Lotus Eaters Quotes

Pictures could not be accessories to the story -- evidence -- they had to contain the story within the frame; the best picture contained a whole war within one frame.

Why did someone fall in love with you because you are one thing and then want you to be something else?

Good morning, Hell-A. In the land of the lotus-eaters, time plays tricks on you. One day you’re dreaming, the next, your dream has become your reality. It was the best of times. If only someone had told me. Mistakes were made, hearts were broken, harsh lessons learned. My family goes on without me, while I drown in a sea of pointless pussy. I don’t know how I got here. But here I am, rotting away in the warm California sun. There are things I need to figure out, for her sake, at least. The clock is ticking. The gap is widening. She won’t always love me “no matter what

The hardest thing was to give meaning to what appeared to have none.

She did not think it was true that women fell in love all at once, but rather, that they fell in love through repitition, just the way someone became brave.

Her presence brought memories of such things as Bourbon roses, rubies, and tropical midnights; her moods recalled lotus-eaters and the march in "Athalie"; her motions, the ebb and flow of the sea; her voice, the viola.

Sometimes you have to fulfill a promise in order to deserve the love you're given.

Very few people know where to look for happiness; fewer still find it.

I found my mind wandering at games; loved boxing and was good at it; and in summer, having chosen rowing instead of cricket, lay peacefully by the Stour, well upstream of the rhythmic creaking and the exhortation, reading Lily Christine and Gibbon and gossiping with kindred lotus-eaters under the willow-branches.

What was the point of living through history if you didn't record it?

She was his country; she was what he would miss until they were back together.

We would all be better off dead, useless eaters of the lotus that we are.

Why did someone fall in love with you because you were one thing, and then want you to be something else?

It might be pleasant just to give up, live in the present, enjoying existential personal experiences, living like lotus-eaters from our amazing productive system, without personal responsibility, self-discipline, or thought about the future. But this is impossible, because the productive system could itself collapse, and our external enemies would soon destroy us.

Too many heroes in my life. All gone.

Until then she had been blind, but when she saw those mountains, she slipped beneath the surface of the war and found the country.

It’s funny, how you realize things too late. Someone once said to me the tragedy about life is that you understand it backwards. But I don’t think so. I think the tragedy about life is there is no tragedy - you just don’t know it till you die.” — Patty Belle Bellani

No matter that they had been together for years, always a feeling of formality when they first saw each other again, even if the separation had been only hours. It had something to do with the attention [he] paid to her – the fact that he never took anyone’s return for granted.

Clear now that she was as dependent as any addict on the drug of the war. He had underestimated the damage in her.

A woman sees war differently.

..hard to trust that after so much had been taken, so much could still be received.

Once a picture was taken, the experience was purged of its power to haunt.

Before, there had been this small, shiny thing inside her that kept her immune from what was happening, and now she knew it had only been her ignorance, and she felt herself falling into a deep, dark place.

I walked with my eyes on the path, but out of the corners of them I saw a man hiding behind an olive tree. He did not move as we approached, but I fell that he was watching us. As soon as we had passed I heard a scamper. Wilson, like a hunted animal, had made for safely. That was the last I ever saw of him. He died last year. He had endured that life for six years. He was found one morning on the mountainside lying quite peacefully as though he had died in his sleep. From where he lay he had been able to see those two great rocks called the Faraglioni which stand out of the sea. It was full moon and he must have gone to see them by moonlight. Perhaps he died of the beauty of that sight... ---The Lotus Eater

This is what happened when one left one's home - pieces of oneself scattered all over the world, no one place ever completely satisfied, always a nostalgia for the place left behind. Pieces of her in Vietnam, some in this place of bone. She brought the letter to her nose. The smell of Vietnam: a mix of jungle and wetness and spices and rot. A smell she hadn't realized she missed.

It had always fascinated her - what happens when things break down, what are the basic units of life?

Long ago she had become more ambitious than feeling. She had fallen in love with images instead of living things. Except for Linh.

We are a people used to grief. Expecting it even.

Helen didn't yet understand that conjuring up the future was the duty of the living, what they owed to the dead.

What are the boundaries of charity? When started, where does it morally end?

The dream of the Lotus Eaters,” he said, “is a pleasant fantasy for the individual—but it would be death for the race.

[They] believed that the worst way to die, was far from home. That one’s soul traveled the earth, lost forever. But this place was as much her home as [California]. She had lived out some of the most important parts of her life here – and if that didn’t qualify a place as home, what did?

She had always assumed that her life would end inside the war, that the war itself would be her eternal present, as it was for Darrow and for her brother. The possibility of time going on, her memories growing dim, the photographs of the battles turning from life into history terrified her.

She consoled herself with the thought that the pictures were graphic enough to shake people up, stop them being complacent about what was happening, and if that meant the war would end sooner, those two deaths weren't in vain. As she hoped, with less and less confidence each day, that Michael's had not been in vain. Too much waste to bear.

Saigon in utter darkness this last night of the war. A gestating monster. Her letter to Linh had been simple: I love you more than life, but I had to see the end.

Saigon was loved precisely because it was so unlovable - its squalor, its biblical, Job-like misfortune, its imminent, hoevering doom.

She invaded his heart, first in pictures, and then later through the casual touch of her hand, the smell of her hair, and finally the weight of her pain in his arms.

She had broken, become something else. She didn't know what yet. Could you love someone in the process of changing? She did love Linh. As much as a ghost loved. The mind treacherous.

Do not suppose, however, that we are merely a society of lotus-eaters, lolling on divans and cuddling lovely women. Ecstasy is something higher, or further out, than ordinary pleasure, and few hippies realized that its achievement requires a particular discipline and skill that is comparable to the art of sailing. We do not resist the vibrations, pulses, and rhythms of nature, just as the yachtsman does not resist the wind. But he knows how to manage his sails and, therefore, can use the wind to go wherever he wishes. The art of life, as we see it, is navigation.

It might be pleasant just to give up, live in the present, enjoying existential personal experiences, living like lotus-eaters from our amazing productive system, without personal responsibility, self-discipline, or thought about the future. But this is impossible, because the productive system could itself collapse, and our external enemies would soon destroy us. Tragedy & Hope p. 1275

But now she did belong to the ravaged city - her frame grown gaunt, her shoulders hunched from tiredness, the bone-sharp jaw line that had lost the padded baby fat of pretty, her blue gaze dark and inward.

Of course the one type of sashimi you really must try is fugu,” Alexander said expansively, smoothing his napkin across his straining cummerbund. “It’s simply the most exquisite taste.” “Fugu?” I said, trying to insert myself into the conversation. “Isn’t that the horribly poisonous one?” “Absolutely, and that’s what makes the experience. I’ve never been a drug taker—I know my own weaknesses, and I am very aware of being one of life’s lotus-eaters, so I’ve never trusted myself to dabble in that sort of thing—but I can only assume that the high one experiences after eating fugu triggers a similar neuron response. The diner has diced with death, and won.

Helen's Saigon had always been about selling - chickens, information, or lovely young women, it didn't matter. It had once been called the Pearl of the Orient, but by people who had not been there in a very long time. Saigon had never been Paris, but now it was a garrison town, unlovely, a stinking refugee shantyville filled with the angry, the betrayed, the dispossessed, but she had made it her home, and she couldn't bear that soon she would have to leave.

The only tangible evidence of the enemy's existence so far was dead bodies, but strangely, the dead were somehow less, did not match the fear and terror they inspired, much like one could not imagine flight from the evidence of a dead bird on the ground.

But let me say this, and I'll say it only once: don't fool yourself into thinking you're just on a detour as you sail home for Ithaca. A little pit stop, if you like, with the Lotus-Eaters or Calypso. There's no Athena interceding on your behalf. No guarantee you'll eventually arrive. If there's something you really want in life - especially if it's something that scares you, or you think you don't deserve - you have to go after it and do it now. Or in the very long you'll be right: you won't deserve it.

Just as it looks as though the sun moves round the earth, so ordinary language seems to invert the relations between signifiers and signifieds, or words and their meanings. In everyday speech, it seems as though the word is simply the obedient transmitter of the meaning. It is as though it evaporates into it. If language did not conceal its operations in this way, we might be so enraptured by its music that, like the Lotus Eaters, we would never get anything done - rather as for Nietzsche, if we were mindful of the appalling butchery which produced civilised humanity, we would never get out of bed. Ordinary language, like history for Nietzsche or the ego for Freud, operates by a kind of salutary amnesia or repression. Poetry is the kind of writing which stands this inversion of form and content, or signifier and signified, on its feet again. It makes it hard for us to brush aside the words to get at the meanings. It makes it clear that the signified is the result of a complex play of signifiers. And in doing so, it allows us to experience the very medium of our experience.

Something had broken inside her. No past or future, no sense of time, each day as endless as it was to a child. Linh had been right about her being a tourist of the war in the beginning, but with that detachment there had also been a kind of strength. As Darrow had said, there was a price to mastery. Now she was in limbo, neither an observer of the country, nor a part of it. For the first time since she was a child, she considered praying, but it seemed small and cowardly this late in the game.

And then she closed her eyes, and they could no longer touch her. She no longer embraced what they threatened. Linh was there, and when she reached for his hand, her own had become stiff and brittle, her arms become branches, and from her kees to her groin to her belly to her breasts came a covering, an armor of gnarled bark, and her hair, when she reached for it, had th easpect of leaves. She opened her eyes, alive, and she turned to look deeply and without fear into her boy soldier's face... ...the leader came and knelt down to look at Helen, and her mouth so full of liquid she gagged, spitting out Buddha and fragments of stone. The man picked up the small medallion and stared at her in wonder.

PART II THE RETURN OF ODYSSEUS TO HIS OWN COUNTRY CHAPTER V. Odysseus on the Island of Calypso VI. Odysseus Constructs a Raft and Leaves the Island VII. Odysseus is Saved on the Island of Scheria VIII. Nausicaä is Sent to the River by Athena IX. Odysseus Arrives at the Palace of Alkinoös X. Odysseus in the Halls of Alkinoös XI. The Banquet in Honor of Odysseus XII. Odysseus Relates His Adventures XIII. The Lotus-Eaters and the Cyclops XIV. The Cave of the Cyclops XV. The Blinding of the Cyclops XVI. Odysseus and His Companions Leave the Land of the Cyclops XVII. The Adventures of Odysseus on the Island of Æolus XVIII. Odysseus at the Home of Circè XIX. Circè Instructs Odysseus Concerning His Descent to Hades XX. The Adventures of Odysseus in Hades XXI. Odysseus Converses with His Mother and Agamemnon XXII. Conversation with Achilles and Other Heroes XXIII. The Return of Odysseus to the Island of Circè XXIV. Odysseus Meets the Sirens, Skylla, and Charybdis XXV. Odysseus on the Island of Hēlios XXVI. The Departure of Odysseus from the Island of Scheria XXVII. Odysseus Arrives at Ithaca XXVIII. Odysseus Seeks the Swineherd

His anguish had grown skeletal in its solitude. He wished it didn’t have to be so, that one could ingest pain and keep it from others, but instead it seemed one could only lessen it by inflicting little cuts and bruises of it on another.

( In war) you determine who will die anyway, and you move to those you can save. You want to stand over the dead and cry, but that helps no one. That’s a tourist’s sensibility.

This is what happened as one left one's home-places of oneself scattered all over the world, no one place ever completely satisfied, always a nostalgia for the place left behind.

swept gently in till the air was full of the dreamy and voluptuous fragrance which lulls the senses and woos the heart to those softer moments which, could they but last, would make men never need to dream of heaven. Such hours are rare; what wonder if, to win them, we risk all, if in them we cry with the Lotus Eaters, “Let us alone. What is it that will last? All things sûre taken from us and become Portions and parcels of the dreadful Past. Let us alone. What pleasure can we have To war with evil? Is there any peace In ever climbing up the climbing wave? All things have rest and ripen toward the grave In silence; ripen, fall, and cease. Give us long rest or death; dark death or dreamful ease.

get us fucking killed? By our allies?” All she could think was how unafraid she felt. How gloriously unafraid.

Sometimes you have to fulfill a promise in order to deserve the love you're given. Don't you think it's a calling to live in danger just to capture the face of those who are suffering? To show their invisible lives to the world?

Tanya the Lotus Eater’s

Failure is that from which we learn, Successes are nothing more than a proper mixture of luck and timing.

I wanted to do it once. Be a writer. Now I'm near 70, and the only thing I have to show for it is dictionary entries. Don't get me wrong -- I'm incredibly proud of it all. But let me say this, and I'll say it just once: don't fool yourself into thinking you're just on a detour as you sail home for Ithaca. A little pit stop, if you like, with the Lotus-Eaters or Calypso. There's no Athena interceding on your behalf. No guarantee you'll eventually arrive. If there's something you really want in life -- especially if it's something that scares you, or you think you don't deserve -- you have to go after it and do it now. Or in not very long you'll be right: you won't deserve it.

My everyday Appleton life, my phones calls to my father, my occasional beers with friends, my Saturday-morning jobs around the reservoir - what was all that, but the opiated husk of a life, the treadmill of the ordinary, a cage built of convention and consumerism and obligation and fear, in which I'd lolled for decades, oblivious, like a lotus eater, as my body aged and time advanced?

One fell in love with geography through people, and when the people were gone, the most beloved place turned cool and impersonal. _______

He asked, "which war?" A pause. "Between the North and the South." "He says there is always war, but why are the Westerners fighting Vietnamese war?" "To give freedom." The monk shook his head, rubbed his hands over his stubbed scalp. He talked rapidly to Linh, gesturing then laughing. "That makes no sense. Sense. Why die for Vietnamese?" " Tell him.. It's complicated. Tell him it's geopolitics, the movement of communism, the Domino theory of the fall of Southeast Asia...

It became more and more clear in the intervening days that Helen and Linh could not love each other fiercely, selfishly, as young lovers. They loved each other like secular saints, two selfless for reckless passion, to aware of each other's pain and the avoidance of it. They loved with a middle-aged caution.

This is what happened when one left one's home- pieces of oneself scattered all over the world, no one place ever completely satisfied, always a nostalgia for the place left behind. Pieces of her in Vietnam, some in this place of bone. She brought the letter to her nose. The smell of Vietnam: a mix of jungle and wetness and spices and rot. A smell she hadn't realized she missed.

Sometimes we hear pronouncements from scientists who confidently state that everything worth knowing will soon be known – or even is already known – and who paint pictures of a Dionysian or Polynesian age in which the zest for intellectual discovery has withered, to be replaced by a kind of subdued languor, the lotus eaters drinking fermented coconut milk or some other mild hallucinogen. In addition to maligning both the Polynesians, who were intrepid explorers (and whose brief respite in paradise is now sadly ending ), as well as the inducements to intellectual discovery provided by some hallucinogens, this contention turns out to be trivially mistaken. __Carl Sagan

Do not be seduced by the lotus-eaters into infatuation with untethered abstraction.

Then there’s southern California. Maybe the shadow of Hollywood tints truth and fiction beyond recognition. Maybe crooked executives believe they can do what they please since a continent separates them from Wall Street. Maybe the sunshine triggers a criminal giddiness. Or maybe it’s just coincidence. But a disproportionate number of the financial scandals of the last generation have blossomed in the land of the lotus eaters. The collapse of Lincoln Savings & Loan, Charles Keating’s bank, cost taxpayers $3.4 billion; other California S&L failures cost tens of billions more. Barry Minkow came from the San Fernando Valley to fleece bankers and investors of several million dollars while he was still a teenager. And movie accounting is notoriously corrupt.

Socrates’ exaggeration of the licentious mildness of democracy is matched by an almost equally strong exaggeration of the intemperance of democratic man. He could indeed not avoid the latter exaggeration if he did not wish to deviate in the case of democracy from the procedure which he follows in his discussion of the inferior regimes. That procedure consists in understanding the man corresponding to an inferior regime as the son of a father corresponding to the preceding regime. Hence democratic man had to be presented as the son of an oligarchic father, as the degenerate son of a wealthy father who is concerned with nothing but making money: the democratic man is the drone, the fat, soft, and prodigal playboy, the lotus-eater who, assigning a kind of equality to equal and unequal things, lives one day in complete surrender to his lowest desires and the next ascetically, or who, according to Karl Marx’s ideal, “goes hunting in the morning, fishes in the afternoon, raises cattle in the evening, devotes himself to philosophy after dinner,” i.e., does at every moment what he happens to like at that moment: the democratic man is not the lean, tough and thrifty craftsman or peasant who has a single job. Socrates’ deliberately exaggerated blame of democracy becomes intelligible to some extent once one considers its immediate addressee, the austere Adeimantos, who is not a friend of laughter and who had been the addressee of the austere discussion of poetry in the section on the education of the warriors: by his exaggerated blame of democracy Socrates lends words to Adeimantos’ “dream” of democracy.

A lotus eater is no friend of mine.

You ate lotus filled chalices with poisoned wine You are a sadducean with no ink and paper A lotus eater is no friend of mine

They had no encountered a single enemy soldier, yet it seemed the land itself, inhospitable and somber, was their enemy, bristled at their trespass, wore down their spirits.

I entered theaters—where the happy lotus-eaters sat slumped in their massage chairs, transfixed by the glowing tridim images—and capered down the aisles.

Democracy, it has been said, can only exist until the voting populace discovers it can vote itself largesse from the public coffers. Though it is less often said; it also happens that the voting populace discovers—indeed it is educated to the notion—that it has the power to radically expand

Bartleby, just look at me. I wanted to do it once, too. Be a writer. Now I’m near 70, and the only thing I have to show for it is dictionary entries. Don’t get me wrong—I’m incredibly proud of it all. But let me say this, and I’ll say it only once: don’t fool yourself into thinking you’re just on a detour as you sail home for Ithaca. A little pit stop, if you like, with the Lotus-Eaters or Calypso. There’s no Athena interceding on your behalf. No guarantee you’ll eventually arrive. If there’s something you really want in life—especially if it’s something that scares you, or you think you don’t deserve—you have to go after it and do it now. Or in not very long you’ll be right: you won’t deserve it.

Every good war picture is an antiwar picture