Love Can't Be Defined Quotes

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I can't promise you an ordinary experience, Kate. I wish I could transform myself into a normal man and be there for you, always, without the trauma that defines my life as "the walking dead." Since that isn't possible, I can only reassure you that I will do everything in my power to make it up to you. To give you more than a normal boyfriend could. I have no idea what that will mean, exactly, but I'm looking forward to finding out. With you.
Amy Plum (Die for Me (Revenants, #1))
One of the things I love about books is being able to define and condense certain portions of a character's life into chapters. It's intriguing, because you can't do this with real life. You can't just end a chapter, then skip the things you don't want to live through, only to open it up to a chapter that better suits your mood. Life can't be divided into chapters... only minutes. The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath. I need one of those chapter breaks. I just want to catch my breath, but I have no idea how.
Colleen Hoover (Hopeless (Hopeless, #1))
I define vulnerability as uncertainty, risk and emotional exposure. With that definition in mind, let’s think about love. Waking up every day and loving someone who may or may not love us back, whose safety we can’t ensure, who may stay in our lives or may leave without a moment’s notice, who may be loyal to the day they die or betray us tomorrow—that’s vulnerability.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
I’ve grown up defined by this desperate, undeniable, ‘can’t breathe’ kind of space inside of myself and I’m afraid that the diagnosis is fatal.
Jennifer Elisabeth
Tell me, Mr. DeMarco. What’s love to you?” […] He glared at his teacher. “I think it’s ridiculous you’re even trying to define it like it’s something material you can just go find if you want it. People use the word too loosely as it is. They say they love this and they love that, when they don’t. They just like the shi— uh, stuff. Love is something that changes you, and if you really loved all the crap you say you love, you’d never know who you were because you’d constantly be changing. Once you love, you love forever. You can’t help it.
J.M. Darhower (Sempre (Sempre, #1))
Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.
Shannon L. Alder
Others can't always define your true identity. They see what they 'want' to see but beyond your mess, God sees the beauty He created and still thinks it's good!
Chinonye J. Chidolue
Her voice whispering love soothes him. They'd never done that before. Weren't that type of family. Except now he doesn't know what kind of family they are. What word is it that can define them? What would they call his family in the textbooks? Broken? He comes from a broken home. The Mackees can't be put back together again. There are too many pieces of them missing.
Melina Marchetta (The Piper's Son)
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
China Miéville
I define vulnerability as uncertainty, risk, and emotional exposure. With that definition in mind, let's think about love. Waking up every day and loving someone who may or may not love us back, whose safety we can't ensure, who may stay in our lives or may leave without a moment's notice, who may be loyal to the day they die or betray us tomorrow- that's vulnerability. Love is uncertain. It's incredibly risky. And loving someone leaves us emotionally exposed. Yes, it's scary, and yes, we're open to being hurt, but can you imagine your life without loving or being loved?
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
Kate, I'm not always the best at expressing myself to you, so I'm taking advantage of the fact that I will be completely unresponsive when you read this, and therefore incapable of messing things up. I want to thank you for giving me a chance. When I first saw you, I knew I had found something incredible. And since then all I've wanted was to be with you as much as possible. When I thought I had lost you, I was torn between wanting you back and wanting the best for you—wanting you to be happy. Seeing you so miserable during the weeks we were apart gave me the courage to fight for us . . . to find a way for things to work. And seeing you happy again in the days we've been back together makes me think I did the right thing. I can't promise you an ordinary experience, Kate. I wish I could transform myself into a normal man and be there for you, always, without the trauma that defines my life as "the walking dead." Since that isn't possible, I can only reassure you that I will do everything in my power to make it up to you. To give you more than a normal boyfriend could. I have no idea what that will mean, exactly, but I'm looking forward to finding out. With you. Thank you for being here, my beauty. Mon ange. My Kate. Yours utterly, Vincent
Amy Plum (Die for Me (Revenants, #1))
If your goal is to love what you do, you must first build up “career capital” by mastering rare and valuable skills, and then cash in this capital for the traits that define great work.
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
What you do doesn’t define you. You can’t let your failures, or your success for that matter, dictate how you view yourself. You are loved.
Taylor York
What were you thinking when we were holding hands diagonally?" I ask. Jeff says, "I was thinking, 'It's going to be so hard for her when she chooses not to get on that lifeboat and stay with me.'" I decide I can't start this marriage with a lie. "Really?" I say. "'Cause I was thinking that it was going to be so hard for you when I got on the lifeboat and you had to stay behind." He is appalled. I plead my case. "Remember when we saw Titanic how mad I was at Kate Winslet when she climbed out of the lifeboat and back into the ship? I think she encumbered Leonardo DiCaprio. If she had gone on the lifeboat, then he could have had that piece of wood she was floating on and they both would have survived. I would never do that to you." I wait for his response, hoping that in the twenty-first century romantic love can be defined as not lying about your plans to get on the lifeboat and remembering to get your partner some pills. He just laughs. With that settled, we begin our married life.
Tina Fey (Bossypants)
Love isn’t defined by what you deserve. It’s about finding that one person you know you can’t live without and never letting them go.-Pierce
Lisa De Jong (Lies Unspoken (Flawed Love, #1))
The people who have power over you are weak too. They shit and bleed and worry that their children don’t love them anymore. They’re embarrassed by the stupid things they did when they were young that everyone else has forgotten. And so they’re vulnerable. We all define ourselves by the people around us, because that’s the kind of monkey we are. We can’t transcend it. So when they watch you, they hand you the power to change what they are too.
James S.A. Corey (Tiamat's Wrath (The Expanse, #8))
To say they had waited for months or even years to find each other again would not be accurate. Love runs on another time track. It can't be counted down and won't allow itself to be defined as terminable. For Reid and Lena, it could have been months, years or a lifetime because at that moment, it was as if no time had passed at all.
Giselle V. Steele (The Burning Of Grey)
There are moments in every relationship that define when two people start to fall in love. A first glance A first smile A first kiss A first fall… (I remove the Darth Vader house shoes from my satchel and look down at them.) You were wearing these during one of those moments. One of the moments I first started to fall in love with you. The way you gave me butterflies that morning Had absolutely nothing to do with anyone else, and everything to do with you. I was falling in love with you that morning because of you. (I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.) This ugly little gnome With his smug little grin… He's the reason I had an excuse to invite you into my house. Into my life. You took a lot of aggression out on him over those next few months. I would watch from my window as you would kick him over every time you walked by him. Poor little guy. You were so tenacious. That feisty, aggressive, strong-willed side of you…. The side of you that refused to take crap from this concrete gnome? The side of you that refused to take crap from me? I fell in love with that side of you because of you. (I set the gnome down on the stage and grab the CD) This is your favorite CD ‘Layken’s shit.’ Although now I know you intended for shit to be possessive, rather than descriptive. The banjo started playing through the speakers of your car and I immediately recognized my favorite band. Then when I realized it was your favorite band, too? The fact that these same lyrics inspired both of us? I fell in love with that about you. That had absolutely nothing to do with anyone else. I fell in love with that about you because of you. (I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.) This is a receipt I kept. Only because the item I purchased that night was on the verge of ridiculous. Chocolate milk on the rocks? Who orders that? You were different, and you didn’t care. You were being you. A piece of me fell in love with you at that moment, because of you. This? (I hold up another sheet of paper.) This I didn’t really like so much. It’s the poem you wrote about me. The one you titled 'mean?' I don’t think I ever told you… but you made a zero. And then I kept it to remind myself of all the things I never want to be to you. (I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.) This is that ugly shirt you wear. It doesn’t really have anything to do with why I fell in love with you. I just saw it at your house and thought I’d steal it.
Colleen Hoover (Point of Retreat (Slammed, #2))
We can’t sufficiently define love with our words. Therefore, the only option that we’re left with is to show it in our actions. And if our actions don’t show it, the words don’t matter. Neither does anything else.
Craig D. Lounsbrough
You know when you’re on a course that you know is the right one. You can’t explain it, you can’t define it, you don’t know how you got there or what all the obstacles will be, you just know the end result will be amazing and it will be worth it. That was the road I was on. Full speed ahead, no blinkers or turn signals, just cruise control.
Shelly Crane (Altered (Devoured, #3))
God is a person, and his universe reflects his personhood. The closer something is to the character of God, the more it reflects him and the less it can be measured. Things such as integrity, beauty, hope, and love are all in the same category as prayer. You can tell their presence and even describe them, but you can't define them, simply because they are too close to God's image.
Paul E. Miller (A Praying Life: Connecting With God In A Distracting World)
Looking at him in his cut, tattoos peeking out beneath his shirt, I realize why I can't have a Prince Charming; I've fallen in love with the villain.
M.N. Forgy (The Scars That Define Us (The Devil's Dust, #2))
Why must we try to define it by the social standards we were raised to believe in? Look at what else they’ve taught us, and how unhappy our peers are because of them. Why can’t it just be what it is? An unconventional love.
Navessa Allen (Scandal (Ladies of Infamy, #1))
Love-real love-can’t be defined. It just is.
Elizabeth Scott (As I Wake)
I love how everything must always be defined. Gay, straight, bi. Why can’t people just fuck whoever they want without feeling the need to label it or explain it away?
Elle Kennedy (Getting Hotter (Out of Uniform, #8))
The past is a tricky thing and we let it define us when we should embrace the here and now, and all that’s still coming. You need to let yourself live from a place of love, not from a place of fear over the things you can’t control.
Jennifer Farwell (Seven Weeks to Forever)
but true love goes far deeper than that. It is an unexplainable connection of the heart, one that endures triumph and tragedy, pain and suffering, obstacles and loss. It is something that is either present or missing - there is no "almost", "in between", "most of the time." It is the unexplainable reason that some marriages entered into after one-week courtships can last a lifetime. Its absence is why "perfect" marriages fall apart. It can't be quantified or explained in science, religion, or philosophy. It can't be advised on by friends or marriage counselors who can't take their own advice. There are no rules, no how-to books, no guaranteed methods of success. It is not defined by vows or rings or promises of tomorrow. It is simply a miracle of God, that too few are blessed to experience.
Richard Doetsch (The Thieves Of Darkness (Michael St. Pierre, #3))
Don't be stopped by the "if you can't define it and measure it, I don't have to pay attention to it" ploy. No one can define or measure justice, democracy, security, freedom, truth, or love. But if no one speaks up for them, if systems aren't designed to produce them, and point toward their presence or absence, they will cease to exist.
Donella H. Meadows (Thinking In Systems: A Primer)
Fanaticism is the opposite of love,’ I said, recalling one of Khaderbhai’s lectures. A wise man once told me—he’s a Muslim, by the way—that he has more in common with a rational, reasonable-minded Jew than he does with a fanatic from his own religion. He has more in common with a rational, reasonable-minded Christian or Buddhist or Hindu than he does with a fanatic from his own religion. In fact, he has more in common with a rational, reasonable-minded atheist than he does with a fanatic from his own religion. I agree with him, and I feel the same way. I also agree with Winston Churchill, who once defined a fanatic as someone who won’t change his mind and can’t change the subject.
Gregory David Roberts (Shantaram)
I believe in Free Will, the Force Almighty by which we conduct ourselves as if we were the sons and daughters of a just and wise God, even if there is no such Supreme Being. And by free will, we can choose to do good on this earth, no matter that we all die, and do not know where we go when we die, or if a justice or explanation awaits us. I believe that we can, through our reason, know what good is, and in the communion of men and women, in which the forgiveness of wrongs will always be more significant than the avenging of them, and that in the beautiful natural world that surrounds us, we represent the best and the finest of beings, for we alone can see that natural beauty, appreciate it, learn from it, weep for it, and seek to conserve it and protect it. I believe finally that we are the only true moral force in the physical world, the makers of, ethics and moral ideas, and that we must be as good as the gods we created in the past to guide us. I believe that through our finest efforts, we will succeed finally in creating heaven on earth, and we do it every time that we love, every time that we embrace, every time that we commit to create rather than destroy, every time that we place life over death, and the natural over what is unnatural, insofar as we are able to define it. And I suppose I do believe in the final analysis that a peace of mind can be obtained in the face of the worst horrors and the worst losses. It can be obtained by faith in change and in will and in accident and by faith in ourselves, that we will do the right thing, more often than not, in the face of adversity. For ours is the power and the glory, because we are capable of visions and ideas which are ultimately stronger and more enduring than we are. That is my credo. That is my belief, for what it's worth, and it sustains me. And if I were to die right now, I wouldn't be afraid. Because I can't believe that horror or chaos awaits us. If any revelation awaits us at all, it must be as good as our ideals and our philosophy. For surely nature must embrace the visible and the invisible, and it couldn't fall short of us. The thing that makes the flowers open and the snowflakes fall must contain a wisdom and a final secret as intricate and beautiful as the blooming camellia or the clouds gathering above, so white and so pure in the blackness. If that isn't so, then we are in the grip of a staggering irony. And all the spooks of hell might as well dance. There could be a devil. People who burn other people to death are fine. There could be anything. But the world is simply to beautiful for that. At least it seems that way to me.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Successful long term relationships are all about power levels. A high power level male will attract and succeed with a high level power female. How do we define those power levels? We can’t, they are inherently in us, and invisible to scientists, accountants, psychologists and spiritualists alike. None can explain the Universe in its entirety, and it is more than chemistry, biology, physics, genetics, horoscopes, religion, in-laws, fame, psychology and spirituality. We may be infatuated by a person, but as soon as we hold their hands, kiss their lips, and especially, make love or have sex with them, their power levels will be instantly exposed.
Robert Black
You'll never see a U-Haul behind a hearse,' Denzel Washington often said as we worked together on 'Fences.' 'I don't care how much money you have or what level of notoriety you've achieved, you can't take any of it with you.' There is a cap on earthly success, a ceiling on the amount of joy that possessions and awards can bring before disillusionment sets in. Our appearance, our prosperity, the applause: all of it is so fleeting. But a life of true significance has unlimited impact. It is measured in how well we've loved those around us, how much we've given away, how many seeds we've sown along our path. During her ninety-six years, Ms. [Cicely] Tyson has discovered the potent elixir: she has lived a life of that is bigger than she is, an existence grounded in purpose and flourishing in service to others. That is her defining masterpiece. That is her enduring gift to us all. [Viola Davis, Foreword]
Cicely Tyson (Just as I Am)
I continue pondering this great mystery called love. Who’d have thought that something you can’t see, hear or touch, much less even define, could rule your life so completely?
Brenna Aubrey (For the One (Gaming The System, #5))
I’ve chosen not to be defined by what I’ve lost. I simply can’t live mired in tragedy and sorrow without joy or hope or a reason to get up in the morning.
Marie Force (Ready for Love (Gansett Island, #3))
I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” - Darling Cruel
Sherrilyn Kenyon
Defining the Problem I can't forgive you. Even if I could, You wouldn't pardon me for seeing through you. And yet I cannot cure myself of love For what I thought you were before I knew you.
Wendy Cope (Serious Concerns)
I think . . . I think, Calder, that we have to figure out how to forgive, not for the people who wronged us, but for us. We can't keep bitterness attached to our hearts because eventually, it might become part of us—so deeply ingrained we can't work it back out. I think we have to focus on the beauty we've been given in this life, and make that the thing that defines us. Because people defined by bitterness end up destroying themselves from the inside out, and eventually they destroy everyone who tries to love them, too. That's not going to be us.
Mia Sheridan (Finding Eden)
Behind the mask of love I find my innate selfishness. What a predicament I am in if someone asks, “Do you really love me?” I can’t say yes without saying no, for the only answer that will really satisfy is, “Yes, I love you so much I could eat you! My love for you is identical with my love for myself. I love you with the purest selfishness.” No one wants to be loved out of a sense of duty. So I will be very frank. “Yes, I am pure, selfish desire and I love because you make me feel wonderful—at any rate for the time being.” But then I begin to wonder whether there isn’t something a bit cunning in this frankness. It is big of me to be so sincere, to make a play for her by not pretending to be more than I am—unlike the other guys who say they love her for herself. I see that there is always something insincere about trying to be sincere, as if I were to say openly, “The statement that I am now making is a lie.” There seems to be something phony about every attempt to define myself, to be totally honest. The trouble is that I can’t see the back, much less the inside, of my head. I can’t be honest because I don’t fully know what I am. Consciousness peers out from a center which it cannot see—and that is the root of the matter.
Alan W. Watts (The Joyous Cosmology: Adventures in the Chemistry of Consciousness)
It will take so long for you to understand this, but you can’t punish yourself for someone else’s pain. You have to learn to separate, to draw boundaries. It’s the hardest thing, loving your mother. It’s the most profound and heartbreaking, the most important, love of my life. But I also couldn’t let it define me. I had another daughter. I had grandchildren. I had my own sense of self. And now I have Saul too.
Kate Axelrod (The Law of Loving Others)
Let me ask you this, what are you willing to let go that stands between you and happiness? The obvious stuff is easy, that anger you’ve been holding on to, that resentment. But what about the things you think are assets? That relationship you think you can’t live without, that job you think defines you, can you let go of that? Because, if you’re really serious about getting happy, you might be forced to let it all go, to know you can be okay without it. Because you’re the fish you’re trying to catch, you are the love of your life, you’re everything you’ve been searching for.
Josh Peck (Happy People Are Annoying)
Why is it that, you can only truly love someone if you make out with them or if they are your family? Whatever happened to friendship love? Look. I have never have met anyone on this site. But the love here - that shit is real. I don't care if you're all some random perverted thirty-year old men just wanting to bang some chick. I love you all. You guys gave me the courage to move on in life. You taught me that its okay to cry and feel pity for myself as long as I got back up. And I'll always be greatful to you for that. Look. I don't know what you guys look like, but if its anything like what you're like on the inside - than you are all gorgeous, wonderful, beautiful people and the world just can't handle your awesomeness. Okay? So I just wanted to say thank you. And to anyone who doubts this love, screw you. Because these people saved me when no one else cared to even try. These people are my courage, my legs to stand on, my world. And trust me when I say this. These people are my soul mates. Not 'like my soul mates', no. These people are my soul mates. And this love can't simply be defined in a couple of make out sessions. It goes beyond that. Beyond your imagination. So shut the hell up and don't bother telling me that I can't possible love these people because I never met them. Some feelings reach through the screen, and don't need to have the interaction among one another. Some feelings surpass all. So shut up. I love these people.
Trisscar
If you don’t look at yourself, you can’t know yourself. If you don’t know your flaws, lumps and bumps then someone else can use them against you to make you feel inferior. I think you’re perfect just the way you are. I believe if you hide from who you are, you let everyone else define you instead of you. You are your power, embrace that and be beautiful.
Ella December (Mimi Memoirs)
Where we've been defines where we'll go. You can't allow your past to define you, but you can leverage it to create a better future!
Colleen Ferrary Bader
You never told me your name," he says, his voice so hauntingly familiar it causes a rush of heat to blanket my skin. I sigh,staring blankly down the hall when I say, "Psycho Girl-Psycho Horseback Singing Girl..." I shrug. "I've heard it both ways." He squints.His hand reaching for my shoulder,then falling away the instant he catches the look of reproach on my face. "Look," I say,knowing I need to stop him before he can go any further.His kindness will only distract me at a time when I need to stay focused. "I've had a really bad day.And if my calculations are right,I have three hundred and eight more,give or take, before I get to graduate and get the heck out of this place. So,why don't you just call me whatever you want. Everyone else does.It's not like it matters..." My cheeks go hot,my eyes start to sting, and I know I'm rambling like a lunatic,but I cant seem to stop,can't seem to care.The world's most socially inept Seeker-that's me in a nutshell. "Don't let them reduce you to that," he says,his gaze instense, his voice surprising me with its sincerity, its urgency. "Don't let them define how you see yourself,or your place here. And if you ever need someone to talk to,I'm not hard to find.I'm either in class, reading in the library,or eating lunch in the North hallway." The second he says it,my gaze flies down the length of him.Slipping past a gray V-neck tee and dark denim jeans,not the least bit surprised when I land on the same heavy,black, thick-soled shoes I spied earlier. Then before he can say anything more, I'm gone. Trying to ignore the comforting stream of kindness and love that swarms all around me.
Alyson Noel (Fated (Soul Seekers, #1))
Don’t allow the things you can’t control to define you. Or to turn you into someone who you are not. It takes time for things to be clear. To unfold. And not everything you think is supposed to be great.
Zaishah (Fragrance Of A Dead Rose: A Reminder of Hope)
One of the things I love about books is being able to define and condense certain portions of a character's life into chapters. It’s intriguing, because you can’t do this with real life. You can’t just end a chapter, then skip the things you don’t want to live through, only to open it up to a chapter that better suits your mood. Life can’t be divided into chapters...only minutes. The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath.
Colleen Hoover (Hopeless (Hopeless, #1))
I can't help it, it's what I feel. And I can't change it, nor can I explain it. I was just naïve enough to believe that the people closest to me would get it. I don't understand how a biological condition can end up defining how we are supposed to live - what kind of work we should do, how we should dress, how we should feel, whom to love? How to walk! It seems like the only way I can exist is if the world can decode me according to a gender. Anything else makes people uncomfortable and my existence becomes a freak show.
Nandita Basu (Rain Must Fall)
The thing about love is one can never define it exactly. And as much of a mystery as that is and as familiar it is when we acknowledge it, words just aren't enough. So we find ourselves scratching the walls while our hair is falling out. Then we can't live without it. We become addicts.
Kevin Fuller
She was loyal and brave and as smart as a treeful of owls. By explaining her talents and legions of virtues, though, I would not be making my point, which is that the death of my dog hit me harder than the deaths of many people I have known, and this can’t be explained away by saying how good she was. She was. But what I was feeling was something else entirely. I came to realize in the months following Rose’s death, months that I referred to myself as being in the ditch, that there was between me and every person I had ever loved some element of separation, and I had never seen it until now. There had been long periods spent apart from the different people I loved, due to nothing more than circumstances. There had been arguments and disappointments, for the most part small and easily reconciled, but over time people break apart, no matter how enormous the love they feel for one another is, and it is through the breaking and the reconciliation, the love and the doubting of love, the judgment and then the coming together again, that we find our own identity and define our relationships. Except that I had never broken from Rose. I had never judged her or wanted her to be different, never wished myself free from her for a single day.
Ann Patchett (This Is the Story of a Happy Marriage)
Judging them for what they couldn’t do then, and even what they can’t do now, doesn’t make anything better. Their inaction does not define them because they also did so many great things and I love them both, and I cherish the relationships I have with them. And selfishly, as a parent, I would want some of that slack, too. In case my kids write a tell-all book about me in 2059, I want to instill in them that I’m always going to be there for them, and I’m going to mess up, and when I do, I will be empathetic, I will apologize, and I’ll do better. Most importantly, I’ll keep talking with them until they feel better. So far, it’s working.
Paul Scheer (Joyful Recollections of Trauma: A Hilariously Cathartic Memoir-in-Essays of Childhood Turmoil, Self Healing, and Finding Happiness)
Thus is the defining characteristic of gay millennials: we straddle the pre-Glee and post-Glee worlds. We went to high school when faggot wasn’t even considered an F-word, when being a lesbian meant boys just didn’t want you, when being nonbinary wasn’t even a remote option. We grew up without queer characters in our cartoons or Nickelodeon or Disney or TGIF sitcoms. We were raised in homophobia, came of age as the world changed around us, and are raising children in an age where it’s never been easier to be same-sex parents. We’re both lucky and jealous. As the state of gay evolved culturally and politically, we were old enough to see it and process it and not take it for granted–old enough to know what the world was like without it. Despite the success of Drag Race, the existence of lesbian Christmas rom-coms, and openly transgender Oscar nominees, we haven’t moved on from the trauma of growing up in a culture that hates us. We don’t move on from trauma, really. We can’t really leave it in the past. It becomes a part of us, and we move forward with it. For LGBTQ+ millennials, our pride is couched in painful memories of a culture repulsed and frightened by queerness. That makes us skittish. It makes us loud. It makes us fear that all this progress, all this tolerance , all of Billy Porter's red carpet looks can vanish as quickly as it all appeared.
Grace Perry (The 2000s Made Me Gay: Essays on Pop Culture)
Sometimes he wakes so far from himself that he can't even remember who he is. 'Where am I?' he asks, desperate, and then, 'Who am I? Who am I?' And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem's whispered incantation. 'You're Jude St. Francis. You are my oldest, dearest friend. You're the son of Harold Stein and Julia Altman. You're the friend of Malcolm Irvine, Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You're a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You're a swimmer. You're a baker. You're a cook. You're a reader. You have a beautiful voice, though you never sing anymore. You're an excellent pianist. You're an art collector. You write me lovely messages when I'm away. You're patient. You're generous. You're the best listener I know. You're the smartest person I know, in every way. You're the bravest person I know, in every way. You're a lawyer. You're the chair of the litigation department at Rosen Pritchard and Klein. You love your job, you work hard at it. You're a mathematician. You're a logician. You've tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you. On and on Willem talks, chanting him back to himself, and in the daytime - sometimes days later - he remembers pieces of what Willem has said and holds them close to him, as much as for what he said as for what he didn't, for how he hadn't defined him. But in the nighttime he is too terrified, he is too lost to recognize this. His panic is too real, too consuming. 'And who are you?' he asks, looking at the man who is holding him, who is describing someone he doesn't recognize, someone who seems to have so much, someone who seems like such an enviable, beloved person. 'Who are you?' The man has an answer to this question as well. 'I'm Willem Ragnarsson,' he says. 'And I will never let you go.
Hanya Yanagihara (A Little Life)
Divergent taught me that one choice doesn't define you The Host taught me that you can't be so quick to judge Hunger Games taught me that the tinest spark can change the world The Mortal Instruments taught me that friends can help you overcome anything Percy Jacskon taught me that everyone's a hero Harry Potter taught me that love conquers all evil.
Random
Commitmentphobics tend to resist being defined by a job or a career, even when they are successful. An example of this is the lawyer/writer who teaches and plays in a jazz band weekends. The bottom line is that they always want to feel that the possibility exists that they can get out from any job situation, should they want to. Some want to fairly often.
Steven Carter (MEN WHO CAN'T LOVE)
I want to be successful, but I also want to be happy. I want to be loving and patient with my kids instead of cold, angry, or irritable. I want to have harmony, intimacy, deep sharing, and passionate sex with my wife. I don’t want to be distant, live like roommates, bicker, criticize, or have hurtful fights that involve attacking each other’s vulnerabilities. I want to be an inspiring leader in my business. I want my team to speak freely, challenge me, support me, and have fun working with me. I don’t want them to fear me, secretly dislike me, degrade me behind my back, and wish they had a better job. I want my clients and customers to feel cared about, inspired, challenged, and respected. I want them to feel like they got so much value out of their investment that they can’t put a dollar amount on how much better their lives are now. I don’t want them to feel let down, uncared for, like a bother, and that their growth and success is irrelevant to me. In short, I want to be a “good person” too. However you define that in your world, I’d imagine it’s pretty similar.
Aziz Gazipura (Not Nice: Stop People Pleasing, Staying Silent, & Feeling Guilty... And Start Speaking Up, Saying No, Asking Boldly, And Unapologetically Being Yourself)
But now that I'm older, I realize life isn't a fairy tale. And no matter how much work you put into it, happily ever after doesn't exist." Of all the things his daughter had said so far, this concerned John the most. He took Alex by the hands, sat her at the kitchen table, and had a seat beside her. "Sweetheart, happily ever after does exist, it's just not what you think," he said. "Happily ever after isn't a solution to life's problems or a guarantee that life will be easy; it's a promise we make ourselves to always live our best lives, despite whatever circumstance comes our way. When we focus on joy in times of heartbreak, when we choose to laugh on the days it's hard to smile, and when we count our blessings over our losses - that's what a true happily ever after is all about. You don't get there by being perfect; on the contrary, it's our humanity that guides us. And that's what fairy tales have been trying to teach us all along." "But what about death?" Conner asked. "How do you keep living a happily ever after when you lose someone you love?" "Now you're troubled over something you can't control," John said. "The only power we have over death is how we choose to define it. Personally, when someone dies, I don't believe they cease to exist. The people we love the most will always be alive, thanks to the stories we tell and the memories we share. As long as we keep our loved ones in our hearts, their pulse will continue to beat through our own.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
These last few months, I have simply been a woman waiting to be loved once again, loved in a way that I let define me. But I existed before Vincent loved me. I existed before he became lodged in my heart. And if I have lost him, I must still be able to exist. What choice is there when a man stops loving you? You can’t really just let yourself blow away on the wind, can you?
Rowan Coleman (We Are All Made of Stars)
One of the things I love about books is being able to define and condense certain portions of a characters' life into chapters. It’s intriguing, because you can’t do this with real life. You can’t just end a chapter, then skip the things you don’t want to live through, only to open it up to a chapter that better suits your mood. Life can’t be divided into chapters...only minutes.
Colleen Hoover (Hopeless (Hopeless, #1))
Is it honestly possible to feel safe and secure in a capitalist society that defines our human value based on what we do and how much we make, rather than who we are? Is it honestly possible to feel safe and secure in a society that bombards us with messages asserting (even aggressing) that in order to be secure in our self or with our place in the world we need to acquire more money, more religion, more objects, more products, more body-altering procedures or more property? Society teaches us how to love and who is worthy of love via the media, commercials and through institutionalized practices such as tax benefits for married couples. Relationships are defined as valuable and potential partners are evaluated as worthy based on how much money is spent on dinner, date nights, vacations, diamonds and wedding arrangements. Flipping to the other extreme and thinking that money doesn’t matter or is unimportant in a relationship can also be damaging, since we live in a society where money is a basic requirement for survival. It’s difficult to show up and thrive in relationships when we can’t feed ourselves, pay the bills or afford basic health care.
Jessica Fern (Polysecure: Attachment, Trauma and Consensual Nonmonogamy)
There is a word I have always avoided in my writing, my life, my thoughts. That word is love. What does it mean? How do you deal with it? If you find it and lose it, how do you get over it? Love is something you feel and when you feel it you can’t trust it or define it. How can you sustain love for a long time? A short time? You may love your family, your friends. But you don’t invite them inside your body.
Chloe Thurlow (A Girl's Adventures)
He nods and comes to sit back down, his face serious again. “Are you going to do this a lot?” “Define ‘this.’ I do a lot of stupid stuff.” “Leave me voicemails breaking up with me.” “Officer Dan, we can’t break up ’cause we were never together.” “Mattie,” he growls. “Maybe.” “Well, get over it because I love you, Mattie Hathaway. I’m not sure what that means right now, but I do. You’re stuck with me, Squirt. I’m not going anywhere.
Apryl Baker (The Ghost Files (The Ghost Files, #1))
Compare their worries about Ethan to Dr. Miller’s assessment: “He was like the classic Harry Potter kid—he was always reading,” says Dr. Miller enthusiastically. “He enjoyed any form of imaginative play. He loved to build things. He had so many things he wanted to tell you about. He had more acceptance of his parents than they had of him. He didn’t define them as pathological, just as different from himself. That same kid in a different home would be a model child.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
LOVE Katharine Hepburn said: “Love has nothing to do with what you are expecting to get — only what you are expecting to give — which is everything.” Love is heart-power and it can’t be defined by the brain. It showers us with magic, as Thomas Moore put it, “and even in the midst of pain it can offer moments of rapture.” Love at the end of life is a force that cannot be denied. Nor can it be rationed, for love overflows and cannot be contained. True love is unconditional. We need do nothing. Love just is!
Karen Speerstra (The Divine Art of Dying: How to Live Well While Dying)
FURIOUS FAVOR I wonder if David would be allowed in our churches today. In most cases, when a church member has an affair, he is shunned at best or mistreated at worst—even if he repents. But David doesn’t just have an affair. He lusts, covets, fornicates, lies, and gets another man hammered. Then he tries to keep his dirty little secrets by murdering the husband of the woman he “loves.” I doubt I’ve met anyone as sinful as David. Have you? He breaks half of the Ten Commandments in a single episode. And he doesn’t repent until he’s caught. But when Nathan shoves his prophetic finger into David’s chest and rebukes him, David falls to his knees and admits his guilt. And right then, at that moment, God rips open the heavens to reach down and touch David’s soul with stubborn delight. God eagerly forgives David for his sin, and all of it is buried at the bottom of the sea, never to be remembered again. There is no hiccup in God’s furious favor toward David. So why do repentant sinners still bear the stigma of “adulterer,” “divorced,” or “addict” in our churches today? It’s one thing if they don’t repent. But quite often we shun repentant sinners, like Jeffrey Dahmer, whose crimes we just can’t forget. “He’s the former addict.” “That’s the divorced mom.” “Here comes the guy who slept with the church secretary.” For some reason we love to define people by the sin in their lives—even past sin in their lives—rather than by the grace that forgave it. It’s no wonder that David pens the last sentence in Psalm 23: “Surely goodness and mercy shall [hunt me down] all the days of my life” (Ps. 23:6).
Preston Sprinkle (Charis: God's Scandalous Grace for Us)
Due to the monstrous activity of a handful of extremists, the majority of the human society has been conditioned to believe that the term 'musalman' is somehow synonymous with terrorism. But the reality is, the term 'musalman' refers to someone with 'musallam iman,' that means, a pure conscience. Thus any individual whose conscience is pure and clear, is a musalman or muslim, regardless of socio-religious background. Likewise, any human being who loves his or her neighbor is a Christian. Hence, scriptures can't define your religion, only your actions with other people do.
Abhijit Naskar
thought: maybe this is what a mother feels like at times. When she can’t help one of her children. When she has to just stand by and watch her daughter strike out on the softball field, watch her son fail at math despite whatever effort he may put in. This ache. This defining double bind of roaring, passionate protectiveness and its equal, weighty, leaden uselessness. And even the impatience with it all; and then the guilt about feeling impatient, about finding it a bit oppressive despite the immeasurable love. Maybe this is what mothering sometimes feels like, I thought.
Robin Black (Life Drawing)
I truly believed, in that moment, that having a psychological illness was just as bad as being physically ill, maybe worse. When you’re physically ill, people can see what’s wrong; they can help you fix it. When something’s wrong inside the mind, all doctors can do is guess, and people can’t tell if you’re sick. They don’t believe you a lot of times, until they see the outward signs of your sickness. Maybe you’re walking aimlessly on the street talking to yourself, or you hurt someone you love. That type of sickness is harder to define, harder to fix, and scary, because in the end, the sickness is you.
Rachel Van Dyken (Shame (Ruin, #3))
We can't leave the past in the past because, the past is who we are. It's like saying I wish I could forget English. So, there is no leaving the past in the past. It doesn't mean the past has to define and dominate everything in the future. The fact that I had a temper in my teens doesn't mean I have to be an angry person for the rest of my life. It just means that I had allot to be angry about but, didn't have the language and the understanding to know what it was and how big it was. I thought my anger was disproportionate to the environment which is what is called having a bad temper but, it just means that I underestimated the environment and my anger was telling me how wide and deep child abuse is in society but, I didn't understand that consciously so I thought my anger was disproportionate to the environment but, it wasn't. There is almost no amount of anger that's proportionate to the degree of child abuse in the world. The fantasy that you can not be somebody that lived through what you lived through is damaging to yourself and to your capacity to relate to others. People who care about you, people who are going to grow to love you need to know who you are and that you were shaped by what you've experienced for better and for worse. There is a great deal of challenge in talking about these issues. Lots of people in this world have been hurt as children. Most people have been hurt in this world as children and when you talk honestly and openly it's very difficult for people. This is why it continues and continues.If you can get to the truth of what happened if you can understand why people made the decisions they've made even if you dont agree with the reason for those decisions knowing the reasons for those decisions is enormously important in my opinion. The more we know the truth of history the more confidently we can face the future without self blame.
Stefan Molyneux
Angel had sort of believed that death—the death of someone essential and life-defining—meant the end of everything, but here she is, mashing banana with a fork, loading the dishwasher. Here she is (having placed Connor in his pen), doing something as mundane and necessary as choosing from among the bottles lined up along the edge of the bathtub and shampooing her hair. This heartache is so much larger than anything she’s felt. It’s agony—she can’t sit still, it hurts so much—and also enlivening. Angel had no idea that the world could hold ache like this, just as, before Connor was born, she had no idea it could hold such love.
Kirstin Valdez Quade (The Five Wounds)
Sometimes he wakes so far from himself that he can't even remember who he is. 'Where am I?' he asks, desperate, and then, 'Who am I? Who am I?' "And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem's whispered incantation. 'You're Jude St. Francis. You are my oldest, dearest friend. You're the son of Harold Stein and Julia Altman. You're the friend of Malcolm Irvine, Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. "You're a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. "You're a swimmer. You're a baker. You're a cook. You're a reader. You have a beautiful voice, though you never sing anymore. You're an excellent pianist. You're an art collector. You write me lovely messages when I'm away. You're patient. You're generous. You're the best listener I know. You're the smartest person I know, in every way. You're the bravest person I know, in every way. "You're a lawyer. You're the chair of the litigation department at Rosen Pritchard and Klein. You love your job, you work hard at it. "You're a mathematician. You're a logician. You've tried to teach me, again and again. "You were treated horribly. You came out on the other end. You were always you. "On and on Willem talks, chanting him back to himself, and in the daytime - sometimes days later - he remembers pieces of what Willem has said and holds them close to him, as much as for what he said as for what he didn't, for how he hadn't defined him. "But in the nighttime he is too terrified, he is too lost to recognize this. His panic is too real, too consuming. 'And who are you?' he asks, looking at the man who is holding him, who is describing someone he doesn't recognize, someone who seems to have so much, someone who seems like such an enviable, beloved person. 'Who are you?' "The man has an answer to this question as well. 'I'm Willem Ragnarsson,' he says. 'And I will never let you go.
Hanya Yanagihara (A Little Life)
Having experimented in both poetry and prose, I can say that the two are such loaded words. But neither are quite as weighted as the word “poet”. I think some people can write poetry their whole lives, and never truly BE a “poet”. Whereas I see poets in the wanderers I encounter, the baristas who serve me, and the truckers I, so, love to talk to.To be a poet in my humble opinion is to be a muse of the human experience. I love that I love the idea, that anything can be poetry, it can’t be defined. It’s a feeling, like punk rock. I’m not one for form or structure. I say if your words are visceral and honest, it’s poetry. If you see the beauty of the world and humanity, and you preach it, you’re a poet.
Mallory Smart
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Summary of Rule #4 The core idea of this book is simple: To construct work you love, you must first build career capital by mastering rare and valuable skills, and then cash in this capital for the type of traits that define compelling careers. Mission is one of those traits. In the first chapter of this rule, I reinforced the idea that this trait, like all desirable career traits, really does require career capital—you can’t skip straight into a great mission without first building mastery in your field. Drawing from the terminology of Steven Johnson, I argued that the best ideas for missions are found in the adjacent possible—the region just beyond the current cutting edge. To encounter these ideas, therefore, you must first get to that cutting edge, which in turn requires expertise. To try to devise a mission when you’re new to a field and lacking any career capital is a venture bound for failure. Once you identify a general mission, however, you’re still left with the task of launching specific projects that make it succeed. An effective strategy for accomplishing this task is to try small steps that generate concrete feedback—little bets—and then use this feedback, be it good or bad, to help figure out what to try next. This systematic exploration can help you uncover an exceptional way forward that you might have never otherwise noticed. The little-bets strategy, I discovered as my research into mission continued, is not the only way to make a mission a success. It also helps to adopt the mindset of a marketer. This led to the strategy that I dubbed the law of remarkability. This law says that for a project to transform a mission into a success, it should be remarkable in two ways. First, it must literally compel people to remark about it. Second, it must be launched in a venue conducive to such remarking. In sum, mission is one of the most important traits you can acquire with your career capital. But adding this trait to your working life is not simple. Once you have the capital to identify a good mission, you must still work to make it succeed. By using little bets and the law of remarkability, you greatly increase your chances of finding ways to transform your mission from a compelling idea into a compelling career.
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
Patriotism comes from the same Latin word as father. Blind patriotism is collective transference. In it the state becomes a parent and we citizens submit our loyalty to ensure its protection. We may have been encouraged to make that bargain from our public school education, our family home, religion, or culture in general. We associate safety with obedience to authority, for example, going along with government policies. We then make duty, as it is defined by the nation, our unquestioned course. Our motivation is usually not love of country but fear of being without a country that will defend us and our property. Connection is all-important to us; excommunication is the equivalent of death, the finality we can’t dispute. Healthy adult loyalty is a virtue that does not become blind obedience for fear of losing connection, nor total devotion so that we lose our boundaries. Our civil obedience can be so firm that it may take precedence over our concern for those we love, even our children. Here is an example: A young mother is told by the doctor that her toddler is allergic to peanuts and peanut oil. She lets the school know of her son’s allergy when he goes to kindergarten. Throughout his childhood, she is vigilant and makes sure he is safe from peanuts in any form. Eighteen years later, there is a war and he is drafted. The same mother, who was so scrupulously careful about her child’s safety, now waves goodbye to him with a tear but without protest. Mother’s own training in public school and throughout her life has made her believe that her son’s life is expendable whether or not the war in question is just. “Patriotism” is so deeply ingrained in her that she does not even imagine an alternative, even when her son’s life is at stake. It is of course also true that, biologically, parents are ready to let children go just as the state is ready to draft them. What a cunning synchronic-ity. In addition, old men who decide on war take advantage of the timing too. The warrior archetype is lively in eighteen-year-olds, who are willing to fight. Those in their mid-thirties, whose archetype is being a householder and making a mark in their chosen field, will not show an interest in battlefields of blood. The chiefs count on the fact that young braves will take the warrior myth literally rather than as a metaphor for interior battles. They will be willing to put their lives on the line to live out the collective myth of societies that have not found the path of nonviolence. Our collective nature thus seems geared to making war a workable enterprise. In some people, peacemaking is the archetype most in evidence. Nature seems to have made that population smaller, unfortunately. Our culture has trained us to endure and tolerate, not to protest and rebel. Every cell of our bodies learned that lesson. It may not be virtue; it may be fear. We may believe that showing anger is dangerous, because it opposes the authority we are obliged to appease and placate if we are to survive. This explains why we so admire someone who dares to say no and to stand up or even to die for what he believes. That person did not fall prey to the collective seduction. Watching Jeopardy on television, I notice that the audience applauds with special force when a contestant risks everything on a double-jeopardy question. The healthy part of us ardently admires daring. In our positive shadow, our admiration reflects our own disavowed or hidden potential. We, too, have it in us to dare. We can stand up for our truth, putting every comfort on the line, if only we can calm our long-scared ego and open to the part of us that wants to live free. Joseph Campbell says encouragingly, “The part of us that wants to become is fearless.” Religion and Transference Transference is not simply horizontal, from person to person, but vertical from person to a higher power, usually personified as God. When
David Richo (When the Past Is Present: Healing the Emotional Wounds that Sabotage our Relationships)
When I say I love you, I mean I love you so much it hurts to be close to you, it hurts to be away from you. I hurt all the damn time because my stupid heart has decided for one reason or another that it can’t survive without being next to yours. I don’t know what the hell you’ve done to me, but I’m a disaster. I’m broken for you and I never want to be fixed. And it hurts like hell because when you kiss me, I know you think of him. When I kiss you, all I see is you, all I feel is you.” A tear slid down her cheek. “When you touch me, a part of my heart breaks off, because in the back of my mind I’m always aware that the way you define the touch and the way I feel it are two totally different things. Trace, I love you. I love you. I”—my voice cracked—“I am in love with you.”- Chase
Rachel Van Dyken
You always have the power of choice. Externally, things may be out of your control. But one thing you can always control and master is your inner control: how you perceive the situation, how you filter it. There’s a tremendous freedom in taking leadership of how you perceive things. An obstacle is only an obstacle if that’s how you look at it. We make choices every day, and when you choose not to choose you are also making a choice. As soon as you make the conscious decision to be happy or successful, the universe moves to get you there. You can choose what impacts you. You can choose what scares you. You can choose to be confident, loved, or damaged. You can choose to let something define you or nothing define you. You can’t change the cards you were dealt, but you can always choose how you play your hand.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Death is an asshole. Regardless of illness or circumstance or gut feelings, you are never ready to accept never seeing someone again, to have nothing left but last conversations and memories. You are never ready to be left with how sick somebody looked, or the way they stood up and hugged you despite how dizzy and feverish they were. You are never ready to exist without a person you loved and still need. Death is a constant, but you are never ready… But while it’s scary and awful and exhausting and terrible, it’s also comforting to have accepted that death will always be there and will always rip out your heart. It doesn’t get easy, and it will find surprising new ways of debilitating you. But what does get simpler is your awareness of it – the reminder that you have gotten through it before, and you will get through it again, and it will never, ever be as bad as it is in the moment you are battling through. It will never hurt the way it did when you found out, and the ache will never be as painful as when you realize those were your last words to them. It won’t be as painful forever… So, no, we can’t control death. But we can control how we breathe, how we act, the type of work we do. We can control what we say yes or no to, control who we choose to surround ourselves with, control the way we make the people we love feel. We can decide to be kind, to try our best, and to be honest. Those are the things that outlive us. When we’re faced with the harshness of how quickly someone can be taken away, we also see how we’ll likely be remembered: as human beings who are far more than the successes and failures we tend to define ourselves by. After we’re dead, we just get to be people.
Anne T. Donahue (Nobody Cares)
Because we don't know, do we? Everyone knows . . . How what happens the way it does? What underlies the anarchy of the train of events, the uncertainties, the mishaps, the disunity, the shocking irregularities that define human affairs? Nobody knows, Professor Roux. "Everyone knows" is the invocation of the cliche and the beginning of the banalization of experience, and it's the solemnity and the sense of authority that people have in voicing the cliché that's so insufferable. What we know is that, in an unclichéd way, nobody knows anything. You can't know anything. The things you know you don't know. Intention? Motive? Consequence? Meaning? All that we don't know is astonishing. Even more astonishing is what passes for knowing. As the audience filed back in, I began, cartoonishly, to envisage the fatal malady that, without anyone's recognizing it, was working away inside us, within each and every one of us: to visualize the blood vessels occluding under the baseball caps, the malignancies growing beneath the permed white hair, the organs misfiring, atrophying, shutting down, the hundreds of billions of murderous cells surreptitiously marching this entire audience toward the improbable disaster ahead. I couldn't stop myself. The stupendous decimation that is death sweeping us all away. Orchestra, audience, conductor, technicians, swallows, wrens—think of the numbers for Tanglewood alone just between now and the year 4000. Then multiply that times everything. The ceaseless perishing. What an idea! What maniac conceived it? And yet what a lovely day it is today, a gift of a day, a perfect day lacking nothing in a Massachusetts vacation spot that is itself as harmless and pretty as any on earth.
Philip Roth (The Human Stain (The American Trilogy, #3))
Let’s take a look at one couple. Carol and Jim have a long-running quarrel over his being late to engagements. In a session in my office, Carol carps at Jim over his latest transgression: he didn’t show up on time for their scheduled movie night. “How come you are always late?” she challenges. “Doesn’t it matter to you that we have a date, that I am waiting, that you always let me down?” Jim reacts coolly: “I got held up. But if you are going to start off nagging again, maybe we should just go home and forget the date.” Carol retaliates by listing all the other times Jim has been late. Jim starts to dispute her “list,” then breaks off and retreats into stony silence. In this never-ending dispute, Jim and Carol are caught up in the content of their fights. When was the last time Jim was late? Was it only last week or was it months ago? They careen down the two dead ends of “what really happened”—whose story is more “accurate” and who is most “at fault.” They are convinced that the problem has to be either his irresponsibility or her nagging. In truth, though, it doesn’t matter what they’re fighting about. In another session in my office, Carol and Jim begin to bicker about Jim’s reluctance to talk about their relationship. “Talking about this stuff just gets us into fights,” Jim declares. “What’s the point of that? We go round and round. It just gets frustrating. And anyway, it’s all about my ‘flaws’ in the end. I feel closer when we make love.” Carol shakes her head. “I don’t want sex when we are not even talking!” What’s happened here? Carol and Jim’s attack-withdraw way of dealing with the “lateness” issue has spilled over into two more issues: “we don’t talk” and “we don’t have sex.” They’re caught in a terrible loop, their responses generating more negative responses and emotions in each other. The more Carol blames Jim, the more he withdraws. And the more he withdraws, the more frantic and cutting become her attacks. Eventually, the what of any fight won’t matter at all. When couples reach this point, their entire relationship becomes marked by resentment, caution, and distance. They will see every difference, every disagreement, through a negative filter. They will listen to idle words and hear a threat. They will see an ambiguous action and assume the worst. They will be consumed by catastrophic fears and doubts, be constantly on guard and defensive. Even if they want to come close, they can’t. Jim’s experience is defined perfectly by the title of a Notorious Cherry Bombs song, “It’s Hard to Kiss the Lips at Night that Chew Your Ass Out All Day Long.
Sue Johnson (Hold Me Tight: Your Guide to the Most Successful Approach to Building Loving Relationships)
You are a badass. You were one when you came screaming onto this planet and you are one now. The Universe wouldn’t have bothered with you otherwise. You can’t screw up so majorly that your badassery disappears. It is who you are. It’s who you always will be. It’s not up for negotiation. You are loved. Massively. Ferociously. Unconditionally. The Universe is totally freaking out about how awesome you are. It’s got you wrapped in a warm gorilla hug of adoration. It wants to give you everything you desire. It wants you to be happy. It wants you to see what it sees in you. You are perfect. To think anything less is as pointless as a river thinking that it’s got too many curves or that it moves too slowly or that its rapids are too rapid. Says who? You’re on a journey with no defined beginning, middle or end. There are no wrong twists and turns. There is just being. And
Jen Sincero (You Are a Badass: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
Darling paused to let that seep into their collective minds before he spoke in a cold tone. “I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” The
Sherrilyn Kenyon (Born of Silence (The League #5))
Let the center be your home: To be centered is considered desirable; when they feel distracted or scattered, people often say, “I lost my center.” But if there is no person inside your head, if the ego’s sense of I, me, mine is illusory, where’s the center? Paradoxically, the center is everywhere. It is the open space that has no boundaries. Instead of thinking of your center as a defined spot—the way people point to their hearts as the seat of the soul—be at the center of experience. Experience isn’t a place; it’s a focus of attention. You can live there, at the still point around which everything revolves. To be off center is to lose focus, to look away from experience or block it out. To be centered is like saying “I want to find my home in creation.” You relax into the rhythm of your own life, which sets the stage for meeting yourself at a deeper level. You can’t summon the silent witness, but you can place yourself close to it by refusing to get lost in your own creation. When I find myself being overshadowed by anything, I can fall back on a few simple steps: • I say to myself, “This situation may be shaking me, but I am more than any situation.” • I take a deep breath and focus my attention on whatever my body is feeling. • I step back and see myself as another person would see me (preferably the person whom I am resisting or reacting to). • I realize that my emotions are not reliable guides to what is permanent and real. They are momentary reactions, and most likely they are born of habit. • If I am about to burst out with uncontrollable reactions, I walk away. As you can see, I don’t try to feel better, to be more positive, to come from love, or to change the state I’m in. We are all framed by personalities and driven by egos. Ego personalities are trained by habit and by the past; they run along like self-propelled engines. If you can observe the mechanism at work without getting wrapped up in it, you will find that you possess a second perspective, one that is always calm, alert, detached, tuned in but not overshadowed. That second place is your center. It isn’t a place at all but a close encounter with the silent witness.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
Truth About Love" I apologize for not being Gandhi or Tom the mailman who is always kind. He makes his way every day no matter the mood of the sky with our words in a sack and Gandhi made the English give India back without taking a gun for a wife. My contribution to the common good is playing with the alphabet in a little room while the world goes foraging for food. I’m a better poet than man and it’s well known how little my verbs are worth. I am my only subject, being the god of my horizons. What saves me is that just beyond my skin the world of yours is where I’d rather live. The AMA says you’ve added seven point six years to my life. In a phrase, love is a transfer of wealth. This is why Adam Smith gave up romantic verse. In trying to say what can’t be said I’ll take the Dragnet approach. Just the facts. I’d be dead sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more clearly defined. To make amends I offer ten percent more kisses each year. Or do I do more harm the closer we become? If yes, leaving would be love and a better man might. But my thrills are selfishly domestic. I like sweeping words into piles and whispering good night.
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
Psychologically unhealthy people are sad, depressed, incapable of defining their wants and needs, incapable to choosing an occupation they like, incapable of unconditional love, and incapable of respect or admiration. Psychologically unhealthy people are cowards in disguise and they can only fear. Once in a relationship or friendship with such people, they will make you believe they depend on you to be happy, but they can’t be happy. That is what they say to keep you for long enough, to feed on you for long enough, to consume your energy for long enough. Psychologically unhealthy people are already dead in spirit. They can only feed on emotions. Psychologically unhealthy people can only make you feel sad, lost, demotivated and incapable. But that is merely the surface, the resulting consequences of losing your energy to someone else that can merely feed on you. And psychologically people know that already. That is why they made you believe they need you. They do need you. That is how they survive. Without people like you, they die, they literally die. Their body and mind cannot survive without an external source of energy. Because truly, energy comes from the soul, and they have none. Their soul is drifting in hell.
Robin Sacredfire
Have you ever noticed how when someone you admire goes out and does something phenomenal, you’re happy for her or him, but you’re not surprised—of course they did something phenomenal, they’re a phenomenal person! But to get yourself to see how amazing you are is like pushing a giant marshmallow up a hill. Yes, there we go, we are up, we are awesome! Ooop! We’re sagging—we are sagging on the left! Push it up. There we go. We are all good! Wait, now we’re sagging on the right . . . We run around, taking one step forward and fourteen steps back when it’s so unnecessary. Instead, try seeing yourself through the eyes of someone who admires you. They get it. They believe in you leaps and bounds. They aren’t connected to your insecurities and negative beliefs about yourself. All they see is your true glory and potential. Become one of your own die-hard fans, look at yourself from the outside, where all your self doubts can’t crawl all over you, and behold what shines through. You get to choose how you perceive your reality. So why, when it comes to perceiving yourself, would you choose to see anything other than a super huge rock star of a creature? You are a badass. You were one when you came screaming onto this planet and you are one now. The Universe wouldn’t have bothered with you otherwise. You can’t screw up so majorly that your badassery disappears. It is who you are. It’s who you always will be. It’s not up for negotiation. You are loved. Massively. Ferociously. Unconditionally. The Universe is totally freaking out about how awesome you are. It’s got you wrapped in a warm gorilla hug of adoration. It wants to give you everything you desire. It wants you to be happy. It wants you to see what it sees in you. You are perfect. To think anything less is as pointless as a river thinking that it’s got too many curves or that it moves too slowly or that its rapids are too rapid. Says who? You’re on a journey with no defined beginning, middle or end. There are no wrong twists and turns. There is just being. And your job is to be as you as you can be. This is why you’re here. To shy away from who you truly are would leave the world you-less. You are the only you there is and ever will be. I repeat, you are the only you there is and ever will be. Do not deny the world its one and only chance to bask in your brilliance. We are all perfect in our own, magnificent, fucked-up ways. Laugh at yourself. Love yourself and others. Rejoice in the cosmic ridiculousness. PART 2: HOW
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
Busy in the business of day— my storming blood has just met a pair of eyes rainswept sand…. That face, again, that face like sunken sand— the sand, sunken, of a face that ancient…. More worn than my face unborn— contours I have known in the bones of her cheeks a recognition— a pair of orphans unmasked at morn…. Because only, only a girl borne of remembering could wear that countenance of mourning…. Across the wash pale soft of dawn float close weighty blossoms on thresholds unknown— for the fragile, delicate tenderness of her composure just-holding, achingly, on the edge of things…. A world of raindrops floating in her eyes— in her eyes sand grains softly settle…. Although to one another we are only a presence in the room and all's silence between us— still, hers is a presence I’ve known: of age more somehow than the day I was born a relation there remains nose kissed to nose…. Slaving in the sweat of the sun I’m back at it in the beds— as, over all the grounds, waxing with the sun personalities of sheds, tines, the animals, define themselves…. Heading now to the meal hall to eat and talk, after digging— when my momentum stalled: by hedges of the wall's the visage of her in the sunny landscape a teardrop of midnight…. Tearing's the flesh of my heart on my cheeks in tears— for her fragile chin and the wrinkles of her eyes when she smiles so glassy I could cry…. Commotion of knives and forks— today the commons are aloud with cups and conversation: a wisp here, a leap of voices there the day’s news bounces its way through the crowd…. Splashing up a laughter of glasses the guys devour their stories about girls at the party— and when we eat our fill glad in our stomachs there’s lots of chin in it we raise each other’s grins sitting in satisfaction and stimulating to the sun…. Tense in the laughter of friends and companions— lines of my age un-wrinkle: by portals of the door her expression there's more sober than smiling: for guile am I un-abled…. Not the friction of sticks, no, nor some feverish itch that must until exhaustion consume— but a long blue flame, slow and fluidly moving will our relation be: a translucent vein loose in the midnight river…. Now— into the doings of day: but to approach her my eyes can't meet my walkingʻs fallen dead at the knees and thoughts of my head now drown in blood— blackness and oblivion...
Mark Kaplon (Song of Rainswept Sand)
I want to end here with the most common and least understood sexual problem. So ordinary is this problem, so likely are you to suffer from it, that it usually goes unnoticed. It doesn't even have a name. The writer Robertson Davies dubs it acedia. “Acedia” used to be reckoned a sin, one of the seven deadly sins, in fact. Medieval theologians translated it as “sloth,” but it is not physical torpor that makes acedia so deadly. It is the torpor of the soul, the indifference that creeps up on us as we age and grow accustomed to those we love, that poisons so much of adult life. As we fight our way out of the problems of adolescence and early adulthood, we often notice that the defeats and setbacks that troubled us in our youth are no longer as agonizing. This comes as welcome relief, but it has a cost. Whatever buffers us from the turmoil and pain of loss also buffers us from feeling joy. It is easy to mistake the indifference that creeps over us with age and experience for the growth of wisdom. Indifference is not wisdom. It is acedia. The symptom of this condition that concerns me is the waning of sexual attraction that so commonly comes between lovers once they settle down with each other. The sad fact is that the passionate attraction that so consumed them when they first courted dies down as they get to know each other well. In time, it becomes an ember; often, an ash. Within a few years, the sexual passion goes out of most marriages, and many partners start to look elsewhere to rekindle this joyous side of life. This is easy to do with a new lover, but acedia will not be denied, and the whole cycle happens again. This is the stuff of much of modern divorce, and this is the sexual disorder you are most likely to experience call it a disorder because it meets the defining criterion of a disorder: like transsexuality or S-M or impotence, it grossly impairs sexual, affectionate relations between two people who used to have them. Researchers and therapists have not seen fit to mount an attack on acedia. You will find it in no one’s nosology, on no foundation's priority list of problems to solve, in no government mental health budget. It is consigned to the innards of women's magazines and to trashy “how to keep your man” paperbacks. Acedia is looked upon with acceptance and indifference by those who might actually discover how it works and how to cure it. It is acedia I wish to single out as the most painful, the most costly, the most mysterious, and the least understood of the sexual disorders. And therefore the most urgent.
Martin E.P. Seligman (What You Can Change and What You Can't: The Complete Guide to Successful Self-Improvement)
The Buddha famously said that life is suffering. I’m not a Buddhist, but I know what he meant and so do you. To exist in this world, we must contend with humiliation, broken dreams, sadness, and loss. That’s just nature. Each specific life comes with its own personalized portion of pain. It’s coming for you. You can’t stop it. And you know it. In response, most of us are programmed to seek comfort as a way to numb it all out and cushion the blows. We carve out safe spaces. We consume media that confirms our beliefs, we take up hobbies aligned with our talents, we try to spend as little time as possible doing the tasks we fucking loathe, and that makes us soft. We live a life defined by the limits we imagine and desire for ourselves because it’s comfortable as hell in that box. Not just for us, but for our closest family and friends. The limits we create and accept become the lens through which they see us. Through which they love and appreciate us. But for some, those limits start to feel like bondage, and when we least expect it, our imagination jumps those walls and hunts down dreams that in the immediate aftermath feel attainable. Because most dreams are. We are inspired to make changes little by little, and it hurts. Breaking the shackles and stretching beyond our own perceived limits takes hard fucking work—oftentimes physical work—and when you put yourself on the line, self doubt and pain will greet you with a stinging combination that will buckle your knees.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
Confidence doesn’t come from the inside out. It moves from the outside in. People feel less anxious—and more confident—on the inside when they can point to things they have done well on the outside. Fake confidence comes from stuffing our self-doubt. Empty confidence comes from parental platitudes on our lunch hour. Real confidence comes from mastery experiences, which are actual, lived moments of success, especially when things seem difficult. Whether we are talking about love or work, the confidence that overrides insecurity comes from experience. There is no other way. It is not uncommon for twentysomething clients to come to therapy hoping I can help them increase their confidence. Some wonder if maybe I do hypnosis and a hypnotherapy session might do the trick (I don’t, and it wouldn’t), or they hope I can recommend some herbal remedy (I can’t). The way I help twentysomethings gain confidence is by sending them back to work or back to their relationships with some better information. I teach them about how they can have more mastery over their emotions. I talk to them about what confidence really is. Literally, confidence means “with trust.” In research psychology, the more precise term is self-efficacy, or one’s ability to be effective or produce the desired result. No matter what word you use, confidence is trusting yourself to get the job done—whether that job is public speaking, sales, teaching, or being an assistant—and that trust only comes from having gotten the job done many times before. As was the case for every other twentysomething I’d worked with, Danielle’s confidence on the job could only come from doing well on the job—but not all the time.
Meg Jay (The Defining Decade: Why Your Twenties Matter--And How to Make the Most of Them Now)
1. ‘ I hate people who collect things and classify things and give them names and then forget all about them. That’s what people are always doing in art.They call a painter an impressionist or a cubist or something and then they put him in a drawer and don’t see him as a living individual painter any more. But I can see they’re beautiful arranged.’ 2. ’ Do you know that every great thing in the history of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that?... Why do you keep on using these stupid words-nasty, nice, proper, right? Why are you so worried about what’s proper?...why do you take all the life out of life? Why do you kill all the beauty?’ 3. ‘ Because I can’t marry a man to whom I don’t feel I belong in all ways. My mind must be his, my heart must be his, my body must be his. Just as I must feel he belongs to me. ‘ 4.’ The only thing that really matters is feeling and living what you believe-so long as it’s something more than belief in your own comfort.’ 5. 'It’s weird. Uncanny. But there is a sort of relationship between us. I make fun of him, I attack him all the time, but he senses when I’m ‘soft’. When he can dig back and not make me angry. So we slip into teasing states that are almost friendly. It’s partly because I’m so lonely, it’s partly deliberate (I want make him relax, both for his own good and so that one dat he may make a mistake), so it’s part weakness, and part cunning, and part charity. But there’s a mysterious fourth part I can’t define. It can’t be friendship, I loathe him. Perhaps it’s just knowledge. Just knowing a lot about him. And knowing someone automatically makes you feel close to him. Even when you wish he was on another planet.’ 6.’ You must MAKE, always. You must act, if you believe something. Talking about acting is like boasting about pictures you’re going to paint. The most terrible form. If you feel something deeply, you’re not ashamed to show your feeling.’ 7. ‘ The women I’ve loved have always told me I’m selfish. It’s what makes them love me. And then be disgusted with me...But what they can’t stand is that I hate them when they don’t behave in their own way. ‘ 8. ‘ I love honesty and freedom and giving. I love making , I love doing, I love being to the full, I love everything which is not sitting and watching and copying and dead at heart. ‘ 9. ‘ I don’t know what love is...love is something that comes in different clothes, with a different way and different face, and perhaps it takes a long time for you to accept it, to be able to call it love.’ 10. ‘ All this business, it’s bound up with my bossy attitude to life. I’ve always known where I’m going, how I want things to happen. And they have happened as I have wanted, and I have taken it for granted that they have because I know where I’m going. But I have been lucky in all sorts of things. I’ve always tried to happen to life; but it’s time I let life happen to me. ‘ 11. ‘I said, what you love is your own love. It’s not love, it’s selfishness. It’s not me you think of, but what you feel about me.’ 12. ‘ The power of women! I’ve never felt so full of mysterious power. Men are a joke. We’re so weak physically, so helpless with things. Still, even today. But we’re stronger then they are. We can stand their cruelty. They can’t stand ours.
John Fowles
situation takes place, you won’t even feel the tendency to close. You will just embrace life with all your heart and soul. Once you’ve attained this very high state, your energy level will be phenomenal. You will have all the energy you need at all times. Just relax and open, and tremendous energy will rush up inside of you. You are only limited by your ability to stay open. If you really want to stay open, pay attention when you feel love and enthusiasm. Then ask yourself why you can’t feel this all the time. Why does it have to go away? The answer is obvious: it only goes away if you choose to close. By closing, you are actually making the choice not to feel openness and love. You throw love away all the time. You feel love until somebody says something you don’t like, and then you give up the love. You feel enthused about your job until someone criticizes something, and then you want to quit. It’s your choice. You can either close because you don’t like what happened, or you can keep feeling love and enthusiasm by not closing. As long as you are defining what you like and what you don’t like, you will open and close. You are actually defining your limits. You are allowing your mind to create triggers that open and close you. Let go of that. Dare to be different. Enjoy all of life. The more you stay open, the more the energy flow can build. At some point, so much energy comes into you that it starts flowing out of you. You feel it as waves pouring off of you. You can actually feel it flowing off your hands, out your heart, and through other energy centers. All these energy centers open, and a tremendous amount of energy starts flowing out of you. What is more, the energy affects other people. People can pick up on your energy, and you’re feeding them with this flow. If you are willing to open even more, it never stops. You become a source of light for all those around you. Just keep opening and not closing. Wait until you see what happens to you. You can even affect the health of your body with your energy flow. When you start to feel the tendency of an illness coming on, you just relax and open. When you open, you bring more energy into the system, and it can heal. Energy can heal, and that’s why love can heal. As you explore your inner energy, a whole world of discovery opens up to you.
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
See? I long to be your spiritual guide. I really do, and I will. Love is my motive, rather than any elevated belief in my own knowledge, contemplative work, experience, or maturity. And may God correct what I get wrong. For he knows everything, and I only know in part.1 Now to satisfy your proud intellect, I will praise the work of contemplation. You should know that if those engaged in this work had the linguistic talent to express exactly what they’re experiencing, then every scholar of Christianity would be amazed by their wisdom. It’s true! In comparison, all theological erudition would look like total nonsense. No wonder, then, that my clumsy human speech can’t describe the immense value of this work to you, and God forbid that the limitations of our finite language should desecrate and distort it. No, this must not and will not happen. God forbid that I would ever want that! For our analysis of contemplation and the exercise itself are two entirely different things. What we say of it is not it, but merely a description. So, since we can’t define it, let’s describe it. This will baffle all intellectual conceit, especially yours, which is the sole reason I’m writing this letter. I want to start off by asking you a question. What is the essence of human spiritual perfection, and what are its qualities? I’ll answer this for you. On earth, spiritual perfection is only possible through the union between God and the human soul in consummate love. This perfection is pure and so sublime that it surpasses our human understanding, and that’s why it can’t be directly grasped or observed. But wherever we see its consequences, we know that the essence of contemplation abounds there. So, if I tell you that this spiritual discipline is better than all others, then I must first prove it by describing what mature love looks like. This spiritual exercise grows virtues. Look within yourself as you contemplate and also examine the nature of every virtue. You’ll find that all virtues are found in and nurtured by contemplation with no distortion or degeneration of their purposes. I’m not going to single out any particular virtue here for discussion. I don’t need to because you can find them described in other things I’ve written.2 I’ll only comment here that contemplative prayer, when done right, is the respectful love and ripe fruit that I discuss in your little Letter on Prayer. It’s the cloud of unknowing, the hidden love-longing offered by a pure spirit. It’s the Ark of the Covenant.3 It’s the mystical theology of Dionysius, the wisdom and treasure of his “bright darkness” and “unknown knowing.” It takes you into silence, far from thoughts and words. It makes your prayer very short. In it, you learn how to reject and forget the world.
Anonymous (The Cloud of Unknowing: With the Book of Privy Counsel)
Haven’t you ever heard the saying that our pasts do not define us?” I countered, growing frustrated. “I screwed up, Hayden. I admitted that. Why can’t you let it go?” “Let it go?” He sneered. “You are the reason my sister is a Program. Please, tell me how I’m supposed to let something like that go? Because I’d love to know.” Footsteps sounded from outside of the holding cell, essentially ending our conversation. I still had much to say to him, but for now, I welcomed the silence. The silence was much more comforting than the truth.
Nicole Sobon (Deprogrammed (The Emile Reed Chronicles, #2))
Ali McClelland. Too bad. I just can’t let you become my sugar daddy.” I put the notes back on the hall table. He shakes his head. “I’ll never be your sugar anything! You stubborn git.” He grabs me and kisses me with force, enough to make me see stars. When he lets me go, I give him a wide grin because I am giddy from his kisses. “Not everyone lives in a nice house in Islington. I only have my pride.” “And I love your pride.” Ali smiles. “But I’m not rich despite having this house. Emily’s parents gave it to her as a wedding present. And when she died, it was passed on to me. I’m grateful for it but it doesn’t define me.” I sigh. “I never said it did.” “And you’ll make me a very happy man if you come and share it with me. The house has three bedrooms. You can even have your own space.” He waves his hand as if to emphasise the point that there is plenty of room. I keep putting off the discussion of ‘our future’ as I know what it means. If I move in with him, I won’t need to be an escort anymore to pay rent and I can maybe get a low-paid or part-time job. I can even go back to study music at college. It is a big step. I am scared, properly frightened. What if it doesn’t work out? On the other hand, I’ve got nothing to lose except the newfound control of my life at the expense of selling my arse. I promise myself I’ll give it more thought
A. Zukowski (Liam for Hire (London Stories, #2))
We can’t define “love” unless we become it.
Valeria T. Koopman
I want everything to be black-and-white, no gray. The trouble with gray is that there are so many shades of it that it becomes impossible to draw a line. Black-and-white is simple. I want the world to have defined colors like Roy G. Biv, but there are infinite colors between red and orange, between orange and yellow. There are colors between those colors too. And colors that come before red and after violet that we can't even see" -Seth
Eric Luper (Seth Baumgartner's Love Manifesto)
He misted up, too, as he kissed her. God, what a pair. “Then it is that simple,” he said, his forehead against hers. “I’m crazy in love with you, Janey. I’m in love with both of you, with all of you—however you want to define it. And if you love me, too . . . Tell me—with that on our side, what can’t we handle?” “I’m not sure I deserve you,” she said. “Yeah, well, get over it,” he told her. “Because I deserve you.
Suzanne Brockmann (Hot Target (Troubleshooters, #8))
Life is full of things we can't do anything about, but which we are supposed to do something with. 'He Himself endured a cross and thought nothing of its shame because of the joy.' A very different story from the one which would have been written if Jesus had been prompted by the spirit of our own age: 'Don't just endure the cross--think about it, talk about it, share it, express your gut-level feelings, get in touch with yourself, find out who you are, define the problem, analyze it, get counseling, get the experts' opinions, discuss solutions, work through it.' Jesus endured.
Elisabeth Elliot (Love Has A Price Tag)
You can't describe love, Kathie, and you can't define it. Only it goes with you all your life. I think that love is more like a light that you carry. At first childish happiness keeps it lighted and after that romance. Then motherhood lights it and then duty...and maybe after that sorrow. You wouldn't think that sorrow could be a light would you, dearie? But it can. And then after that, service lights it. Yes...I think that is what love is to a woman...a lantern in her hand.
Bess Streeter Aldrich (A Lantern in Her Hand)
Believing can mean something a good deal less than certainty. I believe the bus will come in five minutes, but I can’t be sure. Or sometimes it can mean the kind of knowledge which is acquired after scrupulous review of evidence to build up a cumulative case for some conviction. But believing [as Scripture presents it] is not half-certainty, nor the fruit of mental effort. It’s belief in the deep, strong sense of giving allegiance to something which overwhelms us. To believe in the Lord Jesus…is to do far more than simply give him a passing nod with the mind or even to honor him with our religious devotion. It’s the astonished business of being so overthrown by his reality, so mastered by his sheer presence, so judged by him, that we can do nothing other than acknowledge that he is supremely real, supremely true. To believe in him is to confess him—to affirm with mind and will and heart that he fills all things, that our only hope lies in his name. ¶ Belief in this sense concerns the entire shape of a personal life. It embraces the whole of us. It’s not one department of our life, something in which we engage alongside all the other things we do—working, loving, hoping, creating, worrying, and so on. Believing is about the way in which we dispose the world of our existence. We believe when we’re totally shaped by something outside of us, acknowledging that it has put a decisive stamp on all that we are and all that we do. This is why belief in this deep, strong sense defines us completely: We’re “believers,” doing all that we do out of the inescapable conviction that the Lord Jesus is the persistent factor in the whole of our life. Believing in him, confessing him, involves no less than everything.
John Webster