Lottery Story Quotes

I've won Satan's lottery.

Wait--we have one left," the runner said, bringing out what was surely the most expensive bouquet of all: a three-foot tall arrangement of two hundred white roses, in the palest ivory color. All the girls swooned. Almost no boys bought white roses ever. It was a big sign of commitment. But this one practically trumpeted a captured heart. The runner set the bouquet in front of Schuyler. Mimi raised an eyebrow. She had always won the roses lottery. What was this all about? For me?" Schuyler asked, awestruck by the size of the thing. She took the card from the tallest stem. For Schuyler, who doesn't like love stories." It was not signed.

It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.

Upstairs Margaret said abruptly, 'I suppose it starts to happen first in the suburbs,' and when Brad said, 'What starts to happen?' she said hysterically, 'People starting to come apart.

Grace Paley once described the male-female writer phenomenon to me by saying, “Women have always done men the favor of reading their work, but the men have not returned the favor.

Everything that makes the world like it is now will be gone. We'll have new rules and new ways of living. Maybe there'll be a law not to live in houses, so then no one can hide from anyone else, you see.

I no longer believe love works like a fairy tale but like farming. Most of it is just getting up early and tilling the soil and then praying for rain. But if we do the work, we just might wake up one day to find an endless field of crops rolling into the horizon. In my opinion, that’s even better than a miracle. I’d rather earn the money than win the lottery because there’s no joy in a reward unless it comes at the end of a story.

You’re obsessed with your job. Sometimes I catch you just staring at spreadsheets like they’re winning lottery tickets.

Is everyone really crazy but me?

We are all measured, good or evil, by the wrong we do to others;

All this to say: I am forty-three years old. I may yet live another forty. What do I do with those years? How do I fill them without Lexy? When I come to tell the story of my life, there will be a line, creased and blurred and soft with age, where she stops. If I win the lottery, if I father a child, if I lose the use of my legs, it will be after she has finished knowing me. "When I get to Heaven", my grandmother used to say, widowed at thirty-nine, "your grandfather won't even recognize me.

I wrote about the Thai sex industry and people ask me how many bar-girls I slept with. I've just completed a short story about a High School shooting but nobody thinks I shot anyone.

Passing through the outskirts of the city, she thought, it's as though everything were traveling so fast that the solid stuff couldn't stand it and were going to pieces under the strain, cornices blowing off and windows caving in. She knew she was afraid to say it truly, afraid to face the knowledge that it was a voluntary neck-breaking speed, a deliberate swirling faster and faster to end in destruction.

Reality was a drunk buying a lottery ticket, cashing out to the tune of seventy million dollars, and splitting it with his favorite barmaid. A little girl emerging alive from a well in Texas where she'd been trapped for six days. A college boy falling from a fifth-floor in Cancun and only breaking his wrist. Reality was Ralph.

The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. The people of the village began to gather in the square, between the post office and the bank, around ten o'clock; in some towns there were so many people that the lottery took two days and had to be started on June 2th. but in this village, where there were only about three hundred people, the whole lottery took less than two hours, so it could begin at ten o'clock in the morning and still be through in time to allow the villagers to get home for noon dinner.

There’s no such thing as God, Charlie, at least not how they say. Just like there’s no such thing as Zeus or Apollo or bloody unicorns. You’re on your own. And that can make you feel either lonely or powerful. When you’re born, you wither luck out or you don’t. It’s a lottery. Tough shit or good on yer. But from there, it’s all up to you… soon as you can walk and talk, you start makin your own luck. And I don’t need some spirit in the sky to help me do that. I can do it on me own. But see, that’s what I reckon God really is, Charlie. It’s that part inside me that’s stronger and harder than anything else. And I reckon prayer is just trusting in it, having faith in it, just asking meself to be tough. And that’s all you can do. I don’t need a bunch of bullshit stories about towers and boats and floods or rules about sin. It’s all just a complicated way to get to that place in you, and it’s not honest either. I don’t need to trick meself into thinking anyone else is listenin’, or even cares. Because it doesn’t matter. I matter. And I know I’ll be alright. Because I got a good heart, and fuck this town for making me try and believe otherwise. It’s what you come with and what you leave with. And that’s all I got.

The system was elementary, as you can see. Naturally these "lotteries" failed. Their moral virtue was nil. They were not directed at all of man's faculties, but only at hope.

That’s wrong, Mrs. Winning was thinking, you mustn’t ever talk about whether people like you, that’s bad taste.

No one even noticed me, she thought with reassurance, everyone who saw me has gone by long ago.

A well-worn marriage was like a shop-soiled currency note. Its only fault was that it had been in circulation for too long – it didn’t smell fresh, feel crisp to your fingers and fill you with a sense of possibilities as you held it in your hand, like a newly minted, fresh-from-the-press one did. (Lottery Ticket)

Bill Hutchinson went over to his wife and forced the slip of paper out of her hand. It had a black spot on it, the black spot Mr. Summers had made the night before with the heavy pencil in the coal company office. Bill Hutchinson held it up, and there was a stir in the crowd. "All right, folks," Mr. Summers said. "Let's finish quickly." Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones. The pile of stones the boys had made earlier was ready; there were stones on the ground with the blowing scraps of paper that had come out of the box. Mrs. Delacroix selected a stone so large she had to pick it up with both hands and turned to Mrs. Dunbar. "Come on," she said. "Hurry up." Mrs. Dunbar had small stones in both hands, and she said, gasping for breath, "I can't run at all. You'll have to go ahead and I'll catch up with you." The children had stones already, and someone gave little Davy Hutchinson a few pebbles. Tessie Hutchinson was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. "It isn't fair," she said. A stone hit her on the side of the head. Old Man Warner was saying, "Come on, come on, everyone." Steve Adams was in the front of the crowd of villagers, with Mrs. Graves beside him. "It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.

In a period of international crisis," the doctor said gently, "when you find, for instance, cultural patterns rapidly disintergrating..." "International crisis," Mrs. Arnold said. "Patterns." She began to cry quietly. [...] "Reality," she said, and went out.

By the time she was standing up and in her bathrobe the day had fallen into its routine; after the first involuntary rebellion against every day’s alarm she subsided regularly into the shower, make-up, dress, breakfast schedule which would take her through the beginning of the day and out into the morning where she could forget the green grass and the hot sun and begin to look forward to dinner and the evening.

Ask your mommy can we have two chairs out here," Billy said. "Then we can pretend the whole garden is our house.

All the millions of things we possessed as a family were inside the house, but, inexorably, there came one shocking moment when we discovered that the house was full.

There ought to be a law against rain.

I'm a gentleman all dressed in pink paper, she thought.

no one liked to upset even as much tradition as was represented by the black box.

Everything is thrown into relief, lit in a Hopperesque late-afternoon glow, the one-sided illumination both revealing and casting a long shadow.

When Mrs. Ferrier stepped inside our front door at one minute before three that afternoon it was perfectly clear to me without hesitation that we were not going to become fast friends.

The more time I spent in jail, the more I realized that the law isn’t rational at all. It’s a lottery. What color is your skin? How much money do you have? Who’s your lawyer? Who’s the judge?

Telling women’s stories was—and would always be—Jackson’s major fictional project. As she had in The Road Through the Wall and the stories of The Lottery, with Hangsaman Jackson continued to chronicle the lives of women whose behavior does not conform to society’s expectations. Neither an obedient daughter nor a docile wife-in-training, Natalie represents every girl who does not quite fit in, who refuses to play the role that has been predetermined for her—and the tragic psychic consequences she suffers as a result. During the postwar years, Betty Friedan would later write, the image of the American woman “suffered a schizophrenic split” between the feminine housewife and the career woman: “The new feminine morality story is . . . the heroine’s victory over Mephistopheles . . . the devil inside the heroine herself.” That is precisely what happens in Hangsaman. Unfortunately, it was a story that the American public, in the process of adjusting to the changing roles of women and the family in the wake of World War II, was not yet ready to countenance.

When Jannie came home from school that afternoon she said that her teacher had put it into the class news that Jannie’s mommy and daddy were going to get a new house and Jannie would walk to school instead of taking the bus.

He’s the hero of my story, but he refuses to claim any of those moments, as if they don’t matter. They do matter. Everyone sees partial sides to Ryke, and he lets them think he's just an athlete with no brains, an aggressive asshole. It’s like he’s been alone for so long that he’s lost any interest in showing off his worth. I think I’ve hit the lottery—to have him in my life. To me, he’s worth every loud moment, every peaceful silence, the crazy and the sad, the restless and the quiet. I would trade it all to be with him

It is not proven that Elizabeth’s personal equilibrium was set off balance by the slant of the office floor, nor could it be proven that it was Elizabeth who pushed the building off its foundations, but it is undeniable that they began to slip at about the same time.

We have got to get a bigger house,” I said. “Don’t be silly,” my husband said, reading. “There is no bigger house.” “A new house?” said Jannie. “Can I have a room of my own?” When I went down to the grocery the next morning the grocer said he heard we were thinking of moving.

There are many stories and accounts about the winners of lotteries who are jubilant when they win, but whose lives descend into a nightmare after acquiring that unearned money. (No challenge, no skill.) Thelottery looks like "the answer" to people because they associate money with pleasure. But the true enjoyment of money comes in part from the earning of it, which involves skill and challenge. Watching television is usually done for pleasure. That's why so few people can remember (or make use of) any of the 30 hours of television they have watched in the past week.

Almost all of Mr. Cobb’s function—aside from lighting cigarettes for me, and pausing respectfully when my husband spoke—seemed to consist of taking objects which actually existed in almost square feet, and translating them into cubic feet—rugs had to be rolled, books had to be boxed, pictures had to be put into packing cases.

The original paraphernalia for the lottery had been lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born. Mr. Summers spoke frequently to the villagers about making a new box, but no one liked to upset even as much tradition as was represented by the black box. There was a story that the present box had been made with some pieces of the box that had preceded it, the one that had been constructed when the first people settled down to make a village here. Every year, after the lottery, Mr. Summers began talking again about a new box, but every year the subject was allowed to fade off without anything's being done. The black box grew shabbier each year: by now it was no longer completely black but splintered badly along one side to show the original wood color, and in some places faded or stained. Mr. Martin and his oldest son, Baxter, held the black box securely on the stool until Mr. Summers had stirred the papers thoroughly with his hand. Because so much of the ritual had been forgotten or discarded, Mr. Summers had been successful in having slips of paper substituted for the chips of wood that had been used for generations. Chips of wood, Mr. Summers had argued, had been all very well when the village was tiny, but now that the population was more than three hundred and likely to keep on growing, it was necessary to use something that would fit more easily into he black box. The night before the lottery, Mr. Summers and Mr. Graves made up the slips of paper and put them in the box, and it was then taken to the safe of Mr. Summers' coal company and locked up until Mr. Summers was ready to take it to the square next morning. The rest of the year, the box was put way, sometimes one place, sometimes another; it had spent one year in Mr. Graves's barn and another year underfoot in the post office. and sometimes it was set on a shelf in the Martin grocery and left there.

How many times have we heard from people who got rich or famous and it wasn’t enough? Rock stars with drug problems. Lottery winners who kill themselves. There’s actually a term for this—“hedonic adaptation.” When good things happen, we bake them very quickly into our baseline expectations, and yet the primordial void goes unfilled.

The psychologist Barry Schwartz recently proposed that elite schools give up their complex admissions process and simply hold a lottery for everyone above the threshold. “Put people into two categories,” Schwartz says. “Good enough and not good enough. The ones who are good enough get put into a hat. And those who are not good enough get rejected.

Elizabeth watched him: this is Robbie, she was thinking, I know what he's going to do and what he's going to say and what tie he's going to wear every day in the week, and for eleven years I have known these things and for eleven years I have been wondering how to say things to make him understand; and eleven years ago we sat here and held hands and he said we were going to be successful.

We had three more attics, but one of them was full of old lumber and bricks left over from the various additions that had been built onto the house, and one of them was full of bats, and the last could only be reached by climbing through a trapdoor in the ceiling of the next-to-the-last attic and even if I could get past the bats and through the lumber and bricks I did not think I could keep taking the baby up and down through a trapdoor.

The minute the light changes, she told herself firmly; there's no sense. The light changed before she was ready and in the minute before she collected herself traffic turning the corner overwhelmed her and she shrank back against the curb. She looked longingly at the cigar store on the opposite corner, with her apartment house beyond; she wondered, How do people ever manage to get there, and knew that by wondering, by admitting a doubt, she was lost.

Shirley Jackson’s work and its nature and purpose have been very little understood. Her fierce visions of dissociation and madness, of alienation and withdrawal, of cruelty and terror, have been taken to be personal, even neurotic, fantasies. Quite the reverse: they are a sensitive and faithful anatomy of our times, fitting symbols for our distressing world of the concentration camp and the Bomb. She was always proud that the Union of South Africa banned “The Lottery,” and she felt that they at least understood the story.

By the time I woke up on a summer morning—the alarm having missed fire again, for the third time in a week—it was already too hot to move. I lay in bed for a few minutes, wanting to get up but unable to exert the necessary energy. From the girls’ room, small voices rose in song, and I listened happily, thinking how pleasant it was to hear a brother and two sisters playing affectionately together; then, suddenly, the words of the song penetrated into my hot mind, and I was out of bed in one leap and racing down the hall. “Baby ate a spider, Baby ate a spider,” was what they were singing.

Indeed, even suicide doesn’t prove an absolute commitment to a single story. On 13 November 2015, the Islamic State orchestrated several suicide attacks in Paris that killed 130 people. The extremist group explained that it did so in revenge for the bombing of Islamic State activists in Syria and Iraq by the French air force, and in the hope that France would be deterred from carrying out such bombardments in the future.18 In the same breath, the Islamic State also declared that all the Muslims killed by the French air force were martyrs, who now enjoy eternal bliss in heaven. Something here doesn’t make sense. If indeed the martyrs killed by the French air force are now in heaven, why should anyone seek revenge for it? Revenge for what, exactly? For sending people to heaven? If you just heard that your beloved brother won a million dollars in the lottery, would you start blowing up lottery stalls in revenge? So why go rampaging in Paris just because the French air force gave a few of your brothers a one-way ticket to paradise? It would be even worse if you indeed managed to deter the French from carrying out further bombings in Syria. For in that case, fewer Muslims would get to heaven.

Many professional athletes make a lot of money quickly. They also spend a lot of money in a short time and very often declare bankruptcy quickly. About 16 percent of NFL players file for bankruptcy within twelve years of retirement, despite average career earnings of about $3.2 million.9 Some studies say the number of NFL players “under financial stress” is much higher—as high as 78 percent—within a few years of retirement. Similarly, about 60 percent of NBA basketball players are in financial trouble within five years of leaving the game.10 There are similar stories about lottery winners losing it all. Despite their big paydays, about 70 percent of lottery winners go broke within three years.11

I do not now have the slightest understanding of the events which got us out of one big white house which we rented into another, bigger white house which we own, at least in part. That is, I know we moved, and I think I know why, and I know we spent three pleasant months in a friend’s summer home, and I am pretty sure we got most of our own furniture back. What really puzzles me, I suppose, is how a series of events like that gets itself started. One day I went to clean out the hall closet and the next thing I knew we were trying to decide whether to have all four phones put on one line, or leave them all different numbers and list ourselves four times in the phone book. We decided wrong, by the way.

I don't believe the sickest people that I meet throughout my day at work are in the business of having outlandish desires, either. I don't think they are staring at the square-tiled ceiling of the intensive-care unit and dreaming of being an astronaut or an explorer. I don't think they're holding the hand of their wife and thinking, "I hope we win the lottery and become rich." Perhaps I am wrong, but I think they are, for the most part, simply hoping they will get to be a part of life again. They are hoping for all the things we take for granted every day: the ability to breathe by yourself, to get out of bed, to sit on a toilet or lie in a bath. To swallow your food and choose what you want for breakfast. To walk out into the world and appreciate all its beauty, or complain about the weather - but to have that choice.

The more time I spent in jail, the more I realized that the law isn’t rational at all. It’s a lottery. What color is your skin? How much money do you have? Who’s your lawyer? Who’s the judge? Shoplifting PlayStation games was less of an offense than driving with bad number plates. He had committed a crime, but he was no more a criminal than I was. The difference was that he didn’t have any friends or family to help him out. He couldn’t afford anything but a state attorney. He was going to go stand in the dock, unable to speak or understand English, and everyone in the courtroom was going to assume the worst of him. He was going to go to prison for a while and then be set free with the same nothing he had going in. If I had to guess, he was around thirty-five, forty years old, staring down another thirty-five, forty years of the same.

The more time I spent in jail, the more I realized that the law isn't rational at all. It's a lottery. What color is your skin? How much money do you have? Who's your lawyer? Who's the judge? Shoplifting PlayStation games was less of an offense than driving with bad number plates. He had committed a crime, but he was not more a criminal than I was. The difference was that he didn't have any friends or family to help him out. He couldn't afford anything but a state attorney. He was going to go stand in the dock, unable to speak or understand English, and everyone in the courtroom was going to assume the worst of him. He was going to go to prison for a while and then be set free with the same nothing he had going in. If I had to guess, he was around thirty-five, forty years old, staring down another thirty-five, forty years of the same.

If you talk to these extraordinary people, you find that they all understand this at one level or another. They may be unfamiliar with the concept of cognitive adaptability, but they seldom buy into the idea that they have reached the peak of their fields because they were the lucky winners of some genetic lottery. They know what is required to develop the extraordinary skills that they possess because they have experienced it firsthand. One of my favorite testimonies on this topic came from Ray Allen, a ten-time All-Star in the National Basketball Association and the greatest three-point shooter in the history of that league. Some years back, ESPN columnist Jackie MacMullan wrote an article about Allen as he was approaching his record for most three-point shots made. In talking with Allen for that story, MacMullan mentioned that another basketball commentator had said that Allen was born with a shooting touch—in other words, an innate gift for three-pointers. Allen did not agree. “I’ve argued this with a lot of people in my life,” he told MacMullan. “When people say God blessed me with a beautiful jump shot, it really pisses me off. I tell those people, ‘Don’t undermine the work I’ve put in every day.’ Not some days. Every day. Ask anyone who has been on a team with me who shoots the most. Go back to Seattle and Milwaukee, and ask them. The answer is me.” And, indeed, as MacMullan noted, if you talk to Allen’s high school basketball coach you will find that Allen’s jump shot was not noticeably better than his teammates’ jump shots back then; in fact, it was poor. But Allen took control, and over time, with hard work and dedication, he transformed his jump shot into one so graceful and natural that people assumed he was born with it. He took advantage of his gift—his real gift.   ABOUT

And - just as with winning the lottery, or becoming famous - there is no manual for becoming a woman, even though the stakes are so high. God knows, when I was 13, I tried to find one. You can read about other people's experience on the matter - by way of trying to crib, in advance, for an exam - but I found that this is, in itself, problematic. For throughout history, you can read stories of women who - against all odds - got being a woman right, but ended up being compromised, unhappy, hobbled or ruined, because all around them, society was still wrong. Show a girl a pioneering hero - Sylvia Plath, Dorothy Parker, Frida Kahlo, Cleopatra, Boudicca, Joan of Arc - and you also, more often than not, show a girl a woman who was eventually crushed. Your hard-won triumphs can be wholly negated if you live in a climate where your victories are seen as threatening, incorrect, distasteful, or - most crucially of all, for a teenage girl - simply uncool. Few girls would choose to be right - right, down into their clever, brilliant bones - but lonely.

[…] if sophistication is the ability to put a smile on one's existential desperation, then the fear of a glossy sheen is actually the fear that surface equals depth. *** […] we wake up, we do something—anything—we go to sleep, and we repeat it about 22,000 more times, and then we die. *** Part of our new boredom is that our brain doesn't have any downtime. Even the smallest amount of time not being engaged creates a spooky sensatino that maybe you're on the wrong track. Reboot your computer and sit there waiting for it to do its thing, and within seventeen seconds you experience a small existential implosion when you remember that fifteen years ago life was nothing but this kind of moment. Gosh, mabe I'll read a book. Or go for a walk. Sorry. Probably not going to happen. Hey, is that the new trailer for Ex Machina? *** In the 1990s there was that expression, "Get a life!" You used to say it to people who were overly fixating on some sort of minutia or detail or thought thread, and by saying, "Get a life," you were trying to snap them out of their obsession and get them to join the rest of us who are still out in the world, taking walks and contemplating trees and birds. The expression made sense at the time, but it's been years since I've heard anyone use it anywhere. What did it mean then, "getting a life"? Did we all get one? Or maybe we've all not got lives anymore, and calling attention to one person without a life would put the spotlight on all of humanity and our now full-time pursuit of minutia, details and tangential idea threads. *** I don't buy lottery tickets because they spook me. If you buy a one-in-fifty-million chance to win a cash jackpoint, you're simultaneously tempting fate and adding all sorts of other bonus probabilities to your plance of existence: car crashes, random shootings, being struck by a meteorite. Why open a door that didn't need opening? *** I read something last week and it made sense to me: people want other people to do well in life but not too well. I've never won a raffle or prize or lottery draw, and I can't help but wonder how it must feel. One moment you're just plain old you, and then whaam, you're a winner and now everyone hates you and wants your money. It must be bittersweet. You hear all those stories about how big lottery winners' lives are ruined by winning, but that's not an urban legend. It's pretty much the norm. Be careful what you wish for and, while you're doing so, be sure to use the numbers between thirty-two and forty-nine.

We chose not to discuss a world warmed beyond two degrees out of decency, perhaps; or simple fear; or fear of fearmongering; or technocratic faith, which is really market faith; or deference to partisan debates or even partisan priorities; or skepticism about the environmental Left of the kind I'd always had; or disinterest in the fates of distant ecosystems like I'd also always had. We felt confusion about the science and its many technical terms and hard-to-parse numbers, or at least an intuition that others would e easily confused about the science and its many technical terms and hard-to-parse numbers. we suffered from slowness apprehending the speed of change, or semi-conspiratorial confidence in the responsibility of global elites and their institutions, or obeisance toward those elites and their institutions, whatever we thought of them. Perhaps we felt unable to really trust scarier projections because we'd only just heard about warming, we thought, and things couldn't possibly have gotten that much worse just since the first Inconvenient Truth; or because we liked driving our cars and eating our beef and living as we did in every other way and didn't want to think too hard about that; or because we felt so "postindustrial" we couldn't believe we were still drawing material breaths from fossil fuel furnaces. Perhaps it was because we were so sociopathically good at collating bad news into a sickening evolving sense of what constituted "normal," or because we looked outside and things seemed still okay. Because we were bored with writing, or reading, the same story again and again, because climate was so global and therefore nontribal it suggested only the corniest politics, because we didn't yet appreciate how fully it would ravage our lives, and because, selfishly, we didn't mind destroying the planet for others living elsewhere on it or those not yet born who would inherit it from us, outraged. Because we had too much faith in the teleological shape of history and the arrow of human progress to countenance the idea that the arc of history would bend toward anything but environmental justice, too. Because when we were being really honest with ourselves we already thought of the world as a zero-sum resource competition and believed that whatever happened we were probably going to continue to be the victors, relatively speaking anyway, advantages of class being what they are and our own luck in the natalist lottery being what it was. Perhaps we were too panicked about our own jobs and industries to fret about the future of jobs and industry; or perhaps we were also really afraid of robots or were too busy looking at our new phones; or perhaps, however easy we found the apocalypse reflex in our culture and the path of panic in our politics, we truly had a good-news bias when it came to the big picture; or, really, who knows why-there are so many aspects to the climate kaleidoscope that transforms our intuitions about environmental devastation into n uncanny complacency that it can be hard to pull the whole picture of climate distortion into focus. But we simply wouldn't, or couldn't, or anyway didn't look squarely in the face of science.

Neither nature nor history can tell us what we ought to do. Facts, whether those of nature or those of history, cannot make the decision for us, they cannot determine the ends we are going to choose. It is we who introduce purpose and meaning into nature and into history. Men are not equal; but we can decide to fight for equality. Human institutions such as the state are not rational, but we can decide to fight to make them more rational. We ourselves and our ordinary language are, on the whole, emotional rather than rational; but we can try to become a little more rational, and we can train ourselves to use our language as an instrument not of self-expression (as our romantic educationists would say) but of rational communication. History itself I mean the history of power politics, of course, not the non-existent story of the development of mankind has no end nor meaning, but we can decide to give it both. We can make it our fight for the open society and against its antagonists (who, when in a corner, always protest their humanitarian sentiments, in accordance with Pareto's advice) and we can interpret it accordingly. Ultimately, we may say the same about the 'meaning of life'. It is up to us to decide what shall be our purpose in life, to determine our ends. This dualism of facts and decisions is, I believe, fundamental. Facts as such have no meaning; they can gain it only through our decisions. Historicism is only one of many attempts to get over this dualism; it is born of fear, for it shrinks from realizing that we bear the ultimate responsibility even for the standards we choose. But such an attempt seems to me to represent precisely what is usually described as superstition. For it assumes that we can reap where we have not sown; it tries to persuade us that if we merely fall into step with history everything will and must go right, and that no fundamental decision on our part is required; it tries to shift our responsibility on to history, and thereby on to the play of demoniac powers beyond ourselves; it tries to base our actions upon the hidden intentions of these powers, which can be revealed to us only in mystical inspirations and intuitions; and it thus puts these actions and decisions on the moral level of one who, inspired by horoscopes and dreams, chooses his lucky number in a lottery.

The 400% Kindness Return: A True Story I firmly believe that every act of kindness ripples out into the world, returning to you multiplied. Here's a story that forever changed how I see generosity. A Mother's Sacrifice: Sarah, a single mother of two young children, knew every penny counted. Collecting aluminum cans with her kids was a small but essential way they scraped by. Trips to the recycling center were hard-earned rewards.

Twenty years ago, I began to speak directly about hope and to what impeded it for so many people: “I say all this to you because hope is not like a lottery ticket you can sit on the sofa and clutch, feeling lucky. I say this because hope is an ax you break down doors with in an emergency.” I wrote during a surge of neoliberal attacks on indigenous people, nature, small farmers, and labor, during the so-called Global War on Terror

We are educated Colombo Tamils. We must be careful and not attract attention. You understand, no?’ You think of the lottery of birth and how everything else is mythology, stories the ego tells itself to justify fortune or explain away injustice. You wonder if you should hold your tongue. ‘Uncle, this country was inherited by arrack-swillers who sent their children to British schools. Mostly Sinhala – but not all. What they all were was Colombians. And being an English-speaking Colombian exempts us from the rest of this country’s sufferings.’ ‘I didn’t know there were Marxists left in this country,’ says Stanley, giving you the fakest of smiles as he rises to leave.

After Anna had gone, I stood at the kitchen window for some time, just watching my daughter and grandson playing in the garden. What a lottery life was. What decreed the circumstances a baby was born into? What roll of the celestial dice saw to it that those poor children, currently residing in our family, ended up in such a hell hole as the one just described?

You’ve probably heard the stories about lottery winners losing it all. They’re not urban legends; they really happen. The depths people fall to after big lottery winnings are heartbreaking and mindboggling. And it isn’t only lottery winners. You’ve also heard the stories about famous movie stars, recording stars, or star athletes who make incredible fortunes, literally hundreds of millions of dollars, and somehow manage to wind up broke and in debt. And when you heard those stories, you probably thought the same thing I did: “Man, I don’t know how they pulled that off, but if I made that kind of money I sure wouldn’t squander it all like that!” But let me ask you a tough question: are you sure about that? Speaking as one who’s made it to the top and then seen it all evaporate, all I can say is, you might be surprised. There’s a reason those lottery winners lose it all again, a reason those shining stars plummet to those dark places: they may have had the big breaks, but they didn’t grasp the slight edge. Their winnings changed their bank account balance—but it didn’t change their philosophy. The purpose of this book is to show you the slight edge philosophy, show you how it works, give you plenty of examples, and show you exactly how to make it a core part of how you see the world and how you live your life every day. Throughout this book, if you look carefully you’ll find dozens of statements that embody this philosophy, statements like “Do the thing, and you shall have the power.” Here are a few more examples that you’ll come across in the following pages: Success is the progressive realization of a worthy ideal. Successful people do what unsuccessful people are not willing to do.

I no longer believe love works like a fairy tale but like farming. Most o fit is just getting up early and tilling the soil and then praying for rain. But if we do the work, we just might wake up one day to find an endless field of crops rolling into the horizon. In my opinion, that's even better than a miracle. I'd rather earn the money than win the lottery because there's no joy in a reward unless it comes at the end of a story.

Say It So You Lift Your Spirits: Even non-Scandinavians and optimists can feel their moods dampen during the dark of night. Luckily there are some easy ways to lift your spirits. Here are three: 1. When describing something in the past, what role do you play in the story? Are more of your most retold stories anchored by a positively or a negatively felt incidents? Those who are most resilient, energetic, caring and involved with others tend to link their stories to redemptive themes. Those who are plagued by down moods often mark their stories with what went wrong and don't include a redeeming detail. These narrative themes affect our choices -- what we think we have to choose from -- and how others see us. 2. We each have many personalities inside us. Some situations enable us to use our best talents and display our best side. Instead of attempting to be a "virtuoso juggler" as many women do, discover the specific situations where you thrive. When you can identify those moments you are better able, like a defensive driver, to see potential danger farther ahead where situations or individuals spark your discomfort or worse. Conversely, knowing where you shine (temperament and talent) means you can make smarter choices about how you work and live -- and with whom. While Marcus Buckingham's book is intended for women, I know three male friends who have found it helpful in how they seek the situations that best serve them -- professionally, personally and socially. 3. We each have a set point along the continuum of pessimistic to optimistic. After winning the lottery or experiencing the death of a loved one, we eventually return to that set point.

It’s the big new bridge,” said Serge. “Takes you right across Lake What-the-Fuck.” “Is that another real name?” “No,” said Serge. “That’s what I call it. It’s really named Lake Surprise. But surprise is usually something good that provides delight, like winning the lottery or reaching in the back of the fridge and finding an unexpected jar of olives. But this lake got its name because it pissed people off.” “How’d it do that?” “Another funny story. When Henry Flagler started the Overseas Railroad down the Keys, he looked for the route with the most land, because bridges over water cost more. So he sent out surveyors, and they began laying tracks south from the mainland of Florida, across some little islands and an isthmus to Key Largo. And I can’t believe they built that far before realizing that right in the middle of a big chunk of land was this giant lake, and now they have to build an extra bridge that wasn’t in the budget.

She likes to read about lottery winners, how desperately they go about losing everything so they can get back to the state at which they are familiar. She

At the lobby desk, the manager informed them that there was no room for them there either. Fieberling, who was leading-man handsome, flashed a confident grin and asked for the manager’s name, telling him that his squadron’s orders to lodge there had come directly from Admiral Nimitz, and he would need to advise the commander-in-chief why his order had been disobeyed. It was a bald-faced lie, but the manager nervously disappeared into his office. A minute later he came back out smiling at Fieberling as if he had just won the lottery.

If you believe your life is mainly a matter of chance, why read this book? Learning about startups is worthless if you’re just reading stories about people who won the lottery.

A man attacked me, choked me, bit my neck, burned my hand, then stuffed my shirt full of money and put a dumpster on me and now I can see heat and hear fog. I’ve won Satan’s lottery.

lottery,

I'd rather earn the money than win the lottery because there's no joy in a reward unless it comes at the end of a story

He remembered the story of an old man who went into a church one day to reprimand God for never having helped him win the lottery—not once, not even a single little prize, and he was about to celebrate his ninety-seventh birthday. And then, from within a celestial ray of light, God’s voice boomed down to him: “Try buying a ticket first.

I’ll take all those crimes and robberies, wars and villagers, generals and crooks, that are asleep in the silence of the archives and write each of them down, one by one, on slips of paper the size of playing cards. Then I’ll shuffle that awesome deck consisting of hundreds—no, millions—of cards, just as you shuffle a deck of playing cards, but, of course, with much more difficulty, perhaps using special machines, like those lottery machines in front of notaries, and I’ll place them in the hands of my readers! And I’ll tell them: None of these has any connection with any other, preceding or following, front or back, cause or effect. Come, young reader, this is life and history, read it as you will. Everything that exists is in here, it all simply exists, but there’s no story binding it together. Then the disappointed young reader will ask: No story at all? At that point, appreciating his point of view, I’ll say, You’re right, at this age you do need a story to explain everything just so you can live in peace, otherwise you’d come unhinged. And with that, as if slipping a joker into my deck of millions of cards, I’d write Story and begin to gather together the cards in a way that tells a tale.

Promise yourself that you’re going to let go once and for all of your lottery-winner expectations because, let’s face it, you only hear stories about the one winner, not the millions of losers.

In a country with few private rooms, where people live on top of each other, lies and half-truths become the only forms of privacy. People lie because they assume everyone else is a liar. Those who don’t lie must be either saints or idiots, or just plain rude. In this shimmering world of big and small deceits, people often have to snoop and spy to hunt down the illusive truth. There is an instructive story of a poor man who won a lottery. He moves his family into a mansion where each of his thirteen children could have his or her own room at last. For the first time, they could think in silence and examine their firm or flabby flesh in a full-length mirror. They could hear the creak and hum if their own brains, feel the drafts from strange doors being opened. Frightful memories ambushed them sporadically. The oldest boy realized he had a flat chest, a beer belly and no muscles. The oldest girl discovered a condor-shaped birthmark spanning her behind. After a month of daydreaming, reading, masturbating and unbearable loneliness bordering on madness, they all decided to sleep in the same room again.

She’ll change. It’s like winning the lottery, man. Found money, more than she’ll ever need.” “And I guess that’s the point. More than she’ll ever need. You ever read those stories about people who win the lottery and how it ruins their lives? They can’t adjust, they meet people with their hands out wherever they go. She’s an artist. Artists are supposed to stay hungry.” “That’s bullshit. That’s a myth invented to keep the artist down because art is powerful. You give an artist both money and power and they’re dangerous.

I guess she never heard about the twin brothers who won large sums of money in their respective state lotteries on the same day.

We’ve heard the horror stories, too. Attorney Richard Watts, whom we met in the introduction, tells me another: One early client, three decades ago, was a working-class guy with a lottery win of about $60 million after taxes. He came to Watts in deep trouble, but he came too late: “It was all gone in five years: bankrupt, wife gone, kids gone, kids on drugs, kids in jail—really, truly a life he could not recover from.

when I gently advised against this, pointing out that the studies would not end until 2024, they became irate. This was my people, my tribe, my whole life, the progressive, right-on part of the ideological world — and it became more and more uncritical, less and less able to discuss or reason. Friends and colleagues who their whole adult lives had known the dangers of Big Pharma (and, reflexively wellness-oriented, would only think of using Burt’s Bees on their babies’ bottoms and sunscreen with no PABAs on themselves) rushed to take the experimental genetic-based therapy; then, like the stone throwers in Shirley Jackson’s short story “The Lottery,” crowded around to lash out at, shun, punish anyone who raised the slightest question about Big Pharma. Their entire knowledge base about that industry seemed to have magically evaporated into the ether.

Tom Junior invented the story that his father had won $750,000 in the California State Lottery. There was no lottery ‘win’ but Thomas did give Tom Junior money to start a flower shop and bought Samantha a car.

Death, the impartial force, teaches us that survival is a lottery we've won every day we wake up. With each loss, we are reminded that survival is the unexpected twist in the story of life. We all die in the end, as our characters dissolve into the shared narrative of humanity. In the quest for ultimate agency, we are confronted with the ultimate impossibility – to dictate the terms of our own end. The clock of existence ticks on relentlessly, while our desire to pause it at will remains a futile endeavor. Appreciate every moment...

In 1948, the New Yorker published a short story by a then-unknown writer. The tale, about an ordinary town with a sinister secret, so outraged readers that the magazine reported receiving more negative mail than ever before, including many subscription cancellations. That story was “The Lottery” by Shirley Jackson, which went on to become one of the most famous short stories in American literature.

The Borges fascinated by gangsters and hoodlums is hardly read in the States. Beyond, perhaps, “Death and the Compass,” Borges’s obsession with outlaws (from Billy the Kid to New York hoodlums) tends to be overlooked. It is also vastly ignored that this is his first link to the United States—it is through crooks and murderers that he initially addresses the North American tradition. And it is thanks to these lowlifes that we get detectives, and it is thanks to them that we arrive at the art of suspicion that makes stories like “The Lottery in Babylon” possible. It is thanks to these criminals that Borges arrives at the semiotic anxiety that leads to the conception of the world as a text. These thugs and crooks are, then, in a way the humble source of some of the lofty metaphysical speculations that American readers seem to love most in Borges.

Thus, if your story began with the secretary shocked and scared because of the change in her office environment, your next step had to be the selection of her intention designed to fix things. Let’s say you decided that she decided to learn how to operate the new computer system, or bust. The reader at this point can be trusted to translate this goal into a story question, and begin reading to learn the answer to “Will she learn the new computer system?” When you answer that question, the story ends. This answering, which takes place at the climax of your story, must answer the question you asked. You can’t cheat here. You can’t end with a climax that shows her accepting a marriage proposal, for example, or falling down a flight of stairs, or winning the Florida lottery. Your reader has worried about “Will she learn the new computer system?” and that’s what you have to answer; nothing other or less will do!

Saipov studied accounting in Uzbekistan. Then he got a U.S. green card and his life fell apart.

I don't hear it much anymore... but... I guess people do sometimes ask... well why don't you go back to Russia.... Well I'm sorry I can't help it I guess Im stuck in this shithole for a while. My aunt married some Jew and then we won a "lottery" and my daddy (pussy little bitch) decided to come to this shithole and make me go to school with fucked up Jews and learn english and shit. Then I became an alcoholic in college. Then I worked for the government a bit and that REALLY fucked me up. Now I'm just waiting for them to catch up, make some amends and pass the Universal Basic Income so I can go back to drinking. Rigorous honesty, every single day.

If there is no causal link between merit and destiny—if everything on the battlefield boils down to nothing more than a lottery—what’s the point of bothering to hone your skills or cultivate excellence?

However, as every day in Daraa became a lottery of life and death, the stresses of survival began to take their toll on the entire family. The girls suffered from insomnia and panic attacks, and they were always nervous and on edge, constantly bickering over small things (Fleming 75)

That, in itself, is a beautiful victory, a wonderful manifestation of the impulse to be free. It’s a valuable victory too, sending ripples far and wide, revealing rich and beautiful dimensions of life that we so often forget. Music, paintings and stories can do this, but so can acts of courage, generosity and compassion. Such behaviour uplifts and inspires, interrupting and subverting our routines and expectations, challenging us to imagine something better and reminding us of the extraordinary potential within us all.

Once, several years ago, I was looking around for something and moved a piece of furniture only to behold behind it a fuzzy little ball of...what? I looked closer, which is always a bad idea, adn jumped back with a screech. Of course, it was a dead mouse. A dead mouse that had been there long enough that it looked a little--what?--petrified. So I did what any normal person would do in a similar circumstance. I immediately, that very minute, sat down and wrote a story about it. I wrote and wrote until I was pleased with the dead mouse story. And then I used a piece of cardboard to life and slide the little mouse corpse into a small white box--the kind you use for jewelry. After all, I reasoned, I had just written a story about him! It felt like something worse than abandonment to get rid of him now...we were linked! Connected through the sacred ritual of storytelling. And anyway, what if this story ended up, you know, famous? What if my dead mouse story ended up being my "The Lottery"? Wouldn't it be incredibly neat to still have the original thing that inspired it? Yes, this is the way I think. So you can see the situation is bad. I have at least one dead rodent that I have kept ON PURPOSE.

Martí still had to consider himself lucky, since in 1871 eight medical students had been executed for the alleged desecration of a gravesite in Havana. Those executed were selected from the student body by lottery, and they may not have even been involved in the desecration. In fact, some of them were not even in Havana at the time, but it quickly became obvious to everyone that the Spanish government was not fooling around! Some years later Martí studied law at the Central University of Madrid (University of Zaragoza). As a student he started sending letters directly to the Spanish Prime Minister insisting on Cuban autonomy, and he continued to write what the Spanish government considered inflammatory newspaper editorials. In 1874, he graduated with a degree in philosophy and law. The following year Martí traveled to Madrid, Paris and Mexico City where he met the daughter of a Cuban exile, Carmen Zayas-Bazán, whom he later married. In 1877 Martí paid a short visit to Cuba, but being constantly on the move he went on to Guatemala where he found work teaching philosophy and literature. In 1878 he published his first book, Guatemala, describing the beauty of that country. The daughter of the President of Guatemala had a crush on Martí, which did not go unnoticed by him. María was known as “La Niña de Guatemala,” the child of Guatemala. She waited for Martí when he left for Cuba, but when he returned he was married to Carmen Zayas-Bazán. María died shortly thereafter on May 10, 1878, of a respiratory disease, although many say that she died of a broken heart. On November 22, 1878, Martí and Carmen had a son whom they named José Francisco. Doing the math, it becomes obvious as to what had happened…. It was after her death that he wrote the poem “La Niña de Guatemala.” The Cuban struggle for independence started with the Ten Years’ War in 1868 lasting until 1878. At that time, the Peace of Zanjón was signed, giving Cuba little more than empty promises that Spain completely ignored. An uneasy peace followed, with several minor skirmishes, until the Cuban War of Independence flared up in 1895. In December of 1878, thinking that conditions had changed and that things would return to normal, Martí returned to Cuba. However, still being cautious he returned using a pseudonym, which may have been a mistake since now his name did not match those in the official records. Using a pseudonym made it impossible for him to find employment as an attorney. Once again, after his revolutionary activities were discovered, Martí was deported to Spain. Arriving in Spain and feeling persecuted, he fled to France and continued on to New York City. Then, using New York as a hub, he traveled and wrote, gaining a reputation as an editorialist on Latin American issues. Returning to the United States from his travels, he visited with his family in New York City for the last time. Putting his work for the revolution first, he sent his family back to Havana. Then from New York he traveled to Florida, where he gave inspiring speeches to Cuban tobacco workers and cigar makers in Ybor City, Tampa. He also went to Key West to inspire Cuban nationals in exile. In 1884, while Martí was in the United States, slavery was finally abolished in Cuba. In 1891 Martí approved the formation of the Cuban Revolutionary Party.

If the details of the lives of the boys blur together, it is because there is a systemic story here: of the lottery of birth, the cycle of poverty, life in a carceral state, structural racism, and the unequal distribution of economic and educational opportunity—and the fallacy that hard work is enough to dissolve these nearly impermeable inequalities.

Most of the world’s seven billion people found their destinies largely determined at the moment of birth. There are, of course, plenty of Horatio Alger stories in this world. Indeed, America abounds with them. But for literally billions of people, where they are born and who gives them birth, along with their gender and native intellect, largely determine the life they will experience. In this ovarian lottery, my children received some lucky tickets. Many people who experience such good fortune react by simply enjoying their position in life and trying to ensure that their children enjoy similar benefits. This approach is understandable, though it can become distasteful when it is accompanied by a smug “If I can do it, why can’t everyone else?” attitude.

Wishes are seeds of hope. Some take root in the fertile soil of reality while others continue as memories of lost desires. Wishes have inspired great successes, filled fountains and lip-polished a stone in Ireland. Wishes are the visions we create in relation to our talents, needs or simple wants. We have decorated all we wish for with the spirit of mere possibility. Someone has to win the lottery, why not me? Some wishes are greater than possibility. Some defy a greater design. All are dreams of achieving something we cannot do alone, not without the luxury of chance.

You know what, nearly getting a submission is like nearly winning the lottery: no one wants to hear about that shit.

I knew it,” a character remarks, “trembling a little,” at the conclusion of one of these stories: “I knew it would end badly,” a statement that might almost be taken as the book’s declaration of principle. For what you will find when you read Catastrophe is an assembly of fifteen stories (to which five previously untranslated stories have been added) that are unusually singular in their effect. Do you know that sudden inversion near the end of certain disturbing tales—“The Lottery,” “Royal Jelly,” “Sandkings”—when you intuit the terrible thing that is just about to take place? In each of this collection’s stories, it’s as if Buzzati has zeroed in on that moment and asked himself, What if there was nothing else? This singular instant of dreadful predictive clarity: What if I distended it over a lifetime? He has taken the split-second between the misstep and the fall, when your foot has slipped from the ledge but gravity is still deciding what to do with you, and heightened it to a sort of cosmology.