Lush Garden Quotes

Love isn’t in a hurry like a flurry of flowery words on paper. It’s lush and slow to grow its aroma in the garden of time.

A JEWELRY STORE NAMED INDIA If you hold this Dazzling emerald Up to the sky, It will shine a billion Beautiful miracles Painted from the tears Of the Most High. Plucked from the lush gardens Of a yellowish-green paradise, Look inside this hypnotic gem And a kaleidoscope of Titillating, Soul-raising Sights and colors Will tease and seduce Your eyes and mind. Tell me, sir. Have you ever heard A peacock sing? Hold your ear To this mystical stone And you will hear Sacred hymns flowing To the vibrations Of the perfumed Wind.

Eccentrics thrived. Every nuance and quirk of personality achieved greater brilliance in that lush enclosure than would have been possible anywhere else in the world.

For me, Savannah's resistance to change was its saving grace. The city looked inward, sealed off from the noises and distractions of the world at large. It grew inward, too, and in such a way that its people flourished like hothouse plants tended by an indulgent gardener. The ordinary became extraordinary. Eccentrics thrived. Every nuance and quirk of personality achieved greater brilliance in that lush enclosure than would have been possible anywhere else in the world.

Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling their eagerness to be wild and perfect for a moment, before they are nothing, forever?

You might live on top of the biggest toxic waste dump on the planet, but if you never dig, then all you ever know is that your grass is green and your garden is lush.

Alas, love turns the human heart into a mildewed garden, a lush and shameless garden in which grow mysterious, obscene toadstools.

In the rain forest, no niche lies unused. No emptiness goes unfilled. No gasp of sunlight goes untrapped. In a million vest pockets, a million life-forms quietly tick. No other place on earth feels so lush. Sometimes we picture it as an echo of the original Garden of Eden—a realm ancient, serene, and fertile, where pythons slither and jaguars lope. But it is mainly a world of cunning and savage trees. Truant plants will not survive. The meek inherit nothing. Light is a thick yellow vitamin they would kill for, and they do. One of the first truths one learns in the rain forest is that there is nothing fainthearted or wimpy about plants.

For me, Savannah’s resistance to change was its saving grace. The city looked inward, sealed off from the noises and distractions of the world at large. It grew inward, too, and in such a way that its people flourished like hothouse plants tended by an indulgent gardener. The ordinary became extraordinary. Eccentrics thrived. Every nuance and quirk of personality achieved greater brilliance in that lush enclosure than would have been possible anywhere else in the world.

This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers and they open — pools of lace, white and pink — and all day the black ants climb over them, boring their deep and mysterious holes into the curls, craving the sweet sap, taking it away to their dark, underground cities — and all day under the shifty wind, as in a dance to the great wedding, the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary, blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever?

I breathe in the soft, saturated exhalations of cedar trees and salmonberry bushes, fireweed and wood fern, marsh hawks and meadow voles, marten and harbor seal and blacktail deer. I breathe in the same particles of air that made songs in the throats of hermit thrushes and gave voices to humpback whales, the same particles of air that lifted the wings of bald eagles and buzzed in the flight of hummingbirds, the same particles of air that rushed over the sea in storms, whirled in high mountain snows, whistled across the poles, and whispered through lush equatorial gardens…air that has passed continually through life on earth. I breathe it in, pass it on, share it in equal measure with billions of other living things, endlessly, infinitely.

But this home over here: it needed paint but had flowers neatly planted all the way around it. That one over there had a tire swing out front, tied to a fat magnolia tree. Behind another, a lush vegetable garden. You got to fight not to give into despair, he told himself. You got to see the good that's mixed in with the bad.

He feels a second pang now for the existence of perfection, the stubborn existence of perfection in the most vulnerable of things and in the face of his refusal-logical-admirable refusal-to engage with this existence in his heart, in his mind. For the comfortless logic, the curse of clear sight, no matter which string he pulls on the same wretched knot: (a) the futility of seeing given the fatality in a place such as this where a mother still bloody must bury her newborn, hose off, and go home to pound yam into paste; (b) the persistence of beauty, in fragility of all places!, in a dewdrop at daybreak, a thing that will end, and in moments, and in a garden, and in Ghana, lush Ghana, soft Ghana, verdant Ghana, where fragile things die.

I always thought of the world as a kind of lush garden I was being kept secluded from, but it’s more like a jungle—dangerous, wild, and fiercely beautiful.

For me, Savannah’s resistance to change was its saving grace. The city looked inward, sealed off from the noises and distractions of the world at large. It grew inward, too, and in such a way that its people flourished like hothouse plants tended by an indulgent gardener. The ordinary became extraordinary. Eccentrics thrived. Every nuance and quirk of personality achieved greater brilliance in that lush enclosure than would have been possible anywhere else in the world.

She wore a loose-fitting purple velvet Pre-Raphaelite gown, and her abundant dark-brown hair flowed down her back and shoulders to her waist. As she drew near, I noticed her warm brown eyes peeping at me beneath lush, un-plucked brows, her smiling red lips and smooth, un-powdered cheeks almost begging for kisses. She possessed a beauty much different from Daisy, more like a wildflower in the unspoiled earth than a prize-winning rose in a formal garden. However, her Pre-Raphaelite fashion might have been an affectation of a different kind, a bit closer to nature but a stylish imitation just the same.

As the train rolled through the countryside, so lush and green, and into the sprawling suburbs of south London, I stared around at all the strangeness: the narrow little “terraced” houses all in rows of brick and chimneypots, the tiny back gardens with clotheslines and garden sheds, the little cars all on the wrong side of the road — it was all so delightfully foreign, and exotic. My first lesson that the rest of the world really was more different than I knew or imagined.

Like most people, I acquired my initial sense of the era from books and photographs that left me with the impression that the world of then had no color, only gradients of gray and black. My two main protagonists, however, encountered the fl esh-and-blood reality, while also managing the routine obligations of daily life. Every morning they moved through a city hung with immense banners of red, white, and black; they sat at the same outdoor cafés as did the lean, black-suited members of Hitler’s SS, and now and then they caught sight of Hitler himself, a smallish man in a large, open Mer-cedes. But they also walked each day past homes with balconies lush with red geraniums; they shopped in the city’s vast department stores, held tea parties, and breathed deep the spring fragrances of the Tier-garten, Berlin’s main park. They knew Goebbels and Göring as social acquaintances with whom they dined, danced, and joked—until, as their fi rst year reached its end, an event occurred that proved to be one of the most signifi cant in revealing the true character of Hitler and that laid the keystone for the decade to come. For both father and daughter it changed everything.

This is what curiosity gets you. You might live on top of the biggest toxic waste dump on the planet, but if you never dig, then all you ever know is that your grass is green and your garden is lush.

You wanted to know how you’ll make it on your own?” Manny asked as the sights and sounds of the lush Jerusalem garden gave way to the sterile hospital chapel. “You’ll never know. Because you never will be.

The breakdown of the neighborhoods also meant the end of what was essentially an extended family....With the breakdown of the extended family, too much pressure was put on the single family. Mom had no one to stay with Granny, who couldn't be depended on to set the house on fire while Mom was off grocery shopping. The people in the neighborhood weren't there to keep an idle eye out for the fourteen-year-old kid who was the local idiot, and treated with affection as well as tormented....So we came up with the idea of putting everybody in separate places. We lock them up in prisons, mental hospitals, geriatric housing projects, old-age homes, nursery schools, cheap suburbs that keep women and the kids of f the streets, expensive suburbs where everybody has their own yard and a front lawn that is tended by a gardener so all the front lawns look alike and nobody uses them anyway....the faster we lock them up, the higher up goes the crime rate, the suicide rate, the rate of mental breakdown. The way it's going, there'll be more of them than us pretty soon. Then you'll have to start asking questions about the percentage of the population that's not locked up, those that claim that the other fifty-five per cent is crazy, criminal, or senile. WE have to find some other way....So I started imagining....Suppose we built houses in a circle, or a square, or whatever, connected houses of varying sizes, but beautiful, simple. And outside, behind the houses, all the space usually given over to front and back lawns, would be common too. And there could be vegetable gardens, and fields and woods for the kids to play in. There's be problems about somebody picking the tomatoes somebody else planted, or the roses, or the kids trampling through the pea patch, but the fifty groups or individuals who lived in the houses would have complete charge and complete responsibility for what went on in their little enclave. At the other side of the houses, facing the, would be a little community center. It would have a community laundry -- why does everybody have to own a washing machine?-- and some playrooms and a little cafe and a communal kitchen. The cafe would be an outdoor one, with sliding glass panels to close it in in winter, like the ones in Paris. This wouldn't be a full commune: everybody would have their own way of earning a living, everybody would retain their own income, and the dwellings would be priced according to size. Each would have a little kitchen, in case people wanted to eat alone, a good-sized living space, but not enormous, because the community center would be there. Maybe the community center would be beautiful, lush even. With playrooms for the kids and the adults, and sitting rooms with books. But everyone in the community, from the smallest walking child, would have a job in it.

They made their way to the dining room, where the air was blossom-scented and gilded with candlelight. The mammoth Jacobean table, with its legs and support rails carved like twisted rope, had been covered with pristine white linen. A row of broad silver baskets filled with billows of June roses rested on a long runner of frothy green maidenhair ferns. The walls had been lined with lush arrangements of palms, hydrangeas, azaleas and peonies, turning the room into an evening garden. Each place at the table had been set with glittering Irish crystal, Sèvres porcelain, and no fewer than twenty-four pieces of antique Georgian silver flatware per guest.

Spring has come with little prelude, like turning a rocky corner into a valley, and gardens and borders have blossomed suddenly lush with daffodils, irises, tulips. Even the derelict houses of Les Marauds are touched with color, but here the ordered gardens have run to rampant eccentricity; a flowering elder growing from the balcony of a house overlooking the water, a roof carpeted with dandelions, violets poking out of a crumbling facade. Once-cultivated plants have reverted to their wild state, small leggy geraniums thrusting between hemlock-umbels, self-seeded poppies scattered at random and bastardized from their original red to orange to palest mauve. A few days' sunshine is enough to coax them from sleep; after the rain they stretch and raise their heads toward the light. Pull out a handful of these supposed weeds, and there are sages and irises, pinks and lavenders, under the docks and ragwort.

We must be in the heart of Diyu." "The heart of Diyu is a garden?" Mulan spoke up. As far as she could see were flowers and trees, all so lush and beautiful Mulan could almost forget she was in the Underworld. Tall grass tickled her waist as she stepped up to a tangerine tree. Behind it was a tinkling brook, teeming with white-and-red-spotted carp.

And then there was the expansive garden that ran the length of the rear of the house- lush with color and fragrances that seemed to burst from every branch and bloom. Whoever had designed it possessed a keen eye for beauty, each plant chosen with obvious care and an affinity for nature. She'd even acquired a new cat from its depths, a stray orange tom she found wandering among the hydrangea bushes one morning. An offered dish of milk and he'd been her bosom beau ever since. She'd decided to call him Ranunculus because Buttercup was far too feminine a name for such a large and impressive male. She gazed at him now where he slept in the sunshine, basking like a small potentate in the heat of the day.

Full of the usual blights, mistakes, ruinous beetles and parasites, glorious for one week, bedraggled the next, my actual garden is always a mixed bag. As usual, it will fall far short of the imagined perfection. It is a chore. Hard work. I'll by turns aggressively weed and ignore it. The ground I tend sustains me in early summer, but the garden of the spirit is the place I go when the wind howls. This lush and fragrant expectation has a longer growing season than the plot of earth I'll hoe for the rest of the year. Raised in the mind's eye, nurtured by the faithful composting of orange rinds and tea leaves and ideas, it is finally the wintergarden that produces the true flowering, the saving vision.

As I walked, I became aware of the strong odor of peonies and jasmine. I inhaled deeply to draw in the lovely bouquet. The scent was from the fresh flowers of a lush garden. The path opened into a courtyard, a tangle of peonies and jasmine framing the entrance, blooming in spectacular fashion. Silky petals brushed against my skin. The tension building in my neck and shoulders melted away as I entered a fairyland. The rustle of the night breeze joined the familiar voice of Teresa Teng echoing from invisible speakers. Beneath my feet, a path of moss-covered stones led to a circular platform surrounded by a large, shallow pond. The night garden was bursting with a palette of muted greens, starlit ivories, and sparkling golds: the verdant lichen and waxy lily pads in the pond, the snowy white peonies and jasmine flowers, and the metallic tones of the fireflies suspended in the air, the square-holed coins lining the floor of the pond, and the special golden three-legged creatures resting on the floating fronds. I knew these creatures from my childhood. The feng shui symbol of prosperity, Jin Chan was transformed into a golden toad for stealing the peaches of immortality. Jin Chan's three legs represented heave, earth, and humanity. Statues of him graced every Chinese home I had ever been in, for fortune was a visitor always in demand. Ma-ma had placed one near the stairs leading to the front door. The pond before me held eight fabled toads, each biting on a coin. If not for the subtle rise and fall of their vocal sacs, I would have thought them statues.

A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn

At an overgrown garden with a weathered picket fence, I stop and lean over the fence to sniff at a pristine bright red rose bloom between hundreds of others on a lush rose bush. They all exude an intoxicating scent, which obviously also pleases the bees, who, despite the twilight, are still out and about in astonishing numbers to diligently collect pollen. I deeply inhale the sweet smell and then walk on with a dreamy smile.

She wandered around Sally's garden, sipping coffee, stopping to admire the grevillea and talk to the chickens. As the warmth of the sun unknotted the tension in her spine, Alice noticed a lush alley of potted tropical plants alongside the house: monstera, bird of paradise, agave, staghorns and ferns. Alice was filled with a sense of wonder; it was a garden within a garden, so meticulous and well-tended in contrast to the wild beauty surrounding it. The sumptuous blends of greens. The varying, glossy foliage.

THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".

The divisions that make up class are, in truth, the borders on a map. When you are born into wealth and privilege, you inherit a plan that outlines the path ahead, indicating the shortcuts and byways available to reach your destination, informing you of the lush valleys where you may rest and the tricky terrain to avoid. If you enter the world without such a map, you are bereft of proper guidance. You lose your way more easily, trying to pass through what you thought were orchards and gardens, only discover they are marshland and peat bogs.

The divisions that make up class are, in truth, the borders on a map. When you are born into wealth and privilege, you inherit a plan that outlines the paths ahead, indicating the short-cuts and byways available to reach your destination, informing you of the lush valleys where you may rest and the tricky terrain to avoid. If you enter the world without such a map, you are bereft of proper guidance. You lose your way more easily, trying to pass through what you thought were orchards and gardens, only to discover they are marshland and peat bogs.

per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number

The sorrow I feel has not disappeared, but it has been integrated into my life as a painful part of a healthy whole. Initially, my loss was so overwhelming to me that it was the dominant emotion—sometimes the only emotion—I had. I felt like I was staring at the stump of a huge tree that had just been cut down in my backyard. That stump, which sat all alone, kept reminding me of the beloved tree that I had lost. I could think of nothing but that tree. Every time I looked out the window, all I could see was that stump. Eventually, however, I decided to do something about it. I landscaped my backyard, reclaiming it once again as my own. I decided to keep the stump there, since it was both too big and too precious to remove. Instead of getting rid of it, I worked around it. I planted shrubs, trees, flowers, and grass. I laid out a brick pathway and built two benches. Then I watched everything grow. Now, three years later, the stump remains, still reminding me of the beloved tree I lost. But the stump is surrounded by a beautiful garden of blooming flowers and growing trees and lush grass. Likewise, the sorrow I feel remains, but I have tried to create a landscape around the loss so that what was once ugly is now an integral part of a larger, lovely whole.

Soft moonlight enveloped her path, guiding her toward the gate like creamy white petals leading a bride to the altar. Walter didn't understand- she needed to be in these gardens. The beauty breathed life into her. Filled her very soul. She pushed down the latch, testing it slowly to see if it was locked on the opposite side. Her heart leapt when it opened. The lady left her gardens every autumn now when the flowers began to die, and Mummy didn't seem to care if she visited the gardens when the lady was gone. But in the summer, when the flowers were blooming, when the air smelled sweet and the butterflies danced in the breeze, Mummy and Walter didn't want her to explore. Yet this was her sustenance. Her magic. She needed to be here as much as the butterflies needed their nectar to fly. Quietly she closed the gate and hurried across the brick path until she reached the circular rose garden. In the center of the roses was the most lush carpet of grass. She tossed her shoes into the air, the soft grass tickling her toes. Then she stretched out her arms and twirled in the moonlight. Some people thought the rays of the moon were cool, like the rays of the sun were warm, but they were wrong. The light from the moon was as warm as the sun, a lovely, golden warmth that electrified her from the inside.

But the crown jewel was the columned Greek Revival mansion, which dated from the mid-1800s, along with the manicured boxwood gardens that would serve as the backdrop for the couple's ceremony. Of course, everything was not only very traditional but also a standard to what one might imagine an over-the-top Southern wedding to be. As I said, "Steel Magnolias on steroids." The ceremony would take place outdoors in the garden, but large custom peach-and-white scalloped umbrellas were placed throughout the rows of bamboo folding chairs to shade the guests. Magnolia blossoms and vintage lace adorned the ends of the aisles. White, trellis-covered bars flanked the entrance to the gardens where guests could select from a cucumber cooler or spiked sweet tea to keep cool during the thirty-minute nuptials. It was still considered spring, but like Dallas, Nashville could heat up early in the year, and we were glad to be prepared. By the time we arrived the tent was well on its way to completion, and rental deliveries were rolling in. The reception structure was located past the gardens near the enormous whitewashed former stable, and inside the ceiling was draped in countless yards of peach fabric with crystal chandeliers hanging above every dining table. Custom napkins with embroidered magnolias on them complemented the centerpieces' peach garden roses, lush greenery, and dried cotton stems. Cedric's carpentry department created floor-to-ceiling lattice walls covered in faux greenery and white wisteria blooms, a dreamy backdrop for the band.

The Outer Cape is famous for a dazzling quality of light that is like no other place on Earth. Some of the magic has to do with the land being surrounded by water, but it’s also because that far north of the equator, the sunlight enters the atmosphere at a low angle. Both factors combine to leave everything it bathes both softer and more defined. For centuries writers, poets, and fine artists have been trying to capture its essence. Some have succeeded, but most have only sketched its truth. That’s no reflection of their talent, because no matter how beautiful the words or stunning the painting, Provincetown’s light has to be experienced. The light is one thing, but there is also the way everything smells. Those people lucky enough to have experienced the Cape at its best—and most would agree it’s sometime in the late days of summer when everything has finally been toasted by the sun—know that simply walking on the beach through the tall seagrass and rose hip bushes to the ocean, the air redolent with life, is almost as good as it gets. If in that moment someone was asked to choose between being able to see or smell, they would linger over their decision, realizing the temptation to forsake sight for even one breath of Cape Cod in August. Those aromas are as lush as any rain forest, as sweet as any rose garden, as distinct as any memory the body holds. Anyone who spent a week in summer camp on the Cape can be transported back to that spare cabin in the woods with a single waft of a pine forest on a rainy day. Winter alters the Cape, but it doesn’t entirely rob it of magic. Gone are the soft, warm scents of suntan oil and sand, replaced by a crisp, almost cruel cold. And while the seagrass and rose hips bend toward the ground and seagulls turn their backs to a bitter wind, the pine trees thrive through the long, dark months of winter, remaining tall over the hibernation at their feet. While their sap may drain into the roots and soil until the first warmth of spring, their needles remain fragrant through the coldest month, the harshest storm. And on any particular winter day on the Outer Cape, if one is blessed enough to take a walk in the woods on a clear, cold, windless day, they will realize the air and ocean and trees all talk the same language and declare We are alive. Even in the depths of winter: we are alive. It

He watched her pace toward him. She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?” “Yes,” he whispered. “I remember lying with you on the lawn of the imperial palace’s spring garden.” He shifted. Lamplight pulsed over his face. He shook his head. “I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.” “That didn’t happen.” “I kissed you.” She touched the hollow at the base of his neck. His pulse was wild. “Not then,” he said finally. “But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.” His heart slammed against her palm. “Yes.” “A carriage.” “Yes.” “A balcony.” Breath escaped him like a laugh. “Almost.” “I remember falling asleep in your bed when you weren’t here.” He pulled back slightly, searched her face. “That didn’t happen.” “Yes it did.” His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins. “The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.” His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.” “I never said?” “No.” She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it. He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth. She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down. Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.

the small garden was just a slip of earth on the side of the house, bit it seemed like its own universe. The sweet, sharp scent of hundreds of flowers greeted her. Even in the night their colors sang it was a thick, lush blanket of color- luxurious purple and electric blue and sunshine yellow and cheery red. It was like a movie version of an enchanted harden, gorgeous, vivid, and too beautiful to be real. She could dive into the purple of the violets and live there.

Luxury hotel in Mexico with lush and beautiful gardens and unspoiled natural beauty. The weather is always amazing here to enjoy a wide range of outdoor activities, dining, or simply relaxing with the highest level of personalized service.

This morning, outside Nordic Fisheries a couple of delivery guys are unloading lobsters and crabs by the case, pausing in between loads to sip coffee from Styrofoam cups. Across the street, on Penn Avenue, the green grocers are busy stacking crates of vegetables and fruits, arranging them into a still life to showcase their most beautiful produce: heads of red romaine, their tender spines heavy with the weight of lush, purple-tinged leaves; a basket of delicate mâche, dark green, almost black, and smelling like a hothouse garden; sugar pumpkins of burnished gold; new Brussels sprouts, their tender petals open like flowers. At this hour the world belongs to those noble souls who devote their lives to food. Cook, grocer, butcher, baker, sunrises are ours. It's a time to gather your materials, to prepare your mise en place, to breathe uninterrupted before the day begins.

I present... the courtyard!" The curtain slid away to reveal a wall of glass. Several production workers slid the transparent panels along the tracks until the entire room opened up onto a massive outdoor kitchen. The contestants filed outside, stunned by the extravagance. It doubled the size of their workspace. Stovetops and grills were set into brick counters. Refrigerators were tucked safely under a canvas canopy. And best of all- most thrilling of all- was a lush, vibrant perennial border that surrounded the entire kitchen, filled with edible plants, herbs, and flowers. Bright orange nasturtiums nodded in the afternoon sunshine, tender peas twined about a chicken wire fence. Bees hovered over patches of fuzzy thyme. Sophia laughed out loud. This was utterly delightful. "Your dream come true, Miss Garden Fairy?" The Scot's thick arms crossed his chest. He looked utterly disinterested. "There are fully-stocked pantries inside, as well. But the outdoor facility takes advantage of our beautiful Vermont landscape. Edibles in the garden." Mr. Smith pointed to glass-fronted coolers. "Local cheeses and other dairy products." He sauntered over to the canopied area and the cameras followed him. Baskets of fresh produce lined the tables. "We locally farmed proteins, fruits, and vegetables. Honey. Maple syrup. Anything and everything you can imagine." He took a perfectly ripe strawberry from one of the boxes and popped it into his mouth.

I always thought of the world as a kind of lush garden I was being kept secluded from, but it’s more like a jungle—dangerous, wild, and fiercely beautiful

Her mouth— ah, that lush, sweet mouth— was a garden, and I was on my back, face tipped in adoration to the sun for giving me such brilliance, delightful aromas, and the indescribable lightness of being with her.

Sugar had grown up in Charleston, South Carolina: possibly the most luscious of the world's garden cities. Behind every wrought-iron gate or exposed-brick wall in the picturesque peninsula blooming between the Ashley and Cooper Rivers lay a sweet-scented treasure trove of camellias, roses, gardenias, magnolias, tea olives, azaleas and jasmine, everywhere, jasmine. With its lush greenery, opulent vines, sumptuous hedgerows and candy-colored window boxes, it was no wonder the city's native sons and daughters believed it to be the most beautiful place on earth. In her first years of exile Sugar had tried to cultivate a reminder of the luxuriant garden delights she had left behind, struggling in sometimes hostile elements to train reluctant honeysuckle and sulky sweet potato vines or nurture creeping jenny and autumn stonecrop.

In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep-green to submerged-gold. Gardeners, construction workers and farm workers swarmed the property. Isabel Johansen was in charge; that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seemed vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about faro places, would turn into clues for him. And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.

When Tess had told him about the book project, she hadn't mentioned hostile women and swarms of bees. In fact, she'd characterized it as a working vacation of sorts, a way for him to recover from his bum knee by soaking up the charms of Sonoma County. In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep green to sunburned-gold. Gardeners, construction workers swarmed the property. Isabel Johansen was in charge, that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seen vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about far-off places, would turn into clues for him. And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.

Andrew sifted through the photos: lush, sprawling gardens of herbs and flowers, others dotted with crabapple trees, woodbine, and hawthorn- not that he could name anything. Sorrel leaned over her shoulder and brushed against Andrew's hand. He shivered and pushed it away. For a moment he thought that the gardens in the pictures had come to life as Sorrel's scent drifted over him. She smelled of summer and sea with a whisper of something he couldn't name, familiar and strange at once. He didn't know that Patience Sparrow had concocted special cologne for Sorrel's trip. It was made of privet blossom, new green grass, lime, and the smallest hint of patchouli and had been the last she packed.

Visualize. Here’s a visualization practice my friend and mentor Pia taught me: Find a comfortable chair and sit upright. Take 10 deep breaths, relax your shoulders, and clear your mind. Visualize walking through a forest, or a field of cornstalks, or a lush garden. Visualize coming to an open beach. Hold that scene in your mind’s eye for as long as you can, and see what emerges. Objects or people that emerge from the left represent the past. Those from the right represent the future. Record the images in your journal. Writing helps to consolidate the experience. Do timed automatic writings to quiet your rational mind. See 13. Survive love and loss for directions. Record your dreams in a journal. Note patterns, repetitions, symbols, and archetypes, rather than literal events. Before sleep, invite your subconscious for revelation through dreams. Pay attention to your body’s signals: twinges, goosebumps, or nausea, for example. Intuitive signals tend to be fleeting, whereas signals that represent physical imbalances or disease tend to be longer-lasting. Enlist the gift of hindsight. This can help to correlate images and signs with actual happenings, and decipher between intuition and wishful or fearful thinking. Record these notes into your dream journal, which may be used for all intuition-related reflections. Be patient. Developing intuition is like learning a new language. It takes time, repetition, and practice. Practice humility and trust. Like analytical thinking, intuition isn’t 100 percent accurate 100 percent of the time.

Dining tables were dressed in hunter-green velvet linens. Royal Staffordshire Tonquin Brown dinner plates sat on top of hammered copper chargers. Cut-crystal drinkware and hammered copper tumblers glinted in the candlelight and strands of twinkle lights. Vintage brass and low copper vessels overflowed with garden roses, tulips, and amaryllis in various shades of cream, peach, and burnt orange along with lush greenery. Berries and russet feathers peeked out every so often, and antlers interspersed at odd angles. Reminiscent of an enchanted woodland from a C.S. Lewis novel, this was by far my favorite design Cedric had ever created.

The best thing about Paris? It’s a city of readers,” our neighbor said. She said that in friends’ homes, books were as important as the furniture. She spent her summers reading in the city’s lush parks, then like the potted palmettos in the Tuileries Garden, sent to the greenhouse at the first sign of frost, she spent winters at the library, curled up near the window with a book in her lap.

well-nurtured plants . . . pillars. The royal interest of this psalm in conjunction with the reference to a palace might conjure an image of flourishing civic projects. The splendor of a palace and city was enhanced by ornamental gardens. The Assyrian king Sennacherib (c. 700 BC) boasted that he adorned the city of Nineveh with a “great park” containing all kinds of herbs and fruit trees, and that he allotted plots of land for the people to plant orchards. In addition, he developed an elaborate irrigation system to keep the plantings lush. Similarly, fine architecture was a credit to any monarch who experienced success in his reign. Sennacherib spoke of the elaborate portico of his palace with copper and cedar pillars to support the grand doors. Such pillars were sometimes carved in human shape. This psalm draws on such images to describe the blessing of offspring who flourish as the most important pride of any community (see notes on 127:1, 4–5).

little miffed about it. But you only need two out of three votes. Just do the best you can.” The Council didn’t know about her? Then why did Fitz say they’d been looking for her for twelve years? Before she could ask, they arrived at another clearing, and all coherent thoughts vanished. Dozens of squat, earth-toned creatures with huge gray eyes and bright green thumbs and teeth tended a garden that belonged in a fairy tale. Lush plants grew up and down and sideways and slantways. One of the females shuffled by in a dress woven from grass, carrying a basket filled with twinkling purple fruit. “What?” It was the only word Sophie could come up with.

Down a narrow, nondescript Bangkok lane, the graceful red roofs of a traditional Thai residence rise above a lush tropical garden, in serene contrast with the city's modern clamor all around. This was the home of an American named Jim Thompson, and it stands today as a continuing memorial to a remarkable man and to his love for Thailand's rich culture.

The gardens were indeed spectacular: lush, green and blazing with summer color. Anna particularly loved the path to the stables, which was lined with ancient oak trees, their foliage creating a tunnel of green shade through which to walk. 'Rosa Mundi,' said Ed, pausing at a bush heavy with candy-striped bright pink-and-white blooms. 'One of the oldest roses, introduced to Britain before William the Conqueror.' Anna was once again reminded of how extraordinarily long some plants had been around for, blooming, dying and blooming again across the centuries, seeds scattered on the wind, seedlings divided and shared, sold and replanted in foreign soil.

I am out there as a child and no one remembers the killing, the plowing, the swing of the ax toppling the trees. It is a picture by Grant Wood of perfect fields and fine farmhouses with lush kitchen gardens near at hand. It is a thing called the heartland without a wild heart. Wood’s work is an artful deception and his canvases —“American Gothic,” “Stone City, Iowa”—capture wounds on the land. When I was a boy his prints hung in farmhouses all over the state and no one ever mentioned that though there is black earth and fine corn in his paintings the people portrayed never seem happy, as if the last train to paradise has already left.

Past the old brick walls and lovely close-clipped hedges separating the different parts of the Italian gardens, the young people strolled to the rose arbors, scenes of a thousand thousand blossoms in the earlier part of the year. Retracing their steps back past the geranium beds, they walked on over the lush green grass to a sundial. Simultaneously and haltingly, as they made out the hewn words, they began to read aloud the quaint inscription cut from the gray stone: "Hours Fly, Flowers Die... New Days, New Ways, Love Stays." The spoken words, deep with meaning, seemed to ring reverberatingly for a moment over the old timepiece which had seen so many hours fly, and so many flowers die. Still facing the old sundial together, Allen slipped an arm about Laura and drew her close. "Stay Laura," he said suddenly. "Don't go. Stay and make a home with me . . . as they did. After all,--it's best." For a brief moment Laura rested her check against Allen's arm, felt the touch of something big and beyond her. In that fraction of a minute she had the sensation of being swept on to some new existence, in which she was greater than herself, larger than humanity. The feeling of a great contentment came upon her. In that brief space of time she seemed to have slipped into her place in the scheme of things. It was as though she were the center of all existence, the reason for a Great Plan.

Behind its outer walls, the Temple of Inanna was another world. When they entered the bronze gates from the dusty barren city streets, patrons became submerged in a world of sensuality, a garden of earthly delights. Lush flora filled the open courtyard: exotic fruit trees with dates, figs, and pomegranates. Tamarisk and palm trees rose above the floor in a canopy of leaves. The complex artificial irrigation channels of the city watered this botanical paradise of flowers and vegetation. A wisp of incense mixed with perfume wafted through the air, teasing the nostrils. The temple and palace gardens replicated a memory of Eden. It was as if gods and kings sought to retain their ancestral past even as they perverted it into its mirror opposite.

Even our garden lawn—most domesticated of foliage—needed mowing again almost as soon as it was done … like some lush, green five o’clock shadow.

The approach to the city was not the finest. For that we ought to have come from Baghdad, crossing the desert to find Damascus shimmering in its oasis with the snowy bulk of Mount Hermon looming up behind. But rolling through the orchards of olive and lemon, pomegranate and orange, we saw Damascus standing on the plain, a gleaming, jewelled city of white in a lush green setting. It smelled, as all ancient cities do, of stone and smoke and donkey and spices, but over it all hung the perfume of the flowers that spilled from private courtyards and public gardens. Sewage ran in the streets, yet to me it would always be the city of jasmine, the air thick with the fragrance of crushed blossoms.

I knew everything that was expected of a wife and daughter-in-law. I knew it in my bones the way I knew the brushstrokes that composed my name, the poetry I memorized to please my father, the lush scents of our rose garden in July. It was just that until now I had never believed this would actually define my life.

Education was still considered a privilege in England. At Oxford you took responsibility for your efforts and for your performance. No one coddled, and no one uproariously encouraged. British respect for the individual, both learner and teacher, reigned. If you wanted to learn, you applied yourself and did it. Grades were posted publicly by your name after exams. People failed regularly. These realities never ceased to bewilder those used to “democracy” without any of the responsibility. For me, however, my expectations were rattled in another way. I arrived anticipating to be snubbed by a culture of privilege, but when looked at from a British angle, I actually found North American students owned a far greater sense of entitlement when it came to a college education. I did not realize just how much expectations fetter—these “mind-forged manacles,”2 as Blake wrote. Oxford upholds something larger than self as a reference point, embedded in the deep respect for all that a community of learning entails. At my very first tutorial, for instance, an American student entered wearing a baseball cap on backward. The professor quietly asked him to remove it. The student froze, stunned. In the United States such a request would be fodder for a laundry list of wrongs done against the student, followed by threatening the teacher’s job and suing the university. But Oxford sits unruffled: if you don’t like it, you can simply leave. A handy formula since, of course, no one wants to leave. “No caps in my classroom,” the professor repeated, adding, “Men and women have died for your education.” Instead of being disgruntled, the student nodded thoughtfully as he removed his hat and joined us. With its expanses of beautiful architecture, quads (or walled lawns) spilling into lush gardens, mist rising from rivers, cows lowing in meadows, spires reaching high into skies, Oxford remained unapologetically absolute. And did I mention? Practically every college within the university has its own pub. Pubs, as I came to learn, represented far more for the Brits than merely a place where alcohol was served. They were important gathering places, overflowing with good conversation over comforting food: vital humming hubs of community in communication. So faced with a thousand-year-old institution, I learned to pick my battles. Rather than resist, for instance, the archaic book-ordering system in the Bodleian Library with technological mortification, I discovered the treasure in embracing its seeming quirkiness. Often, when the wrong book came up from the annals after my order, I found it to be right in some way after all. Oxford often works such. After one particularly serendipitous day of research, I asked Robert, the usual morning porter on duty at the Bodleian Library, about the lack of any kind of sophisticated security system, especially in one of the world’s most famous libraries. The Bodleian was not a loaning library, though you were allowed to work freely amid priceless artifacts. Individual college libraries entrusted you to simply sign a book out and then return it when you were done. “It’s funny; Americans ask me about that all the time,” Robert said as he stirred his tea. “But then again, they’re not used to having u in honour,” he said with a shrug.

Well-Watered Gardens “The LORD will always lead you. He will satisfy your needs in dry lands and give strength to your bones. You will be like a garden that has much water, like a spring that never runs dry.” ISAIAH 58:11 NCV Exhausted and weary to the bone, the writer walked into the prayer time barely able to summon any pleasure in the proceedings. The previous year had been grueling, and while she still clung to her faith in Jesus Christ, she had very little strength left. Empty and dry, she could barely make it through the motions of living. She came to the prayer room from a meeting with her agent, who had refused to drop her as a client. Frustrated at her lack of purpose and unable to write out of her desert-like existence, she sat facing the friend who had agreed to pray for her. Soon after prayer began, the dam holding her emotions hostage broke deep within. Tears flowed, and the Lord poured assurance after promise after confirmation over her head in the form of more life-giving water. God wasn’t done with her yet. Hope pushed through the dry soil, turning lush and green in the showers of life-giving water. Two months later she stared in amazement at Isaiah 58:11. Almost word for word, the verse matched what her friend had prayed, proving once again that God’s Word is living and powerful. Thank You so much, Father, for sending Your Holy Spirit to wash us with the water of Your unchanging Word and to refresh us in the showers of blessings and mercies that are new every morning.

By the first week of August—within a week or so of the wreck—Sir George “squared out a garden” where he planted muskmelons, peas, onions, radish, lettuce, and other herbs and good English plants.21 In ten days the seeds, carried as cargo on the Sea Venture, had sprouted and pushed their way above ground. The island’s birds made quick work of the sprouts, though, and none of the plants matured. Somers had no better luck with several sugarcane sprouts he planted in the garden area near the little gathering of thatched huts; they were almost immediately rooted up and eaten by the island’s wild hogs. Despite these early disappointments, Somers and the other survivors thought that the Bermudas would prove to be a likely place for English settlers to grow the lemons, oranges, sugarcane, and even grape vines that thrived in some of the Spanish islands of the Caribbean. In fact, as fertile as the Bermudas appeared to the survivors, the island chain’s soil and subtropical climate were ill suited to producing most crops. Still, the survivors found plenty of food and lush surroundings and mostly pleasant weather and ready shelter.

crescent, then switches off the app. All the houses are detached, elegant, huge. She motors slowly, head low, checking the lush, wide driveways – the turning circles, the topiary, the expensive stone flags – until, a little ahead, in a gravel driveway, she sees his van parked outside what she can only call in her mind a modern architect-type house. She pulls up on the far side of the road, switches off the engine and takes off her helmet. Doesn’t want to get too close in case he spots her from the window. She plucks at the fingers of her leather gloves and slides them off, uses them to wipe at her eyes, which have filled again with tears. Why is he here? Why is he not at Simon’s or his parents’ over in Sunbury? Her skin prickles; her tight heart knocks against her ribs. There is a silver orb in the front garden, a line of round lollipop bay trees, an angular hedge in front of an elegant black iron railing. She’s seen this style of garden in one of the lifestyle

We break off into the streets, repairing the cobblestones with our brisk allegro. The townsfolk step aside in awe as my allongés stitch the pastel wood back into cottages and storefronts. Flowers grow from my quick bourrée steps, breathing life back into Luna Island in shades of pink and purple. Rainbows rise from the sea with my grand jeté, summoning the dolphins to leap alongside our dance. Damien catches me in his arms before lifting me into the air as I paint the sky bright blue. We laugh as the beauty of Luna Island blooms once again, running into the forest and turning the ash into lush green trees. Color bursts in the darkness as we chassé through the angels' village and past the glade where our story first began. With my pirouettes, I add extra pink petals to the garden where Damien and I once lay. I break into a series of chaîné turns as we make our way back down to the beach, unleashing the magic Luna bestowed upon me. The townsfolk watch in awe in the midst of the commotion, and I dust them in a veil of starlight that follows my path, healing bruises and stitching wounds until no one bleeds. They gather around me as I finish my dance, thrumming with applause and tossing the freshly spun flowers at my feet.

Landowners in the bone-dry southwest United States irrigate their properties to evoke the lush, grassy savanna. Gardeners in Japan prune their trees so that the boughs resemble the spreading branches of the trees of East Africa. Such choices reflect the brain’s very particular evolved history—the “ghosts of environments past,” in the phrase of biologist Gordon Orians. What we imagine to be aesthetic preferences are really survival instincts honed over millennia, instincts that helped us find promising places to forage and to rest. When, today, we turn to nature when we’re stressed or burned out—when we take a walk through the woods or gaze out at the ocean’s rolling waves—we are engaging in what one researcher calls “environmental self-regulation,” a process of psychological renewal that our brains cannot accomplish on their own.

A petal-strewn gravel path divides the garden into two symmetrical sections, with lush meadows on either side, flanked by cherry blossom trees. The tree branches stretch out to meet each other, forming a canopy of evergreen leaves and pink blossoms overhead and creating the dancing shadows on the grass that give the garden its name.

Drayton Gardens, which was 500 acres of lush and beautiful horticulture that blessed the grounds of the plantation since 1676.

The drive was thoroughly enjoyable, with a cool trade wind steadily blowing in from the sea. On their left, the blue-green mountains rose toward the cloudless sky. The lush coastal plain was dotted with waving seas of sugar cane, interspersed here and there with fields of pineapple planted in orderly rows. In places the road became hilly, with shade trees arching overhead. Some were flamboyantes, the flame trees with gorgeous red blossoms. “Things really grow here!” Joe said admiringly. “Like living in a flower garden!” Frank remarked. “Mother and Aunt Gertrude would love this.

I lied a little. There are things I don’t want to tell you. How lonely I am today and sick at heart. How the rain falls steadily and cold on a garden grown greener, more lush and even less tame. I haven’t done much, I confess, to contain it. The grapevine, as usual, threatens everything in its path, while the raspberry canes, aggressive and abundant, are clearly out of control. I’m afraid the wildflowers have taken over, being after all the most hardy and tolerant of shade and neglect. This year the violets and lilies of the valley are rampant, while the phlox are about to emit their shocking pink perfume. Oh, my dear, had you been here this spring, you would have seen how the bleeding hearts are thriving. — Madelon Sprengnether, The Angel of Duluth: Prose Poems. (White Pine Press; First Edition edition May 1, 2006)

You are sitting in the middle of a magnificent, lush, green garden. This garden is filled with the most spectacular flowers you have ever seen. The environment is supremely tranquil and silent. Savor the sensual delights of this garden and feel as if you have all the time in the world to enjoy this natural oasis. As you look around, you see that in the center of this magical garden stands a towering, red lighthouse, six stories high. Suddenly, the silence of the garden is disturbed by a loud creaking as the door at the base of the lighthouse opens. Out stumbles a nine-foot-tall, nine-hundred-pound Japanese sumo wrestler who casually wanders into the center of the garden. “It gets better,” chuckled Julian. “The Japanese sumo wrestler is almost totally naked. He has a pink wire cable covering his private parts.” As this sumo wrestler starts to move around the garden, he finds a shiny gold stopwatch which someone had left behind many years earlier. He slips it on and falls to the ground with an enormous thud. The sumo wrestler is rendered unconscious and lies there, silent and still. Just when you think he has taken his last breath, the wrestler awakens, perhaps stirred by the fragrance of some fresh yellow roses blooming nearby. Energized, the wrestler jumps swiftly to his feet and intuitively looks to his left. He is startled by what he sees. Through the bushes at the very edge of the garden he observes a long winding path covered by millions of sparkling diamonds. Something seems to instruct the wrestler to take the path, and to his credit, he does. This path leads him down the road of everlasting joy and eternal bliss.

The rear doors of the Marble Hall open onto the sprawling Fountain Terrace, decorated with statues and topiary. A promenade curves southward from it, lined with yew trees that resemble giant gumdrops, and banks of daffodils and bluebells. Multiple gated gardens snake outward from the grassy lane. "This is the first of the gardens that we allow visitors to tour," Max says, leading me through a gate with a plaque above it reading THE FRENCH GARDEN. "We just planted new pink roses for the summer season." "They're beautiful." I can feel Max watching me intently as I wander the perimeter, taking in the blooming flowers and lush orange trees.

In turn, magic would flow bright in the spirits of the east. And while the Tamerlaines would have to suffer in order to wield it, their gardens would flourish, their water would be pure, their winds would be balanced, and their fires would be warm. The Tamerlaine clan would then be a prosperous but vulnerable people, belonging to a lush land.

This Elixir Smites by Stewart Stafford How dull the rose's painted lustre, As bees gossip, all mistrust her, Window taps on stormy nights, Aphids swarm as suckling mites. Once buds entwined at Nature's hip, Now cleft in two and water-dipped, Glass-twisted strangest shape, Mauve-petalled mausoleum draped. Neglected drops in muted drought, The bloody thorns scratch about, A lush finger in withered point, Pruned stem of glum conjoint. Cataclysms from petty faults arise; Reflection pardoned in imperfect eyes. © Stewart Stafford, 2024. All rights reserved.

The Garden is lush and bountiful like a dream-forest, overflowing with marvels.

Right now, the garden appears barren. But I’ll bet that under our feet as we speak there are roots and seeds from those old trees sprouting with new life, just waiting to break through the surface. Plants are resilient beings, especially trees. Far more resilient than we are. They can endure countless cycles of destruction and rebirth, centuries of being battered by storms and fires, only to grow back more lush and vibrant than ever before.

The main rectangular swimming pool ran perpendicular to the house, which you wouldn't know because it was almost completely covered in a cloud of white. I walked closer, stunned at the beautiful lotus and water lily blooms floating beneath my feet. A glass aisle was laid across the center. You felt like you were walking---or sitting--- in a Monet painting. Complementary flowers lined the sides of the aisles, with chairs extending on either side of the now-concealed pool deck. I had no idea what wizardry kept the central flowers from floating freely, but my sister would walk down the aisle above a lush bed of white blossoms. Beside it, the ornamental gardens had been tented for the reception. Cedric had managed to integrate the existing stone sculptures (French, Greek, and Italian antiques, of course) into the design. Tables dotted the scene, covered in custom cream linens with Italian lace overlays. Cut crystal stemware and antique silverware donned each place setting and would sparkle later that evening from the glow cast down from the crystal chandeliers overhead. And the flowers. The all-white flowers also created a table-runner effect that filled the entire length of each table and spilled over and down the sides. A backdrop and stage had been erected at the end opposite the house, then covered in a cascade of white peonies and roses and mirrored by florals draped around the doorframes and windows of the back of our house. It was an enchanted garden, rivaling that of a royal wedding.

KPN had set up an office in most countries of the former Eastern bloc. The office in Budapest was in the Buda hills, an area with lush lanes with beautiful large nineteenth-century villas. The minute I saw it, I baptized KPN’s villa ‘Villekulla’, after Pippi Longstocking’s house. I could just picture Pippi leaving the place with Mr. Nilsson on her shoulder, leading her speckled mare down the lane, looking for new adventures. The actual offices were downstairs, with double doors opening out into a large garden with roses and big trees.

He stopped our walk to peer inside a splendid white, wrought-iron gate with gold spokes, through which we could glimpse a building that looked like Buckingham Palace in London. The grounds were lush and parklike, surrounded by trees. Kenji said, "Tōgū Palace is through those gates. It's a state guesthouse now. You can't see it from here, but the crown prince and his family live on the grounds farther back behind the palace." "Can we take a tour here sometime?" "It's only open for visitors on New Year's Day and the emperor's birthday. The Imperial Palace, closer to where we live, has more access for tourists. It's even got a moat surrounding it. Beautiful gardens year-round but especially in spring when the cherry blossoms bloom.

But it was Ireland’s mercurial folklore that supplied Bax with the dominant voice in his compositions. Beginning with Cathaleen-na-Hoolihan (1905), written three years after encountering Yeats, the list of his tone poems (spanning the years 1909–31) reads like the contents of an Arts and Crafts compendium of decadent fairy tales: In the Faery Hills, Rosc-catha, Spring Fire, Nympholept, The Garden of Fand, November Woods, Tintagel, The Happy Forest, The Tale the Pine Trees Knew. A sensualist and erotic adventurer (in 1910 he pursued a ukrainian girl he was infatuated with from St Petersburg to Kiev), Bax created lush, richly foliated sound-forests that attempted to conjure up a sense of narcotic abandon and the intoxicating conjunction of myth and landscape. In the Faery Hills (1909) takes its cue from a section in Yeats’s Wanderings of Oisin in which the Sídhe force a troubadour to sing them a song. Aware of their reputation as festive types, Oisin launches into his most joyous ditty. To the Sídhe, it still sounds like the most depressing dirge they’ve ever heard, so they toss his harp into a pool and whisk him away to show him how to party like it’s AD 99. Bax claimed to have been ‘possessed by Kerry’s self’5 while writing it.

T1 consisted of nineteen settlements distributed throughout the valley. It was an immense human-engineered environment, in which the ancient Mosquitia people transformed the rainforest into a lush, curated landscape. They leveled terraces, reshaped hills, and built roads, reservoirs, and irrigation canals. In its heyday T1 probably looked like an unkempt English garden, with plots of food crops and medicinal plants mingled with stands of valuable trees such as cacao and fruit, alongside large open areas for public ceremonies, games, and group activities, and shady patches for work and socializing. There were extensive flower beds, because flowers were an important crop used in religious ceremonies. All these growing areas were mixed in with residential houses, many on raised earthen platforms to avoid seasonal flooding, connected by paths. “Having these garden spaces embedded within urban areas,” said Fisher, “is one characteristic of New World cities that made them sustainable and livable.

The winter garden turned out to be a glass conservatory, two stories high and at least one hundred and twenty feet long. Lush ornamental trees, ferns, and palms filled the space, as well as artificial rock formations and a little streamlet stocked with goldfish. West’s opinion of the house climbed even higher as he looked around the winter garden. Eversby Priory had a conservatory, but it wasn’t half as large and lofty as this. An odd little noise seized his attention. A series of noises, actually, like the squeaking of toy balloons releasing air. Bemused, he looked down at a trio of black-and-white kittens roaming around his feet. Phoebe laughed at his expression. “This room is also the cats’ favorite.” A wondering smile spread across West’s face as he saw the sleek black feline arching against Phoebe’s skirts. “Good Lord. Is that Galoshes?” Phoebe bent to stroke the cat’s lustrous fur. “It is. She loves to come here to terrorize the goldfish. We’ve had to cover the stream with mesh wire until the kittens are older.” “When I gave her to you—” West began slowly. “Foisted,” she corrected. “Foisted,” he agreed ruefully. “Was she already—” “Yes,” Phoebe said with a severe glance. “She was a Trojan cat.” West tried to look contrite. “I had no idea.” Her lips quirked. “You’re forgiven. She turned out to be a lovely companion. And the boys have been delighted to have the kittens to play with.” After prying one of the kittens from his trousers as it tried to climb his leg, West set it down carefully.

Don’t worry—we don’t blame you,” Livvy said when she noticed Amy’s frown. “No one should be held accountable for their ancestors’ mistakes, so long as they learn from them. And now that I’ve thoroughly overwhelmed you with difficult information, let me show you the best part of this room.” She crossed to the ornate silver wardrobe and pulled the doors open, shoving aside the fancy clothes hanging from the rack and knocking on the back. “It has a secret wardrobe passage?” Sophie asked as Livvy twisted a hidden knob and revealed a narrow doorway that led to a lush, airy conservatory lit with twinkling lights. Flowering vines draped across the crystal ceiling, and the walls dripped with blue papery flowers that smelled like vanilla and honeysuckle. Tendrils of jade-green grass covered the floor, and graceful trees had been scattered around the space, growing in giant crystal urns. “I thought your furry friends would love having their own private garden,” Livvy explained. “But like I said, you’re welcome to pick any room you—” “Are you kidding?” Amy interrupted. “I’m totally taking the Narnia room!

Madame Escoffier," he said. In his white apron, he was again the man she loved. The gentle man who only spoke in whispers. "I am sorry," she said. "I am not." He leaned over and kissed her. His lips tasted of tomatoes, sharp and floral. The moment, filled with the heat of a reckless summer, brought her back to the gardens they had grown together in Paris in a private courtyard behind Le Petit Moulin Rouge. Sweet Roma tomatoes, grassy licorice tarragon, thin purple eggplants and small crisp beans thrived in a series of old wine barrels that sat in the tiny square. There were also violets and roses that the 'confiseur' would make into jellies or sugar to grace the top of the 'petit-fours glacés,' which were baked every evening while the coal of the brick ovens cooled down for the night. "No one grows vegetables in the city of Paris," she said, laughing, when Escoffier first showed her his hidden garden, "except for Escoffier." He picked a ripe tomato, bit into it and then held it to her lips. "Pomme d'amour, perhaps this was fruit of Eden." The tomato was so ripe and lush, so filled with heat it brought tears to her eyes and he kissed her. "You are becoming very good at being a chef's wife." "I love you," she said and finally meant it. 'Pommes d'amour.' The kitchen was now overflowing with them.

In the face of this vision, Powell put forth another. What was needed above all else, Powell believed, was to know the land, to understand the land, and to react accordingly. This had practical consequences: while a cow might properly graze on a half-acre in the lush East, it would require fifty times that amount of land in most of the West. It followed that the standard acreage of settlement should be different, and it followed that settlement should take into account sources of water. Powell’s goal with his survey was to clearly map out the western lands, to determine what land could be realistically used for agriculture, which meant also determining where irrigation dams should be placed for best effect. In other words, his goal, to use Wendell Berry’s phrase, was to think about “land use” and to do so on a massive scale. Specifically, Powell wanted to think out the uses of land that would be the most beneficial and fruitful for the human beings living there, and for the entire ecosystem (though that word did not yet exist). From the Mormons, Powell learned how “salutary co-operation could be as a way of life, how much less wasteful than competition.” In the late 1880s, Powell wrote a General Plan for land use in the West that “reached to embrace the related problems of land, water, erosion, floods, soil conservation, even the new one of hydroelectric power” that was based on “the settled belief in the worth of the small farmer and the necessity of protecting him both from speculators and from natural conditions he did not understand and could not combat.” It was a methodical, sensible, scientific approach, essentially a declaration of interdependence between the people and their land, and the miracle is that it came very close to passing into law. But of course it met with fierce opposition from those who stood to profit from exploitation, from the boosters and boomers and politicians who thought it “unpatriotic” to describe the West as dry. After all, how dare he call their garden a desert? What right did he have to come in and determine what only free individuals should? Powell was attacked in the papers, slandered in Congress. According to Stegner, Congressman Thomas M. Patterson of Colorado referred to Powell as “this revolutionist,” and the overall attack on Powell “distinguished itself for bombast and ignorance and bad faith.

Don’t pour old coffee or tea down the drain. Water your plants with it. Coffee is a good source of nitrogen – this is good for green, lush growth. You can water acid-loving plants occasionally with coffee. With other plants, it’s best to use it only a few times a month. You can also water your houseplants, occasionally, with leftover beer. It’s fine. They won’t even drunk text you.

Read regularly. Reading for thirty minutes a day will do wonders for you. But I must caution you. Do not read just anything. You must be very selective about what you put into the lush garden of your mind. It must be immensely nourishing. Make it something that will improve both you and the quality of your life.

Can anyone doubt that the lion of Serengeti is part of the idea of God? Can anyone doubt that, for those first, almost-upright bodies in the shadow of Kilimanjaro, in the lush garden of Africa, in the continuation of everything beyond each individual thing, the lion was both the flower of life and the winch of death— the bone-breaker, and the agent of transformation? No doubt, in the beginning, he rose out of the grass like a fire— as now he rises out of the grass, like a fire, gleaming and unapproachable, and notices me, and fixes me with his large, almost fatherly eyes, and flexes his shoulders. I don’t know anything so beautiful as the sunlight in his rough hair. I don’t know where I have seen such power before— except perhaps in the chapel where Michelangelo’s God, tawny and muscular, tears the land from the firmament and places the sun in the sky so that we may live on the earth, among the amazements, and the lion runs softly through the dust, and his eyes, under the thick, animal lashes, are almost tender, and I don’t know when I have been so frightened, or so happy.

The garden was a tyrant, and they lived off it. Tomatoes, the reddest she had ever seen, their stalks twined up the cages Tim had built from galvanized wire. The peas were gone now, but Tim had planted radishes beneath the lettuces so that they might be shaded longer into the summer; each plant provided something for the other. Eggplants and peppers and squash, tents of beans, they were good for the soil. Basil and chives, a few melons, potatoes for the fall and keeping. And down the terrace, espaliered apples and pears that had fruited for decades, farther down the grapes, all this lushness, and then the wide blue stretch of the lake, a plate of glass.

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Despondency slightly dies when hopeful Autumn arrives,and latest wings of soft breeze,starts to fledge,to aplomb the soulful life and gardens to lush with fruits as oft.

Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible.

This is a city with its legs spread open toward the sea. Take a look at the port when you walk down toward the old neighborhoods in Sidi El Houari, over on the Calère des Espagnols side. It’s like an old whore, nostalgic and chatty. Sometimes I go down to the lush garden on the Promenade de Létang to have a solitary drink and rub shoulders with delinquents. Yes, down there, where you see that strange, dense vegetation, ficuses, conifers, aloes, not to mention palms and other deeply rooted trees, growing up toward the sky as well as down under the earth. Below there’s a vast labyrinth of Spanish and Turkish galleries, which I’ve been able to visit, even though they’re usually closed. I saw an astonishing spectacle down there: the roots of centuries-old trees, seen from the inside, so to speak, gigantic, twisting things, like giant, naked, suspended flowers. Go and visit that garden. I love the place, but sometimes when I’m there I detect the scent of a woman’s sex, a giant, worn-out one. Which goes a little way toward confirming my obscene vision: This city faces the sea with its legs apart, its thighs spread, from the bay to the high ground where that luxurious, fragrant garden is. It was conceived — or should I say inseminated, ha, ha! — by a general, General Létang, in 1847. You absolutely must go and see it — then you’ll understand why people here are dying to have famous ancestors. To escape from the evidence.

One could say that here ends working-class Naples (which is all of Naples) and civilized, bourgeois Naples begins, where people do not live in apartment buildings or hovels but only in villas surrounded by large, dark gardens and with their own beachfronts. In actuality, the division is not so precise, since one can find all over Naples beautiful buildings encircled by lush gardens, with marble staircases and drawing rooms, where it’s impossible to imagine the gloom and stench of the alleys right outside. Just as in Naples proper the areas of beauty and joy are islands, from Viale Elena onward, the islands, or exceptions, are ugliness and poverty.

fantastic, rather like flying very slowly through the warm air. After that he went out on a Jet-Ski a couple of times, snorkelled for half an hour and then changed into shorts, polo shirt and deck shoes, put his wet swimming shorts into his rucksack and made his way up to the Ocean Hill. It was still only half-past twelve, far too early to appear for lunch. The rich lunched late. He went into the bar, got himself a glass of iced water and wandered outside to explore the grounds. They were spectacular, terraced gardens, complete with statues, lush green lawns, brilliant flowers, a great swathe of tennis courts, a large lake and what looked like a chapel. ‘Incredible, isn’t it?’ It was Bibi. ‘Hi. I saw you wandering round the courts. Tim and I were contemplating a game, but the standard seemed a little high. McEnroe was the last person to play here. Oh, and Gerulaitis.’ ‘Sounds challenging,’ said Joel, laughing. ‘Just a little bit. What are you doing now? Timmy’s gone to change.’ ‘Oh, just exploring.’ ‘Oh, OK. Well, I’ll maybe see you by the pool. That’d be nice.’ ‘Indeed.’ She smiled at him; she was the same height as he was. Her eyes lingered, rather pointedly, on his mouth. Confusing. Very confusing. ‘I’ll see you later then,’ she said. ‘Oh look, there’s Timmy coming now.’ And she leaned towards him and kissed him briefly, but quite firmly, on the mouth. ‘Tell me,’ said Joel to Allinson when he had greeted him, ‘what on earth is that place

The garden itself was enjoying the painted-on brightness of the day. The flowers were in full bloom--- the dramatic pink of the Duchess of Sutherland roses and the flesh-colored Madame Audots met Harriet's eye as she stepped out of the house. Flanking those stood the La Reines with their silvery undertones and the cabbage roses to the right. The cabbage roses, though they did not have a grand name, were Harriet's favorite. More layers inside one flower than she could even count. She inhaled the sweet smell of the Duchesses and watched as every last bloom turned to face her as she padded barefoot from the door onto the stone walkway, bordered by lush green moss. Satisfied that Harriet was content, the flowers resumed their nourishing tilt toward the sky. The stones were cool beneath her feet.

But it wasn't their separation that was consuming my mind just then; it was Evelyn's garden. Bee had taken us there when we were children, and it was all rushing back: a magical world of hydrangeas, roses, and dahlias, and lemon shortbread cookies on Evelyn's patio. It seemed like only yesterday that my sister and I sat on the little bench under the trellis while Bee hovered over her easel, capturing on her canvas whatever flower was in bloom in the lush beds. "Your garden," I said, "I remember your garden." "Yes," Evelyn said, smiling. I nodded, a little astonished that this memory, buried so deep in my mind, had risen to the surface just then like a lost file from my subconscious. It was as if the island had unlocked it somehow.

In Scripture, we are given the story of God’s presence with us, not an outlined explanation of redemption but a tale that opens in a lush garden and ends in a feast the likes of which the world has never known. Wedged between two feasts is the story of both our breaking and our redemption, and the interesting thing about a story is the way it can contain the tension of impossible questions and embodied answers: that God is sovereign and Jesus wept, in protest, at the death of his friend. Or that God causes all things to work together for good yet cannot be tempted by evil and does not require it to accomplish his ends. Or that the God whose power upholds the world would show his strength by taking on our “injured flesh,” giving us his own flesh in return, the holy bread by which our hunger is sated and our souls redeemed. Or that the answer to our eternal hunger and need is to “take and eat” and be healed. As I was. As I am.