Lush Girl Quotes

Here's to the kids. The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party. Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them. Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars. Here's to the kids who never were too good at life, but still were wicked cool. Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life. Here's to the kids who care more about the music than the haircuts. Here's to the kids who have crushes on a stupid lush. Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night. Here's to the kids who have ever had a broken heart from someone who didn't even know they existed. Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so. Here's to the kids who spend their days in photobooths with their best friend(s). Here's to the kids who are straight up smartasses & just don't care. Here's to the kids who speak their mind. Here's to the kids who consider screamo their lullaby for going to sleep. Here's to the kids who second guess themselves on everything they do. Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that. Here's to the kids. This one's not for the kids, who always get what they want, But for the ones who never had it at all. It's not for the ones who never got caught, But for the ones who always try and fall. This one's for the kids who didnt make it, We were the kids who never made it. The Overcast girls and the Underdog Boys. Not for the kids who had all their joys. This one's for the kids who never faked it. We're the kids who didn't make it. They say "Breaking hearts is what we do best," And, "We'll make your heart be ripped of your chest" The only heart that I broke was mine, When I got My Hopes up too too high. We were the kids who didnt make it. We are the kids who never made it.

When we got to the marina we saw this beautiful boat named Tara waiting for us. Fredo, Carin, Ryan, Dan, Kenny, Allison, my mom, and me were all together to enjoy that extraordinary day. As the boat pulled away from the city, its skyline vanished into the horizon. The captain took us to this area where we sailed through caves and lush hilly landscapes. All of a sudden, the captain pushed the throttle all the way down and we started bombing across the water like we were in a James Bond movie. Everyone's hair was blowing all over the place, especially the girls'. Of course, mine was perfect (ha,ha), but theirs ended up looking like the worst case of bed head I've seen! It was so funny.

You are that girl. My safe place. My asymmetric happiness. My Edgar Allan Poe poem. You are my Smiths, and my favorite fantasy book, my brownie, and summer vacations in lush places. There will never be anyone else like you. And that’s exactly why you deserve someone better than me.

It is easy to become besotted with a willow. The Rapunzel of the plant world, this tree appears as a graceful princess bowed down by her lush tresses, waiting on the riverbank for someone just like you to come along and keep her company.

Usually, all of us have some kind of bad story seeds that eventually sprout into a solid harvest. If you want a lush, beautiful harvest, you must replant yourself from the inside. You must uproot all those bad seeds planted by others and plant new ones that will grow different stories inside you.

Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.

One day, I wish to find a man like in my books. He has to be just like in one of my books. And he has to love me, love me more than anything in the world. Most important of all, he has to think I’m beautiful.” “Lily, I need to tell you something.” Fazire was going to tell her about Becky’s wish and his mistake and let her look forward to something, let her look forward to the incomparable beauty she was going to be. Most of all, he had to stop her wish now. He didn’t want her wasting it on some fool idea. He wanted it to be special, perfect, to make her world better like she had made Becky and Will’s and, indeed, his. But again she didn’t hear him. Her eyes were bright and they were steady on his. “He has to be tall, very tall and dark and broad-shouldered and narrow-hipped.” Fazire stared. He didn’t even know what “narrow-hipped” meant. “And he has to be handsome, unbelievably handsome, impossibly handsome with a strong, square jaw and powerful cheekbones and tanned skin and beautiful eyes with lush, thick lashes. He has to be clever and very wealthy but hardworking. He has to be virile, fierce, ruthless and rugged.” Now she was getting over his head. He didn’t think there was such a thing as impossibly handsome. How cheekbones could be powerful, Fazire didn’t know. He was even thinking he might have to look up “virile” in the dictionary Sarah had given him. “And he has to be hard and cold and maybe a little bit forbidding, a little bit bad with a broken heart I have to mend or one encased in ice I have to melt or better yet… both!” Fazire thought this was getting a bit ridiculous. It was the most complicated wish he’d ever heard. But she wasn’t yet finished. “We have to go through some trials and tribulations. Something to test our love, make it strong and worthy. And… and… he has to be daring and very masculine. Powerful. People must respect him, maybe even fear him. Graceful too and lithe, like a… like a cat! Or a lion. Or something like that.” She was losing steam and Fazire had to admit he was grateful for it. “And he has to be a good lover.” Lily shocked Fazire by saying. “The best, so good, he could almost make love to me just by using his eyes.” Fazire felt himself blush. Perhaps he should have a look at these books she was reading and show them to Becky. Lily was a very sharp girl, sharp as a tack (another one of Sarah’s sayings, although Fazire couldn’t imagine a tack ever being as clever as Lily) but she was too young to be reading about any man making love to her with his eyes. Fazire had never made love, never would, genies just didn’t. But he was pretty certain fourteen year old girls shouldn’t be thinking about it. Though, he was wrong about that, or at least Becky would tell him that later. Then Fazire realised she’d stopped talking. “Is that it?” he asked. She thought for a bit, clearly not wanting to leave anything out. Then she nodded.

Sweetheart, I am a highly trained athlete and it’s the fucking off season. What the hell else do I have all these muscles for than to haul my girl, lush body and all, to bed?

Half of my heart says it would be so simple to share what we've got here with the Charynites in the valley. But the other half of me says I don't want to share it with the enemy, and then I have to work out who the enemy is. I mean, look at what we have," he said, pointing outside at the lushness of their mountain, even in the winter haze. "And look how little they have down there. And why don't I care?" Yata laughed. "Well, from where I'm sitting, it looks as if you do care, Lucian," she said. "Too much in one place, not enough in another, and wouldn't it be simpler if we all shared? Yes, it would be so simple to share. But there's no place for being simple when blood has been shed and the people we love have been torn from us. But forgiveness has to start somewhere. It started with Phaedra. The Monts learned not to hate all Charynites because of her. I learned. Because you may not have seen it, my darling boy, but I hated with a fierceness I can't describe. And do you want to hear something that was breaking my heart, day after day? I forgot the faces of my granddaughters in all that hatred. Hatred smothers all beauty. Beloved Isaboe has little resemblance to her older sisters, but your Phaedra - she made me remember those precious, precious girls, and I wasn't angry anymore. I just missed them, and it's the beauty in here," she said, pointing to her chest, "that made me remember them. Her beauty.

I'd seen how the top-performing girls at Laurinda were cultivated like hothouse strawberries - bright and lush. Out in the real world, they would bruise. I wanted to see how the Cabinet would cope in two years' time, when they would be in the same classes as my most driven and hard-working Christ Our Saviour friends, and the most tenacious and gifted public school students, the hardy banksias and olive trees and root vegetables that would last all through winter.

When Athens loses its hold on its empire, Hera still sees Athena: a grey-feathered owl tilting its head in the town square where men debate philosophy and rationality, striving for sense and understanding; or else a flash of silver in the eyes of someone stacking another roll of papyrus in the public library, the teacher calling his students to lessons, or the woman demonstrating how the loom works to her attentive daughter. At the lush, rolling vineyards, she sometimes thinks she spots the laughing eyes of Dionysus in a jovial winemaker selling his wares. In the forests, she's convinced she catches a flash of Artemis, running in pursuit of a stag, or else she recognises her determined jawline in a defiant girl. In smoky forges, where blacksmiths wipe the sweat from their brows, she feels the patience of Hephaestus; and she is certain that Ares still runs wild on the battlefields, filling every fighter's heart with his destructive rage. Hestia is there, of course, in every kindly friend, at every welcoming hearth. She wonders where they see her - in rebellious wives, she hopes, in the iron souls of powerful queens, in resilient girls who find the strength to keep going.

RONNIE CUTRONE: I loved Jim Morrison dearly, but Jim was not fun to go out with. I hung out with him every night for just about a year, and Jim would go out, lean up against the bar, order eight screwdrivers, put down six Tuinals on the bar, drink two or three screwdrivers, take two Tuinals, then he’d have to pee, but he couldn’t leave the other five screwdrivers, so he’d take his dick out and pee, and some girl would come up and blow his dick, and then he’d finish the other five screwdrivers and then he’d finish up the other four Tuinals, and then he’d pee in his pants, and then Eric Emerson and I would take him home. That was a typical night out with Jim. But when he was on acid, then Jim was really fun and great. But most of the time he was just a lush pill head. RAY MANZAREK: Jim was a shaman.

I felt content, maybe even a little more than that. I was alive and climbing a tree and a girl I was weak for was safe on the ground below. And I was doing something strong to keep her safe, to keep all of them safe. I felt old-timey, and something lush burst open in my chest.

She was the model Manet painted more often than any other, more often than his own wife. But when I look at the paintings I don’t always recognize her as beautiful right away. Her beauty is something I have to search for, requiring some interpretive work, some intellectual or abstract work, and maybe that’s what Manet found so fascinating about it – but then again maybe not. For six years Morisot came to his studio, chaperoned by her mother, and he painted her, always clothed. Several of her own paintings hang in the museum too. Two girls sharing a park bench in the Bois de Boulogne, one in a white dress, wearing a broad straw hat, bending her head forward over her lap, maybe she’s reading, the other girl in a dark dress, her long fair hair tied back with a black ribbon, showing to the viewer her white neck and ear. Behind them, all the lush vague greenery of the public park. But Morisot never painted Manet. Six years after she met him, and apparently at his suggestion, she married his brother. He painted her just once more, wedding ring glittering dark on her delicate hand, and then never again. Don’t you think that’s a love story?

She crept toward him, padding noiselessly over the carpet, step by silent step. And as she came, sweet words fell from her lips like drops of raw honey. "That's it, darling," she murmured. The fine hairs on the back of his neck lifted. "Stay... right... there." The hairs on his arms lifted, too. "Yes," she breathed. "Just like that." Now she had the hairs on his calves involved. Damn it, he had too many hairs. By the end of this they would all be standing at attention. Along with other parts of him. "Don't stir," she said. He couldn't speak for the parrot, but Gabe was doing some stirring. One part of him had a mind of its own, especially when it came to beautiful women in translucent chemises. He hadn't lain with a woman in some time, but his body hadn't forgotten how. He couldn't help himself. He stole a glance at her face. Just a half-second's view. Not long enough to pore over every detail of her features. In fact, he didn't get any further than her lips. Lips as lush as petals, painted in soft, tender pink. She was so close now. Near enough that when he breathed, he inhaled a lungful of her scent. She smelled delicious. A faint hunger rose in his chest.

One cool morning—a rainstorm had swept through the night before; now the City of Angels sparkled like Eden itself—he was walking between soundstages in Culver City, carrying a cardboard cup of coffee, nodding to this glorious creature (dressed as a harem girl), then that glorious creature (a cowgirl), then that glorious creature (a secretary?)—they all smiled at him—when he ran into, of all people, an old pal of his from the Major Bowes days, a red-haired pianist who’d bounced around the Midwest in the 1930s, Lyle Henderson (Crosby would soon nickname him Skitch). Henderson was strolling with a creature much more glorious, if possible, than the three Sinatra had just encountered. She was tall, dark haired, with sleepy green eyes, killer cheekbones, and absurdly lush lips, lips he couldn’t stop staring at. Frankie! Henderson said, as they shook hands. His old chum was doing all right these days. Sinatra smiled, not at Henderson. The glorious creature smiled back bashfully, but with a teasing hint of directness in her dark eyes. The pianist—he was doing rehearsal duty at the studio—then got to say the six words that someone had to say, sometime, but that he and he alone got to say for the first time in history on this sparkling morning: Frank Sinatra, this is Ava Gardner.

I wanted to kiss you. I can't explain why. I have no excuses. At any rate, don't worry. It was clearly a mistake, and I promise it won't happen agai-" Again. He kissed her again. Or rather, he kissed her for the first time- and he was so much better at it than she. This kiss could not be mistaken for an accidental collision mouths. Oh, no. He kissed with purpose. His lips had ideas. His tongue had plans. She closed her eyes and melted against him, flattening her hands on his muscled arms. He brushed his lips to hers in a series of chaste, yet masterful kisses. He swept a hand up her spine and into her hair, where he twisted and gathered the tangled locks in his fist. Then he tugged sharply, tipping her face to his and sending electric sensation over her every nerve. When her mouth fell open in a gasp, he reclaimed her lips, sweeping his tongue between them. Her first instinct was to shy away, but Penny fought against it. She reached higher, lacing her arms about his neck and holding tight. His tongue stroked hers, slow and insistent. He tasted of soot and salt and... and of apples, strangely. Tart, smoky, just a hint of sweet. A lush, decadent pleasure unwound within her, snaking through her veins- as though it had lain coiled in anticipation for years. Waiting on this moment. Waiting on this man.

Lucian's thick, long finger slid into me, and I groaned----a pained sound. "That's it," he rasped, fingering me with agonizingly slow pushes. "Fuck, that's it." I gasped, my head light, my thighs clamping around his hand, as though I could hold in the sensation. "Spread your legs a little wider, honey. Let me in. Good girl." He cupped my neck with his free hand, his forehead pressed to mine. "One day soon, I'm going to work myself into this tight sweet honey box, fuck you for hours." My thighs trembled, heat swimming me as my lower belly clenched. "Lucian." I wiggled my hips. He added another finger, fucking them up into me at an angle that had me keening in pleasure. "Right here, Em. Right here is where I'm aching to be." I wanted him there so badly. My body moved with him, rocking against his hand. "Right here is where I'll worship." He kissed me gently, a simple meeting of mouths, as his thumb snaked out and found my clit. He pressed down, rougher now that I was worked up and at the edge. Just how I liked. White-hot head sparked and lit, and I came in a rushing wave that had me straining against him. "Say my name." He rubbed my slippery sex, fingers deep inside me. "Lucian." I sobbed. "Lucian." His grip on my nape was warm, reassuring as he kissed me. "That's my girl," he said as I came down from my high, my body trembling. "My girl." My focus came back as he slipped free from my panties. He lifted his hand to his mouth and, holding my eyes with his crystalline-green eyes, sucked his wet fingers clean. A wicked smile curved his lush mouth as his voice rolled over me like warm honey. "Delicious.

Your pupils are dilated." "It's a design flaw. It happens when sexy men get too close." A smile tugged at his lips. "You think I'm sexy?" "You are when you talk in that soft, deep voice and sit so close I can feel the heat of your body, and wear that craze-inducing cologne, and cradle my face like I'm a delicate flower." She licked her lips and his gaze fell to her soft, lush mouth. It was an invitation he couldn't ignore. "You forgot the part where I tried to kill you by crashing into a deer at high speed," he offered, just in case he was misreading the signs. "I'm trying not to remember it because you busted out some pretty slick moves to keep us from going over the cliff. Nothing sexier than a man who can stay calm in a crisis and save a girl so she can live to get fired another day. You, Sam Mehta, are a hero." She thought he was worthy. It was a balm to his soul.

One of the bonds between Lily and me is that we both suffer with our teeth. She is twenty years my junior but we wear bridges, each of us. Mine are at the sides, hers are in front. She has lost the four upper incisors. It happened while she was still in high school, out playing golf with her father, whom she adored. The poor old guy was a lush and far too drunk to be out on a golf course that day. Without looking or given warning, he drove from the first tee and on the backswing struck his daughter. It always kills me to think of that cursed hot July golf course, and this drunk from the plumbing supply business, and the girl of fifteen bleeding. Damn these weak drunks! Damn these unsteady men! I can't stand these clowns who go out in public as soon as they get swacked to show how broken-hearted they are. But Lily would never hear a single word against him and wept for him sooner than for herself. She carries his photo in her wallet.

He paused and eyed her as if she were an agate discovered in gravel. "But what a very sharp tongue you have for a housekeeper." Bridget's heart sank- she knew better than to speak so frankly. It was never good for a servant to be noticed by a master- particularly this master. "Come." He beckoned her closer with his forefinger and she saw the flash of a jeweled gold ring on his left thumb. She swallowed and opened her right hand, silently dropping the miniature to the lush carpet. As she walked toward him she nudged the little painting under the enormous bed with the side of her foot. She stopped a pace away from him. His lips curved, sly and sensual. "Closer." She stepped nearer until her plain, practical black linsey-woolsey skirts were crushed against his purple velvet knees. Her heart beat hard and swift, but she was confident her expression didn't show her fear. Still smiling, he held out his hands, palms upward. His hands were long-fingered and elegant. The hands of a musician- or a swordsman. She stared down at them a moment, confused. He quirked an eyebrow and nodded. Bridget placed her hands on top of his. Palm to palm. She expected searing heat or deathly cold and was a little surprised to instead feel human warmth. She'd been hired little more than a fortnight before the duke had supposedly been banished. In that time he had never struck her as human- or humane. "Ah," His Grace murmured, cocking his head with interest. "What feminine hands you have, despite your station in life." His blue eyes flashed at her from under dark eyelashes, a secretive smile playing about his mouth. She met his gaze stonily. His lips quirked and he looked down again. "Small, plump, with neat, round nails." He turned her hands over so that they now rested palms-up in his. "I once knew a Greek girl who swore she could read a man's life story from the lines on his hands." He dropped her left hand to trace the lines on her right palm with a forefinger. His touch sent a frisson along her nerves and Bridget couldn't hold back a shudder.

No healthy young man could fail to be stirred and set off-kilter by Aline, who, at the age of seventeen, had become the loveliest girl on God's green earth. At the moment Aline was already dressed for bed, wearing a nightgown made of intricately tucked and ruffled white cotton. As she moved across the room, the lamplight silhouetted the generous curves of her breasts and hips through the thin fabric, and slid over the shining sable locks of her hair. Aline's looks were the kind that caused the heart to stop and the breath to catch. Her coloring alone would have given even a homely woman the appearance of great beauty. But her features were fine and perfect, and perpetually lit with the radiance of unchecked emotion. And as if all that hadn't been quite enough, nature had added one last flourish, a tiny black mark that flirted with the corner of her mouth. McKenna had fantasized endlessly about kissing that tantalizing spot, and following it to the lush curves of her lips. Kissing and kissing her, until she was weak and shivering in his arms.

Servers moved among the guests with trays of hors d'oeuvres and the signature cocktail, champagne with a honey infused liqueur and a delicate spiral twist of lemon. The banquet was bursting with color and flavor- flower-sprinkled salads, savory chili roasted salmon, honey glazed ribs, just-harvested sweet corn, lush tomatoes and berries, artisan cheeses. Everything had been harvested within a fifty-mile radius of Bella Vista. The cake was exactly what Tess had requested, a gorgeous tower of sweetness. Tess offered a gracious speech as she and Dominic cut the first slices. "I've come a long way from the city girl who subsisted on Red Bull and microwave burritos," she said. "There's quite a list of people to thank for that- my wonderful mother, my grandfather and my beautiful sister who created this place of celebration. Most of all, I'm grateful to Dominic." She turned to him, offering the first piece on a yellow china plate. "You're my heart, and there is no sweeter feeling than the love we share. Not even this cake. Wait, that might be overstating it. Everyone, be sure you taste this cake. It's one of Isabel's best recipes.

When he was sixteen (1923), Peter got a job as copy boy on a New York tabloid and entered a saltier, more hard-bitten world. It was a roaring, lush, lousy tabloid. Everybody was drunk all the time. The managing editor hired girl reporters on condition they sleep with him. New staffs moved in and were mowed down like the Light Brigade. Chorus girls, debutantes, and widows suspected of murdering their husbands were perched on desks with their thighs showing to be photographed. An endless parade of cranks, freaks, ministers, actresses, and politicians moved through the big babbling room, day and night. The city editor went crazy one afternoon. So did his successor. And among the typewriters and the paste pots and the thighs, Peter walked with simple delight. A young reporter took a liking to him, found he was homeless, and insisted he share an elegant bachelor apartment uptown. There were constant parties, starting at dawn and ending as the hush of twilight settled over the city. People went to work and went to parties until they got the two pursuits confused and never noticed the difference. Whisky was oxygen, women were furniture, thinking was masochism.

She goes to the window, curious to look out, and her senses awaken. It was only a moment ago (for sleep knows no time) that the flat horizon was a loamy gray swell merging into the fog behind the icy glass. But now rocky, powerful mountains are massing out of the ground (where have they come from?), a vast, strange overwhelming sight. This is her first glimpse of the unimaginable majesty of the Alps, and she sways with surprise. Just now a first ray of sun through the pass to the east is shattering into a million reflections on the ice field covering the highest peak. The white purity of this unfiltered light is so dazzling and sharp that she has to close her eyes for a moment, but now she's wide awake. One push and the window bangs down, to bring this marvel closer, and fresh air - ice-cold, glass-sharp, and with a bracing dash of snow - streams through her lips, parted in astonishment, and into her lungs, the deepest, purest breath of her life. She spreads her arms to take in this first reckless gulp, and immediately, her chest expanding, feels a luxurious warmth rise through her veins - marvelous, marvelous. Inflamed with cold, she takes in the scene to the left and the right; her eyes (thawed out now) follow each of the granite slops up to the icy epaulet at the top, discovering, with growing excitement, new magnificence everywhere - here a white waterfall tumbling headlong into a valley, there neat little stone houses tucked into crevices like birds' nests, farther off an eagle circling proudly over the very highest heights, and above it all a wonderfully pure, sumptuous blue whose lush, exhilarating power she would never have thought possible. Again and again she returns to these Alps sprung overnight from her sleep, an incredible sight to someone leaving her narrow world for the first time. These immense granite mountains must have been here for thousands of years; they'll probably still be here millions and millions of years from now, every one of them immovably where it's always been, and if not for the accident of this journey, she herself would have died, rotted away, and turned to dust with no inkling of their glory, She's been living as though all this didn't exist, never saw it, hardly cared to; like a fool she dozed off in this tiny room, hardly longer than her arm, hardly wide enough for her feet, just a night away, a day away from this infinitude, these manifold immensities! Indifferent and without desires before, now she's beginning to realize what she's been missing. This contact with the overpowering is her first encounter with travel's disconcerting ability to strip the hard shell of habit from the heart, leaving only the bare, fertile kernel.

In ancient times, the Gorgon Medusa lived on the far side of Oceanus in the land of Night. She was an awesome dragonlike creature with bronze claws, great golden wings, and fierce eyes that turned her beholder to stone. At one time she had been a beautiful young woman who filled the world with joy, not death, but in a moment of foolish pride she had compared herself to Athena. Such arrogance enraged the noble goddess, and in revenge she turned Medusa's lush hair into a tangle of vile, hissing snakes. From that moment on, Medusa's stare brought the stillness of death to anyone who dared look into her eyes. Meanwhile Polydectes, King of Seriphos, wanted to destroy Perseus, so he sent him off to bring back Medusa's head, knowing that her gaze would kill the young hero. But Athena heard the king's command. Still angry with Medusa, she gave Perseus her bronze shield to defend himself when he attacked the Gorgon. Holding the shield as a mirror, Perseus saw only Medusa's reflection, and her deadly stare did not harm him. He cut off her head and put it into a cloth bag, then flew away with the aid of a pair of winged sandals given to him by Hermes. As Perseus soared over the African desert, blood seeped through the bag and fell to the hot sands below. As each drop hit the scorching ground, it turned to steam, and the rising vapors transformed into three dangerously beautiful nymphs.

But Rhys interlocked his fingers in the space between his knees before he said, “Five hundred years ago, in the years leading up to the War, there was a Fae kingdom in the southern part of the continent. It was a realm of sand surrounding a lush river delta. The Black Land. There was no crueler place to be born a human—for no humans were born free. They were all of them slaves, forced to build great temples and palaces for the High Fae who ruled. There was no escape; no chance of having their freedom purchased. And the queen of the Black Land … ” Memory stirred in his face. “She made Amarantha seem as sweet as Elain,” Mor explained with soft venom. “Miryam,” Rhys continued, “was a half-Fae female born of a human mother. And as her mother was a slave, as the conception was … against her mother’s will, so, too, was Miryam born in shackles, and deemed human—denied any rights to her Fae heritage.” “Tell the full story another time,” Amren cut in. “The gist of it, girl,” she said to me, “is that Miryam was given as a wedding gift by the queen to her betrothed, a foreign Fae prince named Drakon. He was horrified, and let Miryam escape. Fearing the queen’s wrath, she fled through the desert, across the sea, into more desert … and was found by Jurian. She fell in with his rebel armies, became his lover, and was a healer amongst the warriors. Until a devastating battle found her tending to Jurian’s new Fae allies—including Prince Drakon. Turns out, Miryam had opened his eyes to the monster he planned to wed. He’d broken the engagement, allied his armies with the humans, and had been looking for the beautiful slave-girl for three years. Jurian had no idea that his new ally coveted his lover. He was too focused on winning the War, on destroying Amarantha in the North. As his obsession took over, he was blind to witnessing Miryam and Drakon falling in love behind his back.

BITCH THE POT Tea and gossip go together. At least, that’s the stereotypical view of a tea gathering: a group of women gathered around the teapot exchanging tittle-tattle. As popularity of the beverage imported from China (‘tea’ comes from the Mandarin Chinese cha) increased, it became particularly associated with women, and above all with their tendency to gossip. Francis Grose’s Classical Dictionary of the Vulgar Tongue lists various slang terms for tea, including ‘prattle-broth’, ‘cat-lap’ (‘cat’ being a contemporary slang for a gossipy old woman), and ‘scandal broth’. To pour tea, meanwhile, was not just to ‘play mother’, as one enduring English expression has it, but also to ‘bitch the pot’ – to drink tea was to simply ‘bitch’. At this time a bitch was a lewd or sensual woman as well as a potentially malicious one, and in another nineteenth-century dictionary the phraseology is even more unguarded, linking tea with loose morals as much as loquaciousness: ‘How the blowens [whores] lush the slop. How the wenches drink tea!’ The language of tea had become another vehicle for sexism, and a misogynistic world view in which the air women exchanged was as hot as the beverage they sipped. ‘Bitch party’ and ‘tabby party’ (again the image of cattiness) were the terms of choice for such gossipy gatherings. Men, it seems, were made of stronger stuff, and drank it too. Furthermore, any self-respecting man would ensure his wife and daughters stayed away from tea. The pamphleteer and political writer William Cobbett declared in 1822: The gossip of the tea-table is no bad preparatory school for the brothel. The girl that has been brought up, merely to boil the tea kettle, and to assist in the gossip inseparable from the practice, is a mere consumer of food, a pest to her employer, and a curse to her husband, if any man be so unfortunate as to affix his affections upon her. In the twenty-first century, to ‘spill the T’ has become a firm part of drag culture slang for gossiping. T here may stand for either ‘truth’ or the drink, but either way ‘weak tea’ has come to mean a story that doesn’t quite hold up – and it’s often one told by women. Perhaps it’s time for bitches to make a fresh pot.

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Strict Time There's a hand on a wire that leads to my mouth I can hear you knocking but I'm not coming out Don't want to be a puppet or a ventriloquist 'Cause there's no ventilation on a critical list Fingers creeping up my spine are not mine to resist Strict time Chorus: Toughen up, toughen up Keep your lip buttoned up Strict time Oh the muscles flex and the fingers curl And a cold sweat breaks out on the sweater girl Strict time Oh he's all hands, don't touch that dial The courting cold wars weekend witch trial Strict time All the boys are straight laced and the girls are frigid The talk is two-faced and the rules are rigid 'cause it's strict time Strict time You talk in hushed tones, I talk in lush tones Try to look Italian through the musical Valium Strict time Thinking of grand larceny Smoking the everlasting cigarette of chastity Cute assistants staying alive More like a hand job than the hand jive Strict time

Her motel room featured lush carpeting the color and texture of moss, and she thought the quilted floral bedspreads draped over the mattresses clashed with the moss quite well. All red and green and ancient like Freddy Kruger himself did the interior decorating circa 1984.

I heard that you are a vampire,” Angelica said, gazing up at him with candid gypsy eyes. He threw back his head and laughed, oblivious to the scandalized stares cast their way. “I am a man.” The girl nodded. “I assumed so.” “And why is that?” Ah, now shall come the contrived flirtation. Ian settled his features into an expression of detached boredom that was guaranteed to send ladies scurrying. “I saw that you cast a reflection.” She was either too drunk to notice his disdain or very brave. Her lush lips curved into a smile, and he found himself asking, “And if my image were not captured in the glass, what would you do?” She grinned up at him. “I would of course ask you what such a thing is like, to be a vampire.” Ian fought to conceal his shock and keep his voice level. “Why would you want to know such a thing? Would you want to be one?” Angelica smiled as if they were discussing the latest Paris fashions. “I did not think about that. I only thought it would make a good story. I am a writer, you see.” A

Isabel was a surprise. There were depths to her he wanted to understand, and maybe, just maybe, she would let him. She was skittish, though, not exactly distrustful, but protective of herself. At the mountaintop, she'd given him a glimpse of that girl she'd been, growing up in a lush and sheltered place. At the hot springs, he'd had a glimpse of her that was going to haunt his dreams. Yes, he'd looked. Of course he'd looked. He was only human. Under that long, printed dress, which she seemed to wear as body armor, was a figure that nearly made him groan aloud, just remembering.

But here Nature fulfilled her want of speech and spoke fr her. The murmur of the brook, the voice of the village folk, the songs of the boatmen, the crying of the bird and the rustle of the trees mingled and were one with the trembling of her heart. They became one vast wave of sound which beat upon her restless soul. This murmur and movement of Nature were dumb girl’s language; that speech of the dark eyes, which the long lushes shaded, was the language of the world about her.

Uh-huh. I’m a very smart guy. I haven’t a feeling or a scruple in the world. All I have the itch for is money. I am so money greedy that for twenty-five bucks a day and expenses, mostly gasoline and whiskey, I do my thinking myself, what there is of it; I risk my whole future, the hatred of the cops and of Eddie Mars and his pals, I dodge bullets and eat saps, and say thank you very much, if you have any more trouble, I hope you’ll think of me, I’ll just leave one of my cards in case anything comes up. I do all this for twenty-five bucks a day—and maybe just a little to protect what little pride a broken and sick old man has left in his blood, in the thought that his blood is not poison, and that although his two little girls are a trifle wild, as many nice girls are these days, they are not perverts or killers. And that makes me a son of a bitch. All right. I don’t care anything about that. I’ve been called that by people of all sizes and shapes, including your little sister. She called me worse than that for not getting into bed with her. I got five hundred dollars from your father, which I didn’t ask for, but he can afford to give it to me. I can get another thousand for finding Mr. Rusty Regan, if I could find him. Now you offer me fifteen grand. That makes me a big shot. With fifteen grand I could own a home and a new car and four suits of clothes. I might even take a vacation without worrying about losing a case. That’s fine. What are you offering it to me for? Can I go on being a son of a bitch, or do I have to become a gentleman, like that lush that passed out in his car the other night?

There's a self-portrait, her sister's face rendered in aqueous greens and blues. The shimmering surface of a pool, bright turrets of coral visible beneath. So she's familiar with the lush application of paint, the galaxies of color. But this? This is different. The painting is enormous, almost as big as the wall behind it. Her sister has painted two female figures, their backs turned on the viewer as they wade into a raging sea. The brushstrokes are frenzied, lavish, and Jess has done something to make their skin gleam, as if it's lifting from the canvas. Lucy feels sure that if she were to reach out and touch the girls' hair--- pale, like her own--- she would feel each whorl, each strand under her fingertips. Both girls are nude, their legs swallowed by furious splatters of paint. Blue green, purple, black, foamy white.

A man's voice was saying, "Odette seems a little off tonight." "You think?" answered a woman. "Less confident than last night's," said the man. "I wonder if she's injured." A loud put-upon sigh. "Not to mention that the swans sound more like a herd of elephants." Oh, come on, Grigori wanted to say: You spoiled, spoiled people. The dancer was wonderful, just like the swan-girls, doing their best to deliver them magnificence. If she was "slightly off", it was nothing Grigori had been able to notice. These people - himself included - were all so thoroughly indulged, could they not simply accept the wonder of it, sitting in this lush, gilded theater while a live orchestra accompanied so much physical exquisiteness? And this man thought he had the right to be disappointed! That these people expected so much, that they could expect that much, and not be ashamed of their petty disappointments.

The flame illuminated a pair of lush lips, the kind that could suck a grapefruit dry from across the room.

This wasn’t no regular ass pussy; this was lush and plush top tier, big girl pussy. The kind of pussy that’ll make a nigga fall to his knees and beg.

He has all the beauty of an angel--- a chiseled face and a faint glow. But there's something wrong about him. A rawness that never melted down. His smile is crooked, forged by a false sense of happiness. Though, he is undeniably enthralling. Golden hair and sharpened bones. Fox-like eyes that trail my body as if it's for show. Silently undressing me. Ready to pounce. In another world, I might have let him. I smile, fawning naivety as he takes a step closer. His red lips part with a grin as he brushes a weft of hair over my shoulder. I shiver as he trails my bare skin. His touch is delicate, careful not to startle me as my breathing hitches. Slowly, his fingers trace the vulnerable part of my throat, grazing gently instead of drawing blood. He's careful in his movements, taking his time, awakening my senses until I let out a kitten cry. His hand perches beneath my chin. Our eyes lock, trapped in honeyed heat, as his thumb strokes the fullness of my bottom lip. "You're immaculate," he says. His voice is lush and dark. I tense, trying not to tremble as his tether possesses me. It becomes harder when he whispers, "I have never seen such a beautiful girl." Electric shovers rattle my bones. My knees slacken, and he stabilizes my balance. I refuse to give him the upper hand. I press my palm against his chest, grazing right where his blouse parts. My eyes turn doe-like with wonder, honoring his beauty and tending his fragile ego. "Are we to be married now? I can't wait a moment longer." He grins. "Soon, coquette." I move my hand up to his neck. Not slow and delicate like he was with me. But feral, delicious, wanting. "I need you." I nearly pant. That's it. That's enough to make him tick. He drinks me in like nectar, a sweet ambrosia brewed just for him. "Come," he says, offering his arm.

Daylight slanted in through the bars making his eyes glint like polished steel. Motes of dust frenzied in his atmosphere as if drawing energy from the electric force of his presence. A thin ring of gold glinted in his left ear, and sharp cheekbones underscored an arrogant brow. He’d look stern but for his mouth, which was not so severe. It bowed with a fullness she might have called feminine if the rest of his face wasn’t so brutally cast. Mercy hadn’t realized she’d been staring at his lips, gripped with a queer sort of fascination until they parted and he spoke. “You were quite impressive back there.” “What?” Mercy shook her head dumbly. Had he just complimented her? Had they just been through the same scene? She’d never been less impressed with herself in her entire life. Would that she could have been like him. Smooth and unaffected. Infuriatingly self-assured. And yet…he’d only been that way after breaking the nose of the officer who'd struck her, and possibly his jaw. Lord but she’d never seen a man move like that before. “I listened to your deductions,” he explained. “From where you were hiding in the closet?” she quipped, rather unwisely. Something flickered in his eyes, and yet again she was left to guess if she’d angered or amused him. “From where I was hiding in the closet,” he said with a droll sigh as he shifted, seeming to find a more comfortable position for his bound hands. “You’re obviously cleverer than the detectives. How do you know so much about murder scenes?” Mercy warned herself not to preen. She stomped on the lush warmth threatening to spread from her chest at his encouragement, and thrust her nose in the air, perhaps a little too high. “I am one of only three female members of the Investigator Eddard Sharpe Society of Homicidal Mystery Analysis. As penned by the noted novelist, J. Francis Morgan, whom I suspect is a woman.” “Why do you suspect that?” His lip twitched, as if he also battled to suppress his own expression. “Because men tend to write women characters terribly, don’t they? But J. Francis Morgan is a master of character and often, the mystery is even solved by a woman rather than Detective Sharpe. His heroines are not needlessly weak or stupid or simpering. They’re strong. Dangerous. Powerful. Sometimes even villainous and complicated. That is good literature, I say. Because it’s true to life.” He’d ceased fighting his smile and allowed his lip to quirk up in a half-smile as he regarded her from beneath his dark brow. “Mathilde’s murderer now has one more person they’d do well to fear in you.” She leveled him a sour look. “Does that mean you fear me?” He tilted toward her. Suddenly—distressingly—grave. “You terrify me, Mercy Goode.

What if childhood is like summer- the time when life is at its lush peak, before everything begins to wither and fall?

But it was Ireland’s mercurial folklore that supplied Bax with the dominant voice in his compositions. Beginning with Cathaleen-na-Hoolihan (1905), written three years after encountering Yeats, the list of his tone poems (spanning the years 1909–31) reads like the contents of an Arts and Crafts compendium of decadent fairy tales: In the Faery Hills, Rosc-catha, Spring Fire, Nympholept, The Garden of Fand, November Woods, Tintagel, The Happy Forest, The Tale the Pine Trees Knew. A sensualist and erotic adventurer (in 1910 he pursued a ukrainian girl he was infatuated with from St Petersburg to Kiev), Bax created lush, richly foliated sound-forests that attempted to conjure up a sense of narcotic abandon and the intoxicating conjunction of myth and landscape. In the Faery Hills (1909) takes its cue from a section in Yeats’s Wanderings of Oisin in which the Sídhe force a troubadour to sing them a song. Aware of their reputation as festive types, Oisin launches into his most joyous ditty. To the Sídhe, it still sounds like the most depressing dirge they’ve ever heard, so they toss his harp into a pool and whisk him away to show him how to party like it’s AD 99. Bax claimed to have been ‘possessed by Kerry’s self’5 while writing it.

I speared a sausage with my knife, bit off the end. Juice and fat exploded: the pork melted. I tasted chestnuts, moss, the bulbs of wild lilies, the roots and shoots of an Umbrian forest floor. There was pepper, of course, salt and garlic. Nothing else. I opened my eyes. The Proctor was staring at me, and quickly looked away. I thought I saw a smile cross his lips before he opened them to admit another wagon-load of lentils. I tried a spoonful myself. They were very small and brown- earthy-tasting, of course. That I had been expecting. But these were subtle: there was a hint of pine, which came partly from the rosemary that was obviously in the dish, but partly from the lentils themselves. I did feel as if I were eating soil, but a special kind: some sort of silky brown clay, perhaps; something that Maestro Donatello would have crossed oceans to sculpt with, or that my uncle Filippo would have used as a pigment to paint the eyes of a beautiful brown-eyed donna. Maybe this is what the earth under the finest hazelnut tree in Italy would taste like- but that, perhaps, was a question best put to a pig. "Make sure you chew properly," I mumbled, piling my plate high. The serving girl came back with a trencher of sliced pork meats: salami dotted with pink fat, ribbons of lardo, peppery bacon. The flavors were slippery, lush, like copper leaf or the robe of a cardinal. I coiled a strip of dark, translucent ham onto my tongue: it dissolved into a shockingly carnal mist, a swirl of truffles, cinnamon and bottarga.

and you couldn’t be in better hands. Edna is the coolest-headed performer with whom you will ever have the privilege of sharing a stage. Nothing can shake up this woman. So let her steadiness be your guide. Stay relaxed by seeing how relaxed she is. Remember that an audience will forgive a performer for anything except being uncomfortable. And if you forget your lines, just keep talking gibberish, and Edna will somehow fix it. Trust her—she’s been doing this job since the Spanish Armada, haven’t you, Edna?” “Since somewhat before then, I should think,” she said, smiling. Edna looked incandescent in her vintage red Lanvin gown from the Lowtsky’s bin. I had tailored the dress to her with such care. I was so proud of how well I’d dressed her for this role. Her makeup was exquisite, too. (But of course it was.) She still resembled herself, but this was a more vivid, regal version of herself. With her bobbed, glossy black hair and that lush red dress, she looked like a piece of Chinese lacquer—immaculate, varnished, and ever so valuable. “One more thing before I turn it over to your trusty producer,” said Billy. “Remember that this audience didn’t come here tonight because they want to hate you. They came because they want to love you. Peg and I have put on thousands of shows over the years, in front of every kind of audience there is,

Later, when Moody saw the finished photos, he thought at first that Pearl looked like a delicate fossil, something caught for millennia in the skeleton belly of a prehistoric beast. Then he thought she looked like an angel resting with her wings spread out behind her. And then, after a moment, she looked simply like a girl asleep in a lush green bed, waiting for her lover to lie down beside her.

Then social mores had intervened. A distinct scene from junior high flushes vividly back. Girls sitting out of rotation volleyball in gym class stared at me all gap-mouthed when—of a rainy spring day—I spouted e. e. cummings. Through open green gym doors, sheets of rain erased the parking lot we normally stood staring at as if it were a refrigerator about to manifest food. The poem started: in Just-: spring when the world is mud- luscious… As I went on, Kitty Stanley sat cross-legged in black gym shorts and white blouse, peeling fuchsia polish off her thumbnail with a watchmaker’s precision. She was a mouth breather, Kitty, whose blond bouffant hairdo featured above her bangs a yarn bow the color of a kumquat. That it? Beverly said. Her black-lined gaze looked like an old-timey bandit mask. Indeed, I said. (This was my assholish T. S. Eliot stage circa ninth grade, when I peppered my speech with words I thought sounded British like indeed.) Is that a word, muddy delicious? Kitty said. Mud-luscious, I said. Not no real word, Beverly said, leaning back on both hands, legs crossed. I studied a volleyball arcing white across the gym ceiling and willed it to smash into Beverly’s freakishly round head. It’s squashing together luscious and lush and delicious, and all of it applied to spring mud. It’s poetic license, I said. I think it’s real smart how you learn every word so they come out any time you please, Kitty said. Beverly snorted. I get mud all over Bobby’s truck flaps, and believe you me, delicious don’t figure in. As insults go, it was weak, but Beverly’s facial expression—like she was smelling something—told me to put poetry right back where I’d drug it out from.

He wants something he can’t have. And he can delay it for three months, but it won’t make any difference.” “It won’t?” She pants the words as I grind my erection into her belly. I want her wet and horny for me flying with him to their new townhouse in fucking Palo Alto. “No.” I squeeze each cheek, loving that my hands can’t hold all that ass. “Because this ass is mine.” My beautiful, brilliant girl with her Julia Roberts lips and her lush ass. He thinks he can take her from me?

For my tomorrow is a concrete jungle in a number-driven world, and hers remains a ministry to a lush little village. Thus time will pass and letters will be sent, and letters will arrive and letters will be sent, and one day I'll be seated at a noisy Manhatten trading desk, oblivious to markets in motion and will wonder once again how God got me into a Presbyterian church, to a particular beach with a particular girl on a certain weekend in May, and gave me wacky new friends and a new fresh perspective, the living words and the eternal words and the words of a black man who give rhythm to the gospel, and once again it will occur to me that all this just cannot be happenstance...no, surely not happenstance, nothing Presbyterian is ever happenstance. But what you didn't tell me, Asbury, is how much of life derives simply from choice.

I’m at the airport. I’m waiting for the plane to take me home to my sister and my mother. I bought cream at Lush to rub onto Elf’s body. She has a surprisingly beautiful body for a woman in her late forties. Her legs are slim and firm. She has muscular thighs. Her smile is an event. She laughs so hard. She makes me laugh so hard. She gets surprised. Her eyes open wide, comically, she can’t believe it. Her skin is pristine, smooth and pale. Her hair is so black and her eyes so green like they’re saying go, go, go! She doesn’t have horrible freckles and moles and facial hair like me and big bones poking out like twisted rebar at the dump. She’s petite and feminine. She’s glamorous and dark and jazzy like a French movie star. She loves me. She mocks sentimentality. She helps me stay calm. Her hands aren’t ravaged by time and her breasts don’t sag. They’re small, pert, like a girl’s. Her eyes are wet emeralds. Her eyelashes are too long. The snow weighs them down in the winter and she makes me cut them shorter with our mother’s sewing scissors so they don’t obscure her vision. I knocked over a tray of bath bombs the size of tennis balls, bright yellow, onto the floor and I couldn’t figure out how to pick them up. The woman said it was okay. I can’t remember now if I paid for the cream. I’m going home. NINE When Elf went away to Europe my mother decided to emancipate herself as well and enrolled in university classes in the city to become a social worker and then a therapist.

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