Love Compared To The Ocean Quotes

We've searched our database for all the quotes and captions related to Love Compared To The Ocean. Here they are! All 19 of them:

He talks a lot, which I’m fine with, and he’s not good at maintaining eye contact, which sucks because I want to stare at this electric blue eyes. Punch me if I ever compare them to the sky or the ocean because they’re much cooler than that.
Adam Silvera (What If It's Us)
I only believe in the easy things, like red lipstick and coffee before noon and writing essays in pen. I make my mind up about boys and then I unmake it, compare us to continental drift, two ships passing. I hit the snooze button too often. Write disposable poems on napkins and old homework, try to discipline myself when it comes to removing my makeup before bed. I am trying to understand men better, cut them some slack, write about them less. I dream about oceans and mountains and wolves. I do not always love myself. I do not always forgive myself. I write apology letters and do not send them. Usually, I do not mean it when I tell someone goodbye.
Kristina Haynes
The greatest love we feel for children, a spouse, friends, or family on earth amounts to a teaspoon of love compared to the oceans we will experience together for eternity. The Old Testament prophets foretold it, Jesus demonstrated it, and those who have had a peek behind the veil consistently say the same thing—God is love, and Heaven will be the greatest reunion ever.
John Burke (Imagine Heaven: Near-Death Experiences, God's Promises, and the Exhilarating Future That Awaits You)
Lady, that soft skin, Your bones and mine Will all be dust Before another mountain’s raised. No oceans, Not a river, Hardly a stream Will dry Before our eyes do, And our hearts. – But should I love you less, For such ephemerality? – I think the more instead. For our love’s in the real world; Profane and carnal, at times banal, But in our human sight, sublime. No greater, but quite different To dying suns and levelled range compared We share from our two separate selves A happenstance understanding, An unfateful fate, Designed by, decreed by nothing, Ungiven, not granted, But ours the more for that, The thing no thing can ever learn, The first and final lesson: Mortality is a quality of life. (January–February 1979)
Iain Banks (Poems)
They say that once you see the ocean, no other water can compare. My love story started so many years ago. Pa and I began our marriage with the strength of a tiger’s head but it slowly transformed into the weak tail of the snake. How could it be that I placed the green hat upon his head?
Jean Kwok (Searching for Sylvie Lee)
They say love makes the world go round, and that tiny world we had formed went around us and at our center, at that axis—love. My heart pressed against his. The world dimmed as the sun sank below the horizon, but neither of us seemed aware. The ocean continued to pound its endless rhythm, but it was nothing compared to our hearts thumping against each other. When he pulled his
Brenna Aubrey (Played: A Gaming The System Box Set (Gaming the System #1-3))
Those whom [the Lord] teaches, are always increasing in knowledge, both of themselves and of him. The heart is deep, and, like Ezekiel's vision, presents so many chambers of imagery, one within another, that it requires time to get a considerable acquaintance with it, and we shall never know it thoroughly. It is now more than twenty-eight years since the Lord began to open mine to my own view; and from that time to this, almost every day has discovered to me something which until then was unobserved; and the farther I go, the more I seem convinced that I have entered but a little way. A person who travels in some parts of Derbyshire may easily be satisfied that the country is cavernous; but how large, how deep, how numerous the caverns may be, which are hidden from us by the surface of the ground, and what is contained in them—are questions which our most discerning inquirers cannot fully answer… And if our own hearts are beyond our comprehension, how much more incomprehensible is the heart of Jesus! If sin abounds in us—grace and love superabound in him! His ways and thoughts are higher than ours, as the heavens are higher than the earth; his love has a height, and depth, and length, and breadth, which passes all knowledge! The riches of his grace are unsearchable riches! Eph. 3:8, Eph. 3:18, Eph. 3:19. All that we have received or can receive from him, or know of him in this life, compared with what he is in himself, or what he has for us—is but as the drop of a bucket—compared with the ocean; or a single ray of light—compared with the sun. The waters of the sanctuary flow to us at first almost ankle deep—so graciously does the Lord condescend to our weakness; but they rise as we advance, and constrain us to cry out, with the Apostle, O the depth! We find before us, as Dr. Watts beautifully expresses it, A sea of love and grace unknown, Without a bottom or a shore!
John Newton
The insidious reasons for a brown girl’s self-loathing won’t be surprising to any woman of color. I cannot rightly compare my own struggles to those of another minority, as each ethnicity comes with its own baggage and the South Asian experience is just one variation on the experience of dark-skinned people everywhere. As parents and grandparents often do in Asian countries, my extended family urged me to avoid the sun, not out of fear that heatstroke would sicken me or that UV rays would lead to cancer, but more, I think, out of fear that my skin would darken to the shade of an Untouchable, a person from the lowest caste in Indian society, someone who toils in the fields. The judgments implicit in these exhortations—and what they mean about your worth—might not dawn on you while you’re playing cricket in the sand. What’s at stake might not dawn on you while, as a girl, you clutch fast to yourself your blonde-haired, blue-eyed doll named Helen. But all along, the message that lighter skin is equivalent to a more attractive, worthier self is getting beamed deep into your subconscious. Western ideals of beauty do not stop at ocean shores. They pervade the world and mingle with those of your own country to create mutant, unachievable standards.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
Thich Nhat Hanh shares this Mahayana philosophy of non-dualism. This is clearly demonstrated in one of his most famous poems, “Call Me By My True Names:”1 Don’t say that I will depart tomorrow– even today I am still arriving. Look deeply: every second I am arriving to be a bud on a spring branch, to be a tiny bird, with still fragile wings, learning to sing in my new nest, to be a caterpillar in the heart of flower, to be a jewel hiding itself in a stone. I am still arriving, in order to laugh and to cry, in order to fear and to hope, the rhythm of my heart is the birth and death of every living creature. I am the mayfly metamorphosing on the surface of the river. And I am the bird, that swoops down to swallow the mayfly. I am the frog swimming happily in the clear water of a pond, and I am the grass-snake that silently feeds itself on the frog. I am the child in Uganda, all skin and bones, my legs as thin as bamboo sticks. And I am the arms merchant, selling deadly weapons to Uganda. I am the twelve-year-old girl, refugee on a small boat, who throws herself into the ocean after being raped by a sea pirate. And I am the pirate, my heart not yet capable of seeing and loving. I am a member of the politburo, with plenty of power in my hands, and I am the man who has to pay his “debt of blood” to my people, dying slowly in a forced-labor camp. My joy is like spring, so warm that it makes flowers bloom all over the Earth. My pain is like a river of tears, so vast that it fills up all four oceans. Please call me by my true names, so I can hear all my cries and laughter at once, so I can see that my joy and pain are one. Please call me by my true names, so I can wake up and open the door of my heart, the door of compassion. (Nhat Hanh, [1993] 1999, pp. 72–3) We
Darrell J. Fasching (Comparative Religious Ethics: A Narrative Approach to Global Ethics)
The Vineyard is famously lovely, compared often to sections of Scotland and Ireland. Plots of land are casually separated by stone walls, like a sentence that doesn’t take the turn you think it will take, but takes another way around. Sagging barns on ponds look over fields and marshland. The island gets a bit flatter on its south side, as the interior ponds and streams advance to the ocean. Turn around and then a path or an inlet leads you to a dock and a pint-size rowboat with a single oar. Scruffy fishing vessels nearly disappear under the large coils of rope used for hauling pails and other traps that bring lobsters in from the deep.
Carly Simon (Boys in the Trees)
All my friends tell me I should move on I'm lying in the ocean, singing your song Ahh That's how you sang it Loving you forever can't be wrong Even though you're not here, won't move on Ahh That's how we played it And there's no remedy for memory, your face is like a melody It won't leave my head Your soul is haunting me and telling me that everything is fine But I wish I was dead (dead, like you) Every time I close my eyes, it's like a dark paradise No one compares to you I'm scared that you won't be waiting on the other side Every time I close my eyes, it's like a dark paradise No one compares to you I'm scared that you won't be waiting on the other side All my friends ask me why I stay strong Tell 'em when you find true love, it lives on Ahh That's why I stay here And there's no remedy for memory, your face is like a melody It won't leave my head Your soul is haunting me and telling me that everything is fine But I wish I was dead (dead, like you) Every time I close my eyes, it's like a dark paradise No one compares to you I'm scared that you won't be waiting on the other side Every time I close my eyes, it's like a dark paradise No one compares to you But there's no you, except in my dreams tonight Oh-oh-oh-oh-hah-hah-hah-hah I don't want to wake up from this tonight Oh-oh-oh-oh-hah-hah-hah-hah I don't want to wake up from this tonight There's no relief, I see you in my sleep And everybody's rushing me, but I can feel you touching me There's no release, I feel you in my dreams Telling me I'm fine Every time I close my eyes, it's like a dark paradise No one compares to you I'm scared that you won't be waiting on the other side Every time I close my eyes, it's like a dark paradise No one compares to you But there's no you, except in my dreams tonight Oh-oh-oh-oh-hah-hah-hah-hah I don't want to wake up from this tonight Oh-oh-oh-oh-hah-hah-hah-hah I don't want to wake up from this tonight "Dark Paradise
Lana Del Rey
The directionality and asymmetry of similarity relations are particularly noticeable in similes and metaphors,” Amos wrote. “We say ‘Turks fight like tigers’ and not ‘tigers fight like Turks.’ Since the tiger is renowned for its fighting spirit, it is used as the referent rather than the subject of the simile. The poet writes ‘my love is as deep as the ocean,’ not ‘the ocean is as deep as my love,’ because the ocean epitomizes depth.” When people compared one thing to another—two people, two places, two numbers, two ideas—they did not pay much attention to symmetry. To Amos—and to no one else before Amos—it followed from this simple observation that all the theories that intellectuals had dreamed up to explain how people made similarity judgments had to be false.
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
The relationship to father is quite different. Mother is the home we come from, she is nature, soil, the ocean; father does not represent any such natural home. He has little connection with the child in the first years of its life, and his importance for the child in this early period cannot be compared with that of mother. But while father does not represent the natural world, he represents the other pole of human existence; the world of thought, of man-made things, of law and order, of discipline, of travel and adventure. Father is the one who teaches the child, who shows him the road into the world.
Erich Fromm (The Art of Loving)
So on matters of faith," continued the Chinaman, the student of Confucius, "it is pride that causes error and discord among men. As with the sun, so it is with God. Each man wants to have a special God of his own, or at least a special God for his native land. Each nation wishes to confine in its own temples Him, whom the world cannot contain. "Can any temple compare with that which God Himself has built to unite all men in one faith and one religion? "All human temples are built on the model of this temple, which is God's own world. Every temple has its fonts, its vaulted roof, its lamps, its pictures or sculptures, its inscriptions, its books of the law, its offerings, its altars and its priests. But in what temple is there such a font as the ocean; such a vault as that of the heavens; such lamps as the sun, moon, and stars; or any figures to be compared with living, loving, mutually-helpful men? Where are there any records of God's goodness so easy to understand as the blessings which God has strewn abroad for man's happiness? Where is there any book of the law so clear to each man as that written in his heart? What sacrifices equal the self-denials which loving men and women make for one another? And what altar can be compared with the heart of a good man, on which God Himself accepts the sacrifice? "The higher a man's conception of God, the better will he know Him. And the better he knows God, the nearer will he draw to Him, imitating His goodness, His mercy, and His love of man. "Therefore, let him who sees the sun's whole light filling the world, refrain from blaming or despising the superstitious man, who in his own idol sees one ray of that same light. Let him not despise even the unbeliever who is blind and cannot see the sun at all." So spoke the Chinaman, the student of Confucius; and all who were present in the coffee-house were silent, and disputed no more as to whose faith was the best.
Leo Tolstoy (What Men Live By and Other Tales)
why could it not be that God allowed evil because it will bring us all to a far greater glory and joy than we would have had otherwise? Isn't it possible that the eventual glory and joy we will know will be infinitely greater than it would have been had there been no evil? What if that future world will somehow be greater for having once been broken and lost? At the simplest level, we know that only if there is danger can there be courage. Apart from sin and evil, we would never have seen the courage of God, or the astonishing extent of his love, or the glory of a deity who lays aside his glory and goes to the cross. For us here in this life, the thought of God's glory is rather remote and abstract. But we must realise that the most rapturous delights you have ever had- in the beauty of a landscape, or in the pleasure of food, or in the fulfillment of a loving embrace- are like dewdrops compared to the bottomless ocean of joy that it will be to see God face-to-face (1 John 3:1-3). That is what we are in for, nothing less. And according to the Bible, that glorious beauty, and our enjoyment of it, has been immeasurably enhanced by Christ's redemption of us from evil and death. We are told that the angels long to endlessly gaze into the gospel, into the wonder of what Jesus did in his incarnation and atonement (1 Peter 1:12)
Timothy J. Keller
She thought about how short a human lifespan was on a planet like this.  In a universe like this.  Seventy or eighty years against millions or even billions, making the span of a human life little more than a speck—at best, a momentary flash in time compared to things like a lake or an ocean, whose waves and ripples felt timeless, ambivalent of what floated on or within them.  It reminded Angela of the old saying that an ocean had no memory. In reality, the only true sense of time was born through human consciousness, with human lives being just a momentary flash within it.  So brief and so temporary, yet humans spent so much of their flash doing what?  Arguing and fighting.  Only to have their entire existence snuffed out seventy or eighty years later.  Sometimes sooner, sometimes later.  Everything they felt.  Everything they thought about or loved.  Gone into the ether.
Michael C. Grumley (The Desert of Glass (Monument #2))
But that isolated coup was as nothing compared to the body of work sustained over years by George Leonidas Leslie (or Western George, as he was known) and his colleagues. This Ohio immigrant lived a remarkable double life. At one moment he was an independently wealthy man-about-town, known for his impeccable manners, his tailoring, his love of books, and his membership in several excellent clubs. At other moments he headed a highly sophisticated gang of bank robbers whose careful preparations—obtaining architect’s plans of the building under scrutiny, or constructing special burglars’ tools—helped pull off perhaps a hundred jobs like the robbery, in 1869, of the Ocean National Bank at Greenwich and Fulton, which netted them over threequarters of a million dollars. Beginning in 1875, Western George spent three years preparing for his master heist, a knockover of the Manhattan Savings Institution on Bleecker and Broadway, arrangements that included purchasing a duplicate of the Manhattan’s vault in order to ferret out its weak spots.
Mike Wallace (Gotham: A History of New York City to 1898)
But what I felt for him was an all-consuming, pure and innocent first love. The kind you never forget. The kind of love you store in a box, making sure you throw away the key and then toss into the deepest end of the ocean. It's a love that haunts you. It's what you compare everything too.
Callie Anderson (Broken Dreams)
He stopped and turned around, smiling at me for the first time. “All right, do tell me, please, which of the two is greater, do you think: the Prophet Muhammad or the Sufi Bistami?” “What kind of a question is that?” I said. “How can you compare our venerated Prophet, may peace be upon him, the last in the line of prophets, with an infamous mystic?” A curious crowd had gathered around us, but the dervish didn’t seem to mind the audience. Still studying my face carefully, he insisted, “Please think about it. Didn’t the Prophet say, ‘Forgive me, God, I couldn’t know Thee as I should have,’ while Bistami pronounced, ‘Glory be to me, I carry God inside my cloak’? If one man feels so small in relation to God while another man claims to carry God inside, which of the two is greater?” My heart pulsed in my throat. The question didn’t seem so absurd anymore. In fact, it felt as if a veil had been lifted and what awaited me underneath was an intriguing puzzle. A furtive smile, like a passing breeze, crossed the lips of the dervish. Now I knew he was not some crazy lunatic. He was a man with a question—a question I hadn’t thought about before. “I see what you are trying to say,” I began, not wanting him to hear so much as a quaver in my voice. “I’ll compare the two statements and tell you why, even though Bistami’s statement sounds higher, it is in fact the other way round.” “I am all ears,” the dervish said. “You see, God’s love is an endless ocean, and human beings strive to get as much water as they can out of it. But at the end of the day, how much water we each get depends on the size of our cups. Some people have barrels, some buckets, while some others have only got bowls.” As I spoke, I watched the dervish’s expression change from subtle scorn to open acknowledgment and from there into the soft smile of someone recognizing his own thoughts in the words of another. “Bistami’s container was relatively small, and his thirst was quenched after a mouthful. He was happy in the stage he was at. It was wonderful that he recognized the divine in himself, but even then there still remains a distinction between God and Self. Unity is not achieved. As for the Prophet, he was the Elect of God and had a much bigger cup to fill. This is why God asked him in the Qur’an, Have we not opened up your heart? His heart thus widened, his cup immense, it was thirst upon thirst for him. No wonder he said, ‘We do not know You as we should,’ although he certainly knew Him as no other did.
Elif Shafak (The Forty Rules of Love)