. Urdu Quotes in the Modern Era: In today's digital age, Urdu quotes have found a new platform to reach audiences worldwide. Social media platforms and websites dedicated to Urdu literature have become havens for sharing and appreciating these poetic gems. People are rediscovering the beauty of Urdu quotes, and their popularity continues to soar, bridging gaps between different cultures and fostering a sense of unity. Conclusion: Urdu quotes are more than just words; they are a source of inspiration, solace, and introspection. They capture the essence of life's joys and sorrows, providing us with profound insights and guiding us on our journeys. As we delve into the world of Urdu quotes, we unlock a treasure trove of emotions and wisdom, reminding us of the power of language and the universal nature of human experiences. So, let us embrace the beauty of Urdu quotes and allow them to touch our hearts, inspire our souls, and create a deeper connection with ourselves and others.
Asad Ali
Once I realize that the tune I’m whistling in my head is the theme that’s driving my heart, I suddenly realize that the most important question I can ask is, “What are the lyrics?
Craig D. Lounsbrough
This is not the haze that has clouded your eyes for the first time...neither it is the fog that will mystify you for the last ....for a thirst so fierce dries your lips....for a mouthful of melodies....the thirst that overpowers every loss....like the honey that smoothens the sharpest of edges....so your lips can live with songs and not scars.....so dawn will show unannounced in the thickest of dark....so you will heal as you kiss your wounds....as you pick up what is left of the broken promises....and wishes that remain unfulfilled.....so you will press those pieces like roses between the pages....and every tear will turn to a sonnet...so in the dark.... if you collapse into a powerlessness...you will still remain.....with lips full of lyrics.....
Jayita Bhattacharjee
Words pen the lyrics of the soul.
Craig D. Lounsbrough
Before we move on to discussing specific ways description can modulate the pace of a story, let’s clarify what we mean by action. Action in a story is not the same as activity. Action is motion that is going somewhere, that pushes the story along. It’s a forward movement, an outward sign of an inward motive. Motion serves, as the lyrics of a popular song suggests, to “second that emotion.” Activity, on the other hand, is mere random movement. Made-for-TV movies often include lots of activity— cars crashing, buildings exploding, bullets flying—with little or no motivated action. When a viewer or a reader turns off the TV or closes the book, complaining that “nothing’s happening,” he’s usually referring not to the lack of activity on the screen or page, but to the lack of forward movement. The difference between activity and action is the difference between running on a treadmill and running in a race. So
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
Most people are familiar with the rich, resonant tones of James Earl Jones and Morgan Freeman. Their signature voices bring strength, authority, and lyrical enjoyment. Are there aspects of your voice that you can capitalize on to make a great impression and be simply unforgettable?
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
I could steal words from my idol, Echo lyrics of a vinyl, But I have this feeling since we first met, That the right words haven’t been written yet.
Rapha Ram (U-Day (Memory Full, #1))
Cause at your best you are love You're a positive motivating force within my life And if you ever feel the need to wonder why Let me know, let me know
The Isley Brothers
The great beauty in the English language, innumerable ways of continuing the graphic with explosive, the lyrical, the loving with the spiritual – like dogs nuzzling, cleaning, co-piloting thoughts into the ether of creativity.
Gordon Roddick
Business is about putting you into action.” I was watching X-Factor auditioning and one of the contestants was engulfed in performing his lyrics, it did done on me that business is about putting you into action.
Daniel Anikor
Crazy for You opens backstage at the Zangler Theatre, New York, where Bobby, desperate to break into showbusiness, performs an impromptu audition for the great impresario Bella Zangler. This is not a ‘book number’ – that’s to say, the music is not an expression of character or plot point arising from the dialogue, the defining convention of musical theatre. Instead, more prosaically, it’s a real number, a ‘prop number’: Bobby is backstage and doing the song for Zangler. So it’s sparely orchestrated – little more than a rehearsal piano and some support; it’s one chorus; and its tap-break ends with Bobby stamping on Zangler’s foot. This is grim reality: Bobby is expelled from the theatre. Outside, he makes a decision, and sings ‘I Can’t Be Bothered Now’ – the second song, but the real opening number: the first ‘book number’ in the show. There is an automobile onstage (it’s the 1930s) and, as Bobby opens the door, one showgirl, pretty in pink, steps out, then another, and another, and more and more, far more than could fit in any motor car; finally, Bobby raises the hood of the vehicle and the last chorine emerges. The audience leans back, reassured and content: Susan Stroman’s fizzy, inventive choreography has told them that what’s about to follow is romantic fantasy. More to the point, it’s true to the character of the song, and the choice of song is true to Bobby’s character and the engine of the drama: My bonds and shares May fall downstairs Who cares? Who cares? I’m dancing and I Can’t Be Bothered Now … This lyric captures the philosophy of Ira Gershwin’s entire oeuvre – which is important: the show is a celebration of Gershwin. But it’s also an exact expression of Bobby’s feelings and the reason why he heads to Dead Rock, Arkansas. So the number does everything it should: it defines the principal’s motivation; it kick-starts the plot; and it communicates the spirit of the score and the staging. Audiences don’t reason it out like that; we just eat it up. But that’s why.
Mark Steyn (Broadway Babies Say Goodnight: Musicals Then and Now)
Running after my own dreams Tripping over my own feet Held on to my self esteem Walking to my own loud beat So stand tall or take a seat
Marie Helen Abramyan
Under the spotlight, of the streetlights That wait for me to shine Over the moonlight, it feels so right I'm poetry in motion It's part of my devotion I play with all emotion Under the spotlight, of the streetlights
Marie Helen Abramyan
We used to make music to top up the charts, now we make music to talk to the hearts.
D.J. Kyos
If you've never stared off into the distance, then your life is a shame.
Counting Crows
It seems like a long time has passed since I was skating solo in a parking-lot in small town Ontario, Canada humming a Suicidal Tendencies song to keep myself motivated. I liked to alter the lyrics from "He rips, when he skates, cause he never hesitates!" to "She rips, when she skates..." I hoped that somewhere out there a girl was skating who truly did rip, and it would be even more incredible if I could see her skate in real life and have a conversation. I was completely in the dark.
Natalie Porter
Anthony lived with the same fear and separateness that kept me totally disengaged from the social process. But he was able to turn it inside out. It drove him to do shit I would never dare. Nothing was gonna keep him from going for what he thought he deserved. His disdain for the popular kids only motivated his actions. He went hard and challenged the external world. I went the other way, slipping deeper into an interior world. Two sides of the same coin...... Never in my life have I seen fate play such a strong and clear hand. Not the band-career thing necessarily, but the universal powers deciding we would be brothers/partners. We have no choice. Maybe it is past life influences... maybe each of us looking for the promise of a fulfillment that exists in the other...... When he started wiring lyrics over my baselines his artistry gave me new life. My heart grew a couple of sizes. The color of his words, the sharp sounds of the syllables cracking together. Both his lyrics and my bass lines pulsed together, same as the heartbeat of our friendship.
Flea (Acid for the Children)
Everything's gonna be okay Baby girl, don't you hang your head low Don't you lose your halo
Maren Morris
Motif Petrify in fairy tales, as multiple aesthetical, has complex origins and development. Forgotten Transformed ritual foundation motive is revealed in the ritual killing of old people. The cyclical myth dismissal of growth and decline is attributed to old people stopping power of life. In order to preserve the life force Penina points out that it took to destroy the creatures that personified their weakening. Mythological justification for the ritual murder of the demonized old lady is a representative of an old man’s death. In doing so, there is no risk of punishment or retaliation for the killing done, because in the moral and mythological plane victim turns into a bully who needs to catch up with retribution. Deeply rooted in the mythical magical notion of the sacred, ritual killing old people is not completely lost in the genres of oral tradition, but is largely hidden in fairy tales. Another basis Petrify in fairy tales is tied for proofing hero. In this type of Petrify emphasized the dependence of suffering from violations of the ban. Offense prohibiting turning into a demonic time and space, or prohibiting speech that is not necessarily related to the hazards arising from the proximity of the demons in lyrical songs, ballads, and some traditions and psychologically conditioned, but the tales he has not shown in the light of personal motives, since the clash of two sacred place in the framework of fulfilling the task of the hero. The power of the heroes in the face of a hostile beings Petrifying people in fairy tales to finalize a victory over the demon, a demon or a subsequent grace which frees the victim of the killed hero of his unfortunate fate, eventually expires Penina Mezei.
Penina Mezei (Penina Mezei West Bank Fairy Tales)
There's not much to do in a small town. Teens have to make their own fun. This usually means partying. Cheap beer. Making babies. But we had other ideas. We'd film movies. Write songs. "Attack of the Demonic Broccoli People" is a lost horror classic. Shut down by a teacher who said it was "Of The Devil." "Angie Girl" lyrics rhymed porch swing with ding-a-ling. We were the new New Romantics. I'd leave handwritten stories with confused cashiers. Pass proto-folk-punk tapes around school. You can get a lot done with no money. If the motivation is there.
Damon Thomas (Too Weird To Share: A Rural Gloom Sampler)