Love For Green Quotes

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As he read, I fell in love the way you fall asleep: slowly, and then all at once.
John Green (The Fault in Our Stars)
Books are the ultimate Dumpees: put them down and they’ll wait for you forever; pay attention to them and they always love you back.
John Green (An Abundance of Katherines)
You can love someone so much...But you can never love people as much as you can miss them.
John Green
They love their hair because they're not smart enough to love something more interesting.
John Green (Looking for Alaska)
There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.
John Green (The Fault in Our Stars)
Maybe there's something you're afraid to say, or someone you're afraid to love, or somewhere you're afraid to go. It's gonna hurt. It's gonna hurt because it matters.
John Green (Will Grayson, Will Grayson)
because nerds like us are allowed to be unironically enthusiastic about stuff. Nerds are allowed to love stuff, like jump-up-and-down-in-the-chair-can’t-control-yourself love it. Hank, when people call people nerds, mostly what they’re saying is ‘you like stuff.’ Which is just not a good insult at all. Like, ‘you are too enthusiastic about the miracle of human consciousness’.
John Green
You remember your first love because they show you, prove to you, that you can love and be loved, that nothing in this world is deserved except for love, that love is both how you become a person and why.
John Green (Turtles All the Way Down)
You know what the fellow said – in Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace – and what did that produce? The cuckoo clock.
Graham Greene (The Third Man)
NO. No no no. I don't want to screw you. I just love you. When did who you want to screw become the whole game? Since when is the person you want to screw the only person you get to love? It's so stupid, Tiny! I mean, Jesus, who even gives a fuck about sex?! People act like it's the most important thing humans do, but come on. How can our sentient fucking lives revolve around something slugs can do. I mean, who you want to screw and whether you screw them? Those are important questions, I guess. But they're not that important. You know what's important? Who would you die for? Who do you wake up at five forty-five in the morning for even though you don't even know why he needs you? Whose drunken nose would you pick?!
John Green (Will Grayson, Will Grayson)
I'll never again speak to many of the people who loved me into this moment, just as you will never speak to many of the people who loved you into your now. So we raise a glass to them--and hope that perhaps somewhere, they are raising a glass to us.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
When people we love are suffering, we want to make it better. But sometimes - often, in fact - you can't make it better. I'm reminded of something my supervisor said to me when I was a student chaplain: "Don't just do something. Stand there.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
Justice is the only worship. Love is the only priest. Ignorance is the only slavery. Happiness is the only good. The time to be happy is now, The place to be happy is here, The way to be happy is to make others so. Wisdom is the science of happiness.
Robert G. Ingersoll
Cairo. In Rustum Buildings, the location of the SOE’s Balkan Desk, Leonora, Countess Malkovic, looked up from the decrypted message that had just arrived on her desk. English by birth, married to a Serbian count, she had been seconded to work there because of her intimate knowledge of Serbia and her ability to speak the language.
Holly Green (A Call to Home (Women of the Resistance Book 3))
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
The captain saluted and left, and Alix heard him shouting orders to men to form a firing squad and then orders for the prisoners to be brought out and lined up. There seemed to be some kind of altercation going on. Someone was protesting vocally. ‘I am a British airman and I demand to be treated as a prisoner of war!’ The sound of the voice struck her somewhere in the middle of her chest and she jumped to her feet and ran out of the house. A ragged line of prisoners was drawn up on the far side of the clearing with a dozen Partisans carrying rifles facing them. Her eyes went along the line. Every face was heavily bearded, unrecognisable at a distance, but then a difference in the way the men were dressed struck her. All wore tunics that had some suggestion of a uniform but on one man the trousers that protruded below it, though ragged and faded, were unmistakably Air Force blue. ‘Ready!’ shouted the captain. ‘Take aim.’ ‘No!’ Alix tore across the clearing and flung herself between the firing line and the prisoners. ‘No! I know this man! He is an American, but with the British RAF. He is not an enemy.’ ‘Not an enemy?’ the captain queried. ‘Then what is he doing fighting alongside the Chetniks?’ ‘I don’t know,’ Alix said breathlessly. ‘But you can’t shoot him without finding out. If you shoot a British serviceman you could jeopardise any help we might get.’ The captain looked uneasy. ‘All right,’ he said. ‘We’ll let Comrade Tito decide about this.’ He called to one of the men guarding the prisoners. ‘Bring that man over here. The one who’s been causing all the trouble.’ The man in the blue trousers was shoved roughly forward. ‘Alix!’ he gasped hoarsely. ‘Thank god!’ She caught hold of his arm. ‘Steve? It is you, isn’t it?’ ‘What’s left of him,’ he responded, with an effort at a smile.  
Holly Green (A Call to Home (Women of the Resistance Book 3))
We all love a good story. We all love a tantalizing mystery. We all love the underdog pressing onward against seemingly insurmountable odds. We all, in one form or another, are trying to make sense of the world around us. And all of these elements lie at the core of modern physics. The story is among the grandest -- the unfolding of the entire universe; the mystery is among the toughest -- finding out how the cosmos came to be; the odds are among the most daunting -- bipeds, newly arrived by cosmic time scales trying to reveal the secrets of the ages; and the quest is among the deepest -- the search for fundamental laws to explain all we see and beyond, from the tiniest particles to the most distant galaxies.
Brian Greene (The Elegant Universe: Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory)
Henry is a human being, just as you are a human being. Consider yourself for a moment—everything you’ve overcome, everything you’ve survived. Think of the people who loved you up into your now. Think of how hard school is or was, how you were lucky or blessed to meet people you could love and who could love you. Think about how rare and precious humans are, and how many of them you get to worry for and care about. Then, if you can, find a way to multiply that times 1,250,000. That is why we must work together to end tuberculosis and all other diseases of injustice.
John Green (Everything Is Tuberculosis: The History and Persistence of Our Deadliest Infection)
My fairest Daphne, Treasure of my eyes, Pearl of my heart, Whose beauty is as lovely, As a blooming laurel tree in spring, With eyes as green as sparkling emeralds, And hair as bright as a burning fire, At first sight, this fair maiden captured my heart, As she silently sat there, Reading underneath a laurel tree, While patiently waiting for her prince to come, One glimpse at her and I knew, That I was lost to her forever, Even in my curious green state, With nothing else to hold, But my lily pad floating above the pond, Alas, I understood, That she was the one, The owner of my beating heart, If only she but knew.
Kristina Stangl (The Emerald Prince (The Enchanted Forest Saga, #3))
Anne Cordelia explores a lot … but I always tell her she mustn't go too far from home. She loves prowling about the woods … and one day when I scolded her for talking to herself in the garden she said she wasn't talking to herself … she was talking to the spirit of the flowers. You know that dolls' tea-set with the tiny pink rosebuds you sent her for her ninth birthday. There isn't a piece broken … she's so careful. She only uses it when the Three Green People come to tea with her. I can't get out of her who she thinks they are. I declare in some ways, Anne, she's far more like you than she is like me.
L.M. Montgomery (Anne Shirley Complete 8-Book Series (Anne of Green Gables, #1-8))
He’s watching me, yes, and the gold-green is shining, oh yes, but it’s not as if I’d fucked up again, or that I’d spoken out of turn. No, it’s with that thing he does every now and then, that regard that leaves me breathless, that shows me that for some damn reason, he thinks the sun rises and sets with me.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))