Luster Raven Leilani Quotes

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I think of how keenly I've been wrong. I think of all the gods I have made out of feeble men.
Raven Leilani (Luster)
I’m an open book,” I say, thinking of all the men who have found it illegible.
Raven Leilani (Luster)
It’s not that I want exactly this, to have a husband or home security system that, for the length of our marriage, never goes off. It’s that there are gray, anonymous hours like this. Hours when I am desperate, when I am ravenous, when I know how a star becomes a void.
Raven Leilani (Luster)
I couldn’t tell if I liked being alone, or if I only endured it
Raven Leilani (Luster)
I’m good, but not good enough, which is worse than simply being bad.
Raven Leilani (Luster)
I am inclined to pray, but on principle, I don't. God is not for women. He is for the fruit. He makes you want and he makes you wicked, and while you sleep, he plants a seed in your womb that will be born to die.
Raven Leilani (Luster)
He wants me to be myself like a leopard might be herself in a city zoo. Inert, waiting to be fed. Not out in the wild, with tendon in her teeth.
Raven Leilani (Luster)
I am good, but not good enough, which is worse than simply being bad. It is almost. The difference between being there when it happens and stepping out just in time to see it on the news.
Raven Leilani (Luster)
Based on his liberal use of the semicolon, I just assumed this date would go well.
Raven Leilani (Luster)
I was pretending not to worry about the consequences of my isolation. But whenever I talked to anyone, I found myself overcompensating for the atrophy of my social muscles.
Raven Leilani (Luster)
I’m an open book,” I say, thinking of all the men who have found it illegible. I made mistakes with these men. I dove for their legs as they tried to leave my house. I chased them down the hall with a bottle of Listerine, saying, I can be a beach read, I can get rid of all these clauses, please, I’ll just revise.
Raven Leilani (Luster)
I’ve made my own hunger into a practice, made everyone who passes through my life subject to a close and inappropriate reading that occasionally finds its way, often insufficiently, into paint. And when I am alone with myself, this is what I am waiting for someone to do to me, with merciless, deliberate hands, to put me down onto the canvas so that when I’m gone, there will be a record, proof that I was here.
Raven Leilani (Luster)
I think of my parents, not because I miss them, but because sometimes you see a black person above the age of fifty walking down the street, and you just know that they have seen some shit. You know that they are masters of the double consciousness, of the discreet management of fury under the tight surveillance and casual violence of the outside world. You know that they said thank you as they bled, and that despite the roaches and the instant oatmeal and the bruise on your face, you are still luckier than they have ever been, such that losing a bottom-tier job in publishing is not only ridiculous but offensive.
Raven Leilani (Luster)
I hate the idea that I have repeated an action, that he has looked at me, discerned a pattern, and silently decided whether it is something he can bear to see again.
Raven Leilani (Luster)
She tells us the specials in such a way that we know our sole responsibility as patrons in her section is to just go right ahead and fuck ourselves.
Raven Leilani (Luster)
I think to myself, You are a desirable woman. You are not a dozen gerbils in a skin casing.
Raven Leilani (Luster)
I feel bad that my first instinct is to manage his feelings, instead of suggesting somewhere else to go. That we will both have to endure my attempt to prove over the course of this date that I am Having a Good Time! and that This Is Not Your Fault!
Raven Leilani (Luster)
All I want is for him to have what he wants. I want to be uncomplicated and undemanding. I want no friction between his fantasy and the person I actually am. I want all that and I want none of it.
Raven Leilani (Luster)
Suddenly it feels painful to be this ordinary.
Raven Leilani (Luster)
This is my home, Akila says, and I know that the moment between when a black boy is upright and capable of speech and when he is prostrate in his own blood is almost imperceptible,
Raven Leilani (Luster)
He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead.
Raven Leilani (Luster)
I understand that I had engaged seriously with someone who only engaged theoretically, and I was so humiliated by this that we never spoke again.
Raven Leilani (Luster)
If I'm honest, all my relationships have been like this, parsing the intent of the jaws that lock around my head. Like, is he kidding, or is he hungry? In other words, all of it, even the love, is a violence.
Raven Leilani (Luster)
And then I miscalculated. Too much anger shared too soon. Too much can you believe these white people. Too much fuck the police. We both graduated from the school of Twice as Good for Half as Much, but I’m sure she still finds this an acceptable price of admission. She still rearranges herself, waiting to be chosen. And she will be. Because it is an art—to be black and dogged and inoffensive. She is all these things and she is embarrassed that I am not.
Raven Leilani (Luster)
Even with good men, you are always waiting for the surprise.
Raven Leilani (Luster)
And when I am alone with myself, this is what I am waiting for someone to do to me, with merciless, deliberate hands, to put me down onto the canvas so that when I’m gone, there will be a record, proof that I was here.
Raven Leilani (Luster)
It gets us loose enough to talk about politics, but as he talks, I hold my breath. I know we are in agreement on the most general, least controversial ideological points—women are people, racism is bad, Florida will be underwater in fifty years—but there is still ample time for him to bring up how much he enjoyed Atlas Shrugged. Even with good men, you are always waiting for the surprise.
Raven Leilani (Luster)
... I have come to the part of the night where I am incapable of any uppercase emotion, and every circuit responsible for my cellular regeneration has begun to smoke.
Raven Leilani (Luster)
So when it hurt and I was too proud to say stop and so said more, I believed, like a Catholic or a Tortured Artist, that the merit of a commitment correlates directly to the pain you endure in its pursuit.
Raven Leilani (Luster)
Because in an hour, a man without a brain will be a man who looks like he can dream.
Raven Leilani (Luster)
God is not for women. He is for the fruit. He makes you want and he makes you wicked, and while you sleep, he plants a seed in your womb that will be born just to die.
Raven Leilani (Luster)
even though racism is often so mundane it leaves your head spinning, the hand of the ordinary in your slow, psychic death so sly and absurd you begin to distrust your own eyes.
Raven Leilani (Luster)
from the outside, the loneliness is palpable, and I think, She is too young.
Raven Leilani (Luster)
In my few years of dating, I have received a number of gifts from men. Gifts that were bought in haste at duty-free, that were fattening or detrimental to vaginal pH, that overestimated my interest in Lyndon B. Johnson and the New York Mets.
Raven Leilani (Luster)
A reaper emerges from the crowd with glossy, black wings, and Akila takes off her headset and runs dizzily over. She puts her arms around me and says, I am so happy right now. I do my best to be cool about this contact, but it has never happened before, and I pat her awkwardly on the shoulder, terrified that a too-enthusiastic reciprocation will alert her to her error, like the way a white person might raise a jungle cat from birth and be pals for a time until the cat turns five and realizes it is, in fact, a carnivore. If I’m honest, all my relationships have been like this, parsing the intent of the jaws that lock around my head. Like, is he kidding, or is he hungry? In other words, all of it, even the love, is a violence.
Raven Leilani (Luster)
As a rule, I try to avoid popping that dusky cherry. I cannot be the first black girl a white man dates. I cannot endure the nervous renditions of backpacker rap, the conspicuous effort to be colloquial, or the smugness of pink men in kente cloth.
Raven Leilani (Luster)
We were bonded in our mutual hatred of our bodies, though my hatred was adolescent and hers was infinitely more developed, partly a trick of her newly sober brain, which found in food a substitute for the narcotics that had kept her lean. By the time she killed herself, she would still be eleven pounds shy of her goal.
Raven Leilani (Luster)
This was the contradiction that would define me for years, my attempt to secure undiluted solitude and my swift betrayal of this effort once in the spotlight of an interested man. I was pretending not to worry about the consequences of my isolation. But whenever I talked to anyone, I found myself overcompensating for the atrophy of my social muscles.
Raven Leilani (Luster)
Even if I have done the adequate mental jujitsu to convince myself that I appear like a normal human being, a trip to the bathroom to regroup can on occasion turn into the kind of fun-house voodoo that happens in DMV photos and long exposures of Victorian children. There is something about looking into someone else’s mirror, something that always gives me more information than I need.
Raven Leilani (Luster)
I know that the moment between when a black boy is upright and capable of speech and when he is prostrate in his own blood is almost imperceptible, due in great part to the tacit conversation that is happening beyond him, that has happened before him, and that resists his effort to enter it before it concludes.
Raven Leilani (Luster)
Trinidadian men do not just have eyelashes for days, they have something more subliminal that does not make itself known to you until it is nuclear and you are stuck with eleven kids in Jamaica, Queens, while he is tickling ivories for a traveling circus.
Raven Leilani (Luster)
I'm good but not good enough, which is worse than simply being bad. It is almost. The difference between being there when it happens and stepping out just in time to see it on the news. Still, I can't help feeling that in the closest arm of the multiverse, there is a version of me that is fatter and happier, smiling in my studio, paint behind my ears.
Raven Leilani (Luster)
Interesting,’ I say. Of course, it is not interesting that he has been allowed to live candidly. It is not interesting that he cannot conceive of anything else. He has equated his range of motion with mine. He hasn’t considered the lies you tell to survive, the kindness of pretend, which I illustrate now, as I eat this bacterial hot dog. This is the first time I sort of understand him. He thinks we’re alike. He has no idea how hard I’m trying.
Raven Leilani (Luster)
thought
Raven Leilani (Luster)
found myself overcompensating for the atrophy of my social muscles.
Raven Leilani (Luster)
A way is always made to document how we manage to survive, or in some cases, how we don’t.
Raven Leilani (Luster)
A month is too long to talk online. In the time we have been talking, my imagination has run wild. Based on his liberal use of the semicolon, I just assumed this date would go well.
Raven Leilani (Luster)
killing for his country—a country that, once he was back home, reminded him that patriots could be shell-shocked, could be spangled in Arlington grass, but absolutely could not be black.
Raven Leilani (Luster)
Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
Louise Erdrich (The Sentence)
She is, I suppose, sexy in the way a triangle can be sexy, the clean pivot from point A to B to C, her body and face breaking no rules, following each other in a way that is logical and curt.
Raven Leilani (Luster)
and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
Raven Leilani (Luster)
Maybe she is too much like me, too much like my mother, teetering silently on some horrific precipice in her teenage years until she comes out the other side as the woman I couldn’t be, a woman with good credit and hope and who is terrifying in her conviction to be whatever it is she wants to be.
Raven Leilani (Luster)
She says she is aware of the irony of being a medical examiner who smokes, but that for all the blackened lungs she's seen, it is more disturbing to open the chest cavity of a veteran and find it is pristine.
Raven Leilani (Luster)
She says she is aware of the irony of being a medical examiner who smokes, but that for all the blackened lungs she’s seen, it is more disturbing to open the chest cavity of a veteran and find that it is pristine.
Raven Leilani (Luster)
Arguably it would be hard to be bad at it, but if a person comes to rote work with the expectation that she will be demeaned, she can bypass the pitfalls of hope and redirect all that energy into being a merciless drone.
Raven Leilani (Luster)
They start out with a few compliments, which I receive readily. Yes, I’ve whipped the digital archive into shape. Yes, I delivered on the K–5 Maya Angelou and Frida Kahlo biographies, wherein the sexual assault and bus accident were omitted per a Provo parents group who weren’t ready for their kids to see the blood women wade through to create art.
Raven Leilani (Luster)
Slowly, he eases me down onto his grand, slightly left-leaning cock, and for a moment I do rethink my atheism, for a moment I consider the possibility of God as a chaotic, amorphous evil who made autoimmune disease but gave us miraculous genitals to cope,
Raven Leilani (Luster)
I want to say that I am not that kind of girl. Portable, contorting herself over an inaccessible, possibly disinterested man, but what if I am? There are worse things—factory farming and Christian rock and the three-dimensional animation of Mr. Clean. Because maybe I don’t want to be cool. Maybe I want to be all-purpose. Maybe I can’t pretend to be aloof to men who are aloof to me.
Raven Leilani (Luster)
I do my best to be cool about this contact, but it has never happened before, and I pat her awkwardly on the shoulder, terrified that a too-enthusiastic reciprocation will alert her to her error, like the way a white person might raise a jungle cat from birth and be pals for a time until the cat turns five and realizes it is, in fact, a carnivore. If I’m honest, all my relationships have been like this, parsing the intent of the jaws that lock around my head. Like, is he kidding, or is he hungry? In other words, all of it, even the love, is a violence.
Raven Leilani (Luster)
When she is undressed, I still feel the old impulse to compare, but otherwise her body is like a dagger, like the body of a woman who is in the business of sending off the dead. And this is how she holds herself, like a person uninterested by her own anatomical drama, her bearing unselfconscious, indifferent. It feels like a challenge.
Raven Leilani (Luster)
He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
Raven Leilani (Luster)
remember Rebecca asking me to return her husband, and now that I have slept more than four hours, I feel less inclined to honor this request.
Raven Leilani (Luster)
am both grateful and horrified to find that she wakes up promptly to a fully alert state, like a grim little computer,
Raven Leilani (Luster)
The first time we have sex, we are both fully clothed, at our desks during working hours, bathed in blue computer light.
Raven Leilani (Luster)
There are gray, anonymous hours like this. Hours when I am desperate, when I am ravenous, when I know how a star becomes a void.
Raven Leilani (Luster)
She tells me to ignore it, that her truck has been crying wolf for two years, but as we pull into the hospital, the engine makes a human sound.
Raven Leilani (Luster)
inscrutable advances of younger men,
Raven Leilani (Luster)
when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead.
Raven Leilani (Luster)
But the beauty of disco is the too much, is the horn section and the cheese,
Raven Leilani (Luster)
In a way, that makes my dreams delirious expressions of thirst - long stretches of yellow desert, cathedrals hemmed in dripping moss.
Raven Leilani (Luster)
collects polymer toys, and does Groening-esque renditions of The Dream
Raven Leilani (Luster)
more, I believed, like a Catholic or a Tortured Artist, that the merit of a commitment correlates directly to the pain you endure in its pursuit.
Raven Leilani (Luster)
wants. I want to be uncomplicated and undemanding.
Raven Leilani (Luster)
There are times I interact with kids and recall my abortion fondly, moments like this when I cross paths with a child who is clearly a drag.
Raven Leilani (Luster)
way is always made to document how we manage to survive, or in some cases, how we don’t.
Raven Leilani (Luster)
we look at each other as I catch up to the conversation we are really having. A conversation that always happens on the fringes of someone else’s good fortune—the murmurs of disbelief, envy.
Raven Leilani (Luster)
And the truth is that when the officer had his arm pressed into my neck, there was a part of me that felt like, all right. Like, fine. Because there will always be a part of me that is ready to die.
Raven Leilani (Luster)
I put on a complex pair of underwear that is not so much underwear as a bundle of string, and I stand before the mirror. I think to myself, You are a desirable woman. You are not a dozen gerbils in a skin casing.
Raven Leilani (Luster)
There is nothing I can do to level the playing field. Some men at least have the decency to guide you immediately to all the things that are wrong with them. But everything I’ve seen of Eric, I want to see again.
Raven Leilani (Luster)
Of course it is not interesting that he has been allowed to live candidly. It is not interesting that he cannot conceive of anything else. He has equated his range of motion with mine. He hasn't considered the lies you tell to survive, the kindness of pretend, which I illustrate now, as I eat this bacterial hot dog. This is the first time I sort of understand him. He thinks we're alike. He has no idea how hard I'm trying.
Raven Leilani (Luster)
I am inclined to pray, but on principle, I don’t. God is not for women. He is for the fruit. He makes you want and he makes you wicked, and while you sleep, he plants a seed in your womb that will be born just to die.
Raven Leilani (Luster)
During this time, I couldn’t tell if I liked being alone, or if I only endured it because I knew I had no choice. I was not popular and I was not unpopular. To invite admiration or ridicule, you first have to be seen.
Raven Leilani (Luster)
no way to effectively explain violations that are not overt. It is a rhetorical hellscape. A casual reduction so frequent it is mundane. Almost too mundane for the deployment of the R word, as with a certain sect of Good White Person the accusation overshadows the act. Racism! I should yell, because I’m sure Rebecca will receive it in the uppercase regardless, and already I feel her seizing on the drama of its implication, even though racism is often so mundane it leaves your head spinning, the hand of the ordinary in your slow, psychic death so sly and absurd you begin to distrust your own eyes. So it has taken a long time for me to get here. To say, Yes, this is what happened. It happened just like that.
Raven Leilani (Luster)
I feel boring for the compulsion to compare myself to her, and even a little mean, but her serenity bothers me. It bothers me that she doesn’t wear prettier underwear, that her marriage is inscrutable and involved, and that I am somewhere inside it.
Raven Leilani (Luster)
But now I am seven years removed and there are some days I don’t even think about her, though on these days a siren will keen from the end of DeKalb and it will be 3:00 a.m. and a cloud outside my window will constrict into the shape of a lung and I will hear her voice.
Raven Leilani (Luster)
the debris around the drain not enough to deter me from lying down in the tub and being dramatic, humiliation being such that it sometimes requires a private performance, which I give myself, and emerge from the shower in the next stage of hurt feelings. For me, this is denial.
Raven Leilani (Luster)
During my interview with CVS, I try to be convincing in my assurance that pointing young adults in the direction of Plan B has always been part of my 5 year plan. But after the interview, I go to the parking lot to drink some cough syrup and notice one of the managers watching me from his car.
Raven Leilani (Luster)
Somewhere in Essex County, Eric is in bed with his wife. It’s not that I want exactly this, to have a husband or home security system that, for the length of our marriage, never goes off. It’s that there are gray, anonymous hours like this. Hours when I am desperate, when I am ravenous, when I know how a star becomes a void.
Raven Leilani (Luster)
It’s a death rattle, she says, directing me to the lawn mower and adjusting the string on the mask, the grass communicating its distress, and for the rest of the day I think of that, sick to my stomach, the lawn buzzed and alkaline, the vinegar in the wine and carnage in the dew, everywhere the perfume of things that want to live.
Raven Leilani (Luster)
No es que yo quiera exactamente eso, tener un marido o un sistema de seguridad para el hogar que no se apague jamás durante los años que dure nuestro matrimonio. Pasa que hay horas grises y anónimas, como esta. Horas en las que me desespero, en las que siento un hambre voraz, en las que sé como una estrella se convierte en un vacío.
Raven Leilani (Luster)
My roommate calls a meeting while I’m out falling from my bike into a customer’s cheesecake, and as soon as I climb the stairs she is there with a suitcase, saying she’s moving to a gut-renovated building in Harlem with her boyfriend as 'send me a picture of your pussy' pings onto my screen. As I watch my roommate leave, the idea that I have a pussy seems preposterous. I move through the apartment and try to reconcile the existence of the clitoris with the broccoli smell my roommate left behind. I rinse the cheesecake from my hair and get back out on my route, where the men who line the street remind me that technically yes, I do have a pussy, and that I will live with the terror of protecting it for the rest of my life.
Raven Leilani (Luster)
My love, this is the problem with your generation. Instant gratification,” he says, and because it took him, on average, forty-three minutes to come, because I put on the ears and the tail and learned the lyrics to “Painting the Roses Red” backward and forward, because I drank approximately five gallons of cranberry juice over the course of our relationship, and for a day or two required the use of a cane, I take issue with his definition of instant.
Raven Leilani (Luster)
I felt my power in the high, desperate sound of his pleasure. I felt my error in how little I thought it would mean. I didn’t tell him I was a virgin because I could not bear to be treated tenderly. I didn’t want him to be careful. I wanted it to be over with. So when it hurt and I was too proud to say stop and so said more, I believed, like a Catholic or a Tortured Artist, that the merit of a commitment correlates directly to the pain you endure in its pursuit.
Raven Leilani (Luster)
You think because you slack and express no impulse control that you’re like, black power. Sticking it to the white man or whatever. But you’re just exactly what they expect. Like, I understand wanting to resist their demands. But they can be mediocre. We can’t.” “Mediocre?” “I can’t be associated with it. Like, there is actually a brief window where they don’t know to what extent you’re black, and you have to get in there. You have to get in the room. And if I have to, I will shuck and jive until the room I’m in is at the top.
Raven Leilani (Luster)
Minha mãe não era uma mulher que ria. Ela não ria porque (1) percebia que todo mundo que ouvia sua risada ficava desagradavelmente surpreso e (2) depois que nos mudamos para o norte de Nova York tudo deixou de ter graça. […] Ela só assistia sitcoms com várias câmeras e deixada a TV ligada no volume baixo a noite inteira, porque assim meus sonhos ficavam elásticos e abertos ao improviso, especialmente preparados para interpretar a risada pré-gravada que nunca parava de passar. Ela ficou decepcionada quando descobriu que eu tinha herdado sua risada feia e glotal e me aconselhou contê-la com a mão
Raven Leilani (Luster)
Rebecca estaciona o carro e vai andando até a caixa de correio com Walker na lateral, e o processo de pegar a correspondência é uma coisa tão doce e cotidiana que finjo que estou dormindo. […] Deixo o quarto como estava antes e ouço o silêncio suburbano, o suave zunido híbrido, os latidos monásticos dos cães protetores de propriedade, o riso das crianças de pele clara, um coro de portas de tela eternamente destrancadas e os insetos todos, se esforçando ao máximo para trepar antes de morrer. A tranquilidade já começou a reprimir meus movimentos peristálticos, mas ainda mais urgente é a questão do wi-fi, então desço a escada e Rebecca está lá fazendo flexões.
Raven Leilani (Luster)
Akila está no meio disso tudo, fazendo seus exercícios com confiança e até certo charme, e seu lugar na hierarquia é óbvio mesmo sem o símbolo da faixa, um roxo escuro que só vejo em uma outra aluna. […] Aí o mestre chama a outra faixa roxa, uma menina branca e pequena com olhos fundos e escuros, e a turma toda se ajoelha enquanto Akila e ela se enfrentam. Acaba rápido. Tirando um momento em que ela cai de costas e levanta depressa, Akila é discreta, menos interessada em força e mais na precisão, e seu contato é tão leve e sem emoção que dá para perceber que ela está contando os pontos mentalmente, algo irritante para sua parceira, que é boa, mas fica tão chateada com a tranquilidade de Akila que desiste de competir.
Raven Leilani (Luster)
Penso na pintura que tinha na clínica e nas fibras de tela retorcidas embaixo da tinta a óleo. Todos os materiais crus que são colhidos e processados até serem transformados em luz e sombra. […] Sempre há alguma forma de documentar como conseguimos sobreviver, ou, em alguns casos, como não sobrevivemos. Por isso tentei reproduzir algo insondável. Transformei a fome que sinto num hábito, sujeitei todas as pessoas que passam pela minha vida a uma leitura atenta e inadequada que de vez em quanto resvala, muitas vezes de forma insuficiente, em tinta. E quando fico a sós comigo mesma, é isso que espero que alguém faça comigo, com mãos impiedosas e decididas, que me imprima na tela, porque assim, quando eu for embora, haverá um registro, uma prova de que estive aqui.
Raven Leilani (Luster)
feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat.
Raven Leilani (Luster)
Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
Louise Erdrich (The Sentence)