Luscious Locks Quotes

There once was a miller with a daughter as lovely as a grape. He told the king that she could spin gold out of common straw. The king summoned the girl and locked her in a room full of straw and told her to spin it into gold or she would die like a criminal. Poor grape with no one to pick. Luscious and round and sleek. Poor thing. To die and never see Brooklyn. (Rumpelstiltskin)

Forbidden fruit a flavor has That lawful orchards mocks ; How luscious lies the pea within The pod that Duty locks !

She pushed and elbowed and knocked and strained to catch him, and finally, she did, reaching out for his hand--adoring the fact that neither of them wore gloves, loving the way their skin came together, the way his brought wonderful heat in a lush, irresistible current. He felt it too. She knew it because he stopped the instant they touched, turning to face her, grey eyes wild as Devonshire rain. She knew it because he whispered her name, aching and beautiful and soft enough for only her to hear. And she it because his free hand rose, captured her jaw and titled her face up to him even as he leaned down and stole her lips and breath and thought in a kiss that she would never in her lifetime forget. The was like food and drink, like sleep, like breath. She needed it with the same elemental desire and she cared not a bit that all of London was watching. Yes, she was masked, but it did not matter. She would have stripped to her chemise for this kiss. To her skin. Their fingers still intertwined, he wrapped their arms behind her back and pulled her to him, claiming her mouth with lips and tongue and teeth, marking her with one long luscious kiss that went on and on until she thought she might die from the pleasure of it. Her free hand was in his hair then, tangling in the soft locks, loving their silky promise. She was lost, claimed and fairly consumed by the intensity of the kiss, and for the first time in her life, Pippa gave herself up to emotion, pouring every bit of her desire and her passion and her fear and her need into this moment This caress. This man. This man, who was everything she had never allowed herself to dream she would find. This man, who made her believe in friendship. In partnership.. In love

The first thrust is like a sharp slice of a knife. My lungs squeeze the oxygen inside them. The discomfort subsides with the long, luxurious kisses that Penn rains on my mouth. On my cheeks, neck, and breasts. He stops every now and again, not wanting to come, to suck one of my nipples into his mouth and lick around it. He caresses my face and swipes stray locks of hair from my forehead. He is moving inside me as though he’s done it a thousand times before, but he is also careful and gentle. The leaves beneath me crunch with every thrust as he pushes into me, and they tickle my back. He growls, and it stirs something inside me. I wrap my arms around his shoulders, squeezing hard, wanting more of him against me, inside me, with me. I wish I could lock us in a bubble and never let go. I wish we didn’t have to go back. That I didn’t have to hate him, and that it wasn’t so wrong to want this. His thrusts become quicker and jerkier, and my eyes widen at that. I’m guessing he is going to come. I’ve never seen a guy come. Another first. The space between my thighs is sore, but the pain is lusciously sinful. I’m full of him and desire and want.

Her legs splayed wide as he dropped her onto the mattress, his big body settling between them, and she cried out as he slid back inside her, his hardness stretching her lusciously. He began to pump in a slow, steady motion that wouldn't alter no matter how she writhed and begged him to go harder, faster, deeper. His mouth went to her breast, sucking at a nipple, tugging sweetly in time to his thrusting. Her body contracted every time he pushed inward, clasping him hungrily, sensation building until a powerful climax began, wringing every inch of her body with raw force. She fell silent, her hips locked in a steep arch against his weight. Still the measured rhythm went on, extracting every last flicker of sensation. He was tireless, unhurried, using himself to satisfy her. At last Phoebe collapsed down on the bed, shivering uncontrollably. West plunged into her... once, twice, thrice... and pulled out to crush the thick wet rod of his sex against her stomach. He buried a savage growl in the bedclothes and clutched the mattress on either side of her so hard she thought he might gouge holes in it. As she felt the hot spill of his release, an unfamiliar croon came from her throat, a sound of primal satisfaction at having pleased her mate.

in one comic scene, Brennan and Cooper share the same bed, with Brennan’s arm, at one point, draped over Cooper’s. It is tempting to see Lillian Hellman’s hand in such scenes, since she was assigned to do rewrites of Busch’s script. She specialized in the sexual ambiguity of the ménage à trois, as in These Three (1936), a Goldwyn production that featured two schoolteachers in love with the same man. In The Westerner, it is the off-screen Langtry who links Brennan and Cooper. Her aura envelops Harden and dazzles Bean, especially since Bean has to work overtime to pry out of the laconic Harden luscious details the judge slavers over. Accompanied by Brennan’s moist patter, Cooper dryly doles out his delicacies, including a lock of Langtry’s hair (actually taken from the daughter of a homesteader who has fallen in love with Harden). During the Lux Radio Theatre production of The Westerner (broadcast September 23, 1940), Cooper’s droll delivery evoked more laughter than Brennan’s stridency.