Lungs Lyrics Quotes

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Life is the bad with all the good. The deadly sharks with the beautiful sea stars. The gigantic waves with the sand castles. The licorice with the lemon and lime. The loud lyrics with the rhythm of the music. The liver disease with the love of a father and son. It’s life. Sweet, beautiful, wind on your face, air in your lungs, kisses on your lips. life.
Lisa Schroeder (The Day Before)
It's as if someone bought all the diamonds at Tiffany's, and crushed them into dust, then spread that dust across the water so that it sifts down evenly, filtering through the shards of light that cut into the depth. We are swimming through eternity, my daughters' bright mermaid legs, kicking out, towards deeper water. I stay beneath the surface and marvel for as long as lungs can hold. "Swimming is the reset button," Pallas used to say, "swimming starts the day again.
Ann Patchett (Tom Lake)
You don't need this prep but I'm going to give it to you anyway. I can tell, I don't know any of you that well, but I can see it in your faces that and some of you have faces that remind me of what my face looked like when I was younger. I see some of you young people out there and I remember how hard it is to be young. And I remember how hard it is to be rejected the first time when you're young. And so what I want you to do is close your eyes. And I can see you, so don't cheat me here. Close those eyes of yours. Put 'em, real tight. And I want you to imagine the first person who broke you heart. The first person that didn't like you back, the first person that said shitty stuff about you. The first person that dumped you. The first person that changed their phone number because you called them 62 times in one day. The first person that didn't know how good you were and they missed you, they passed you by. Imagine that person and then I want you to sing at the top of your fucking lungs. I want you to sing. I want to heal that with you right now. (sings): Look me in the eye and tell me you dont find me attractive. Look me in the heart and tell me that you wont go. Look me in the eye and promise no love is like our love look me in the heart and unbreak broken it wont happen.
Tegan Quin
In twenty-first-century Britain, we've linked singing with talent, and we've got that fundamentally wrong. The right to sing is an absolute, regardless of how it sounds to the outside world. We sing because we must. We sing because it fills our lungs with nourishing air, and lets our hearts soar with the notes we let out. We sing because it allows us to speak of love and loss, delight and desire, all encoded in lyrics that let us pretend that those feelings are not quite ours. In song, we have permission to rehearse all our heartbreaks, all our lusts. In song, we can console our children while they are still too young our rusty voices, and we can find shortcuts to ecstasy while performing the mundane duty of a daily shower or scrubbing down the kitchen after yet another meal.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
I’m walking out in the rain again Pains the same as it’s always been Lungs full of smoke from my cigarette And my heart breaks with every step, But only a little bit Walking away from myself, not getting far Wondering if it’s you I see in each passing car
Eric Overby (February Rain: Lyrics of a Lonely Traveler)
She breathes music. Lives it and bleeds it. Her headphones have become her heartbeat. Her lyrics are her life. Music is her outlet of pain, love, and rage. Every note unplayed is another minute unlived. Every song unsung is another moment lost forever. She relies on music to show her the way, make fantasies real and to ease the pain of everyday life. Each day is another chance to create pure artistry. Music is the reason she is who she is...the good and the bad. Her life without it is like a bird without wings or lungs with out air. Life is for the living. Death is for the dead. Her life is her music. Her death will be the note unsaid.
-x-Myistic-x
The right to sing is an absolute, regardless of how it sounds to the outside world. We sing because we must. We sing because it fills our lungs with nourishing air, and lets our hearts soar with the notes we let out. We sing because it allows us to speak of love and loss, delight and desire, all encoded in lyrics that let us pretend that those feelings are not quite ours. In song, we have permission to rehearse all our heartbreaks, all our lusts. In song, we can console our children while they are still too young to judge our rusty voices, and we can find shortcuts to ecstasy while performing the mundane duty of a daily shower or scrubbing down the kitchen after yet another meal.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Kyle tapped Caeden’s shoulder. “Isn’t your little brother the one who sang the Fergie song at the top of his lungs during that assembly last year.” Caeden buried his face in his hands. “That’s the one.” Shane snickered. “I watched that on youtube.” “He did a dance too,” Tyler said, and began to, I guess, mimic it. The other guys joined in and they began to sing the lyrics to Glamorous. “Oh God,” Caeden croaked. “Youtube?” They finished mimicking and Shane said, “Yeah, it’s on youtube. It’s got like a million hits or something.” “A million?” Caeden squeaked.
Micalea Smeltzer
The right to sing is an absolute, regardless of how it sounds to the outside world. We sing because we must. We sing because it fills our lungs with nourishing air, and lets our hearts soar with the notes we let out. We sing because it allows us to speak of love and loss, delight and desire, all encoded in lyrics that let us pretend that those feelings are not quite ours.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Blood-Stained" Six minutes, no medics, I gasped as ragged breaths escaped my lungs. “Hold on, Bre, hold on,” my love pleaded, but I was already gone. I drowned in my own life’s blood as I heard my love weep for me. Lord, wake us from this nightmare – we want to go back to sleep.
D.B. Mays (Black Lives, Lines, and Lyrics)
For me poetry is the stuff of dreams. A world made up of words. The way these words sound to my ears and how they roll off the tongue. How they taste and how they feel. It is about the balance of the words I place on my lips and how they resonate past pages once performed. It is about the great power behind them. The massive creative force which moved a universe into existence and gave birth to life in Genesis. It is about poetic telegrams breathed out of the lungs and into an attentive ear.
Valentine Okolo
…if I had assumed a beach it was because of that other shipwreck in my brain,[/] where early early[/] and from the start[/] I had figmented a sandbar the color of gold,[/] and a yellow shoal glowering with mist,[/] and rocking there a figure tugged[/] and secreted like a sculpture by tide,[/] or like the raised effigy on a coin of some overrun civilization,[/] the lineaments of its caesar’s profile swathed in undersea moss,[/] the eye of a rubbed freckle,[/] the noble nose worn to a snub,[/] conquest sea-dyed pale dead tan.[/] My father’s body lay in my brain,[/] and in the same sea-vessel[/] yet elsewhere on still another beach[/] the body of my governess spread itself flat on a flat rock,[/] sporting motionless;[/] and here is the lizard of my father’s tread, crouching;[/] and Palestine burning;[/] while beyond, in the water, as they join,[/] a book opens wings without lungs and drowns.
Cynthia Ozick (Trust)
The right to sing is an absolute, regardless of how it sounds to the outside world. We sing because we must. We sing because it fills our lungs with nourishing air, and lets our hearts soar with the notes we let out. We sing because it allows us to speak of love and loss, delight and desire, all encoded in lyrics that let us pretend that those feelings are not quite ours. In song, we have permission to rehearse all our heartbreaks, all our lusts. In song, we can console our children while they are still too young to judge our rusty voices, and we can find shortcuts to ecstasy while performing the mundane duty of a daily shower or scrubbing down the kitchen after yet another meal. Best of all, we can sing together, whole families knowing the same songs and giving them the same meaning.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
That awkward moment when you're singing at the top of your lungs... and then you forget the lyrics
Nilesh Monapara
Life is too fleeting, too precious, not to enjoy every moment with both hands in the air and head tossed back, screaming your favorite lyrics at the top of your lungs.
Elliott Rose (Taming the Heart (Crimson Ridge, #3))
Riding to New York" "Well, I met him in Minnesota He was dark and overcast With long, grey hair and eyes that stared through me like I was glass I asked "Where are you going to?" He said, "I'm the wind I'm just blowing through." He lit up a cigarette and began to talk "See the doctors told me that my body won't hold me My lungs are turning black Been a lucky strike's fool since I was at school and there ain't no turning back They can't tell me how long I've got Maybe months but maybe not So I'm taking this bike and riding to New York 'Cause I wanna see my grand-daughter one last time Wanna hold her close and feel her tiny heartbeat next to mine Wanna see my son and the man he's become Tell him I'm sorry for the things I've done And I'd do it if I had to walk Oh, I'm taking this bike and riding to New York Through the forests of Wisconsin that I knew as a boy Past the sky line of Chicago Round the lakes of Illinois I lay my head in a motel bed where my back is sore and my eyes turn red Listen to the trucks roll past my door Through the fields of Ohi as the sunshine paints them gold I run just like a river runs, rapid, quick and cold And fly through Pennsylvania and the Jersey turnpike tolls And I won't stop 'til I get to New York 'Cause I wanna see my grand-son one last time Wanna see his eyes sparkling and stare back into mine Now my time is shorter I wanna see my daughter Tell her all the things that I should have taught her And I'd do it if I had to walk Oh, I'm taking this bike I'm riding to New York And I'd go up to the churchyard one last time Lay flowers down for the woman who gave me the best years of my life And I'd do it if I had to walk Yeah, I'd do it if I had to walk I'm taking this bike and riding to New York
Michael David Rosenberg
Today, of course, the body is no longer unfamiliar: we know that the beating in our chest is the heart and that the nose is the nozzle of a hose sticking out of the body to take oxygen to the lungs. The face is nothing but an instrument panel registering all the body mechanisms: digestion, sight, hearing, respiration, thought. Ever since man has learned to give each part of the body a name, the body has given him less trouble. He has also learned that the soul is nothing more than the gray matter of the brain in action. The old duality of body and soul has become shrouded in scientific terminology, and we can laugh at it as merely an obsolete prejudice. But just make someone who has fallen in love listen to his stomach rumble, and the unity of body and soul, that lyrical illusion of the age of science, instantly fades away.
Milan Kundera (The Unbearable Lightness of Being)
Even in those first few minutes it feels like the bright pink lights and the pulsing music are shedding some part of myself away, polishing me into something new. I’ve been waiting so long for a chance to be right smack-dab in the center of my own life instead of waiting on the sidelines. I feel like I’m brimming with potential energy, like even in this moment there are a thousand different things I could do—dance with a stranger, scream the lyrics at the top of my lungs, start a damn conga line—and every single one of them would lead to a different story of the night, and finally, finally, the story would be all mine.
Emma Lord (The Getaway List)