Ludwig Borne Quotes

Getting rid of a delusion makes us wiser than getting hold of a truth.

The devil is in the detail" is an idiom that refers to a catch or mysterious element hidden in the details. It derives from "God is in the detail" attributed to German-born architect Ludwig Mies van der Rohe (1886-1969). Earlier on Gustave Flaubert (1821-1880) said "Le bon Dieu est dans le detail." Meaning that things seem simple at first but are more complex or require more time and effort than expected. The earlier idea is that details are important; whatever one does should be done thoroughly.

We finite creatures with infinite spirits are born only to suffer and to rejoice and one could almost say that the most excellent among us derive joy from suffering.

LUDWIG WITTGENSTEIN Born into a wealthy Viennese family in 1889, Wittgenstein first studied engineering and in 1908 traveled to England to continue his education in Manchester.

We were all born and unfortunately at some point will all die too. The time we spend on Earth is both limited and finite. In light of these facts, time is the most valuable commodity you have in life. It’s not money; unlike time, you can borrow it, save, or earn more. You can’t do that with time. Every single second you waste is gone forever.

The Heiligenstadt Testament" Oh! ye who think or declare me to be hostile, morose, and misanthropical, how unjust you are, and how little you know the secret cause of what appears thus to you! My heart and mind were ever from childhood prone to the most tender feelings of affection, and I was always disposed to accomplish something great. But you must remember that six years ago I was attacked by an incurable malady, aggravated by unskillful physicians, deluded from year to year, too, by the hope of relief, and at length forced to the conviction of a lasting affliction (the cure of which may go on for years, and perhaps after all prove impracticable). Born with a passionate and excitable temperament, keenly susceptible to the pleasures of society, I was yet obliged early in life to isolate myself, and to pass my existence in solitude. If I at any time resolved to surmount all this, oh! how cruelly was I again repelled by the experience, sadder than ever, of my defective hearing! — and yet I found it impossible to say to others: Speak louder; shout! for I am deaf! Alas! how could I proclaim the deficiency of a sense which ought to have been more perfect with me than with other men, — a sense which I once possessed in the highest perfection, to an extent, indeed, that few of my profession ever enjoyed! Alas, I cannot do this! Forgive me therefore when you see me withdraw from you with whom I would so gladly mingle. My misfortune is doubly severe from causing me to be misunderstood. No longer can I enjoy recreation in social intercourse, refined conversation, or mutual outpourings of thought. Completely isolated, I only enter society when compelled to do so. I must live like art exile. In company I am assailed by the most painful apprehensions, from the dread of being exposed to the risk of my condition being observed. It was the same during the last six months I spent in the country. My intelligent physician recommended me to spare my hearing as much as possible, which was quite in accordance with my present disposition, though sometimes, tempted by my natural inclination for society, I allowed myself to be beguiled into it. But what humiliation when any one beside me heard a flute in the far distance, while I heard nothing, or when others heard a shepherd singing, and I still heard nothing! Such things brought me to the verge of desperation, and well-nigh caused me to put an end to my life. Art! art alone deterred me. Ah! how could I possibly quit the world before bringing forth all that I felt it was my vocation to produce? And thus I spared this miserable life — so utterly miserable that any sudden change may reduce me at any moment from my best condition into the worst. It is decreed that I must now choose Patience for my guide! This I have done. I hope the resolve will not fail me, steadfastly to persevere till it may please the inexorable Fates to cut the thread of my life. Perhaps I may get better, perhaps not. I am prepared for either. Constrained to become a philosopher in my twenty-eighth year! This is no slight trial, and more severe on an artist than on any one else. God looks into my heart, He searches it, and knows that love for man and feelings of benevolence have their abode there! Oh! ye who may one day read this, think that you have done me injustice, and let any one similarly afflicted be consoled, by finding one like himself, who, in defiance of all the obstacles of Nature, has done all in his power to be included in the ranks of estimable artists and men. My brothers Carl and [Johann], as soon as I am no more, if Professor Schmidt be still alive, beg him in my name to describe my malady, and to add these pages to the analysis of my disease, that at least, so far as possible, the world may be reconciled to me after my death. I also hereby declare you both heirs of my small fortune (if so it may be called). Share it fairly, agree together and assist each other. You know that any

Robert Heinlein may be responsible for more technical innovations, more rhetorical figures that have been absorbed into the particular practice of science fiction writing; his influence is certainly greater. But if this is so, it is at an extremely high cost, both ethically and aesthetically. (I use the terms in the same sense that allowed the young Ludwig Wittgenstein to jot in his notebook, on the 24th of July, 1916, almost two years before Sturgeon was born, “Ethics and aesthetics are one and the same”—the very sense, I presume, that allowed the young Georg Lukacs to write, only a year before that, in his Theory of the Novel, that fiction is “the only art form in which the artist’s ethical position is the aesthetic problem.”)

Hands relax and clench again tighter. This is not to be borne. We are so accustomed to the noise of the Front that now, when the weight of it suddenly lifts from us, we feel as if we must burst, shoot upward like balloons. “Why,” says Willy suddenly, “it is peace!” —It falls like a bomb. Faces relax, movements become aimless and uncertain. Peace? We look at one another, incredulous. Peace? I let my hand grenades drop. Peace? Ludwig lies down slowly on his waterproof again. Peace? In Bethke’s eyes is an expression as if his whole face would break in pieces. Peace? Wessling stands motionless as a tree; and when he turns his back on it and faces us, he looks as if he meant to keep straight on home. All at once—in the whirl of our excitement we had hardly observed it—the silence is at an end; once more, dully menacing, comes the noise of gunfire, and already from afar, like the bill of a woodpecker, sounds the knock-knocking of a machine gun. We grow calm and are almost glad to hear again the familiar, trusty noises of death.

In 1906, the year after Einstein’s annus mirabilis, Kurt Gödel was born in the city of Brno (now in the Czech Republic). Kurt was both an inquisitive child—his parents and brother gave him the nickname der Herr Warum, “Mr. Why?”—and a nervous one. At the age of five, he seems to have suffered a mild anxiety neurosis. At eight, he had a terrifying bout of rheumatic fever, which left him with the lifelong conviction that his heart had been fatally damaged. Gödel entered the University of Vienna in 1924. He had intended to study physics, but he was soon seduced by the beauties of mathematics, and especially by the notion that abstractions like numbers and circles had a perfect, timeless existence independent of the human mind. This doctrine, which is called Platonism, because it descends from Plato’s theory of ideas, has always been popular among mathematicians. In the philosophical world of 1920s Vienna, however, it was considered distinctly old-fashioned. Among the many intellectual movements that flourished in the city’s rich café culture, one of the most prominent was the Vienna Circle, a group of thinkers united in their belief that philosophy must be cleansed of metaphysics and made over in the image of science. Under the influence of Ludwig Wittgenstein, their reluctant guru, the members of the Vienna Circle regarded mathematics as a game played with symbols, a more intricate version of chess. What made a proposition like “2 + 2 = 4” true, they held, was not that it correctly described some abstract world of numbers but that it could be derived in a logical system according to certain rules.

People are born as revolutionaries. The accident of life decides whether one becomes a Red or a White revolutionary. [Writing about Otto von Bismarck.]

The Second World War has swept over Europe. The Führer is dead. The Greater German Reich has been smashed. German cities lie in ruins. The German folk has been surrendered to the interest slavery of its enemy. As in the First, so in the Second World War, too, English, American and Russian soldiers have been the executors. But who is the real victor of this war? Is it the folks from whom those soldiers had come? The takeover of the government by the Führer in 1933 was for World Jewry the signal to attack. The World Jewish press agitated for the global boycott against Germany. Germany’s reply was the 24 hour boycott of Jewish businesses on April 1, 1933. No Jew lost his life in the process, and no Jewish business building was damaged. The counter-boycott, ordered by the party leadership and carried out under my leadership, was supposed to warn World Jewry against challenging National Socialist Germany. Since that time, malicious attacks against National Socialist Germany have appeared in the world press again and again. It was unmistakable that with that propaganda in the world, carried out without interruption, the view was supposed to be bred that the existence of a National Socialist Germany meant a danger for the other folks. The Jewish writer Emil Ludwig, who emigrated to France, spoke especially clearly about Jewish wishes and intentions in the magazine „Les Annales”: „Hitler does not want war, but he will be forced to it.” The Polish ambassador in the USA, Count Potocky, wrote at a time when in Europe nobody thought a Second World War would come or must come, to his government in Warsaw that he had gained the impression that influential Jews in Washington would work toward a new world war. (See the German White Book.) The report of the Polish Ambassador Potocky, whom nobody can reproach with bias against World Jewry and who also was no friend of National Socialist Germany, would alone suffice to be able to thoroughly answer the question of war guilt. The guilt for the Second World War, too, was born at the moment when god Jehovah, through the mouth of Field Marshal Moses, gave the Jewish folk the instructions: „You should devour all the folks!” With the defeat of National Socialist Germany in the Second World War, World Jewry has won the greatest victory in its history.

To him who feels that Nature is lovely, it appears an end in itself, it has the ground of its existence in itself: … the question, Why does it exist? does not arise. … Nature, as it impresses his senses, has indeed had an origin, has been produced, but not created in the religious sense, … [H]e posits … as the ground of Nature, a force of Nature, - a real, present, visibly active force, as the ground of reality. … Anaxagoras (510-428BC : 'Life is a journey.'): - Man is born to behold the world. … [M]an contents himself, allows himself free play, … [with] the sensuous imagination alone. … [H]e lets Nature subsist in peace, and constructs his castles in the air. … When, on the contrary, man … is in disunion with Nature[,] he makes Nature the abject vassal of his selfish interest, of his practical egoism. … Nature or the world is made, created, the product of a command.

What do you have”, she said , “that binds you to life? Love doesn't follow you, glory doesn't seek you, and power doesn't find you. The house that you inherit was in ruins. The lands you received had already lost their first fruits to frost, and the sun had withered their promises. You have never found water in your farm's well. And before you ever saw them, the leaves had all rotted in your pools; weeds covered the paths and walkways where your feet had never trod. “But in my domain, where only the night reigns, you will be consoled, for you hopes will have ceased; you will be able to forget, for your desire will have died; you will finally rest, for you'll have no life”. And she showed me the futility of hoping for better days when one isn't born with a soul that can know better days. She showed me how dreaming never consoles, for life hurts all the more when we wake up. She showed me how sleep gives no rest, for it is haunted by phantoms, shadows of things, ghost of gestures, stillborn desires, the flotsam from the shipwreck of living. (…) „Why try to be like others if you're condemned to being yourself? Why laugh if, when you laugh, even your genuine happiness is false, since it is born of forgetting who you are? Why cry if you feel it's of no use, and if you cry not because tears console you but because it grieves you that they don't?

Max Karl Ernst Ludwig Planck was born in Kiel, then a part of Danish Holstein, on 23 April 1858

Ludwig van Beethoven, the greatest of all musical composers, was born in 1770, in the city of Bonn, Germany.

A violinist named Karl Amenda arrived in Vienna about this time and became Beethoven’s nearly inseparable companion due to their mutual enjoyment of each other’s music. Amenda later related that when he once deplored the fact that Beethoven’s marvelous improvisations were “born and lost in a moment,” Beethoven refuted this statement by accurately replaying every note of the impromptu piece he had just completed. Another time, Amenda happened to be on hand when Beethoven came up short on cash when his rent was due. Amenda told Beethoven that he didn’t have a problem; boldly, he locked Beethoven into his room, gave him an assignment, and returned after three hours had passed. Beethoven shoved over a paper on which a new musical composition was written. Amenda took the paper to Beethoven’s landlord and instructed him to take it to a publisher and collect the rent that was due to him. The landlord was dubious, but he returned from the publisher asking if “other bits of paper like that were to be had.