Luck Sayings And Quotes

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No mourners, no funerals. Another way of saying good luck. But it was something more. A dark wink to the fact that there would be no expensive burials for people like them, no marble markers to remember their names, no wreaths of myrtle and rose.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Why do you guys say that, anyway? No mourners, no funerals? Why not just say good luck or be safe?” “We like to keep our expectations low.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Good luck explaining to God that you used to spank one of his heavenly beings." Mom gave a startled laugh. "Sophie!" "What? You did. I hope you like hot weather, Mom, that's all I'm saying.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods (American Gods, #1))
Don't take rest after your first victory because if you fail in second, more lips are waiting to say that your first victory was just luck.
A.P.J. Abdul Kalam
I guess what I’m saying is it’s not all luck. It’s luck and being a son of a bitch.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Sean reaches between us and slides a thin bracelet of red ribbons over my free hand. Lifting my arm, he presses his lips against the inside of my wrist. I'm utterly still; I feel my pulse tap several times against his lips, and then he releases my hand. "For luck," he says. He takes Dove's lead from me. "Sean," I say, and he turns. I take his chin and kiss his lips, hard. I'm reminded, all of a sudden, of that first day on the beach, when I pulled his head from the water. "For luck," I say to his startled face.
Maggie Stiefvater (The Scorpio Races)
Luck?" Drizzt replied. "Perhaps. But more often, I dare to say, luck is simply the advantage a true warrior gains in excuting the correct course of action.
R.A. Salvatore (The Halfling's Gem (Forgotten Realms: Icewind Dale, #3; Legend of Drizzt, #6))
Wish me good luck, please,” I whisper. “On one condition,” Philemone says. “Remember, what you call luck is the meeting of opportunity and flexibility.” I smile, weakly. “Good luck,” she says. “Now go.
Robyn Mundell (Brainwalker)
Neither of us says the word love, not once. It would be tempting fate; it would be romance, bad luck.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
His wang is rubbed shiny," Josh elaborates. "For luck." "Why are we talking about parts again?" Mer asks. "Can't we ever talk about anything else?" "Really?" I ask. "Shiny wang?" "Very," St. Clair says. "Now that's something I've gotta see.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Annabeth hesitated. "Then we'll all go." "No," I said. "It's too dangerous. If they got hold of Nico, or Rachel for that matter, Kronos could use them.You stay here and guard them." What I didn't say: I was also worried about Annabeth. I didn't trust what she would do if she saw Luke again. He had fooled her and manipulated her too many times before. "Percy, don't," Rachel said. "Don't go up there alone." "I'll be quick," I promised. "I won't do anything stupid." Annabeth took her Yankees cap out of her pocket. "At least take this. And be carful." "Thanks." I remembered the last time Annabeth and I had parted ways, when she'd given me a kiss for luck in Mount St. Helens. This time, all I got was the hat.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Look," I whisper to Cat, "Shooting star! That's good luck." She rolls her eyes. "It's a plane, you idiot," she says, and when I look again I can see that she's right. Typical.
Cathy Cassidy (Lucky Star)
I keep remembering one of my Guru's teachings about happiness. She says that people universally tend to think that happiness is a stroke of luck, something that will maybe descend upon you like fine weather if you're fortunate enough. But that's not how happiness works. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it. If you don't you will eat away your innate contentment. It's easy enough to pray when you're in distress but continuing to pray even when your crisis has passed is like a sealing process, helping your soul hold tight to its good attainments.
Elizabeth Gilbert (Eat, Pray, Love)
Dale: "No, no--curse it, Beka, you're the prickliest woman I've ever met!" Goodwin: "No, I am. But she comes very close, I have to say." — Dale Rowan and Clara Goodwin when Beka didn't want to accept money for being Dale's "luck
Tamora Pierce (Bloodhound (Beka Cooper, #2))
you know, how people say it's good luck if a bird shits on you? and people believe it! i just want to grab them and say, 'dude, don't you realize this whole superstition was made up because no one could think of anything else good to say to a person who'd just been shit upon?
David Levithan (Will Grayson, Will Grayson)
Let me tell you about love, that silly word you believe is about whether you like somebody or whether somebody likes you or whether you can put up with somebody in order to get something or someplace you want or you believe it has to do with how your body responds to another body like robins or bison or maybe you believe love is how forces or nature or luck is benign to you in particular not maiming or killing you but if so doing it for your own good. Love is none of that. There is nothing in nature like it. Not in robins or bison or in the banging tails of your hunting dogs and not in blossoms or suckling foal. Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind. It is a learned application without reason or motive except that it is God. You do not deserve love regardless of the suffering you have endured. You do not deserve love because somebody did you wrong. You do not deserve love just because you want it. You can only earn - by practice and careful contemplations - the right to express it and you have to learn how to accept it. Which is to say you have to earn God. You have to practice God. You have to think God-carefully. And if you are a good and diligent student you may secure the right to show love. Love is not a gift. It is a diploma. A diploma conferring certain privileges: the privilege of expressing love and the privilege of receiving it. How do you know you have graduated? You don't. What you do know is that you are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself which is to say He is interested only in love. Do you understand me? God is not interested in you. He is interested in love and the bliss it brings to those who understand and share the interest. Couples that enter the sacrament of marriage and are not prepared to go the distance or are not willing to get right with the real love of God cannot thrive. They may cleave together like robins or gulls or anything else that mates for life. But if they eschew this mighty course, at the moment when all are judged for the disposition of their eternal lives, their cleaving won't mean a thing. God bless the pure and holy. Amen.
Toni Morrison (Paradise (Beloved Trilogy, #3))
Sadie, do you see this? This is a persimmon tree! This is my favorite fruit." Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. "Can you believe our luck?" Max said. "We bought a house with a tree that has my actual favorite fruit!" Sam used to say that Marx was the most fortunate person he had ever met - he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn't truly understood the nature of Marx's good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know - were persimmons his favorite fruit, or had hey just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
So, in a way, my name being drawn in the reaping was a real piece of luck," says Peeta.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Even fools say something worthwhile now and again. Even a blind pig finds an acorn sometimes.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Why make yourself miserable saying things like, "Why do we have such bad luck? What has God done to us? What have we done to deserve this?" - all of which, if you understand reality and take it completely into your heart, are irrelevant and unsolvable. They are just things that nobody can know. Your situation is just an accident of life.
Richard P. Feynman (What Do You Care What Other People Think?)
Whether or not belive in Fate comes down to one thing: who you blame when something goes wrong. Do you think it's your fault - that if you'd tried better, worked harder, it wouldn't have happened? Or do you just chalk it up to circumstance? I know poeple who'll hear about the people who died, and will say that it was God's will. I know people who'll say it was bad luck. And then there's my personal favorite: They were just in the wrong place at hte wrong time. Then again, you could say the same thing about me, couldn't you?
Jodi Picoult (Nineteen Minutes)
Shadowhunters don't say good-bye, not before a battle. Or good luck. You must behave as if return is certain, not a matter of chance
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
<…>"You're part-goof all class. Never walked in a room, any room, with a woman on my arm, any woman, who's got your looks, your style, the kinda beauty you got and the light that shines from you. So I don't get it. I don't get how a woman leads a life full of shit and comes out of it bein' part-goof and all class. That shit's impossible but there you fuckin' are. Part-goof, all class." I felt my breath coming fast but managed to whisper, "I'm not part-goof." "You're right. I was bein' nice. You're a total goof." "Am not" "Babe, you call me 'hubby'," he pointed out but my breath came faster because he called me "babe" again. "You are my hubby." "No one says hubby," he told me. "I do," I told him. "All right, I'll rephrase. No one but a goof says hubby."….<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?” “Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says. “Your father? Why?” I ask. “He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says. “What? You’re making that up!” I exclaim. “No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’” “That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father. “So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says. “Oh, please,” I say, laughing. “No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.” “Without success,” I add. “Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death. It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true? “You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.” “I am now,” I say. “Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!” I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Tuck holds out his hand. "By the way, I don't think we've been formally introduced. I'm Tuck. You know, rhymes with luck." "And fuck," Carlos adds. "Yep, that, too," Tuck says unfazed.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
He says that it is good luck to rub the head of a dwarf,” Haldon said after an exchange with the guard in his own tongue. Tyrion forced himself to smile at the man. “Tell him that it is even better luck to suck on a dwarf’s cock.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Shitness, my sister says, has a momentum that good luck just doesn't have.
Cath Crowley (Words in Deep Blue)
...Orm always afterwards used to say that, after good luck, strength, and skill at arms, nothing was so useful to a man who found himself among foreigners as the ability to learn a language.
Frans G. Bengtsson (The Long Ships)
Scout released me, then wiped tears from beneath her eyes. Catharsis, I guessed. “I’ve said it before and I’ll say it again—you seriously rock, Parker.” "Tell me again, Green,” I said as we switched on flashlights and headed through the tunnel. “Seriously, you rock.” “One more time.” “Don’t press your luck.
Chloe Neill (Firespell (The Dark Elite, #1))
Mom’s Israeli. Dad’s Brazilian. What can I say? I am Embassy Row personified. You really lucked out in the best friend department
Ally Carter (All Fall Down (Embassy Row, #1))
Velvet looks horrified. “If you are fool enough to address King R’jan, you will do it thus and in no other manner! ‘My King, Liege, Lord, and Master, your servant begs you grant it leave to speak.’” “Wow. Totally delusionary there.” “Good luck with that,” Ryodan says. “She doesn't beg to speak, or do anything else. You can lock her up, down, and sideways and it’s never going to happen.” I beam at him. I had no idea he thought so highly of me.
Karen Marie Moning (Iced (Fever, #6))
If you were to ask me if I'd ever had the bad luck to miss my daily cocktail, I'd have to say that I doubt it; where certain things are concerned, I plan ahead.
Luis Buñuel
It is my bad luck that this has happened to me.' No, you should rather say: 'It is my good luck that, although this has happened to me, I can bear it without pain, neither crushed by the present nor fearful of the future.' Because such a thing could have happened to any man, but not every man could have borne it without pain. So why see more misfortune in the event than good fortune in your ability to bear it?
Marcus Aurelius (Meditations)
Well, are you not going to give the man a round of applause?" he asked. "I mean, that was fucking amazing, didn't you think? Honestly, if you'd asked me ten minutes ago, hypothetically, if it was possible to cut your own head off, I'd have said unequivocally no. You've really got to hand it to the bloke -- though it's fair to say luck was involved. I mean, there's no way he could do it again.
Christopher Brookmyre (Be My Enemy (Jack Parlabane, #4))
It means we're looking one way, while following another. We're for one side and also the other. We mean what we say, but our intentions are different.
Amy Tan (The Joy Luck Club)
Oh Lord Most High, Creator of the Cosmos, Spinner of Galaxies, Soul of Electromagnetic Waves, Inhaler and Exhaler of Inconceivable Volumes of Vacuum, Spitter of Fire and Rock, Trifler with Millennia — what could we do for Thee that Thou couldst not do for Thyself one octillion times better? Nothing. What could we do or say that could possibly interest Thee? Nothing. Oh, Mankind, rejoice in the apathy of our Creator, for it makes us free and truthful and dignified at last. No longer can a fool point to a ridiculous accident of good luck and say, 'Somebody up there likes me.' And no longer can a tyrant say, 'God wants this or that to happen, and anyone who doesn't help this or that to happen is against God.' O Lord Most High, what a glorious weapon is Thy Apathy, for we have unsheathed it, have thrust and slashed mightily with it, and the claptrap that has so often enslaved us or driven us into the madhouse lies slain!" -The prayer of the Reverend C. Horner Redwine
Kurt Vonnegut Jr. (The Sirens of Titan)
It sounded old. Deserve. Old and tired and beaten to death. Deserve. Now it seemed to him that he was always saying or thinking that he didn't deserve some bad luck, or some bad treatment from others. He'd told Guitar that he didn't "deserve" his family's dependence, hatred, or whatever. That he didn't even "deserve" to hear all the misery and mutual accusations his parents unloaded on him. Nor did he "deserve" Hagar's vengeance. But why shouldn't his parents tell him their personal problems? If not him, then who? And if a stranger could try to kill him, surely Hagar, who knew him and whom he'd thrown away like a wad of chewing gum after the flavor was gone––she had a right to try to kill him too. Apparently he though he deserved only to be loved--from a distance, though--and given what he wanted. And in return he would be...what? Pleasant? Generous? Maybe all he was really saying was: I am not responsible for your pain; share your happiness with me but not your unhappiness.
Toni Morrison (Song of Solomon)
You know when you say something but you want to change in the middle? Like one time I was a bout to say take care but changed in the middle to good luck so it sounded like TAKE LUCK.. If you have any luck take care of it. Take luck you now. SHUT UP!
Brian Regan (Live)
If grace belongs to God, there are those who say that luck belongs to the Devil and that he looks after his own.
Sarah Dunant (In the Company of the Courtesan)
Edward spoke in a voice so peaceful and gentle that it made the words strangely more threatening. "I'm not going to kill you now, because it would upset Bella." "Hmph," I grumbled. Edward turned slightly to throw me a quick smile. His face was still calm. "It would bother you in the morning," he said, brushing his fingers across my cheek. The he turned back to Jacob. "But if you ever bring her back damaged again--and I don't care whose fault it is; I don't care if she merely trips, or if a meteor falls out of the sky and hits her in the head--if you return her to me in less than the perfect condition that I left her in, you will be running with three legs. Do you understand that, mongrel?" Jacob rolled his eyes. "who's going back?" I muttered Edward continued as if he hadn't heard me. "And if you ever kiss her again, I wiil break your jaw for her," he promised, his voice still gentle and velvet deadly. "What if she wants me to?" Jacob drawled, arrogant. "Hah!" I snorted. "If that's what she wants, then I won't object." Edward shrugged, untroubled. "You might want to wait for her to say it, rather than trust your interpretation of body language-but it's your face." Jacob grinned. "You wish," I grumbled. "Yes, he does," Edward murmured. "Well, if you're done rummaging through my head," Jacob said with a think edge of annoyance, "why don't you go take care of her hand?" "One more thing," Edward said slowly. "I'll be fighting for her, too. You should know that. I'm not taking anything for granted, and I'll be fighting twice as hard as you will." "Good," Jacob growled. "it's no fun beating someone who forfeits." She is mine." Edward's low voice was suddenly dark, not as composed as before, "i did't say I would fight fair." "Neither did I." "Best of luck." Jacob nodded. "Yes, may the best man win." "That sounds about right...pup.
Stephenie Meyer (Eclipse)
When I was sixteen, I had just two things on my mind - girls and cars. I wasn't very good with girls. So I thought about cars. I thought about girls, too, but I had more luck with cars. Let's say that when I turned sixteen, a genie had appeared to me. And that genie said, 'Warren, I'm going to give you the car of your choice. It'll be here tomorrow morning with a big bow tied on it. Brand-new. And it's all yours.' Having heard all the genie stories, I would say, 'What's the catch?' And the genie would answer, 'There's only one catch. This is the last car you're ever going to ge tin your life. So it's got to last a lifetime.' If that had happened, I would have picked out that car. But, can you imagine, knowing it had to last a lifetime, what I would do with it? I would read the manual about five times. I would always keep it garaged. If there was the least little dent or scratch, I'd have it fixed right away because I wouldn't want it rusting. I would baby that car, because it would have to last a lifetime. That's exactly the position you are in concerning your mind and body. You only get one mind and one body. And it's got to last a lifetime. Now, it's very easy to let them ride for many years. But if you don't take care of that mind and that body, they'll be a wreck forty years later, just life the car would be. It's what you do right now, today, that determines how your mind and body will operate ten, twenty, and thirty years from now.
Warren Buffett
And I saw that truly nothing happens by accident or luck, but everything by God's wise providence. If it seems to be accident or luck from our point of view, our blindness and lack of foreknowledge is the cause; for matters that have been in God's foreseeing wisdom since before time began befall us suddenly, all unawares; and so in our blindness and ignorance we say that this is accident or luck, but to our Lord God it is not so.
Julian of Norwich (Revelations of Divine Love)
Fifty years isn’t too bad. With luck you might see it happen when you’re a sweet, old granny, dandling big fat babies on your knee. Actually”—he held up a hand, interrupting Kitty’s cry of protest—“no, that’s wrong. My projection is incorrect.” “Good.” “You’ll never be a sweet old granny. Let’s say, ‘sad, lonely old biddy’ instead.
Jonathan Stroud (Ptolemy's Gate (Bartimaeus, #3))
Greeting to the final contestants of the Seventy-fourth Hunger Games. The earlier revision has been revoked. Closer examination of the rule book has disclosed that only one winner may be allowed," he says. "Good luck and may the odds be ever in your favor.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Inej,” Wylan called from one of the rolling bins. “These are our clothes.” He reached in and, one after the other, pulled out Inej’s little leather slippers. Her face broke into a dazzling smile. Finally, a bit of luck. Kaz didn’t have his cane. Jesper didn’t have his guns. And Inej didn’t have her knives. But at least she had those magic slippers. “What do you say, Wraith? Can you make the climb?” “I can.” Jesper took the shoes from Wylan. “If I didn’t think these might be crawling with disease, I would kiss them and then you.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I may say that this is the greatest factor: the way in which the expedition is equipped, the way in which every difficulty is foreseen, and precautions taken for meeting or avoiding it. Victory awaits him who has everything in order, luck, people call it. Defeat is certain for him who has neglected to take the necessary precautions in time, this is called bad luck.
Roald Amundsen
Don’t mourn your luck that’s failing now, work gone wrong, your plans all proving deceptive — don’t mourn them uselessly. As one long prepared, and graced with courage, say goodbye to her, the Alexandria that is leaving. Above all, don’t fool yourself, don’t say it was a dream, your ears deceived you: don’t degrade yourself with empty hopes like these.
Constantinos P. Cavafy
Heartbreak is more common than happiness. No one wants to say that, but it's true. We're taught to believe not only that everyone deserves a happy ending, but that if we try hard enough, we will get one. That's simply no the case. Happy endings, life long loves, are the products of both effort and luck. We can control them, to some extent and though our feelings always seem to have a life of their own, we can at least be open to love. But, luck, the other component, well there's nothing we can do about that one. Call it God's plan or predestination or divine intervention, but we're all at its mercy. And sometimes God isn't very merciful. Jane taught me that.
Beth Pattillo (Jane Austen Ruined My Life)
Ghost leaned across the table toward Candace and Brian. “Candace,” he said, and for a moment Macy thought he might actually say something sincere. No such luck. “I really advse against leaving him alone with me again. Two hours away from you and he was coming on to me.” Everyone else at the table broke up in laughter. It only egged him on. “I mean, I know he wants me. He’s made it clear. And I’m growing weak, I tell you. I missed him. If he does it again, I’m gonna give it to him.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
From time to time in the years to come, I hope you will be treated unfairly, so that you will come to know the value of justice. I hope that you will suffer betrayal because that will teach you the importance of loyalty. Sorry to say, but I hope you will be lonely from time to time so that you don’t take friends for granted. I wish you bad luck, again, from time to time so that you will be conscious of the role of chance in life and understand that your success is not completely deserved and that the failure of others is not completely deserved either. And when you lose, as you will from time to time, I hope every now and then, your opponent will gloat over your failure. It is a way for you to understand the importance of sportsmanship. I hope you’ll be ignored so you know the importance of listening to others, and I hope you will have just enough pain to learn compassion. Whether I wish these things or not, they’re going to happen. And whether you benefit from them or not will depend upon your ability to see the message in your misfortunes.
Greg Lukianoff (The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting up a Generation for Failure)
My dad used to say that life was like turning the pages in a book. 'Oh, look,' he'd say, pretending to flip the pages in the air after we'd had something bad happen to us. 'Bad luck here on page ninety-seven. And on ninety-eight. But something good here on ninety-nine! All you had to do was keep reading!
Ally Condie (Summerlost)
I think when you are born an angel should say to you, hopefully kindly and not in that fake voice of an airline attendant: Here you go on this long, long dream. Don’t even try to wake up. Just let it go until it is over. You will learn many things. Just relax and observe because there just is pain and that’s it mostly and you aren’t going to be able to escape no matter what. Eventually it will all be over anyway. Good Luck.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
Okay, men,” he said. “And women,” said Chaser Angelina Johnson. “And women,” Wood agreed. “This is it.” “The big one,” said Fred Weasley. “The one we’ve all been waiting for,” said George. “We know Oliver’s speech by heart,” Fred told Harry, “we were on the team last year.” “Shut up, you two,” said Wood. “This is the best team Gryffindor’s had in years. We’re going to win. I know it.” He glared at them all as if to say, “Or else.” “Right. It’s time. Good luck, all of you.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Ersken gathered the dice, put them in the cup they had used for play, and tucked it inside one bound Rat's shirt. "Let that be a lesson to you not to gamble," he told the Rat soberly. "The trickster asks you pay for any luck you may have, one way or another." "Bless the boy, he's a priest with it," one of the Goddess warriors said with a grin. "After this, laddie, what's say I take you home and rub some of that off yez?" Ersken actually winked at her! "Forgive me, gracious warrior, but my woman would turn me into something unnatural if I took you up on your kind offer," he replied as if he truly regretted it. "She's a mage and I'd best stay devoted.
Tamora Pierce (Bloodhound (Beka Cooper, #2))
Some people are content in the midst of deprivation and danger, while others are miserable despite having all the luck in the world. This is not to say that external circumstances do not matter. But it is your mind, rather than circumstances themselves, that determines the quality of your life. Your mind is the basis of everything you experience and of every contribution you make to the lives of others. Given this fact, it makes sense to train it.
Sam Harris (Waking Up: A Guide to Spirituality Without Religion)
If you really are happy and you two love each other equally, then great. Good luck to you both. But if you don’t – if you wake up one day and realize you’re forcing yourself to love him because you think it’s the right thing to do, not because he makes you happier than you’ve ever been – then I want to make sure you know you have a choice. And if you ever want to leave, all you have to do is say the word, and I’ll go with you.
Aimee Carter
He laughed, then became serious once more. "Mary............" The expression in his eyes set her heart pounding. "Yes?" Twice he began to frame a sentence, and twice his voice seemed to fail him. And she thought she understood. What could he possibly say to her now, when he was on the verge of leaving forever? Even something as simple as asking her to write to him carried a distinct sort of promis, the type of promise he was ten years and a half a world removed from being able to make. She forced a polite smile and held out her hand. "Good luck, James." Regret-and relief-flooded his eyes. he took her hand, cradling it for a long moment. "And to you." It was foolish to linger. She slid her fingers from his grasp, turned, and began to walk away in the direction of the Academy. She'd gone about thirty paces when she heard his voice. "Mary!" She spun about. "What is it?" "Stay out of wardrobes!" She laughed, shook her head, and began to walk again. She was smiling this time.
Y.S. Lee (A Spy in the House (The Agency, #1))
Sometimes I feel like a funny-looking rock in the middle of the most beautiful clear ocean when I read the kinds of things you write to me. You love so much bigger than yourself, bigger than everything. I can’t believe how lucky I am to even witness it—to be the one who gets to have it, and so much of it, is beyond luck and feels like fate. Catholic God made me to be the person you write those things about. I’ll say five Hail Marys. Muchas gracias, Santa Maria.
Casey McQuiston (Red, White & Royal Blue)
The Standover Man. all my life, I've been scared of men standing over me. I suppose my first standover man was my father, but he vanished before I could remember him. For some reason when I was a boy, I liked to fight. a lot of the time, I lost. Another boy, sometimes with blood falling from his nose, would be standing over me. Many years later, I needed to hide. I tried not to sleep because I as afraid of who might be there when I woke up. But I was lucky. It was always my friend.When I was hiding. I dreamed of a certain man. The hardest was when I traveled to find him. Out of sheer luck and many footsteps, I made it. I slept there for a long time. Three days, they told me...and what did I find when I woke up? Not a man, but someone else standing over me. As time passed by the girl and I realized we had things in common. But there is one strange thing. The girl says I look like something else. Now I live in a basement. Bad dreams still live in my sleep. One night, after my usual nightmare, a shadow stood above me. She said, "Tell me what you dream of." So I did. In return, she explained what her own dreams were made of. Now I think we are friends, this girl and me. It was she who gave me a gift - to me. It makes me understand that the best standover man I've ever known is not a man at all...
Markus Zusak (The Book Thief)
He says when you're smoking a cigarette with someone, and you have a lighter, you should light their cigarette first. But if you have matches, you should light your cigarette first, so you breathe in the 'harmful sulfur' instead of them. He says it's the polite thing to do. He also says it's bad luck to have "three on a match." He heard that from his uncle who fought in Vietnam. Something about how three cigarettes was enough time for the enemy to know where you are. Bob says that when you're alone, and you light a cigarette, and the cigarette is only halfway lit that means someone is thinking about you.
Stephen Chbosky (The Perks of Being a Wallflower)
When you win, you don't examine it very much, except to congratulate yourself. You easily, and wrongly, assume it has something to do with your rare qualities as a person. But winning only measures how hard you've worked and how physically talented you are; it doesn't particularly define you beyond those characteristics. Losing on the other hand, really does say something about who you are. Among other things it measures are: do you blame others, or do you own the loss? Do you analyze your failure, or just complain about bad luck? If you're willing to examine failure, and to look not just at your outward physical performance, but your internal workings, too, losing can be valuable. How you behave in those moments can perhaps be more self-defining than winning could ever be. Sometimes losing shows you for who you really are.
Lance Armstrong (Every Second Counts)
On writing, my advice is the same to all. If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less. --- Ignore critics. Critics are a dime a dozen. Anybody can be a critic. Writers are priceless. ---- Go where the pleasure is in your writing. Go where the pain is. Write the book you would like to read. Write the book you have been trying to find but have not found. But write. And remember, there are no rules for our profession. Ignore rules. Ignore what I say here if it doesn't help you. Do it your own way. --- Every writer knows fear and discouragement. Just write. --- The world is crying for new writing. It is crying for fresh and original voices and new characters and new stories. If you won't write the classics of tomorrow, well, we will not have any. Good luck.
Anne Rice
I said no, Aoife." "You can't tell me what to do, Joe," I growled, feeling a combination of drunk and dizzy. "You don't own me." "Well, that's bad fucking luck on my account, because you sure as shit own me!" Drunk or not, his words hit me like a wrecking ball to the chest. Feeling the air whoosh from my lungs, I glared up at him, feeling a torrent of emotions crashing through me. "Why would you say that to me?" "Because it's the truth." "Since when?" "Since I was twelve.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
But let me say this. I am a superstitious man, a ridiculous failing but I must confess it here. And so if some unlucky accident should befall my youngest son, if some police officer should accidentally shoot him, if he should hang himself while in his jail cell, if new witnesses appear to testify to his guilt, my superstition will make me feel that it was the result of the ill will still borne me by some people here. Let me go further. If my son is struck by a bolt of lightning I will blame some of the people here. If his plane show fall into the sea or his ship sink beneath the waves of the ocean, if he should catch a mortal fever, if his automobile should be struck by a train, such is my superstition that I would blame the ill will felt by people here. Gentlemen, that ill will, that bad luck, I could never forgive. But aside from that let me swear by the souls of my grandchildren that I will never break the peace we have made. After all, are we or are we not better men than those pezzonovanti who have killed countless millions of men in our lifetimes?
Mario Puzo (The Godfather (The Godfather, #1))
I'm starving. When we check into our hotel, let's ask the desk clerk where we can find one of those vast pizzas." "What are you talking about?" "Your guidebook says Florence is a city of vast pizzas. Look it up yourself." "Those are vast piazzas, not pizzas! It means public squares!" Dan's face fell. "Oh." Amy sighed. "I honestly thought the clue hunt took the dweeb out of you. No such luck.
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
The thoughtless, the ignorant, and indolent, seeing only the apparent effects of things and not the things themselves, talk of law, of fortune, and chance. Seeing a man grow rich, they say, "How lucky is!" Observing another become intellectual they exclaim, "How highly favored he is!" And noting the saintly character and wide influence of another, they remark, "How chance aids him at every turn!" They don't see the trials and failures and the struggles which these men have voluntarily encountered in order to gain their experience; have no knowledge of the sacrifices they have made, of the undaunted efforts they have put forth, of the faith they have exercised, that they might overcome the apparently insurmountable, and realize the vision of their heart. They do not know the darkness and the heart aches; they only see the light and the Joy, and they call it “luck”; do not see the longing arduous journey, but only behold the pleasant goal, and call it "good fortune"; do not understand the process, but only perceive the result, and call it “chance”.
James Allen (As a Man Thinketh)
Say farewell to luck when winning. It is the way of the gamblers of reputation. Quite as important as a gallant advance is a well-planned retreat. Lock up your winnings when they are enough, or when great. Continuous luck is always suspect; more secure is that which changes. Though half bitter and half sweet, it is more satisfying to the taste. The more luck pyramids, the greater the danger of slip and collapse. For luck always compensates her intensity by her brevity. Fortune wearies of carrying anyone long upon her shoulders.
Baltasar Gracián (The Art of Worldly Wisdom: A Pocket Oracle)
Kaylee, this means something to me.” His hands trailed down my arms to cup my elbows, and his gaze held mine. “With any luck, we’re going to have millions of moments over the course of eternity, and I plan to love every one of them. But we’ll never have this moment again, and this is very important to me.” The twists of blue in his eyes coiled so tightly the color was almost gone, lost among pale shades of a need so deep it couldn’t possibly be captured in a kiss, or a touch. “I need to know that this is important to you, too. I need to know that this isn’t like last time. That you’re not doing this just so you can say you’ve done it. Because that’s not good enough for me. That’s not good enough for us.
Rachel Vincent (Before I Wake (Soul Screamers, #6))
That is one of the patterns: when nothing is happening, nothing continues to happen, but after a while the lull becomes too much and the drums need to kick in. Something has to happen. Often that need comes from yourself. You make a phone call. You say, "I can't do this life anymore, I need to change.' And one thing happens which you are in control of. And then another happens which you have no control over. Newton's third law of motion. Actions create reactions. When things start to happen, other things start to happen. But sometimes it seems there is no explanation as to why the things are happening - why all the buses are coming along at once - why life's moments of luck and pain arrive in clusters. All we can do is observe the pattern, the rhythm, and then live it.
Matt Haig (How to Stop Time)
After examining the philosophies, the theories, and the practiced methods of influencing human behavior, I was shocked to learn the simplicity of that one small fact: You will become what you think about most; your success or failure in anything, large or small, will depend on your programming - what you accept from others, and what you say when you talk to yourself. It is no longer a success theory; it is a simple but powerful fact. Neither luck nor desire has the slightest thing to do with it. It makes no difference whether we believe it or not. The brain simply believes what you tell it most. And what you tell it about you, it will create. It has no choice.
Shad Helmstetter (What to Say When You Talk to Yourself)
I love this woman. The day she set my house on fire was the luckiest day of my life. It truly is the luck of the Irish: perverse. Inexplicable. And utterly fantastic. “Do you forgive me for losing it in the first place?” she asks me, slipping her slim little hand into mine. “I shouldn’t tell you how much you could get away with, Aida,” I say, shaking my head. “But you already know that I’d forgive anything you do.
Sophie Lark (Brutal Prince (Brutal Birthright, #1))
Any other Disney movies?” I was tempting my luck here. Aaron’s expression remained serious. “All of them.” Shit. “Even Frozen? Tangled? The Princess Frog?” I asked, and he nodded. “I love animated movies. They take my mind off things.” He dipped his hands in the pockets of his jeans. “Disney, Pixar … I’m a big fan.” This was too much. First, he’d opened up about his childhood earlier today, and now, this. I wanted to ask how and why, but there was a more pressing issue. “What’s your favorite?” Please don’t say the one that will send my heart into cardiac arrest. Please don’t say it. “Up.” Fuck. He had said it. My heart struggled there for a moment. And that little spot that had been softening throughout the night got a little bigger.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
You can stay on the porch. Like how you left me on the floor outside our room." "I didn't know what else to do. You found the check, and I panicked." "That isn't an excuse." "I know. And I'm not saying that this is going to make up for it. I'm going to try, really try, to make you trust me again. I want you to trust me. I just... I couldn't sleep last night without you. It was the strangest thing, being in the room alone without you. I couldn't hear you breathing, and your laughter was gone and you were gone, and it was like a part of my life was missing. A big part. I tripped going to the bathroom and banged my head. See?" He pointed to a lovely gash on his forehead. "And then I burned my hand on the toaster oven. And then my car wouldn't start. Again. I've never had such bad luck in my life.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
But Gemma, you could change the world." "That should take far more than my power," I say. "True. But change needn't happen all at once. It can be small gestures." "Moments. Do you understand?" He's looking at me differently now, though I cannot say how. I only know I need to look away... We pass by the pools, where the mud larks sift. And for only a few seconds, I let the magic loose again. "Oi! By all the saints!" a boy cries from the river. "Gone off the dock?" an old woman calls. The mud larks break into cackles. "'S not a rock!" he shouts. He races out of the fog, cradling something in his palm. Curiosity gets the better of the others. They crowd about trying to see. In his palm is a smattering of rubies. "We're rich mates! It's a hot bath and a full belly for every one of us!" Kartik eyes me suspiciously. "That was a strange stroke of good fortune." "Yes it was." "I don't suppose that was your doing." "I'm not sure I don't know what you mean," I say. And that is how change happens. One gesture. One person. One moment at a time.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
You're suicidal.You know how impossible this sounds?" "Yes." I pause. "But I don't really have much choice." "Well,go on.What about the square?" "Diversion." My eyes lock onto Kaede's. "Create chaos in Batalla Square, as much chaos as you can manage. Enough chaos to force most of the soldiers guarding the back exits to enter the square and help contain the crowd-if only for a couple of minutes. That's what the electro-bomb might help you with. Set it off in the air, and it'll shake up the ground in Batalla Hall and around it. It shouldn't hurt anyone, but it'll definitely stir up some panic. And if the guns in the vicinity are disabled,they can't shoot at Day even if they see him escaping along a rooftop.They'll have to chase him or try their luck with less accurate stun guns." "Okay,genius." Kaede laughs, a little too sarcastically. "Let me ask you this, though. How the hell are you going to get Day out of the building at all? You think you're going to be the only soldier escorting him to the firing squad? Other soldiers will probably flank you.Hell,a whole patrol might join you." I smile at her. "There will be other soldiers. But who says they can't be Patriots in disguise?" She doesn't answer me,not in words. But I can see the grin spreading on her face, and I realize that even though she thinks I'm crazy,she has also agreed to help.
Marie Lu (Legend (Legend, #1))
Another mistaken notion connected with the law of large numbers is the idea that an event is more or less likely to occur because it has or has not happened recently. The idea that the odds of an event with a fixed probability increase or decrease depending on recent occurrences of the event is called the gambler's fallacy. For example, if Kerrich landed, say, 44 heads in the first 100 tosses, the coin would not develop a bias towards the tails in order to catch up! That's what is at the root of such ideas as "her luck has run out" and "He is due." That does not happen. For what it's worth, a good streak doesn't jinx you, and a bad one, unfortunately , does not mean better luck is in store.
Leonard Mlodinow (The Drunkard's Walk: How Randomness Rules Our Lives)
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.
Terry Pratchett (Sourcery (Discworld, #5; Rincewind, #3))
<…>His body shook as his grin spread to a smile. Then he asked, "You honestly think you can tackle me?" "I didn't say it would be a successful tackle." And then my husband burst out laughing. And I watched. He didn't give this to me often but I always watched. This time it was way better because he was doing it while still inside me. Then his laughter died to a chuckle, he dropped his forehead to mine and his hand came up and curled around the side of my neck. And when he did the last, the laughter died, his eyes held mine and he whispered, "Is my mama home?" I swallowed but I still knew my eyes got bright and my voice was husky when I whispered back, "Yes." He closed his eyes, shifted the lower half of his face and touched his mouth to mine. Then he lifted his head away, opened his eyes and I felt his thumb stroke my jaw. His gaze again locked with mine, he told me gently, "Missed you, baby." I swallowed again and my arms and legs tightened around him. "Me too."<…>
Kristen Ashley
Old people only say that life happens quickly to make themselves feel better. The truth is that it all happens in tiny increments like now now now now now now and it only takes twenty to thirty consecutive nows to realize that you’re aimed straight at a bench in Singleton Park. Fair play though, if I was old and had forgotten to do something worthwhile with my life, I would spend those final few years on a bench in the botanical gardens, convincing myself that time is so quick that even plants – who have no responsibilities whatsoever – hardly get a chance to do anything decent with their lives except, perhaps, produce one or two red or yellow flowers and, with a bit of luck and insects, reproduce. If the old man manages to get the words father and husband on his bench plaque then he thinks he can be reasonably proud of himself.
Joe Dunthorne (Submarine)
Most people think Marv is crazy, but I don't believe that. I'm no shrink and I'm not saying I've got Marv all figured out or anything, but "crazy" just doesn't explain him. Not to me. Sometimes I think he's retarded, a big, brutal kid who never learned the ground rules about how people are supposed to act around each other. But that doesn't have the right ring to it either. No, it's more like there's nothing wrong with Marv, nothing at all--except that he had the rotten luck of being born at the wrong time in history. He'd have been okay if he'd been born a couple of thousand years ago. He'd be right at home on some ancient battlefield, swinging an ax into somebody's face. Or in a roman arena, taking a sword to other gladiators like him. They'd have tossed him girls like Nancy, back then.
Frank Miller (Sin City, Vol. 2: A Dame to Kill For (Sin City, #2))
Without ever exactly putting his mind to it, he's come to believe that loss is the standard trajectory. Something new appears in the world-a baby, say, or a car or a house, or an individual shows some special talent-with luck and huge expenditures of soul and effort you might keep the project stoked for a while, but eventually, ultimately, its going down. This is a truth so brutally self-evident that he can't fathom why it's not more widely percieved, hence his contempt for the usual public shock and outrage when a particular situation goes to hell. The war is fucked? Well, duh. Nine-eleven? Slow train coming. They hate our freedoms? Yo, they hate our actual guts! Billy suspects his fellow Americans secretly know better, but something in the land is stuck on teenage drama, on extravagant theatrics of ravaged innocence and soothing mud wallows of self-justifying pity.
Ben Fountain (Billy Lynn's Long Halftime Walk)
Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
David James Duncan
Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl. How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness. Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit? So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter. I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it. I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.
Amy Tan (The Joy Luck Club)
American circumstances and Chiese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it's no lasting shame. You are first in line for a scholarship. If the roof crashes on your head, no need to cry over this bad luck. You can sue anybody, make the landlord fix it. You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head. You can buy an umbrella. Or go inside a Catholic church. In America, nobody says you have to keep the circumstances somebody else gives you. She learned thse things, but I couldn't teach her Chinses character. How to obey parents and listen to your mother's mind. How not to show your own thoughts, to put your feelings behind your face so you can take advantage of hidden opportunities. Why easy things are not worth pursuing. How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best.
Amy Tan (The Joy Luck Club)
There’s no such thing as God, Charlie, at least not how they say. Just like there’s no such thing as Zeus or Apollo or bloody unicorns. You’re on your own. And that can make you feel either lonely or powerful. When you’re born, you wither luck out or you don’t. It’s a lottery. Tough shit or good on yer. But from there, it’s all up to you… soon as you can walk and talk, you start makin your own luck. And I don’t need some spirit in the sky to help me do that. I can do it on me own. But see, that’s what I reckon God really is, Charlie. It’s that part inside me that’s stronger and harder than anything else. And I reckon prayer is just trusting in it, having faith in it, just asking meself to be tough. And that’s all you can do. I don’t need a bunch of bullshit stories about towers and boats and floods or rules about sin. It’s all just a complicated way to get to that place in you, and it’s not honest either. I don’t need to trick meself into thinking anyone else is listenin’, or even cares. Because it doesn’t matter. I matter. And I know I’ll be alright. Because I got a good heart, and fuck this town for making me try and believe otherwise. It’s what you come with and what you leave with. And that’s all I got.
Craig Silvey (Jasper Jones)
You can tell all of us are morphing into full-blown adults, wingtip adults, because all the time now the Big Question is, What are you going to do? After the summer, about your scholarship, about choosing a college, after graduation, with the rest of your life. When you are thirteen, the question is, Smooth or crunchy? That's it. Later, at the onset of full-blown adulthood, the Big Question changes a little bit - instead of, What are you going to do? it turns into, What do you do? I hear it all the time when my parents have parties, all the men standing around. After they talk sports, they always ask, What do you do? It's just part of the code that they mean "for a living" because no one ever answers it by saying, I go for walks and listen to music full-blast and don't care about my hearing thirty years from now, and I drink milk out of the carton, and I cough when someone lights up a cigarette, and I dig rainy days because they make me sad in a way I like, and I read books until I fall asleep holding them, and I put on sock-shoe, sock-shoe instead of sock-sock, shoe-shoe because I think it's better luck. Never that. People are always in something. I'm in advertising. I'm in real estate. I'm in sales and marketing.
Brad Barkley (Jars of Glass)
GONE TO STATIC it sounds better than it is, this business of surviving, making it through the wrong place at the wrong time and living to tell. when the talk shows and movie credits wear off, it's just me and my dumb luck. this morning I had that dream again: the one where I'm dead. I wake up and nothing's much different. everything's gone sepia, a dirty bourbon glass by the bed, you're still dead. I could stumble to the shower, scrub the luck of breath off my skin but it's futile. the killer always wins. it's just a matter of time. and I have time. I have grief and liquor to fill it. tonight, the liquor and I are talking to you. the liquor says, 'remember' and I fill in the rest, your hands, your smile. all those times. remember. tonight the liquor and I are telling you about our day. we made it out of bed. we miss you. we were surprised by the blood between our legs. we miss you. we made it to the video store, missing you. we stopped at the liquor store hoping the bourbon would stop the missing. there's always more bourbon, more missing tonight, when we got home, there was a stray cat at the door. she came in. she screams to be touched. she screams when I touch her. she's right at home. not me. the whisky is open the vcr is on. I'm running the film backwards and one by one you come back to me, all of you. your pulses stutter to a begin your eyes go from fixed to blink the knives come out of your chests, the chainsaws roar out from your legs your wounds seal over your t-cells multiply, your tumors shrink the maniac killer disappears it's just you and me and the bourbon and the movie flickering together and the air breathes us and I am home, I am lucky I am right before everything goes black
Daphne Gottlieb (Final Girl)
What are you doing here?" I whispered, smiling in the dark. "I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed. "I have so much to tell you, Aspen." "Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you." And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in. His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat. It was a stolen moment. Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail. Another reason everyone married young: Waiting is torture. "I should go," he whispered. "But I want you to stay." My lips were by his ears. I could smell his soap again. "America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck." I sighed and loosened my grip. He was right. "I love you, America." "I love you, Aspen." These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.
Kiera Cass (The Selection (The Selection, #1))
Still writing?" I usually nod and smile, then quickly change the subject. But here is what I would like to put down my fork and say: Yes, yes, I am. I will write until the day I die, or until I am robbed of my capacity to reason. Even if my fingers were to clench and wither, even if I were to grow deaf or blind, even if I were unable to move a muscle in my body save for the blink of one eye, I would still write. Writing saved my life. Writing has been my window -- flung wide open to this magnificent, chaotic existence -- my way of interpreting everything within my grasp. Writing has extended that grasp by pushing me beyond comfort, beyond safety, past my self-perceived limits. It has softened my heart and hardened my intellect. It has been a privilege. It has whipped my ass. It has burned into me a valuable clarity. It has made me think about suffering, randomness, good will, luck, memory responsibility, and kindness, on a daily basis -- whether I feel like it or not. It has insisted that I grow up. That I evolve. It has pushed me to get better, to be better. It is my disease and my cure. It has allowed me not only to withstand the losses in my life but to alter those losses -- to chip away at my own bewilderment until I find the pattern in it. Once in a great while, I look up at the sky and think that, if my father were alive, maybe he would be proud of me. That if my mother were alive, I might have come up with the words to make her understand. That I am changing what I can. I am reaching a hand out to the dead and to the living and the not yet born. So yes. Yes. Still writing.
Dani Shapiro (Still Writing: The Perils and Pleasures of a Creative Life)
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just because you can’t think with your upstairs brain.” “No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else. “You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t. You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith in him, but Ryan couldn’t stop there. Oh, no, not Ryan Miller. “After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed, smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much, you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much. When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me, leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule. It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you? I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up. “Sorry,” I breathed as he pulled away. “Don’t be sorry,” he teased. “Just stop.” “Sorry,” I said again when I noticed that his leg was now bouncing under the table. “Yeah. Looks like I don’t get to sleep through economics today.” “On the bright side, Coach could make you run laps all practice long and you’d be fine.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
I thought for once that acting decent ought to be rewarded. That's why I let you go, and that's why I didn't bring you back to the King." "If it's so horrible there,why don't you stay with us?" I asked without thinking. "No." He shook his head and lowered his eyes. "Tempting though the offer may be, your people wouldn't allow it, and my people...well,let's just say they wouldn't react well if I didn't come home. And wether I like or not, it is my home." "I know that feeling all too well." I sighed. Though Forening was starting to feel more like home, I wasn't sure that it ever would completely. "See?I told you,Princess." Loki's smile returned more easily. "You and I aren't all that different." "You say that like it means something." "Doesn't it?" "No,not really. You're leaving today, going home to my enemies." I let out a deep breath, feeling an ache inside my chest. "If I'm lucky,I'll never see you again. Because if I do,that means we're at war,and I'd have to hurt you." "Oh,Wendy,that's perhaps the saddest thing I've ever heard," Loki said, and he looked like he meant it. "But life doesn't have to be all doom and gloom. Don't you ever see the silver lining?" "Not today." I shook my head. I heard garrett summon me from down the hall, which meant that lunch was over and the meetings were about to start up. "I have to get back.I'll see you when we make the exchange with the Vittra Queen." "Good luck." Loki nodded. I turned to walk away, and I hadn't made it very far when I heard Loki calling after me. "Wendy!" Loki leaned out into the hall, so far it made him grimace with pain. "If you're right and the next time we see each other is when our kingdoms are at war, you and I never will be. I'll never fight you.That I can promise you.
Amanda Hocking (Torn (Trylle, #2))
Fortune favours the brave, sir," said Carrot cheerfully. "Good. Good. Pleased to hear it, captain. What is her position vis a vis heavily armed, well prepared and excessively manned armies?" "Oh, no–one's ever heard of Fortune favouring them, sir." "According to General Tacticus, it's because they favour themselves," said Vimes. He opened the battered book. Bits of paper and string indicated his many bookmarks. "In fact, men, the general has this to say about ensuring against defeat when outnumbered, out–weaponed and outpositioned. It is..." he turned the page, "'Don't Have a Battle.'" "Sounds like a clever man," said Jenkins. He pointed to the yellow horizon. "See all that stuff in the air?" he said. "What do you think that is?" "Mist?" said Vimes. "Hah, yes. Klatchian mist! It's a sandstorm! The sand blows about all the time. Vicious stuff. If you want to sharpen your sword, just hold it up in the air." "Oh." "And it's just as well because otherwise you'd see Mount Gebra. And below it is what they call the Fist of Gebra. It's a town but there's a bloody great fort, walls thirty feet thick. 's like a big city all by itself. 's got room inside for thousands of armed men, war elephants, battle camels, everything. And if you saw that, you'd want me to turn round right now. Whats your famous general got to say about it, eh?" "I think I saw something..." said Vimes. He flicked to another page. "Ah, yes, he says, 'After the first battle of Sto Lat, I formulated a policy which has stood me in good stead in other battles. It is this: if the enemy has an impregnable stronghold, see he stays there.'" "That's a lot of help," said Jenkins. Vimes slipped the book into a pocket. "So, Constable Visit, there's a god on our side, is there?" "Certainly, sir." "But probably also a god on their side as well?" "Very likely, sir. There's a god on every side." "Let's hope they balance out, then.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
How long does a mouse live?" "Ah," she said. "I've been waiting for you to ask me that." There was a silence. She sat there smoking away and gazing at the fire. "Well," I said. "How long do we live, us mice?" "I have been reading about mice," she said. "I have been trying to find out everything I can about them." "Go on then, Grandmamma. Why don't you tell me?" "If you really want to know," she said, "I'm afraid a mouse doesn't live for a very long time." "How long?" I asked. "Well, an ordinary mouse only lives for about three years," she said. "But you are not an ordinary mouse. You are a mouse-person, and that is a very different matter." "How different?" I asked. "How long does a mouse-person live, Grandmamma?" "Longer," she said. "Much longer." "A mouse-person will almost certainly live for three times as long as an ordinary mouse," my grandmother said. "About nine years." "Good!" I cried. "That's great! It's the best news I've ever had!" "Why do you say that?" she asked, surprised. "Because I would never want to live longer than you," I said. "I couldn't stand being looked after by anybody else." There was a short silence. She had a way of fondling me behind the ears with the tip of one finger. It felt lovely. "How old are you, Grandmamma?" I asked. "I'm eighty-six," she said. "Will you live another eight or nine years?" "I might," she said. "With a bit of luck." "You've got to," I said. "Because by then I'll be a very old mouse and you'll be a very old grandmother and soon after that we'll both die together." "That would be perfect," she said.
Roald Dahl (The Witches)
But as I stood across from Archer, I couldn't forget that I was completely, stupidly in love with the one person I could never have. The laughter died on my lips, and I dashed at my eyes with the back of my hand. "I need to get back," I said. "Right," he replied. He was still holding his sword in his right hand, and he twirled the hilt, the point sratching the wooden floor. "So this is it. We're done." "Yeah," I said, my voice cracking. I cleared my throat. "And I have to say, the world's first and last Eye-demon reconnaissance mission went pretty well." It was a struggle to meet his eyes, but I managed it. "Thank you." He shrugged, his dark gaze full of something I couldn't quite read. "We were a good team." "We were." In more ways than one, I thought. Which is why this sucked so bad. I stepped back. "Anyway, I should go. See ya,Cross." Then I laughed, only it sounded suspiciously like another sob. "Except I won't, will I So I guess I should say goodbye." I felt like I was about to shatter into a million tiny shards, like the mirrors I'd broken with Dad. "okay, well, best of luck with the whole Eye thing, then. Try not to kill anyone I know." I turned away, but he reached out and caught my wrist. I could feel my pulse hammering under his fingers. "Mercer, that day in the cellar..." He searched my face, and I could sense him struggling for what he wanted to say. Then finally, "I didn't kiss you back because I had to. I kissed you because I wanted to." His eyes dropped to my lips,and it was like the whole world had shrunk to just me and him and the shaft of light between us. "I still want to," he said hoarsely. He tugged my wrist and pulled me into his arms. My brain registered the sound of his sword clattering to he ground as his other hand came up to grab the back of my neck, but once his lips were on mine, everything else faded away. I clutched at his shoulders, raising up on my tiptoes, and kissed him with everything I had in me. As the kiss deepened, we held each other tighter, so I didn't know if the pounding heartbeat I felt was mine or his. How stupid,I thought dreamily, to have ever thought I could give this up. Not just the kissing, although, as Archer's hands cupped my face, I had to admit that part was pretty awesome. But all of it: joking with him and working beside him. Being with a guy who was my friend and could still make me feel like this.
Rachel Hawkins (Demonglass (Hex Hall, #2))
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
He slouches,' DeeDee contributes. 'True--he needs to work on his posture,' Thelma says. 'You guys,' I say. 'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?' 'You guys. We are not getting married!' 'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?' 'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?' I swat her. "I'm not having Mitchell's children!' 'I'm sorry--what?' Thelma says. Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl! But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!' Jolene turns beet red, and she and DeeDee dissolve into mad giggles. 'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous. 'Okaaay, I think maybe I won't turn around,' I announce. A person of the male persuasion clears his throat. 'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me. 'If you change your mind, we might be able to work something out,' the person of the male persuasion says. 'About the children?' DeeDee asks. 'Or the turning around?' 'DeeDee!' Jolene says. 'Both,' says the male-persuasion person. I shrink in my chair, but I raise my hand over my head and wave. 'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.' Warm fingers clasp my own. 'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.' 'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!' I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants. Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter. He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line. Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder. 'Did you see!' Thelma gasps. 'Did you see how proud he was?' 'You improve his posture!' Jolene says. 'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.' 'I can't believe you waved at him,' DeeDee says. 'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.' 'It was a surrender flag. I was surrendering myself to abject humiliation.' 'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
Lauren Myracle (Bliss (Crestview Academy, #1))
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))