“
You're mine and I'm yours. It's written in the stars.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
To his children, Will showed the same love he had always shown to her, fierce and unyielding. And the same protectiveness he had only ever showed to one other person: the person James had been named after. Will’s parabatai, Jem.
”
”
Cassandra Clare (The Whitechapel Fiend (Tales from the Shadowhunter Academy, #3))
“
It's Lucy Gray and I'm not really from Twelve," she said. "My people are Covey. Musicians by trade. We just took a wrong turn one day and were obliged to stay.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
The only true animal is a cat, and the only true cat is a gray cat.
”
”
L.M. Montgomery
“
Good-bye, District Twelve. Good-bye, hanging tree and Hunger Games and Mayor Lipp. Someday something will kill me, but it won’t be you.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Sona looked slightly horrified. “Cordelia has a tendency to throw herself into every situation headlong,” she said to Tessa and Will. “I’m sure you understand.”
“Oh, we do,” said Will. “We’re always speaking very sternly to our children about that very thing. ‘If you don’t throw yourself into situations headlong, James and Lucie, you can expect bread and water for supper again.’ ”
Alastair choked on a laugh. Sona stared at Will as if he were a lizard with feathers.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
The Capitol had tried to take everything from Lucy Gray, and it had utterley failed.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Not to you maybe," she said. "But it matters the world having someone show up like I mattered.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
In a few years, there would be a vague memory that a girl had once sung in the arena. And then that would be forgotten, too.
Good-bye, Lucy Gray, we hardly knew you.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
But the sweet face of Lucy Gray
Will never more be seen.
The storm came on before its time:
She wandered up and down;
And many a hill did Lucy climb:
But never reached the town.
”
”
William Wordsworth (Lyrical Ballads)
“
How about my head?” teased Lucy Gray. Coriolanus leaned over and kissed her. “Okay, that’s a start.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
His girl. His. Here in the Capitol, it was a given that Lucy Gray belonged to him, as if she’d had no life before her name was called out at the reaping. Even that sanctimonious Sejanus believed she was something he could trade for. If that wasn’t ownership, what was? With her song, Lucy Gray had repudiated all that by featuring a life that had nothing to do with him, and a great deal to do with someone else. Someone she referred to as “lover,” no less. And while he had no claim on her heart — he barely knew the girl! — he didn’t like the idea of anyone else having it either. Although the song had been a clear success, he felt somehow betrayed by it. Even humiliated.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
The sand stretched out gray and ghostlike and illuminated, a column of light leading forward. It was like something a dead person would see, a tunnel leading toward heaven.
”
”
Lucy Christopher (Stolen (Stolen, #1))
“
be a girl from the districts, or at least not Capitol. A second-class citizen. Human, but bestial. Smart, perhaps, but not evolved. Part of a shapeless mass of unfortunate, barbaric creatures that hovered on the periphery of his consciousness. Surely, if there had ever been an exception to the rule, it was Lucy Gray Baird.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Here in the Capitol, it was a given that Lucy Gray belonged to him, as if she'd had no life before her name was called out at the reaping.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Good-bye, Lucy Gray, we hardly knew you.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
I am," said Tessa. "I am Theresa Gray, daughter of a Greater Demon and Elizabeth Gray, who was born Adele Starkweather, one of your kind. I was the wife of William Herondale, who was the head of the London Institute, and I was the mother of James and Lucie Herondale. Will and I raised our Shadowhunter children to protect by the Laws of the Clave and Covenant, and to keep to the Accords.
”
”
Cassandra Clare (The Last Stand of the New York Institute (The Bane Chronicles, #9))
“
That’s who he was at heart. A protector. I don’t think he would’ve ever won the Games, because he’d have died trying to protect Lucy Gray.”
“Oh, like a dog or something.” Lepidus nodded. “A really good one.”
“No, not like a dog. Like a human being.” said Lysistrata
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
No matter how dark and hopeless the world seemed, Lucie could always find beauty in a story.
”
”
Cassandra Clare (Ghosts of the Shadow Market)
“
his brain spun with the repercussions of landing Lucy Gray Baird. She was a gift, he knew it, and he must treat her as such. But how best to exploit her showstopping entrance?
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
His girl. His love. His Lucy Gray.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
You look ill,” Matthew observed. “Is it my dancing? Is it me personally?”
“Perhaps I’m nervous,” she said. “Lucie did say you didn’t like many people.”
Matthew gave a sharp, startled laugh, before schooling his face back into a look of lazy amusement. “Did she? Lucie’s a chatterbox.”
“But not a liar,” she said.
“Well, fear not. I do not dislike you. I hardly know you,” said Matthew. “I do know your brother. He made my life miserable at school, and Christopher’s, and James’s.”
“Alastair and I are very different,” Cordelia said. She didn’t want to say more than that. It felt disloyal to Alastair. “I like Oscar Wilde, for instance, and he does not.”
The corner of Matthew’s mouth curled up. “I see you go directly for the soft underbelly, Cordelia Carstairs. Have you really read Oscar’s work?”
“Just Dorian Gray,” Cordelia confessed. “It gave me nightmares.”
“I should like to have a portrait in the attic,” Matthew mused, “that would show all my sins, while I stayed young and beautiful. And not only for sinning purposes—imagine being able to try out new fashions on it. I could paint the portrait’s hair blue and see how it looks.”
“You don’t need a portrait. You are young and beautiful,” Cordelia pointed out.
“Men are not beautiful. Men are handsome,” objected Matthew.
“Thomas is handsome. You are beautiful,” said Cordelia, feeling the imp of the perverse stealing over her. Matthew was looking stubborn. “James is beautiful too,” she added.
“He was a very unprepossessing child,” said Matthew. “Scowly, and he hadn’t grown into his nose.”
“He’s grown into everything now,” Cordelia said.
Matthew laughed, again as if he was surprised to be doing it. “That was a very shocking observation, Cordelia Carstairs. I am shocked.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
His eyes traveled to Lucy Gray leaning against the bars like a trapped animal. In the shadowy light, her color, her specialness, had faded, making her just another drab, bruised creature.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
What I’d like people to know about Jessup is that he was a good person. He threw his body over mine to protect me when the bombs started going off in the arena. It wasn’t even conscious. He did it reflexively. That’s who he was at heart. A protector. I don’t think he would’ve ever won the Games, because he’d have died trying to protect Lucy Gray.” “Oh, like a dog or something.” Lepidus nodded. “A really good one.” “No, not like a dog. Like a human being,” said Lysistrata.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
─¿Y qué va a hacer por mí mi mentor, aparte de regalarme rosas?
─Haré todo lo posible por cuidar de ti.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
You're mine and I'm yours, it's written in the stars.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Lucy Gray belonged to him, as if she had no life before her name was called out at the reaping
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
there was nothing typical about Lucy Gray Baird.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Let him squirm. Lucy Gray was one thing belonging to Coriolanus that he would never, ever get.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
it was Lucy Gray, spinning in her rainbow dress, who sang in his dreams.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Lucy Gray’s words stung but, on reflection, were well deserved. Coriolanus had never really considered her a victor in the Games.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
just in case anyone needed a reminder of who Lucy Gray belonged to.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
As Coriolanus watched Lucy Gray Baird take the stage, he felt a stab of uneasiness. Could she be mentally unstable? There was something vaguely familiar but disturbing about her.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Él siempre estaría en deuda con Lucy Gray. Ella tenía derecho a exigirle lo que quisiera.
”
”
Suzanne Collins (Balada de pájaros cantores y serpientes (Los juegos del hambre, #0))
“
Lucy Gray belonged to him, as if she’d had no life before her name was called out at the reaping.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Lucy Gray belonged to him.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
there’d be nothing to connect him to the murders. Absolutely nothing. No, wait. There would be one thing. Lucy Gray.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Lucy Gray was no lamb. She was not made of sugar. She was a victor.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
If having Marcus as a tribute made Sejanus squirm, then good. Let him squirm. Lucy Gray was one thing belonging to Coriolanus that he would never, ever get.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
The camera would go to the mentor, and if Lucy Gray died, especially if Lucy Gray died, he was assured a good, long close-up.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Goodbye Lucy Gray, we hardly knew you.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Lucy Gray was not only alive, she was in 12, and he would reunite with her next weekend. His girl. His love.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
To erase the Games would be to erase Lucy Gray as well.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
It was time anyway that he confronted Billy Taupe and laid down a few rules. Billy Taupe had to accept that Lucy Gray was no longer his, but belonged firmly, and for always, to Coriolanus.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
I think your odds get better by the minute,” said Coriolanus, adjusting a hot pink rosebud in her hair. It matched the one on his lapel, just in case anyone needed a reminder of who Lucy Gray belonged to.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
She didn’t fall off the bridge! The snow would look different where she was standing!” Maude Ivory insisted. “Lucy Gray, which is it?” “It’s a mystery, sweetheart. Just like me. That’s why it’s my song,” Lucy Gray answered.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Coriolanus moved back to his seat - she knew where to find him now - to listen and to savor their actual reunion, which was only a song away. His eyes teared up when she began the song from the zoo.
"Down in the valley, valley so low,
Late in the evening, hear the train blow.
The train, love, hear the train blow.
Late in the evening, hear the train blow."
Coriolanus felt an elbow nudge his ribs and looked over to see Sejanus beaming at him. It was nice, after all, to have someone else who knew the significance of the song. Someone who knew what they'd been through.
"Go build me a mansion, build it so high,
So I can see my true love go by.
See him go by, love, see him go by.
So I can see my true love go by."
That's me, Coriolanus wanted to tell people around him. I'm her true love. And I saved her life.
"Go write me a letter, send it by mail.
Bake it and stamp it to the Capitol jail.
Capitol jail, love, to the Capitol jail.
Bake it and stamp it to the Capitol jail."
Should he say hello first? Or just kiss her?
"Roses are red, love; violets are blue.
Birds in the heavens know I love you."
Kiss her. Definitely, just kiss her.
"Know I love you, oh, know I love you,
Birds in the heavens know I love you.
"Good night, everybody. Hope we see you next week, and until then, keep singing your song," said Lucy Gray, and the whole Covey took one final blow.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Summer days, and the flat water meadows and the blue hills in the distance, and the willows up the backwater and the pools underneath like a kind of deep green glass. Summer evenings, the fish breaking the water, the nightjars hawking round your head, the smell of nightstocks and latakia. Don’t mistake what I’m talking about. It’s not that I’m trying to put across any of that poetry of childhood stuff. I know that’s all baloney. Old Porteous (a friend of mine, a retired schoolmaster, I’ll tell you about him later) is great on the poetry of childhood. Sometimes he reads me stuff about it out of books. Wordsworth. Lucy Gray. There was a time when meadow, grove, and all that. Needless to say he’s got no kids of his own. The truth is that kids aren’t in any way poetic, they’re merely savage little animals, except that no animal is a quarter as selfish.
A boy isn’t interested in meadows, groves, and so forth. He never looks at a landscape, doesn’tgive a damn for flowers, and unless they affect him in some way, such as being good to eat, he doesn’t know one plant from another. Killing things - that’s about as near to poetry as a boy gets. And yet all the while there’s that peculiar intensity, the power of longing for things as you can’t long when you’re grown up, and the feeling that time stretches out and out in front of you and that whatever you’re doing you could go on for ever.
”
”
George Orwell (Coming up for Air)
“
Overhead, the glass envelope of the Insomnia Balloon is malfunctioning. It blinks on and off at arrhythmic intervals, making the world go gray:black, gray:black. In the distance, a knot of twisted trees flashes like cerebral circuitry.
”
”
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
“
─Importas ─le seguró Coriolanus,
─Bueno, todas las pruebas apuntan lo contrario.
Lucy Gray hizo tintinear las caderas y las tensó. A continuación, como si acabara de acordarse de algo, elevó la mirada hacia el cielo.
─A mí me importas ─insistió él.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
And he didn't like love, the way it made him feel stupid and vulnerable. If he ever married, he'd choose someone incapable of swaying his heart. Someone he hated, even, so they could never manipulate him the way Lucy Gray had. Never make him feel jealous. Or weak.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
It's not appropriate," Tessa said to her husband, Will.
"He likes it."
"Children like all sorts of things, Will. They like sweets and fire and trying to stick their head up the chimney. Just because he likes the dagger..."
"Look how steadily he holds it."
Little James Herondale, age two, was in fact holding a dagger quite well. He stabbed it into a sofa cushion, sending out a burst of feathers.
"Ducks," he said, pointing at the feathers.
Tessa swiftly removed the dagger from his tiny hands and replaced it with a wooden spoon. James had recently become very attached to this wooden spoon and carried it with him everywhere, often refusing to go to sleep without it.
"Spoon," James said, tottering off across the parlor.
"Where did he find the dagger?" Tessa asked.
"It's possible I took him to the weapons room," Will said.
"Is it?"
"It is, yes. It's possible."
"And it's possible he somehow got a dagger from where it is secured on the wall, out of his reach," Tessa said.
"We live in a world of possibilities," Will said.
Tessa fixed a gray-eyed stare on her husband.
"He was never out of my sight," Will said quickly.
"If you could manage it," Tessa said, nodding to the sleeping figure of Lucie Herondale in her little basket by the fire, "perhapds you won't give Lucie a broadsword until she's actually able to stand? Or is that asking too much?"
"It seems a reasonable request," Will said, with an extravagant bow. "Anything for you, my pearl beyond price. Even withholding weaponry from my only daughter.
”
”
Cassandra Clare (The Whitechapel Fiend (Tales from the Shadowhunter Academy, #3))
“
A junior editor chirped in my ear about canary yellow sundresses and Cuban photoshoots while the January wind worked its icy fingers through my layers. I navigated the curb buried under foot-tall piles of what used to be snow. Now it was gray slush frozen into dirty, depressing clumps.
”
”
Lucy Score (By a Thread)
“
Trust is important.” “I think it’s more important than love. I mean, I love all kinds of things I don’t trust. Thunderstorms . . . white liquor . . . snakes. Sometimes I think I love them because I can’t trust them, and how mixed up is that?” Lucy Gray took a deep breath. “I trust you, though.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Another girl, a typical girl, would be impressed, but there was nothing typical about Lucy Gray Baird. In fact, there was something intimidating about a girl who could pull off such a brazen performance on the heels of the mayor's assault. And that, just after she had dropped a venomous snake down another girl's dress. Of course, he didn't know that it was venomous, but that was where the mind went, wasn't it? She was terrifying, really. And here he was in his uniform, clutching a rose like some lovestruck schoolboy, hoping she would — what?
Like him? Trust him? Not kill him on sight?
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Se sentía tan libre y relajado... ¿Y si fuera esa su vida: levantarse a la hora que le diese la gana, salir a buscar lo que quisiera de comer ese día y pasear con Lucy Gray a las orillas del lago? ¿Quién necesitaba dinero, éxito y poder cuando tenía amor? ¿No decían que era lo más importante de todo?
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Lucy Gray would scream and fall to the ground, her lips turning purple, then bloodless, while bright pink and blue and yellow pus oozed onto her ruffled dress — That was it! The thing the snakes had reminded him of the first time he'd seen them. They matched her dress. As if they had always been her destiny ...
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Lucy Gray's fate was a mystery, then, just like the little girl who shared her name in that maddening song. Was she alive, dead, a ghost who haunted the wilderness? Perhaps no one would ever really know. No matter — snow had been the ruination of them both. Poor Lucy Gray. Poor ghost girl singing away with her birds.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
He swallowed his peevishness and accepted the congratulations that were pouring in from all sides. They helped to remind him that he was the real star of the evening. Even if Lucy Gray was confused on the issue, in the eyes of the Capitol, she belonged to him. What point would there be in crediting a district tribute?
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
A second-class citizen. Human, but bestial. Smart, perhaps, but not evolved. Part of a shapeless mass of unfortunate, barbaric creatures that hovered on the periphery of his consciousness. Surely, if there had ever been an exception to the rule, it was Lucy Gray Baird. A person who defied easy definition. A rare bird, just like him.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Married?” He laughed, then remembered they married young in some of the districts. How did he know? Maybe she had a husband back in 12. “Why? Are you asking?” said Lucy Gray seriously. He looked up in surprise. “Because I think this could work.” Coriolanus felt himself blush a little at her teasing. “I’m pretty sure you could do better.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Coriolanus felt his anxieties melt away. Full of fresh food, shaded by the trees, Lucy Gray singing softly beside him, he began to appreciate nature. It really was beautiful out here. The crystal clean air. The lush colors. He felt so relaxed and free. What if this was his life: rising whenever, catching his food for the day, and hanging out with Lucy Gray
by the lake? Who needed wealth and success and power when they had love? Didn't it conquer all?
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Sometimes he would remember a moment of sweetness and almost wish things had ended differently. But it would never have worked out between them, even if he'd stayed. They were simply too different. And he didn't like love, the way it had made him feel stupid and vulnerable. If he ever married, he'd choose someone incapable of swaying his heart. Someone he hated, even, so they could never manipulate him the way Lucy Gray had. Never make him feel jealous. Or weak.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Coriolanus acted engrossed in the show as 8, 6, and 11 called their tributes, but his brain spun with the repercussions of landing Lucy Gray Baird. She was a gift, he knew it, and he must treat her as such. But how best to exploit her showstopping entrance? How to wrangle some success from a dress, a snake, a song? The tributes would be given precious little time with the audience before the Games began. How could he get the audience to invest in her and, by extension, him, in just an interview? He half registered the other tributes, mostly pitiful creatures, and took note of the stronger ones. Sejanus got a towering fellow from District 2, and Livia’s District 1 boy looked like he could be a contender as well. Coriolanus’s girl seemed fairly healthy, but her slight build was more suited to dancing than hand-to-hand combat. He bet she could run fast enough, though, and that was important. As the reaping drew to a close, the smell of food from the buffet wafted over the audience
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
I was no longer in a tropical zone, and this realization now entered my life like a flow of water dividing formerly dry and solid ground, creating two banks, one of which was my past - so familiar and predictable that even my unhappiness then made me happy now just to think of it - the other my future, a gray blank, an overcast seascape on which rain was falling and no boats were in sight. I was no longer in a tropical zone and I felt cold inside and out, the first time such a sensation had come over me.
”
”
Jamaica Kincaid (Lucy)
“
the irony of which was not lost on the audience. The Capitol had tried to take everything from Lucy Gray, and it had utterly failed. When the applause died out, she gave Maude Ivory a nod. The girl ran behind the blanket and appeared carrying a basket woven with cheerful ribbons. “Thank you kindly,” said Lucy Gray. “Now, you all know how this works. We don’t charge for tickets, because sometimes hungry people need music the most. But we get hungry, too. So if you’d like to contribute, Maude Ivory will be around with the basket. We thank you in advance.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
There was one more consideration. He had something Sejanus Plinth wanted, and wanted badly. Sejanus had already usurped his position, his inheritance, his clothes, his candy, his sandwiches, and the privilege due a Snow. Now he was coming for his apartment, his spot at the University, his very future, and had the gall to be resentful of his good fortune. To reject it. To consider it a punishment, even. If having Marcus as a tribute made Sejanus squirm, then good. Let him squirm. Lucy Gray was one thing belonging to Coriolanus that he would never, ever get
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
He lifted a sort of black cone attached to the wooden box. Immediately a voice, sounding as though it were yelling from the far end of a tunnel, bellowed, "Identify yourself!"
Will held the cone away from his head, looking pained.
James and Lucie exchanged a look. The voice was immediately identifiable: Albert Pangborn, the head of the Cornwall Institute. Lucie gleefully mimed her hands sticking together, to Jesse's puzzlement and a disapproving look from Tessa.
"This is Will Herondale." Will spoke into the mouthpiece slowly and clearly. "And you telephoned me.
”
”
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
“
Lucy Gray
Oft I had heard of Lucy Gray,
And when I cross'd the Wild,
I chanc'd to see at break of day
The solitary Child.
No Mate, no comrade Lucy knew;
She dwelt on a wild Moor,
The sweetest Thing that ever grew
Beside a human door!
You yet may spy the Fawn at play,
The Hare upon the Green;
But the sweet face of Lucy Gray
Will never more be seen.
"To-night will be a stormy night,
You to the Town must go,
And take a lantern, Child, to light
Your Mother thro' the snow."
"That, Father! will I gladly do;
'Tis scarcely afternoon—
The Minster-clock has just struck two,
And yonder is the Moon."
At this the Father rais'd his hook
And snapp'd a faggot-band;
He plied his work, and Lucy took
The lantern in her hand.
Not blither is the mountain roe,
With many a wanton stroke
Her feet disperse, the powd'ry snow
That rises up like smoke.
The storm came on before its time,
She wander'd up and down,
And many a hill did Lucy climb
But never reach'd the Town.
The wretched Parents all that night
Went shouting far and wide;
But there was neither sound nor sight
To serve them for a guide.
At day-break on a hill they stood
That overlook'd the Moor;
And thence they saw the Bridge of Wood
A furlong from their door.
And now they homeward turn'd, and cry'd
"In Heaven we all shall meet!"
When in the snow the Mother spied
The print of Lucy's feet.
Then downward from the steep hill's edge
They track'd the footmarks small;
And through the broken hawthorn-hedge,
And by the long stone-wall;
And then an open field they cross'd,
The marks were still the same;
They track'd them on, nor ever lost,
And to the Bridge they came.
They follow'd from the snowy bank
The footmarks, one by one,
Into the middle of the plank,
And further there were none.
Yet some maintain that to this day
She is a living Child,
That you may see sweet Lucy Gray
Upon the lonesome Wild.
O'er rough and smooth she trips along,
And never looks behind;
And sings a solitary song
That whistles in the wind.
”
”
William Wordsworth (The Works of William Wordsworth)
“
wooded area, eventually making his way to the road that led to the hanging tree. Once there, he simply followed the path the truck had taken on previous trips, walking briskly, but not so fast as to attract attention. There was precious little to attract anyway on a hot Sunday shortly after dawn. Most miners and Peacekeepers would not rise for hours. After a few miles, he reached the depressing field and broke into a run for the hanging tree, eager to conceal himself in the woods. There was no sign of Lucy Gray, and as he passed under the branches, he wondered if in fact he’d misinterpreted her message and should have headed to the Seam instead. Then he caught a glimpse of orange and tracked it to a clearing. There she stood, unloading a stack of bundles from a small wagon, his scarf wound in a fetching manner around her head. She ran over and hugged him, and he responded even though it felt too hot for an embrace. The kiss that followed put him in a better mood. His hand went to the orange scarf in her hair. “This seems very bright for fugitives.” Lucy Gray smiled. “Well, I don’t want you to lose me. You still up for this?” “I have no choice.” Realizing that sounded halfhearted, he added, “You’re all that matters to me now.” “You, too. You’re my life now. Sitting here, waiting for you to show up, I realized I’d never really be brave enough to do this without you,” she admitted. “It’s not just how hard it will be. It’s too
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Lucy Gray drew back a bit. “That’s what you think people would do?”
“I do. Unless there’s law, and someone enforcing it, I think we might as well be animals,” he said with more assurance. “Like it or not, the Capitol is the only thing keeping anyone safe.”
“Hm. So they keep me safe. And what do I give up for that?” she asked.
Coriolanus poked at the fire with a stick. “Give up? Why, nothing.”
“The Covey did,” she said. “Can’t travel. Can’t perform without their say-so. Can only sing certain types of songs. Fight getting round up, and you get shot dead like my daddy. Try to keep your family together, and you get your head broken like my mama. What if I think that price is too high to pay? Maybe my freedom’s worth the risk.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Oft had I heard of Lucy Gray, And when I crossed the Wild, I chanced to see at break of day The solitary Child. No Mate, no comrade Lucy knew; She dwelt on a wide Moor, The sweetest Thing that ever grew Beside a human door! You yet may spy the Fawn at play, The Hare upon the Green; But the sweet face of Lucy Gray Will never more be seen. 'To-night will be a stormy night, You to the Town must go, And take a lantern, Child, to light Your Mother thro' the snow.' 'That, Father! will I gladly do; 'Tis scarcely afternoon -- The Minster-clock has just struck two, And yonder is the Moon.' At this the Father raised his hook And snapped a faggot-band; He plied his work, and Lucy took The lantern in her hand. Not blither is the mountain roe, With many a wanton stroke Her feet disperse the powd'ry snow That rises up like smoke. The storm came on before its time, She wandered up and down, And many a hill did Lucy climb But never reached the Town. The wretched Parents all that night Went shouting far and wide; But there was neither sound nor sight To serve them for a guide. At day-break on a hill they stood That overlooked the Moor; And thence they saw the Bridge of Wood A furlong from their door. And now they homeward turned, and cried 'In Heaven we all shall meet!' When in the snow the Mother spied The print of Lucy's feet. Then downward from the steep hill's edge They tracked the footmarks small; And through the broken hawthorn-hedge, And by the long stone-wall; And then an open field they crossed, The marks were still the same; They tracked them on, nor ever lost, And to the Bridge they came. They followed from the snowy bank The footmarks, one by one, Into the middle of the plank, And further there were none. Yet some maintain that to this day She is a living Child, That you may see sweet Lucy Gray Upon the lonesome Wild. O'er rough and smooth she trips along, And never looks behind; And sings a solitary song That whistles in the wind.
”
”
William Wordsworth (AmblesideOnline Poetry, Year 4, Terms 1, 2, and 3: Tennyson, Dickinson, and Wordsworth)
“
Opening a small metal box, she added a pinch of blue salts to the syrup mixture and blew on the cauldron. A burst of smoke puffed up, sending a dusting of glitter particles spinning in the lights. He turned his head to follow the twinkling trail, and she slanted a sideways smile. "Magic."
"Predictable chemical reaction," he returned, examining the box of salts. "And once again in your company, I have glitter in my hair."
"And your stubble. Bit of technicolor glam to liven up the grays. You're welcome.
”
”
Lucy Parker (Battle Royal (Palace Insiders, #1))
“
─Habría sido bonito habernos conocido en otras circunstancias ─respondió ella con una sonrisa melancólica.
─¿Por ejemplo? ─preguntó él.
─Bueno, por ejemplo, si me hubieras oído cantar en uno de mis espectáculos, Y después te hubieras acercado para charlar, y puede que tomar algo y bailar.
Coriolanus se lo imaginaba, la veía cantando en un sutio como el club de Pluribus, a él fijándose en ella, y los dos conectando antes de incluso conocerse.
─Y habría vuelto la noche siguiente.
─Como si tuviéramos todo el tiempo del mundo.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Please,” she whispered as she closed her eyes. A tear slid down her cheek, and I caught it with my thumb. “Don’t hurt me. Most of all, don’t hurt Lucy because my little girl likes you, and I don’t want her to wonder why you’re not there one day like her dad.” “One day, baby, when we’re old and gray, I’m going to look over at you while we’re sitting on the porch and tell you how these tears were wasted.” She cried harder as she opened her eyes. “God bless… You’re serious!” “One hundred percent.” I cupped her cheeks in my hands. “That one percent of you… I want it.
”
”
Michelle Gross (One Percent of You)
“
Miss Lucinda Throckmorton-Jones, former paid companion to several of the ton’s most successful debutantes of prior seasons, came to Havenhurst to fill the position of Elizabeth’s duenna. A woman of fifty with wiry gray hair she scraped back into a bun and the posture of a ramrod, she had a permanently pinched face, as if she smelled something disagreeable but was too well-bred to remark upon it. In addition to the duenna’s daunting physical appearance, Elizabeth observed shortly after their first meeting that Miss Throckmorton-Jones possessed an astonishing ability to sit serenely for hours without twitching so much as a finger.
Elizabeth refused to be put off by her stony demeanor and set about finding a way to thaw her. Teasingly, she called her “Lucy,” and when the casually affectionate nickname won a thunderous frown from the lady, Elizabeth tried to find a different means. She discovered it very soon: A few days after Lucinda came to live at Havenhurst the duenna discovered her curled up in a chair in Havenhurt’s huge library, engrossed in a book. “You enjoy reading?” Lucinda had said gruffly-and with surprise-as she noted the gold embossed title on the volume.
“Yes,” Elizabeth had assured her, smiling. “Do you?”
“Have you read Christopher Marlowe?”
“Yes, but I prefer Shakespeare.”
Thereafter it became their policy each night after supper to debate the merits of the individual books they’d read. Before long Elizabeth realized that she’d won the duenna’s reluctant respect. It was impossible to be certain she’d won Lucinda’s affection, for the only emotion the lady ever displayed was anger, and that only once, at a miscreant tradesman in the village. Even so, it was a display Elizabeth never forgot. Wielding her ever-present umbrella, Lucinda had advanced on the hapless man, backing him clear around his own shop, while from her lips in a icy voice poured the most amazing torrent of eloquent, biting fury Elizabeth had ever heard.
“My temper,” Lucinda had primly informed her-by way of apology, Elizabeth supposed-“is my only shortcoming.”
Privately, Elizabeth thought Lucy must bottle up all her emotions inside herself as she sat perfectly still on sofas and chairs, for years at a time, until it finally exploded like one of those mountains she’d read about that poured forth molten rock when the pressure finally reached a peak.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
In the books I had read - from time to time, when the plot called for it - someone would suffer from homesickness. A person would leave a not very nice situation and go somewhere else, somewhere a lot better, and then long to go back where it was not very nice. How impatient I would become with such a person, for I would feel that I was in not a very nice situation myself, and how I wanted to go somewhere else. But now I, too, felt that I wanted to be back where I came from. I understood it, I knew where I stood there. If I had to draw a picture of my future then, it would have been a large gray patch surrounded by black, blacker, blackest.
”
”
Jamaica Kincaid (Lucy)
“
Until that day at the dress department Lucie had been many things to me: a child, a source of comfort, a balm, an escape from myself; she was literally everything for me – but a woman. Our love in the physical sense of the word had proceeded no further than the kissing stage. And even the way she kissed was childish (I'd fallen in love with those kisses, long but chaste, with dry closed lips counting each other's fine striations as they touched in emotion).In short, until then I had felt tenderness for Lucie, but no sensual desire; I'd grown so accustomed to its absence that I wasn't even conscious of it; my relationship with Lucie seemed so beautiful that I could never have dreamed anything was missing. Everything fit so harmoniously together: Lucie, her monastically gray clothes, and my monastically chaste relation with her.
”
”
Milan Kundera (The Joke)
“
I say!” said Lucy.
They came nearer and nearer, all very quietly.
“But where are the guests?” asked Eustace.
“We can provide that, Sir,” said Rhince.
“Look!” said Edmund sharply. They were actually within the pillars now and standing on the pavement. Everyone looked where Edmund had pointed. The chairs were not all empty. At the head of the table and in the two places beside it there was something--or possibly three somethings.”
“What are those?” asked Lucy in a whisper. “It looks like three beavers sitting on the table.”
“Or a huge bird’s nest,” said Edmund.
“It looks more like a haystack to me,” said Caspian.
Reepicheep ran forward, jumped on a chair and thence on to the table, and ran along it, threading his way as nimbly as a dancer between jeweled cups and pyramids of fruit and ivory salt-cellars. He ran right up to the mysterious gray mass at the end: peered, touched, and then called out:
“These will not fight, I think.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.”
Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door.
Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet.
“If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella.
“God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair.
“It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?”
“With a hot bath,” said Lucinda, “followed by some tea and refreshments.”
From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her.
“Don’t know as I want a bath just now,” Jake said.
“Not for you, you dolt, for Lady Cameron.”
Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted.
“You want a bath?” Jake repeated dumbly, staring at Lucinda.
“Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.”
“His master,” said a biting voice from a rear doorway, “is aware of that.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Lucinda and Mr. Wiley were returning at last, and she ran to Lucinda, hastily stepping around the black horse, who laid his ears back evilly in warning. “Lucy!” she burst out while Lucinda waited calmly for Mr. Wiley to help her down. “Lucy! Disaster has struck.”
“A moment, if you please, Elizabeth,” said the unflappable woman. “Whatever it is, it will surely wait until we’re inside and can be comfortable. I declare, I feel as if I were born atop this horse. You cannot imagine the time we had finding suitable servants…”
Elizabeth scarcely heard the rest of what she was saying. In a torment of frantic helplessness she had to wait while Lucinda dismounted, limped into the house, and sat down upon the sofa. “Now then,” said Lucinda, flicking a speck of dust off her skirts, “what has happened?”
Oblivious to the vicar, who was standing by the fireplace looking mystified and alarmed on her behalf, Elizabeth handed Lucinda the note. “Read this. It-it sounds as if he’s already accepted him.”
As she read the brief missive Lucinda’s face turned an awful gray with two bright splotches of angry color standing out on her hollow cheeks. “He’d accept an offer from the devil,” Lucinda gritted wrathfully, “so long as he had a noble title and money. This shouldn’t come as a surprise.”
“I was so certain I’d persuaded Belhaven that we couldn’t possibly suit!” Elizabeth almost wailed, twisting her blue skirt in her hands in her agitation. “I did everything, Lucy, everything I told you about, and more.” Agitation drove Elizabeth to her feet. “If we make haste, we can be home by the allotted time, and perhaps I can find a way to dissuade Uncle Julius.”
Lucinda did not leap to her feet as Elizabeth did; she did not race for the stairs, dash into her room, and vent her helpless rage by slamming a door, as Elizabeth did. Her body rigid, Lucinda stood up very slowly and turned to the vicar. “Where is he?” she snapped.
“Ian?” the vicar said distractedly, alarmed by her pallid color. “He’s gone hunting.”
Deprived of her real prey, Lucinda unleashed her fury upon the hapless vicar instead. When she finished her tirade she hurled the crumpled note into the cold fireplace and said in a voice that shook with wrath, “When that spawn of Lucifer returns, you tell him that if he ever crosses my path, he’d better be wearing a suit of armor!” So saying, she marched upstairs.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
They went a few dozen yards through fairly open woodland, keeping a sharp look-out. Then they came to a place where the undergrowth thickened and they had to pass nearer to it. Just as they were passing the place, there came a sudden something that snarled and flashed, rising out from the breaking twigs like a thunderbolt. Lucy was knocked down and winded, hearing the twang of a bowstring as she fell. When she was able to take notice of things again, she saw a great grim-looking gray bear lying dead with Trumpkin’s arrow in its side.
“The D.L.F. beat you in that shooting match, Su,” said Peter, with a slightly forced smile. Even he had been shaken by this adventure.
“I--I left it too late,” said Susan, in an embarrassed voice. “I was so afraid it might be, you know--one of our kind of bears, a talking bear.” She hated killing things.
“That’s the trouble of it,” said Trumpkin, “when most of the beasts have gone enemy and gone dumb, but there are still some of the other kind left. You never know, and you daren’t wait to see.”
“Poor old Bruin,” said Susan. “You don’t think he was?”
“Not he,” said the Dwarf. “I saw the face and I heard the snarl. He only wanted Little Girl for his breakfast. And talking of breakfast, I didn’t want to discourage your Majesties when you said you hoped King Caspian would give you a good one: but meat’s precious scarce in camp.
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
“
When they had gone less than a bowshot from the shore, Drinian said, “Look! What’s that?” and everyone stopped.
“Are they great trees?” said Caspian.
“Towers, I think,” said Eustace.
“It might be giants,” said Edmund in a lower voice.
“The way to find out is to go right in among them,” said Reepicheep, drawing his sword and pattering off ahead of everyone else.
“I think it’s a ruin,” said Lucy when they had got a good deal nearer, and her guess was the best so far. What they now saw was a wide oblong space flagged with smooth stones and surrounded by gray pillars but unroofed. And from end to end of it ran a long table laid with a rich crimson cloth that came down nearly to the pavement. At either side of it were many chairs of stone richly carved and with silken cushions upon the seats. But on the table itself there was set out such a banquet as had never been seen, not even when Peter the High King kept his court at Cair Paravel. There were turkeys and geese and peacocks, there were boars’ heads and sides of venison, there were pies shaped like ships under full sail or like dragons and elephants, there were ice puddings and bright lobsters and gleaming salmon, there were nuts and grapes, pineapples and peaches, pomegranates and melons and tomatoes. There were flagons of gold and silver and curiously-wrought glass; and the smell of the fruit and the wine blew toward them like a promise of all happiness.
“I say!” said Lucy.
They came nearer and nearer, all very quietly.
“But where are the guests?” asked Eustace.
“We can provide that, Sir,” said Rhince.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
The King who owned this island,” said Caspian slowly, and his face flushed as he spoke, “would soon be the richest of all Kings of the world. I claim this land forever as a Narnian possession. It shall be called Goldwater Island. And I bind all of you to secrecy. No one must know of this. Not even Drinian--on pain of death, do you hear?”
“Who are you talking to?” said Edmund. “I’m no subject of yours. If anything it’s the other way round. I am one of the four ancient sovereigns of Narnia and you are under allegiance to the High King my brother.”
“So it has come to that, King Edmund, has it?” said Caspian, laying his hand on his sword-hilt.
“Oh, stop it, both of you,” said Lucy. “That’s the worst of doing anything with boys. You’re all such swaggering, bullying idiots--oooh!--” Her voice died away into a gasp. And everyone else saw what she had seen.
Across the gray hillside above them--gray, for the heather was not yet in bloom--without noise, and without looking at them, and shining as if he were in bright sunlight though the sun had in fact gone in, passed with slow pace the hugest lion that human eyes have ever seen. In describing the scene Lucy said afterward, “He was the size of an elephant,” though at another time she only said, “The size of a cart-horse.” But it was not the size that mattered. Nobody dared to ask what it was. They knew it was Aslan.
And nobody ever saw how or where he went. They looked at one another like people waking from sleep.
“What were we talking about?” said Caspian. “Have I been making rather an ass of myself?”
“Sire,” said Reepicheep, “this is a place with a curse on it. Let us get back on board at once. And if I might have the honor of naming this island, I should call it Deathwater.”
“That strikes me as a very good name, Reep,” said Caspian, “though now that I come to think of it, I don’t know why. But the weather seems to be settling and I dare say Drinian would like to be off. What a lot we shall have to tell him.”
But in fact they had not much to tell for the memory of the last hour had all become confused.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
Overhead, the glass envelope of the Insomnia Balloon is malfunctioning. It blinks on and off at arrhythmic intervals, making the world go gray:b lack, gray: black. In the distance, a knot of twisted trees flashes like cerebral circuitry.
”
”
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
“
He framed her face in his hands. “Baby, you and I both know that this was something special. But I’m not surprised. I knew from the second I saw you, the moment you opened those beautiful gray eyes and looked up at me, that I needed to be inside you.
”
”
Lucy Score (Pretend You're Mine)
“
Just because something’s a spectrum, and there will be gray areas, doesn’t mean we should use the same language for everything. We need to preserve some words—and a clear understanding of what they mean—for the people who are seriously psychologically unwell, even if the edges around that group are blurred. If we don’t, everyone ends up suffering more.
”
”
Lucy Foulkes (Losing Our Minds: The Challenge of Defining Mental Illness)
“
Not everything is black and white. Most of life is a whole lot of gray. You can’t live by some generic rule book that doesn’t take the gray into account.
”
”
Lucy Score (Riley Thorn and the Blast from the Past (Riley Thorn, #3))
“
It matched the one on his lapel, just in case anyone needed a reminder of who Lucy Gray belonged to.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes & The Hunger Games Mockingjay By Suzanne Collins 2 Books Collection Set)
“
His girl. His. Here in the Capitol, it was a given that Lucy Gray belonged to him, as if she'd had no life before her name was called out at the reaping.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes & The Hunger Games Mockingjay By Suzanne Collins 2 Books Collection Set)
“
Nice means I’m sober enough to consent to a sexual encounter but tipsy enough that I don’t care that I’m wearing giant gray cotton underwear that may or may not have a hole in them.
”
”
Lucy Eden (Blind Date with a Book Boyfriend)
“
You’re the color in a gray day. I don’t know how else to describe it.
”
”
Lucy Score (The Christmas Fix (Fixer: King Siblings #2))
“
And he didn't like love, the way it made him feel stupid and vulnerable. If he ever married, he'd choose someone incapable of swaying his heart. Someone he hated, even, so they could never manipulate him the way Lucy Gray had. Never make him feel jealous. Or weak.
”
”
Suzanne Collins
“
[...] Lucy Gray was no longer his, but belonged firmly, and for always, to Coriolanus.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Sounds like torture, having someone controlling your voice like that.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Lucie and her captain arrived together at the Criminal Investigations Division’s central headquarters in Nanterre. In preparation for the full day Lucie had opted for a rather masculine outfit: tight jeans, gray short-sleeved sweatshirt, and work boots with reinforced toes. She liked to dress like a guy, blend into the crowd. It wasn’t yet ten o’clock, but the sun was already baking the asphalt. Slowly, the cloud of smog rose over the capital and its outskirts.
”
”
Franck Thilliez (Syndrome E)
“
Marie knew her daughter too well; she knew that even if Lucie were going off to face the devil himself, she’d claim she was just out to pick mushrooms. She jerked her chin interrogatively at a gray stuffed animal, a hippopotamus.
”
”
Franck Thilliez (Syndrome E)
“
Years later, she remembered her zombie days.... No name turned the key to her prison.... So in the land of the dead the men sang to her. The sound faded across the rows of plants. The dusty mechanism of her arms rose and fell.... At last they tried a new tune whose tune carried across the gray field. Hair as black as coal in the mine, little Liza Jane / Eyes so large and big and fine, little Liza Jane. You are beautiful. We need you. You cannot go where you are trying to go. Come back to us.... You plant a patch of cotton, I'll plant a patch of cane / I'm gonna make molasses, to sweeten Liza Jane... Sobs began to heave out of her mouth... Oh Lisa, poor gal, Oh Liza Jane / Oh Liza poor gal, she died on the trail. Liza, the sang. Lucy raised her head. Tears flowed down her face and she opened her mouth: 'I got happy,' Lucy Thompson remembered eighty years after her resurrection, 'and sang with the rest.'" - The Half Has Never Been Told: Slavery and the Making of American Capitalism
”
”
Edward E. Baptist
“
I knew it was a done deal when that cranky old toad set his coffee down and fixed his hard gray eyes on the younger woman. He was susceptible to that sweet laugh of hers, too. I just knew it.
”
”
Lucy Gilmore (The Lonely Hearts Book Club)
“
Sometimes he would remember a moment of sweetness and almost wish things had ended differently. But it would never have worked out between them, even if he’d stayed. They were simply too different. And he didn’t like love, the way it had made him feel stupid and vulnerable. If he ever married, he’d choose someone incapable of swaying his heart. Someone he hated, even, so they could never manipulate him the way Lucy Gray had.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))