Lynch Quotes

We've searched our database for all the quotes and captions related to Lynch. Here they are! All 200 of them:

β€œ
I am being perfectly fucking civil.
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Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
Adam smiled cheerily. Ronan would start wars and burn cities for that true smile, elastic and amiable.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
Censorship is to art as lynching is to justice.
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Henry Louis Gates Jr.
β€œ
There’s no freedom quite like the freedom of being constantly underestimated.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
If you want to write a negative review, don't tickle me gently with your aesthetic displeasure about my work. Unleash the goddamn Kraken." [on Twitter, July 17, 2012]
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Scott Lynch
β€œ
His feelings for Adam were an oil spill; he'd let them overflow and now there wasn't a damn place in the ocean that wouldn't catch fire if he dropped a match.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
Someday, Locke Lamora,” he said, β€œsomeday, you’re going to fuck up so magnificently, so ambitiously, so overwhelmingly that the sky will light up and the moons will spin and the gods themselves will shit comets with glee. And I just hope I’m still around to see it.” β€œOh please,” said Locke. β€œIt’ll never happen.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
I know when I'm awake and when I'm asleep," Ronan Lynch said. Adam Parrish, curled over himself in a pair of battered, greasy coveralls, asked, "Do you?" "Maybe I dreamt you," he said. "Thanks for the straight teeth, then," Adam replied.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β€œ
Making Ronan Lynch smile felt as charged as making a bargain with Cabeswater. These were not forces to play with.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
There are only three people in life you can never fool--pawnbrokers, whores, and your mother. Since your mother's dead, I've taken her place. Hence, I'm bullshit-proof.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
A boy may be as disagreeable as he pleases, but when a girl refuses to crap sunshine on command, the world mutters darkly about her moods.
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Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
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I guess now would be a good time to tell you," He said. "I took Chainsaw out of my dreams.
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Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
Ronan didn't need physics. He could intimidate even a piece of plywood into doing what he wanted.
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Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
Gansey's partying with his mother," Ronan said. He smelled like beer. "And Noah's fucking dead. But Parrish is here.
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Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
To think you could have been dreaming the cure for cancer," Blue said. "Look, Sargent," Ronan retorted, "I was gonna dream you some eye cream last night since clearly modern medicine's doing jack shit for you, but I nearly had my ass handed to me by a death snake from the fourth circle of dream hell, so you're welcome." Blue was appropriately touched. "Ah, thanks, man." "No problem, bro.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
Adam was beginning to realize that he hadn't known Ronan at all. Or rather, he had known part of him and assumed it was all of him.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β€œ
What's the n-never-fail universal apology?" "'I was badly misinformed, I deeply regret the error, go fuck yourself with this bag of money.
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Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan's back: all the sharp edges that hooked wondrously and fearfully into each other. 'Unguibus et rostro,' Adam said. Ronan put Adam's fingers to his mouth. He was never sleeping again.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
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... It's perfect! Locke would appreciate it." "Bug," Calo said, "Locke is our brother and our love for him knows no bounds. But the four most fatal words in the Therin language are 'Locke would appreciate it.'" "Rivalled only by 'Locke taught me a new trick,'" added Galo. "The only person who gets away with Locke Lamora games ..." "... is Locke ..." "... because we think the gods are saving him up for a really big death. Something with knives and hot irons ..." "... and fifty thousand cheering spectators.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
Β¨I think I need you for keeps.Β¨ Β¨I think I need you for keeps, too.Β¨
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Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β€œ
Even bad coffee is better than no coffee at all.
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David Lynch
β€œ
Where the hell is Ronan?" Gansey asked, echoing the words that thousands of humans had uttered since mankind developed speech.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
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I like to remember things my own way. How I remembered them, not necessarily the way they happened.
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David Lynch (Lost Highway)
β€œ
Ronan Lynch β€” dreamer of dreams, fighter of men, skipper of classes β€” might
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
It may be true that the law cannot make a man love me, but it can stop him from lynching me, and I think that's pretty important.
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Martin Luther King Jr.
β€œ
We think we understand the rules when we become adults but what we really experience is a narrowing of the imagination.
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David Lynch
β€œ
And here was Ronan, like a heart attack that never stopped.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
You simply collapsed, sir. In layman's terms, your body revoked its permission for you to continue heaping abuse upon it.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
Nice bird, asshole!
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
I don't have to beat you. I don't have to beat you, motherfucker. I just have to keep you here... until Jean shows up.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
I cut off his fingers to get him to talk, and when he'd confessed everything I wanted to hear, I had his fucking tongue cut out, and the stump cauterized." Everyone in the room stared at him. "I called him an asshole, too," said Locke. "He didn't like that.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
I wasn't talking to you, Lynch. I need someone with a soul.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β€œ
When you don't know everything that you could know, it's a fine time to shut your fucking noisemaker and be polite.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
I don’t think that people accept the fact that life doesn’t make sense. I think it makes people terribly uncomfortable.
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David Lynch
β€œ
Difficult" and "impossible" are cousins often mistaken for one another, with very little in common.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
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Ronan Lynch loved to dream about light.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
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You can't help being young, but it's past time that you stopped being stupid.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
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I don't expect life to make sense," he said after a few moments, "but it could certainly be pleasant if it would stop kicking us in the balls.
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Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
Through the darkness of future past, the magician longs to see, one chance out between two worlds, fire walk with me!
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David Lynch
β€œ
Ronan Lynch lived with every sort of secret.
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Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear.
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David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
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The choice was death or hurting Adam, which wasn’t much of a choice at all.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
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The ocean burned.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.
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David Lynch
β€œ
You've got that motherly concern in your eyes, Jean. I must look like I'm hammered as shit," said Locke. "Actually you look like you were executed last week.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
I only steal because my dear old family needs the money to live!" Locke Lamora made this proclamation with his wine glass held high; he and the other Gentleman Bastards were seated at the old witchwood table. . . . The others began to jeer. "Liar!" they chorused "I only steal because this wicked world won't let me work an honest trade!" Calo cried, hoisting his own glass. "LIAR!" "I only steal," said Jean, "because I've temporarily fallen in with bad company." "LIAR!" At last the ritual came to Bug; the boy raised his glass a bit shakily and yelled, "I only steal because it's heaps of fucking fun!" "BASTARD!
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
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It was strange, how readily authority could be conjured with nothing but a bit of strutting jackassery.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
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I want to hug you. And I want to tear your gods-damned head off. Both at once." "Ah," said Locke. "Near as I can tell, that’s the definition of 'family' right there.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
I hate slick and pretty things. I prefer mistakes and accidents. Which is why I like things like cuts and bruises - they're like little flowers. I've always said that if you have a name for something, like 'cut' or 'bruise,' people will automatically be disturbed by it. But when you see the same thing in nature, and you don't know what it is, it can be very beautiful.
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David Lynch
β€œ
Did you get notes for me?" "No", Ronan replied,"I thought you were dead in a ditch.
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Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
Stand aside, and try not to catch fire if I shed sparks of genius.
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Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
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The approval of someone like him, who clearly cared for no one, seemed like it would be worth more.
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Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
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If reassurances could dull pain, nobody would ever go to the trouble of pressing grapes.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, β€œFor the love of … Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, β€œThey didn’t start making the Civic until ’73.
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Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
Adam finally sat down on one of the pews. Laying his cheek against the smooth back of it, he looked at Ronan. Strangely enough, Ronan belonged here, too, just as he had at the Barns. This noisy, lush religion had created him just as much as his father's world of dreams; it seemed impossible for all of Ronan to exist in one person. Adam was beginning to realize that he hadn't known Ronan at all. Or rather, he had known part of him and assumed it was all of him. The scent of Cabeswater, all trees after rain, drifted past Adam, and he realized that while he'd been looking at Ronan, Ronan had been looking at him.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
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Any man can fart in a closed room and say that he commands the wind
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
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To us β€” richer and cleverer than everyone else!
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
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What an impossible and miraculous and hideous thing this was. An ugly plan hatched by an ugly boy now dreamt into ugly life. From dream to reality. How appropiate it was that Ronan, left to his own devices, manifested beautiful cars and beautiful birds and tenderhearted brothers, while Adam, when given the power, manifested a filthy string of perverse murders.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β€œ
Now Blue looked promptly judgmental, which was about two ticks off from her ordinary expression and one tick off from Ronan's.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
We’re a different sort of thief here, Lamora. Deception and misdirection are our tools. We don’t believe in hard work when a false face and a good line of bullshit can do so much more.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
For once in my life, I wanted a safe place to run to instead of from. I felt like I was slowly dying in that house. In my home. Where I was supposed to lay my head. Where I was supposed to feel safe.
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Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β€œ
And Ronan Lynch looked like Niall Lynch, which was to say, he looked like an asshole.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
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Her name's Chainsaw," replied Ronan, without looking up. Then: "Noah. You're creepy as hell back there.
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Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
Adam's response was buried in the sound of the first-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!" Ronan's voice sang out from behind his closed door: "You're already dead!
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Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
Quit being so hard on yourself. We are what we are; we love what we love. We don't need to justify it to anyone... not even to ourselves.
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Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
I can't wait to have words with the Gray King when this shit is all finished," Locke whispered. "There's a few things I want to ask him. Philosophical questions. Like, 'How does it feel to be dangled out a window by a rope tied around your balls, motherfucker?
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
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Throwing blondes at Locke Lamora was not unlike throwing lettuce at sharks.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
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You're one third bad intentions, one third pure avarice, and one eighth sawdust. What's left, I'll credit, must be brains.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
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Ideas are like fish. If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you’ve got to go deeper. Down deep, the fish are more powerful and more pure.They’re huge and abstract. And they’re very beautiful.
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David Lynch (Catching the Big Fish: Meditation, Consciousness, and Creativity)
β€œ
He said that life boils down to standing in line to get shit dropped on your head. Everyone's got a place in the queue, you can't get out of it, and just when you start to congratulate yourself on surviving your dose of shit, you discover that the line is actually circular.
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Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
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When you can't cheat the game, you'd best find a means to cheat the players.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
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Locke sighed. 'So this is winning,' he said. 'It is,' replied Jean. 'It can go fuck itself,' said Locke.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
If drugs were to Joey Lynch what Claire Biggs was to me, then there was no amount of rehab that could sway me to kick the habit. Because she was the habit of my lifetime.
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Chloe Walsh (Taming 7 (Boys of Tommen, #5))
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Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way.
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David Lynch
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Ronan's smile was sharp and hooked as one of the creature's claws. "'A sword is never a killer; it is a tool in the killer's hand'." "I can't believe Noah didn't stick around to help." "Sure you can. Never trust the dead.
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Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
He was so much more dangerous when he wasn't angry.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
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Know something? I'd lay even odds that between the people following us and the people hunting us, we've become this city's principle means of employment. Tal Verrar's entire economy is now based on fucking with us.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
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hey Lynch I didn't leave that car for it to sit while you just blow III
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Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
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Only one way to win when you're being chased by someone bigger and tougher than you. Turn straight around, punch their teeth out, and hope the gods are fond of you.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
If it had a social security number, Ronan had fought with it.
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Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
In the hall stood Richard Campbell Gansey III in his school uniform and overcoat and scarf and gloves, looking like someone from another world. Behind him was Ronan Lynch, his damn tie knotted right for once and his shirt tucked in. Humiliation and joy warred furiously inside Adam. Gansey strode between the pews as Adam's father stared at him. He went directly to the bench, straight up to the judge. Now that he stood directly beside Adam, not looking at him, Adam could see that he was a little out of breath. Ronan, behind him, was as well. they had run. For him.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β€œ
Wake up, you bastard," β€” he said. "You fucker. I can't believe that you would ..." And he began to cry.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
It should have been impossible. No one should have been able to dream any of these thing, much less all of them. But Adam had seen what Ronan could do. He'd read the dreamt will and ridden in the dreamt Camaro and been terrified by the dreamt night terror. It was possible that there were two gods in this church.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β€œ
Absurdity is what I like most in life.
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David Lynch
β€œ
Ronan was angry-every one of his emotions that wasn't happiness was anger.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
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Oh, it's good," Matthew said enthusiastically. It was not much of an endorsement. Matthew Lynch was a golden indiscriminate pit into which the world threw food. "It's real good. When I saw your phone number, I nearly shit myself! You could sell your phone, like, as new-in-box." "Don't fucking swear," Ronan said.
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Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
Adam had seen many of Ronan's dreams made real by now, and he knew how savage and lovely and terrifying and whimsical they could be. But this girl was the most Ronan of any of them that he's seen. What a frightened monster she was.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
I quit smoking in December. I’m really depressed about it. I love smoking, I love fire, I miss lighting cigarettes. I like the whole thing about it, to me it turns into the artist’s life, and now people like Bloomberg have made animals out of smokers, and they think that if they stop smoking everyone will live forever.
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David Lynch
β€œ
Just one question, you arrogant fucking cocksucker" said Locke. "I'll grant the Lamora part is easy to spot; the truth is, I didn't know about the apt translation when I took the name. I borrowed it from this old sausage dealer who was kind to me once, back in Catchfire before the plague. I just liked the way it sounded. "But what the fuck" he said slowly, "ever gave you the idea that Locke was the first name I was actually born with?
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
Those prancing little pants-wetters come here to learn the colorful and gentlemanly art of fencing, with its many sporting limitations and its proscriptions against dishonorable engagements. You on the other hand, you are going to learn how to kill men with a sword.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
My name's Jean Tannen, and I'm the ambush.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
He was clearly related to Declan: same nose, same dark eyebrows, same phenomenal teeth. But there was a carefully cultivated sense of danger to this Lynch brother. This was not a rattlesnake hidden in the grass, but a deadly coral snake striped with warning colors. Everything about him was a warning: If this snake bit you, you had no one to blame but yourself.
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Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
I've got kids that enjoy stealing. I've got kids that don't think about stealing one way or the other, and I've got kids that just tolerate stealing because they know they've got nothing else to do. But nobody--and I mean nobody--has ever been hungry for it like this boy. If he had a bloody gash across his throat and a physiker was trying to sew it up, Lamora would steal the needle and thread and die laughing. He...steals too much.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
You look like a super villain with your familiar," Adam said. Ronan’s smile cut his face, but he looked kinder than Blue had ever seen him, like the raven in his hand was his heart, finally laid bare.
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Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
If a white man wants to lynch me, that's his problem. If he's got the power to lynch me, that's my problem. Racism is not a question of attitude; it's a question of power. Racism gets its power from capitalism. Thus, if you're anti-racist, whether you know it or not, you must be anti-capitalist. The power for racism, the power for sexism, comes from capitalism, not an attitude.
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Stokely Carmichael
β€œ
Dreamers are to be classified as weapons. Ronan already knew he was a weapon ; but he was trying to make up for it.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
On the outside, the three Lynch brothers appeared remarkably dissimilar: Declan, a butter-smooth politician; Ronan, a bull in a china-shop world; Matthew, a sunlit child. On the inside, the Lynch brothers were remarkably similar: They all loved cars, themselves, and each other.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
That's a sweet piece," said Jean, briefly forgetting to be aggravated. "You didn't snatch that off a street." "No," said Locke, before taking another deep draught of the warm water in the decanter. "I got it from the neck of the governor's mistress." "You can't be serious." "In the governor's manor." "Of all the -" "In the governor's bed." "Damned lunatic!" "With the governor sleeping next to her." The night quiet was broken by the high, distant trill of a whistle, the traditional swarming noise of city watches everywhere. Several other whistles joined in a few moments later. "It is possible," said Locke with a sheepish grin, "that I have been slightly too bold.
”
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
Absurdity is what I like most in life, and there's humor in struggling in ignorance. If you saw a man repeatedly running into a wall until he was a bloody pulp, after a while it would make you laugh because it becomes absurd.
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”
David Lynch
β€œ
When the sky’s falling, I take shelter under bullshit.
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Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
Most of the members of the convent were old-fashioned Satanists, like their parents and grandparents before them. They'd been brought up to it, and weren't, when you got right down to it, particularly evil. Human beings mostly aren't. They just get carried away by new ideas, like dressing up in jackboots and shooting people, or dressing up in white sheets and lynching people, or dressing up in tie-dye jeans and playing guitars at people. Offer people a new creed with a costume and their hearts and minds will follow. Anyway, being brought up as a Satanist tended to take the edge off it. It was something you did on Saturday nights. And the rest of the time you simply got on with life as best you could, just like everyone else.
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Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β€œ
What kind of knife is this?” Locke held a rounded buttering utensil up for Chains’ inspection. β€œIt’s all wrong. You couldn’t kill anyone with this.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
So that makes us robbers of robbers," said Bug, "who pretend to be robbers working for a robber of other robbers.
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”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
Ronan and Declan Lynch were undeniably brothers, with the same dark brown hair and sharp nose, but Declan was solid where Ronan was brittle. Declan’s wide jaw and smile said Vote for me while Ronan’s buzzed head and thin mouth warned that this species was dangerous.
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Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
What is government but theft by consent?
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Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
Tamquam,’ said Adam. 'Wait,’ said Ronan. 'Tamquam,’ he said again, gently. 'Alter idem,’ Ronan said, and found himself alone.
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Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
β€œ
But joy is a small, tenacious crop, especially in soil that hasn't grown any for a long time.
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Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
β€œ
As another has well said, to handicap a student by teaching him that his black face is a curse and that his struggle to change his condition is hopeless is the worst sort of lynching.
”
”
Carter G. Woodson (The Mis-Education of the Negro (African American))
β€œ
Ronan did not smoke; he preferred his habits with hangovers.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
Ronan didn't sound very interested, but that was part of the Ronan Lynch brand. It was impossible to tell how deep his disinterest truly was.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
But one of the marvelous things about being Ronan Lynch was that no one ever expected him to do anything nice for anyone.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
I'm fit and I'm angry, and I'm obviously crazy. Anything could happen.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
My cow is not pretty, but it is pretty to me.
”
”
David Lynch
β€œ
I can’t name the poison that’s killing your friend. But the one that’s killing you is called hope.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
When you see the Crooked Warden," said Locke, twisting something in his hands, "tell him that Locke Lamora learns slowly, but he learns well. And when you see my friends, you tell them that there are more of you on the way.
”
”
Scott Lynch
β€œ
I don't know why people expect art to make sense. They accept the fact that life doesn't make sense.
”
”
David Lynch
β€œ
My disinterest in your bullshit is so tangible you could make bricks out of it
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
She asked, "Okay, wait, so why is Ronan at the library?" "Cramming," Noah said. "For an exam on Monday." It was the nicest thing Blue had ever heard of Ronan doing.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
[W]hen you find yourself face to face with one [Bondsmage], you bow and scrape and mind your 'sirs' and 'madams.'" ... 'Nice bird, asshole,' said Locke.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
His home was populated by things and creatures from Niall Lynch's dreams, and his mother was just another one of them
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
Because when it comes to you, Shannon Lynch, I’m all in.” β€œMe too.” β€œWhere you go, I go.” β€œPromise?” β€œI promise.
”
”
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β€œ
Light, or something like light, reflected off it onto Ronan's chin and cheeks, rendering him stark and handsome and terrifying and someone else. Then he blew on it. His breath passed through the word, the mirror, the unwritten line. Adam heard a whisper in his ear. Something moved and stirred inside him. Ronan's eyelashes fluttered darkly. What are we doing -
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β€œ
I trust my points are noted... Very noted... Received, recognized, and duly considered with the utmost gravity. Sealed, notarized, and firmly imprinted upon my rational essence.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
But what [Gansey] said was, "I'm going to need everyone to be straight with each other from now on. No more games. This isn't just for Blue, either. All of us." Ronan said, "I'm always straight." Adam replied, "Oh, man, that's the biggest lie you've ever told." Blue said, "Okay.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
Haven’t you heard of being hung, drawn, and quartered?” Blue asked, β€œIs it as painful as conversations with Ronan?” Gansey cast a glance over to Ronan, who was a small, indistinct form by the trees. Adam audibly swallowed a laugh. β€œDepends on if Ronan is sober,” Gansey answered. Adam asked, β€œWhat is he doing, anyway?” β€œPeeing.” β€œTrust Lynch to deface a place like this five minutes after getting here.” β€œDeface? Marking his territory.” β€œHe must own more of Virginia than your father, then.” β€œI don’t think he’s ever used an indoor toilet, now that I consider it.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
Intolerance is a thing that causes war, pogroms, crucifixions, lynchings, and makes people cruel to little children and each other. It is responsible for most of the viciousness, violence, terror, and heart and soul breaking of the world.
”
”
Betty Smith (A Tree Grows in Brooklyn)
β€œ
Ronan Lynch, keeper of secrets, fighter of men, devil of a boy,
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
You’ll pardon me,” he finally said, β€œif the suggestion that the minuscule black turnip you call a heart is suddenly overflowing with generosity toward me leaves me wanting to arm myself and put my back against a wall.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
Worst of all, the inner vault is guarded by a live dragon, attended by fifty naked women armed with poisoned spears, each of them sworn to die in Requin's service. All redheads. -You're just making that up, Jean.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
It's so freeing, it's beautiful in a way, to have a great failure, there's nowhere to go but up.
”
”
David Lynch
β€œ
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
”
”
David Lynch
β€œ
Advice," DoΓ±a Vorchenza chuckled. "Advice. The years play a sort of alchemical trick, transmuting one's mutterings to a state of respectability. Give advice at forty and you're a nag. Give it at seventy and you're a sage.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
I suspect this is all gonna end in screaming and drowning
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
Sometimes, Gansey forgot how much he liked school and how good he was at it. But he couldn't forget it on mornings like this oneβ€”fall fog rising out of the fields and lifting in front of the mountains, the Pig running cool and loud, Ronan climbing out of the passenger seat and knocking knuckles on the roof with teeth flashing, dewy grass misting the black toes of his shoes, bag slung over his blazer, narrow-eyed Adam bumping fists as they met on the sidewalk, boys around them laughing and calling to one another, making space for the three of them because this had been a thing for so long: Gansey-Lynch-Parrish.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β€œ
Keep your eye on the doughnut, not on the hole.
”
”
David Lynch (Catching the Big Fish: Meditation, Consciousness, and Creativity: 10th Anniversary Edition)
β€œ
You are beyond mad," said Locke after several moments of silent, furious thought. "Full-on barking madness is a state of rational bliss to which you may not aspire. Men living in gutters and drinking their own piss would shun your company. You are a prancing lunatic.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
If he had a bloody gash across his throat and a physiker was trying to sew it up, Lamora would steal the needle and thread and die laughing.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
I learned that just beneath the surface there's another world, and still different worlds as you dig deeper. I knew it as a kid, but I couldn't find the proof. It was just a kind of feeling. There is goodness in blue skies and flowers, but another force--a wild pain and decay--also accompanies everything.
”
”
David Lynch
β€œ
Black has depth.. you can go into it.. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.
”
”
David Lynch (Lynch on Lynch)
β€œ
In America, racism exists but racists are all gone. Racists belong to the past. Racists are the thin-lipped mean white people in the movies about the civil rights era. Here’s the thing: the manifestation of racism has changed but the language has not. So if you haven’t lynched somebody then you can’t be called a racist. If you’re not a bloodsucking monster, then you can’t be called a racist. Somebody has to be able to say that racists are not monsters.
”
”
Chimamanda Ngozi Adichie (Americanah)
β€œ
Ronan Lynch lived with every sort of secret. His first secret was himself. He was brother to a liar and brother to an angel, son of a dream and son of a dreamer. He was a warring star full of endless possibilities, but in the end, as he dreamt in the backseat on the way to the Barns that night, he created only this...
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
I don’t need to be reminded that we’re up to our heads in dark water. I just want you boys to remember that we’re the gods-damned sharks.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
Mew," the kitten retorted, locking gazes with him. It had the expression common to all kittens, that of a tyrant in the becoming. 'I was comfortable, and you dared to move,' those jade eyes said. 'For that you must die.' When it became apparent to the cat that its two or three pounds of mass were insufficient to break Locke's neck with one mighty snap, it put its paws on his shoulders and began sharing its drool-covered nose with his lips. He recoiled.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
Everything I learned in my life, I learned because I decided to try something new.
”
”
David Lynch
β€œ
What a grin he had, what ferocious eyes, what a creature he was. He had dreamt himself an entire life and death. Ronan said, "I want to go back." "Then take it," said his father. "You know how now." And Ronan did. Because Niall Lynch was a forest fire, a rising sea, a car crash, a closing curtain, a blistering symphony, a catalyst with planets inside him. And he had given all of that to his middle son.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
Are you smarter than a pig, Locke?” β€œOn occasion,” said Locke. β€œThere are contrary opinions.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
Yeah, but if I don't start my nervous pacing now, I'll never have it all done in time.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
Fuckdamn,” said ContΓ©, totally unable to help himself when the sums involved vanished over his mental horizon. β€œBeg pardon, DoΓ±a Sofia.” β€œYou should.” She drained her snifter in one quick unladylike gulp. β€œYour calculations are off. This merits a triple fuckdamn at least.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
But you didn't die." "Clever lad, to deduce that from such slender evidence after living with me for just three years.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
A glass poured to air for the one who sits with us unseen; the patron and protector, the Crooked Warden, the Father of Necessary Pretexts. Thanks for deep pockets poorly guarded. Thanks for watchmen asleep at their posts. Thanks for the city to nurture us and the night to hide us. Thanks for friends to help us spend the loot.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
I'm not gong to kill you," said Locke I'm going to play a little game I like to call 'Scream in pain until you answer my fucking questions.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
Don’t fight the darkness. Don’t even worry about the darkness. Turn on the light and the darkness goes. Turn up that light of pure consciousness: Negativity goes.
”
”
David Lynch (Catching the Big Fish: Meditation, Consciousness, and Creativity: 10th Anniversary Edition)
β€œ
As for history, we are living in its ruins. And as for biographies, we are living with the consequences of all the decisions ever made in them. I tend not to read them for pleasure. It’s not unlike carefully scrutinizing the map when one has already reached the destination.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
Ostendes tuum et ostendam meus?
”
”
Maggie Stiefvater
β€œ
Look, this is all very, very weird. Why are you focusing on rumours and urban legends? You haven’t even asked me any normal questions.” β€œNormal questions? Like what?” β€œLike, I don’t know, like if Lynch had any enemies.” β€œDid Lynch have any enemies?” β€œWell, not that I know of, no.” β€œThen there really was no point in me asking that, was there? Unless you wanted to distract me. You didn’t want to distract me, did you, Kenny?” β€œNo, that’s not—” β€œAre you playing a game with me, Kenny?” β€œI don’t know what you’re—” Inspector Me leaned forward. β€œDid you kill him?” β€œNo!” β€œIt’d be OK if you did.” Kenny recoiled, horrified. β€œHow would that be OK?” β€œWell,” Me said, β€œmaybe not
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
β€œ
I hope a shark tries to suck your cock!
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
As they scuffled in the grass, Adam closed his eyes and leaned his head back. He could nearly scry just like this. The quiet and the cold breeze on his throat would take him away and the dampness of his toes in his shoes and the scent of living creatures would keep him here. Within and without. He couldn’t tell if he was letting himself idolize this place or Ronan, and he wasn’t sure there was a difference. When he opened his eyes, he saw that Ronan was looking at him, as he had been looking at him for months. Adam looked back, as he had been looking back for months.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
Ronan hadn't known anything about who Adam was then and, if possible, he'd known even less about who he himself was, but as they drove away from the boy with the bicycle, this was how it had begun: Ronan leaning back against his seat and closing his eyes and sending up a simple, inexplicable, desperate prayer to God: Please.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
β€œ
Congratulations! We’re reverse burglars, here to give you fifty gold solari!
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
I'll wager I would have screwed things up regardless. But. . .can you imagine those poor bastards grappling their prey, leaping over the rails, swords in hand, screaming, 'Your cats! Give us all your gods-damned cats!
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
Maxilan, darling." Locke raised one eyebrow and smiled. "I knew you were driven, but I had no idea you could smoulder. Come, take me now! Jean won't mind; he'll avert his eyes like a gentleman.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
It was possible that there were two gods in this church.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β€œ
Adam retreated to sit beside Mary as Ronan stretched out on the pew, rubbing out the dingy plan with the legs of his jeans. Something about his stillness on the pew and the funereal quality of the light reminded Adam of the effigy of Glendower they'd seen at the tomb. A king, sleeping. Adam couldn't imagine, though, the strange, wild kingdom that Ronan might rule. "Stop watching me," Ronan said, though his eyes were closed.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β€œ
You seem to have an extremely large bag today, Mr. Lynch,” Whelk said. β€œYou know what they say about men with large bags,” Ronan replied. "Ostendes tuum et ostendam meus?”" Gansey had no idea what Ronan had just said, but he was certain from Ronan’s smirk that it wasn’t entirely polite. Whelk’s expression confirmed Gansey’s suspicion, but he merely rapped on Ronan’s desk with his knuckles and moved off. β€œBeing a shit in Latin isn’t the way to an A,” Gansey said. Ronan’s smile was golden. β€œIt was last year.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
What do you mean Ronan's a magical entity? Is he a demon? Because this all makes sense if so.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
The opposite of magical is not ordinary. The opposite of magical is mankind. The world is a neon sign; it says HUMANITY but everything is burnt out except MAN.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
β€œ
That’s how luck works, lad. You can bitch all you like about how things could have been more favorable for you, but rest assured things can always be worse. Always.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
Gods, I love this place," Locke said, drumming his fingers against his thighs. "Sometimes I think this whole city was put here simply because the gods must adore crime. Pickpockets rob the common folk, merchants rob anyone they can dupe, Capa Barsavi robs the robbers and the common folk, the lesser nobles rob nearly everyone, and Duke Nicovante occasionally runs off with his army and robs the shit out of Tal Verarr or Jerem, not to mention what he does to his own nobles and his common folk.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
It must be nice to be righteous; from where I stand it looks like fucking lunacy.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
We may need to ready ourselves to repel boarders.” β€œWith what? One stiletto and hurtful insinuations about their mothers?
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
You want a lesson, boy? If you find yourself being born, climb back in as quick as you can, because life's a bottomless feast of shit.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
I'm not as reckless as I used to be. You know, when I was little.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
Negrophobes exist. It is not hatred of the Negro, however, that motivates them; they lack the courage for that, or they have lost it. Hate is not inborn; it has to be constantly cultivated, to be brought into being, in conflict with more or less recognized guilt complexes. Hate demands existence and he who hates has to show his hate in appropriate actions and behavior; in a sense, he has to become hate. That is why Americans have substituted discrimination for lynching. Each to his own side of the street.
”
”
Frantz Fanon (Black Skin, White Masks)
β€œ
Adam thinks he saw an apparition at his place." Ronan eyed Noah. "I'm seeing an apparition right now." Noah made a rude gesture [...].
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
There's always fear of the unknown where there's mystery
”
”
David Lynch
β€œ
Float with me in the world of ether.
”
”
David Lynch
β€œ
I’m only doing this,” he said, β€œbecause I really love hiding in haunted Eldren buildings on dark and creepy nights.” β€œYou’re a liar,” said Jean, slowly. β€œI’m only doing this because I’ve always wanted to see Bug get eaten by an Eldren ghost.” β€œLiar,” said Calo. β€œI’m only doing this because I fucking love hauling half a ton of bloody coins up out of a vault and packing them away on a cart.” β€œLiar!” Galdo chuckled. β€œI’m only doing this because while you’re all busy elsewhere, I’m going to go pawn all the furniture in the burrow at No-Hope Harza’s.” β€œYou’re all liars,” said Locke as their eyes turned expectantly to him. β€œWe’re only doing this because nobody else in Camorr is good enough to pull this off, and nobody else is dumb enough to get stuck doing it in the first place.” β€œBastard!” They shouted in unison, forgetting their surroundings for a bare moment.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
And weren't, when you got right down to it, particularly evil. Human beings mostly aren't. They just get carried away by new ideas, like dressing up in jackboots and shooting people, or dressing up in white sheets and lynching people, or dressing up in tie-dye jeans and and playing guitar at people. Offer people a new creed with a costume and their hearts and minds will follow
”
”
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β€œ
No man can be called friendless who has God and the companionship of good books.
”
”
Karen Lynch (Relentless (Relentless, #1))
β€œ
If I ever got this stupid over a guy I hoped someone would slap some sense into me.
”
”
Karen Lynch (Relentless (Relentless, #1))
β€œ
He breathed in. He breathed out. He forgot how to exhale when he wasn't at home.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
Touch it," Blue whispered. "See if it's alive, too." "One of you two Poverty Twins should touch it," Ronan said. "I touched the last one." "What did you just call me?
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β€œ
I didn't promise you shit. My dead friends, on the other hand--I made them certain promises I intend to keep.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
β€œ
What’s going on?” Royce asked as throngs of people suddenly moved toward him from the field and the castle interior. β€œI mentioned that you saw the thing and now they want to know what it looks like,” Hadrian explained. β€œWhat did you think? They were coming to lynch you?” He shrugged. β€œWhat can I say? I’m a glass-half-empty kinda guy.” β€œHalf empty?” Hadrian chuckled. β€œWas there ever any drink in that glass?
”
”
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
β€œ
I want it too much," Adam said. That sentence, Ronan thought, was enough to undo all bad feeling he might have had meeting Adam's Harvard friends, all bad feeling about looking like a loser, all bad feeling about feeling stuck, all bad feeling, ever. Adam Parrish wanted him, and he wanted Adam Parrish.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
β€œ
It makes me uncomfortable to talk about meanings and things. It's better not to know so much about what things mean. Because the meaning, it's a very personal thing, and the meaning for me is different than the meaning for somebody else.
”
”
David Lynch
β€œ
I thought I was hallucinating,” Adam said, next to the lockers, an announcement droning on over the hall speakers. β€œRonan Lynch in the halls of Aglionby.” Ronan slammed his locker. He had not put anything in it and had no reason to open or close it, but he liked the satisfying bang of the metal down the hall, the way it drowned out the announcements. He did it again for good measure. β€œIs this a real conversation, Parrish?” Adam didn’t bother to reply. He merely exchanged three textbooks for his gym hoodie. Ronan wrenched his tie loose. β€œYou working after school?” β€œWith a dreamer.” He held Ronan’s gaze over his locker door. School had improved. Adam gently closed his locker. β€œI’m done at four thirty. If you’re up for brainstorming some repair of your dream forest. Unless you have homework.” β€œAsshole,” Ronan said. Adam smiled cheerily. Ronan would start wars and burn cities for that true smile, elastic and amiable.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β€œ
We used to hear the stars, too. When people stopped talking, there was silence. Now you could shut every mouth on the planet and there’d still be a hum. Air-conditioning groaning from the vent beside you. Semi trucks hissing on a highway miles away. A plane complaining ten thousand feet above you. Silence is an extinct word. It bothers you, doesn’t it?
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
β€œ
Didn't Chains tell you about the Golden Theological Principle?" "The what?" "The single congruent aspect of every known religion. The one shared, universal assumption about the human condition." "What is it?" "He said that life boils down to standing in line to get shit dropped on your head. Everyone's got a place in the queue, you can't get out of it, and just when you start to congratulate yourself on surviving your dose of shit, you discover that line is actually circular.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β€œ
When we think of racism we think of Governor Wallace of Alabama blocking the schoolhouse door; we think of water hoses, lynchings, racial epithets, and "whites only" signs. These images make it easy to forget that many wonderful, goodhearted white people who were generous to others, respectful of their neighbors, and even kind to their black maids, gardeners, or shoe shiners--and wished them well--nevertheless went to the polls and voted for racial segregation... Our understanding of racism is therefore shaped by the most extreme expressions of individual bigotry, not by the way in which it functions naturally, almost invisibly (and sometimes with genuinely benign intent), when it is embedded in the structure of a social system.
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
β€œ
We Americans claim to be a peace-loving people. We hate bloodshed; we are opposed to violence. Yet we go into spasms of joy over the possibility of projecting dynamite bombs from flying machines upon helpless citizens. We are ready to hang, electrocute, or lynch anyone, who, from economic necessity, will risk his own life in the attempt upon that of some industrial magnate. Yet our hearts swell with pride at the thought that America is becoming the most powerful nation on earth, and that she will eventually plant her iron foot on the necks of all other nations. Such is the logic of patriotism.
”
”
Emma Goldman
β€œ
Crooked Warden, I will fear no darkness for the night is yours," muttered Locke, pointing the first two fingers of his left hand into the darkness. The Dagger of the Thirteenth, a thief's gesture against evil. "Your night is my cloak, my shield, my escape from those who hunt to feed the noose. I will fear no evil, for you have made the night my friend." "Bless the Benefactor," said Jean, squeezing Locke's left forearm. "Peace and profit to his children.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
We all want expanded consciousness and bliss. It's a natural, human desire. And a lot of people look for it in drugs. But the problem is that the body, the physiology, takes a hard hit on drugs. Drugs injure the nervous system, so they just make it harder to get those experiences on your own. I have smoked marijuana, but I no longer do. I went to art school in the 1960s, so you can imagine what was going on. Yet my friends were the ones who said, "No, no, no, David, don't you take those drugs." I was pretty lucky. Besides, far more profound experiences are available naturally. When your consciousness stars expanding, those experiences are there. All those things can be seen. It's just a matter of expanding that ball of consciousness. And the ball of consciousness can expand to be infinite and unbounded. It's totality. You can have totality. So all those experiences are there for you, without the side effects of drugs.
”
”
David Lynch (Catching the Big Fish: Meditation, Consciousness, and Creativity)
β€œ
The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn’t well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again: Oh, boy–they sure picked the wrong guy to lynch _that_ time! And that thought had a brother: β€œThere are right people to lynch.” Who? People not well connected. So it goes. The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels. So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was. And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.
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Kurt Vonnegut Jr. (Slaughterhouse-Five)
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A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. β€œThis old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. β€œI’m gonna go downstairs,” Ronan said.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
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I wouldn't know what to do with [colour]. Colour to me is too real. It's limiting. It doesn't allow too much of a dream. The more you throw black into a colour, the more dreamy it gets… Black has depth. It's like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.
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David Lynch (Lynch on Lynch)
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and the prophet sings not of the end of the world but of what has been done and what will be done and what is being done to some but not others, that the world is always ending over and over again in one place but not another and that the end of the world is always a local event, it comes to your country and visits your town and knocks on the door of your house and becomes to others but some distant warning, a brief report on the news, an echo of events that has passed into folklore,
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Paul Lynch (Prophet Song)
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We try, we struggle, all the time to find words to express our love. The quality, the quantity, certain that no two people have experienced it before in the history of creation. Perhaps Catherine and Heathcliff, perhaps Romeo and Juliet, maybe Tristan and Isolde, maybe Hero and Leander, but these are just characters, make-believe. We have known each other forever, since before conception even. We remember playing together in a playpen, crossing paths at FAO Schwarz. We remember meeting in front of the Holy Temple in the days before Christ, we remember greeting each other at the Forum, at the Parthenon, on passing ships as Christopher Columbus sailed to America. We have survived pogrom together, we have died in Dachau together, we have been lynched by the Ku Klux Klan together. There has been cancer, polio, the bubonic plague, consumption, morphine addiction. We have had children together, we have been children together, we were in the womb together. Our history is so deep and wide and long, we have known each other a million years. And we don't know how to express this kind of love, this kind of feeling. I get paralyzed sometimes. One day, we are in the shower and I want to say to him, I could be submerged in sixty feet of water right now, never drowning, never even fearing drowning, knowing I would always be safe with you here, knowing that it would be ok to die as long as you are here. I want to say this but don't.
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Elizabeth Wurtzel (Prozac Nation)
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Jean grinned down at her, and she handed him something in a small silk bag. 'What's this?' 'Lock of my hair, ' she said. 'Meant to give it to you days ago, but we got busy with all the raiding. You know. Piracy. Hectic life. ' 'Thank you, love, ' he said. 'Now, if you find yourself in trouble wherever you go, you can hold up that little bag to whoever's bothering you, and you can say, "You have no idea who you're fucking with. I'm under the protection of the lady who gave me this object of her favour. "' 'And that's supposed to make them stop?' 'Shit no, that's just to confuse them. Then you kill them while they're standing there looking at you funny.
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Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
β€œ
The idea tells you everything. Lots of times I get ideas, I fall in love with them. Those ones you fall in love with are really special ideas. And, in some ways, I always say, when something's abstract, the abstractions are hard to put into words unless you're a poet. These ideas you somehow know. And cinema is a language that can say abstractions. I love stories, but I love stories that hold abstractions--that can hold abstractions. And cinema can say these difficult-to-say-in-words things. A lot of times, I don't know the meaning of the idea, and it drives me crazy. I think we should know the meaning of the idea. I think about them, and I tell this story about my first feature Eraserhead. I did not know what these things meant to me--really meant. And on that particular film, I started reading the Bible. And I'm reading the Bible, going along, and suddenly--there was a sentence. And I said, forget it! That's it. That's this thing. And so, I should know the meaning for me, but when things get abstract, it does me no good to say what it is. All viewers on the surface are all different. And we see something, and that's another place where intuition kicks in: an inner-knowingness. And so, you see a thing, you think about it, and you feel it, and you go and you sort of know something inside. And you can rely on that. Another thing I say is, if you go--after a film, withholding abstractions--to a coffee place--having coffee with your friends, someone will say something, and immediately you'll say β€œNo, no, no, no, that's not what that was about.” You know? β€œThis is what it was about.” And so many things come out, it's surprising. So you do know. For yourself. And what you know is valid.
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David Lynch