Lust Picture Quotes

Art is amoral; so is life. For me there are no obscene pictures or books; there are only poorly conceived and poorly executed ones.

And then I stand in front of God's Throne squinting up at His blazing glory and He says, 'You had your opportunities, boy. But did you listen? No. You went on heedlesly reading that garbagey magazine with pictures of naked girls in it. How juvenile! I gave geese more sense than that.' Please, God. I'm only fourteen years old. A teenager. Have mercy. Be loving. I was,' says God. 'For eons. And look at what it got me. You.' God turns in disgust, just the way Daddy does. 'Sorry, but I'm the Creator. I take it personally. There are slugs and bugs and night-crawlers I feel better about having created - I mean, there are sparrows - I've got my eye on one right now. Is that sparrow consumed with lust? No. He mates in the spring and that's the end of it. Consider the lilies. Do they think about lily tits all the time? No. They look not and they lust not, and yet I say unto you that you will never be half as attractive as they. Therefore, I say unto you, think not about peckers and boobs and all that nonsense and your Heavenly Father will see that you meet a good woman and marry her, just as I do for the sparrow and walleye - yea verily, even the night-crawler and the eelpout. But I've told you this over and over for nineteen centuries. And now, verily, it's too late. Time's up, buster. Lights out! Game's over!

The paintings that laughed at him merrily from the walls were like nothing he had ever seen or dreamed of. Gone were the flat, thin surfaces. Gone was the sentimental sobriety. Gone was the brown gravy in which Europe had been bathing its pictures for centuries. Here were pictures riotously mad with the sun. With light and air and throbbing vivacity. Paintings of ballet girls backstage, done in primitive reds, greens, and blues thrown next to each other irreverantly. He looked at the signature. Degas.

-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you

You and Wes," she said, triumphant, "are just likethis ." She was holding a book, a paperback romance. The title, emblazoned in gold across the cover, wasForbidden , and the picture beneath it was of a man in a pirate outfit, eye patch and all, clutching a small, extremely busty woman to his chest. In the background, there was a deserted island surrounded by blue water. "We're pirates?" I said. She tapped the book with one fingernail. "This story," she said, "is all about two people who can't be together because of other circumstances. But secretly, they pine and lust for each other constantly, the very fact that their love is forbidden fueling their shared passion." "Did you just make that up?" "No," she said, flipping the book over to read the back cover. "It's right here! And it's totally you and Wes. You can't be together, which is exactly why you want to be. And why you can't admit it to us, because that would make it less secret and thus less passionate.

As my friend Amy observed: "Divorce is like a Polaroid picture. What truly happened will develop over time and you will see.

So what's the big picture about our lust for sex? We're not trying to acquire something. We want to feel something: Alive. Electrically, intensely, blazingly alive. Good. Bad. Pleasure. Pain. Bring it on--all of it. For people who live small, I guess enough of that can be found in sex. But for those of us who live large, the most alive we ever feel is when we're punching air with a fist, uncurling our middle finger with a cool smile, and flipping Death the big old bird.

For me the real evil of masturbation would be that it takes an appetite which, in lawful use, leads the individual out of himself to complete (and correct) his own personality in that of another (and finally in children and even grandchildren) and turns it back: sends the man back into the prison of himself, there to keep a harem of imaginary brides. And this harem, once admitted, works against his ever getting out and really uniting with a real woman. For the harem is always accessible, always subservient, calls for no sacrifices or adjustments, and can be endowed with erotic and psychological attractions which no real woman can rival. Among those shadowy brides he is always adored, always the perfect lover: no demand is made on his unselfishness, no mortification ever imposed on his vanity. In the end, they become merely the medium through which he increasingly adores himself . . . . And it is not only the faculty of love which is thus sterilized, forced back on itself, but also the faculty of imagination. The true exercise of imagination, in my view, is (a) To help us to understand other people (b) To respond to, and, some of us, to produce, art. But it has also a bad use: to provide for us, in shadowy form, a substitute for virtues, successes, distinctions etc. which ought to be sought outside in the real world—e.g. picturing all I’d do if I were rich instead of earning and saving. Masturbation involves this abuse of imagination in erotic matters (which I think bad in itself) and thereby encourages a similar abuse of it in all spheres. After all, almost the main work of life is to come out of our selves, out of the little, dark prison we are all born in. Masturbation is to be avoided as all things are to be avoided which retard this process. The danger is that of coming to love the prison.

Love. It has always seemed to me that love is a combination of lust and pity. (...) I've got to have some feelings of pity for a girl to love her. She's got to have a fragile quality of some sort.

Guenever never cared for God. She was a good theologian, but that was all. The truth was that she was old and wise: she knew that Lancelot did care for God most passionately, that it was essential he should turn in that direction. So, for his sake, to make it easier for him, the great queen now renounced what she had fought for all her life, now set the example, and stood to her choice. She had stepped out of the picture. Lancelot guessed a good deal of this, and, when she refused to see him, he climbed the convent wall with Gallic, ageing gallantry. He waylaid her to expostulate, but she was adamant and brave. Something about Mordred seems to have broken her lust for life. They parted, never to meet on earth.

The biggest spur to my interest in art came when I played van Gogh in the biographical film Lust For Life. The role affected me deeply. I was haunted by this talented genius who took his own life, thinking he was a failure. How terrible to paint pictures and feel that no one wants them. How awful it would be to write music that no one wants to hear. Books that no one wants to read. And how would you like to be an actor with no part to play, and no audience to watch you. Poor Vincent—he wrestled with his soul in the wheat field of Auvers-sur-Oise, stacks of his unsold paintings collecting dust in his brother's house. It was all too much for him, and he pulled the trigger and ended it all. My heart ached for van Gogh the afternoon that I played that scene. As I write this, I look up at a poster of his "Irises"—a poster from the Getty Museum. It's a beautiful piece of art with one white iris sticking up among a field of blue ones. They paid a fortune for it, reportedly $53 million. And poor Vincent, in his lifetime, sold only one painting for 400 francs or $80 dollars today. This is what stimulated my interest in buying works of art from living artists. I want them to know while they are alive that I enjoy their paintings hanging on my walls, or their sculptures decorating my garden

I don't think I could ever live with either a man or a woman for a long time. Male and female are attractive to my mind, but when it comes to the sexual act I am afraid. In every situation I need a lot of stimulation before I am conquered by the forces of passion and lust. But confusion, before and after, is the dominant factor. I dreamed many times about a mature man with experience who would have the vigour of a boy but an adult's polished methods. Strangely enough, I also dreamed about women of my mother's age who were ideal lovers. These dreams came superimposed on one another. Sometimes the masculine element was dominant, sometimes the feminine one. At other times I wasn't sure. I saw a female body with male organs or a male body with female ones. These pictures, blended together in my mind, occasionally brought pleasure but more often pain.

Nina continued staring at Carrie but didn’t say anything. How was it that this woman could shout out every thought running through her head? Why was it that Carrie Soto felt so entitled to scream? In that moment, Nina was not mad or jealous or embarrassed or anything else she might have expected. Nina was sad. Sad that she’d never lived a fraction of a second like Carrie Soto. What a world she must live in, Nina thought, where you can piss and moan and stomp your feet and cry in public and yell at the people who hurt you. That you can dictate what you will and will not accept. Nina, her entire life, had been programmed to accept. Accept that your father left. Accept that your mother is gone. Accept that you must take care of your siblings. Accept that the world wants to lust after you. Accept accept accept. For so long, Nina believed it was her greatest strength - that she could withstand, that she could endure, that she would accept it all and keep going. It was so foreign to her, the idea of declaring that something was unacceptable. Nina thought of herself driving to someone else’s house to scream on their front lawn while a whole party’s worth of people watched. It was so impossible that she couldn’t even summon a mental picture. But Carrie had this fire within her. Where was Nina’s fire? Had it ever been there? And if so, when did it go out? Her husband had slept with Carrie last night and then Nina had taken him back this evening. What was wrong with her? Was she just going to accept it all? Just accept every piece of bullshit thrown at her for the rest of her life?

He desired her and, so far as her virginal emotions went, she contemplated a surrender with equanimity. Yet she knew she would forget him half an hour after she left him - like an actor kissed in a picture.

So you take her to the pictures, trying to become a fixture. Inch by inch trying to reach her, all the way through the second feature. Worrying about your physical fitness, tell me how you got this sickness?

Do you call yourself an artist?” “Yes.” “How absurd. You never sold a picture in your life.” “Is that what being an artist means—selling? I thought it meant one who was always seeking without absolutely finding. I thought it means the contrary from ‘I know it, I have found it.’ When I say I am an artist, I only mean

Portland was a dream both in the literal sense and the metaphorical sense, both tangible and not - a fleeting affair you want to hold on to but can't, so you try memorizing her every detail only to fail to do so in the consumption, in the savoring, in the absorbing of yourself into her. When she's gone, she comes to you in snippets, replaying in your mind like a fragmented picture show.

Memory is not to remember; memory is the job of calendars. To remember is to ache, yearn, lust, feel - hear a song and how does your heart sing? A poem, and what stirs? A picture of a loved one - do you tremble? Remembrance! That is remembrance!” Chapter 8, Exit Eleonora

I understand how people come to such conclusions. They see the church painting ugliness, arrogance, and lust on the canvas of this world, and so they walk or run away. There’s only one way to address this: We need to be painting different pictures—of justice, mercy, love, hospitality, celebration, and hope.

Joey was waiting in his grandmother’s living room, next to the wall of family pictures. “Everyone here loves you so much,” he said quietly, as I continued to hyperventilate, tears streaming down my cheeks. “And they have good reason. You’re wonderful, and no one’s ever made me feel more at home than you have. I want to be your home, and I want to do it forever. I want you to be my family. Will you marry me?” He got on one knee and opened the velvet box; in it was a beautiful ring I’d lusted after with my best friends. I yelled, “Oh my God, Joey, NO! That’s a diamond! This must have been so expensive! You should have gotten a cubic zirconia!” But also, I said yes.

For out of it all rose the vague, crude picture of woman as the prey of man. Man was animal, a composite of lust and cruelty, with no aim but that of brutally taking his pleasure: something monstrous, yet to be adored; annihilating, yet to be sought after; something to flee and, at the same time, to entice, with every art at one's disposal.

I need her so much I feel like I’m going to disintegrate into a pile of lustful ash if I don’t touch her soon, but I force myself to stand still, memorizing this moment, etching each detail into my brain. This is a memory I want to keep for the rest of my life. This is one of the pictures I want to flash before my eyes when I’m fighting for my final breath. She’s

Picture this: Two people are in a room. One’s a sociopath, one’s not. Who has the advantage? The sociopath. Because it knows it’s a sociopath. The empath doesn’t. The empath thinks they’re playing by the same rules. They aren’t. They aren’t even playing the same game. There are no rules with a sociopath. There’s only— DESIRE, LUST, GREED, AND THE PATH WE CHOOSE TO SUPREMACY.

She could imagine how it would be. That was the worst part. The suggestive taunts that made her feel clumsy and hyper-vigilant, the soft touches that could spring like a trap—they painted a very vivid picture of what it would be like to fuck him, yes. He would not be nice or gentle, but he would be good, and he would gore her heart like any other trophy in this place just as soon as he was done playing with it.

Late-Flowering Lust My head is bald, my breath is bad, Unshaven is my chin, I have not now the joys I had When I was young in sin. I run my fingers down your dress With brandy-certain aim And you respond to my caress And maybe feel the same. But I've a picture of my own On this reunion night, Wherein two skeletons are shewn To hold each other tight; Dark sockets look on emptiness Which once was loving-eyed, The mouth that opens for a kiss Has got no tongue inside. I cling to you inflamed with fear As now you cling to me, I feel how frail you are my dear And wonder what will be-- A week? or twenty years remain? And then--what kind of death? A losing fight with frightful pain Or a gasping fight for breath? Too long we let our bodies cling, We cannot hide disgust At all the thoughts that in us spring From this late-flowering lust.

It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.

There was a time," he said, "when I enjoyed a great deal of female companionship. But then you put me in a cage with those damned letters of yours." "I'm not understanding you." "All the men believed I had a devoted sweetheart. They looked up to me, believed me loyal and devoted, too. None of them wanted to see that falter. They chased the camp-followers away from my tenet. The other officers went to brothels and left me to mind the camp. Our champlain passed more time with the ladies than I did." Agitated, he pushed a hand through his hair. "I haven't lain with a woman since what feels like Old Testament times." She smiled a little. "Are you saying you were faithful to me?" He rolled his eyes. "Not on purpose. dinna dress it up as something, it's not." "Believe me, I'm trying very hard to not do that. But I have too much imagination. Now I'm picturing you huddled by a lonesome campfire while all the other officers are out carousing. You're holding one of my letters and caressing it like a lovesick..." No, no, no. Logan had to put a stop to that notion, here and now. His hands went to her waist and he pulled her close, startling a little gasp from her. Her body met his, soft and warm. "What I'm saying isna romantic. It's raw, primal, and entirely crude." He lowered his voice toa growl. "You Madeline Gracechurch, have been driving me slowly mad with lust. For years.

Joey was waiting in his grandmother’s living room, next to the wall of family pictures. “Everyone here loves you so much,” he said quietly, as I continued to hyperventilate, tears streaming down my cheeks. “And they have good reason. You’re wonderful, and no one’s ever made me feel more at home than you have. I want to be your home, and I want to do it forever. I want you to be my family. Will you marry me?” He got on one knee and opened the velvet box; in it was a beautiful ring I’d lusted after with my best friends.

When you look at her what do you feel?” “Are you fucking serious? Forget it.” He can kiss my ass if he wants to start talking feelings with me. “You obviously want it for a reason.” “I want a picture to jack off to. What do you care?” I keep drawing so I don’t have to look at him, but I’m mutilating the sketch I’m working on. I’ll have to start over, but I don’t care. “Joy, fear, frustration, longing, friendship, anger, need, despair, love, lust?” “Yes.” “Yes, what?” “All of it,” I reply, because I’m all in now whether I like it or not.

Truth and facts are not the same, because facts alone don't make the truth. Truth requires insight, truth requires wisdom. Facts can contribute to that insight and wisdom, but access to facts doesn't necessarily entail access to wisdom. The best example I can think of is that of love. Love is truth, whereas lust is fact. Lust may be a part of love, but it's not the whole of love. In fact, in many cases lust is not even part of the picture. The same goes for truth and facts. Fact is a state of matter, truth is a state of mind. Matter makes the mind - sure - but to fathom the matter behind mind in its fullest intricacies will take us millennia more.

And the sceptic’s conclusion that the so-called spiritual is really derived from the natural, that it is a mirage or projection or imaginary extension of the natural, is also exactly as we should expect; for, as we have seen, this is the mistake which an observer who knew only the lower medium would be bound to make in any case of Transposition. The brutal man never can by analysis find anything but lust in love; the Flatlander never can find anything but flat shapes in a picture; physiology never can find anything in thought except twichings of the grey matter. It is no good browbeating the critic who approaches a Transposition form below. On the evidence available to him his conclusion is the only one possible. Everything is different when you approach a Transposition from above.

are in men! When they are poor and needy, they seek riches, and when they have them, they do not enjoy them, but hide them under ground, or else wastefully spend them. O wise Hippocrates, I laugh at such things being done, but much more when no good comes of them, and when they are done to so ill purpose. There is no truth or justice found amongst them, for they daily plead one against another,{238} the son against the father and the mother, brother against brother, kindred and friends of the same quality; and all this for riches, whereof after death they cannot be possessors. And yet notwithstanding they will defame and kill one another, commit all unlawful actions, contemning God and men, friends and country. They make great account of many senseless things, esteeming them as a great part of their treasure, statues, pictures, and such like movables, dear bought, and so cunningly wrought, as nothing but speech wanteth in them,{239} and yet they hate living persons speaking to them.{240} Others affect difficult things; if they dwell on firm land they will remove to an island, and thence to land again, being no way constant to their desires. They commend courage and strength in wars, and let themselves be conquered by lust and avarice; they are, in brief, as disordered in their minds, as Thersites was in his body. And now, methinks, O most worthy Hippocrates, you should not reprehend my laughing, perceiving so many fooleries in men;{241} for no man will mock his own folly, but that which he seeth in a second, and so they justly mock one another. The drunkard calls him a glutton whom he knows to be sober. Many men love the sea, others husbandry; briefly, they cannot agree in their own trades and professions, much less in their lives and actions.

Look, you might be a very intelligent AF. But there’s a lot you don’t know. If you only ever listen to Josie’s side of things, you’ll never get the whole picture. And it’s not just about Mum. Josie’s always trying to trap me now.’ ‘Trap you?’ ‘You must have heard. She’s always doing it now. Either she accuses me of thinking about that stuff too much. Or she’s offended because I don’t think about her enough in that way. Always trapping me, whatever I say. She claims I’m always lusting after these girls I can see on my DS, then the next time she brings it up, and I don’t react, she says there’s something wrong with me, I’m not being natural. She keeps talking about how we knew each other too well when we were children and so the whole sex thing might not even work with us. Whatever I try to say or do, it’s wrong and I get trapped. And the way she goes on about Mum. It’s going too far. Plan or no plan, that’s just not fair.

Some of the pictures have knife slashes across the bodies. Along the ribs. Some of them neatly decapitate the head of the naked body with scratches. These exist alongside the genuine scars mentioned before, the appendix scar and other non-surgical. They reflect each other, the eye moves back and forth. The cuts add a three-dimensional quality to each work. Not just physically, though you can almost see the depth of the knife slashes, but also because you think of Bellocq wanting to enter the photographs, to leave his trace on the bodies. When this happened, being too much of a gentleman to make them pose holding or sucking his cock, the camera on a timer, when this happened he had to romance them later with a knife. You can see the care he took defiling the beauty he had forced in them was as precise and clean as his good hands which at night had developed the negatives, floating the sheets in the correct acids and watching the faces and breasts and pubic triangles and sofas emerge. The making and destroying coming from the same source, same lust, same surgery his brain was capable of.

When it comes to porn, women have to be particularly aware of the effect it has on men. While studies have found that both men and women are more open to straying after viewing porn, this impacts men a lot more than women, as does relationship dissatisfaction in general. While many women can watch porn and still maintain intimacy with their partner, men struggle to do the same. Their thoughts are fixated on images more than women's are. One study found that men considered their partners less attractive after viewing sexually explicit pictures of other women. Researchers believe this is because exposure to these images causes men to undergo a kind of rewiring in their brain about what a typical naked body should look like. So while women might be able to view porn and honestly say it doesn't affect how they view their partner, they can't assume the same is true for their guy. He might not admit it or even realize it, but studies have shown this to be true and it fits with a man's highly visual nature. If a woman doesn't want another woman in her partner's thoughts, she shouldn't tolerate him watching porn - not when he's alone or even with her.

We are nobler. Loyalty, magnanimity, care for one's reputation: these three united in a single disposition we call noble, and in this quality we excel the Greeks. Let us not abandon it, as we might be tempted to do as a result of feeling that the ancient objects of these virtues have lost in estimation (and rightly), but see to it that this precious inherited drive is applied to new objects. To grasp how, from the viewpoint of our own aristocracy, which is still chivalrous and feudal in nature, the disposition of even the noblest Greeks has to seem of a lower sort and, indeed, hardly decent, one should recall the words with which Odysseus comforted himself in ignominious situations: 'Endure it, my dear heart! you have already endured the lowest things!' And, as a practical application of this mythical model, one should add the story of the Athenian officer who, threatened with a stick by another officer in the presence of the entire general staff, shook this disgrace from himself with the words: 'Hit me! But also hear me!' (This was Themistocles, that dextrous Odysseus of the classical age, who was certainly the man to send down to his 'dear heart' those lines of consolation at so shameful a moment.) The Greeks were far from making as light of life and death on account of an insult as we do under the impress of inherited chivalrous adventurousness and desire for self-sacrifice; or from Seeking out opportunities for risking both in a game of honour, as we do in duels; or from valuing a good name (honour) more highly than the acquisition of a bad name if the latter is compatible with fame and the feeling of power; or from remaining loyal to their class prejudices and articles of faith if these could hinder them from becoming tyrants. For this is the ignoble secret of every good Greek aristocrat: out of the profoundest jealousy he considers each of his peers to stand on an equal footing with him, but is prepared at any moment to leap like a tiger upon his prey, which is rule over them all: what are lies, murder, treachery, selling his native city, to him then! This species of man found justice extraordinarily difficult and regarded it as something nearly incredible; 'the just man' sounded to the Greeks like 'the saint' does among Christians. But when Socrates went so far as to say: 'the virtuous man is the happiest man' they did not believe their ears and fancied they had heard something insane. For when he pictures the happiest man, every man of noble origin included in the picture the perfect ruthlessness and devilry of the tyrant who sacrifices everyone and everything to his arrogance and pleasure. Among people who secretly revelled in fantasies of this kind of happiness, respect for the state could, to be sure, not be implanted deeply enough but I think that people whose lust for power no longer rages as blindly as that of those noble Greeks also no longer require the idolisation of the concept of the state with which that lust was formerly kept in check.

The sinner, which I am and which you are, is a sinner, but in times to come he will be Brahma again, he will reach the Nirvana, will be Buddha — and now see: these 'times to come' are a deception, are only a parable! The sinner is not on his way to become a Buddha, he is not in the process of developing, though our capacity for thinking does not know how else to picture these things. No, within the sinner is now and today already the future Buddha, his future is already all there, you have to worship in him, in you, in everyone the Buddha which is coming into being, the possible, the hidden Buddha. The world, my friend Govinda, is not imperfect, or on a slow path towards perfection: no, it is perfect in every moment, all sin already carries the divine forgiveness in itself, all small children already have the old person in themselves, all infants already have death, all dying people the eternal life. It is not possible for any person to see how far another one has already progressed on his path; in the robber and dice-gambler, the Buddha is waiting; in the Brahman, the robber is waiting. In deep meditation, there is the possibility to put time out of existence, to see all life which was, is, and will be as if it was simultaneous, and there everything is good, everything is perfect, everything is Brahman. Therefore, I see whatever exists as good, death is to me like life, sin like holiness, wisdom like foolishness, everything has to be as it is, everything only requires my consent, only my willingness, my loving agreement, to be good for me, to do nothing but work for my benefit, to be unable to ever harm me. I have experienced on my body and on my soul that I needed sin very much, I needed lust, the desire for possessions, vanity, and needed the most shameful despair, in order to learn how to give up all resistance, in order to learn how to love the world, in order to stop comparing it to some world I wished, I imagined, some kind of perfection I had made up, but to leave it as it is and to love it and to enjoy being a part of it. — These, oh Govinda, are some of the thoughts which have come into my mind.

Listen well, my dear, listen well! The sinner, which I am and which you are, is a sinner, but in times to come he will be Brahma again, he will reach the Nirvana, will be Buddha—and now see: these "times to come" are a deception, are only a parable! The sinner is not on his way to become a Buddha, he is not in the process of developing, though our capacity for thinking does not know how else to picture these things. No, within the sinner is now and today already the future Buddha, his future is already all there, you have to worship in him, in you, in everyone the Buddha which is coming into being, the possible, the hidden Buddha. The world, my friend Govinda, is not imperfect, or on a slow path towards perfection: no, it is perfect in every moment, all sin already carries the divine forgiveness in itself, all small children already have the old person in themselves, all infants already have death, all dying people the eternal life. It is not possible for any person to see how far another one has already progressed on his path; in the robber and dice-gambler, the Buddha is waiting; in the Brahman, the robber is waiting. In deep meditation, there is the possibility to put time out of existence, to see all life which was, is, and will be as if it was simultaneous, and there everything is good, everything is perfect, everything is Brahman. Therefore, I see whatever exists as good, death is to me like life, sin like holiness, wisdom like foolishness, everything has to be as it is, everything only requires my consent, only my willingness, my loving agreement, to be good for me, to do nothing but work for my benefit, to be unable to ever harm me. I have experienced on my body and on my soul that I needed sin very much, I needed lust, the desire for possessions, vanity, and needed the most shameful despair, in order to learn how to give up all resistance, in order to learn how to love the world, in order to stop comparing it to some world I wished, I imagined, some kind of perfection I had made up, but to leave it as it is and to love it and to enjoy being a part of it.—These, oh Govinda, are some of the thoughts which have come into my mind.

(...) the farming districts, the civilized world over, are dependent upon the cities for the gathering of the harvests. Then it is, when the land is spilling its ripe wealth to waste, that the street folk, who have been driven away from the soil, are called back to it again. But in England they return, not as prodigals, but as outcasts still, as vagrants and pariahs, to be doubted and flouted by their country brethren, to sleep in jails and casual wards, or under the hedges, and to live the Lord knows how. It is estimated that Kent alone requires eighty thousand of the street people to pick her hops. And out they come, obedient to the call, which is the call of their bellies and of the lingering dregs of adventure- lust still in them. Slum, stews, and ghetto pour them forth, and the festering contents of slum, stews, and ghetto are undiminished. Yet they overrun the country like an army of ghouls, and the country does not want them. They are out of place. As they drag their squat, misshapen bodies along the highways and byways, they resemble some vile spawn from underground. Their very presence, the fact of their existence, is an outrage to the fresh bright sun and the green and growing things. The clean, upstanding trees cry shame upon them and their withered crookedness, and their rottenness is a slimy desecration of the sweetness and purity of nature. Is the picture overdrawn? It all depends. For one who sees and thinks life in terms of shares and coupons, it is certainly overdrawn. But for one who sees and thinks life in terms of manhood and womanhood, it cannot be overdrawn. Such hordes of beastly wretchedness and inarticulate misery are no compensation for a millionaire brewer who lives in a West End palace, sates himself with the sensuous delights of London's golden theatres, hobnobs with lordlings and princelings, and is knighted by the king. Wins his spurs- God forbid! In old time the great blonde beasts rode in the battle's van and won their spurs by cleaving men from pate to chin. And, after all, it is far finer to kill a strong man with a clean-slicing blow of singing steel than to make a beast of him, and of his seed through the generations, by the artful and spidery manipulation of industry and politics.

Dear God, We have failed you, we have failed you miserably. From eating animals to becoming animals, from cutting trees to cutting our conscience we have failed you. Your Kindness saved us time and again and You out of your most benevolent mercy tried to show us that Humanity means Humility, that we Your dear creation is capable of so much of Love and Grace after all You made us with your Light, that this world can always come back to Love, that Fear can always be overcome by Kindness, that Strength is always embedded within, that Courage lies in Forgiveness, yet did we listen in with our hearts? Perhaps, perhaps not. You sent us a pandemic to teach us the value of lives and how You United this world and healed this Earth through suffering yet did we learn the value of lives? No, we failed. There is a war going on in a beautiful country, and an economic meltdown in another, and so many other nations are fighting their own unknown battles just like every human being, and yet we fail to tickle our conscience, we fail to see how we have literally ruined this world and made demons out of your beautiful creation of humankind succombing to greed, lust and anger, oh how we have failed! We have failed in absolute disgrace where we don't see the tears of children, the lost smiles of our fellow neighbours and the numb dreams of almost everyone because we have locked the doors of our heart in false pictures of camouflaged pleasures, we indeed have failed you, we have failed us. Yet Your kindness knows no bound, your Love is infinite and your Grace is eternal, forgive us, dear Father and grant us, this Humankind the knowledge and understanding to act as Humans again. Fill those angry hearts with healing, those hurt souls with the grace of forgiveness and above all let your world know your true Nature by giving the strength of Courage in those hearts who walk in your Light, to stand by what is right without the shackles of Fear. Oh, the Kindest of All, may You strengthen the Truth and lead the Light bearers of Love ahead through Your Mercy to win over a world that is slowly crawling into a deep cavern of Hate, a world that was once created to nourish and nurture the different faces of Love, a world that is failing and falling frail in every passing moment, You alone are our only Hope. We know we have failed you miserably and as we keep failing you, I know more than ever that Your Grace will find us through and once again You will save us, because we may fail as children but You won't fail your children as the most Loving Father. - a soul traveling through this beautiful Universe of your making.

In the face of legalized pornography, the conscience of America seems to be paralyzed. More serious than our fakery in art, literature, and pictures is the collapse of our moral standards and the blunting of our capacity as a nation for righteous indignation.

Now I’ve come to understand love and lust are commonly misunderstood. I let my own desires blind me from the big picture.

There was just something about her that I found intriguing, even compelling. It was not that she was a famous actress—I’d had no idea who she was, had to be told that she was, in fact, a star. Celebrity had never interested me before, and I was quite sure it didn’t now. And I was certainly far too set in my wicked ways to be interested in any kind of dalliance that was merely sexual. When Dexter has a fling, his partner’s afterglow lasts forever. And yet there was Jackie, crowding the screen in my private internal television, tossing her mane of perfect hair and smiling just for me with a gleam of intelligent amusement in her eyes, and for some maddening reason I liked it and I wanted to— Wanted to what? Touch her, kiss her, whisper sweet nothings in her perfect shell-like ear? It was absurd, a cartoon picture, Dexter in Lust. Such things did not happen to our Dreadful Dark Scout. I was beyond the reach of mere mortal desire. I did not feel it, couldn’t feel it; I never had, didn’t want to—and whatever the thought of Jackie Forrest might be doing to me, I never would. This was no more than a Method-actor moment, a fleeting identification with the killer, a confusion of roles, almost certainly brought on because the process of digesting pork had taken all the blood away from my brain.

One often hears that between the thirteenth and eighteenth centuries, Indo-Muslim states, driven by a Judeo-Islamic “theology of iconoclasm,” by fanaticism, or by sheer lust for plunder, wantonly and indiscriminately indulged in the desecration of Hindu temples. Such a picture, however, cannot be sustained by evidence from original sources for the period after 1192. Had instances of temple desecration been driven by a “theology of iconoclasm,” as some have claimed, such a theology would have committed Muslims in India to destroying all temples everywhere, including ordinary village temples, as opposed to the highly selective operation that seems actually to have taken place.

Plays, farces, spectacles, gladiators, strange beasts, medals, pictures, and other such opiates, these were for ancient peoples the bait toward slavery, the price of their liberty, the instruments of tyranny. By these practices and enticements the ancient dictators so successfully lulled their subjects under the yoke, that the stupefied peoples, fascinated by the pastimes and vain pleasures flashed before their eyes, learned subservience as naively, but not so creditably, as little children learn to read by looking at bright picture books. Roman tyrants invented a further refinement. They often provided the city wards with feasts to cajole the rabble, always more readily tempted by the pleasure of eating than by anything else. The most intelligent and understanding amongst them would not have quit his soup bowl to recover the liberty of the Republic of Plato. Tyrants would distribute largess, a bushel of wheat, a gallon of wine, and a sesterce: and then everybody would shamelessly cry, “Long live the King!” The fools did not realize that they were merely recovering a portion of their own property, and that their ruler could not have given them what they were receiving without having first taken it from them. A man might one day be presented with a sesterce and gorge himself at the public feast, lauding Tiberius and Nero for handsome liberality, who on the morrow, would be forced to abandon his property to their avarice, his children to their lust, his very blood to the cruelty of these magnificent emperors, without offering any more resistance than a stone or a tree stump. The mob has always behaved in this way---eagerly open to bribes that cannot be honorably accepted, and dissolutely callous to degradation and insult that cannot be honorably endured. Nowadays I do not meet anyone who, on hearing mention of Nero, does not shudder at the very name of that hideous monster, that disgusting and vile pestilence. Yet when he died---when this incendiary, this executioner, this savage beast, died as vilely as he had lived---the noble Roman people, mindful of his games and his festivals, were saddened to the point of wearing mourning for him.

What an opportunity the senior Bachchan lost to make a difference to the prejudiced heads by making a statement against the mangalik nonsense. Oh how small really the Big B is, and how big the media made Diana the small. It’s incredible how her quest for lust was portrayed as her search for love! No faulting her taking a lover on the rebound as her man thrust a rival into her marital life but for the media to picture her bed hopping as her craving for love is galling indeed. Why in picturing Diana as the icon of love the media made lust a synonym of love and what’s worse, it made a villain out of her man who embodies the best of love that is constancy.

The familiar picture of man in the last centuries was one of a rational being whose actions were determined by his self-interest and the ability to act according to it. Even writers like Hobbes, who recognized lust for power and hostility as driving forces in man, explained the existence of these forces as a logical result of self-interest: since men are equal and thus have the same wish for happiness, and since there is not enough wealth to satisfy them all to the same extent, they necessarily fight against each other and want power to secure the future enjoyment of what they have at present. But Hobbe's picture became outmoded.

4. Random examples of items which are part of the canon of Camp: Zuleika Dobson Tiffany lamps Scopitone films The Brown Derby restaurant on Sunset Boulevard in LA The Enquirer, headlines and stories Aubrey Beardsley drawings Swan Lake Bellini's operas Visconti's direction of Salome and 'Tis Pity She's a Whore certain turn-of-the-century picture postcards Schoedsack's King Kong the Cuban pop singer La Lupe Lynn Ward's novel in woodcuts, God's Man the old Flash Gordon comics women's clothes of the twenties (feather boas, fringed and beaded dresses, etc.) the novels of Ronald Firbank and Ivy Compton-Burnett stag movies seen without lust

Where does the road to ruin start? That’s the point of getting all this down, I’m told. To get the handle on some choice you made. Or was made for you. By the bullies that curdled your heart’s milk and honey, or the ones that went before and curdled theirs. Hell, let’s blame the coal guys, or whoever wrote the book of Lee County commandments: Thou shalt forsake all things you might love or study on, books, numbers, a boy’s life made livable in pictures he drew. Leave these ye redneck faithful, to chase the one star left shining on this place: manly bloodthirst. The smell of mauled sod and sweat and pent-up lust and popcorn. The Friday-night lights.

Seriously. Do you believe in love at first sight?” “No.” I shake my head. “But I do believe you’ve mixed a little too much whiskey and Benadryl, and it’s making you say things you’re going to regret in the morning.” “Can’t regret the truth. And you can’t run from it either. It’s always going to be staring you in the face until you finally accept it.” “Love at first sight,” I repeat, trying to picture it. “I believe in love at first sight,” he says. “I loved you the first moment I met you.” “That’s called lust.” “Nope.” “Lust fades out. Whatever you planted in my chest just keeps growing, no matter how much my demons try to hack it away. I loved you the first time I saw you, and nothing’s ever going to make that stop.

Mark, at dinner, said he’d been re-reading “Anna Karenina”. Found it good, as novels go. But complained of the profound untruthfulness of even the best imaginative literature. And he began to catalogue its omissions. Almost total neglect of those small physiological events that decide whether day-to-day living shall have a pleasant or unpleasant tone. Excretion, for example, with its power to make or mar the day. Digestion. And, for the heroines of novel and drama, menstruation. Then the small illnesses—catarrh, rheumatism, headache, eyestrain. The chronic physical disabilities—ramifying out (as in the case of deformity or impotence) into luxuriant insanities. And conversely the sudden accessions, from unknown visceral and muscular sources, of more than ordinary health. No mention, next, of the part played by mere sensations in producing happiness. Hot bath, for example, taste of bacon, feel of fur, smell of freesias. In life, an empty cigarette-case may cause more distress than the absence of a lover; never in books. Almost equally complete omission of the small distractions that fill the greater part of human lives. Reading the papers; looking into shops; exchanging gossip; with all the varieties of day-dreaming, from lying in bed, imagining what one would do if one had the right lover, income, face, social position, to sitting at the picture palace passively accepting ready-made day-dreams from Hollywood Lying by omission turns inevitably into positive lying. The implications of literature are that human beings are controlled, if not by reason, at least by comprehensible, well-organized, avowable sentiments. Whereas the facts are quite different. Sometimes the sentiments come in, sometimes they don’t. All for love, or the world well lost; but love may be the title of nobility given to an inordinate liking for a particular person’s smell or texture, a lunatic desire for the repetition of a sensation produced by some particular dexterity. Or consider those cases (seldom published, but how numerous, as anyone in a position to know can tell!), those cases of the eminent statesmen, churchmen, lawyers, captains of industry—seemingly so sane, demonstrably so intelligent, publicly so high-principled; but, in private, under irresistible compulsion towards brandy, towards young men, towards little girls in trains, towards exhibitionism, towards gambling or hoarding, towards bullying, towards being whipped, towards all the innumerable, crazy perversions of the lust for money and power and position on the one hand, for sexual pleasure on the other. Mere tics and tropisms, lunatic and unavowable cravings—these play as much part in human life as the organized and recognized sentiments. And imaginative literature suppresses the fact. Propagates an enormous lie about the nature of men and women.

he could not remember ever having seen a woman as beautiful. It was as though he had scattered a pile of dead, brittle leaves and uncovered a blue lotus in full bloom, radiant and hypnotic against the decay. But he felt no urge to move any closer to her. His fingers did not itch to touch her; his mouth, gone dry at the sight of her, did not seek the moisture of her lips. This woman, dressed in a tight, black skirt, a black, mesh-sleeved blouse, and studded choker around her throat, with teased, brown hair framing her light brown face, was like a vision granted to him by one of the gods he had read of in his books. A vision he saw in his soul—if, indeed, he had one—and not with his eyes. It was not lust that held him. No, something deep within him, something that he fought to put words to and could not, knew her. Some fragment of a dream . . . maybe some vague resemblance to a picture I’ve seen online, or in a magazine.

As I recall,” he said as his fingertip skimmed the tops of her breasts, “I enjoy the sounds a woman makes when I pleasure her.” “Ye’d not enjoy these sounds.” She slapped his hand away. “And if ye take me, there’d be no pleasure.” “As a maid, ye canna know that,” he said, lifting one of the long locks of her chestnut hair to his lips and inhaling her scent. “And I dinna think ye’ll scream, not in the way ye mean, in any case.” “Ye’d have to tie me up and force yourself on me, because I’d fight ye, tooth and claw,” she said with assurance. “Now there’s a thought,” he said. “I’ve heard some lassies enjoy being tied up.” He could picture her in his mind, bound tight, her breasts bared, her legs splayed with her soft core wet and ready. She’d be helpless before him. He’d make her beg for release. He stood and walked to his horse to retrieve a length of rope. “Shall we give it a try?” “No!” she said, scrabbling away. “Please, no.” “Dinna fret, Elspeth. I’ll no’ force ye,” he crooned softly, as if she were a frightened mare.

A young man married is a man that’s marred.’ That’s a golden rule, Arthur; take it to heart. Anne Hathaway, I have not a doubt, suggested it; experience is the sole abestos, only unluckily one seldom gets it before one’s hands are burnt irrevocably. Shakespeare took to wife the ignorant, rosy-cheeked, Warwickshire peasant girl, at eighteen! Poor fellow! I picture him, with all his untried powers, struggling like new-born Hercules for strength and utterance, and the great germ of poetry within him, tinging all the common realities of life with its rose hue; genius giving him power to see with God-like vision, the ‘fairies nestling in the cowslip chalices,’ and the golden gleam of Cleopatra’s sails; to feel the ‘spiced Indian air’ by night, and the wild working of kings’ ambitious lust; to know by intuition, alike the voices of nature unheard by common ears, and the fierce schemes and passions of a world from which social position shut him out!

So why deny ourselves… pleasure?” he whispered. Christina’s internal temperature soared. Her fear of him and her lust for him were fighting each other in her body—and lust, wanting, desire were suddenly winning. His hot words and his magnetic presence were wrapping themselves around her like a boa and squeezing the breath out of her. She was beginning to breathe harder—and faster—and she saw his eyes rivet to her chest as he watched her breasts underneath her blouse rising and falling to the rhythm of her increased breathing rate. “I… I think… you should go,” her voice came out in a breathy whisper. His gaze quickly came up to rest on her beautifully flushed face. “Okay, if that’s what you want.” “It is,” she breathed a sigh of relief at having him finally agree. “I’ll go then, but first let me at least give you this? I bought it just for you.” He held the diamond necklace out to her again. “Please?” Christina had been prepared to tell him ‘no’, but the soft, gentle way he had said the word ‘please’ did her in. He sounded like a little boy who had spent all day at school drawing a picture for the girl he liked and then she had rejected him and his gift. Okay—so she’d let him give her the necklace and then he’d leave. What harm was there in that? Bill took a few steps forward and Christina remained rooted to the spot. Slowly, he continued to approach her—as if she were a skittish colt who would bolt if he made any sudden moves. He reached her then—and stopped a foot away. Leisurely, he lifted the necklace and unclasped its opening. His slow, deliberate movements were mesmerizing Christina. Whether it was her fatigue at being up all night or her strong physical attraction to him or her love for him she didn’t know, but she was falling under his spell. Christina let her hands drop from her blouse, causing it to fall open and revealing her lacy pink bra. She then lifted her hair up off her neck and turned her back to him. She didn’t see him bridge the last few inches between them but she felt him. She saw his powerful arms come around from behind her and felt the weight of the cold, heavy necklace as he placed it around her neck. He snapped the clasp and from behind, he lowered his lips to her ears. “You look beautiful, my little spitfire,” he whispered and his breath erotically fanned the delicate insides of her ear. Christina briefly closed her eyes as she felt an intense longing for him shoot through her body. God—she wanted him so badly—and her lack of sleep had removed all her inhibitions, excuses, defenses and rationale against making love to him. Why hadn’t she wanted to make love with him before? She

As for you, you were dead in your transgressions and sins, in which you used to live when you followed the ways of this world and of the ruler of the kingdom of the air, the spirit who is now at work in those who are disobedient. All of us also lived among them at one time, gratifying the cravings of our sinful nature and following its desires and thoughts. Like the rest, we were by nature objects of wrath. But because of his great love for us, God, who is rich in mercy, made us alive with Christ even when we were dead in transgressions — it is by grace you have been saved. Again we see the contrast drawn so sharply between our ruin and God’s remedy. In verses 1-3, Paul described us as dead in our sins, under the sway of Satan, captivated by the world, prisoners of our own sinful lusts, and objects of God’s holy wrath. Could any picture be more dark, any background more contrasting?

Okay, so technically it was your second date, but you’d gotten together before that, and you’ve known him for a while. It’s not like he’s a total stranger. Do you love him?” “Yeah, I think I do. I mean, I guess. It feels like love, but maybe it’s just lust. But yeah, I think I’m in love with the guy.” “How do you know it’s love and not just infatuation? You were kind of blown away when he said he was interested. Maybe it’s more fascination and hero worshipping.” “Hero worshipping?  Seriously, work with me here. I mean, it feels real.” “Okay, so let’s figure this out. What kind of real is it? Like you want to have his babies real, or like if he lost a testicle, didn’t have a job, and couldn’t have sex anymore because he gained five hundred pounds and his asthma stopped him from having hot sex, you’d still be by his side real?” “What kind of question is that?” “You know what I’m saying, don’t be coy. If you just want babies, it’s still infatuation. If you’d sit by his side as he got his testicle removed and gained a bunch of weight and couldn’t find his dick to put it inside of you anymore, would you still want him?” “Sam!” “What? It’s a legitimate question. You don’t have questions like that to measure things?” “Not to that extreme.” “Seriously, there’s a method to my madness. Picture this, he can’t find his winky anymore, it’s hidden between his legs, he can’t reach, he’s out of breath when he tries, and the most you can do is blow him, like that’s it. He might diddle you time to time so you aren’t feeling too hopeless in the sex department, and he doesn’t want you straying. Would you still be there?” Becky sighed, going with the flow of the conversation. “Fine, yes, I’d still be with him. He’s more to me than some hard body to have sex with. I really like the guy. I like talking to him, laughing with him, and learning more about him.” “Nice. I think you may very well be in love, Becks. Now if you could find me a guy like that…” “The one that can’t find his wiener? Or someone to love?” “Hey, I’ll help him find his wiener if he’s awesome.

Smiling, she reached for the book. “I’d be happy to show it to you. It’s one of Arthur’s favorites.” Oh, what wicked fun. She was taunting him without mercy now, she realized, but his reaction was so entertaining— almost adorable —that she couldn’t help herself. When he said nothing, she plucked the book from his hands and flipped it to page forty, revealing a couple in a pose so erotic that even she raised a brow when she saw it again. She stepped closer, turning the book toward him as she tapped the illustration. “This is the one.” As he peered down at the picture, his eyes widened a fraction. She suppressed a grin as she sensed this very staid and proper vicar’s inability to look away, ensnared by his own carnal instincts. He examined the image for several seconds and then lifted his eyes to hers. Something unexpected— something primal — flashed in his expression then, and her knees wobbled and nearly buckled under the intensity of his gaze as it smoldered and bored into her soul. He gently tugged at the book, removing it from her grip, and in so doing, inadvertently brushed her fingers with his own. She wanted to pull away from him, but so help her, she could not break the contact, and suddenly, the tables turned. Suddenly, this was no longer her little game, her amusing trifle. Suddenly, it was very real. All humor vanished as she realized the joke was now very much on her.

Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me. Then again, we were walking toward a barn. Maybe it was a piece of furniture for the house we’d been working on--a love seat, perhaps. Oh, wouldn’t that be the most darling of wedding gifts? A love seat? I’ll bet it’s upholstered in cowhide, I thought, or maybe some old western brocade fabric. I’d always loved those fabrics in the old John Wayne movies. Maybe its legs are made of horns! It just had to be furniture. Maybe it was a new bed. A bed on which all the magic of the world would take place, where our children--whether one or six--would be conceived, where the prairie would ignite in an explosion of passion and lust, where… Or maybe it’s a puppy. Oh, yes! That has to be it, I told myself. It’s probably a puppy--a pug, even, in tribute to the first time I broke down and cried in front of him! Oh my gosh--he’s replacing Puggy Sue, I thought. He waited until we were close enough to the wedding, but he doesn’t want the pup to get any bigger before he gives it to me. Oh, Marlboro Man…you may have just zeroed in on what could possibly be the single most romantic thing you ever could have done for me. In my wildest dreams, I couldn’t have imagined a more perfect love gift. A pug would be the perfect bridge between my old world and my new, a permanent and furry reminder of my old life on the golf course. As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath.

Because glamour mythically opposes death and decay its ideal model of perfection is youth. The features of youth dictate many of the facets of glamour's criteria. Small snub noses, fair hair, smooth featureless skin, innocence, Picturing youth as a target of sexual lust inevitably encourages the sexual abuse of children.

Just picture yourself hungry, craving, lusting for a mouthful of gratifying taste.

If you made a piece of art—a picture—I’d look at your choice of medium, the colors you chose, your personal style, your skill level. I’d see a landscape, or a person, an event, or whatever you wanted to create, but I’d feel something else. People paint people they’re in love with and I feel the lust, the longing, the joy, the sadness. It’s a physical manifestation of someone going, Look! Look at how in love I am. But I don’t believe people can look at a painting and see love. I can see friendship, though. It’s hard to explain.” “Remind me not to paint you anything. I have a feeling you’re a harsh critic.