Love Drought Quotes

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I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains. I love her far horizons, I love her jewel-sea, Her beauty and her terror – The wide brown land for me!
Dorothea Mackellar (The Poems of Dorothea Mackellar)
You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
i am either a storm or a drought. in-betweens have never been my thing.
Sanober Khan
You were my tempest, my thunder cloud, my tree in the downpour. I loved all of those things, and I loved you. But now…you’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Until You (Fall Away, #1.5))
I think of love as a force of nature-as strog as the sun, as necessary, as impersonal, as gigantic, as impossible, as scorching as it is warming,as drought-making as it is life-giving.
Jeanette Winterson (Lighthousekeeping)
I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains.
Bill Bryson (In a Sunburned Country)
What if a family isn't a tree at all? What if it's more like a forest? A collection of individuals, pooling their resources by intertwined roots, sheltering each other from wind and weather and drought... what are families other than fictions? Stories told about a particular cluster of people for a particular reason. And like all stories, families are not born, they're invented. Pieced together from love and lies and nothing else.
Michael Christie (Greenwood)
her grass seemed greener until a drought came and cracked the earth beneath you.
K.Y. Robinson (The Chaos of Longing)
I see now how things even up, how they are squared away, and how they balance under the law of love and justice. No year of life is emotionally, spiritually or even materially, all drought or all rainfall; nor is it all sun. The road turns a little every day, and one day there's a sudden twist we didn't dream was there, and for every loss there is somewhere a gain, for every grief a happiness, for every deprivation a giving.
Faith Baldwin (Many Windows, Seasons of the Heart)
I learned perhaps more than any university could ever teach me. I learned that the world revolves around money. There are values and virtues and morals; there are relationships and trust and love---and all of that is important. Money, however, is more important and it is dripping all the time, like precious water. Some drink deep; others thirst. Without money, you shrivel and die. The absence of money is drought in which nothing can grow. Nobody knows the value of water until they've lived in a dry, dry place---like Behala. So many people, waiting for the rain.
Andy Mulligan (Trash)
Soulmates are those people who will enter your life, fix it when it is broken, fill it when it is empty, and shower it with love when it is in drought. These people are not perfect, but they make every bit of your life, perfect for you.
Dhie S.
Beauty means this to one person, perhaps, and that to another. And yet when any one of us has seen or heard or read that which to him is beautiful, he has known an emotion which is in every case the same in kind, if not in degree; an emotion precious and uplifting. A choirboy's voice, a ship in sail, an opening flower, a town at night, the song of the blackbird, a lovely poem, leaf shadows, a child's grace, the starry skies, a cathedral, apple trees in spring, a thorough-bred horse, sheep-bells on a hill, a rippling stream, a butterfly, the crescent moon -- the thousand sights or sounds or words that evoke in us the thought of beauty -- these are the drops of rain that keep the human spirit from death by drought. They are a stealing and a silent refreshment that we perhaps do not think about but which goes on all the time....It would surprise any of us if we realized how much store we unconsciously set by beauty, and how little savour there would be left in life if it were withdrawn. It is the smile on the earth's face, open to all, and needs but the eyes to see, the mood to understand.
John Galsworthy
I don't expect to be happy. I don't imagine that I will find love, whatever that means, or that if I do find it, it will make me happy. I don't think of love as the answer or the solution. I think of love as a force of nature - as strong as the sun, as necessary, as impersonal, as gigantic, as impossible, as scorching as it is warming, as drought-making as it is life-giving.
Jeanette Winterson (Lighthousekeeping)
The truth always finds a way, Maisie, in some manner or form. You cannot deliberately change the course of the river without causing a flood or drought somewhere else.
Jacqueline Winspear (The Mapping of Love and Death (Maisie Dobbs, #7))
True love, the good, beautiful, one-and-only kind, the kind between loving friends and family and partners who are mostly just trying hard to do their best, it manages to overlook some pieces of its story. It overlooks what he can’t give you or how she failed you or what mistakes he made when he was struggling. It stays steady at its center. It evolves, through drought and storm. It grows. It survives.
Deb Caletti (The Last Forever)
I told you that there are many things that poetry won't do. But there are many things poetry will do. Poetry makes arguments. It presents cases for better ways of living and seeing the world and those around us. It heals wounds. It opens our eyes to wonder and ugliness and beauty and brutality. Poetry can be the one light that lasts the night. The warmth that survives the winter. The harvest that survives the long drought. The love that survives death. The things poetry can do are far more important than the things it can't.
Jeff Zentner (In the Wild Light)
What kind of life would that be, to build up so much love for a person who cared so little for you?
Lily White (The Drought)
It is comforting, after finding out that your loved one has just drowned, to estimate the number of times their life was saved by water.
Mokokoma Mokhonoana
In the end, we are two people who exchanged our love story for broken souls. I’m no longer his rain. He’s no longer the drought. We’ve become a tsunami, and left in its path of our destruction are two little cups of sunshine striving to keep shining. Ultimately, our children pay the price for our mistakes.
Kathryn Perez (Letters Written in White)
Love is ordinary, love is dull, love is the natural condition of the human heart, love is the message we carry branded on us from the womb but only the best of us will dare to read it and, even when we dare to read it to people who can never understand, it is still there in us like the rings in a tree or the ridges in a shell, part of us, marking the years and the drought and the growth, even if nobody sees it until the tree is cut down.
Andrew Nicoll
If we were to define a sleeping bag as a house, India would move swiftly towards ending her housing shortage. A shortage of nearly thirty-one million units. Accept this definition, and you could go in for mass production of sleeping bags. We could then have passionate debates about the drastic reduction in the magnitude of the housing problem. The cover stories could run headlines: ‘Is it for real?’ And straps: ‘Sounds too good to be true, but it is.’ The government could boast that it had not only stepped up production of sleeping bags but had piled up an all-time record surplus of them. Say, thirty-seven million. Conservatives could argue that we were doing so well, the time had come to export sleeping bags, at ‘world prices’. The bleeding hearts could moan that sleeping bags had not reached the poorest. Investigative muckrakers could scrutinise the contracts given to manufacturers. Were the bags overpriced? Were they of good quality? That ends the housing shortage. There’s only one problem. Those without houses at the start of the programme will still be without houses at the end of it. (True, some of them will have sleeping bags, probably at world prices.)
Palagummi Sainath (Everybody loves a good drought)
And then there was that key point in On the Origin of Species. That crucial point that somehow both David and before him Francis Galton had missed. What does Darwin say is the best way of building a strong species, of allowing it to endure into the future, to withstand the blows of Chaos in all her mighty forms—flood, drought, rising sea levels, fluctuating temperatures, invasions of competitors, predators, pests? Variation. Variation in genes, and hence in behavior and physical traits. Homogeneity is a death sentence. To rid a species of its mutants and outliers is to make that species dangerously vulnerable to the elements.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
You were my tempest, my thunder cloud, my tree in the downpour. I loved all of those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
TB, malaria, diarrhoea, and dysentery affect many in Palamau. But the cure for almost all ills here is the saline drip. In remote areas, quacks mesmerise people with the drip. Even malaria patients are subjected to it. Many villagers believe that paani chadaana (infusion of water) is a mighty cure. So they borrow money to pay the doctor for the miracle.
Palagummi Sainath (Everybody loves a good drought)
You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought.
Penelope Douglas (Bully (Fall Away, #1))
There is love to overcome hate; generosity can diminish greed; truthfulness can reveal the lies in the same way the wind dries the flood and rains end the drought.
Joseph M. Marshall III (Keep Going: The Art of Perseverance)
Too often, poverty and deprivation get covered as events. That is, when some disaster strikes, when people die. Yet, poverty is about much more than starvation deaths or near famine conditions. It is the sum total of a multiplicity of factors. The weightage of some of these varies from region to region, society to society, culture to culture. But at the core is a fairly compact number of factors. They include not just income and calorie intake. Land, health, education, literacy, infant mortality rates and life expectancy are also some of them. Debt, assets, irrigation, drinking water, sanitation and jobs count too. You can have the mandatory 2,400 or 2,100 calories a day and yet be very poor. India’s problems differ from those of a Somalia or Ethiopia in crisis. Hunger—again just one aspect of poverty—is far more complex here. It is more low level, less visible and does not make for the dramatic television footage that a Somalia and Ethiopia do. That makes covering the process more challenging—and more important. Many who do not starve receive very inadequate nutrition. Children getting less food than they need can look quite normal. Yet poor nutrition can impair both mental and physical growth and they can suffer its debilitating impact all their lives. A person lacking minimal access to health at critical moments can face destruction almost as surely as one in hunger.
Palagummi Sainath (Everybody loves a good drought)
The sky and the earth, The night and the light, The heat and the cold, The rain and the drought; Those are my demigods. But the road, The road is my mistress. Devious and open, Harsh and nurturing, She seduces me with love And dares me with death In equal measure. Just like any good woman.
Foster Kinn (Freedom's Rush II: More Tales from the Biker and the Beast)
Dear Girl, You got into my drought life as a fortune seed, you shed your tears to grow up the seed, when the seed was toddling, u poured your love to protect from the threats, now it's grown up well as a tree and ready to be a shadow for the creator who cares it love it protect it so called my sweet lovely Girl.
Sam Nelson
All the tears shed in the world, where do they go? she wondered. If one could capture all of them, they could water the parched, drought-stricken fields in Gopal's village and beyond. Then perhaps these tears would have value and all this grief would have some meaning. Otherwise, it was all a waste, just an endless cycle of birth and death; of love and loss
Thrity Umrigar (The Space Between Us)
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
The light was as intense as a love affair. I was blinded, delighted, not just because it was warm and wonderful, but because nature measures nothing. Nobody needs this much sunlight. Nobody needs droughts, volcanoes, monsoons, tornadoes either, but we get them, because our world is as extravagant as a world can be. We are the ones obsessed by measurement. The world just pours it out.
Jeanette Winterson
Denying the poor access to knowledge goes back a long way. The ancient Smriti political and legal system drew up vicious punishments for sudras seeking learning. (In those days, that meant learning the Vedas.) If a sudra listens to the Vedas, said one of these laws, ‘his ears are to be filled with molten tin or lac. If he dares to recite the Vedic texts, his body is to be split’. That was the fate of the ‘base-born’. The ancients restricted learning on the basis of birth. In a modern polity, where the base-born have votes, the elite act differently. Say all the right things. But deny access. Sometimes, mass pressures force concessions. Bend a little. After a while, it’s back to business as usual. As one writer has put it: When the poor get literate and educated, the rich lose their palanquin bearers.
Palagummi Sainath (Everybody loves a good drought)
Love was like rain; there could be periods of drought when it seemed that love would never return, would never make its presence felt again. In such times, the heart could harden, but then, just as droughts broke, so too could love suddenly appear, and heal just as quickly and completely as rain can heal the parched land.
Alexander McCall Smith (Precious and Grace (No. 1 Ladies' Detective Agency #17))
While much of her true name lay beyond my knowledge of the Noongar language, as the minutes passed I understood that her name was also a history of her people, a sort of Bayeux Tapestry that bound myth with loves, births, deaths; hunts, battles, journeys; droughts, fires, storms; and names of every host within whose body Moombaki had sojourned.
David Mitchell (The Bone Clocks)
Paharia women like Guhy walk a distance equivalent to that between Delhi and Bombay—four to five times a year.
Palagummi Sainath (Everybody loves a good drought)
As the problems of her children’s education grew more, India spent less and less on them.
Palagummi Sainath (Everybody loves a good drought)
spring will come, the soil will seed itself, that flood or drought will abate, and life goes on in that new landscape.
Jacqueline Winspear (The Mapping of Love and Death (Maisie Dobbs, #7))
Sell canoes to those who are enduring a drought, and sell sunscreen to those suffering from flooding. But give love freely to all, because samples encourage sales.
Jarod Kintz (This Book is Not for Sale)
The drought was the very worst When the flowers that we'd grown together died of thirst It was months and months of back and forth You're still all over me like a wine-stained dress I can't wear anymore There was nothing left to do When the butterflies turned to dust that covered my whole room So I punched a hole in the roof Let the flood carry away all my memories and texts from you 6 years sober, I must admit Just because you're clean don't mean you don't miss it 6 years older, I won't give in Now that I'm clean I'm never gonna risk it.
EJR
Yellow bells Meaning: Welcome to a stranger Geleznowia verrucosa | Western Australia A small shrub with great yellow flowers. Sun loving, drought tolerant and requiring a well-drained soil. Will grow in a little shade, but sun for most of the day is essential. Makes a wonderful cut flower, although fickleness in propagation and seed germination make this a rare plant.
Holly Ringland (The Lost Flowers of Alice Hart)
We fought, we struggled, we hurt each other, so what? That's what love is, I think. It's all of it - the dust, the drought, the fights with you - never once did I stop loving you or Ant or the farm.
Kristin Hannah (The Four Winds)
The global aid community is mobilised into fighting drought in a district that gets 1,500 mm of rainfall annually. The reverse spiral begins. Donor governments love emergency relief. It forms a negligible part of their spending, but makes for great advertising. (Emergencies of many sorts do this, not just drought. You can run television footage of the Marines kissing babies in Somalia.) There are more serious issues between rich and poor nations—like unequal trade. Settling those would be of greater help to the latter. But for that, the ‘donors’ would have to part with something for real. No. They prefer emergency relief.
Palagummi Sainath (Everybody loves a good drought)
We fought, we struggled, we hurt each other, so what? That’s what love is, I think. It’s all of it. Tears, anger, joy, struggle. Mostly, it’s durable. It lasts. Never once in all of it—the dust, the drought, the fights with you
Kristin Hannah (The Four Winds)
I need to stop thinking about peeing. I should focus on dry things.  Like California’s drought, month old Christmas trees, British wit. And my vagina while listening to the world’s most boring date mansplain to me about his fantasy football club.
Daisy Prescott (Crazy Over You (Love with Altitude, #2))
EVERYWHERE I TURNED, EVERYWHERE I went, everybody had something to say about love. Mothers, fathers, teachers, singers, musicians, poets, writers, friends. It was like the air. It was like the ocean. It was like the sun. It was like the leaves on a tree in summer. It was like the rain that broke the drought. It was the soft sound of the water flowing through a stream. And it was the sound of the crashing waves against the shore in a storm. Love was why we fought all our battles. Love was what we lived and died for. Love was what we dreamed of as we slept. Love was the air we wanted to breathe in when we woke to greet the day. Love was a torch you carried to lead you out of darkness. Love took you out of exile and carried you to a country called Belonging.
Benjamin Alire Sáenz (Aristotle and Dante Dive into the Waters of the World (Aristotle and Dante, #2))
If you are near ,my heart beats fast, If you are far, my hearts becomes restless, When you look at me,my world stops, When you look away i wish the world to stop. I can die to see your smile, I die as i see your tears. When i see you my mind floods, When i don't it gets a drought .
Luna Marym
God is not grieved that indwelling sin remains in us, as a father does not lament the weak muscles of his infant. But God is grieved (like any father) when the child he loves willfully disobeys him. In response to our willful sins, God is pained, and he will often choose, for a time, to send into our lives dark clouds that hide his face and “suspend his influence” in our communion with him (Psalm 51; Eph. 4:30). Our justification remains untouched. But the lack of our experienced communion with him and the drought of our joys and affections are intended to expose our weaknesses.
Tony Reinke (Newton on the Christian Life: To Live Is Christ)
No worries. We fought, we struggled, we hurt each other, so what? That's what love is, I think. It's all of it. Tears, anger, joy, struggle. Mostly, it's durable. It lasts. Never once in all of it - the dust, the drought, the fights with you - never once did I stop loving you or Ant or the farm.
Kristin Hannah (The Four Winds)
May 27, 1941 Sunday we encountered specimens of the rarely appearing yellow lady's slipper. This orchis is fragilely beautiful. One tends to think of it almost as a phenomenon, without any roots or place in the natural world. And yet it, too, has had its tough old ancestors which have eluded fires and drought and freezes to pass on in this lovely form the boon of existence. If a plant so delicately lovely can at the same time be so toughly persistent and resistant to all natural enemies, can we doubt that hopes for a better an more rational world may not also withstand all assaults, be bequeathed from generation to generation, and come ultimately to flower? President Roosevelt says he has not lost faith in democracy; nor have I lost faith in the transcendent potentialities of LIFE itself. One has but to look about him to become almost wildly imbued with something of the massive, surging vitality of the earth.
Harvey Broome (Out Under The Sky Of The Great Smokies: A Personal Journal)
Imagine what it's like to be (untouchable) Better not take a chance on me (untouchable) I'm the bad boy your mama told you about I'm dangerous, without a doubt Even coming off a ten-year drought Untouchable I'm the rose with hidden thorns (untouchable) Don't tell me that you haven't been warned (untouchable) I'm pretty poison under the skin, The bite of the apple that's a mortal sin In a game of love you'll never win Untouchable My reputation's fairly earned (untouchable) If you play with fire, you will get burned (untouchable) Stay out of the kitchen if you can't take the heat, My kisses are deadly as they are sweet, I'm a runaway bus on a dead-end street Untouchable Fools rush in, that's what they say(untouchable) But angels fall, too, most every day (untouchable) I'm the snake in the garden, the siren on the reef I have the face of a saint and the heart of a thief I'll promise you love! And bring you nothing but grief Untouchable Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song? And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts. Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah? Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have.
Cinda Williams Chima (The Sorcerer Heir (The Heir Chronicles, #5))
Then crop failure, drought, and flood were no longer little deaths within life, but simple losses of money. And all their love was thinned with money, and all their fierceness dribbled away in interest until they were no longer farmers at all, but little shopkeepers of crops, little manufacturers who must sell before they can make.
John Steinbeck (The Grapes of Wrath)
step up their game, my goods are off the market. But one bottle of chardonnay later, and my drunken rant has gone viral. I’m the most famous person NOT having sex since the Jonas Brothers put on their purity rings. A men’s magazine has even put a bounty on my (ahem) maidenhead: fifty Gs to whoever makes me break the drought.  Be careful what
Lila Monroe (Bet Me (Lucky in Love, #2))
Broad-leaved parkeelya Meaning: By your love, I live and die Calandrinia balonensis | Northern Territory Parkilypa (Pit.) is a succulent growing in sandy soils of arid regions, with fleshy leaves and bright purple flowers, which appear mainly in winter and spring. In times of drought the leaves can be a water source; the whole plant can be baked and eaten.
Holly Ringland (The Lost Flowers of Alice Hart)
In a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
But Hudson Taylor, young though he was, had learned to know God in a very real way. He had seen Him, as he wrote, quell the raging of a storm at sea, in answer to definite prayer, alter the direction of the wind, and give rain in a time of drought. He had seen Him, in answer to prayer, stay the hand of would-be murderers and quell the violence of enraged men. He had seen Him rebuke sickness in answer to prayer, and raise up the dying, when all hope of recovery seemed gone. For more than eight years he had proved His faithfulness in supplying the needs of his family and work in answer to prayer, unforeseen as many of those needs had been. How could he but encourage others to put their trust in the love that can not forget, the faithfulness that can not fail?
F. Howard Taylor (Hudson Taylor's Spiritual Secret)
Love alone brings order eternal, Order brought by law is shortlived. Only selfless lovers make good lawmakers, All others are just playing make belief. Let love come as apocalypse and wipe out, All that is rigid, all that is prehistoric. Welcome love into your life as a purifying force, Let it bring you to life anew and terrific. Life is terrific when life has love but, To have love and to have lover ain't the same. Lover isn't one who has someone to love them back, But one who radiates love, despite living in drought without rain. None knows the value of rain, But the land of eternal drought. None knows the value of love, But the heart that loves despite hurt. Only the one who knows pain, Can love another without gain. Only the heart that knows hurt, Can help another without rain.
Abhijit Naskar (Amor Apocalypse: Canım Sana İhtiyacım)
THE WELL Be thankful now for having arrived, for the sense of having drunk from a well, for remembering the long drought that preceded your arrival and the years walking in a desert landscape of surfaces looking for a spring hidden from you so long that even wanting to find it now had gone from your mind until you only remembered the hard pilgrimage that brought you here, the thirst that caught in your throat; the taste of a world just-missed and the dry throat that came from a love you remembered but had never fully wanted for yourself, until finally after years making the long trek to get here it was as if your whole achievement had become nothing but thirst itself. But the miracle had come simply from allowing yourself to know that you had found it, that this time someone walking out into the clear air from far inside you had decided not to walk past it any more; the miracle had come at the roadside in the kneeling to drink and the prayer you said, and the tears you shed and the memory you held and the realization that in this silence you no longer had to keep your eyes and ears averted from the place that could save you, that you had been given the strength to let go of the thirsty dust laden pilgrim-self that brought you here, walking with her bent back, her bowed head and her careful explanations. No, the miracle had already happened when you stood up, shook off the dust and walked along the road from the well, out of the desert toward the mountain, as if already home again, as if you deserved what you loved all along, as if just remembering the taste of that clear cool spring could lift up your face and set you free.
David Whyte
Motorbike - Poem by Malay Roy Choudhury I am on motorbike yezdi yamaha when flanked by horizon gallop backwards through sand blizzard tinsel clouds explode at my feet without helmet and speed-split air at eighty in midsummer simoon each sound-cart recedes onrushing lorries flee in a flash No time to brood but Yes accident expected anytime may even turn into a junkheap in a drought-nursed field. Translation of Bengali original 'Motor Cycle
মলয় রায়চৌধুরী ( Malay Roychoudhury )
chardonnay later, and my drunken rant has gone viral. I’m the most famous person NOT having sex since the Jonas Brothers put on their purity rings. A men’s magazine has even put a bounty on my (ahem) maidenhead: fifty Gs to whoever makes me break the drought. Be careful what you wish for... Now my office looks like an explosion in a Hallmark factory, I’ve got guys lining up to sweep me off my feet-and the one man I want is most definitely off-limits. Jake Weston is a player through and
Lila Monroe (Bet Me (Lucky in Love, #2))
Against the broader backdrop of the challenges facing Roosevelt—global depression, another year of crippling drought—Germany seemed more an irritant than anything else. What Roosevelt and Secretary Hull considered the most pressing German problem was the $ 1.2 billion that Germany owed to American creditors, a debt that Hitler’s regime seemed increasingly unwilling to pay. No one appeared to give much thought to the kind of personality a man might need in order to deal effectively with Hitler’s government.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather." He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it." I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive." "Well, I have a healthy respect for what the sun does," he counters with a smile." "I'd rather have the sun after a good, hard rainfall." He just shakes his head at me but he's smiling. "The good with the bad?" "Isn't that life?" He frowns. "Why do I sense a metaphor behind that?" "Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch. Where a father is murdered bacause he made the mistake of wanting a van for his family. In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched. Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it. What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her. Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
K.A. Tucker (Becoming Rain (Burying Water, #2))
That is the sort of person one enjoys taking round—the man (or woman) who, loving gardens, would go any distance to see one; who comes to appreciate, and compare, and admire; who has a garden of his own that he lives in and loves; and whose talk and criticisms are as dew to the thirsty gardening soul, all too accustomed in this respect to droughts. He knows as well as I do what work, what patience, what study and watching, what laughter at failures, what fresh starts with undiminished zeal, and what bright, unalterable faith are represented
Elizabeth von Arnim (The Solitary Summer)
opting to complain, life gives you things to complain about this vicious circle ensures your happiness drought life responds to us according to our actions and belief thus reinforcing those beliefs to no relief there is no first cause—still, break the cycle abide in peaceful Silence or experience an inner hell “others” are often a reflecting mirror shining back revealing to us what loads are left to unstack what are friends for but a means to practice kindness and for fortifying the ego’s belief in disconnectedness people cater to me according to my own nature so they are me—there is no individual self, rest assured tweak your thoughts about her and she then treats you thus all minds are one, and all is illusory, as priorly discussed she is you, and you, her the shroud of separateness shall now henceforth wither look back at your life’s recurring patterns and themes and the façade of the ego will start to crack at the seams untranscended mindsets follow wherever we go the common denominator is what your mind has sown that which supports life is automatically supported the get-gain-obtain mentality can be safely aborted
Jarett Sabirsh (Love All-Knowing: An Epic Spiritual Poem)
I had braced myself for shock and sadness and guilt and hopelessness over Topiwo’s house. I knew his family had struggled to survive through drought until Compassion stepped in to help. But after visiting that beautiful dirt home, I didn’t feel sad about where Topiwo lives. Unlike most of the homes we had visited, Topiwo’s home was rich with love and community and joy and gracefulness. Richer than a lot of homes I see in our country. Rich with the contentment I want to have. It was, in a word, breathtaking. I had been welcomed into a true home. Topiwo knew. He knew what I so easily forget.
Myquillyn Smith (The Nesting Place: It Doesn't Have to Be Perfect to Be Beautiful)
I found a place to belong, people who loved me, and they became the home I'd dreamed about as a girl. And then you came along and taught me how big love could be." "I treated you like you had the plague." Elsa smiled. "For a few years . But before all of that, you...You couldn't stand to be apart. You cried for me at naptime, so you couldn't sleep without me." "I'm sorry," Loreda said. "For---" "No sorries. We fought, we struggles, we hurt each other, so what? That's what love is, I think. It's all of it. Tears, anger, joy, struggle. Mostly, it's durable. It lasts. Never once in all of it --the dust, the drought, the fights with you--never once did I stop loving you or Ant or the farm.
Kristin Hannah (The Four Winds)
The temperature was in the nineties, and on hot nights Chicagoans feel the city body and soul. The stockyards are gone, Chicago is no longer slaughter-city, but the old smells revive in the night heat. Miles of railroad siding along the streets once were filled with red cattle cars, the animals waiting to enter the yards lowing and reeking. The old stink still haunts the place. It returns at times, suspiring from the vacated soil, to remind us all that Chicago had once led the world in butcher-technology and that billions of animals had died here. And that night the windows were open wide and the familiar depressing multilayered stink of meat, tallow, blood-meal, pulverized bones, hides, soap, smoked slabs, and burnt hair came back. Old Chicago breathed again through leaves and screens. I heard fire trucks and the gulp and whoop of ambulances, bowel-deep and hysterical. In the surrounding black slums incendiarism shoots up in summer, an index, some say, of psychopathology. Although the love of flames is also religious. However, Denise was sitting nude on the bed rapidly and strongly brushing her hair. Over the lake, steel mills twinkled. Lamplight showed the soot already fallen on the leaves of the wall ivy. We had an early drought that year. Chicago, this night, was panting, the big urban engines going, tenements blazing in Oakwood with great shawls of flame, the sirens weirdly yelping, the fire engines, ambulances, and police cars – mad-dog, gashing-knife weather, a rape and murder night, thousands of hydrants open, spraying water from both breasts.
Saul Bellow (Humboldt's Gift)
I look at the marks of my past family every day, the visible ones, the ones that live on my skin. They’ve long since healed over; they no longer open me to anything. But they’re a part of me, of my experience, as much a record of what has come before as any of the others and in some ways more so since I took them on purposefully. They’re choices I made. Even if it is true that we’re counselled to pack away our love letters and our old photos of our lost loves if we want to truly heal from breakups or divorce, my wearing the tokens I couldn’t just pack away ensured that I have struggled and mourned until I healed. That’s worth something. It’s also worth something to remember that even if things ended (and not even all that well), I loved and was loved, risked and was safely caught. In the end, I don’t want to cover that or erase it—I want to celebrate it and carry it forward. The tattoo of Stanley’s left foot on my right thigh is a centimetre at most from the constellation on the same thigh. Like an old tree, I wear every year that I’ve lived inside me, drought or flood, long winter or warm fall, all of them legible in my rings and—like on any old tree—once they become part of the whole, they’re beautiful.
S. Bear Bergman (Blood, Marriage, Wine, & Glitter)
that rotten feeling of antlike industry. There is really no need to belabor the point, since it is obvious to most of us these days that mathematics has taken possession, like a demon, of every aspect of our lives. Most of us may not believe in the story of a Devil to whom one can sell one’s soul, but those who must know something about the soul (considering that as clergymen, historians, and artists they draw a good income from it) all testify that the soul has been destroyed by mathematics and that mathematics is the source of an evil intelligence that while making man the lord of the earth has also made him the slave of his machines. The inner drought, the dreadful blend of acuity in matters of detail and indifference toward the whole, man’s monstrous abandonment in a desert of details, his restlessness, malice, unsurpassed callousness, money-grubbing, coldness, and violence, all so characteristic of our times, are by these accounts solely the consequence of damage done to the soul by keen logical thinking! Even back when Ulrich first turned to mathematics there were already those who predicted the collapse of European civilization because no human faith, no love, no simplicity, no goodness, dwelt any longer in man.
Robert Musil (The Man Without Qualities)
The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (Grapes of Wrath, The)
I like storms. Thunder, torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought.
Penelope Douglas (Bully (Fall Away, #1))
Very early in the morning, while it was still dark, Jesus got up, left the house and went off to a solitary place, where he prayed.” —Mark 1:35 2. Have an honest heart. “Call upon me and come and pray to me, and I will listen to you. You will seek me and find me when you seek me with all your heart.”—Jeremiah 29:12-13 3. Open your Bible. “The word of God is living and active. Sharper than any double-edged sword, it penetrates even to dividing soul and spirit, joints and marrow; it judges the thoughts and attitudes of the heart.” —Hebrews 4:12 4. Have a genuine friend. “Let us consider how we may spur one another on toward love and good deeds. Let us not give up meeting together, as some are in the habit of doing, but let us encourage one another—and all the more as you see the Day approaching.”—Hebrews 10:24-25 God has not meant for our lives to be empty. His plan is for us to live full and abundant lives (see John 10:10). As Rick Warren explains in his book The Purpose-Driven Life, “The purpose of your life is far greater than your own personal fulfillment, your peace of mind, or even your happiness. It’s far greater than your family, your career, or even your wildest dreams and ambitions. If you want to know why you were placed on this planet, you must begin with God. You were born by his purpose and for his purpose.”8 God did not make you to be empty. Walk with and in the purpose He has planned for you. Prayer: Father God, lift me out of a life of emptiness. You didn’t make me to be there, and that’s not where I will remain. With Your Spirit and power I will rise above this phase of emptiness and live an abundant life. Thank You for giving me a gentle whisper. Amen.   Action: If you find yourself in an empty stage of life, put into action this week the four steps that are given.   Today’s Wisdom: Blessed is the man who trusts in the LORD, whose confidence is in him. He will be like a tree planted by the water that sends out its roots by the stream. It does not fear when heat comes; its leaves are always green. It has no worries in a year of drought and never fails to bear fruit. —JEREMIAH 17:7-8
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
One morning, a farmer knocked loudly on the door of a monastery. When Brother Porter opened the door, the farmer held out to him a magnificent bunch of grapes. “Dear Brother Porter, these are the finest grapes from my vineyard. Please accept them as a gift from me.” “Why, thank you! I’ll take them straight to the Abbot, who will be thrilled with such a gift.” “No, no. I brought them for you.” “For me? But I don’t deserve such a beautiful gift from nature.” “Whenever I knocked on the door, you opened it. When the harvest had been ruined by drought, you gave me a piece of bread and a glass of wine every day. I want this bunch of grapes to bring you a little of the sun’s love, the rain’s beauty and God’s miraculous power.” Brother Porter put the grapes down where he could see them and spent the whole morning admiring them: they really were lovely. Because of this, he decided to give the present to the Abbot, whose words of wisdom had always been such a boon to him. The Abbot was very pleased with the grapes, but then he remembered that one of the other monks was ill and thought: “I’ll give him the grapes. Who knows, they might bring a little joy into his life.” But the grapes did not remain for very long in the room of the ailing monk, for he in turn thought: “Brother Cook has taken such good care of me, giving me only the very best food to eat. I’m sure these grapes will bring him great happiness.” And when Brother Cook brought him his lunch, the monk gave him the grapes. “These are for you. You are in close touch with the gifts Nature gives us and will know what to do with this, God’s produce.” Brother Cook was amazed at the beauty of the grapes and drew his assistant’s attention to their perfection. They were so perfect that no one could possibly appreciate them more than Brother Sacristan, who had charge of the Holy Sacrament, and whom many in the monastery considered to be a truly saintly man. Brother Sacristan, in turn, gave the grapes to the youngest of the novices in order to help him understand that God’s work is to be found in the smallest details of the Creation. When the novice received them, his heart was filled with the Glory of God, because he had never before seen such a beautiful bunch of grapes. At the same time, he remembered the day he had arrived at the monastery and the person who had opened the door to him; that gesture of opening the door had allowed him to be there now in that community of people who knew the value of miracles. Shortly before dark, he took the bunch of grapes to Brother Porter. “Eat and enjoy. You spend most of your time here all alone, and these grapes will do you good.” Brother Porter understood then that the gift really was intended for him; he savoured every grape and went to sleep a happy man. In this way, the circle was closed; the circle of happiness and joy which always wraps around those who are in contact with the energy of love.
Paulo Coelho (The Zahir)
Days like that I feel that my mind is going 1,000,000 miles an hour, visions of the past, present, and future race through my mind. It races, like a train as if I was looking out the window of the car while it is speeding down the line. I am on a track that will never end.' 'I feel that I am going to derail from this runaway train that I am becoming. I cannot sleep at night, because of the fear inside me.' 'I feel restless, depressed, and loveless as well as not content with myself. I would have to say that my passion for life is gone; my imagination is the only thing that keeps me going.' 'I write the day's events that have gone by in my book of life of all the pastimes, while dreaming of what could have been in it, and besides what has not been in it.' 'If this does not stop, I am going to crack. I look into my mirror, and I do not see me, I see an impression of what I used to be.' 'I see my long brown hair that covers part of my face and covers my blue eyes of emotion. I see the cross around my neck that brings me confidence.' 'I hide behind a smile; I see the body in which nobody thinks is without drought flawless.' 'The bare body that is touched in all ways, yet I tried to hide behind my makeup. I gasp at my pale skin and the look of my body.' 'I am 95 pounds, really tiny; surely there is someone that would find me attractive?' 'I wonder if I can find someone who can think for themselves. I want someone who will love me, for who I am- and not what they want me to be.' 'Most importantly, I need someone that will not use me. Is that too much to ask for?' 'Fear!' 'Anxiety is something that I have inside, it is the source of the things which lead to distress. Not finding someone that loves me, for who I am, is some of my fears.' 'I fear the fact that I am most likely going to be alone forever. Another being that everyone that has meaning in my life is fading away from me it seems.' 'I fear not having a family by my side at all times. I have tears about the overwhelming struggle to rebuild my reputation, which has been destroyed.' 'I ask this question if I was to die tomorrow would anybody come to my wake, to see me lying there?' 'I fear what society has done to me. I fear that I have no trust in anyone or anything. I fear that my life has no meaning.' 'I fear that I will never get out of this hell.' 'I just want to start my life and get a degree in nursing someday from- 'The Conemaugh School of Nursing,' if I can make it through all of this. I do not think that is too much to ask for or is it?' 'I think that if I could be left alone, with the one that I want. I could have a life; you know what I am sure of it. I fear that the towering entity will never collapse, and the demons will keep playing in my head. I fear that I will never have a social ability, to be part of the nobility of compatibility.' 'I fear that the terror will never stop in these innocent lives like mine, and they will not be saved. I fear that nobody will ever see my creativity or recognize me for the good in which I do for others. I feel like I am the only one left in this world, that I call my life.' 'All the beauty in life has been dejected, and it is all ablaze around me. Yes, I fear to be in the outside realm of things.' 'I want to scream yet no one is going to hear it. I ask- am I becoming institutionalized?
Marcel Ray Duriez (Walking the Halls (Nevaeh))
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
Sometimes, good people, people of faith—people like us— approach their own salvation that way. We act as though the work is all up to us; that if we do enough good works, we will earn God’s favor and grow and flourish. We are often so busy trying to save ourselves that we fail to notice what God has already done. We see the drought around us and get to work, and we lose sight of what is essential: God’s gift of love and life stored up for us like water in deep wells.
Upper Room (The Upper Room Disciplines 2015: A Book of Daily Devotions)
I Love My Earth I love my earth She is unique, precious feel her pain she reacts as floods droughts storms hurricanes< br>still you keep digging her in name of mining constructions nuclear experiments sweeping forests grabbing her beauty I love her don't you love her?
Ramesh Kavdia
That’s not necessarily a bad thing, is it? You bring old events and choices to the surface, and you change the vista—but spring will come, the soil will seed itself, that flood or drought will abate, and life goes on in that new landscape.
Jacqueline Winspear (The Mapping of Love and Death / A Lesson in Secrets (Maisie Dobbs, #7-8))
The most painful thing about having your loved one killed by water is that you still need their killer to survive.
Mokokoma Mokhonoana
We must develop the skills to maintain a relationship even in emotional droughts. Because, it is easy to love someone when things go perfectly but much harder to love them if they’ve messed something up, made a mistake, or said something nasty.
Zachariah Renfro
I am Them All (The Sonnet) They tell me to disown my words, or the law of christ will strike me down. They tell me to stop writing, or else, consciousness of krishna will bury me in ground. I look into their eyes and respond most gently - My child, waste not your breath in cautioning me, I am the spirit of Vyas that wrote krishna to life, I am the law of Christ that parted the Red Sea. I am in one, I am in all - I am the universe in a brain. I am creation, I am destruction, After a long drought, I am the monsoon rain. I am not a person, the person is merely a vessel. I am but expansion of the past giants, I am the spirit supreme, I am but love universal.
Abhijit Naskar (Yarasistan: My Wounds, My Crown)
Everywhere I turned, everywhere I went, everybody had some3thing to say about love. Mothers, fathers, teachers, singers, musicians, poets, writers, friends. It was like the air It was like the ocean. It was like the sun. It was like the leaves on a tree in summer. It was like the rain that broke the drought. It was the soft sound of the water flowing through a stream. And it was the sound of the crashing waves against the shore in a storm. Love was why we fought all our battles. Love was what we lived and died for. Love was what we dreamed of as we slept. Love was the air we wanted to breathe in when we woke to greet the day. Love was a torch you carried to lead you out of darkness. Love took you out of exile and carried you to a country called Belonging
Benjamin Alire Sáenz (Aristotle and Dante Dive into the Waters of the World (Aristotle and Dante, #2))
Where there is grief, there once was love, where the barren fields stand, there once was a river that ran, where the drought remains, there once was, a tender stream that flowed.....
Jayita Bhattacharjee
I think everyone— blacks, whites, and all races should treat each other with respect, love, and live in a peaceful world. However, it’s as if our country is in a drought and nobody wants to fetch the water. Therefore, with all of the selfishness in America, people's beliefs will be passed down to their children and the cycle of racism and hate will continue.
Charlena E. Jackson (Why Are You Obsessed with My Race?)
My Golden Earth (The Sonnet) O my golden earth, I am but your stupid lover. The flute of your dazzling fragrance, Makes my agonies disappear. Whenever your sky is cloudy, My heart drowns in drought. Whenever your oceans quiver, With tears my eyes get fraught. Whenever you giggle in prosperity, It pours honey into my ears. Whenever you shine with festivals, Light and love erase my historic fears. You are my home o my golden earth. All your children are my sisters and brothers.
Abhijit Naskar (Earthquakin' Egalitarian: I Die Everyday So Your Children Can Live)
This is where those extra earnings from human transport become crucial. So farmers who can use bullock-carts refrain from doing so because of the distress it would cause. A senior official in Bhopal calls this the ‘subsistence ethic at work’. An unwritten understanding that the better off should not ruin the little stability the poor have. It springs not so much from altruism as from sensing the possible consequences of putting further pressures on the poor.
Palagummi Sainath (Everybody loves a good drought)
Dr Daradhiyar’s study estimates that 46 per cent of a Paharia’s earnings go directly to the mahajan in repayment of debt. Up to another 39 per cent go to the lender indirectly (through the purchase of necessities, etc.).
Palagummi Sainath (Everybody loves a good drought)
There are probably less than 15,000 Kahars spread across Godda, Banka and Bhagalpur. They scrape out a living in brick kilns, earth works, harvesting—but always in seasonal occupations. No one has ever bothered to make a systematic count of their actual number. Official data relating to them seem to be flawed. ‘They don’t count us because we don’t count,’ says Jagdev Laiya.
Palagummi Sainath (Everybody loves a good drought)
Plant the flower of love on fertile ground, and provide personal care; furnish water during a drought; offer sustenance so it will grow strong, and always prune the deadened branches to spring anew. Gandolfo – (RJ Intindola) – 1980
Gandolfo – (RJ Intindola) – 1980
I’m not afraid of love or its consequence of light. It’s not easy to say this or anything when my entrails dangle between paradise and fear. I am ashamed I never had the words to carry a friend from her death to the stars correctly. Or the words to keep my people safe from drought or gunshot. The stars who were created by words are circling over this house formed of calcium, of blood this house in danger of being torn apart by stones of fear. If these words can do anything if these songs can do anything I say bless this house with stars. Transfix us with love.
Joy Harjo (The Woman Who Fell from The Sky: Poems)
Where there is grief, there once was love,... where the barren fields stand, there once was a river that ran, where the drought remains, there once was, a tender stream that flowed...
Jayita Bhattacharjee
You look at her like shes the stars and the moon, like rain at the end of a long summer drought.
Lexi Ryan (These Hollow Vows (These Hollow Vows, #1))
These things were lost, and crops were reckoned in dollars, and land was valued by principal plus interest, and crops were bought and sold before they were planted. Then crop failure, drought, and flood were no longer little deaths within life, but simple losses of money. And all their love was thinned with money, and all their fierceness dribbled away in interest until they were no longer farmers at all, but little shopkeepers of crops, little manufacturers who must sell before they can make. Then those farmers who were not good shopkeepers lost their land to good shopkeepers. No matter how clever, how loving a man might be with earth and growing things, he could not survive if he were not also a good shopkeeper. And as time went on, the business men had the farms, and the farms grew larger, but there were fewer of them.
John Steinbeck (The Grapes of Wrath)
The problem with the plague of 1994, really, was that unlike so many other diseases, it refused to occur and remain 'out there' in the rural areas. Nor would it confine itself to urban slums. Plague germs are notorious for their non-observance of class distinctions. Methods are yet to be devised to prevent their entry into the elite areas of South Bombay or South Delhi.
Palagummi Sainath (Everybody Loves a Good Drought)
Liv- ‘Dear sweet baby Jesus I think you’re without a drought the worst driver on the planet!’ I said- ‘You think?’ Maddie sniggers. And Liv spit sprays some of my hot on the back of my headrest. Liv, she has become a real squirter she is always sparing one of us girls down, yet Maddie the most! I said- ‘I don’t want to die like this today!’ ‘Please- please be more alert, please,’ I stammered, I’m clutching the sides of my seat without meaning to. Jenny said- ‘Kar, it’s all good. Hey- It’s not like I am going to crash, I have never even been in a car wreck yet.’ I said- ‘That’s amazing!’ I start to think as I close my eyes, trying so hard not to hold my breath. Like it’s so weird how life works, isn’t it? Like how I always wanted one thing, all my life, and I waited and waited for it but it never comes. And then it did happen last night, yet it was not what I hoped for all, however, all you want to do is curl back up at that moment before things change. And see if he is the one for me or if I should fall back into the arm of Ray, after all, I am his girl. One thing I have resized from dying: Every person you have dependencies on, and every person you need to count on, will ultimately upset you. No matter how much they try not to, nothing in life is ever going to be perfect, so maybe you have to forgive and forget, or trust and move on? In my deepening delusional thoughts, I ask myself these questions.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Where there is grief, there once was love, where the barren fields stand, there once was a river that ran, where the drought remains, there once was, a tender stream that flowed.....” ― Jayita Bhattacharjee
Jayita Bhattacharjee
God created suffering so that joy might appear through its opposite, look at the abasement of the earth and the exaltation of the heavens. Know that all the states of the world are like this: flooding and drought, peace and war. Whatever happens, do not forget, nothing God has created is in vain, whether wrath or forbearance, honesty or guile.
Elif Shafak (The Forty Rules of Love)
About Kindness, This is just so much for my Soul, and to each one of you, beautiful Flickers of Light and Love. On this Amazing Day of Christmas, I want to send you all a bunch of Happiness and a heartful of My Prayers but above all a Truth that I feel I had the privilege of knowing long back, when I fell in love with God Almighty. The truth is Simple, Kindness is all that Matters. And by Kindness I don't mean the Kindness that looks differently on another but the One that comes with Empathy, the One that flows through Compassion, the One that roots in Love. We just have to understand that everyone is a beautiful person at heart, and no matter how a person behaves or how someone treats you, we just have to stay Kind and know that Somewhere out there Everything we do, has ripples, so let us create ripples in Kindness, in Grace, in Forgiveness, above all in Love. It is very very difficult to forgive a person who hurts us, but when you embody Kindness and practice Grace as an everyday habit, you soon understand how easy it becomes to forgive, because then you look at the Soul who hurt you as a Soul who is trapped in a blockchain of Karma, you understand that you need to release that Soul from your Karmic Cycle by forgiving and leaving it to God, and actually praying for the well-being of that Soul. Every Single Time, you cross path with a Stranger, wear a Smile, it doesn't matter if it is reciprocated or not, just know maybe you just infected a Soul with your Smile, after all like Pain, Happiness is Contagious. Let your Energy be that of Happiness, of Sunshine, you never know who needs your Soul's Rainbow in a drought of rain. Every time you find some way to do good, don't even think about it, just do it. Especially when you know that it cannot benefit you, because then you know in your Heart you did something just for Him. And that Feeling is beyond any achievement or success, because honestly nothing on Earth is as beautiful as the feeling of Kindness, of knowing that Every Single Day you wake up in this Earth to wear Kindness, that you have a reason to Exist, and that reason is to sprinkle Grace all around, to let every Soul you cross path with feel how Special they are, to Let the World know that Love is alive, that Kindness is the most beautiful prayer of God, the most amazing privilege granted to us. And so I pray to God, today and always, May the Spirit of Christmas be always the most Alive in the Act of Kindness, in the Very breath that we take, for Kindness is about Love and Love is the Root of this Universe in All Ways, Always. Love & Light, always - Debatrayee
Debatrayee Banerjee