Lynch Best Quotes

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When you can't cheat the game, you'd best find a means to cheat the players.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
Most of the members of the convent were old-fashioned Satanists, like their parents and grandparents before them. They'd been brought up to it, and weren't, when you got right down to it, particularly evil. Human beings mostly aren't. They just get carried away by new ideas, like dressing up in jackboots and shooting people, or dressing up in white sheets and lynching people, or dressing up in tie-dye jeans and playing guitars at people. Offer people a new creed with a costume and their hearts and minds will follow. Anyway, being brought up as a Satanist tended to take the edge off it. It was something you did on Saturday nights. And the rest of the time you simply got on with life as best you could, just like everyone else.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
I have always found the presumptions of others to be the best possible disguise—haven’t you?
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
I shall give you a little prophecy, Locke Lamora, as best as I have seen it. 'Three things you must take up and three things you must lose before you die: a key, a crown, a child.' Patience pushed her hood up over her head. 'You will die when a silver rain falls.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
the best disguises were those that were poured out of the heart rather than painted on the face.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
When I wake up in the morning, I know that it's going to be the best day of my life. I never think about what I can't do. Make sure positive thoughts are the first ones you think in the morning. And never procrastinate.
Tao Porchon-Lynch
...at the restaurant of her choice, she taught me the lesson of “proximity.” “You don’t have to throw people away,” she said. “You just have to decide how close you want them. Not every person in your life needs to be your best friend: some can be friends or just friendly acquaintances.
Jane Lynch (Happy Accidents: A Memoir)
If I had a type, I guess you could say I liked brunettes the best, and I kind of liked librarian types, you know, their outer appearance hiding smoldering heat inside….
David Lynch (Room to Dream)
She ran, as best she could run; as she made her way toward the rail it became a jog, and then a desperate hop. She was on fire all the way, screaming all the way, unstoppable all the way.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
The best disguises were those that were poured out of the heart rather than painted on the face.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Sometimes my bedroom is the best place in the world, and other times it is like a place that closes in and suffocates me. I
Jennifer Lynch (The Secret Diary of Laura Palmer (Twin Peaks Books))
One of the most often asked questions posed after America was attacked on 9/11 was, ‘What has the United States done to arouse so much Muslim hatred?’ The question, however, is on the same moral level as asking what German and other European Jews did to cause the Holocaust, or what blacks did to arouse the hatred among the American whites who lynched them.
Dennis Prager (Still the Best Hope: Why the World Needs American Values to Triumph)
what were the odds of going to a party where the host’s best friend returned from vacation as a vampire? And this close to a Mohiri stronghold? I really was a disaster magnet.
Karen Lynch (Refuge (Relentless, #2))
The best thing about flying first class....was that you could be as nutty as a fruitcake and were still treated like the Queen of Sheba.
Sarah-Kate Lynch (Finding Tom Connor)
The best way to handle a situation in which you love the company but not the current price is to make a small commitment and then increase it in the next sell-off.
Peter Lynch (Beating the Street)
You have more chances of giving birth to a live hippopotamus," said Requin, "than the best thief alive has of making it past the cordon drawn around my vault.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
You don’t have to enjoy life, you simply have to do the best you can at it. Because every day you wake up and see yourself in the mirror, and that reflection is something you can never get away from. Not ever.
Gwen Hunter (Prescribed Danger (A Rhea Lynch, M.D. Novel Book 2))
a delegate shout out from the floor: “Peonage, Anti-Lynch Bill, poll tax, these are our issues. They are the most controversial issues in American life, and some of us will have to die for them! Yes, we want to join with the CIO! We cannot stop for controversy!” And there in the faces of my people I saw strength. There with the whites in the audience I saw the positive forces of civilization and the best guarantee of America’s future.
Ralph Ellison
Ronan's a follower. He's always needed a hero to follow. When he was a kid, he idolized my father. When he was in school, he idolized his best friend. Now he's obviously idolizing this Bryde. He doesn't get ideas on his own.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
Sara, hi. It’s Samson Long. We met at the party last weekend.” “Um, hi,” I replied, trying to hide my shock. How on earth did he get my number? “I hope you don’t mind. I got your number from Roland. He said it was cool.” Note to self: kill best friend. “No, it’s fine.” Samson
Karen Lynch (Relentless (Relentless, #1))
restaurant of her choice, she taught me the lesson of “proximity.” “You don’t have to throw people away,” she said. “You just have to decide how close you want them. Not every person in your life needs to be your best friend: some can be friends or just friendly acquaintances.
Jane Lynch (Happy Accidents: A Memoir)
You’ve come to the only house in Karthain with coffee worth murdering for. We have seven distinct blends, from the aromatic Syresti dry to the thick—’ ‘I’ll take the kind I don’t have to think about.’ ‘The very best kind of all.’ Josten snapped his fingers, and a nearby waiter hurried off.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
You’re supposed to be the big boss.” Sam said nothing. The crowd hushed, ready to watch this one-on-one confrontation. “You’re the big boss of the freaks,” Zil yelled. “But you can’t do anything. You can shoot laser beams out of your hands, but you can’t get enough food, and you can’t keep the power on, and you won’t do anything about that murderer Hunter, who killed my best friend.” He paused to fill his lungs for a final, furious cry. “You shouldn’t be in charge.” “You want to be in charge, Zil? Last night you were running around trying to get a lynch mob together. And let’s not even pretend that wasn’t you responsible for graffiti I saw driving into town just now.” “So what?” Zil demanded. “So what? So I said what everyone who isn’t a freak is thinking.” He spit the word “freak,” making it an insult, making it an accusation. “You really think what we need right now is to divide up between freaks and normals?” Sam asked. “You figure that will get the lights turned back on? That will put food on people’s tables?
Michael Grant (Hunger (Gone, #2))
Adam Parrish. This was how it had begun: Ronan Lynch had been in the passenger seat of Richard Campbell Gansey III's bright orange '73 Camaro, hanging out the window because walls couldn't hold him. Little historic Henrietta, Virginia, curled close, trees and streetlights alike leaning in as if to catch the conversation down below. What a pair the two of them were. Gansey, searching desperately for meaning. Ronan, sure that he wouldn't find any. Voted most and least likely to succeed, respectively, at Aglionby Academy, their shared high school. Those days, Gansey was the hunter and Ronan the hawkish best friend kept hooded and belled to prevent him tearing himself to shreds with his own talons. This was how it had begun: a student walking his bike up the last hill into town, clearly headed the same place they were. He wore the Aglionby uniform, although as they grew closer Ronan saw it was threadbare in a way school uniforms couldnt manage in a single year's use--secondhand. His sleeves were pushed up and his forearms were wiry, the thin muscles picked out in stark relief. Ronan's attention stuck on his hands. Lovely boyish hands with prominent knuckles, gaunt and long like his unfamiliar face. "Who's that?" Gansey had asked, and Ronan hadn't answered, just kept hanging out the window. As they passed, Adam's expression was all contradictions: intense and wary, resigned and resilient, defeated and defiant. Ronan hadn't known anything about who Adam was then and, if possible, he'd known even less about who he himself was, but as they drove away from the boy with the bicycle, this was how it had begun: Ronan leaning back against his seat and closing his eyes and sending up a simple, inexplicable, desperate prayer to God: Please.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
If my favorite Internet company sells for $30 a share, and yours sells for $10, then people who focus on price would say that mine is the superior company. This is a dangerous delusion. What Mr. Market pays for a stock today or next week doesn’t tell you which company has the best chance to succeed two to three years down the information superhighway.
Peter Lynch (One Up On Wall Street: How To Use What You Already Know To Make Money In)
Welcome back, little one. And if you worry us like that again, I will lock you up myself for the next fifty years.” “Get in line,” Nikolas muttered. Great, all I needed was another male in my life who thought he knew what was best for me. I didn’t know whether to scowl at the pair of them or be amazed that they were in agreement on something. Unfortunately, with my penchant for attracting trouble, I’d probably see how serious their threats were sooner rather than later.
Karen Lynch (Refuge (Relentless, #2))
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Preaching that confronts racism: • Speaks up and speaks out. • Sees American racism as an opportunity for Christians honestly to name our sin and to engage in acts of detoxification, renovation, and reparation. • Is convinced that the deepest, most revolutionary response to the evil of racism is Jesus Christ, the one who demonstrates God for us and enables us to be for God. • Reclaims the church as a place of truth-telling, truth-embodiment, and truth enactment. • Allows the preacher to confess personal complicity in and to model continuing repentance for racism. • Brings the good news that Jesus Christ loves sinners, only sinners. • Enjoys the transformative power of God’s grace. • Listens to and learns from the best sociological, psychological, economic, artistic, and political insights on race in America, especially those generated by African Americans. • Celebrates the work in us and in our culture of a relentlessly salvific, redemptive Savior. • Uses the peculiar speech of scripture in judging and defeating the idea of white supremacy. • Is careful in its usage of color-oriented language and metaphors that may disparage blackness (like “washed my sins white as snow,” or “in him there is no darkness at all”). • Narrates contemporary Christians into the drama of salvation in Jesus Christ and thereby rescues them from the sinful narratives of American white supremacy. • Is not silenced because talk about race makes white Christians uncomfortable. • Refuses despair because of an abiding faith that God is able and that God will get the people and the world that God wants.
William H. Willimon (Who Lynched Willie Earle?: Preaching to Confront Racism)
On paper, at least, none of this would necessarily stop us from getting a stimulus bill passed. After all, Democrats enjoyed a seventy-seven-seat majority in the House and a seventeen-seat majority in the Senate. But even in the best of circumstances, trying to get the largest emergency spending bill in history through Congress in record time would be a little like getting a python to swallow a cow. I also had to contend with a bit of institutionalized procedural mischief—the Senate filibuster—which in the end would prove to be the most chronic political headache of my presidency. The filibuster isn’t mentioned anywhere in the Constitution. Instead, it came into being by happenstance: In 1805, Vice President Aaron Burr urged the Senate to eliminate the “motion to proceed”—a standard parliamentary provision that allows a simple majority of any legislature to end debate on a piece of business and call for a vote. (Burr, who seems never to have developed the habit of thinking things through, reportedly considered the rule a waste of time.) It didn’t take long for senators to figure out that without a formal way to end debate, any one of them could bring Senate business to a halt—and thereby extract all sorts of concessions from frustrated colleagues—simply by talking endlessly and refusing to surrender the floor. In 1917, the Senate curbed the practice by adopting “cloture,” allowing a vote of two-thirds of senators present to end a filibuster. For the next fifty years the filibuster was used only sparingly—most notably by southern Democrats attempting to block anti-lynching and fair-employment bills or other legislation that threatened to shake up Jim Crow. Gradually, though, the filibuster became more routinized and easier to maintain, making it a more potent weapon, a means for the minority party to get its way. The mere threat of a filibuster was often enough to derail a piece of legislation. By the 1990s, as battle lines between Republicans and Democrats hardened, whichever party was in the minority could—and would—block any bill not to their liking, so long as they remained unified and had at least the 41 votes needed to keep a filibuster from being overridden.
Barack Obama (A Promised Land)
He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
Michael Grant (Hunger (Gone, #2))
First, it is the duty of black men to judge the South discriminatingly. The present generation of Southerners are not responsible for the past, and they should not be blindly hated or blamed for it. Furthermore, to no class is the indiscriminate endorsement of the recent course of the South toward Negroes more nauseating than to the best thought of the South. The South is not “solid’; it is a land in the ferment of social change, wherein forces of all kinds are fighting for supremacy; and to praise the ill the South is today perpetrating is just as wrong as to condemn the good. Discriminating and broad-minded criticism is what the South needs,—needs it for the sake of her own white sons and daughters, and for the insurance of robust, healthy mental and moral development. Today even the attitude of the Southern whites toward the blacks is not, as so many assume, in all cases the same; the ignorant Southerner hates the Negro, the workingmen fear his competition, the money-makers wish to use him as a laborer, some of the educated see a menace in his upward development, while others—usually the sons of the masters—wish to help him to rise. National opinion has enabled this last class to maintain the Negro common schools, and to protect the Negro partially in property, life, and limb. Through the pressure of the money-makers, the Negro is in danger of being reduced to semi-slavery, especially in the country districts; the workingmen, and those of the educated who fear the Negro, have united to disfranchise him, and some have urged his deportation; while the passions of the ignorant are easily aroused to lynch and abuse any black man. To praise this intricate whirl of thought and prejudice is nonsense; to inveigh indiscriminately against “the South” is unjust; but to use the same breath in praising Governor Aycock, exposing Senator Morgan, arguing with Mr. Thomas Nelson Page, and denouncing Senator Ben Tillman, is not only sane, but the imperative duty of thinking black men.
W.E.B. Du Bois (The Souls of Black Folk)
supposed weakness on national security. Ours was a brief exchange, filled with unspoken irony—the elderly Southerner on his way out, the young black Northerner on his way in, the contrast that the press had noted in our respective convention speeches. Senator Miller was very gracious and wished me luck with my new job. Later, I would happen upon an excerpt from his book, A Deficit of Decency, in which he called my speech at the convention one of the best he’d ever heard, before noting—with what I imagined to be a sly smile—that it may not have been the most effective speech in terms of helping to win an election. In other words: My guy had lost. Zell Miller’s guy had won. That was the hard, cold political reality. Everything else was just sentiment. MY WIFE WILL tell you that by nature I’m not somebody who gets real worked up about things. When I see Ann Coulter or Sean Hannity baying across the television screen, I find it hard to take them seriously; I assume that they must be saying what they do primarily to boost book sales or ratings, although I do wonder who would spend their precious evenings with such sourpusses. When Democrats rush up to me at events and insist that we live in the worst of political times, that a creeping fascism is closing its grip around our throats, I may mention the internment of Japanese Americans under FDR, the Alien and Sedition Acts under John Adams, or a hundred years of lynching under several dozen administrations as having been possibly worse, and suggest we all take a deep breath. When people at dinner parties ask me how I can possibly operate in the current political environment, with all the negative campaigning and personal attacks, I may mention Nelson Mandela, Aleksandr Solzhenitsyn, or some guy in a Chinese or Egyptian prison somewhere. In truth, being called names is not such a bad deal. Still, I am not immune to distress. And like most Americans, I find it hard to shake the feeling these days that our democracy has gone seriously awry. It’s not simply that a gap exists between our professed ideals as a nation and the reality we witness every day. In one form or another, that gap has existed since America’s birth. Wars have been fought, laws passed, systems reformed, unions organized, and protests staged to bring promise and practice into closer alignment. No, what’s troubling is the gap between the magnitude of our challenges and the smallness of our politics—the ease with which we are distracted by the petty and trivial, our chronic avoidance of tough decisions, our seeming inability to build a working consensus to tackle any big problem. We know that global competition—not to mention any genuine commitment to the values
Barack Obama (The Audacity of Hope: Thoughts on Reclaiming the American Dream)
There is no requirement for those affected by an idea to be aware of any of this, of course. When the writer and media critic Philip Sandifer writes that "David Whitaker, at once the most important figure in Doctor Who's development and the least understood, created a show that is genuinely magical and this influence cannot be erased from within the show," he does not mean that any of the hundreds of actors and writers who went on to work on the programme saw it in those terms. Or as Sandifer so clearly puts it, "I don't actually believe that the writers of Doctor Who were consciously designing a sentient metafiction to continually disrupt the social order through a systematic process of détournement. Except maybe David Whitaker." From Drummond and Cauty's perspective, the story of Doctor Who is irrelevant. All that was happening was that they were exploring their mental landscape, and they were fulfilling their duty as artists by doing so more deeply than normal people. This is a landscape with many unseen, unknown areas where who-knows-what might be found. The KLF explored further than most and, if we were to accept Moore's model, it would perhaps not be surprising that a fiction as complex as Doctor Who could encounter them in Ideaspace and, being at its lowest point and in dire need of help, use them for its own ends. For Moore, and other artists such as David Lynch who use similar models, the role of the artist is like that of a fisherman. It is their job to fish in the collective unconscious and use all their skill to best present their catch to an audience. Drummond and Cauty, on the other hand, appear to have been caught by the fish. Lacking any clear sense of what they were doing, they dived in as deeply as Moore and Lynch. They did not have a specific purpose for doing so. They just needed to make something happen - anything really, such is the path of chaos. "It was supposed to be a proper dance record, but we couldn't fit the four-four beat to it, so we ended up with the glitter beat, which was never really our intention but we had to go with it," Cauty has said. "It was like an out of control lorry, you know, you're just trying to steer it, and that track took itself over really, and did what it wanted to do. We were just watching." This lack of intention is significant, from a magical point of view. One of the most important aspects of magical practice is the will. Aleister Crowley defined magic as being changes in the world brought about by the exercise of the will, hence his maxim 'Do what thou Will shall be the whole of the Law.' The will or intention of a magical act is important because the magician opens himself up to all sorts of strange powers and influences and he must avoid being controlled by them. Drummond and Cauty were not exerting any control on the process, and so they made themselves vulnerable to the who-knows-whats that live out of sight in the depths of Ideaspace. For this reason, you could understand why Moore would think that Bill Drummond was “totally mad." All this only applies if you're prepared to accept the notion of magic, of course.
J.M.R. Higgs (KLF: Chaos Magic Music Money)
But by the time I get back,” said Locke, “I’ll be the worst card player in the temple.” “Yes. Best wishes for a safe journey, Locke,” said Calo. “Savor the country air,” said Galdo. “Stay as long as you like.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Gentlemen, we must not allow this to happen if a man of color is accused in this town. Lynchings are occurring all over the country. A mania is spreading like the plague as white men try to come to grips with our presence among them. They fear us, and for good reason. We have more strength than they as we have been forged with the fire of the whip and chains. We must be worthy adversaries and hold our own in this struggle. That is the only way we survive as a race of men. Many among us fought in the war and returned as heroes, but our lighter-skinned counterparts still do not see us as men. Some of our fathers were born into a chained world where men were sold as cattle and herded in even less propitious circumstances into worlds they could not control. We owe it to them to take back our dignity and protect our world today as best we can. We cannot allow one more act of violence and injustice to be perpetrated upon us. We must head off any potential threat by show of force and unity,” Smitherman said.
Corinda Pitts Marsh (Holocaust in the Homeland: Black Wall Street's Last Days)
The Lotus will bloom into the most magnificent flower, even when its roots are in the murkiest of waters. I wrap my arms around Oliver Lynch, my forever best friend, burying my face against the comforting warmth of his chest. And it’s there upon our secret hill that we dance, we cry, and we fall in love all over again. It’s there we bloom. EPILOGUE OLIVER Two Years Later “Is that a head?
Jennifer Hartmann (Lotus)
I had to wonder if I ever really knew her. I mean, we were friends—the best of friends—for only a few summers. There was the girl from that summer, and then there was this living legend in my mind … the best friend that no one else could ever measure up to. In my mind, my memories, she is the best that ever will be. I don’t care if it’s true or exaggerated anymore; for a while, we had the best of both worlds—caught between being a child and an adult, walking the dangerous tightrope between the two.
Carissa Ann Lynch (The Summer She Disappeared)
if we think this is in the best interest of Merrill Lynch shareholders, we need to do it.
Andrew Ross Sorkin (Too Big to Fail: The Inside Story of How Wall Street and Washington Fought to Save the Financial System from Crisis — and Themselves)
I realised something profound about the choice between positive or negative thinking, between indulging fears or dreams, the worst thing happening or the best thing, and it was that a negative thought abruptly brings things to a halt, whereas a positive one facilitates growth.
Evanna Lynch (The Opposite of Butterfly Hunting: The Tragedy and the Glory of Growing Up)
Brennan’s best small role is in Fritz Lang’s Fury (May 29, 1936), another MGM production. Brennan plays “Bugs” Meyers, a deputy who locks up Joe Wilson (Spencer Tracy), falsely accused of murder, and is almost lynched. Brennan’s portrayal goes way beyond the scope of what is actually in the film’s script. He plays a new modern type, an ordinary man suddenly elevated to importance because he plays a small but highly visible part in a widely publicized crime story. In short scenes, Bugs’s ego expands as he becomes recognized as an “authority” on what happened. Brennan’s conception of the character is profoundly original. Bugs becomes a creation of publicity—and, suddenly, a figure of significance to himself—and his enjoyment of his new, expanded role, is palpable in the joy that suffuses Bugs’s face with the excitement of being—or rather acting like—he is in the know.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
people work best and hardest in a place where they know they are valued.
John Lynch (On My Worst Day: Cheesecake, Evil, Sandy Koufax, and Jesus)
The most durable memorial to Shubuta's lynching victims still hovers over the Chickasawhay, two miles upriver from their unmarked graves. The Hanging Bridge, like so many of Mississippi's more bloodstained historical sites, enjoys no official recognition. The best way to forget, many have concluded, is to have nothing to remember. Indeed, the urge to glorify the past and gloss over its 'ugly' moments has pervaded state politics and culture.
Jason Morgan Ward (Hanging Bridge: Racial Violence and America's Civil Rights Century)
Practically all of the successful Negroes in this country are of the uneducated type or of that of Negroes who have had no formal education at all. The large majority of the Negroes who have put on the finishing touches of our best colleges are all but worthless in the development of their people. If after leaving school they have the opportunity to give out to Negroes what traducers of the race would like to have it learn such persons may thereby earn a living at teaching or preaching what they have been taught but they never become a constructive force in the development of the race. The so-called school, then, becomes a questionable factor in the life of this despised people. As another has well said, to handicap a student by teaching him that his black face is a curse and that his struggle to change his condition is hopeless is the worst sort of lynching. It kills one's aspirations and dooms him to
Carter G. Woodson (The Mis-Education of the Negro)
Senator Warren questions SEC chair on broker reforms 525 words By Sarah N. Lynch WASHINGTON (Reuters) - Senator Elizabeth Warren said Friday that the Labor Department should press ahead with brokerage industry reforms, and not be deterred by the Securities and Exchange Commission's plans to adopt its own separate rules.    President Barack Obama, with frequent Wall Street critic Warren at his side, last month called on the Labor Department to quickly move forward to tighten brokerage standards on retirement advice, lending new momentum to a long-running effort to implement reforms aimed at reducing conflicts of interest and "hidden fees." But that effort could be complicated by a parallel track of reforms by the SEC, whose Chair Mary Jo White on Tuesday said she supported moving ahead with a similar effort to hold retail brokers to a higher "fiduciary" standard. "I want to see the Department of Labor go forward now," Warren told Reuters in an interview Friday. "There is no reason to wait for the SEC. There is no question that the Department of Labor has the authority to act to ensure that retirement advisers are serving the best interest of their clients." Warren said that while she has no concerns with the SEC moving forward to write its own rules, she fears its involvement may give Wall Street a hook to try to delay or water down a separate ongoing Labor Department effort to craft tough new rules governing how brokers dole out retirement advice. She also raised questions about White's decision to unveil her position at a conference hosted by the Securities Industry and Financial Markets Association (SIFMA), a trade group representing the interests of securities brokerage firms. Not only is the SEC the lead regulator for brokers, but unlike the Labor Department, it is also bound by law to preserve brokers' commission-based compensation in any new fiduciary rule.     "I was surprised that (Chair) White announced the rule at a conference hosted by an industry trade group that spent several years and millions of dollars lobbying members of Congress to block real action to fix the problem," Warren said. Warren, a Massachusetts Democrat who frequently challenges market regulators as too cozy with industry, stopped short of directly criticizing White. The SEC and SIFMA both declined to comment on Warren's comments. SIFMA has strongly opposed the Labor Department's efforts, fearing its rule will contain draconian measures that would cut broker profits, and in turn, force brokers to pull back from offering accounts and advice to American retirees. It has long advocated for the SEC to take the lead on a rule that would create a new uniform standard of care for brokers and advisers. The SEC has said it has been coordinating with the Labor Department on the rule-writing effort, but on Tuesday White also acknowledged that the two can still act independently of one another because they operate under different laws. The industry and reform advocates have been waiting now for years to see whether the SEC would move to tighten standards.     Warren expressed some skepticism on Friday about whether the SEC will ever in fact actually adopt a rule, saying that for years the agency has talked about taking action, but has not delivered. (Reporting by Sarah N. Lynch; Editing by Christian Plumb)
Anonymous
In the 1920s, Jim Crow Mississippi was, in all facets of society, a kleptocracy. The majority of the people in the state were perpetually robbed of the vote—a hijacking engineered through the trickery of the poll tax and the muscle of the lynch mob. Between 1882 and 1968, more black people were lynched in Mississippi than in any other state. “You and I know what’s the best way to keep the nigger from voting,” blustered Theodore Bilbo, a Mississippi senator and a proud Klansman. “You do it the night before the election.
Anonymous
Between 1882 and 1968, more black people were lynched in Mississippi than in any other state. “You and I know what’s the best way to keep the nigger from voting,” blustered Theodore Bilbo, a Mississippi senator and a proud Klansman. “You do it the night before the election.
Anonymous
I blushed, thinking about waking up sprawled across Nikolas on Christmas morning. He had planned to leave after I’d fallen asleep, but he’d dozed off, too, and I’d spent the entire night in his arms. Best Christmas present ever. It
Karen Lynch (Rogue (Relentless, #3))
Love at first sight is best cured by a second look.
Tyler Lynch
The American Works Progress (later Projects) Administration, founded in 1935 to provide jobs for “employable workers” during the Great Depression, established the Mathematical Tables Project in 1938 as one of its “small useful projects.” Useful it was, but hardly small: it was one of the largest-scale computing operations in the pre-ENIAC age, headed by a Polish-born mathematician, Gertrude Blanch, who supervised 450 clerks.18 Just as de Prony had learned a lesson from Adam Smith, Blanch took her cue from Henry Ford—she gave each group of workers a single task: some did only addition, some only subtraction. The best were trusted with long division. The resulting tables of logarithms and other functions were published in twenty-eight volumes; in some of them, no one to this day has discovered a single error.
Jack Lynch (You Could Look It Up: The Reference Shelf from Ancient Babylon to Wikipedia)
Unless you're living in the best neighborhoods, Philadelphia is indeed everything David Lynch claims it is: a very sick, twisted, violent, fear-ridden, decadent and decaying place. Huyen was so shocked, she wanted to go back to Vietnam immediately. Only pride prevented her from doing so. Grays Ferry was sullen and desolate and everyone seemed paranoid. Saigon is often squalid but it is never desolate. Vietnam is a disaster, agreed, but it is a socialized disaster, whereas America is -- for many people, natives or not -- a solitary nightmare. If Americans weren't so stoic and alienated, if they weren't' so cool, they wouldn't be so quiet about their desperation. Huyen could handle poverty, but she had no aptitude for paranoia, the one skill you needed to survive in Philadelphia. In Saigon you dreaded being cheated or robbed; in Philadelphia you feared getting raped and killed. In the end, Philadelphia was even worse than Eraserhead, because it didn't last for 108 minutes but went on forever. As in Vietnam, Huyen sought comfort in American movies to escape from the real America she could see just outside her window. Every American home was its own inviolable domain, a fortress with the door never left open. The rest of the world could go to hell as long as there was enough beer in the fridge and a good game on TV. And utopia was already on the internet, why go outside if you didn't have to? In the morning, Huyen kept the door locked, bolted and chained, and watched Jerry Springer -- in his glasses and tweed suit the image of a college professor -- to learn more about Americans and improve her colloquial English. In the afternoon, she took a bus to the YMCA to attend an ESL class. At night, the couple barely screwed in the land of bountiful screwing. His wife was so tense, Jaded went back to masturbating.
Linh Dinh (Love Like Hate)
Angrily watching the GOP snatch southern states in the presidential election, he decided to remind White southerners that the Republicans had been responsible for the horror of Reconstruction. His best-selling book, published in 1929, was called The Tragic Era: The Revolution After Lincoln. “Historians have shrunk from the unhappy tasks of showing us the torture chambers,” he said, where guiltless southern Whites were “literally” tortured by vicious Black Republicans. We will never know just how many Americans read The Tragic Era, and then saw The Birth of a Nation again at their local theaters, and then pledged never to vote again for the Republican Party, never to miss a lynching bash, and never to consider desegregation—in short, never to do anything that might revive the specter of Blacks voting on a large scale and Whites being tortured. But there were many of them. More than any other book in the late 1920s, The Tragic Era helped the Democratic Party keep the segregationists in power for another generation.15
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
But to name what I consider the best approach to interpreting violent texts it would be this: Read it slow. Read the biblical text slowly and carefully.
Matthew J. Lynch (Flood and Fury: Old Testament Violence and the Shalom of God)
Perhaps the best way, then, to read the tough language in Matthew that all sin and all sinners will be burned up in the fire of God’s judgment is to understand it as a graphic expression of what is ultimately a glad, confident, and hopeful promise that nothing that mars God’s goodness will endure. There is no cancer, no killing virus, no Alzheimer’s, no plague, no child abuse, no tyranny, no cruelty, no oppression, no lynching, no placing of children in cages, no homelessness, no tragic tears, no suffocating loneliness, no torture, no death in the kingdom of heaven. God and God’s kingdom will be revealed to be all that truly exists, all-consuming, and nothing outside of it will have any reality at all. All that has destroyed and maimed and oppressed and polluted creation and the human prospect will be burned away like straw.
Thomas G. Long (Proclaiming the Parables: Preaching and Teaching the Kingdom of God)
Going to a festival?’ asked the sales assistant curiously. ‘I’m going to a salsa festival, yes,’ replied Cameron. ‘Salsa? said the surprised young man. You can’t do that in this tent. You can barely stand up!’ he answered. ‘That’s when I salsa best,’ said Cameron and strode off to pack.
Jennifer Lynch (Salsa)
The salsa class had been a miracle for Linda. Her only regret was she hadn’t learned to dance years ago but better late than never, and she intended to make the best of it.
Jennifer Lynch (Salsa)
Jade realised that being everyone’s best friend took time and effort, so she had learned to be a great listener. Her friends thought she was fun to be around, but she was unhappy with her weight. Jade had never met a man who respected her and had convinced herself that her body was the issue.
Jennifer Lynch (Salsa)
During my stay here in your city [Chicago] I have been visited by several groups of your people—all of whom have recited the story of the wrongs and injustices heaped upon the race; all of them appealing to me to denounce these outrages to the world. I have asked each delegation 'What are you doing to help yourselves?' Each group gave the same answer, namely, that they are so divided in church, lodges, etc., that they have not united their forces to fight the common enemy. At last I got mad, and said, 'You people have not been lynched enough! You haven't been lynched enough to drive you together! You say you are only ten millions in this country, with ten times that number against you—all of whom you say are solidly united by race prejudice against your progress. All of you by your own confession stand as individual units striving against a united band to fight or hold your own. Any ten-year-old child knows that a dozen persons fighting as one can make better headway against ten times its number than if each were fighting singlehanded and alone.' What you need in each community is a solid organization to fight race prejudice wherever shown. That organization should be governed by a council of your best men and women. All matters affecting your race welfare should be passed on by that council and loyally obeyed and supported by all members of your race. Until you do that much, it is useless to appeal to others to do for you what you can best do for yourselves.
William T. Stead (Crusade for Justice: The Autobiography of Ida B. Wells (Negro American Biographies and Autobiographies))
PHILLY MCMAHON: Rory asked me my advice on what to do. He knew he was right, but it was complicated. I said that if it was anyone else in Ireland, he should make it go away, but Panti had the support to see it through. She had become symbolic at that point. They hadn’t just come for the gays and dykes – they had come for the Queen. People were going nuts. The Panti shows felt like political rallies on Saturday nights. I’m sure people got extra laid out of it. The atmosphere was incredible. That wouldn’t have happened had it been anyone else. The genderfuck of the whole thing was important too. She was bits of all of us perhaps – although someone will lynch me for saying that! Rory is amongst the smartest people I know, who doesn’t run his mouth without thinking, and has spent twenty-five years working these opinions out. He was simply the best person for the job.
Una Mullally (In the Name of Love: The Movement for Marriage Equality in Ireland. An Oral History)
It was tedious work; they had to reheat the dagger several times to cauterise all the wounds. The Falconer was half-mad with pain by the time they’d finished; his eyes were closed and his teeth clenched. The air in the enclosed room stank of burnt flesh and scalded blood. ‘Now,’ said Locke, sitting on the Falconer’s chest, ‘it’s time to talk.’ ‘I cannot,’ said the Bondsmage. ‘I cannot . . . betray my client’s secrets.’ ‘You no longer have a client,’ said Locke. ‘You no longer serve Capa Raza; he hired a Bondsmage, not a fingerless freak with a dead bird for a best friend. When I removed your fingers, I removed your obligations to Raza – at least the way I see it.’ ‘Go to hell,’ the Falconer spat. ‘Oh, good. You’ve decided to do it the hard way.’ Locke smiled again and tossed the dagger to Jean, who set it over the flame and began to heat it once more. ‘If you were any other man, I’d threaten your balls next. I’d make all sorts of cracks about eunuchs, but I think you could bear that. You’re not most men. I think the only thing I can take from you that would truly pain you to the depths of your soul would be your tongue.’ The Bondsmage stared at him, his lips quivering. ‘Please,’ he whispered at last, ‘have pity, for the gods’ sakes, have pity; my order exists to serve – I was carrying out a contract.’ ‘When that contract became my friends,’ said Locke, ‘you exceeded your mandate.’ ‘Please,’ whispered the Falconer. ‘No,’ said Locke. ‘I will cut it out; I will cauterise it while you lie there writhing. I will make you a mute – I’m guessing you might be able to conjure some magic without fingers, but without a tongue?’ ‘Please!’ ‘Speak,’ said Locke. ‘Tell me what I want to know.’ ‘Gods,’ sobbed the Falconer. ‘Gods forgive me. Ask. Ask your questions.’ ‘If I catch you in a lie,’ said Locke, ‘it’s balls first, and then the tongue. Don’t presume on my patience. Why did Capa Raza want us all dead?
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard #1))
and from her heart there runs a cold sad feeling that says she is going to die, she opens her eyes and knows she has crossed a border of some kind, wet light on the asphalt and rusting green on the railing that runs in unity along the path to the shops and she knows she is lying not against the road but against something endmost and is astonished by her calm, death is waiting and she was not prepared, death stood before her in brazen signal and she did not look but ran into its arms without thinking of her children, and it is grief that seizes hold of her when she sees her children abandoned, seeing how she was told and did not listen, it was your duty to deliver them from danger but instead you stood your ground, such foolishness and blindness before the facts, you should have got them out, hearing the words her father gave in warning again and again, to leave the country and make a better life, seeing the missed opportunities grow before her and how they could have escaped, all of it dust, all of it a nothingness in a false past and she sees herself in a hole in the earth and she sees the best parts of her love, sees how one thing gives to another thing and how her life has been consumed by some law of force that governs all and she is nothing within it but a speck of dust,
Paul Lynch (Prophet Song)
There was Madeline, which reminds me of those French cakes, hardly the toughest things in the world. Then there was Becky Lynch. I wasn’t sure about the Lynch part. There’s a harshness to it that doesn’t fall trippingly off the tongue, but I liked keeping part of my real name. Considering I was already pushing my luck by even having a job here, I didn’t think I had the ability to ask for more options. Best not to highlight any more difficulties to my existence than the incompetence I was already bringing. So I went with Lynch. Regardless of my feelings of mild disdain towards it.
Rebecca Quin (Becky Lynch: The Man: Not Your Average Average Girl)
I do try too hard. I so badly want to entertain the people who came to see me, and prove to myself and the world that I am the best. But ultimately, what trying too hard is is a confession that you don’t completely trust yourself to be good enough yet.
Rebecca Quin (Becky Lynch: The Man: Not Your Average Average Girl)
I just want nice, neat little jobs from you, Lamora. I want a purse here, a sausage there. I want you to swallow your ambition, shit it out like a bad meal, and be a circumspect little teaser for about the next thousand years. Can you do that for me? Don’t rob any more yellowjackets. Don’t burn any more taverns. Don’t start any more fucking riots. Just pretend to be a coarse-witted little cutpurse like your brothers and sisters. Clear?” Again, Locke nodded, doing his best to look rueful.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
What one man locks another will sooner or later unlock.” “I will say again, impossible.” “And I correct you again. Difficult. ‘Difficult’ and ‘impossible’ are cousins often mistaken for one another, with very little in common.” “You have more chance of giving birth to a live hippopotamus,” said Requin, “than the best thief alive has of making it past the cordon drawn around my vault. But this is silly—we could sit here all night contrasting cock lengths. I say mine is five feet long, you say yours is six, and shoots fire upon command. Let’s hurry back to the significant conversation.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
The temple might seem marvelous compared to living and sleeping in heaps of dozens—but believe me—walls squeeze the people who live inside them, sooner or later.” “They don’t bother me,” said Locke quickly. “It’s not so much the walls, though, Locke, it’s the people. This will be your home for many years to come, gods willing, and you and Sabetha and the Sanzas are going to be as close as family. You’ll strike sparks off one another. I can’t have you shoving your thumb up your ass and doing your best impression of a brick wall every time you get annoyed. Crooked Warden help us, we’ve got to be ready and willing to talk, or we’re all going to wake up with cut throats sooner or later.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
In the introduction to my 2001 best-selling book Beyond Prozac, I wrote that within so-called developed societies, much emotional and psychological distress has for decades been re-packaged as ‘mental disorders’. I wrote that I would refer to ‘mental illness/mental disorders’ within inverted commas, to illustrate ‘my disquiet at the widespread acceptance of these terms without debate about what the terms mean and what might be better words to use’.[3] I added that the experiences themselves were real and valid in their own right. This situation continues to this day. None of the psychiatric diagnoses have any scientific validity.[4] Throughout this book series therefore, I also use inverted commas when referring to these commonly accepted concepts. I do this to signify that these are not what they are claimed to be; they are not verified medical illnesses.
Terry Lynch (The Systematic Corruption of Global Mental Health: Prescribed Drug Dependence)
Seasoned investors like Warren Buffett, Thomas Rowe Price Jr., John Neff, Jesse Livermore, Peter Lynch, and many more, practice this strategy of finding the best available alternative before investing a considerable sum.
Pranjal Kamra (Investonomy : The Stock Market Guide that makes You Rich)
One does not need to be a rocket scientist to know that the interests of the public would have been best served by properly evaluating the risk of drug dependence with SSRI antidepressants before they were unleashed upon the public. On the contrary, medical and drug company interests prevailed. These substances were launched without any evaluation of their dependence-creating potential. When people quickly reported problems coming off them, this was euphemistically minimised as ‘discontinuation syndrome’.
Terry Lynch (The Systematic Corruption of Global Mental Health: Prescribed Drug Dependence)
It was a crowd—red-faced and rough, jut-jawed and fierce-eyed—containing both law enforcers and lawbreakers, cops and criminals. Lately black and white crime was on the rise but it was black crime that was noticed more; in the absence of a rural police force, every white man played the part. These men had been disciplining blacks and other whites outside the legal system all their lives. From white-on-white and white-on-black “whuppings” to white-on-white ousters from churches (and white-on-black church “ousters” during slavery) to lodge trials with various punishments, they did not see courts and jails as the only (or even the best) way to handle criminal behavior. Still, the county had not had a public lynching since a slave called Boy George was staked and roasted just before the war broke out. Harris County white folks prided themselves on a more cultivated form of “Negro control,” and when time and again that failed, they took their bloodletting deep
Karen Branan (The Family Tree: A Lynching in Georgia, a Legacy of Secrets, and My Search for the Truth)
The best of these was her revelation of the “two-family families” of Harris County where “a white man would have a black family and a white family and the children all looked alike.” I remembered that as a teenager, I had remarked on how I often saw black people who looked like white people I knew and suggested to her that “maybe God made two of each of us.” She told me I was crazy. Now here she was telling me about these families, even naming names—Hudson, Jones, Land. She said to me: “If you find that in our family, I don’t want to know.
Karen Branan (The Family Tree: A Lynching in Georgia, a Legacy of Secrets, and My Search for the Truth)
Blind tasting as such is hardly a skill that will be put to use in a wine career, unless you plan to make a living playing parlor games with wine. Importer and author Kermit Lynch said it best 'blind tastings are to wine what strip poker is to love.
Terry Theise (Reading between the Wines)
Be truthful, gentle and fearless, she told herself. That was the best anyone could be.
Sarah-Kate Lynch (Heavenly Hirani's School of Laughing Yoga)
The world is full of conundrums that will tax your skills. Do you presume that you will always get to choose the ones that best suit your strengths?
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
There is a knock at the door and Mom answers it. “Hi, Joe, how are you doing?” “Terrific, I hope you have enough room in your refrigerator for this big bird! The Blisses send their best wishes.” Joe, a very thin wiry man, came close to stumbling over the threshold as he juggled the big, cold, slippery bird through the living room ‘round to our kitchen and into the refrigerator. “Thanks Joe, Happy Thanksgiving to you and all your family. Can you stay for a cup of coffee and some warm cookies?” “No thanks, I’m pressed for time and have a few more stops to make. I’ll see you at Christmas time.” We always saw Joe Lynch every Thanksgiving and Christmas making his rounds with the gift Turkeys from the Blisses. One year we saw him in the grocery store and he asked my Mom, “How many pounds should the bird be this year?” Whether Thanksgiving or Christmas, the gift birds were always appreciated and would always be stuffed with Grandma’s secret recipe dressing passed down from her family in Argentina. One of the secret ingredients is Gulden’s mustard. It just wouldn’t be the holidays without that heavenly aroma teasing our senses for hours.
Carol Ann P. Cote (Downstairs ~ Upstairs: The Seamstress, The Butler, The "Nomad Diplomats" and Me -- A Dual Memoir)
It’s best to divide your money among three or four types of stock funds (growth, value, emerging growth, etc.) so you’ll always have some money invested in the most profitable sector of the market.
Peter Lynch (Beating the Street)
They are cheap. One of the most common myths in the fund business is that “you get what you pay for”—that high returns are the best justification for higher fees. There are two problems with this argument. First, it isn’t true; decades of research have proven that funds with higher fees earn lower returns over time. Secondly, high returns are temporary, while high fees are nearly as permanent as granite. If you buy a fund for its hot returns, you may well end up with a handful of cold ashes—but your costs of owning the fund are almost certain not to decline when its returns do. They dare to be different. When Peter Lynch ran Fidelity Magellan, he bought whatever seemed cheap to him—regardless of what other fund managers owned.
Benjamin Graham (The Intelligent Investor)
Let me tell you something from my personal experience. The gods tell us what we need to know, but when you start asking about things you really just want to know, you’d best expect long pauses in the conversation.” “Inconvenient.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
Listen. The Sinspire is nearly sixty yards high, one thick Elderglass cylinder. You know those, you tried to jump off one about two months ago. Goes down another hundred feet or so into a glass hill. It’s got one door at street level, and exactly one door into the vault beneath the tower. One. No secrets, no side entrances. The ground is pristine Elderglass; no tunneling through it, not in a thousand years.” “Mmmm-hmmmm.” “Requin’s got at least four dozen attendants on each floor at any given time, plus dozens of table minders, card dealers, and waiters. There’s a lounge on the third floor where he keeps more out of sight. So figure, at minimum, fifty or sixty loyal workers on duty with another twenty to thirty he can call out. Lots of nasty brutes, too. He likes to recruit from ex-soldiers, mercenaries, city thieves, and such. He gives cushy positions to his Right People for jobs well done, and he pays them like he was their doting mother. Plus, there are stories of dealers getting a year’s wages in tips from lucky blue bloods in just a night or two. Bribery won’t be likely to work on anyone.” “Mmmm-hmmmm.” “He’s got three layers of vault doors, all of them ironshod witchwood, three or four inches thick. Last set of doors is supposedly backed with blackened steel, so even if you had a week to chop through the other two, you’d never get past the third. All of them have clockwork mechanisms, the best and most expensive Verrari stuff, private designs from masters of the Artificers’ Guild. The standing orders are, not one set of doors opens unless he’s there himself to see it; he watches every deposit and every withdrawal. Opens the door a couple times per day at most. Behind the first set of doors are four to eight guards, in rooms with cots, food, and water. They can hold out there for a week under siege.” “Mmmm-hmmmm.” “The inner sets of doors don’t open except for a key he keeps around his neck. The outer doors won’t open except for a key he always gives to his majordomo. So you’d need both to get anywhere.” “Mmmm-hmmmm.” “And the traps…they’re demented, or at least the rumors are. Pressure plates, counterweights, crossbows in the walls and ceilings. Contact poisons, sprays of acid, chambers full of venomous serpents or spiders…One fellow even said that there’s a chamber before the last door that fills up with a cloud of powdered strangler’s orchid petals, and while you’re choking to death on that, a bit of twistmatch falls out and lights the whole mess on fire, so then you burn to a crisp. Insult to injury.” “Mmmm-hmmmm.” “Worst of all, the inner vault is guarded by a live dragon attended by fifty naked women armed with poison spears, each of them sworn to die in Requin’s service. All redheads.” “You’re making that up, Jean.” “I wanted to see if you were listening. But what I’m saying is, I don’t care if he’s got a million solari in there, packed in bags for easy hauling. I’m inclined to the idea that this vault might not be breakable, not unless you’ve got three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about.” “Right.” “Do you have three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about?” “No, I’ve got you, me, the contents of our coin purses, this carriage, and a deck of cards.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
Deciding whether to serve a Mâcon blanc or a Meursault is not a question of which is the best wine. It is an exercise in forming the most appropriate alliance between the wine and the plate it will accompany, or the environment in which it will be served.
Kermit Lynch (Adventures on the Wine Route: A Wine Buyer's Tour of France (25th Anniversary Edition))