Love Envelopes Quotes

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Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam. The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand. It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
Have you ever lost yourself in a kiss? I mean pure psychedelic inebriation. Not just lustful petting but transcendental metamorphosis when you became aware that the greatness of this being was breathing into you. Licking the sides and corners of your mouth, like sealing a thousand fleshy envelopes filled with the essence of your passionate being and then opened by the same mouth and delivered back to you, over and over again - the first kiss of the rest of your life. A kiss that confirms that the universe is aligned, that the world's greatest resource is love, and maybe even that God is a woman. With or without a belief in God, all kisses are metaphors decipherable by allocations of time, circumstance, and understanding
Saul Williams (, said the shotgun to the head.)
We looked at each other for a minute, not saying anything, but I could feel the air between us shift. It became thick, sultry, and tangible—like when the air changes right before a storm. I could feel its power envelop me as it brushed across my skin. Even though I couldn’t see it, I knew a storm was coming.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
True love is boundless like the ocean and, swelling within one, spreads itself out and, crossing all boundaries and frontiers, envelops the whole world.
Mahatma Gandhi
And an inky-colored despair of rejection enveloped me like the black tortilla of depression around a pain burrito.
Christopher Moore (Bite Me (A Love Story, #3))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
If I decided to send this to you, where would I send it? When I think of writing the whole address on the envelope I am paralyzed. It's too painful to think of you in the same place with your life going on in the same way, minus me. And to think of you not there, you somewhere else but I don't know where that is, is worse.
Alice Munro (The Love of a Good Woman)
I don't want the words to be naked the way they are in faxes or in the computer. I want them to be covered by an envelope that you have to rip open in order to get at. I want there to be a waiting time -a pause between the writing and the reading. I want us to be careful about what we say to each other. I want the miles between us to be real and long. This will be our law -that we write our dailiness and our suffering very, very carefully.
Siri Hustvedt (What I Loved)
I wrapped my arms around my knees and stared through the window's wavy glass. The red velvet curtains were drawn around the tiny alcove, and I was enveloped by an odd sense of peace, knowing that in twenty minutes, the halls were going to be crowded; music was going to be blaring; and I was going to go from being an only child to one of a hundred sisters, so I knew to savor the silence while it lasted.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
Suppose I say summer, write the word "hummingbird", put it in an envelope, take it down the hill to the box. When you open my letter you will recall those days and how much, just how much, I love you.
Raymond Carver
Love doesn't give you very many choices. When you love someone, you just want to be with them. If they break your heart, you will still love them. Because hearts are easy to break, and though love is tender and sometimes fragile, love isn't. Love sort of envelops you. It covers you like a giant shadow, then pulls you in like a blanket. You are so warm. The feeling surrounds you, and no matter how you feel, it is always there. You can't escape it. But you wouldn't want to. You are so, so safe. You can't remember the last time you were this happy. Were you ever? This happy? Every second you are apart feels like hours. Sometimes, right before you fall asleep, you miss them so much it hurts. You ache for them. Their warmth. Their touch. Their smell. You need them. When you can't sleep you wish and wish and wish that they would wake up and talk to you. When you dream of them, you wake up smiling. When pain stabs into you, you reach out for them. You cry to them, begging them to hold you and make it all go away, make everything go away. Love addicts you to its feeling. You never, ever want to lose that feeling. Sometimes the fear of losing love drives people to do crazy things. Like buy a plane ticket. Make a phone call. Run out of a class. Cry. Write. Laugh. Because when you love someone, you really love them. You give them your whole heart. You trust them. You never want to be away from them. Sometimes, you don't even need their words. You just need them there. Love is such an amazing thing, and too many people take it for granted. If you're in love, don't let it go. Don't you dare let it go.
Alysha Speer
A Gift for You I send you... The gift of a letter from your wise self. This is the part of you that sees you with benevolent, loving eyes. You find this letter in a thick envelope with your name on it, and the word YES written boldly above your name. My Dear, I am writing this to remind you of your 'essence beauty.' This is the part of you that has nothing to do with age, occupation, weight, history, or pain. This is the soft, untouched, indelible you. You can love yourself in this moment, no matter what you have, or haven't done or been. See past any masks, devices, or inventions that obscure your essence. Remember your true purpose, WHICH is only Love. If you cannot see or feel love, lie down now and cry; it will cleanse your vision and free your heart. I love you; I am you.
S.A.R.K. (Make Your Creative Dreams Real: A Plan for Procrastinators, Perfectionists, Busy People, and People Who Would Really Rather Sleep All Day)
Money is for doing things, my love. Don't sit on it like a hen sits on an egg. It doesn't hatch. I should know. I've made enough of it.
Maureen Johnson (The Last Little Blue Envelope (Little Blue Envelope, #2))
I bear my witness that the worst days I have ever had have turned out to be my best days. And when God has seemed most cruel to me he has then been most kind. If there is anything in this world for which I would bless him more than for anything else it is for pain and affliction. I am sure that in these things the richest tenderest love has been manifested to me. Our Father's wagons rumble most heavily when they are bringing us the richest freight of the bullion of his grace. Love letters from heaven are often sent in black-edged envelopes. The cloud that is black with horror is big with mercy. Fear not the storm. It brings healing in its wings and when Jesus is with you in the vessel the tempest only hastens the ship to its desired haven.
Charles Haddon Spurgeon
And then, from behind me: "I thought about you. Every day." I froze, my hand still holding the canvas flap. Cal's voice was slightly hoarse as he continued. "Three weeks is a long time to wonder where someone is. All that time, I thought maybe I'd done the wrong thing, telling you to find the Brannicks. I turned around then. I wanted to make a joke, or say something sarcastic, anything that would cut the tension enveloping us. Instead, I said, "I thought about you, too.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
If you do not want to write, at least spit on a piece of paper, put it in an envelope, and send it to me. You are not taking any notice of me at all. God forgive you – all I wanted was a few words from you.
Pyotr Ilyich Tchaikovsky
I’ve come to think that flourishing consists of putting yourself in situations in which you lose self-consciousness and become fused with other people, experiences, or tasks. It happens sometimes when you are lost in a hard challenge, or when an artist or a craftsman becomes one with the brush or the tool. It happens sometimes while you’re playing sports, or listening to music or lost in a story, or to some people when they feel enveloped by God’s love. And it happens most when we connect with other people. I’ve come to think that happiness isn’t really produced by conscious accomplishments. Happiness is a measure of how thickly the unconscious parts of our minds are intertwined with other people and with activities. Happiness is determined by how much information and affection flows through us covertly every day and year.
David Brooks
Tomber amoureux. To fall in love. Does it occur suddenly or gradually? If gradually, when is the moment “already”? I would fall in love with a monkey made of rags. With a plywood squirrel. With a botanical atlas. With an oriole. With a ferret. With a marten in a picture. With the forest one sees to the right when riding in a cart to Jaszuny. With a poem by a little-known poet. With human beings whose names still move me. And always the object of love was enveloped in erotic fantasy or was submitted, as in Stendhal, to a “cristallisation,” so it is frightful to think of that object as it was, naked among the naked things, and of the fairy tales about it one invents. Yes, I was often in love with something or someone. Yet falling in love is not the same as being able to love. That is something different.
Czesław Miłosz
From this distant vantage point, the Earth might not seem of particular interest. But for us, it's different. Consider again that dot. That's here, that's home, that's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there – on a mote of dust suspended in a sunbeam. The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand. It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
I worked for Miss Margaret thirty-eight years. She had her a baby girl with the colic and the only thing that stopped the hurting was to hold her. So I made me a wrap. I tied her up on my waist, toted her around all day with me for a entire year. That baby like to break my back. Put ice packs on it ever night and still do. But I loved that girl. And I loved Miss Margaret. Miss Margaret always made me put my hair up in a rag, say she know coloreds don't wash their hair. Counted ever piece a silver after I done the polishing. When Miss Margaret die of the lady problems thirty years later, I go to the funeral. Her husband hug me, cry on my shoulder. When it's over, he give me a envelope. Inside a letter from Miss Margaret reading, 'Thank you. For making my baby stop hurting. I never forgot it.' Callie takes off her black-rimmed glasses, wipes her eyes. If any white lady reads my story, that's what I want them to know. Saying thank you, when you really mean it, when you remember what someone done for you-she shakes her head, stares down at the scratched table-it's so good.
Kathryn Stockett (The Help)
Up in the distance the whistle of the wind sang to her from the mountain. From Lucian’s mountain. It beckoned and taunted and she wanted to run towards it. To be enveloped in its coat of fleece and to hear its safe sounds.
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
Lovers' language, give me an exact and poetic comparison to say what those eyes of Capitu were like. No image comes to mind that doesn't offend against the rules of good style, to say what they were and what they did to me. Undertow eyes? Why not? Undertow. That's the notion that the new expression put in my head. They held some kind of mysterious, active fluid, a force that dragged one in, like the undertow of a wave retreating from the shore on stormy days. So as not to be dragged in, I held onto anything around them, her ears, her arms, her hair spread about her shoulders; but as soon as I returned to the pupils of her eyes again, the wave emerging from them grew towards me, deep and dark, threatening to envelop me, draw me in and swallow me up.
Machado de Assis (Dom Casmurro)
There are many days when all the awful things that happen make you sick at heart, when the path before you is so steep you can’t bear to look. Not even love can rescue a person from that. Still, enveloped in the twilight coming from the west, there she was, watering the plants with her slender, graceful hands, in the midst of a light so sweet it seemed to form a rainbow in the transparent water she poured.
Banana Yoshimoto
I’m…pretty sure I’m in love with Travis,” My eyes still focused on the pavement, I handed Travis his phone, and then reluctantly peered up at his expression. A combination of confusion, shock, and adoration scrolled across his face. He scanned my face with careful hope in his eyes. “You love me?” “It’s the tattoos,” I shrugged. A wide smile stretched across his face, making his dimple sink into his cheek. “Come home with me,” he said, enveloping me in his arms. My eyebrows shot up. “You said all that to get me in bed? I must have made quite an impression.” “The only thing I’m thinking about right now is holding you in my arms all night.” “Let’s go,” I smiled.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
His expression became serious, and his hand almost slipped from mine. "I've had a long time to think about it." "This can't work!" He looked down, then jerked his head up in frustration as his finger tightened on mine. "I'm not asking you to marry me, Rachel. I just ..." My heart pounded, and he stepped closer, so close the scent of cinnamon and wine enveloped me. "I like walking into a room and seeing your face light up when you see me," he said earnestly, the sun from the open window making his hair glow. "I like arguing with Quen over the wisdom of employing a demon to be my security." My throat caught. This wasn't going to happen, but something in me was withering. I wanted more--and I knew I couldn't have it. He touched my hair, and I twitched as he tucked a strand of hair behind my ear. “I want to wake up beside you, see your curls on my pillow. I want a chance at falling in love.” My breath came fast. That was what I wanted too, and it hurt more than I thought was possible to survive.
Kim Harrison (The Undead Pool (The Hollows, #12))
Idea meets execution. Feeling becomes action. I don't know why people find this idea so hard to get. I mean, you can throw any two people together, it doesn't mean they'll fall in love. Everyone knows this. No one quite understands how it works. It's just those people, where they are in their lives, how circumstance throws them together. Sure, it's happened before, but never quite in that way. Maybe they seem to come together all wrong. Maybe they've loved others. Maybe they don't always do right by each other...but it's still there, the love. The event. And no one would dare criticize it just because it's common, it's a little asymmetrical, and anyone can do it. It is unique. It is theirs. It is beautiful. They have made something that has been made a million times before and has also never existed before that moment.
Maureen Johnson (The Last Little Blue Envelope (Little Blue Envelope, #2))
A searing, cleansing, enveloping love blew her heart into a million tiny pieces and reshaped it.
Kristin Hannah (The Great Alone)
He was the northern star. I had no choice but to become enveloped in his brightness and let it coax me toward him. Wanting him was an unconscious impulse, like taking my next breath.
R.S. Grey (Scoring Wilder)
He puts down the pen, folds the sheet of paper, and slips it inside an envelope. He stands up, takes from his trunk a mahogany box, lifts the lid, lets the letter fall inside, open and unaddressed. In the box are hundreds of identical envelopes, open and unaddressed. He thinks that somewhere in the world he will meet a woman who has always been his woman. Every now and again he regrets that destiny has been so stubbornly determined to make him wait with such indelicate tenacity, but with time he has learned to consider the matter with great serenity. Almost every day, for years now, he has taken pen in hand to write to her. He has no names or addresses to put on the envelopes: but he has a life to recount. And to whom, if not to her? He thinks that when they meet it will be wonderful to place the mahogany box full of letters on her lap and say to her, 'I was waiting for you.' "She will open the box and slowly, when she so desires, read the letters one by one. As she works her way back up the interminable thread of blue ink she will gather up the years-- the days, the moments-- that that man, before he ever met her, had already given to her. Or perhaps more simply, she will overturn the box and astonished at that comical snowstorm of letters, she will smile, saying to that man, 'You are mad.' And she will love him forever.
Alessandro Baricco
But the real fierceness of desire, the real heat of a passion long continued and withering up the soul of a man, is the craving for identity with the woman that he loves. He desires to see with the same eyes, to touch with the same sense of touch, to hear with the same ears, to lose his identity, to be enveloped, to be supported. For, whatever may be said of the relation of the sexes, there is no man who loves a woman that does not desire to come to her for the renewal of his courage, for the cutting asunder of his difficulties. And that will be the mainspring of his desire for her. We are all so afraid, we are all so alone, we all so need from the outside the assurance of our own worthiness to exist.
Ford Madox Ford (The Good Soldier)
He was grotesque, really. But joy radiated from his homespuns when you walked beside him. It welled out; it enveloped you.
Ford Madox Ford (Parade's End)
Love is like a cocoon—like a coconut shell with the outer hardened husk that protects us from all external harms because of its high resistance to abrasion and the soft white inside core, full of flesh that envelops us with its softened, fragrant nutrients.
Keisha Blair (Holistic Wealth: 32 Life Lessons to Help You Find Purpose, Prosperity, and Happiness)
I still have a whopping bad case of what you call scag magnetism. I thought i had gotten rid of it there, but it looks like scary guys still materialize from thin air in my presence. They are drawn to me. I am the North Pole, and they are the explorers of love.
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
I love you because you're tender and sweet, you the hardest and sternest of men. And your sweetness and tenderness are such that they make you as light as a shred of tulle, subtle as a flake of mist, airy as a caprice. Your thick muscles, your arms, your thighs, your hands, are more unreal than the melting of day into night. You envelop me and I contain you.
Jean Genet (The Balcony)
I love Ginny's expedition!
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
Books enveloped the room floor to ceiling like wallpaper.
Judy Baer (Million Dollar Dilemma: Love Me, Love My Dog #1 (Life, Faith & Getting It Right #7) (Steeple Hill Cafe))
Teachers dread nothing so much as unusual characteristics in precocious boys during the initial stages of their adolescence. A certain streak of genius makes an ominous impression on them, for there exists a deep gulf between genius and the teaching profession. Anyone with a touch of genius seems to his teachers a freak from the very first. As far as teachers are concerned, they define young geniuses as those who are bad, disrespectful, smoke at fourteen, fall in love at fifteen, can be found at sixteen hanging out in bars, read forbidden books, write scandalous essays, occasionally stare down a teacher in class, are marked in the attendance book as rebels, and are budding candidates for room-arrest. A schoolmaster will prefer to have a couple of dumbheads in his class than a single genius, and if you regard it objectively, he is of course right. His task is not to produce extravagant intellects but good Latinists, arithmeticians and sober decent folk. The question of who suffers more acutely at the other's hands - the teacher at the boy's, or vice versa - who is more of a tyrant, more of a tormentor, and who profanes parts of the other's soul, student or teacher, is something you cannot examine without remembering your own youth in anger and shame. yet that's not what concerns us here. We have the consolation that among true geniuses the wounds almost always heal. As their personalities develop, they create their art in spite of school. Once dead, and enveloped by the comfortable nimbus of remoteness, they are paraded by the schoolmasters before other generations of students as showpieces and noble examples. Thus the struggle between rule and spirit repeats itself year after year from school to school. The authorities go to infinite pains to nip the few profound or more valuable intellects in the bud. And time and again the ones who are detested by their teachers are frequently punished, the runaways and those expelled, are the ones who afterwards add to society's treasure. But some - and who knows how many? - waste away quiet obstinacy and finally go under.
Hermann Hesse (Beneath the Wheel)
I tore open one side and reached in. My hand closed around something cold and metallic. I knew before I even pulled it out what it was. It was a silver stake. "Oh God," I said. I rolled the stake around, running my finger over the engraved geometric pattern at its base. There was no question. One-of-a-kind. This was the stake I'd taken from the vault in Galina's house. The one I'd- "Why would someone send you a stake?"asked Lissa. I didn't answer and instead pulled out the envelope's next item:a small note card. There, in handwriting I knew all too well, was: 'You forgot another lesson:Never turn your back until you know your enemy is dead. Looks like we'll have to go over the lesson the next time I see you-which will be soon. Love, D.
Richelle Mead (Blood Promise (Vampire Academy, #4))
How do I describe the feeling that envelopes my being when he is near? It is like a cocoon of warmth and peace, but beneath that there is a deep longing, a hunger that one kiss would not be able to satisfy, one kiss would only make the hunger greater. But oh, how I long for that kiss, a kiss that might never come. Being close to him does things to me, makes me feel things I never knew existed, makes me want things I have never wanted before. I have never desired to know a man's body before I met Ariston. I wonder if he knows that I desire him in such a way, that I not only want to know his body, but that I want him to know mine. There is a part of me that would not care if he loves me or not if I could just have one beautiful, passionate night with him, while the rest of me knows that one night would never be enough.
Jasmine Dubroff
White privilege is a manipulative, suffocating blanket of power that envelops everything we know...It's brutal and oppressive, bullying you into not speaking up for fear of losing your loved ones, or job, or flat. It scares you into silencing yourself: you don't get the privilege of speaking honestly about your feelings without extensively assessing the consequences...challenging it can have implications on your quality of life.
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
He had become enveloped in the Indian Summer of the Soul.
O. Henry
We lay there, under the stars, the moonlight enveloping us like a letter, folded together to be forever united, skin and bone trained to get along.
Aishabella Sheikh (Lavinia (Gift of Dreams #3))
Tucked between the last two pages, she finds an old sealed envelope. He has written For Frederick across the front. Frederick: the bunkmate Werner used to write about, the boy who loved birds. He sees what other people don’t. What the war did to dreamers.
Anthony Doerr (All the Light We Cannot See)
Simply having the courage to say senseless things made me euphoric. I was free, with no need to seek or to give explanations for what I was doing. This freedom lifted me to the heavens - where greater love, one that forgives everything and never allows you to feel abandoned, once again enveloped me.
Paulo Coelho
Almost every day, for years now, he has taken pen in hand to write to her. He has no names or addresses to put on the envelopes: but he has a life to recount. And to whom, if not to her? He thinks that when they meet it will be wonderful to place the mahogany box full of letters on her lap and say to her, “I was waiting for you.” She will open the box and slowly, when she so desires, read the letters one by one, and as she works her way back up the interminable thread of blue ink she will gather up the years — the days, the moments – that that man, before he even met her, had already given to her. Or perhaps, more simply, she will overturn the box and, astonished at that comical snowstorm of letters, she will smile, saying to that man, “You are mad.” And she will love him forever.
Alessandro Baricco (Ocean Sea)
The purity men love is like the mists which envelop the earth, and not like the azure ether beyond.
Henry David Thoreau (Walden)
In the last moment of his life, he turned his fading "flame of life" into a huge fire that enveloped the world. I've never laughed more than on that day...!! I've never cried more than on that day... I've never drank more either..!! He was our captain... and he was a magnificent man...!!!
Rayleigh
Although I can’t possibly have a single memory of this place. Then, from deep within me, a profound sense of love radiating out to everything around me complemented by reciprocal waves of love coming at me, enveloping me. All
Lisa See (The Tea Girl of Hummingbird Lane)
Translation error is compounded by bias error. We distort others by forcing into them our preferred ideas and gestalts, a process Proust beautifully describes: We pack the physical outline of the creature we see with all the ideas we already formed about him, and in the complete picture of him which we compose in our minds, these ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that these seem to be no more than a transparent envelope, so that each time we see the face or hear the voice it is our own ideas of him which we recognize and to which we listen.
Irvin D. Yalom (Love's Executioner and Other Tales of Psychotherapy)
Memories of our time together flashed before my mind: our years of friendship, our few stolen days of love. Then the candle flame flickered, struggling for its final seconds of life before curling into a wisp of smoke … the room now enveloped in darkness.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
Uncompromising trust in the love of God inspires us to thank God for the spiritual darkness that envelops us, for the loss of income, for the nagging arthritis that is so painful, and to pray from the heart, “Abba, into your hands I entrust my body, mind, and spirit and this entire day—morning, afternoon, evening, and night. Whatever you want of me, I want of me, falling into you and trusting in you in the midst of my life. Into your heart I entrust my heart, feeble, distracted, insecure, uncertain. Abba, unto you I abandon myself in Jesus our Lord. Amen.
Brennan Manning (Ruthless Trust: The Ragamuffin's Path to God)
My head rested on his shoulder, my heart rested entirely in his hands And in a whisper, my words escaped: "I love you." He probably hadn't heard them. He was too focused on the movie. But he heard me; I could tell. His arms enveloped me even further; his embrace tightened. He breathed in and sighed, and his hand played with my hair. "Good," he said softly, and his gentle lips found mine.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The divorce papers remained unopened in the crisp yellow envelope. He had thrown it on his desk without a backward glance. Between his lashes, his dark chocolate eyes burned with fury but there was something else in the depths that she hadn’t seen in a long time, passion.
Suzan Battah (Rekindled Flame)
Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.
Jules Verne (Around the World in Eighty Days)
Eccolo!” he exclaimed. At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end. “Courage!” cried her companion, now standing some six feet above. “Courage and love.” She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her…
E.M. Forster (A Room with a View)
This election is about the past vs. the future. It's about whether we settle for the same divisions and distractions and drama that passes for politics today or whether we reach for a politics of common sense and innovation, a politics of shared sacrifice and shared prosperity. There are those who will continue to tell us that we can't do this, that we can't have what we're looking for, that we can't have what we want, that we're peddling false hopes. But here is what I know. I know that when people say we can't overcome all the big money and influence in Washington, I think of that elderly woman who sent me a contribution the other day, an envelope that had a money order for $3.01 along with a verse of scripture tucked inside the envelope. So don't tell us change isn't possible. That woman knows change is possible. When I hear the cynical talk that blacks and whites and Latinos can't join together and work together, I'm reminded of the Latino brothers and sisters I organized with and stood with and fought with side by side for jobs and justice on the streets of Chicago. So don't tell us change can't happen. When I hear that we'll never overcome the racial divide in our politics, I think about that Republican woman who used to work for Strom Thurmond, who is now devoted to educating inner city-children and who went out into the streets of South Carolina and knocked on doors for this campaign. Don't tell me we can't change. Yes, we can. Yes, we can change. Yes, we can. Yes, we can heal this nation. Yes, we can seize our future. And as we leave this great state with a new wind at our backs and we take this journey across this great country, a country we love, with the message we carry from the plains of Iowa to the hills of New Hampshire, from the Nevada desert to the South Carolina coast, the same message we had when we were up and when we were down, that out of many, we are one; that while we breathe, we will hope. And where we are met with cynicism and doubt and fear and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of the American people in three simple words -- yes, we can.
Barack Obama
Dr. N: How do you manage to hold each other with no bodies? S: (with a sigh of exasperation at me) We envelop each other in light, of course. Dr. N: Tell me what that is like for spirits? S: Like being wrapped in a bright-light blanket of love.
Michael Newton (Journey of Souls: Case Studies of Life Between Lives (Michael Newton's Journey of Souls Book 1))
Love is art, not truth. It's like painting a scenery.' These are the things one takes from mothers. Once they die, of course, you get the strand of pearls, the blue quilt, some of the original wedding gifts - a tray shellacked with the invitation, an old rusted toaster - but the touches and the words and the moaning the night she dies, these are what you seize, save, carry around in little invisible envelopes, opening them up quickly, like a carnival huckster, giving the world a peek. They will not stay quiet. No matter how you try.
Lorrie Moore (Self-Help)
A moment of grace. There rose up within me a profound sense of being loved. I felt "gathered together" and encircled by a Presence completely loving, as if I were enveloped by the music of a love song created just for me. It was not overwhelming or even emotional. Just a warm knowing that I was in God's loving embrace...centered and unified there. [Love]encounters cannot be analyzed, only shared. If you take a butterfly, Robert Frost said, and pin it down into a box, you no longer have a butterfly.
Sue Monk Kidd (God's Joyful Surprise: Finding Yourself Loved)
And the reason I am writing this on the back of a manila envelope now that they have left the train together is to tell you that when she turned to lift the large, delicate cello onto the overhead rack, I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
Billy Collins
I love the feel of a book. I love the touch and smell and sound of the pages. I love the handling. A book is a sensual thing. You sit in a chair with it or like me you take it to bed and it's, well, enveloping. Weird I am, I know(...)You either get it or you don't.
Niall Williams (History of the Rain)
I’d love to be a tabletop in Paris, where food is art and life combined in one, where people gather and talk for hours. I want lovers to meet over me. I’d want to be covered in drops of candle wax and breadcrumbs and rings from the bottom of wineglasses. I would never be lonely, and I would always serve a good purpose.
Maureen Johnson (The Last Little Blue Envelope (Little Blue Envelope, #2))
Fear of seeing a police car pull into the drive. Fear of falling asleep at night. Fear of not falling asleep. Fear of the past rising up. Fear of the present taking flight. Fear of the telephone that rings in the dead of night. Fear of electrical storms. Fear of the cleaning woman who has a spot on her cheek! Fear of dogs I've been told won't bite. Fear of anxiety! Fear of having to identify the body of a dead friend. Fear of running out of money. Fear of having too much, though people will not believe this. Fear of psychological profiles. Fear of being late and fear of arriving before anyone else. Fear of my children's handwriting on envelopes. Fear they'll die before I do, and I'll feel guilty. Fear of having to live with my mother in her old age, and mine. Fear of confusion. Fear this day will end on an unhappy note. Fear of waking up to find you gone. Fear of not loving and fear of not loving enough. Fear that what I love will prove lethal to those I love. Fear of death. Fear of living too long. Fear of death. I've said that.
Raymond Carver
Now the same mystery which often veils from our eyes the reason for a catastrophe envelops just as frequently, when love is in question, the suddenness of certain happy solutions, such as had been brought to me by Gilberte's letter. Happy, or at least seemingly happy, for there are few that can really be happy when we are dealing with a sentiment of such a kind that any satisfaction we can give it does no more, as a rule, than dislodge some pain. And yet sometimes a respite is granted us, and we have for a little while the illusion of being healed.
Marcel Proust
So many emotions flicker over him—astonishment, concern, remorse . . . and the always-present adoration. I raise my hand toward his face and he winces, as if anticipating a slap. Instead, I stroke his cheek and those beautifully expressive jewels under his eyes, then lift to my toes and press my lips to his. His flavor and warmth envelop me. He moans and cups my face on either side, kissing me deeper, but I pull back. “I love you,” I whisper, because he has a right to know the truth before I kill him.
A.G. Howard (Ensnared (Splintered, #3))
Ty, I’ve thought so many times about what I would say to you if you reappeared suddenly. If I was walking along the street and you popped out of thin air, walking along beside me like you always used to, with your hands in your pockets and your head tilted back. Mom used to say you walked celestially, looking upat the sky as if you were scanning the clouds for angels. Do you remember that? In your world I am ashes, I am ancestors, my memories and hopes and dreams have gone to build the City of Bones. In your world, I am lucky, because I do not have to live in a world without you. But in this world, I am you. I am the twinless twin. So I can tell you this: When your twin leaves the earth you live on, it never turns the same way again: the weight of their soul is gone, and everything is off balance. The world rocks under your feet like an unquiet sea. I can’t tell you it gets easier. But it does get steadier; you learn how to live with the new rocking of the new earth, the way sailors gain sea legs. You learn. I promise. I know you’re not exactly the Ty I had in this world, my brilliant, beautiful brother. But I know from Julian that you are beautiful and brilliant too. I know that you are loved. I hope that you are happy. Please be happy. You deserve it so much. I want to ask if you remember the way we used to whisper words to each other in the dark: star, twin, glass. But I’ll never know your answer. So I’ll whisper to myself as I fold this letter up and slide it into the envelope, hoping against hope it will somehow reach you. I whisper your name, Ty. I whisper the most important thing: I love you. I love you. I love you. Livvy
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
... And suddenly he thought, I'm the abnormal one now. Normalcy was a majority concept, the standard of many and not the standard of just one man. Abruptly that realization joined with what he saw on their faces -- awe, fear, shrinking horror -- and he knew that they were afraid of him. To them he was some terrible scourge they had never seen, a scourge even worse than the disease they had come to live with. He was an invisible spectre who had left for evidence of his existence the bloodless bodies of their loved ones. And he understood what they felt and did not hate them. His right hand tightened on the tiny envelope of pills. So long as the end did not come with violence, so long as it did not have to be a butchery before their eyes... Robert Neville looked out over the new people of the earth. He knew he did not belong to them; he knew that, like the vampires, he was anathema and black terror to be destroyed. And, abruptly, the concept came, amusing to him even in his pain. A coughing chuckle filled his throat. He turned and leaned against the wall while he swallowed the pills. Full circle, he thought while the final lethargy crept into his limbs. Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever. I am legend.
Richard Matheson (I Am Legend and Other Stories)
There is only one invitation it would kill me to refuse, yet I'm tempted to turn it down all the time. I get the invitation every morning when I wake up to actually live a life of complete engagement, a life of whimsy, a life where love does. It doesn't come in an envelope. It's ushered in by a sunrise, the sound of a bird, or the smell of coffee drifting lazily from the kitchen. It's the invitation to actually live, to fully participate in this amazing life for one more day. Nobody turns down an invitation to the White House, but I've seen plenty of people turn down an invitation to fully live. Turning down this invitation comes in lots of flavors. It looks like numbing yourself or distracting yourself or seeing something really beautiful as normal. It can also look like refusing to forgive or not being grateful or getting wrapped around the axle with fear or envy. I think every day God sends us an invitation to live and sometimes we forget to show up or get head-faked into thinking we haven't really been invited. But you see, we have been invited -- every day, all over again
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
What do I see? I see a man who has higher and thicker walls than I will ever have. I see a terrifying beast enveloped and hidden by a cleverly fashioned mask. I see tears that will never fall. I see blood and death. I see a heart that devours itself. I see the promise of a pain and deceit. I see a lot of things, Baltsaros. Many of them frightening,” Jon said. Baltsaros showed no surprise over Jon’s words. Instead, he leaned towards him, intrigued. “And you’re not afraid,” he said.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
He gasped in despair while he wrote to her knowing everything is going to end. He: Why did you ruin my image in front of your mother and family though I wasn't the bad guy? She replied Coldly: I acted childish and took revenge, I wanted to end this relation. He kept asking all that she accused him of. She kept admitting false allegations, something kept breaking inside him. Silence kept creeping into him, sorrow enveloped his soul and tears fell of his eyes for he knew all had ended.
Anonymus Autor
Filled with rapture, his soul yearned for freedom, space, vastness. Over him the heavenly dome, full of quiet, shining stars, hung boundlessly. From the zenith to the horizon the still-dim Milky Way stretched its double strand. Night, fresh and quiet, almost unstirring, enveloped the earth. The white towers and golden domes of the church gleamed in the sapphire sky. The luxuriant autumn flowers in the flowerbeds near the house had fallen asleep until morning. The silence of the earth seemed to merge with the silence of the heavens, the mystery of the earth touched the mystery of the stars... Alyosha stood gazing and suddenly, as if he had been cut down, threw himself to the earth. He did not know why he was embracing it, he did not try to understand why he longed so irresistibly to kiss it, to kiss all of it, but he was kissing it, weeping, sobbing, and watering it with his tears, and he vowed ecstatically to love it, to love it unto ages of ages. "Water the earth with the tears of your joy, and love those tears...," rang in his soul. What was he weeping for? Oh, in his rapture he wept even for the stars that shone on him from the abyss, and "he was not ashamed of this ecstasy." It was as if threads from all those innumerable worlds of God all came together in his soul, and it was trembling all over, "touching other worlds." He wanted to forgive everyone and for everything, and to ask forgiveness, oh, not for himself! but for all and for everything, "as others are asking for me," rang again in his soul. But with each moment he felt clearly and almost tangibly something as firm and immovable as this heavenly vault descend into his soul. Some sort of idea, as it were, was coming to reign in his mind-now for the whole of his life and unto ages of ages. He fell to the earth a weak youth and rose up a fighter, steadfast for the rest of his life, and he knew it and felt it suddenly, in that very moment of his ecstasy. Never, never in all his life would Alyosha forget that moment. "Someone visited my soul in that hour," he would say afterwards, with firm belief in his words...
Fyodor Dostoevsky
It is precisely the envelopment of sex (and all other natural functions) with an aura of deeper meaning that makes man human and distinguishes him from the rest of animate nature. To remove that meaning, to reduce sex to biology, as all the sexual revolutionaries did in practice, is to return man to a level of primitive behavior of which we have no record in human history. All animals have sex, but only man makes love.
Theodore Dalrymple (Our Culture, What's Left of It: The Mandarins and the Masses)
Oh, some of us "loved" her. The Maginot Line. And Cholly loved her. I'm sure he did. He, at any rate, was the one who loved her enough to touch her, envelope her, give something of her filled the matrix of her agony with death. Love is never any better than the lover. Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love of a free man is never safe. There is no gift for the beloved. The lover alone possesses his gift of love. The loved one is shorn, neutralized, frozen in the glare of the lover's inward eye.
Toni Morrison (The Bluest Eye)
The world has done that already -- possessed the Congo and pillaged her and dominated her and robbed her of agency and occupation. Love is something else, something rising and contagious and surprising. It isn't aware of itself. It isn't keeping track. It isn't something you sign for. It's endless and generous and enveloping. It's in the drums, in the voices, in the bodies of the wounded made suddenly whole, by the music, by each other, dancing.
V (formerly Eve Ensler) (In the Body of the World)
This seemed to be happening more and more lately out in Greater Los Angeles, among gatherings of carefree youth and happy dopers, where Doc had begun to notice older men, there and not there, rigid, unsmiling, that he knew he'd seen before, not the faces necessarily but a defiant posture, an unwillingness to blur out, like everyone else at the psychedelic events of those days, beyond official envelopes of skin. Like the operatives who'd dragged away Coy Harlingen the other night at that rally at the Century Plaza. Doc Knew these people, he'd seen enough of them in the course of business. They went out to collect cash debts, they broke rib cages, they got people fired, they kept an unforgiving eye on anything that might become a threat. If everything in this dream of prerevolution was in fact doomed to end and the faithless money-driven world to reassert its control over all the lives it felt entitled to touch, fondle, and molest, it would be agents like these, dutiful and silent, out doing the shitwork, who'd make it happen. Was it possible, that at every gathering--concert, peace rally, love-in, be-in, and freak-in, here, up north, back east, wherever--those dark crews had been busy all along, reclaiming the music, the resistance to power, the sexual desire from epic to everyday, all they could sweep up, for the ancient forces of greed and fear? 'Gee,' he said to himself out loud, 'I dunno...
Thomas Pynchon (Inherent Vice)
As I looked at the great tapestry that was the accumulation of my life up to that point, I was able to identify exactly what had brought me to where I was today. Just look at my life path! Why, oh why, have I always been so harsh with myself? Why was I always beating myself up? Why was I always forsaking myself? Why did I never stand up for myself and show the world the beauty of my own soul? Why was I always suppressing my own intelligence and creativity to please others? I betrayed myself every time I said yes when I meant no! Why have I violated myself by always needing to seek approval from others just to be myself? Why haven’t I followed my own beautiful heart and spoken my own truth? Why don’t we realize this when we’re in our physical bodies? How come I never knew that we’re not supposed to be so tough on ourselves? I still felt myself completely enveloped in a sea of unconditional love and acceptance. I was able to look at myself with fresh eyes, and I saw that I was a beautiful being of the Universe. I understood that just the fact that I existed made me worthy of this tender regard
Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
For great changes in the human mind are terrible. As we realize them we realize the limitless possibilities of sinister deeds that lie hidden in every human being. A little child that loves a doll can become an old, crafty, secret murderer. How horrible! And perhaps it is still more horrible to think that, while the human envelope remains totally unchanged, every word of the letter within may become altered, and a message of peace fade into a sentence of death.
Robert Smythe Hichens (The Return of the Soul and Other Stories)
mad maddie: I GOT ACCEPTED TO SANTA CRUZ!!!! SnowAngel: omg!!! zoegirl: maddie!!!! yay!!!!! mad maddie: i know! it's incredible! SnowAngel: *squeals and hugs sweet maddie* SnowAngel: tell us every single detail!!! mad maddie: well, i got home from school and saw this big thick envelope on the kitchen counter, with "Santa Cruz Admissions Office" as the return address. i got really fidgety and just started screaming, right there in the house. no one was there but me, so i could be as loud as i wanted. zoegirl: omg!!! mad maddie: i took a deep breath and tried to calm down, but my hands were shaking. i opened the envelope and pulled out a folder that said, "Welcome to Santa Cruz!" inside was a letter that said, "Dear Madigan. You're in!" mad maddie: isn't that cool? i LOVE that, that instead of being all prissy and formal, they're like, "you're in! yahootie!" SnowAngel: oh maddie, i am sooooo happy for u! mad maddie: i ran out to my car all jumping and hopping around and drove to ian's, cuz i knew neither of u would be home yet. i showed him my letter and he hugged me really hard and lifted me into the air. it was AWESOME. zoegirl: i'm so proud of u, maddie! SnowAngel: me 2!
Lauren Myracle (l8r, g8r (Internet Girls, #3))
When a man loves a woman, he desires union, that is, the goal of union which exists in love. In the elemental form, there is no greater union than marriage. (10) By this appetite encompasses all parts. For that reason, complete ritual washing is prescribed after intercourse. Purification envelops him as annihilation in the woman was complete in the obtainment of appetite. Allah is very jealous of His slave if He believes that he finds pleasure in other than Him. So man purifies himself by ritual washing in order to return to Him in whom he was annihilated, since that is all there is.
Ibn 'Arabi (The Bezels of Wisdom)
On Monday, however, when he returned to his house on the Street of Windows, he discovered a letter floating in a puddle inside the entrance, and on the wet envelope he recognized at once the imperious handwriting that so many changes in life had not changed, and he even thought he could detect the nocturnal perfume of withered gardenias, because after the initial shock, his heart told him everything: it was the letter he had been waiting for, without a moment’s respite, for over half a century.
Gabriel García Márquez (Love in the Time of Cholera)
Starkly in an instant she saw herself as she really was-alone in a wood standing among blue shadows with no sounds and the air a sort of black ice. She had no coat. All the people she’d known had forgotten her. Her mother, biting off thread between her teeth, couldn’t hear her, and her father with his eyes turned sorrowfully inward did not see her. They never had. Those she loved did not need her. Lila and Carl danced together in a bubble. Ralph Eastman picked lint from his sleeve. Buddy tucked in his shirttails, jumped in a truck and drove away. Fiona Speed showed the back of her hat, heading downtown in a cab. They all had more important concerns, they were all in their own lives, and there was no room for her. At night their doors were shut and through lit windows she could see them consulting one another, checking the baby, looking after business, licking envelopes, turning back the bedcover, shutting off the light switch, while she was left stranded out in the chill night in the true human state, lost, in the dark, alone.
Susan Minot (Evening)
I open doors, I close doors,” he wrote. He loved no one, he loved everyone. He loved sex, he hated sex. Life is a lie, truth is a lie. His thoughts ended with a healing wound. “I stand naked when I draw. God holds my hand and we sing together.” His manifesto as an artist. I let the confessional aspects fall away, and I accepted those words as a communion wafer. He had cast the line that would seduce me, ultimately bind us together. I folded the letter and put it back in the envelope, not knowing what would happen next.
Patti Smith (Just Kids)
We succeeded in taking that picture from [deep space], and, if you look at it, you see a dot. That's here. That's home. That's us. On it, everyone you ever heard of, every human being who ever lived, lived out their lives. The aggregate of all our joys and sufferings, thousands of confident religions, ideaologies and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilizations, every king and peasant, every young couple in love, every hopeful child, every mother and father, every inventor and explorer, every teacher of morals, every corrupt politician, every superstar, every supreme leader, every saint and sinner in the history of our species lived there on a mote of dust, suspended in a sunbeam. The earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that in glory and in triumph they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of the dot on scarcely distinguishable inhabitands of some other corner of the dot. How frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity--in all this vastness-- there is no hint that help will come from elsewhere to save us from ourselves. It is up to us... To my mind, there is perhaps no better demostration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly and compassionately with one another and to preserve and cherish that pale blue dot, the only home we've ever known.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
We seldom ever see, or read, or love things as they in themselves really are, nor, for that matter, do we even know our impressions of them as they really are. What matters is knowing what we see when we see other than what lies before us. It is the film we see, the film that breathes essence into otherwise lifeless objects, the film we crave to share with others. What we reach for and what ultimately touches us is the radiance we’ve projected on things, not the things themselves – the envelope, not the letter, the wrapping, not the gift.
André Aciman (Alibis: Essays on Elsewhere)
Anyway, what do women grab when they’re nervous and sitting at their desks? Do they slip their hands inside their panties? What a distracting thought. Just the word panty is distracting. I love that word; it implies so much. I love how women look in panties, how they’re flat in the front. I’m thirty-five, but sometimes it’s still this beautiful amazing shock to me that women don’t have penises. They just have this lovely little mound of hair and then this tucked away glorious hole. Hole. Wait. Hole sounds vulgar. Is passageway better? Pretty envelope? Georgia O’Keeffe flower? Pussy? Pussy is good. I like the word pussy. Tucked away beautiful pussy. I wish I could put my face in one right now and sing out, “I love you!
Jonathan Ames (My Less Than Secret Life: A Diary, Fiction, Essays)
Anne had wandered down the the Dryard's Bubble and was curled up among the ferns at the root of the n=big white birch where sher and Gilbert had so often sat ion summers gone by. Hew had gone into the newspaper office again when college was closed, and Avonlea seemed very dull without him. He never wrote to her, and Anne missed the letters that neer came. To be sure, Roy wrote twice a week; his letters were exquisite compositions which would have read beautifully in a memoir or biography. Anne felt herself more deeply in love with him that ever when she read the; but her heart never game that queer, quick, painful bound at sight of his letters which had given one day when Mrs. Hiram Sloane had handed her out an envelope addressed in Gilbert's black, upright handwriting. Anne had hurried home to the east gable and opened it eagrly--to find a typewritten copy of some college society report--"only that and nothing more." Anne flung the harmless screed across her room and sat down to write and especially nice epistle to Roy
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
I am not so much fun Anymore; Couldn’t carry the role of ingenue In a bucket, you say, laughing. And I want to punch you. I was never innocent, but Thanks to you I know things I wish I did not remember. You don’t like it When I talk to the man myself, Specifying quantities and Give him the money Instead of giving it to you And letting you take care of it. You keep asking me, Where’s the dope? Until I finally say, I hid it. The look you give me is Pure bile. Well, fuck you. This isn’t like Buying somebody a drink. You don’t leave your stash out Where I might find it. Finally I think I’ve made you wait Long enough, So I get out the little paper envelope And hand it to you. You are still in charge of This part, so you relax. Performing your junky ritual with Your favorite razor blade, until I ask you how to calculate my dose So I won’t O.D. when I do this And you’re not around. Then you really flip. You tell me it’s a bad idea For me to do this with other people. ** Was it such a good idea For me to do it with you? Do you wait for me to turn up Once every three months So you can get high? Is this our version of that famous Lesbian fight about Nonmonogamy? Let me tell you what I don’t like. I don’t like it when you Take forever to cut up brown powder And cook it down and Suck it up into the needle And measure it, then take Three times as much for yourself AS you give me. I don’t like it when you Fuck me After you’ve taken the needle Out of my arm. You talk too much And spoil my rush. All I really want to do Is listen to the tides of blood Wash around inside my body Telling me everything is Fine, fine, fine._ And I certainly don’t want to Eat you or fuck you Because it will take forever To make you come, If you can come at all, And by then the smack will have worn off And there isn’t any more. I’m trying to remember What the part is that I do like. I think this shit likes me A lot more than I like it. Now you’re hurt and angry because I don’t want to see you again And the truth is, I would love to see you, As long as I knew you were holding. So you tell me Is this what you want? I bet it was what you wanted All along.
Patrick Califia-Rice
Too much—too tempting—to have my hands on it and not look at it. Quickly I slid it out, and almost immediately its glow enveloped me, something almost musical, an internal sweetness that was inexplicable beyond a deep, blood-rocking harmony of rightness, the way your heart beat slow and sure when you were with a person you felt safe with and loved. A power, a shine, came off it, a freshness like the morning light in my old bedroom in New York which was serene yet exhilarating, a light that rendered everything sharp-edged and yet more tender and lovely than it actually was, and lovelier still because it was part of the past, and irretrievable: wallpaper glowing, the old Rand McNally globe in half-shadow.
Donna Tartt (The Goldfinch)
For those who have walked through the fires of hell and rather than fall to its flames, have emerged battered, but victorious. In the immortal words of Ovid: Quin ninc quoque frigidus artus, dum loquor, horror habet, parsque est meminisse doloris- Even now while I tell it, cold horror envelops me and my pains return the minute I think of it. We can never escape the pain of our pasts, or the flashbacks that assault us when we dare to let our thoughts drift unattended, but we can choose to not let it ruin the future we, alone, can build for ourselves. And for those who are currently trapped in a bad situation. May you find the resolute strength it takes to free yourself, and to finally see the beauty that lives inside you. You are resplendent, and you deserve respect and love. Don't let the minions of hatred or cruelty define you, or steal away your own humanity. When our compassion and ability to love and appreciate others go, then our bullies and oppressors have truly won, for it is not they who are harmed, but rather we who lose our souls and hearts to the same miserable bitterness that causes them to lash out against us. The cycle can be broken- it must be broken, even though the path is never easy or without cost. Yet victory is made sweeter when you know it came from within you, without violent retribution. The best revenge is to leave them mired in their hateful misery while you learn to bask in the warmth of self-esteem and happiness. Never forget that broken wings can and do heal in time, and that those scarred wings can carry the eagle to the top of the highest mountain.
Sherrilyn Kenyon (Born of Silence (The League: Nemesis Rising, #5))
My Dearest, I miss you, my darling, as I always do, but today is especially hard because the ocean has been singing to me, and the song is that of our life together. I can almost feel you beside me as I write this letter, and I can smell the scent of wildflowers that always reminds me of you. But at this moment, these things give me no pleasure. Your visits have been coming less often, and I feel sometimes as if the greatest part of who I am is slowly slipping away. I am trying, though. At night when I am alone, I call for you, and whenever my ache seems to be the greatest, you still seem to find a way to return to me. Last night, in my dreams, I saw you on the pier near Wrightsville Beach. The wind was blowing through your hair, and your eyes held the fading sunlight. I am struck as I see you leaning against the rail. You are beautiful, I think as I see you, a vision that I can never find in anyone else. I slowly begin to walk toward you, and when you finally turn to me, I notice that others have been watching you as well. “Do you know her?” they ask me in jealous whispers, and as you smile at me, I simply answer with the truth. “Better than my own heart.” I stop when I reach you and take you in my arms. I long for this moment more than any other. It is what I live for, and when you return my embrace, I give myself over to this moment, at peace once again. I raise my hand and gently touch your cheek and you tilt your head and close your eyes. My hands are hard and your skin is soft, and I wonder for a moment if you’ll pull back, but of course you don’t. You never have, and it is at times like this that I know what my purpose is in life. I am here to love you, to hold you in my arms, to protect you. I am here to learn from you and to receive your love in return. I am here because there is no other place to be. But then, as always, the mist starts to form as we stand close to one another. It is a distant fog that rises from the horizon, and I find that I grow fearful as it approaches. It slowly creeps in, enveloping the world around us, fencing us in as if to prevent escape. Like a rolling cloud, it blankets everything, closing, until there is nothing left but the two of us. I feel my throat begin to close and my eyes well up with tears because I know it is time for you to go. The look you give me at that moment haunts me. I feel your sadness and my own loneliness, and the ache in my heart that had been silent for only a short time grows stronger as you release me. And then you spread your arms and step back into the fog because it is your place and not mine. I long to go with you, but your only response is to shake your head because we both know that is impossible. And I watch with breaking heart as you slowly fade away. I find myself straining to remember everything about this moment, everything about you. But soon, always too soon, your image vanishes and the fog rolls back to its faraway place and I am alone on the pier and I do not care what others think as I bow my head and cry and cry and cry.
Nicholas Sparks (Message in a Bottle)
We’ve had a nice time, haven’t we? It has been very special here, talking every day. It was that much-overburdened and worn phrase referred to as a ‘meeting of the minds. ’ “She turned the blue envelope in her hands. “I’ve always known that the quality of love was the mind, even though the body sometimes refuses this knowledge. The body lives for itself. It lives only to feed and wait for the night. It’s essentially nocturnal. But what of the mind which is born of the sun, William, and must spend thousands of hours of a lifetime awake and aware? Can you balance off the body, that pitiful, selfish thing of night against a whole lifetime of sun and intellect? I don’t know. I only know there has been your mind here and my mind here, and the afternoons have been like none I can remember. There is still so much to talk about, but we must save it for another time.
Ray Bradbury (Dandelion Wine)
The highest goodness is like water. Water is beneficial to all things but not contend. It stays in places which others despise. Therefore it is near Tao. The weakest things in the world can overmatch the strongest things in the world. Nothing in the world can be compared to water for its weak and yielding nature; yet in attacking the hard and strong nothing proves better than water. For there is no alternative to it. The weak can overcome and the yielding can overcame the hard. This all the world knows but does not practice. This again is the practice of ‘wu-wel’ and nonviolence. Water may be weak, pliable, fluid, but its action is not one of running away from an obstacle. On the contrary, it gives at the point of resistance, envelopes the object and passes beyond it. Ultimately it will wear down the hardest rock. Water is a more telling symbol than land… crossing the river to get to the other side is, again, attaining the state of enlightenment.
J.C. Cooper
Countless people live their whole lives without ever knowing this...this unnameable thing that we share. This exclusive and secret club that we are so blessed to be a part of. I suppose that by many people's definition, it would simply be called 'Love'. And yet, this is unlike any other love or feeling or emotion that I have ever felt. Simply calling it 'Love' would be an injustice...it would do a massive disservice to this feeling that seems to envelop me with every breath I take. It's as if wherever I go, it goes; and whichever direction I look, it sees. It moves with me as if we've been doing this dance forever...like we are one being and of one mind. It has to uncanny ability to affect change by just existing; it speaks to me and with me and through me and every time it says my name, it cloaks my entire being with a warm comforting familiar glow...like it's only ever meant to be said that way and no different. It's not just simply love...it's everything.
Charles R. Mackriel
Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.
David Nicholls (One Day)
Besides, there are always pet names to tide one over: a practice of Bengali nomenclature grants, to every single person, two names. In Bengali, the word for pet name is daknam, meaning, literally, the name by which one is called, by friends, family and other intimates, at home and in other private unguarded moments. Pet names are a persistent remnant of childhood; a reminder that life is not always so serious, so formal, so complicated. They are a reminder; too, that one is a not thing to all people. These are the names by which they are known in their respective families, the names by which they are adored and scolded and missed and loved. Every pet name is paired with a good name, a bhalonam, for identification in the outside world. Consequently, good names appear on envelopes, on diplomas, in telephone directories, and in all other public places. Good names tend to represent dignified and enlightened qualities. Pet names have no such aspirations. Pet names are never recorded officially, only uttered, and remembered. Unlike good names, pet names are frequently meaningless, deliberately silly, ironic, and even onomatopoetic. Often in one’s infancy, one answers unwittingly to dozens of pet names, until one eventually sticks.
Jhumpa Lahiri (The Namesake)
Endless love and voluptuous appetite pervaded this stifling nave in which settled the ardent sap of the tropics. Renée was wrapped in the powerful bridals of the earth that gave birth to these dark growths, these colossal stamina; and the acrid birth-throes of this hotbed, of this forest growth, of this mass of vegetation aglow with the entrails that nourished it, surrounded her with disturbing odours. At her feet was the steaming tank, its tepid water thickened by the sap from the floating roots, enveloping her shoulders with a mantle of heavy vapours, forming a mist that warmed her skin like the touch of a hand moist with desire. Overhead she could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids' pungency, was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedroom of newlyweds.
Émile Zola (La Curée)
I slip Anny's letter back into my despatch case: she has done what she could; I cannot reach the woman who took it in her hands, folded and put it in the envelope. Is it possible even to think of someone in the past? As long as we loved each other, we never allowed the meanest of our instants, the smallest grief, to be detached and forgotten, left behind. Sounds, smells, nuances of light, even the thoughts we never told each other; we carried them all away and they remained alive: even now they have the power to give us joy and pain. Not a memory: an implacable, torrid love, without shadow, without escape, without shelter. Three years rolled into one. That is why we parted: we did not have enough strength to bear this burden. And then, when Anny left me, all of a sudden, all at once, the three years crumbled into the past. I didn't even surfer, I felt emptied out. Then time began to flow again and the emptiness grew larger. Then, in Saigon when I decided to go back to France, all that was still left—strange faces, places, quays on the banks of long rivers—all was wiped out. Now my past is nothing more than an enormous vacuum. My present: this waitress in the black blouse dreaming near the counter, this man. It seems as though I have learned all I know of life in books.
Jean-Paul Sartre (Nausea)
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
John Steinbeck (Cannery Row (Cannery Row, #1))
[From Sid Vicious's letter to Nancy Spungen's mother Deborah] P.S. Thank you, Debbie, for understanding that I have to die. Everyone else just thinks that I'm being weak. All I can say is that they never loved anyone as passionately as I love Nancy. I always felt unworthy to be loved by someone so beautiful as her. Everything we did was beautiful. At the climax of our lovemaking, I just used to break down and cry. It was so beautiful it was almost unbearable. It makes me mad when people say you must have really loved her.' So they think that I don't still love her? At least when I die, we will be together again. I feel like a lost child, so alone. The nights are the worst. I used to hold Nancy close to me all night so that she wouldn't have nightmares and I just can't sleep without my my beautiful baby in my arms. So warm and gentle and vulnerable. No one should expect me to live without her. She was a part of me. My heart. Debbie, please come and see me. You are the only person who knows what I am going through. If you don’t want to, could you please phone me again, and write. I love you. I was staggered by Sid's letter. The depth of his emotion, his sensitivity and intelligence were far greater than I could have imagined. Here he was, her accused murderer, and he was reaching out to me, professing his love for me. His anguish was my anguish. He was feeling my loss, my pain - so much so that he was evidently contemplating suicide. He felt that I would understand that. Why had he said that? I fought my sympathetic reaction to his letter. I could not respond to it, could not be drawn into his life. He had told the police he had murdered my daughter. Maybe he had loved her. Maybe she had loved him. I couldn't become involved with him. I was in too much pain. I couldn't share his pain. I hadn't enough strength. I began to stuff the letter back in its envelope when I came upon a separate sheet of paper. I unfolded it. It was the poem he'd written about Nancy. NANCY You were my little baby girl And I shared all your fears. Such joy to hold you in my arms And kiss away your tears. But now you’re gone there’s only pain And nothing I can do. And I don’t want to live this life If I can’t live for you. To my beautiful baby girl. Our love will never die. I felt my throat tighten. My eyes burned, and I began to weep on the inside. I was so confused. Here, in a few verses, were the last twenty years of my life. I could have written that poem. The feelings, the pain, were mine. But I hadn't written it. Sid Vicious had written it, the punk monster, the man who had told the police he was 'a dog, a dirty dog.' The man I feared. The man I should have hated, but somehow couldn't.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))