Luke Cage Quotes

Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.

From children to men we cage ourselves in patterns to avoid facing new problems and possible failure; after a while men become bored because there are no new problems. Such is life under the fear of failure.

Luke Cage: "It's my house! I paid for it with my own money!" Iron Fist: "My money." Luke Cage: "His money, but it's still my house!

Millmoor changes people, Luke Hadley. But what most folk never realize is that you get to choose how.

Yeah.” The man sounded terrified, but Luke couldn’t suppress his jubilation. Now that even a timid, trouble-averse bloke like Williams knew of the walkout, word must have gone round the whole of Zone D. And Luke had talked it into existence. ​ Thinking about that made his head spin. It was almost like Skill—conjuring up something out of nothing.

Yet even in his deep unhappiness, he sometimes thought of the bright image Avery had projected: a canary flying from its cage. His waking sleep of grief was sometimes pierced with brilliant slices of memory that always came unexpectedly. Luke thought of the cage he was in and the free bird he aspired to be. Those were the only times when his mind gained its former sharp focus.

Shall I tell you the entire story?" Without waiting for an answer, he continued. "About a brilliant young man, the only son of a king who refused to kill his father's enemies on the battlefield? Whose soul wandered while he dreamt? Who played music to make the faeries envious? Who had golden hair and a face to tempt the Faerie Queen?" "Very poetic, " Luke growled. Brendan smiled for the first time. "How about a young human named Luke Dillon who walked out into the solstice when he shouldn't have, and was stolen by the thing that calls herself the Faerie Queen? 'Come hither, ' she told him - " "She demanded he court her, and he denied her as no one ever had." "And so, inspired by his soul's dreamy wandering, she ripped it from him and caged it far from his body." "And she bade the man who wouldn't kill to be her assassin, because it pleased her to watch him suffer. And kill he would, or she would hand over his caged soul to the minions of hell. And so he killed.

Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused? It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles? He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus. I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be. The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy. 'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.' 'Billy just loves to read all the time...' 'Isn't Joan sweet? She always likes to let the other person win.' 'Sylvia's so pretty and so grown up; she just loves all the time to dress up.' It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . . Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery. What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.

Well, I’d better see if Luke’s here and let you get back to … your stuff.” He looked down, scratching the back of his head. “Yeah, my dad wasn’t a collector or any sort of packrat, but my parents were divorced. I’m his only child and my grandparents live in Portland, so I guess it’s my responsibility to decide what to do with everything. It’s all mine now, including the house. The funny part? I don’t want any of it.” “My brother’s fiancée died a year ago. Her stuff still hangs in his closet. It’s just stuff, but there has to be a finality to get rid of it. I bet you’ll feel it when the last thing is removed from here and someone else buys the place. The ‘stuff’ is the epilogue. The story is over, but part of it lives on like a ghost for just a few more pages. What’s left at the end of the epilogue?” “Nothing.” Lake cocked her head to the side and narrowed her eyes. “Depends on how you look at it.” “And how would you look at it?” “I’m not sure yet. My boyfriend died in the accident that took my leg. When I came out of my coma the funeral was over, his parents had cleaned out his apartment, and some other person lived there. I turned the page after the final chapter only to find no epilogue. The author of my life sucker punched me.” “Some would say the author of your life is God.” “And I’d agree. But no amount of faith can truly comfort a grieving heart that can’t make sense of such tragedy. I didn’t lose my faith, but I did feel like God sucker punched me. No epilogue. But he’s God so I’ll probably forgive him some day.” Cage chuckled. “I’m sure he’ll be grateful.” She tore her eyes away from his smile and those dimples. “I’m sure he’s waiting.

He inhaled sharply. “I’m glad to have you back.” I nodded, swallowing thickly. “I’m glad to be back.” “Hell, we all can agree on that.” Luke picked up a donut. “There’s nothing creepier than having a psychotic Apollyon caged in the basement.” “Ha,” I said. Luke winked and then tossed the donut to me. I caught it. Sugar flew everywhere. “Or waiting for her to break loose and run amuck,” Deacon added as I took a bite. He glanced across the table. “Or waiting for someone, no names mentioned, to not listen to us and go say hi.” Olivia’s cheeks reddened as she stood. She approached slowly, waited for me to finish chewing. I started to apologize. “I’m really sorry—” She socked me in the stomach. Hard. I doubled over, gasping for air. “Gods.

What if my ambition is to sweep hair... wash dishes... and be left the hell alone.

...I feel like that bird Luke once told me about. Too large for its cage, its wings unable to stretch - flapping frantically until it finally stopped trying. Except I'm wiser than that bird in one way. I know without even trying that I'm never getting out of the cage.

How did you get the badges?” Parker asked. “You didn’t steal a badge from a pro, did you?” “Of course not,” Hardison said. “Geek solidarity to the end.” “Then whose name is this on my badge? Who’s Diana Prince?” Hardison laughed. “That’s Wonder Woman’s secret identity.” Parker giggled at that. “And who are you? Carl Lucas?” “That’s Luke Cage’s original name.” “Who?” Eliot didn’t bother to conceal his irritation. “Luke Cage? You know, Power Man? Of Power Man and Iron Fist?” Hardison waited for a response that never came. “Sweet Christmas, what’s wrong with you people?” “We have lives. And just who am I supposed to be, huh? Batman’s secret sidekick?” “You’d like that, wouldn’t you?” Sophie said. Nate gave her a nudge with his elbow, and she fixed him with a mischievous smile. “Naw, man,” said Hardison. “I wouldn’t do that to you. I know how you feel about ‘fictional’ people.” “So who the hell is Warren Ellis?” “He’s a comic-book writer. Good one.” Eliot groaned. “For God’s sake, do I look like a comic-book writer?” “Hey, don’t knock Warren Ellis. He wrote all sorts of great stuff. Global Frequency, The Authority, Transmetropolitan. Good stuff.