Love Her Anyway Quotes

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I will never look at you in the same way ever again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.
Jenny Han (It's Not Summer Without You (Summer, #2))
You know what they say," Dad said. "If you love something set it free." "What if he doesn't come back?" "Something do, somethings don't," he said, reaching to tweak her nose. "I'll always come back to you anyway." "You don't light up," Hadley said, but Dad only smiled. "I do when I'm with you.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
But that's not what you said when she walked into the room," said Simon quietly. "You said, 'Why didn't you ever tell me I had a brother?'" "I know." Clary yanked a blade of grass out of the dirt, worrying it between her fingers. "I guess I can't help thinking that if I'd known the truth, I wouldn't have met Jace the way I did. I wouldn't have fallen in love with him." Simon was silent for a moment. "I don't think I've ever heard you say that before." "That I love him?" She laughed, but it sounded dreary even to her ears. "Seems useless to pretend like I don't, at this point. Maybe it doesn't matter. I probably won't ever see him again, anyway." "He'll come back." "Maybe." "He'll come back," Simon said again. "For you.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
recant, v. I want to take back at least half of the “I love you”s, because I didn’t mean them as much as the other ones. I want to take back the book of artsy photos I gave you, because you didn’t get it and said it was hipster trash. I want to take back what I said about you being an emotional zombie. I want to take back the time I called you “honey” in front of your sister and you looked like I had just shown her pictures of us having sex. I want to take back the wineglass I broke when I was mad, because it was a nice wineglass and the argument would have ended anyway. I want to take back the time we had sex in a rent-a-car, not because I feel bad about the people who got in the car after us, but because it was massively uncomfortable. I want to take back the trust I had while you were away in Austin. I want to take back the time I said you were a genius, because I was being sarcastic and I should have just said you’d hurt my feelings. I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.
David Levithan (The Lover's Dictionary)
No problem," Gale replies. "I wake up ten times a night anyway." "To make sure Katniss is still here?" asks Peeta. "Something like that,"... "That was funny, what Tigris said. About no one knowing what to do with her." "Well, WE never have,"... "She loves you, you know," says Peeta. "She as good as told me after they whipped you." "Don't believe it,"Gale answers. "The way she kissed you in the Quarter Quell...well she never kissed me like that." "It was just part of the show," Peeta tells him, although there's an edge of doubt in his voice. "No, you won her over. Gave up everything for her. Maybe that's the only way to convince her you love her." There's a long pause. "I should have volunteered to take your place in the first Games. Protected her then." "You couldn't," says Peeta. "She'd never have forgiven you. You had to take care of her family. They matter more to her than her life." ... "I wonder how she'll make up her mind." "Oh, that I do know." I can just catch Gale's last words through the layer of fur. "Katniss will pick whoever she thinks she can't survive without
Suzanne Collins (Mockingjay (The Hunger Games, #3))
We stood there, looking at each other, saying nothing. But it was the kind of nothing that meant everything. In his eyes, there was no trace of what had happened between us earlier and I could feel something inside me break. So that was that. We were finally, finally over. I looked at him, and I felt so sad, because this thought occurred to me: 'I will never look at you the same way again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.' I couldn’t even be mad at him, because this was who he was. This was who he’d always been. He’d never lied about that. He gave and then he took away. I felt it in the pit of my stomach, the familiar ache, that lost, regretful feeling only he could give me. I never wanted to feel it again. Never, ever. Maybe this was why I came, so I could really know. So I could say good-bye. I looked at him, and I thought, 'If I was very brave or very honest, I would tell him.' I would say it, so he would know it and I would know it, and I could never take it back. But I wasn’t that brave or honest, so all I did was look at him. And I think he knew anyway. 'I release you. I evict you from my heart. Because if I don't do it now, I never will.' I was the one to look away first.
Jenny Han (It's Not Summer Without You (Summer, #2))
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants...I am an animal like any other. Hazel is different. she walks lightly, old man. She walks lightly upon the earth. She knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either. People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad. It's triumphant. It's heroic. Isn't that the real heroism? The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention.
John Green (The Fault in Our Stars)
You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
Well, obviously, she's feeling very sad, because of Cedric dying. Then I expect she's feeling confused because she liked Cedric and now she likes Harry, and she can't work out who she likes best. Then she'll be feeling guilty, thinking it's an insult to Cedric's memory to be kissing Harry at all, and she'll be worrying about what everyone else might say about her if she starts going out with Harry. And she probably can't work out what her feelings towards Harry are anyway, because he was the one who was with Cedric when Cedric died, so that's all very mixed up and painful. Oh, and she's afraid she's going to be thrown off the Ravenclaw Quidditch team because she's flying so badly." A slightly stunned silence greeted the end of this speech, then Ron said, "One person can't feel all that at once, they'd explode.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Sii la mia schiava d’amore,” I purr. Her expression is guarded. “What did you say?” An amused smile pulls at my lips. “I’ll never tell.” Somehow, I don’t think she’d agree to be my love slave anyway.
Lisa Desrochers (Personal Demons (Personal Demons, #1))
You always were selfish. Your one fault. Not willing to share anything, are you?" Suddenly, Damon's lips curved up in a singularly beautiful smile. But fortunately the lovely Elena is more generous. Didn't she tell you about our little liaisons? Why? The first time we met she almost gave herself to me on the spot." "That's a lie!" "Oh, no, dear brother, I never lie about anything important. Or do I mean unimportant? Anyway, your beauteous damsel nearly swooned into my arms. I think she likes men in black." As Stefan stared at him, trying to control his breathing, Damon added, almost gently, "You're wrong about her, you know, You think she's sweet and docile like Katherine. She isn't. She's not your type at all, my saintly brother. She has a spirit and a fire in her that you wouldn't know what to do with." "And you would, I suppose." Damon uncrossed his arms and slowly smiled again. "Oh, yes.
L.J. Smith (The Awakening / The Struggle (The Vampire Diaries, #1-2))
She wasn't mine to take, but I was taking her anyway. Her laughs, her fears, her joy and her pain. Every inch of her body and beat of her heart. All mine.
Ana Huang (Twisted Games (Twisted, #2))
LOVE COULD BE LABLED POISON AND WE’D DRINK IT ANYWAYS.
Atticus Poetry (Love Her Wild)
Do you love her?” “I do. Very much so.” “She might break your heart.” “I’ll love her anyway.
Liz Tomforde (Caught Up (Windy City, #3))
Ten Commandments: I asked her why she never told us about the Ten Commandments & she said she wasn't ever that good with numbers so she loved everything as best she could & I remember thinking who needs all those rules anyway with a mother like her around.
Brian Andreas
Who are you anyway? What are you even doing here?” “Haven,” she said quietly, peeking at him. He gazed at her peculiarly. “Heaven? No, this definitely isn't Heaven. But I get why you’re confused, since I'm standing in front of you.” She stared at him, and he cracked a smile. “I'm kidding. Well, kinda… I have been told I've taken a girl to Heaven a time or two.” “Haven, not Heaven,” she said, louder than before. Nothing about the conversation made sense to her. “My name’s Haven.
J.M. Darhower (Sempre (Sempre, #1))
Every day is a battle. Still. She doesn’t need this…this mess. The nightmares. She doesn’t deserve what I’d put her through. And she probably wouldn’t stick around anyway. Who would?
J. Rose Black (Losing My Breath)
Clary shut her eyes. You didn't say no to an angel, no matter what it had in mind. Her heart pounding, she sat floating in the darkness behind her eyelids, resolutely trying not to think of Jace. But his face appear against the blank screen of her closed eyelids anyway - not smiling at her but looking sidelong, and she could see the scar at his temple, the uneven curl at the corner of his mouth, and the silver line on his throat where Simon had bitten him - all the marks and flaws and imperfections that made up the person she loved most in the world. Jace. A bright light lit her vision to scarlet, and she fell back against the sand, wondering if she was going to pass out - or maybe she was dying - but she didn't want to die, not now that she could see Jace's face so clearly in front of her. She could almost hear his voice, too, saying her name, the way he'd whispered it at Renwick's, over and over again. Clary. Clary. Clary. "Clary," Jace said. "Open your eyes.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Anyway. I’m not allowed to watch TV, although I am allowed to rent documentaries that are approved for me, and I can read anything I want. My favorite book is A Brief History of Time, even though I haven’t actually finished it, because the math is incredibly hard and Mom isn’t good at helping me. One of my favorite parts is the beginning of the first chapter, where Stephen Hawking tells about a famous scientist who was giving a lecture about how the earth orbits the sun, and the sun orbits the solar system, and whatever. Then a woman in the back of the room raised her hand and said, “What you have told us is rubbish. The world is really a flat plate supported on the back of a giant tortoise.” So the scientist asked her what the tortoise was standing on. And she said, “But it’s turtles all the way down!” I love that story, because it shows how ignorant people can be. And also because I love tortoises.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
How many people make a career out of writing anyway?' Cath snapped. She felt like everything inside her was snapping. Her nerves. Her temper. Her esophagus. 'I'll write because I love it, the way other people knit or . . . or scrapbook. And I'll find some other way to make money.
Rainbow Rowell (Fangirl)
Isn’t it so weird how the number of dead people is increasing even though the earth stays the same size, so that one day there isn’t going to be room to bury anyone anymore? For my ninth birthday last year, Grandma gave me a subscription to National Geographic, which she calls “the National Geographic.” She also gave me a white blazer, because I only wear white clothes, and it’s too big to wear so it will last me a long time. She also gave me Grandpa’s camera, which I loved for two reasons. I asked why he didn’t take it with him when he left her. She said, “Maybe he wanted you to have it.” I said, “But I was negative-thirty years old.” She said, “Still.” Anyway, the fascinating thing was that I read in National Geographic that there are more people alive now than have died in all of human history. In other words, if everyone wanted to play Hamlet at once, they couldn’t, because there aren’t enough skulls!
Jonathan Safran Foer
He really would have done all that for her, you see, and done it believing he'd burn in hell forever for doing it. He hadn't done it, and wouldn't had made her his anyway, but you see why he'd have figured it did. Or maybe I saw it anyway, at the time. He was a maniac and a monster, but people don't love like that anymore. Or maybe it's only the maniacs and monsters who do. I don't know.
Peter S. Beagle (Tamsin)
I’ve spent my entire life listening to people tell me why I can’t be loved and how I’m nothing but a worthless piece of shit. I always told myself that I didn’t care, that I didn’t need anyone else. It was a lie, you know. I do care and I want Kiara. If it costs me my life to be with her, it doesn’t matter. I’ve already lived past my prime, anyway. I get up every morning with more pain in my joints than the day before. If I have to die, I’d rather die knowing someone cared about me, just once. Is that really too much to ask? (Nykyrian) For us? Yes. It is. We are the gutter and the gutter is all we’ll ever be. Don’t reach out for the stars. They’ll burn you until there’s nothing left. (Syn) Then let me burn. (Nykyrian)
Sherrilyn Kenyon (Born of the Night (The League, #1))
You speak Italian," she says, unconvinced. "Si." "Say something." "Sii la mia schiava d'amore," I purr. Her expression is guarded. "What did you say?" An amuse smile pulls at my lips. "I'll never tell." Somehow I don't think she'd agree to be my love slave anyway.
Lisa Desrochers (Personal Demons (Personal Demons, #1))
To the most inconsiderate asshole of a friend, I’m writing you this letter because I know that if I say what I have to say to your face I will probably punch you. I don’t know you anymore. I don’t see you anymore. All I get is a quick text or a rushed e-mail from you every few days. I know you are busy and I know you have Bethany, but hello? I’m supposed to be your best friend. You have no idea what this summer has been like. Ever since we were kids we pushed away every single person that could possibly have been our friend. We blocked people until there was only me and you. You probably haven’t noticed, because you have never been in the position I am in now. You have always had someone. You always had me. I always had you. Now you have Bethany and I have no one. Now I feel like those other people that used to try to become our friend, that tried to push their way into our circle but were met by turned backs. I know you’re probably not doing it deliberately just as we never did it deliberately. It’s not that we didn’t want anyone else, it’s just that we didn’t need them. Sadly now it looks like you don’t need me anymore. Anyway I’m not moaning on about how much I hate her, I’m just trying to tell you that I miss you. And that well . . . I’m lonely. Whenever you cancel nights out I end up staying home with Mum and Dad watching TV. It’s so depressing. This was supposed to be our summer of fun. What happened? Can’t you be friends with two people at once? I know you have found someone who is extra special, and I know you both have a special “bond,” or whatever, that you and I will never have. But we have another bond, we’re best friends. Or does the best friend bond disappear as soon as you meet somebody else? Maybe it does, maybe I just don’t understand that because I haven’t met that “somebody special.” I’m not in any hurry to, either. I liked things the way they were. So maybe Bethany is now your best friend and I have been relegated to just being your “friend.” At least be that to me, Alex. In a few years time if my name ever comes up you will probably say, “Rosie, now there’s a name I haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum and dad when they have dinner parties with friends and talk about old times. They always mention people I’ve never even heard of when they’re talking about some of the most important days of their lives. Yet where are those people now? How could someone who was your bridesmaid 20 years ago not even be someone who you are on talking terms with now? Or in Dad’s case, how could he not know where his own best friend from college lives? He studied with the man for five years! Anyway, my point is (I know, I know, there is one), I don’t want to be one of those easily forgotten people, so important at the time, so special, so influential, and so treasured, yet years later just a vague face and a distant memory. I want us to be best friends forever, Alex. I’m happy you’re happy, really I am, but I feel like I’ve been left behind. Maybe our time has come and gone. Maybe your time is now meant to be spent with Bethany. And if that’s the case I won’t bother sending you this letter. And if I’m not sending this letter then what am I doing still writing it? OK I’m going now and I’m ripping these muddled thoughts up. Your friend, Rosie
Cecelia Ahern (Love, Rosie)
I watched her walk away, first thinking: good riddance – who needs this abuse? And then after a minute thinking: she never really understood me anyway. Which rapidly changed to: I never understood her at all. And before long I was watching her small back disappear and thinking: there goes the only person who ever gave a damn about me.
Ellen Wittlinger (Hard Love)
I knew he never loved me like he loved her, but I wanted him anyway. I knew his love for me was conditional, but I wanted him anyway. I knew I was second choice, but I wanted him anyway. But,this was too much.
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
Oh, God, Francesca,Now there’s a good one.Why?Why? Why?” He gave each one a different tenor, as if he were testing out the word, asking it to different people. “Why?” he asked again, this time with increased volume as he turned around to face her. “Why? It’s because I love you, damn me to hell. Because I’ve always loved you. Because I loved you when you were with John, and I loved you when I was in India, and God only knows I don’t deserve you, but I love you, anyway.” Francesca sagged against the door. “How’s that for a witty little joke?” he mocked. “I loveyou. I loveyou, my cousin’s wife. I loveyou, the one woman I can never have. I loveyou, Francesca Bridger-ton Stirling.
Julia Quinn (When He Was Wicked (Bridgertons, #6))
He … loves her. Well, he’s crushing on her anyway.” I didn’t know the term but I understood its meaning well enough. I sighed. “I thought she’d be smarter.” He raised his eyebrows. “She’s plenty smart.” He looked thoughtful. “You don’t believe in love then?” “No.” I wanted to look away, couldn’t. “I don’t know.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
To be honest, I'm not sure about this whole scared of commitment business. I think it's become too handy, a useful phrase that men can bandy about whenever they feel like being assholes. And sure, I do believe there are some men who are genuinely terrified of commitment, but there aren't that many, and for the most part I think it's that they haven't met the right woman yet. Because if a man, no matter how scared he professed to be, met the woman of his dreams, he wouldn't want to let her go, would he? And sure, he might not want to actually get married, but if he were madly in love and risked losing her, he'd do it, wouldn't he? That's what I think, anyway.
Jane Green (Mr. Maybe)
What is more powerful than the love of a mother? Perhaps only God's hand in answering her earnest pleadings on your behalf.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Would it be so terrible, sweet Cyn?” he whispered. “To spend eternity at my side?” But she was too far gone in sleep, and Raphael didn't know if he wanted to hear her answer anyway.
D.B. Reynolds (Raphael (Vampires in America, #1))
Everything all right, Gwyneth?” asked Gideon, raising one eyebrow. “You look nervous. Would you like a cigarette to calm your nerves? What was your favorite brand, did you say? Marlboros?” I could only stare at him speechlessly. “Leave her alone,” said Xemerius. “Can’t you see she’s unhappy in love, bonehead? All because of you! What are you doing here, anyway?
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
God preserve you, my dear boy, from ever asking forgiveness for a fault from a woman you love. From one you love especially, however greatly you may have been in fault. For a woman--devil only knows what to make of a woman: I know something about them, anyway. But try acknowledging you are in fault to a woman. Say, "I am sorry, forgive me," and a shower of reproaches will follow! Nothing will make her forgive you simply and directly, she'll humble you to the dust, bring forward things that have never happened, recall everything, forget nothing, add something of her own, and only then forgive you. And even the best, the best of them do it. She'll scrape up all the scrapings and load them on your head. They are ready to flay you alive, I tell you, every one of them, all these angels without whom we cannot live! I tell you plainly and openly, dear boy, every decent man ought to be under some woman's thumb. That's my conviction--not conviction, but feeling. A man ought to be magnanimous, and it's no disgrace to a man! No disgrace to a hero, not even a Caesar! But don't ever beg her pardon all the same for anything...
Fyodor Dostoevsky (The Brothers Karamazov)
You do not want to help us,” Will said to Magnus. “You do not want to position yourself as an enemy of Mortmain’s.” “Well, can you blame him?” Woolsey rose in a whirl of yellow silk. “What could you possibly have to offer that would make the risk worth it to him?” “I will give you anything,” said Tessa in a low voice that Will felt in his bones. “Anything at all, if you can help us help Jem.” Magnus gripped a handful of his black hair. “God, the two of you. I can make inquiries. Track down some of the more unusual shipping routes. Old Molly —” “I’ve been to her,” Will said. “Something’s frightened her so badly she won’t even crawl out of her grave.” Woolsey snorted. “And that doesn’t tell you anything, little Shadowhunter? Is it really worth all this, just to stretch your friend’s life out another few months, another year? He will die anyway. And the sooner he dies, the sooner you can have his fiancée, the one you’re in love with.” He cut his amused gaze toward Tessa. “Really you ought to be counting down the days till he expires with great eagerness.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Well, I’m an abridger, so I’m entitled to a few ideas of my own. Did they make it? Was the pirate ship there? You can answer it for yourself, but, for me, I say yes it was. And yes, they got away. And got their strength back and had lots of adventures and more than their share of laughs. But that doesn’t mean I think they had a happy ending, either. Because, in my opinion, anyway, they squabbled a lot, and Buttercup lost her looks eventually, and one day Fezzik lost a fight and some hot-shot kid whipped Inigo with a sword and Westley was never able to really sleep sound because of Humperdinck maybe being on the trail. I’m not trying to make this a downer, understand. I mean, I really do think that love is the best thing in the world, next to cough drops. But I also have to say, for the umpty-umpth time, that life isn’t fair. It’s just fairer than death, that’s all.
William Goldman (The Princess Bride)
The man of my dreams is almost faded now. The one I have created in my mind. The sort of man each woman dreams of in her most secret and deepest part of her heart. I could almost see him now before me. What would I say to him if he were really here? Forgive me, I've never known this feeling. I've lived without it all my life. Is it any wonder that I fail to recognize it? You brought it to me for the first time. Is there any way I can tell you how my life has changed? Anyway at all, to let you know what sweetness you have given me? There's so much to say-- and I can't find the words-- except for these... I love you. That is what I would say to him if he were really here.
Richard Matheson
He cleared his throat. “You know this means that what we did what we almost did in Paris...” “Going to the Eiffel Tower?” He tucked a lock of hair behind her ear. “You never let me off the hook for a single minute, do you? Never mind. It’s one of the things I love about you. Anyway, that other thing we almost did in Paris, that’s probably off the table for a while. Unless you want that whole baby-I’m-on-fire-when-we kiss thing to become freakishly literal.” “No kissing?” “Well, kissing, probably. But as for the rest of it…” She brushed her cheek lightly against his. “It’s okay with me if it’s okay with you.” “Of course it’s not okay with me. I’m a teenage boy. As far as I’m concerned, this is the worst thing that’s happened since I found out why Magnus was banned from Peru.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
If he even survives." She shivered, and Amon put his arm around her, drawing her into his steady warmth. "It's that bad?" Raisa nodded. "He looked...he looked awful, Amon. Willo doesn't know if he'll...She's worried about him. My mother died, and I never got to tell her that I loved her, that I finally understood - just a little anyway. If Han dies too, I don't know what I'll do.
Cinda Williams Chima (The Gray Wolf Throne (Seven Realms, #3))
Love doesn't discriminate Between the sinners And the saints. It takes and it takes and it takes And we keep loving anyway. We laugh and we cry And we break And we make our mistakes. And if there's a reason I'm by her side When so many have tried Then I'm willing to wait for it. I'm willing to wait for it
Lin-Manuel Miranda (Hamillton)
Jane. You’ve got to see this!” His voice was full of the honey-baked accent of old Virginia money. As Blue staggered up the hill, telescope on her shoulder, she mentally tested the danger level: Am I in love with him yet? Gansey galloped down the hill to snatch he telescope from her. “This isn’t that heavy,” he told her, and strode back the way he’d come. She did not think she was in love with him. She hadn’t been in love before, but she was still pretty sure she’d be able to tell. Earlier in the year, she had had a vision of kissing him, and she could still picture that quite easily. But the sensible part of Blue, which was usually the only part of her, thought that had more to do with Richard Campbell Gansey III having a nice mouth than with any blossoming romance. Anyway, if fate thought it would tell her who to fall for, fate had another thing coming. Gansey added, “I would’ve thought you had more muscles. Don’t feminists have big muscles?” Decidedly not in love with him. “Smiling when you say that doesn’t make it funny,” Blue said.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
There was a dragon who had a long-standing obsession with a queen's breasts," she said, growing breathless. "The dragon knew the penalty to touch her would mean death, yet he revealed his secret desire to the king's chief doctor. This man promised he could arrange for the dragon to satisfy his desire, but it would cost him one thousand gold coins." She spread her soapy hands over his nipples, then down his arms. "Though he didn't have the money, the dragon readily agreed to the scheme." Grace," Darius moaned, his erection straining against her stomach. She hid her smile, loving that she had this much power over such a strong man. That she, Grace Carlyle, made him ache with longing. "The next day the physician made a batch of itching powder and poured some into the queen's bra… uh, you might call it a brassiere… while she bathed. After she dressed, she began itching and itching and itching. The physician was summoned to the Royal Chambers, and he informed the king and queen that only a special saliva, if applied for several hours, would cure this type of itch. And only a dragon possessed this special saliva." Out of breath, she paused. Continue," Darius said. His arms wound around her so tightly she could barely breathe. His skin blazed hot against hers, hotter than even the steamy water. Are you sure?" Continue." Taut lines bracketed his mouth. Well, the king summoned the dragon. Meanwhile, the physician slipped him the antidote for the itching powder, which the dragon put into his mouth, and for the next few hours, the dragon worked passionately on the queen's breasts. Anyway," she said, reaching around him and lathering the muscled mounds of his butt, "the queen's itching was eventually relieved, and the dragon left satisfied and touted as a hero." This does not sound like a joke," Darius said. I'm getting to the punch line. Hang on. When the physician demanded his payment, the now satisfied dragon refused. He knew that the physician could never report what really happened to the king. So the next day, the physician slipped a massive dose of the same itching powder into the king's loincloth. And the king immediately summoned the dragon." -Heart of the Dragon
Gena Showalter
Rosie was also used to conflicting emotions, for she was a mother and knew every moment of every day that no one out in the world could ever love or value or nurture her children as well as she could and yet that it was necessary nonetheless to send them out into that world anyway.
Laurie Frankel (This Is How It Always Is)
I lay down in the mother ash dirt among the crocuses and told her it was okay. That I'd surrendered. That since she died, everything had changed. Things she couldn't have imagined and wouldn't have guessed. My words came out low and steadfast. I was so sad it felt as if someone were choking me, and yet it seemed my whole life depended on my getting those words out. She would always be my mother, I told her, but I had to go. She wasn't there for me in that flowerbed anymore anyway, I explained. I'd put her somewhere else. The only place I could reach her. In me.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. ... We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either. People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox. ... But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. ... What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
She beat lightly on his chest with her fists. "I want a partner, not a protector." "Can't I be both?" "You're enormously exasperating sometimes, do you know that?" He grinned. "And you love me anyway.
Marie Force (Line of Scrimmage)
The hell with this aching, suffering, callow, half-assed delusion that he was in "love" with her. The hell with "love" anyway, and with every other phony, time-wasting, half-assed emotion in the world.
Richard Yates (Revolutionary Road)
But this girl—She reminded me of what it was like to believe in something. Her hope was naïve, but it was real, and I hadn’t felt something real in years. Nothing positive anyways. (Eric)
Shannon A. Thompson (Minutes Before Sunset (Timely Death, #1))
As I got older, I got craftier and less obvious, but I’ve always put a lot of energy and effort into people liking me. That’s why I’ve never understood the compliment “effortless.” People love to say: “She just walked into the party, charming people with her effortless beauty.” I don’t understand that at all. What’s so wrong with effort, anyway? It means you care. What about the girl who “walked into the party, her determination to please apparent on her eager face”? Sure, she might seem a little crazy, and, yes, maybe everything she says sounds like conversation starters she found on a website, but at least she’s trying. Let’s give her a shot!
Mindy Kaling (Why Not Me?)
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
It had not been science that Lydia had loved. And then, as if the tears are telescopes, she begins to see more clearly: the shredded posters and pictures, the rubble of books, the shelf prostrate at her feet. Everything that she had wanted for Lydia, which Lydia had never wanted but had embraced anyway. A dull chill creeps over her. Perhaps—and this thought chokes her—that had dragged Lydia underwater at last.
Celeste Ng (Everything I Never Told You)
You’ll be seeing him tomorrow night, anyway.” “I am?” Hyacinth asked, at precisely the moment Mr. St. Clair said, “She will?” “You’re accompanying me to the Pleinsworth poetry reading,” Lady D told her grandson. “Or have you forgotten?” Hyacinth sat back, enjoying the sight of Gareth St. Clair’s mouth opening and closing in obvious distress. He looked a bit like a fish, she decided. A fish with the features of a Greek god, but still, a fish. “I really…” he said. “That is to say, I can’t—” “You can, and you will be there,” Lady D said. “You promised.” He regarded her with a stern expression. “I cannot imagine—” “Well, if you didn’t promise, you should have done, and if you love me…” Hyacinth coughed to cover her laugh, then tried not to smirk when Mr. St. Clair shot a dirty look in her direction. “When I die,” he said, “surely my epitaph will read, ‘He loved his grandmother when no one else would.’” “And what’s wrong with that?” Lady Danbury asked.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
I feel bad for her. It's not a lot of fun, you know." "What?" "Being in love with you. I've been with a lot of bad guys who made me feel lousy about myself, Jude, but you're something special. Because I knew none of them really cared about me, but you do, and you make me feel like your shitty hooker anyway.
Joe Hill (Heart-Shaped Box)
She knows Daddy better than I do. I think it's because she's felt since we were children that our Daddy maybe loved me more than he loves her. This isn't true, and she knows that now--people love different people in different ways--but it must have seemed that way to her when we were little. I look as though I just can't make it, she looks like can't nothing stop her. If you look helpless, people react to you in one way and if you look strong, or just come on strong, people react to you in another way, and, since you don't see what they see, this can be very painful. I think that's why Sis was always in front of that damn mirror all the time, when we were kids. She was saying, 'I don't care. I got me.' Of course, this only made her come on stronger than ever, which was the last effect she desired: but that's the way we are and that's how we can sometimes get so fucked up. Anyway, she's past all that. She knows who she is, or, at least, she knows who she damn well isn't.
James Baldwin (If Beale Street Could Talk)
Eva knows I'm terra incognita and explores me unhurriedly, like you did. Because she's lean as a boy. Because her scent is almonds, meadow grass. Because if I smile at her ambition to be an Egyptologist, she kicks my shin under the table. Because she makes me think about something other than myself. Because even when serious she shines. Because she prefers travelogues to Sir Walter Scott, prefers Billy Mayerl to Mozart, and couldn't tell a C major from a sergeant major. Because I, only I, see her smile a fraction before it reaches her face. Because Emperor Robert is not a good man - his best part is commandeered by his unperformed music - but she gives me that rarest smile, anyway. Because we listened to nightjars. Because her laughter spurts through a blowhole in the top of her head and sprays all over the morning. Because a man like me has no business with this substance "beauty," yet here she is, in these soundproof chambers of my heart.
David Mitchell (Cloud Atlas)
She's the kind of person you want to like you. You know she can be cruel; you've seen her be cruel. But when her eyes are on you, and she's paying attention to you, you want it to last. Her beauty is part of it, but there's something more --- something that draws you in. I think it's her transparency --- everything she thinks or feels is written all over her face, and even if it wasn't, she'd say it anyway, because she says what she thinks, without thinking first.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I love you too, I wanted to say with as much hurtful sarcasm as I could muster, but she hadn't seen me, and I kept quiet. I did love her, of course, but mostly just because loving your mother is mandatory, not because she's someone I think I'd like very much if I met her walking down the street. Which she wouldn't be anyway; walking is for poor people
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Laurel rolled her eyes. “Now there‟s something I really wanted to know ” she said sarcastically. “Ah come on—everyone wonders.” “Do not ” “Sure. I‟ve always wondered what kind of a kisser David is.” “Um that‟s one of those questions you‟re not supposed to ask.” Chelsea laughed. “I didn‟t ask. I just said I‟ve always wondered.” “That‟s asking.” “Is not.” She leaned back against her headboard. “‟Course you could tell me anyway.” “Chelsea ” “What I told you.” “I didn‟t ask.” “Technicality.” “I‟m not telling.” “That‟s code for he sucks.” “He does not suck.” “Aha ” Laurel sighed. “You are so weird.” “Yeah ” Chelsea said with a grin tossing her springy curls. “But you love me.” Laurel laughed. “Yes I do.” She leaned over and tipped her head onto Chelsea‟s shoulder. “And I‟m glad you‟re happy.
Aprilynne Pike (Spells (Wings, #2))
Anyway, I think Florence and I noticed each other before the local train screeched to a halt at the 110th Street station, because as I boarded it felt as though we were supposed to step into the same car, and hold onto the same moist metal bar. My wishful hunch now seems confirmed by the way she's reading her Time magazine article next to me.
Zack Love (City Solipsism)
Sorry,” I said, realizing I was taking my frustrations out on her. “I’m still getting over Soph,” I said, referring to my old prep school friend. Sophie Price was the most beautiful girl you’d ever met. Seriously. Take it from someone who’s met Bar Refaeli in person. Soph was even more stunning. Especially since she’d had a personality makeover. I’d never regret anything as much as I would not making her fall in love with me. “You can’t make anyone fall, Spence. Either they do or they don’t.” “I said that out loud?” “Duh and it’s been two years, Spencer. You seriously need to get over her. She’s with that Ian guy anyway, right?” “Right.” “That hot South African guy named Ian,” she concluded. “Thanks.” “That hot saffy named Ian who gives his life to mutilated Ugandan orphans and worships the ground Sophie walks on.” I stopped and glared at her. “That’ll do, Bridge.
Fisher Amelie (Greed (The Seven Deadly, #2))
I just don't understand what you see in her," Sim said carefully. "I know she's charming. Fascinating and all of that. But she seems rather," he hesitated, "cruel." I nodded. "She is." Simmon watched me expectantly, finally said. "What? No defense for her?" "No. Cruel is a good word for her. But I think you are saying cruel and thinking of something else. Denna is not wicked, or mean, or spiteful. She is cruel." Sim was quiet for a long while before responding. "I think she might be some of those things, and cruel as well." Good, honest gentle Sim. He could never bring himself to say bad things about another person, just imply them. Even that was hard for him. He looked up at me. "I talked with Savoy. He's still not over her. He really loved her, you know. Treated her like a princess. He would have done anything for her. But she left him anyway, no explanation." "Denna is a wild thing," I explained. "Like a hind or a summer storm. If a storm blows down your house, or breaks a tree, you don't say the storm was mean. It was cruel. It acted according to its nature and something unfortunately was hurt. The same is true of Denna." "What's a hind?" "A deer." "I thought that was a hart?" "A hind is a female deer. A wild deer. Do you know how much good it does you to chase a wild thing? None. It works against you. It startles the hind away. All you can do is stay gently where you are, and hope in time that the hind will come to you.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Anyway... she's asleep, turned away from me on her side. The usual stratagems and repositionings have failed to induce narcosis in me, so I decide to settle myself against the soft zigzag of her body. As I move and start to nestle my shin against a calf whose muscles are loosened by sleep, she sense what I'm doing, and without waking reaches up with her left hand and pulls the hair off her shoulders on the top of her head, leaving me her bare nape to nestle in. Each time she does this I feel a shudder of love at the exactness of this sleeping courtesy. My eyes prickle with tears, and I have to stop myself from waking her up to remind her of my love. At that moment, unconsciously, she's touched some secret fulcrum of my feelings for her.
Julian Barnes (A History of the World in 10½ Chapters)
And it was why he loved her. One of the reasons, anyway. Because he also loved her bratty comebacks. He loved the way she put her entire self behind whatever she was doing, even if she had no idea what she was doing and was getting it all wrong. He loved the way she danced as if she was connected to the clouds and the sun and the rainbows. And he loved that she’d stormed into his life and turned everything upside down before he ever had a chance to stop her.
Bella Andre (Always on My Mind (San Francisco Sullivans, #8; The Sullivans, #8))
I bought you something" Willows blurts out. "You bought...What?" Willow closes her eyes for a second. She's a little surprised she's going to give it to him after all, but there's no going back now. She has to. "At the bookstore." She reaches into her bag again, and pushes the package across the table towards him. Guy takes the book out of the bag slowly, Willow waits for him to look disappointed, to look confused that she would buy him such a battered, old- "I love it when used books have notes in the margins, it's the best," Guy says as he flips through the pages. "I always imagine who read it before me." He pauses and looks at one of Prospero's speeches. "I have way too much homework to read this now, but you know what? Screw it. I want to know why it's your favorite Shakespeare. Thank you, that was really nice of you. I mean, you really didn't have to." "But I did anyway," Willow says so quietly she's not even sure hears her. Hey," Guy frowns for a second. "You didn't write anything in here." "Oh, I didn't even think...I, well, I wouldn't even know what to write," Willow says shyly. "Well, maybe you'll think of something later," he says. Willow watches Guy read the opening. There's no mistaking it. His smile is genuine, and she can't help thinking that if she can't make David look like this, at least she can do it for someone.
Julia Hoban (Willow)
Thanks for the apology, Caden, really. Anyway, isn’t it pretty normal for a straight girl to fall for a gay guy? All the sitcoms treat it like a rite of passage, something that all girls must go through. You’re pretty and kind and way too good to be true. At least I’ve ticked that box now.” “I …” I don’t exist to teach her a lesson, and it irks me that she thinks labeling me is okay now. Like, by liking guys, I automatically take on that role in her life. That I’m suddenly a supporting character in her story rather than the hero of my own.
Cale Dietrich (The Love Interest)
You still think I’m too optimistic, don’t you?” Shallan said. “It’s not your fault,” Kaladin said. “I’d rather be like you. I’d rather not have lived the life I have. I would that the world was only full of people like you, Shallan Davar.” “People who don’t understand pain.” “Oh, all people understand pain,” Kaladin said. “That’s not what I’m talking about. It’s . . .” “The sorrow,” Shallan said softly, “of watching a life crumble? Of struggling to grab it and hold on, but feeling hope become stringy sinew and blood beneath your fingers as everything collapses?” “Yes.” “The sensation—it’s not sorrow, but something deeper—of being broken. Of being crushed so often, and so hatefully, that emotion becomes something you can only wish for. If only you could cry, because then you’d feel something. Instead, you feel nothing. Just . . . haze and smoke inside. Like you’re already dead.” He stopped in the chasm. She turned and looked to him. “The crushing guilt,” she said, “of being powerless. Of wishing they’d hurt you instead of those around you. Of screaming and scrambling and hating as those you love are ruined, popped like a boil. And you have to watch their joy seeping away while you can’t do anything. They break the ones you love, and not you. And you plead. Can’t you just beat me instead?” “Yes,” he whispered. Shallan nodded, holding his eyes. “Yes. It would be nice if nobody in the world knew of those things, Kaladin Stormblessed. I agree. With everything I have.” He saw it in her eyes. The anguish, the frustration. The terrible nothing that clawed inside and sought to smother her. She knew. It was there, inside. She had been broken. Then she smiled. Oh, storms. She smiled anyway. It was the single most beautiful thing he’d seen in his entire life. “How?” he asked.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
I leave her to chemically combust and find Wren in the student council office, filling out extremely interesting paperwork. He’s buried behind piles of the stuff. I can barely see tufts of his blonde hair poking out. I reach into the paperwork pile and shove the two halves aside. Hundreds of them fall off the desk and to the floor. Papers drift through the air like snowflakes. Fat, boring-ass snowflakes. Wren looks up, face slack with shock. “Whatcha doing?” I ask. “Dividing up funding for the other clubs,” He whispers, clearly distraught. A paper plops onto his head and slides off dejectedly. I’m respectful for three seconds. “So anyway, I had this nightmare in which Jack was sexy and Kayla died.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
I do love it when I am right,” Hyacinth said triumphantly. “Which is fortunate, since I so often am.” Penelope just looked at her. “You do know that you are insufferable.” “Of course.” Hyacinth leaned toward Penelope with a devilish smile. “But you love me, anyway, admit it.” “I admit nothing until the end of the evening.” “After we have both gone deaf?” “After we see if you behave yourself.” Hyacinth laughed. “You married into the family. You have to love me. It’s a contractual obligation.” “Funny how I don’t recall that in the wedding vows.” “Funny,” Hyacinth returned, “I remember it perfectly
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Because you’re right. I do want you. But I don’t want to kiss or make love to you. I want to fuck you. I want to punish you for mouthing off and letting another man put his hands on you. I want to yank up that tiny fucking dress of yours and pound into you so hard you won’t be able to walk for days. I want all those things, even though I can’t have them. But if you don’t stop looking at me like that…” I tightened my grip on her chin and throat. She stared at me in the mirror, her lips parted and her eyes dark with heat. “I might take them anyway.
Ana Huang (Twisted Games (Twisted, #2))
She is becoming what I wanted she the last with the Arctic eyes to become, which is someone who loves me. Simply and truly as I am. It is hard to stare at her because I know she is starting to love me, I am starting to love her back. I don't care what she's done or who she's done it with, I don't care about whatever demons may be in her closet. I care about how she makes me feel and she makes me feel strong and safe and calm and warm and true. It is hard to stare because I am forced to contemplate giving it up. It is hard to stare, but I do it anyway.
James Frey (A Million Little Pieces)
What do you know of love or marriage?" I asked. "You were all set to marry a woman ten years older than you before the King stole her away." "I wouldn't have married her anyway," Loki shrugged. "Not if I didn't love her." "Now you've got integrity?" I scoffed. "You kidnapped me, and your father was a traitor." "I've never said a nice word about my father," Loki said quickly. "And I've never done anything bad to you." "You still kidnapped me!" I said dubiously. "Did I?" Loki cocked his head. "Because I remember Kyra kidnapping you,and me preventing her from pummeling you to death. Then,when you were coughing up blood, I sent for the Queen to help you. When you escaped,I didn't stop you. And since I came here,I've done nothing to you. I've even been good because you told me to be. So what terrible crimes have I committed against you, Princess?" "I-I-" I stammered. "I never said you did anything terrible." "Then why don't you trust me, Wendy?" He'd never called me by my name before, and the underlying affection underneath it startled me. Even his eyes, which still held their usual veil of playfulness, had something deeper brewing underneath. When he wasn't trying so hard to be devilishly handsome, he actually was. The growing connection I felt with him unnerved me, but I didn't want him to see that. More than that,it didn't matter what feelings I might be having for him.He was leaving today, and I would probably never see him again. "I do trust you," I admitted. "I do trust you.I just don't know why I do,and I don't know why you've been helping me." "You want the truth?" He smiled at me, and there was something sincere and sweet underlying. "You piqued my curiosity." "You risked your life for me because you were curious?" I asked doubtfully. "As soon as you came to,your only conern was for helping your friends, and you never stopped," Loki said. "You were kind. And I haven't seen that much kindness in my life.
Amanda Hocking (Torn (Trylle, #2))
She would have loved to have someone in her life, but she doubted it was in store for her. Maybe she was unlovable. Maybe spending so many years alone had warped her in some fundamental way and that was why she seemed to be unable to develop a true romantic connection, or even the type of attraction she often heard others talk about. In the end, it didn’t really matter. Grad school and dating went poorly together, anyway, which was probably why Dr. Adam Carlsen, MacArthur Fellow and genius extraordinaire, was standing here at thirtysomething years old, asking Olive what people did on dates. Academics, ladies and gentlemen.
Ali Hazelwood (The Love Hypothesis)
Adam ” Lori called loudly enough for me to hear her but not so loud that her voice would carry up to my mom in the marina office- or to her dad who might be listening from their screened porch facing the water. “I came over to get some tips from the boys about teaching Tammy and Rachel to board. Of course I did not come over here to see you. How could you think such a thing That would be disobedient.” I held up the wax. “For my own disobedience I have to buff the boat. Then I’m going for a jog.” She tilted her head. Probably her eyes widened but I couldn’t see them behind her sunglasses. I hated not being able to see her eyes. She asked “In this heat?” I didn’t mind jogging in the heat. The heat was a big friendly animal that liked to wrestle and only occasionally sat on me until I lost my breath. Anyway she was missing the point. I repeated carefully ”I am GOING for a JOG.” “I HEARD you the FIRST time ” she said. “It’s late afternoon in the middle of June. It’s ninety-five degrees out here.” “He means he’s GOING for a JOG” Rachel and Tammy said at the same time. “He’s GOING for a JOG.” Lori still didn’t get it. Normally her blondeness was one of the things I loved about her. At the moment not so much. Exasperated Cameron told her “Adam wants you to go for a jog too.” She said “Oh ” “If you two airheads have to hook up secretly for very long ” Sean said “you’re not going to make it.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
You’re always doing this” she whispers. “Doing what?” “Saving me.” I smile, just a bit. “I don’t mind.” “Because it’s your job?” she asks. “Yes.” “And because maybe, sort of, you kind of like me too? Just a little?” A chuckle scratches my throat. “Just a little.” She wets her lips, those eyes still holding me close. “And maybe because, when you save me it feels like…I belong to you? Even just a tiny bit?” I know what I should say, but I can’t bring myself to do it. She’ll never remember this anyway. So instead, I let my fingers trace her lovely face slowly, from her temple down her soft cheek to her jaw. Like I have the right to touch her. Like she belongs to me. “That’s right, Ellie.
Emma Chase (Royally Endowed (Royally, #3))
I end up watching this movie about some girl who's supposed to be so smart and edgy and unpopular. She wears glasses, that's how you know she's so smart. And she's the only one that has dark hair in the school- a place that looks like Planet Blond. Anyway, she somehow ends up going to the prom- hello, gag- and she doesn't wear her glasses, so suddenly she's all beautiful. And she's bashful and shy because she doesn't feel comfortable wearing a dress. But then the guy says something like, "Wow, I never knew you were so pretty," and she feels on top of the world. So, basically, the whole point is she's pretty. Oh, and smart, too. But what's really important here is that she's pretty. For a second I think about Katie. About her thin little Clarissa Le Fey. It must be a pain being fat. There are NO fat people on Planet Blond. I don't get it. I mean, even movies where the actress is smart- like they seem like they'd be smart in real life, they're all gorgeous. And they usually get a boyfriend somewhere in the story. Even if they say they don't want one. They always, always end up falling in love, and you're supposed to be like, "Oh, good." I once said this to my mom, and she laughed. "Honey, Hollywood... reality- two different universes. Don't make yourself crazy." Which made me feel pretty pathetic. Like I didn't know the difference between a movie and the real world. But then when everyone gets on you about your hair and your clothes and your this and your that, and "Are you fat?" and "Are you sexy?" you start thinking, Hey, maybe I'm not the only one who can't tell the difference between movies and reality. Maybe everyone really does think you can look like that. And that you should look like that. Because, you know, otherwise you might not get to go to the prom and fall in love.
Mariah Fredericks (Head Games)
Where is Frankie, anyway?" Dad asks. "It's almost noon. I'm surprised you two can stand the separation." I take a deep breath and gulp down some orange juice. Well, Dad, first Frankie lied to me about losing her virginity to the foreign exchange student on the soccer field, and how your first time can't be special and all that. Then we decided to have this twenty boy contest but we only met, like, half, and she lied again about sleeping with one of them when really they just kind of fooled around naked and broke up. Meanwhile, when I was casting off my virginity with boy number five (or was he six?), Frankie read my journal and found out that I was in love with Matt for a million years and by the way, right after you took that picture of us with all the cake and frosting, he kissed me and started this whole long thing that we weren't allowed to tell her about. Frankie was so mad that she threw my journal into the bottom of the ocean, where it was banished for all eternity with a lovesick mermaid who cries out pieces of sea glass. Are you going to eat that bacon? ... "I'll probably see her later," I say.
Sarah Ockler (Twenty Boy Summer)
I told her if she really cared about me, then she’d let me do whatever I wanted for my birthday, just like Mom did when I was twelve.” “What happened when you were twelve?” “Oh, Mom offered to take us all out for dinner—us girls, Dad was out of town—to celebrate, but I didn’t want to. This book I’d been waiting for had just come out, and the only thing I wanted to do was read it all night.” “My God,” I said, touching the top of her nose. “You’re adorable.” She swatted me away. “Anyway, Carly and Zoe really wanted to go out so that they could score a meal, but Mom just said, ‘It’s her birthday. Let her do whatever she wants.’” “Your mom is cool.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Only a man can see in the face of a woman the girl she was. It is a secret which can be revealed only to a particular man, and, then, only at his insistence. But men have no secrets, except from women, and never grow up in the way women do. It is very much harder, and it takes much longer, for a man to grow up, and he could never do it at all without women. This is a mystery which can terrify and immobilize a woman, and it is always the key to her deepest distress. She must watch and guide, but he must lead, and he will always appear to be giving far more of his real attention to his comrades than he is giving to her. But that noisy, outward openness of men with each other enables them to deal with the silence and secrecy of women, that silence and secrecy which contains the truth of a man, and releases it. I suppose that the root of the resentment—a resentment which hides a bottomless terror—has to do with the fact that a woman is tremendously controlled by what the man’s imagination makes of her—literally, hour by hour, day by day; so she becomes a woman. But a man exists in his own imagination, and can never be at the mercy of a woman’s.—Anyway, in this fucked up time and place, the whole thing becomes ridiculous when you realize that women are supposed to be more imaginative than men. This is an idea dreamed up by men, and it proves exactly the contrary. The truth is that dealing with the reality of men leaves a woman very little time, or need, for imagination. And you can get very fucked up, here, once you take seriously the notion that a man who is not afraid to trust his imagination (which is all that men have ever trusted) if effeminate. It says a lot about this country, because, of course, if all you want to do is make money, the very last thing you need is imagination. Or women, for that matter: or men.
James Baldwin (If Beale Street Could Talk)
Sometimes during the night I'd look at my poor sleeping mother cruelly crucified there in the American night because of no-money, no-hope-of-money, no family, no nothing, just myself the stupid son of plans all of them compacted of eventual darkness. God how right Hemingway was when he said there was no remedy for life - and to think that negative little paper-shuffling prissies should write condescending obituaries about a man who told the truth, nay who drew breath in pain to tell a tale like that! ... No remedy but in my mind I raise a fist to High Heaven promising that I shall bull whip the first bastard who makes fun of human hopelessness anyway - I know it's ridiculous to pray to my father that hunk of dung in a grave yet I pray to him anyway, what else shall I do? sneer? shuffle paper on a desk and burp rationality? Ah thank God for all the Rationalists the worms and vermin got. Thank God for all the hate mongering political pamphleteers with no left or right to yell about in the Grave of Space. I say that we shall all be reborn with the Only One, and that's what makes me go on, and my mother too. She has her rosary in the bus, don't deny her that, that's her way of stating the fact. If there can't be love among men let there be love at least between men and God. Human courage is an opiate but opiates are human too. If God is an opiate so am I. Thefore eat me. Eat the night, the long desolate American between Sanford and Shlamford and Blamford and Crapford, eat the hematodes that hang parasitically from dreary southern trees, eat the blood in the ground, the dead Indians, the dead pioneers, the dead Fords and Pontiacs, the dead Mississippis, the dead arms of forlorn hopelessness washing underneath - Who are men, that they can insult men? Who are these people who wear pants and dresses and sneer? What am I talking about? I'm talking about human helplessness and unbelievable loneliness in the darkness of birth and death and asking 'What is there to laugh about in that?' 'How can you be clever in a meatgrinder?' 'Who makes fun of misery?' There's my mother a hunk of flesh that didn't ask to be born, sleeping restlessly, dreaming hopefully, beside her son who also didn't ask to be born, thinking desperately, praying hopelessly, in a bouncing earthly vehicle going from nowhere to nowhere, all in the night, worst of all for that matter all in noonday glare of bestial Gulf Coast roads - Where is the rock that will sustain us? Why are we here? What kind of crazy college would feature a seminar where people talk about hopelessness, forever?
Jack Kerouac (Desolation Angels)
Sweet Grace amazes me The way that she can see Beyond the man I am To the man that I could be She's bringing out my best While she covers all the rest Some say her love is blind But I say her love forgets She don't like it when I try so hard to impress her ‘Cause when I do that, it's a lie that makes her love look the lesser The truth is I know I'll never be, I'll never be good enough I'll never deserve her love I'll never be, I'll never be good enough for Grace But she takes me anyway I am the cheatin' kind But she's changing my mind The way she takes me back Though I fail her every time She's got friends who tell her that she Is much too good for me Well, I've told her that myself But she refuses to leave I'd like to think my strength won her affection But the truth is it was my weakness that caught her attention I'm grateful to know When my tears fall down like rain She wipes them from my face She tells me that I'm lovely And if I am, it's all because of Grace This love turns my inside out And my world upside down Grace is changing me
Jason Gray
Enforcing silence is easy. All you have to do is make it feel like the safest option. You can, for example, make speaking as unpleasant as possible, by creating an anonymous social media account to flood women with virulent personal criticism, sexual harassment, and threats. You can talk over women, or talk down to them, until they begin to doubt that they have anything worthwhile to say. You can encourage men's speech, and ignore women's, so that women will get the message that they are taking up too much room, and contributing too little value. You can nitpick a woman's actual voice—the way she writes, her grammar, her tone, her register, her accent—until she honestly believes she's bad at talking, and spends more time trying to sound 'better' than thinking about what she wants to say. And if a woman somehow makes it past all this, you can humiliate her anyway.
Jude Ellison S. Doyle (Trainwreck: The Women We Love to Hate, Mock, and Fear... and Why)
Brambleclaw's tail filicked angrily. "Did there have to be so many lies?" He was staring at Squirrelflight. "Couldn't you have told me the truth?" Squirrelflight dipped her head. "It was never my secret to tell. Leafpool had so much to lose". "She lost everything anyway", Brambleclaw snarled. "No, I didn't". Leafpool lifted her muzzle. "I watched my kits grow into fine warrior, and I still serve my Clan with all my heart". Lionblaze felt his heart prick. Perhaps this was the truth that was most important. Leafpool had sacrificed so much and, even though her kits rejected her time and again, she'd never stopped loving them. In his darkest moments, he couldn't deny that. "Brambleclaw, I'm sorry". Squirrelflight moved closer to the ThunderClan deputy. Her voice was stronger now, as if she was tired of being punished for something she had believed to be right. "You have to understand that I never intended to hurt you. I loved you, and was proud to raise these kits with you. You were a wonderful father". "But I wasn't their father!" Brambleclaw hissed. "Yes, you were!" Squirrelflight thrust her muzzle close to Brambleclaw's. Her eyes blazed. "Don't throw away everything just because you are angry with me!" Lionblaze swallowed. "I was so proud to be your son". Brambleclaw looked at him in surprise, as if he'd forgotton Lionblaze was there. Something in the deputy's expression changed. "And I couldn't have asked for a better son. And you Jayfeather. Or a better daughter, Hollyleaf." Hollyleaf opened her mouth as if to protest, but Brambleclaw spoke first. "You played no part in this deception, I know that. Whatever you did, it was because of the lies taht had been told when you were born." "It was my fault alone," Leafpool meowed quietly. "You are wrong to blame Squirrelflight. She was just being loyal to me. And now that we know about the prophecy, surely the only thing that matters is that these kits were accepted by their Clan? It's not about us, after all. It's about them. Their destinies shaped ours, right from the moment they were born." Squirrelflight nodded. "Everything was meant to be". Lionblaze looked down at his paws. If these cats could accept their destinies, then he had enough courage to accept his. I am one of the Four.
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
She came quickly over to me and held out her hand. I looked at her full of distrust. Was she doing this freely, with a light heart? Or was she doing it just to get rid of me? She put her arm around my neck, tears in her eyes. I just stood and looked at her. She offered me her mouth but I couldn't believe her, it was bound to be a sacrifice on her part, a means of getting it over with. She said something, it sounded to me like "I love you anyway!" She said it very softly and indistinctly, I may not have heard it correctly, perhaps she didn't say exactly those words. But she threw herself passionately on my neck, held both arms around my neck a little while, even raised herself on tiptoe to reach well up, and stood thus. Afraid that she was forcing herself to show me this tenderness, I merely said "How beautiful you are now!" That was all I said. I stepped back, bumped against the door and walked out backward. She was left standing inside.
Knut Hamsun (Hunger)
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler
My friend, still seemingly perplexed, asked me "So if it's not about genitals, what is it about trans women's bodies that you find so attractive?" I paused for a second to consider the question. Then I replied that it is almost always their eyes. When I look into them, I see both endless strength and inconsolable sadness. I see someone who has overcome humiliation and abuses that would flatten the average person. I see a woman who was made to feel shame for her desires and yet had the courage to pursue them anyway. I see a woman who was forced against her will into boyhood, who held on to a dream that everybody in her life desperately tried to beat out of her, who refused to listen to the endless stream of people who told her that who she was and what she wanted was impossible. When I look into a trans woman's eyes, I see a profound appreciation for how fucking empowering it can be to be female, an appreciation that seems lost on many cissexual women who sadly take their female identities and anatomies for granted, or who perpetually seek to cast themselves as victims rather than instigators. In trans women's eyes, I see a wisdom that can only come from having to fight for your right to be recognised as female, a raw strength that only comes from unabashedly asserting your right to be feminine in an inhospitable world. In a trans woman's eyes, I see someone who understands that, in a culture that's seemingly fuelled on male homophobic hysteria, choosing to be female and openly expressing one's femininity is not a sign of frivolousness, weakness or passivity, it is a fucking badge of courage. Everybody loves to say that drag queens are "fabulous", but nobody seems to get the fact that trans women are fucking badass!
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
Call it the Human Mission-to be all and do all God sent us here to do. And notice-the mission to be fruitful and conquer and hold sway is given both to Adam and to Eve. 'And God said to them...' Eve is standing right there when God gives the world over to us. She has a vital role to play; she is a partner in this great adventure. All that human beings were intended to do here on earth-all the creativity and exploration, all the battle and rescue and nurture-we were intended to do together. In fact, not only is Eve needed, but she is desperately needed. When God creates Eve, he calls her an ezer kenegdo. 'It is not good for the man to be alone, I shall make him [an ezer kenegdo]' (Gen. 2:18 Alter). Hebrew scholar Robert Alter, who has spent years translating the book of Genesis, says that this phrase is 'notoriously difficult to translate.' The various attempts we have in English are "helper" or "companion" or the notorious "help meet." Why are these translations so incredibly wimpy, boring, flat...disappointing? What is a help meet, anyway? What little girl dances through the house singing "One day I shall be a help meet?" Companion? A dog can be a companion. Helper? Sounds like Hamburger Helper. Alter is getting close when he translates it "sustainer beside him" The word ezer is used only twenty other places in the entire Old Testament. And in every other instance the person being described is God himself, when you need him to come through for you desperately.
Stasi Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
You shall no longer take things at second or third hand.... nor look through the eyes of the dead.... nor feed on the spectres in books. I tramp a perpetual journey All goes onward and outward.... and nothing collapses, And to die is different from what any one supposed, and luckier. If no other in the world be aware I sit content, And if each and all be aware I sit content. The final three stanzas of 'Song of Myself" were also highlighted. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your bootsoles. You will hardly know who I am or what I mean, But I shall be good health to your nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one places search another, I stop some where waiting for you It became a weekend of reading, of trying to see her in the fragments of the poem she'd left for me. I could never get anywhere with the lines, but I kepr thinking about them anyway, becase I didn't want to disappoint her. She wanted me to play out with the string, to find the place where she had stopped and was waiting for me, to follow the bread crumb trail until it dead-ended into her.
John Green (Paper Towns)
Travis doesn’t remember much about it, but he was close to his mom, and after we lost her he was never the same. I thought he’d grow out of it, you know, with him being so young. It was hard on all of us, but Trav…he quit trying to love people after that. I was surprised that he brought you here. The way he acts around you, the way he looks at you; “That’s what I thought. You have to be patient with him. Travis doesn’t remember much about it, but he was close to his mom, and after we lost her he was never the same. I thought he’d grow out of it, you know, with him being so young. It was hard on all of us, but Trav…he quit trying to love people after that. I was surprised that he brought you here. The way he acts around you, the way he looks at you; I knew you were somethin’ special.” “I know it’s hard not to blame him, but you have to love him, anyway, Abby. You’re the only woman he’s loved besides his mother. I don’t know what it’ll do to him if you left him, too.” “I’ve never seen him smile the way he does when he’s with you. I hope all my boys have an Abby one day.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Oh Mickey, it was wonderful, it was fun - the whole kitten and kaboozle. It was like living. And to be denied that whole part would be a great loss. You gave it to me. You gave me a double life. I couldn't have endured with just one." I'm proud of you and your double life." All I regret", she said, crying again, crying with him, the two of them in tears..."is that we couldn't sleep together too many nights. To commingle with you. Commingle?" Why not." I wish tonight you could spend the night." I do, too. But I'll be here tomorrow night." I meant it up at the Grotto. I didn't want to fuck any more men even without the cancer. I wouldn't do that even if I was alive." You are alive. It is here and now. It's tonight. You're alive." I wouldn't do it. You're the one I always loved fucking. But I don't regret that I have fucked many. It would have been a great loss to have had otherwise. Some of them, they were sort of wasted times. You must have that, too. Haven't you? With women you didn't enjoy?" Yes." Yes, I had experiences where the men would just want to fuck you whether they cared about you or not. That was always harder for me. I give my heart, I give my self, in my fucking." You do indeed." And then, after just a little drifting, she fell asleep and so he went home - "I'm leaving now" - and within two hours she threw a clot and was dead. So those were her last words, in English anyway. I give my heart, I give my self, in my fucking. Hard to top that. To commingle with you, Drenka, to commingle with you now.
Philip Roth (Sabbath's Theater)
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
Why has that man fallen in love with that woman? Because she’s pretty. Why does pretty matter? Because human beings are a mainly monogamous species and so males are choosy about their mates (as male chimpanzees are not); prettiness is an indication of youth and health, which are indications of fertility. Why does that man care about fertility in his mate? Because if he did not, his genes would be eclipsed by those of men who did. Why does he care about that? He does not, but his genes act as if they do. Those who choose infertile mates leave no descendants. Therefore, everybody is descended from men who preferred fertile women, and every person inherits from those ancestors the same preference. Why is that man a slave to his genes? He is not. He has free will. But you just said he’s in love because it is good for his genes. He’s free to ignore the dictates of his genes. Why do his genes want to get together with her genes anyway? Because that’s the only way they can get into the next generation; human beings have two sexes that must breed by mixing their genes. Why do human beings have two sexes? Because in mobile animals hermaphrodites are less good at doing two things at once than males and females are at each doing his or her own thing. Therefore, ancestral hermaphroditic animals were outcompeted by ancestral sexed animals.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him: 1. I’m sorry that I forgot to water your ferns while you were away that time. 2. When you said that I reminded you of your mother, was that a good thing? 3. I never really liked your friends all that much. 4. None of my friends ever really liked you. 5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway. 6. I never liked your mother. 7. After you left, I didn’t water your plants on purpose. They’re all dead. 8. Goodbye. 9. Were you ever really in love with me? 10. Was I good in bed, or just average? 11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound? 12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once. 13. So maybe I’m an idiot, but I used to be in love with you. 14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know. 15. My feet hurt, and it’s all your fault. 16. I mean it this time, goodbye.
Kelly Link (Stranger Things Happen)
And then we heard a branch break. It might have been a deer, but the Colonel busted out anyway. A voice directly behind us said, "Don't run, Chipper," and the Colonel stopped, turned around, and returned to us sheepishly. The Eagle walked toward us slowly, his lips pursed in disgust. He wore a white shirt and a black tie, like always. He gave each of us in turn the Look of Doom. "Y'all smell like a North Carolina tobacco field in a wildfire," he said. We stood silent. I felt disproportionately terrible, like I had just been caught fleeing the scene of a murder. Would he call my parents? "I'll see you in Jury tomorrow at five," he announced, and then walked away. Alaska crouched down, picked up the cigarette she had thrown away, and started smoking again. The Eagle wheeled around, his sixth sense detecting Insubordination To Authority Figures. Alaska dropped the cigarette and stepped on it. The Eagle shook his head, and even though he must have been crazy mad, I swear to God he smiled. "He loves me," Alaska told me as we walked back to the dorm circle. "He loves all y'all, too. He just loves the school more. That's the thing. He thinks busting us is good for the school and good for us. It's the eternal struggle, Pudge. The Good versus the Naughty." "You're awfully philosophical for a girl that just got busted," I told her. "Sometimes you lose a battle. But mischief always wins the war.
John Green (Looking for Alaska)
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
These are lines from my asteroid-impact novel, Regolith: Just because there are no laws against stupidity doesn’t mean it shouldn’t be punished. I haven’t faced rejection this brutal since I was single. He smelled trouble like a fart in the shower. If this was a kiss of gratitude, then she must have been very grateful. Not since Bush and Cheney have so few spent so much so fast for so long for so little. As a nympho for mind-fucks, Lisa took to politics like a pig to mud. She began paying men compliments as if she expected a receipt. Like the Aerosmith song, his get-up-and-go just got-up-and-went. “You couldn’t beat the crap out of a dirty diaper!” He embraced his only daughter as if she was deploying to Iraq. She was hotter than a Class 4 solar flare! If sex was a weapon, then Monique possessed WMD I haven’t felt this alive since I lost my virginity. He once read that 95% of women fake organism, and the rest are gay. Beauty may be in the eyes of the beholder, but ugly is universal. Why do wives fart, but not girlfriends? Adultery is sex that is wrong, but not necessarily bad. The dinosaurs stayed drugged out, drooling like Jonas Brothers fans. Silence filled the room like tear gas. The told him a fraction of the truth and hoped it would take just a fraction of the time. Happiness is the best cosmetic, He was a whale of a catch, and there were a lot of fish in the sea eager to nibble on his bait. Cheap hookers are less buck for the bang, Men cannot fall in love with women they don’t find attractive, and women cannot fall in love with men they do not respect. During sex, men want feedback while women expect mind-reading. Cooper looked like a cow about to be tipped over. His father warned him to never do anything he couldn’t justify on Oprah. The poor are not free -- they’re just not enslaved. Only those with money are free. Sperm wasn’t something he would choose on a menu, but it still tasted better than asparagus. The crater looked alive, like Godzilla was about to leap out and mess up Tokyo. Bush follows the Bible until it gets to Jesus. When Bush talks to God, it’s prayer; when God talks to Bush, it’s policy. Cheney called the new Miss America a traitor – apparently she wished for world peace. Cheney was so unpopular that Bush almost replaced him when running for re-election, changing his campaign slogan to, ‘Ain’t Got Dick.’ Bush fought a war on poverty – and the poor lost. Bush thinks we should strengthen the dollar by making it two-ply. Hurricane Katrina got rid of so many Democratic voters that Republicans have started calling her Kathleen Harris. America and Iraq fought a war and Iran won. Bush hasn’t choked this much since his last pretzel. Some wars are unpopular; the rest are victorious. So many conservatives hate the GOP that they are thinking of changing their name to the Dixie Chicks. If Saddam had any WMD, he would have used them when we invaded. If Bush had any brains, he would have used them when we invaded. It’s hard for Bush to win hearts and minds since he has neither. In Iraq, you are a coward if you leave and a fool if you stay. Bush believes it’s not a sin to kill Muslims since they are going to Hell anyway. And, with Bush’s help, soon. In Iraq, those who make their constitution subservient to their religion are called Muslims. In America they’re called Republicans. With great power comes great responsibility – unless you’re Republican.
Brent Reilly
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))
Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps. That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.
Toni Morrison (Jazz (Beloved Trilogy, #2))
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))