Lust Stories Quotes

He's flint, you're tinder.

Or maybe spring is the season of love and fall the season of mad lust. Spring for flirting but fall for the untamed delicious wild thing.

Your thighs are appletrees. Your knees are a southern breeze.

When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

For people could close their eyes to greatness, to horrors, to beauty, and their ears to melodies or deceiving words. But they couldn't escape scent. For scent was a brother of breath. Together with breath it entered human beings, who couldn't defend themselves against it, not if they wanted to live. And scent entered into their very core, went directly to their hearts, and decided for good and all between affection and contempt, disgust and lust, love and hate. He who ruled scent ruled the hearts of men.

If we suffer from an unbearable mean world syndrome and fear we will get a comeuppance anytime, let us endeavor to defeat the inner rejections of buoyancy and confidence, liberate our subdued lust of freedom, start to enliven the bleak outlook of our life story, and technicolor the sky of our expectations. ("With confidence")

Beauty is often spoken of as though it only stirs lust or admiration, but the most beautiful people are so in a way that makes them look like destiny or fate or meaning, the heroes of a remarkable story.

I was completely and irrevocably in lust; which tends to make a person impassive to others’ pain. Love makes us compassionate. Lust makes us deaf to all but the lover.

The universe runs on the principle that one who can exert the most evil on other creatures runs the show.

I watched you try on suits in Hugo Boss.‘For the big job,’ you said. And I laughed, because I knew I would never see it. I’d never get up and watch you put it on and walk out of the door. I would never be the one that you came home to.

I want to take you under the moonlight.

In the morning, that moment, when I knew it was you. When I could feel you breathing and we opened our eyes at the exact same time.

He would be able to create a scent that was not merely human, but super human, an angels scent, so indescribably good and vital that who ever smelt it would be enchanted and with his whole heart would have to love him.

An unliterary man may be defined as one who reads books once only. . . . We do not enjoy a story fully at the first reading. Not till the curiosity, the sheer narrative lust, has been given its sop and laid asleep, are we at leisure to savour the real beauties. Till then, it is like wasting great wine on a ravenous natural thirst which merely wants cold wetness.

To others, the universe seems decent because decent people have welded eyes. That is why they fear lewdness. They are never frightened by the crowing of a rooster or when strolling under a starry heaven. In general, people savor the "pleasures of the flesh" only on the condition that they may be insipid.

Addiction" might be the best word to explain the lostness that so deeply permeates society. Our addiction make us cling to what the world proclaims as the keys to self-fulfillment: accumulation of wealth and power; attainment of status and admiration; lavish consumption of food and drink, and sexual gratification without distinguishing between lust and love. These addictions create expectations that cannot but fail to satisfy our deepest needs. As long as we live within the world's delusions, our addictions condemn us to futile quests in "the distant country," leaving us to face an endless series of disillusionments while our sense of self remains unfulfilled. In these days of increasing addictions, we have wandered far away from our Father's home. The addicted life can aptly be designated a life lived in "a distant country." It is from there that our cry for deliverance rises up.

He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life.

The stories teach them valuable life lessons. That good things happen to bad people. That it’s possible to make a bad situation even worse if you don’t think it through. That parents are clueless except when they’re not. That it’s good to try new things even when a new thing is kind of disgusting, because new experiences make you a well-rounded person. That art can be transcendent. That lust is all-powerful, that drugs are fun, and that not everyone who does them is a loser. That losing people is part of life. That where comedy goes, tragedy isn’t far behind. That everyone has issues with their bodies, but some take it too far, almost to death. That fear can be exhilarating. That boys are assholes. That it’s important to look forward and never look back…

Love is a dangerous thing. It comes in disguise to change our life... Lust is the deceiver. Lust wrenches our lives until nothing matters except the one we think we love, and under that deceptive spell we kill for them, give all for them, and then, when we have what we have wanted, we discover that it is all an illusion and nothing is there. Lust is a voyage to nowhere, to an empty land, but some men just love such voyages and never care about the destination. Love is a voyage too, a voyage with no destination except death, but a voyage of bliss.

They say I should stay away from you,” I said. “They said you’re not good for me.” “I’m not,” he said with a wicked smile, “But doesn’t that make it even more fun?

The entire range of human experience is present in a church choir, including, but not restricted to jealousy, revenge, horror, pride, incompetence (the tenors have never been on the right note in the entire history of church choirs, and the basses have never been on the right page), wrath, lust and existential despair.

It was the sexual chemistry I wanted more of. It was electric. I'd forgotten what it was like to be with someone who excited you in every sense of the word, who thrilled and frightened you in equal measure.

If you are my food, how am I supposed to feel pity towards you? That would mean starvation for me. “A hungry leopard told a fallen, panting, imploring gazelle

Lust fades after climax, love lasts until breakfast!

Betrayal. Lust. Secrecy. Devotion. I think we do these things to feel more alive. When the truth is that alive is alive -- you can feel it in anything, if you give it a chance.

When you fall out of love, it doesn’t mean that you stop loving someone. They just don’t make your heart beat faster. You don’t crave them until you don’t know where they end and you begin. I don’t know that I ever fell out of love with Ben, but I do know that I fell in love with Arsen along the way. Or maybe I confused fucking and lust for love. I don’t know. I don’t think I will ever know.

So this was where lust was satisfied. If I'd been an old-time miner I'd have asked for my gold nugget back.

A love story. Yes: this is a love story. It's about passion, sensual pleasure, deep pulls, lust, fears, yearning hungers. It's about needs so strong they're crippling. It about saying goodbye to something you can't fathom living without.

Knowledge is power-and power of one sort or another is the secret lust of human souls; and here is, beside the sense of exploration, the undefinable interest of a story, and above all, something forbidden, to stimulate the contumacious appetite.

I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay. “Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal. “Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’” Cagney sighed, listened to the leather creak as he shifted his weight in his chair. “No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?

Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities. "You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood. If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range, what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.

While we’re at it, why don’t we add a third emotion to this list: lust. You are probably unaware that Linnaeus lumped the tomato into the same genus as the potato, a food with a reputation for its widespread availability and easy satisfaction of oral needs.

This isn't a story of love, sunshine and roses. This is a story of betrayal, murder, lust and deceit.

She was wearing a beautiful dress with straps designed to be eaten off her shoulders.

Life is politics, you do it or it does you

The virtue of hope, in Enoch, was made up of two parts suspicion and one part lust.

Let no one ever intimidate you, you are standing on no one's ground. But again, some have claimed the earth as their own and usurped power from the rest of us. But they are usurpers; power belongs to every one of us. Seek it as much as possible. There is no shame in that. In fact it's a necessity. Either you have power or you are trampled to death in the stampede to get to the top

I just made it official. I'm a twenty-eight year old married woman with a twenty-two year old boyfriend who lives twenty minutes from a husband he doesn't know exists. That God I started believing in a few minutes ago is sending me straight to Hell.

Kiss me hot,heavy,wet & angry with that attitude like you do when your mouth yells it hates me but your tongue screams it can’t wait for me. Hug me, touch me, submit to me with that insatiable passion like you do when you thought you could leave but the sight of my throbbing rock hard love muscle made you too weak in the knees. Your mind is melting fast, your soul is whispering trust, your eyes are begging please and your anger has turned to lust. Let me undress your body, caress your skin and wetly massage your mind back into making love to me again. I’d rather say I’m sorry and keep my best friend than have this come to an end. Be encouraged but more importantly…be lethal with your make up love.

It was our story, played out on the open highway chasing sunsets. It wasn't an easy story to tell you. It was a story of kisses, lust, passion, youth, mistakes, lies, hiding, stupidity, judging, but most of all, love.

ACTS OF LOVE Love is not a word Or a thought. It is the name for An action That breathes from its light. What do you DO In Love's name? And is it only done Outside In the light? Or with an inner Flame Illuminating Love's TRUE Name? I want to know. Are your actions Done by remote Or with SOUL? And when you say You love someone, Does a light go off Inside at all? What have YOU Done In the Name of LOVE? Because, Really, I want to know.

In politics what you see is not what you get

Is this how Julia Roberts' character feels like in Pretty Woman? Two parts princess, one part whore?

A story-book hero had by definition no place in life; he battered his way through twenty victorious chapters, faded out on a lustful kiss, and was gone for good.

love is a like a good book you can’t put down and you wish would never end. But with Infatuation and Lust, rather than enjoying how the story unfolds, you just skip to the last chapter.

But are his needs any more shocking than the needs of any other animals and men? Are his deeds more outrageous than the deeds of the parent who drained the spirit from his child? The vampire may foster quickened heartbeats and levitated hair. But is he worse than the parent who gave to society a neurotic child who became a politician? Is he worse than the manufacturer who set up belated foundations with the money he made by handing bombs and guns to suicidal nationalists? Is he worse than the distiller who gave bastardized grain juice to stultify further the brains of those who, sober, were incapable of progressive thought? (Nay, I apologize for this calumny; I nip the brew that feeds me.) Is he worse, then, than the publisher who filled ubiquitous racks with lust and death wishes? Really, no, search your soul, lovie--is the vampire so bad?

You must know the story of how the race of ancient days reached the stars, and how they bargained away all the wild half of themselves to do so, so that they no longer cared for the taste of the pale wind, no for love or lust, nor to make new songs nor to sing old ones, nor for any of the other animal things they believed they had brought with them out of the rain forests al the bottom of time--though in fact, so my uncle told me, those things brought them

Stories should be natural as apples, brief as lust, long as a thought.

Politicians know it's a game of power, every politician at every level, even in the common of mortals.

Power hungry=life loving

Storytelling? God started that. Discovery. Lust. Murder. Revenge. Power. Sin. Redemption. Forgiveness. Miracles. We simply retell the stories in the language of our generation.

You and Wes," she said, triumphant, "are just likethis ." She was holding a book, a paperback romance. The title, emblazoned in gold across the cover, wasForbidden , and the picture beneath it was of a man in a pirate outfit, eye patch and all, clutching a small, extremely busty woman to his chest. In the background, there was a deserted island surrounded by blue water. "We're pirates?" I said. She tapped the book with one fingernail. "This story," she said, "is all about two people who can't be together because of other circumstances. But secretly, they pine and lust for each other constantly, the very fact that their love is forbidden fueling their shared passion." "Did you just make that up?" "No," she said, flipping the book over to read the back cover. "It's right here! And it's totally you and Wes. You can't be together, which is exactly why you want to be. And why you can't admit it to us, because that would make it less secret and thus less passionate.

Once you are in power, never forget those who put you there. Deal with those who think they can do better than you and those who think you are god's representative on earth. Deal with each other according to his actions

If anyone rises to power, it's not only because he could, but also because the stars were aligned in his favor. Many with apparent means to take it failed simply because they weren't destined for the honor

There is no moment that exceeds in beauty that moment when one looks at a woman and finds that she is looking at you in the same way that you are looking at her. The moment in which she bestows that look that says, "Proceed with your evil plan, sumbitch." The initial smash on glance. The, the drawing near. This takes a long time, it seems like months, although only minutes pass, in fact. Languor is the word that describes this part of the process. Your persona floats toward her persona, over the Sea of Hesitation. Many weeks pass before they meet, but the weeks are days, or seconds. Still, everything is decided. You have slept together in the glance.

A woman's lust is for a short time; a man's lust is forever.

He is incredibly handsome. You never realized before how beautiful evil could be.

He walked towards me. My heart was pounding like a nineties warehouse rave.

A very special case. A few years more, and that pretty creature who you love too much, I think, will, without ever loving them, have known as many men as there are beads on her aunt's rosary. No happy medium! Either a nun or a monster! God's bosom or sensual passions! It would, perhaps, be better to put her in a convent, since we put hysterical women in the Saltpetriere! She does not know vice, she invents it!" That was ten years ago before the day our story begins and... Raoule was not a nun.

She had, without realizing it at the time, learned to follow Nick's gaze, learned to learn his lust...his desires remained memorized within her. She looked at the attractive women he would look at...She had become him: she longed for these women. But she was also herself, and so she despised them. She lusted after them, but she also wanted to beat them up. A rapist. She had become a rapist, driving to work in a car.

Stories never told, disappeared in the dawn mist and sunset blaze. Like a movie kiss, not real, but still overwhelms and entices lustfulness, turns me into pleasure and a connoisseur of love. Flying to the heavens above followed by the yearning hope that you will always be close to me, that you will not disperse when we revel in​ one another. Secrets to be kept in one of these terracotta walls that fade away through the dusk, feeling the scented candles of musk, just you and I, two rebels of love, that challenge the logic, the meaning, ​and sense.

Powerless=lifeless.

Nothing is sweeter and addictive than power, the unlucky soul this demon possesses, if he is not sacrificed on its altar will sacrifice others himself to get it

The Golden Mean is for the weakling, it was not meant for the likes of Alexander the Great, Cyrus, Pharaohs, or Hitlers of the world

Everything I know, everything I put in my fiction, will hurt someone somewhere as surely as it will comfort and enlighten someone else. What then is my responsibility? What am I to restrain? What am I to fear and alter--my own nakedness or the grief of the reader? I want my stories to be so good they are unforgettable; to make my ideas live and my own terrors real for people I will never meet. It is a completely amoral writer's lust. If we begin to agree that some ideas are too dangerous, too bad to invite inside our heads, then we stop the storyteller completely. We silence everyone who would tell us something that might be painful in our vulnerable moments.

In the old days, he thought, a man looked at a girl’s body and saw that it was desirable, and that was the end of the story. But you could not have pure love or pure lust nowadays. No emotion was pure, because everything was mixed up with fear and hatred. Their embrace had been a battle, the climax a victory. It was a blow struck against the Party. It was a political act.

Frightened, he runs off to the silent fields and howls aloud, attempting speech in vain; foam gathers at the corners of his mouth; he turns his lust for slaughter on the flocks, and mangles them, rejoicing still in blood. His garments now become a shaggy pelt; his arms turn into legs, and he, to wolf while still retaining traces of the man: greyness the same, the same cruel visage, the same cold eyes and bestial appearance. ~ The story of King Lycaon from Ovid's Metamorphosis, Book I, ll. 321-331 tr. Charles Martin

Beauty is often spoken of as though it only stirs lust or admiration, but the most beautiful people are so in a way that makes them look like destiny or fate or meaning, the heroes of a remarkable story. Desire for them is in part a desire for a noble destiny, and beauty can seem like a door to meaning as well as to pleasure.

I knew from the moment I met you that we would end up here. I didn't know how, but I was determined. Now it's time for you to realize what I've know all along" " Really? And what's that?" " That despite our differencies and all the obstacles we have before us, there couldn't be two people in the world more perfect for each other.

At moments when Herman fantasized about a new metaphysics, or even a new religion, he based everything on the attraction of the sexes. In the beginning was lust. The godly, as well as the human, principle is desire. Gravity, light, magnetism, thought may be aspects of the same universal longing. Suffering, emptiness, darkness are nothing more than interruptions of a cosmic orgasm that grows forever in intensity...

The real substance is at the bottom of the sea. That's where the mystery unfolds. The deepest part of your heart is like the deepest part of the ocean, and when someone is brave enough to go there, it's worth sharing the treasures buried deeply within.

For people could close their eyes to greatness, to horrors, to beauty, and their ears to melodies or deceiving words. But they could not escape scent. For scent was a brother of breath. Together with breath it entered human beings, who could not defend themselves against it, not if they wanted to live. And scent entered into their very core, went directly to their hearts, and decided for good and all between affection and contempt, disgust and lust, love and hate. He who ruled scent ruled the hearts of men.

For those who are afflicted with book lust, those for whom reading is more than information or escape, the road to our passion is quite simple, paved merely by the presence of the printed matter. It's a common story; fill in your own blanks: I was -- years old when I happened on a novel called --, and within six months I had read every other book by the writer known as --.

Chastity and moral purity were qualities McCandless mulled over long and often. Indeed, one of the books found in the bus with his remains was a collection of stories that included Tol¬stoy’s “The Kreutzer Sonata,” in which the nobleman-turned-ascetic denounces “the demands of the flesh.” Several such passages are starred and highlighted in the dog-eared text, the margins filled with cryptic notes printed in McCandless’s distinc¬tive hand. And in the chapter on “Higher Laws” in Thoreau’s Walden, a copy of which was also discovered in the bus, McCand¬less circled “Chastity is the flowering of man; and what are called Genius, Heroism, Holiness, and the like, are but various fruits which succeed it.” We Americans are titillated by sex, obsessed by it, horrified by it. When an apparently healthy person, especially a healthy young man, elects to forgo the enticements of the flesh, it shocks us, and we leer. Suspicions are aroused. McCandless’s apparent sexual innocence, however, is a corol¬lary of a personality type that our culture purports to admire, at least in the case of its more famous adherents. His ambivalence toward sex echoes that of celebrated others who embraced wilderness with single-minded passion—Thoreau (who was a lifelong virgin) and the naturalist John Muir, most prominently— to say nothing of countless lesser-known pilgrims, seekers, mis¬fits, and adventurers. Like not a few of those seduced by the wild, McCandless seems to have been driven by a variety of lust that supplanted sexual desire. His yearning, in a sense, was too pow¬erful to be quenched by human contact. McCandless may have been tempted by the succor offered by women, but it paled beside the prospect of rough congress with nature, with the cosmos it¬self. And thus was he drawn north, to Alaska.

I intended that when the curtain went up the scene should confront the public like the exaggerating mirror in the stories of Madame Leprince de Beaumont, in which the depraved saw themselves with dragons' bodies, or bulls' horns, or whatever corresponded to their particular vice. It is not surprising that the public should have been aghast at the sight of its other self, which it had never before been shown completely. This ignoble other-self, as Monsieur Catulle Mendes has excellently said, is composed "of eternal human imbecility, eternal lust, eternal gluttony, the vileness of instinct magnified into tyranny; of the sense of decency, the virtues, the patriotism & the ideals peculiar to those who have just eaten their fill." Really, these are hardly the constituents for an amusing play, & the masks demonstrate that the comedy must at the most be the macabre comedy of an English clown, or of a Dance of Death.

He firmly pulled her body against his and he brushed her lips with his. Staring into her eyes, he lightly slid his tongue across her bottom lip. She drew a deep, staggered breath in response to the wave of heat she felt flushing through her. Derrick smiled at her. Then, he softly kissed her. He lightly swept his tongue between her lips, pressing his warm, soft lips to hers. He slid his hands up her body and cradled her face with his hands. Then, he passionately kissed her, tickling her tongue with his. He sucked her lips, gently, as though he was sampling nectar on a delicate petal. Then, with an intense urgency, he dipped his tongue past her lips, caressing her tongue with his. She felt fluttering inside. Anne’s body craved him. A shallow hum escaped from within her in response to how he was making her feel. She could feel his body responding to her. He was breathing heavier which was waking Anne’s primal needs. The tidal wave of lust that had just churned within her was slowly calming as his kiss became more subtle and tender. He gently pressed his lips against hers. He pulled back a little and looked away, exhaling.

Bad horror stories concern themselves with six ways to kill a vampire, and graphic accounts of how the rats ate Billy's genitalia. Good horror stories are about larger things. About hope and despair. About love and hatred, lust and jealousy. About friendship and adolescence and sexuality and rage, loneliness and alienation and psychosis, courage and cowardice, the human mind and body and spirit under stress and in agony, the human heart in unending conflict with itself. Good horror stories make us look at our reflections in dark distorting mirrors, where we glimpse things that disturb us, things that we did not really want to look at. Horror looks into the shadows of the human soul, at the fears and rages that live within us all. But darkness is meaningless without light, and horror is pointless without beauty. The best horror stories are stories first and horror second, and however much they scare us, they do more than that as well. They have room in them for laughter as well as screams, for triumph and tenderness as well as tragedy. They concern themselves not simply with fear, but with life in all its infinite variety, with love and death and birth and hope and lust and transcendence, with the whole range of experiences and emotions that make up the human condition. Their characters are people, people who linger in our imagination, people like those around us, people who do not exist solely to be the objects of violent slaughter in chapter four. The best horror stories tell us truths.

Being idolized and being torn down felt oddly similar. They both made me feel alone. Friendship and trust should be earned, and when you're famous, people seem to want to give them to you whether you've earned them or not, and it felt dishonest to me. Fame was not real. It was all a projection—fame made me a blank canvas that people projected their love, lust, troubles, self-worth, and desire upon. Fame and power do not change us, they amplify us.

The more I reflect on the elder son in me, the more I realize how deeply rooted this form of lostness really is and how hard it is to return home from there. Returning home from a lustful escapade seems so much easier than returning home from a cold anger that has rooted itself in the deepest corners of my being. My resentment is not something that can be easily distinguished and dealt with rationally. It is far more pernicious: something that has attached itself to the underside of my virtue. Isn’t it good to be obedient, dutiful, law-abiding, hardworking, and self-sacrificing? And still it seems that my resentments and complaints are mysteriously tied to such praiseworthy attitudes. This connection often makes me despair. At the very moment I want to speak or act out of my most generous self, I get caught in anger or resentment. And it seems that just as I want to be most selfless, I find myself obsessed about being loved. Just when I do my utmost to accomplish a task well, I find myself questioning why others do not give themselves as I do. Just when I think I am capable of overcoming my temptations, I feel envy toward those who gave in to theirs. It seems that wherever my virtuous self is, there also is the resentful complainer.

Even if someone decided that the infection rate down there was something less than one hundred percent, and if they could go to a mountaintop and shout it to the world, it wouldn’t matter. Because the people want this. They want their neighbors to be monsters. It’s why we lust over news stories of mothers murdering their children, and run after conspiracy theories about a government full of greedy sociopaths. If the monsters didn’t come, we would have willed them into existence.

My father gave my stature tall, And rule of life decorous; My mother my nature genial And joy in making stories; Full well my grandsire loved the fair, A tendency that lingers; My grandam gold and gems so rare, An itch still in the fingers. If no part from this complex all Can now be separated, What can you name original That is in me created? - - - GER: Vom Vater hab ich die Statur, Des Lebens ernstes Führen, Von Mütterchen die Frohnatur Und Lust zu fabulieren. Urahnherr war der Schönsten hold, Das spukt so hin und wieder, Urahnfrau liebte Schmuck und Gold, Das zuckt wohl durch die Glieder. Sind nun die Elemente nicht Aus dem Komplex zu trennen, Was ist denn an dem ganzen Wicht Original zu nennen? Zahme Xenien VI.

On the steps of the Art Institute. My poor fiancé made a spectacle of himself. Tore his dress pants from behind as he went down on one knee. His entire butt was on full display.” I sighed, not daring to look up at his reaction. “You did not!” The man burst out laughing, clapping Wolfe’s shoulder. The woman snorted and flashed Wolfe a smile open with both admiration and lust. I chanced a look at Wolfe and saw his lips thinning in irritation. Unlike them, he did not find my story entertaining.

His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood. I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

They could tell the whole hateful story of it, set forth in the inner soul of a city in which honor and justice, women's bodies and men's souls, were for sale in the market-place, and human beings writhed and fought and fell upon each other like wolves in a pit; in which lusts were raging fires, and men were fuel, and humanity was festering and stewing and wallowing in its own corruption. Into this wild-beast tangle these men had been born without their consent, they had taken part in it because they could not help it; that they were in jail was no disgrace to them, for the game had never been fair, the dice were loaded. They were the swindlers and thieves of pennies and dimes, and they were being trapped and put out of the way by the swindlers and thieves of millions of dollars.

It seemed he was the perfect lover, at least for the moment. He did not live where you lived. He did not see you often enough, or for long enough, for you to grow bored, or to feel afraid that you were not feeling love---or worse, that you were. The perfection had a cost, which is that he was not in any true sense a real person. He was a coat you bought off the rack, an unsuperlative fashion statement.

I understand it was Derian who spoiled everything. He purposefully tainted your view of me and forced you to go along with him. I know none of what happened was your idea or your desire, Eena.” She didn’t get up, but spoke from her curled position. Her voice was weak, still heavy with despair. “Derian didn’t force me to do anything.” “But if he hadn’t influenced you, we would be enjoying a pleasant dinner again, telling stories and laughing. I’m sure that would be the case. You would be happy……and so would I.” Eena chuckled without amusement. “You have to admit we shared some very enjoyable evenings, didn’t we? There’s really no reason we can’t put this whole mess behind us and start from where we left off.” He sounded genuinely serious. “You forget,” she reminded him, “I heard your conversation with the Ghengats. This isn’t about Derian, it’s about you.” “Alright,” he admitted with an acquiescent sigh, “so I’m not everything you’d hoped for. But really, what man can ever live up to any woman’s terribly high expectations?” This got her attention. She almost stood up to face him, but decided it wasn’t worth the effort. Leaning forward, she retorted, “Expecting a man to respect you, to be honest with you, and, oh yes, to not be a shameless murderer—I don’t think those are overly high expectations!” He shrugged, casually excusing his faults. “Nobody’s perfect.” “What do you want?” she finally asked, exasperated. He squatted to her level and stated his desire. “I want you.” Eena thought the expression on his face—the look in his weary blue eyes—appeared strangely sincere. But there was one thing she had learned from all this: never trust a master of deceit.

Connection terminated. I'm sorry to interrupt you, Elizabeth. If you still even remember that name. But I'm afraid you've been misinformed. You are not here to receive a gift. Nor, have you been called here by the individual you assume. Although, you have indeed been called. You have all been called here. Into a labyrinth of sounds and smells, misdirection and misfortune. A labyrinth with no exit. A maze with no prize. You don't even realize that you are trapped. Your lust of blood has driven you in endless circles. Chasing the cries of children in some unseen chamber, always seeming so near. Yet somehow out of reach. But, you will never find them. None of you will. This is where your story ends. And to you, my brave volunteer, who somehow found this job listing not intended for you. Although, there was a way out planned for you, I have a feeling that's not what you want. I have a feeling that you are right where you want to be. I am remaining as well. I am nearby. This place will not be remembered and the memory of everything that started this, can finally begin to fade away. As the agony of every tragedy should. And to you monsters trapped in the corridors. Be still. And give up your spirits. They don't belong to you. As for most of you, I believe there is peace and perhaps, warm, waiting for you after the smoke clears. Although, for one of you, the darkest pit of Hell has opened to swallow you whole. So, don't keep the Devil waiting, friend. My daughter, if you can hear me, I knew you would return as well. It's in your nature to protect the innocent. I'm sorry that on that day, the day you were shut out and left to die, no one was there to lift you up in their arms, the way you lifted others into yours. And then, what became of you, I should have known, you wouldn't be content to disappear. Not my daughter. I couldn't save you then. So, let me save you now. It's time to rest, for you, and for those you have carried in your arms... This ends. For all of us. End communication.

In my story Sauron represents as near an approach to the wholly evil will as is possible. He had gone the way of all tyrants: beginning well, at least on the level that while desiring to order all things according to his own wisdom he still at first considered the (economic) well-being of other inhabitants of the Earth. But he went further than human tyrants in pride and the lust for domination, being in origin an immortal (angelic) spirit.* In The Lord of the Rings the conflict is not basically about 'freedom', though that is naturally involved. It is about God, and His sole right to divine honour. The Eldar and the Númenóreans believed in The One, the true God, and held worship of any other person an abomination. Sauron desired to be a God-King, and was held to be this by his servants; if he had been victorious he would have demanded divine honour from all rational creatures and absolute temporal power over the whole world.

How did you find out?” he asked. I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.” He sighed and sat on the arm of my couch and stared into space. “That’s it? You have nothing else to say?” I asked. “I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.” “Were you ever going to tell me?” “Yeah...of course.” His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome. Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.” I sank down into the arm chair opposite him. “Then…then…what happened?” It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…” “Aroused? Horny? Lust-filled?” He grimaced. “Something like that. But, I don’t know. There was more to it than just that.” The tape in my mind rewound. “Did you say you were going to call Niphon?” “Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.” “Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath. “Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.” He tilted his head curiously. “What do you mean?” “This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.” A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response. “Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.” My hand froze on Aubrey’s back. “What are you saying?” “I…don’t have flings.” “Are you saying you want to start something with her?” He looked miserable. “I don’t know.

Home? What is home? Home is where a house is that you come back to when the rainy season is about to begin, to wait until the next dry season comes around. Home is where your woman is, that you come back to in the intervals between a greater love - the only real love - the lust for riches buried in the earth, that are your own if you can find them. Perhaps you do not call it home, even to yourself. Perhaps you call them 'my house,' 'my woman,' What if there was another 'my house,' 'my woman,' before this one? It makes no difference. This woman is enough for now. Perhaps the guns sounded too loud at Anzio or at Omaha Beach, at Guadalcanal or at Okinawa. Perhaps when they stilled again some kind of strength had been blasted from you that other men still have. And then again perhaps it was some kind of weakness that other men still have. What is strength, what is weakness, what is loyalty, what is perfidy? The guns taught only one thing, but they taught it well: of what consequence is life? Of what consequence is a man? And, therefore, of what consequence if he tramples love in one place and goes to find it in the next? The little moment that he has, let him be at peace, far from the guns and all that remind him of them. So the man who once was Bill Taylor has come back to his house, in the dusk, in the mountains, in Anahuac. ("The Moon Of Montezuma")

The long wait is over. I go to Spain to command an army legally at last; I will put my hands on a living machine which in the right hands -my hands- cannot be stopped, warped, dislocated, ground down. I have yearned for a supreme military command since I sat, a boy, at old Gaius Marius's knee and listened spellbound to a master of warfare telling stories. But until this moment I did not undestand how passionately, how fiercely I have lusted for that military command. I will lay my hands on a Roman army and conquer the world, for I believe in Rome, I believe in our Gods. And I believe in myself. I am the soul of the Roman army. I cannot be stopped, warped, dislocated, ground down.

We all kind of hate each other in this minute, me most of all because I taught them the word bitch and I yell so they yell and Edward missed another brawl so they'll like him more today and he's better anyway and whatever lust for combat my daughters have comes straight from me and I thought I was going to be a good mom like Michelle Constable or Tammy Stedman and I'm not and according to a parenting blog I saw, yelling is as bad as corporal punishment and particularly destructive to self-esteem so oh my God, what am I doing?

Bailey, a former prosecutor, attacked her credibility scattershot, an approach he would use throughout the trial, particularly with female witnesses. ... He accused her, that is--without coming out and saying it--of being a certain kind of woman: conceited, disingenuous, and dissatisfied. The universal misogynist caricature. I'd never gone in for academic gender theories, but Bailey's cross-examination strategy--with Farrar and other women to come--convinced me that the culture of criminal justice has a fundamentally masculine tilt. Repeatedly, in a manner that I suspected was typical in modern courtrooms, he portrayed the female mind as intrinsically unreliable, ruled by emotion, immune to logic, prone to pettiness, swayed by lust, and corrupted by vanity. It rarely spoke plainly. It was seldom candid. It was composed of layers of hidden agendas. It put up a front, behind which was another front. It either aimed to please or to conceal, which were often the same thing. The only way to get the truth from it was to push and prod until it snapped. Make it angry. Make it cry.

Because of their lust for authority men are in constant turmoil. Those in authority are ever fighting to maintain it. Those out of authority are ever struggling to snatch it from the hands of those who hold it. While Man, the God in swaddling-bands, is trampled under foot and hoof and left on the field of battle unnoticed, unattended and unsolved. So furious is the fight, and so blood crazed the fighters that none, alas, would stop to lift the painted mask off the face of the spurious bride and expose her monstrous ugliness to all. Believe, O monks, that no authority is worth the flutter of an eyelash, except the authority of Holy Understanding which is priceless. For that no sacrifice is great. Attain it once, and you shall hold it to the end of Time. And it shall charge your words with more power than all the armies of the world can ever command; and it shall bless your deeds with more beneficence than all the world authorities combined can ever dream of bringing to the world.

Disgusted with herself, she’d slipped beneath his blankets. Matthias always slept with his back to a wall, a habit from his days in Hellgate. She’d let her hands wander, seeking his pockets, trying to feel along the linings of his trousers. “Nina?” he’d asked sleepily. “I’m cold,” she said, her hands continuing their search. She pressed a kiss to his neck, then below his ear. She’d never let herself kiss him this way before. She’d never had the chance. They’d been too busy untangling the skein of suspicion and lust and loyalty that bound them together, and once she’d taken the parem … It was all she could think of, even now. The desire she felt was for the drug, not for the body she felt shift beneath her hands. She didn’t kiss his lips, though. She wouldn’t let parem take that from her too. He’d groaned slightly. “The others—” “Everyone is asleep.” Then he’d seized her hands. “Stop.” “Matthias—” “I don’t have it.” She yanked herself free, shame crawling over her skin like fire over a forest floor. “Then who does?” she hissed. “Kaz.” She stilled. “Are you going to creep into his bed?” Nina released a huff of disbelief. “He’d slit my throat.” She wanted to scream her helplessness. There would be no bargaining with Kaz. She couldn’t bully him the way she might have bullied Wylan or plead with him the way she mighthave managed Jesper. Fatigue came on suddenly, a yoke at her neck, the exhaustion at least tempering her frantic need. She rested her forehead against Matthias’ chest. “I hate this,” she said. “I hate you a little, drüskelle.” “I’m used to it. Come here.” He’d wrapped his arms around her and gotten her talking about Ravka, about Inej. He’d distracted her with stories, named the winds that blew across Fjerda, told her of his first meal in the drüskelle hall.

[T]he young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands.

Anger, resentment, jealousy, desire for revenge, lust, greed, antagonisms, and rivalries are the obvious signs that I have left home. And that happens quite easily. When I pay careful attention to what goes on in my mind from moment to moment, I come to the disconcerting discovery that there are very few moments during the day when I am really free from these dark emotions, passions and feelings. Constantly falling back into an old trap, before I am even fully aware of it, I find myself wondering why someone hurt me, rejected me, or didn't pay attention to me. Without realizing it, I find myself brooding about someone else's success, my own loneliness, and the way the world abuses me. Despite my conscious intentions, I often catch myself daydreaming about becoming rich, powerful, and very famous. All of these mental games reveal to me the fragility of my faith that I am the Beloved One on whom God's favor rests. I am so afraid of being disliked, blamed, put aside, passed over, ignored, persecuted, and killed, that I am constantly developing strategies to defend myself and thereby assure myself of the love I think I need and deserve. And in so doing I move far away from my father's home and choose to dwell in a "distant country.

Just as negative self-paradigms can put limitations on us, positive self-paradigms can bring out the best in us, as the following story about the son of King Louis XVI of France illustrates: King Louis had been taken from his throne and imprisoned. His young son, the prince, was taken by those who dethroned the king. They thought that inasmuch as the king’s son was heir to the throne, if they could destroy him morally, he would never realize the great and grand destiny that life had bestowed upon him. They took him to a community far away, and there they exposed the lad to every filthy and vile thing that life could offer. They exposed him to foods the richness of which would quickly make him a slave to appetite. They used vile language around him constantly. They exposed him to lewd and lusting women. They exposed him to dishonor and distrust. He was surrounded twenty-four hours a day by everything that could drag the soul of a man as low as one could slip. For over six months he had this treatment—but not once did the young lad buckle under pressure. Finally, after intensive temptation, they questioned him. Why had he not submitted himself to these things— why had he not partaken? These things would provide pleasure, satisfy his lusts, and were desirable; they were all his. The boy said, “I cannot do what you ask for I was born to be a king.

Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only one question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. He must learn them again. He must teach himself that the basest of all things is to be afraid: and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the universal truths lacking which any story is ephemeral and doomed--love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, and victories without hope and worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands. Until he learns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and

Ladies and gentlemen, I feel that this award was not made to me as a man, but to my work - a life's work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before. So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin. But I would like to do the same with the acclaim too, by using this moment as a pinnacle from which I might be listened to by the young men and women already dedicated to the same anguish and travail, among whom is already that one who will some day stand here where I am standing. Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only the question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands. Until he relearns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last dingdong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.