Lots Of Memories In This Place Quotes

Just that dwelling and planning is bullshit, you dwell on the past, you can’t move forward. Spend too much time planning for the future and you just push yourself backwards, or you stay stagnant in the same place all your life. Live in the moment, where everything is just right, take your time and limit your bad memories and you’ll get wherever it is you’re going a lot faster and with less bumps in the road along the way.

Because you’ve probably been depressed yourself, you’ve had days when you’ve been in terrible pain in places that don’t show up in X-rays, when you can’t find the words to explain it even to the people who love you. Deep down, in memories that we might prefer to suppress even from ourselves, a lot of us know that the difference between us and that man on the bridge is smaller than we might wish.

Closing The Cycle One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished. Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden? You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill. None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back. Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place. Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else. Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important. Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.

He said, “I know somebody you could kiss.” “Who?” She realized his eyes were amused. “Oh, wait.” He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.” She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have. But now— “Okay,” she said. “What?” “I said okay.” He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—” He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious. They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming. She said, “Well.” “Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.” He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility. “Go,” Blue said. This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher. “I’m doing something wrong?” she suggested. “Sometimes it’s better with tongue,” he replied dubiously. They regarded each other. Blue squinted, “Are you sure you’ve done this before?” “Hey!” he protested. “It’s weird for me, ‘cause it’s you.” “Well, it’s weird for me because it’s you.” “We can stop.” “Maybe we should.” Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.” Blue touched her mouth. “What are they doing now?” “Like, bracing themselves.” She pursed and unpursed her lips. She saw his point. “So imagine one of those,” Noah suggested. She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes. Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.

You dwell on the past, you can't move forward. Spend too much time planning for the future and you just push yourself backwards, or you stay stagnant in the same place all your life." "Live in the moment," he says as if making a serious point, "Where everything is just right, take your time and limit your bad memories and you'll get wherever it is you're going a lot faster and with less bumps in the way.

Growing up happens in a heartbeat. Once day you're in diapers, the next day you're gone. But the memories of childhood stay with you for the long haul. I remember a place, a town, a house, like a lot of houses. A yard like a lot of other yards. On a street like a lot of other streets. And the thing is, after all these years, I still look back... with wonder. -Kevin from the finale of the Wonder Years

I had a bizarre rapport with this mirror and spent a lot of time gazing into the glass to see who was there. Sometimes it looked like me. At other times, I could see someone similar but different in the reflection. A few times, I caught the switch in mid-stare, my expression re-forming like melting rubber, the creases and features of my face softening or hardening until the mutation was complete. Jekyll to Hyde, or Hyde to Jekyll. I felt my inner core change at the same time. I would feel more confident or less confident; mature or childlike; freezing cold or sticky hot, a state that would drive Mum mad as I escaped to the bathroom where I would remain for two hours scrubbing my skin until it was raw. The change was triggered by different emotions: on hearing a particular piece of music; the sight of my father, the smell of his brand of aftershave. I would pick up a book with the certainty that I had not read it before and hear the words as I read them like an echo inside my head. Like Alice in the Lewis Carroll story, I slipped into the depths of the looking glass and couldn’t be sure if it was me standing there or an impostor, a lookalike. I felt fully awake most of the time, but sometimes while I was awake it felt as if I were dreaming. In this dream state I didn’t feel like me, the real me. I felt numb. My fingers prickled. My eyes in the mirror’s reflection were glazed like the eyes of a mannequin in a shop window, my colour, my shape, but without light or focus. These changes were described by Dr Purvis as mood swings and by Mother as floods, but I knew better. All teenagers are moody when it suits them. My Switches could take place when I was alone, transforming me from a bright sixteen-year-old doing her homework into a sobbing child curled on the bed staring at the wall. The weeping fit would pass and I would drag myself back to the mirror expecting to see a child version of myself. ‘Who are you?’ I’d ask. I could hear the words; it sounded like me but it wasn’t me. I’d watch my lips moving and say it again, ‘Who are you?

The moment. I think back on it. A lot. It’s like revisiting a favorite place. A place you wish you could go to again. But I can’t because that place doesn’t exist anymore, except in my memory.

The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die—migrate or die.

Victor had always said that most of the time happiness crept up on you when you were doing something else. He also said no happiness was ever wasted, because every happiness stays with you, and you can revisit it in your memory any time you're sad, or lonely or depressed. It was kinda corny, but like a lot of corny things, it was true. Maybe that was what made it corny in the first place.

After that, Mrs. Hansen stopped visiting. Mom receded from a lot of my memories and Dad came in clearer focus, making breakfast in Mom’s place, driving me to school on the days it rained. When Mom showed up, she was a force, sparkling at dinner parties, running around the kitchen cooking four-course dinners, but it seemed to cost her. She stayed at that level—50 percent of her—for a couple months.

I never knew him. We both knew this place, apparently, this literal small backwater, looked at it long enough to memorize it, our years apart. How strange. And it's still loved, or its memory is (it must have changed a lot). Our visions coincided--'visions' is too serious a word--our looks, two looks: art 'copying from life' and life itself, life and the memory of it so compressed they've turned into each other. Which is which? Life and the memory of it cramped, dim, on a piece of Bristol board, dim, but how live, how touching in detail --the little that we get for free, the little of our earthly trust. Not much. About the size of our abidance along with theirs: the munching cows, the iris, crisp and shivering, the water still standing from spring freshets, the yet-to-be-dismantled elms, the geese.

After that they browsed for a minute or two in a semi-detached fashion. Nick found a set of Trollope which had a relatively modest and approachable look among the rest, and took down The Way We Live Now, with an armorial bookplate, the pages uncut. “What have you found there?” said Lord Kessler, in a genially possessive tone. “Ah, you’re a Trollope man, are you?” “I’m not sure I am, really,” said Nick. “I always think he wrote too fast. What was it Henry James said, about Trollope and his ‘great heavy shovelfuls of testimony to constituted English matters’?” Lord Kessler paid a moment’s wry respect to this bit of showing off, but said, “Oh, Trollope’s good. He’s very good on money.” “Oh…yes…” said Nick, feeling doubly disqualified by his complete ignorance of money and by the aesthetic prejudice which had stopped him from ever reading Trollope. “To be honest, there’s a lot of him I haven’t yet read.” “No, this one is pretty good,” Nick said, gazing at the spine with an air of judicious concession. Sometimes his memory of books he pretended to have read became almost as vivid as that of books he had read and half forgotten, by some fertile process of auto-suggestion. He pressed the volume back into place and closed the gilded cage.

As for where the mind wanders to: well, lots of places, obviously, but studies have shown that these places are usually in the past or the future; you may ponder recent events or distant, strong memories; you may dread upcoming events or eagerly anticipate them; you may strategize about how to head off some looming crisis or fantasize about romancing the attractive person in the cubicle next to yours. What you’re generally not doing when your mind is wandering is directly experiencing the present moment.

I learned that my new lover was hard, but always good. She did not tease. If you pursued her, she would reveal her sweetest secrets and uncover her hidden places. Yes, she would grant those who came to her by car a measured beauty. There were wonderful things to be seen from the road. Her lesser suitors would jump out of their autos, snapping pictures, trying to save memories before having them, and hurry on. But what can be seen from a road is more enticing than revealing – like a shapely woman whose fleshly mystery cannot be hidden by modest garments but is made more alluring. From the roadside her eyes would invite and challenge: “Will you pursue me?” I did. And though my pursuit cost me a lot – pain, humiliation, hunger and sleepless nights – she was good.

But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.

I must stop remembering. I must keep them in a faraway place. The more I remember, the greater my agony. These thoughts stuttered in my mind. So I stopped talking about them, I wouldn't mouth my boys' names, I shoved away stories of them. Let them, let our life, become as unreal as that wave.

This doesn’t work by thought and will. It doesn’t disregard thought and will, but thought and will are not the engine that makes this go. The engine that makes this go is taking a step back and trusting the body, trusting the breath, trusting the heart. We’re living our lives madly trying to hold onto everything, and it looks like it might work for awhile but in the end it always fails, and it never was working, and the way to be happy, the way to be loving, the way to be free is to really be willing to let go of everything on every occasion or at least to make that effort. So the practice really works with sitting down, returning awareness to the body, returning awareness to the breath. It usually involves sitting up straight and opening up the body and lifting the body so that the breath can be unrestrained. And then returning the mind to the present moment of being alive, which is anchored in the breath, in the body. Then, of course, other things happen. You have thoughts, you have feelings. You might have a pain, an ache, visions, memories, reflections. All these things arise, but instead of applying yourself to them and getting entangled in them, you just bear witness to it, let it go, come back to the breathing and the body, and what happens is you release a whole lot of stuff in yourself. A whole new process comes into being that would not have been there if you were always fixing and choosing and doing and making. This way you’re allowing something to take place within your heart.

So you would have tried to talk to him, gain his trust, persuade him not to do it. Because you’ve probably been depressed yourself, you’ve had days when you’ve been in terrible pain in places that don’t show up in X-rays, when you can’t find the words to explain it even to the people who love you. Deep down, in memories that we might prefer to suppress even from ourselves, a lot of us know that the difference between us and that man on the bridge is smaller than we might wish. Most adults have had a number of really bad moments, and of course not even fairly happy people manage to be happy the whole darn time.

You said earlier today that you wanted to talk about something,” Halt said. Crowley nodded, gathering his thoughts before he began. “We seem to share a lot of the same skills,” he said. “And the same weapons. I noticed you carry a saxe knife and a throwing knife like mine. I wondered where you came by them.” Crowley, of course, carried his two knives in the distinctive Ranger-issue double scabbard. Halt’s were in separate scabbards, placed close together on the left side of his belt. He glanced at them now, where the belt was draped over a rock beside the campfire. “My mentor gave them to me,” he said. “He was a Ranger, like you.” Crowley sat up at that piece of information. “A Ranger?” he said. “In Hibernia? What was his name?” “He called himself Pritchard. He was an amazing man.” “He was indeed,” Crowley affirmed, and now it was Halt’s turn to look surprised. “You knew him?” Crowley nodded eagerly. “I was his apprentice for five years. He taught me everything I know. How did you come to meet him?” “He turned up at Du . . . Droghela, some three years ago. He took me under his wing and taught me silent movement, knife work, tracking and the rest. I could already shoot, but he tightened up my technique quite a bit.” Crowley noticed the hesitation and correction when Halt mentioned the name of the place where he’d met Pritchard. But he let it pass. “Yes. He was very big on technique.” “And practice,” Halt agreed. Crowley smiled at the memory of his old teacher. “He had a saying. An ordinary archer practices until he gets it right. A Ranger—” “Practices until he never gets it wrong.” Halt

The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says - migrate or die.

If buildings had memories, perhaps it would be best if they never changed into something else. There was a lot to be said, it now seemed, for the Racetrack pub and its permanent "Joe's not in" sign in the window. The Racetrack didn't have to have a memory - it lived its history endlessly. This place though... this place was schizophrenic, and I'd seen inside its mind.

It’s true, I know, that there are more gaps in the island than there used to be. When I was a child, the whole place seemed…how can I put this?…a lot fuller, a lot more real. But as things got thinner, more full of holes, our hearts got thinner, too, diluted somehow. I suppose that kept things in balance. And even when that balance begins to collapse, something remains. Which is why you shouldn’t worry.

It’s true, I know, that there are more gaps in the island than there used to be. When I was a child, the whole place seemed…how can I put this?…a lot fuller, a lot more real. But as things got thinner, more full of holes, our hearts got thinner, too, diluted somehow. I suppose that kept things in balance. And even when that balance begins to collapse, something remains. Which is why you shouldn’t worry.” He

A few months into our relationship, we had a campout down at my dad’s place. There were a lot of people from church, and we played games and fished into the night. We all gathered around a huge campfire, ate dinner, and sang songs together. Missy was clinging all over me, mainly because she was scared of everything flying in the air or crawling on the ground. It was one of those nights when you feel closer to God and everyone else because of the setting and the ambience--despite the bug activity. That was the first time we said “I love you” to each other. Now, there is still an ongoing debate as to who said it first. I remember clearly that she whispered, “I love you,” and then I responded. She is convinced that I said it first, but she was under the influence of bug paranoia. I believe her condition affected her memory.

When I work with Godfrey, I don’t spend a lot of time looking at the image. I look at it once. Maybe twice, but not more than twice. Then I depend on the inaccuracy of my memory to create the appropriate distance between the music and the image. I knew right away that the image and the music could not be on top of each other, because then there would be no room for the spectators to invent a place for themselves. Of course, in commercials and propaganda films, the producers don’t want to leave a space: the strategy of propaganda is not to leave a space, not to leave any question. Commercials are propaganda tools in which image and music are locked together in order to make an explicit point, like “Buy these shoes” or “Go to this casino.” The strategy of art is precisely the opposite. I would describe it this way: When you listen to a piece of music and you look at an image at the same time, you are metaphorically making a journey to that image. It’s a metaphorical distance, but it’s a real one all the same, and it’s in that journey that the spectator forms a relationship to the music and the image. Without that, it’s all made for us and we don’t have to invent anything. In works like Godfrey’s, and in works, for that matter, like Bob Wilson’s, the spectators are supposed to invent something. They are supposed to tell the story of Einstein. In Godfrey’s movies Koyaanisqatsi and Powaqqatsi, the words in the title are the only words there are. The journey that we make from the armchair to the image is the process by which we make the image and the music our own. Without that, we have no personal connection. The idea of a personal interpretation comes about through traversing that distance.

You dwell on the past, you can’t move forward. Spend too much time planning for the future and you just push yourself backwards, or you stay stagnant in the same place all your life.” His eyes lock on mine. “Live in the moment,” he says as if making a serious point, “where everything is just right, take your time and limit your bad memories and you’ll get wherever it is you’re going a lot faster and with less bumps in the road along the way.

You lot will always be my enemies. Do you remember the summer you bought Østgård and I was invited by the commander himself, Eckhoff? You were sorry for me. I was the poor boy you'd deprived of childhood memories... I stood watching you playing and enjoying yourselves as if the place belonged to you... You didn't see me. None of you saw me. It was as though I didn't exist. You were absorbed in each other. So I thought, well, OK, then I must be invisible. I'll show you what invisible people can do.

Ahead, a house sits close to the road: a small, single-story place painted mint green. Ivy grows up one corner and onto the roof, the green tendrils swaying like a girl's hair let loose from a braid. In front there's a full and busy vegetable garden, with plants jostling for real estate and bees making a steady, low, collective hum. It reminds me of the aunties' gardens, and my nonna's when I was a kid. Tomato plants twist gently skywards, their lazy stems tied to stakes. Leafy heads of herbs- dark parsley, fine-fuzzed purple sage, bright basil that the caterpillars love to punch holes in. Rows and rows of asparagus. Whoever lives here must work in the garden a lot. It's wild but abundant, and I know it takes a special vigilance to maintain a garden of this size. The light wind lifts the hair from my neck and brings the smell of tomato stalks. The scent, green and full of promise, brings to mind a childhood memory- playing in Aunty Rosa's yard as Papa speaks with a cousin, someone from Italy. I am imagining families of fairies living in the berry bushes: making their clothes from spiderweb silk, flitting with wings that glimmer pink and green like dragonflies'.

We walk the streets of Fuzhou at night, in the one summer when I come back. Streetlights send our elongated shadows tumbling ahead of us, across the neon-tinged storefronts and buzzing lamps. Everyone comes out, the old men in wife-beaters and plastic sandals, the teenagers in fake American Eagle. Senior citizen ladies roll out before bedtime in pajama pants printed with SpongeBob or fake Chanel logos. There is a Mickey D's and a KFC, street dumpling stands, bootleg shops, karaoke bars. Everything is open late, midnight or even later. There are places to get a full-body massage, an eight ball, a happy ending. If you stay on these streets long enough, it's possible you could get everything you want, have ever wanted. Because I disremember everything, because I watch a lot of China travel shows when I am alone at night in New York, because TV mixes with my dreams mixes with my memories, we walk along the concourse that runs alongside the river even though there is no river, we turn down boulevards punctuated by palm-tree clusters even though those belong in Singapore, we smoke cigarettes openly even though it's unseemly for women, especially in my family, to smoke in public. But the feeling, the feeling of being in Fuzhou at night, remains the same.

AUTHOR’S NOTE Dear reader: This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard. My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm. My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight. The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn. Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering. It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents. Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own. No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends. This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared. I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.

He was talking about hire purchase. precredit cards. A different way of getting the poor into debt, but I think he was right. It was nice when ordinary people could take a holiday in Spain, of course, but easy credit is what started the cultural rot. Tourism depends on lots of people everywhere with loads of disposable wealth, which means all kinds of changes through a place a cultivates it. The real, messy, informative past disappears to be overlaid with bad fiction, with simplified folklore, easy answers. Memory needs to remain complex, debatable. Without those qualities it is mere nostalgic sentimentality. Commodified identity. Souls bough and sold.

It may therefore be of some use to borrow the experience of the same Abdalrahman, whose magnificence has perhaps excited our admiration and envy, and to transcribe an authentic memorial which was found in the closet of the deceased caliph. “I have now reigned above fifty years in victory or peace; beloved by my subjects, dreaded by my enemies, and respected by my allies. Riches and honours, power and pleasure, have waited on my call, nor does any earthly blessing appear to have been wanting to my felicity. In this situation I have diligently numbered the days of pure and genuine happiness which have fallen to my lot: they amount to FOURTEEN:—O man! place not thy confidence in this present world!

It is said that when Martin Luther would slip into one of his darker places (which happened a lot, the dude was totally bipolar), he would comfort himself by saying, “Martin, be calm, you are baptized.” I suspect his comfort came not from recalling the moment of baptism itself, or in relying on baptism as a sort of magic charm, but in remembering what his baptism signified: his identity as a beloved child of God. Because ultimately, baptism is a naming. When Jesus emerged from the waters of the Jordan, a voice from heaven declared, “This is my Son, whom I love; with him I am well pleased.” Jesus did not begin to be loved at the moment of his baptism, nor did he cease to be loved when his baptism became a memory. Baptism simply named the reality of his existing and unending belovedness. As my friend Nadia puts it, “Identity. It’s always God’s first move.”9 So, too, it is with us. In baptism, we are identified as beloved children of God, and our adoption into the sprawling, beautiful, dysfunctional family of the church is celebrated by whoever happens to be standing on the shoreline with a hair dryer and deviled eggs. This is why the baptism font is typically located near the entrance of a church. The central aisle represents the Christian’s journey through life toward God, a journey that begins with baptism. The good news is you are a beloved child of God; the bad news is you don’t get to choose your siblings.

Obviously, in those situations, we lose the sale. But we’re not trying to maximize each and every transaction. Instead, we’re trying to build a lifelong relationship with each customer, one phone call at a time. A lot of people may think it’s strange that an Internet company is so focused on the telephone, when only about 5 percent of our sales happen through the telephone. In fact, most of our phone calls don’t even result in sales. But what we’ve found is that on average, every customer contacts us at least once sometime during his or her lifetime, and we just need to make sure that we use that opportunity to create a lasting memory. The majority of phone calls don’t result in an immediate order. Sometimes a customer may be calling because it’s her first time returning an item, and she just wants a little help stepping through the process. Other times, a customer may call because there’s a wedding coming up this weekend and he wants a little fashion advice. And sometimes, we get customers who call simply because they’re a little lonely and want someone to talk to. I’m reminded of a time when I was in Santa Monica, California, a few years ago at a Skechers sales conference. After a long night of bar-hopping, a small group of us headed up to someone’s hotel room to order some food. My friend from Skechers tried to order a pepperoni pizza from the room-service menu, but was disappointed to learn that the hotel we were staying at did not deliver hot food after 11:00 PM. We had missed the deadline by several hours. In our inebriated state, a few of us cajoled her into calling Zappos to try to order a pizza. She took us up on our dare, turned on the speakerphone, and explained to the (very) patient Zappos rep that she was staying in a Santa Monica hotel and really craving a pepperoni pizza, that room service was no longer delivering hot food, and that she wanted to know if there was anything Zappos could do to help. The Zappos rep was initially a bit confused by the request, but she quickly recovered and put us on hold. She returned two minutes later, listing the five closest places in the Santa Monica area that were still open and delivering pizzas at that time. Now, truth be told, I was a little hesitant to include this story because I don’t actually want everyone who reads this book to start calling Zappos and ordering pizza. But I just think it’s a fun story to illustrate the power of not having scripts in your call center and empowering your employees to do what’s right for your brand, no matter how unusual or bizarre the situation. As for my friend from Skechers? After that phone call, she’s now a customer for life. Top 10 Ways to Instill Customer Service into Your Company   1. Make customer service a priority for the whole company, not just a department. A customer service attitude needs to come from the top.   2. Make WOW a verb that is part of your company’s everyday vocabulary.   3. Empower and trust your customer service reps. Trust that they want to provide great service… because they actually do. Escalations to a supervisor should be rare.   4. Realize that it’s okay to fire customers who are insatiable or abuse your employees.   5. Don’t measure call times, don’t force employees to upsell, and don’t use scripts.   6. Don’t hide your 1-800 number. It’s a message not just to your customers, but to your employees as well.   7. View each call as an investment in building a customer service brand, not as an expense you’re seeking to minimize.   8. Have the entire company celebrate great service. Tell stories of WOW experiences to everyone in the company.   9. Find and hire people who are already passionate about customer service. 10. Give great service to everyone: customers, employees, and vendors.

It will be long before everyone is wiped out. People live in war time, they always have. There was terror down through history - and the men who saw the Spanish Armada sail over the rim of the world, who saw the Black death wipe out half of Europe, those men were frightened, terrified. But though they lived and died in fear, I am here; we have built again. And so I will belong to a dark age, and historians will say "We have few documents to show how the common people lived at this time. Records lead us to believe that a majority were killed. But there were glorious men." And school children will sigh and learn the names of Truman and Senator McCarthy. Oh, it is hard for me to reconcile myself to this. But maybe this is why I am a girl - - - so I can live more safely than the boys I have known and envied, so I can bear children, and instill in them the biting eating desire to learn and love life which I will never quite fulfill, because there isn't time, because there isn't time at all, but instead the quick desperate fear, the ticking clock, and the snow which comes too suddenly upon the summer. Sure, I'm dramatic and sloppily semi-cynical and semi-sentimental. But in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, into my thoughts, writing much, trying to find the core, the meaning for myself. Perhaps that would help, to synthesize my ideas into a philosophy for me, now, at the age of eighteen, but the clock ticks, ah yes, "At my back I hear, time's winged chariot hovering near." And I have too much conscience, too much habit to sit and stare at snow, thick now, and evenly white and muffling on the ground. God, I scream for time to let go, to write, to think. But no. I have to exercise my memory in little feats just so I can stay in this damn wonderful place which I love and hate with all my heart. And so the snow slows and swirls, and melts along the edges. The first snow isn't good for much. It makes a few people write poetry, a few wonder if the Christmas shopping is done, a few make reservations at the skiing lodge. It's a sentimental prelude to the real thing. It's picturesque & quaint.

I struggle with words. Never could express myself the way I wanted. My mind fights my mouth, and thoughts get stuck in my throat. Sometimes they stay stuck for seconds or even minutes. Some thoughts stay for years; some have stayed hidden all my life. As a child, I stuttered. What was inside couldn't get out. I'm still not real fluent. I don't know a lot of good words. If I were wrongfully accused of a crime, I'd have a tough time explaining my innocence. I'd stammer and stumble and choke up until the judge would throw me in jail. Words aren't my friends. Music is. Sounds, notes, rhythms. I talk through music. Maybe that's why I became a loner, someone who loves privacy and doesn't reveal himself too easily. My friendliness might fool you. Come into my dressing room and I'll shake your hand, pose for a picture, make polite small talk. I'll be as nice as I can, hoping you'll be nice to me. I'm genuinely happy to meet you and exchange a little warmth. I have pleasant acquaintances with thousands of people the world over. But few, if any, really know me. And that includes my own family. It's not that they don't want to; it's because I keep my feelings to myself. If you hurt me, chances are I won't tell you. I'll just move on. Moving on is my method of healing my hurt and, man, I've been moving on all my life. Now it's time to stop. This book is a place for me to pause and look back at who I was and what I became. As I write, I'm seventy hears old, and all the joy and hurts, small and large, that I've stored up inside me...well, I want to pull 'em out and put 'em on the page. When I've been described on other people's pages, I don't recognize myself. In my mind, no one has painted the real me. Writers have done their best, but writers have missed the nitty-gritty. Maybe because I've hidden myself, maybe because I'm not an easy guy to understand. Either way, I want to open up and leave a true account of who I am. When it comes to my own life, others may know the cold facts better than me. Scholars have told me to my face that I'm mixed up. I smile but don't argue. Truth is, cold facts don't tell the whole story. Reading this, some may accuse me of remembering wrong. That's okay, because I'm not writing a cold-blooded history. I'm writing a memory of my heart. That's the truth I'm after - following my feelings, no matter where they lead. I want to try to understand myself, hoping that you - my family, my friends, my fans - will understand me as well. This is a blues story. The blues are a simple music, and I'm a simple man. But the blues aren't a science; the blues can't be broken down like mathematics. The blues are a mystery, and mysteries are never as simple as they look.

The current narrative we seem to tell ourselves about our privacy is that it is a sort of currency we trade to corporations in return for innovation. But the corporation has an insatiable appetite for our most personal data in order to drive us to consume during our every waking moment. I think this is critical, because in some ways social networks are powerful engines of conformity. The ability for students to develop their own ideas, identities, and political affiliations should take place outside of the panopticon view of Facebook, but whether this is any longer possible is an open question. My own memory is that the development of my political and cultural persona between the ages of fifteen and twenty-one had a lot to do with being outside the zone of judgment of my parents, their conservative peers from my hometown, Cleveland, and maybe even from my siblings. I’m not sure that it could happen if we were all on Facebook together.

This was Dr. Ham’s whole theory: that because of its repetitive nature, complex trauma is fundamentally relationship trauma. In other words, this is trauma caused by bad relationships with other people—people who were supposed to be caring and trustworthy and instead were hurtful. That meant future relationships with anybody would be harder for people with complex trauma because they were wired to believe that other people could not be trusted. The only way you could heal from relational trauma, he figured, was through practicing that relational dance with other people. Not just reading self-help books or meditating alone. We had to go out and practice maintaining relationships in order to reinforce our shattered belief that the world could be a safe place. “Relationships are like sports. It’s muscle memory, it’s all the action of doing. You can’t just read about tennis and know how to play tennis. There’s a lot of duelling involved. Interpersonal duelling!” As he saw it, his office was a safe place to practice duelling. Learning how to listen, how to talk, how to ask for what I needed.

The earliest memory treatises described two types of recollection: memoria rerum and memoria verborum, memory for things and memory for words. When approaching a text or a speech, one could try to remember the gist, or one could try to remember verbatim. The Roman rhetoric teacher Quintilian looked down on memoria verborum on the grounds that creating such a vast number of images was not only inefficient, since it would require a gargantuan memory palace, but also unstable. If your memory for a speech hinged on knowing every word, then not only did you have a lot more to remember, but if you forgot a single word, you could end up trapped in a room of your memory palace staring at a blank wall, lost and unable to move on. Cicero agreed that the best way to memorize a speech is point by point, not word by word, by employing memoria rerum. In his De Oratore, he suggests that an orator delivering a speech should make one image for each major topic he wants to cover, and place each of those images at a locus. Indeed, the word “topic” comes from the Greek word topos, or place. (The phrase “in the first place” is a vestige from the art of memory.)

What were we talking about?” said Caspian. “Have I been making rather an ass of myself?” “Sire,” said Reepicheep, “this is a place with a curse on it. Let us get back on board at once. And if I might have the honor of naming this island, I should call it Deathwater.” “That strikes me as a very good name, Reep,” said Caspian, “though now that I come to think of it, I don’t know why. But the weather seems to be settling and I dare say Drinian would like to be off. What a lot we shall have to tell him.” But in fact they had not much to tell for the memory of the last hour had all become confused. “Their Majesties all seemed a bit bewitched when they came aboard,” said Drinian to Rhince some hours later when the Dawn Treader was once more under sail and Deathwater Island already below the horizon. “Something happened to them in that place. The only thing I could get clear was that they think they’ve found the body of one of these lords we’re looking for.” “You don’t say so, Captain,” answered Rhince. “Well, that’s three. Only four more. At this rate we might be home soon after the New Year. And a good thing too. My baccy’s running a bit low. Good night, Sir.

Base your understanding of the world on data, rather than journalism. Journalism is a highly non random sample of the worst things that have happened in any given period. It is an availability machine, in the sense of Tversky and Kahneman's availability heuristic; namely - our sense of risk, danger and prevalence is driven by anecdotes, images and narratives that are available in memory. A lot of good things are either things that "don't happen" (like a country at peace, or a city that has not been attacked by terrorists, which almost by definition are not news), or things that build up incrementally, a few percentage points a year, and then compound (like the decline of extreme poverty). We can be unaware, out to lunch about what's happening in the world if we base our view on the news. If instead we base our view on data, then not only do we see that many (although not all) things have gone better (not linearly, not without setbacks and reversals, but in general a lot better... and that paradoxically, as I've cheekily put it, progressives hate progress), but also that the best possible case for progress - that is, for striving for more progress in the future, for being a true progressive - is not to have some kind of foolish hope, but to look at the fact that progress has taken place in the past; and that means: why should it stop now?

Dr. Kerry said he'd been watching me. "You act like someone who is impersonating someone else. And it's as if you think your life depends on it." I didn't know what to say, so I said nothing. "It has never occurred to you," he said, "that you might have as much right to be here as anyone." He waited for an explanation. "I would enjoy serving the dinner," I said, "more than eating it." Dr. Kerry smiled. "You should trust Professor Steinberg. If he says you're a scholar-'pure gold,' I heard him say-then you are." "This is a magical place," I said. "Everything shines here." "You must stop yourself from thinking like that," Dr. Kerry said, his voice raised. "You are not fool's gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself-even gold appears dull in some lighting-but that is the illusion. And it always was." I wanted to believe him, to take his words and remake myself, but I'd never had that kind of faith. No matter how deeply I interred the memories, how tightly I shut my eyes against them, when I thought of my self, the images that came to mind were of that girl, in the bathroom, in the parking lot. I couldn't tell Dr. Kerry about that girl. I couldn't tell him that the reason I couldn't return to Cambridge was that being here threw into great relief every violent and degrading moment of my life. At BYU I could almost forget, allow what had been to blend into what was. But the contrast here was too great, the world before my eyes too fantastical. The memories were more real-more believable-than the stone spires. To myself I pretended there were other reasons I couldn't belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn't belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs no Cambridge student would do. Dress us any way you like, we are not the same. Clothes could not fix what was wrong with me. Something had rotted on the inside. Whether Dr. Kerry suspected any part of this, I'm not sure. But he understood that I had fixated on clothes as the symbol of why I didn't, and couldn't, belong. It was the last thing he said to me before he walked away, leaving me rooted, astonished, beside that grand chapel. "The most powerful determinant of who you are is inside you," he said. "Professor Steinberg says this is Pygmalion. Think of the story, Tara." He paused, his eyes fierce, his voice piercing. "She was just a cockney in a nice dress. Until she believed in herself. Then it didn't matter what dress she wore.

Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.

And when I looked away for a second and then looked back, I saw her reflection behind me, in the mirror. I was speechless. Somehow I knew I wasn't allowed to turn around--it was against the rules, whatever the rules of the place were--we could see each other, our eyes could meet in the mirror, and she was just as glad to see me as I was to see her. She was herself. An embodied presence. There was psychic reality to her, there was depth and information. She was between me and whatever place she had stepped from, what landscape beyond. And it was all about the moment when our eyes touched in the glass, surprise and amusement, her beautiful blue eyes with the dark rings around the irises, pale blue eyes with a lot of light in them: hello! Fondness, intelligence, sadness, humor. There was motion and stillness, stillness and modulation, and all the charge and magic of a great painting. Ten seconds, eternity. It was all a circle back to her. You could grasp it in an instant, you could live in it forever: she existed only in the mirror, inside the space of the frame, and through she wasn't alive, not exactly, she wasn't dead either because she wasn't yet born, and yet never not born--as somehow, oddly, neither was I. And I knew that she could tell me anything I wanted to know (life, death, past, future) even though it was already there, in her smile, the answer to all questions, the before-Christmas smile of someone with a secret too wonderful to let slip, just yet: well, you'll just have to wait and see, won't you? But just as she was about to speak--drawing an affectionate exasperated breath I knew very well, the sound of which I can hear even now--I woke up.

At the time that he had seriously begun to consolidate his organization, Parker was working in a custom photo lab. The reader who is not much taken by audiovisual pastimes may have a deficient picture of that place where Parker was employed; or perhaps not so much a deficient picture--the dyes faded, shoddily spotted, brutishly burned in and doltishly dodged by subhuman technicians under the glare of the enlargers--as an image which had been misfiled in the archives of the memory, representing instead one of those bleak Photo Drive-Ups and Presto Printses located nowadays on the corner of almost every large parking lot, in which the clerks wait sadly behind their glass counters, but no one comes in, and the air becomes darker and darker over the course of the morning as a result of exhaust fumes (there goes another brain cell; ping! - THAT thought will never be completed now); and the pink chubby tots smiling at your from the walls in sample enlargements become steadily more grimy, and by the lunch break they are brown; and the day ticks off on the loud digital clock; and then finally a car creeps into the lot, and a popeyed couple locks that vehicle doors listlessly; they request a reprint of a washed-out snapshot of their son who was killed in the Indian Wars, and they go away; and after a long time here comes a slick-haired teenager who once took a few pix of his girlfriend holding a balloon at the zoo in front of the monkey cage on a dirty overcast day, and the clerk can tell just by looking at this customer that they won’t come out, because the guy’s a loser if the clerk knows anything at all about losers and in fact he knows a hell of a lot about losers because why else would he be stuck with this job?

The Memory Business Steven Sasson is a tall man with a lantern jaw. In 1973, he was a freshly minted graduate of the Rensselaer Polytechnic Institute. His degree in electrical engineering led to a job with Kodak’s Apparatus Division research lab, where, a few months into his employment, Sasson’s supervisor, Gareth Lloyd, approached him with a “small” request. Fairchild Semiconductor had just invented the first “charge-coupled device” (or CCD)—an easy way to move an electronic charge around a transistor—and Kodak needed to know if these devices could be used for imaging.4 Could they ever. By 1975, working with a small team of talented technicians, Sasson used CCDs to create the world’s first digital still camera and digital recording device. Looking, as Fast Company once explained, “like a ’70s Polaroid crossed with a Speak-and-Spell,”5 the camera was the size of a toaster, weighed in at 8.5 pounds, had a resolution of 0.01 megapixel, and took up to thirty black-and-white digital images—a number chosen because it fell between twenty-four and thirty-six and was thus in alignment with the exposures available in Kodak’s roll film. It also stored shots on the only permanent storage device available back then—a cassette tape. Still, it was an astounding achievement and an incredible learning experience. Portrait of Steven Sasson with first digital camera, 2009 Source: Harvey Wang, From Darkroom to Daylight “When you demonstrate such a system,” Sasson later said, “that is, taking pictures without film and showing them on an electronic screen without printing them on paper, inside a company like Kodak in 1976, you have to get ready for a lot of questions. I thought people would ask me questions about the technology: How’d you do this? How’d you make that work? I didn’t get any of that. They asked me when it was going to be ready for prime time? When is it going to be realistic to use this? Why would anybody want to look at their pictures on an electronic screen?”6 In 1996, twenty years after this meeting took place, Kodak had 140,000 employees and a $28 billion market cap. They were effectively a category monopoly. In the United States, they controlled 90 percent of the film market and 85 percent of the camera market.7 But they had forgotten their business model. Kodak had started out in the chemistry and paper goods business, for sure, but they came to dominance by being in the convenience business. Even that doesn’t go far enough. There is still the question of what exactly Kodak was making more convenient. Was it just photography? Not even close. Photography was simply the medium of expression—but what was being expressed? The “Kodak Moment,” of course—our desire to document our lives, to capture the fleeting, to record the ephemeral. Kodak was in the business of recording memories. And what made recording memories more convenient than a digital camera? But that wasn’t how the Kodak Corporation of the late twentieth century saw it. They thought that the digital camera would undercut their chemical business and photographic paper business, essentially forcing the company into competing against itself. So they buried the technology. Nor did the executives understand how a low-resolution 0.01 megapixel image camera could hop on an exponential growth curve and eventually provide high-resolution images. So they ignored it. Instead of using their weighty position to corner the market, they were instead cornered by the market.

The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her. I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere. I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again. I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly. I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad. “I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either. The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi. The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.' When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.

The King who owned this island,” said Caspian slowly, and his face flushed as he spoke, “would soon be the richest of all Kings of the world. I claim this land forever as a Narnian possession. It shall be called Goldwater Island. And I bind all of you to secrecy. No one must know of this. Not even Drinian--on pain of death, do you hear?” “Who are you talking to?” said Edmund. “I’m no subject of yours. If anything it’s the other way round. I am one of the four ancient sovereigns of Narnia and you are under allegiance to the High King my brother.” “So it has come to that, King Edmund, has it?” said Caspian, laying his hand on his sword-hilt. “Oh, stop it, both of you,” said Lucy. “That’s the worst of doing anything with boys. You’re all such swaggering, bullying idiots--oooh!--” Her voice died away into a gasp. And everyone else saw what she had seen. Across the gray hillside above them--gray, for the heather was not yet in bloom--without noise, and without looking at them, and shining as if he were in bright sunlight though the sun had in fact gone in, passed with slow pace the hugest lion that human eyes have ever seen. In describing the scene Lucy said afterward, “He was the size of an elephant,” though at another time she only said, “The size of a cart-horse.” But it was not the size that mattered. Nobody dared to ask what it was. They knew it was Aslan. And nobody ever saw how or where he went. They looked at one another like people waking from sleep. “What were we talking about?” said Caspian. “Have I been making rather an ass of myself?” “Sire,” said Reepicheep, “this is a place with a curse on it. Let us get back on board at once. And if I might have the honor of naming this island, I should call it Deathwater.” “That strikes me as a very good name, Reep,” said Caspian, “though now that I come to think of it, I don’t know why. But the weather seems to be settling and I dare say Drinian would like to be off. What a lot we shall have to tell him.” But in fact they had not much to tell for the memory of the last hour had all become confused.

Things I know about Mr. Forkle His official name (for this identity, at least) is Mr. Errol L. Forkle, which he apparently chose because the initials spell out “elf,” and because the word “Forkle” can sometimes mean “disguise” in Norwegian. (I guess he used to spend a lot of time in Norway—no idea why.) The L stands for Loki, because he was kinda the source of some of the Loki myths—which is way too weird to think about. He claims he’s not my biological father (despite being listed that way on certain documents). Even if that’s true, he still helped create me. And he knows who my biological father is. And he refuses to tell me. He’s a super powerful Telepath. He loves to start sentences with “you kids.” He eats a lot of ruckleberries to disguise what he really looks like. He lies sometimes. Maybe all the time. Who knows? He was my annoying next-door neighbor in San Diego, always sitting in his yard rearranging his lawn gnomes (and apparently the gnomes were one of the ways he passed along messages to the Black Swan). He’s the one who triggered my abilities. And the one who stole my missing memories. And the one who planted the information in my brain. He also rescued me from the Neverseen after they kidnapped me. And probably a bunch of other stuff I don’t know about yet. He’s Magnate Leto. Also Sir Astin. I’m sure he has other identities too. I just haven’t figured out what they are yet. And… he secretly had an identical twin. Only one of them was registered (their parents didn’t want them to face the scorn of being a “multiple birth”), and they were sharing one life and switching places all the time. Sometimes I was talking to one brother, and sometimes I was talking to the other—or I was, until one of them died right in front of me in Lumenaria. I thought he was gone, but… then Granite brought us to Brumevale, and… there was the other Forkle. I still don’t really know how to process it. But I’m glad he’s still here, even if he’s a little more limited now that he can’t be two places at once. We planted a Wanderling for the Forkle-twin we lost near Trolltunga in Norway. The tree looks like it’s leaning a bit, waiting for its brother—but I’m selfishly hoping it grows alone for a really long time. Maybe forever.

While the following tragedy may be revolting to read, it must not be forgotten that the existence of it is far more revolting. In Devonshire Place, Lisson Grove, a short while back died an old woman of seventy-five years of age. At the inquest the coroner's officer stated that all he found in the room was a lot of old rags covered with vermin. He had got himself smothered with the vermin. The room was in a shocking condition, and he had never seen anything like it. Everything was absolutely covered with vermin.' The doctor said: 'He found deceased lying across the fender on her back. She had one garment and her stockings on. The body was quite alive with vermin, and all the clothes in the room were absolutely gray with insects. Deceased was very badly nourished and was very emaciated. She had extensive sores on her legs, and her stockings were adherent to those sores. The sores were the result of vermin. Over her bony chest leaped and rolled hundreds, thousands, myriads of vermin.' A man present at the inquest wrote; 'I had the evil fortune to see the body of the unfortunate woman as it lay in the mortuary; and even now the memory of that gruesome sight makes me shudder. There she lay in the mortuary shell, so starved and emaciated that she was a mere bundle of skin and bones. Her hair, which was matted with filth, was simply a nest of vermin. If it is not good for your mother and my mother so to die, then it is not good for this woman, whosoever's mother she might be, so to die. Bishop Wilkinson, who has lived in Zululand, recently said, 'No headman of an African village would allow such a promiscuous mixing of young men and women, boys and girls.' He had reference to the children of the overcrowded folk, who at five have nothing to learn and much to unlearn which they will never unlearn. It is notorious that here in the Ghetto the houses of the poor are greater profit earners than the mansions of the rich. Not only does the poor worker have to live like a beast, but he pays proportionately more for it than does the rich man for his spacious comfort. A class of house-sweaters has been made possible by the competition of the poor for houses. There are more people than there is room, and numbers are in the workhouse because they cannot find shelter elsewhere. Not only are houses let, but they are sublet, and sub-sublet down to the very rooms.

Socrates: So now you won't acknowledge any gods except the ones we do--Chaos, the Clouds, the Tongue--just these three? Strepsiades: Absolutely-- I'd refuse to talk to any other gods, if I ran into them--and I decline to sacrifice or pour libations to them. I'll not provide them any incense... I want to twist all legal verdicts in my favor, to evade my creditors. Chorus Leader: You'll get that, just what you desire. For what you want is nothing special. So be confident--give yourself over to our agents here. Strepsiades: I'll do that--I'll place my trust in you. Necessity is weighing me down--the horses, those thoroughbreds, my marriage--all that has worn me out. So now, this body of mine I'll give to them, with no strings attached, to do with as they like--to suffer blows, go without food and drink, live like a pig, to freeze or have my skin flayed for a pouch-- if I can just get out of all my debt and make men think of me as bold and glib, as fearless, impudent, detestable, one who cobbles lies together, makes up words, a practiced legal rogue, a statute book, a chattering fox, sly and needle sharp, a slippery fraud, a sticky rascal, foul whipping boy or twisted villain, troublemaker, or idly prattling fool. If they can make those who run into me call me these names, they can do what they want--no questions asked. If, by Demeter, they're keen, they can convert me into sausages and serve me up to men who think deep thoughts. Chorus: Here's a man whose mind's now smart, no holding back--prepared to start. When you have learned all this from me you know your glory will arise among all men to heaven's skies. Strepsiades: And what will I get out of this? Chorus: For all time, you'll live with me a life most people truly envy. Strepsiades: You mean one day I'll really see that? Chorus: Hordes will sit outside your door wanting your advice and more-- to talk, to place their trust in you for their affairs and lawsuits, too, things which merit your great mind. They'll leave you lots of cash behind. Chorus Leader: [to Socrates] So get started with this old man's lessons, what you intend to teach him first of all--rouse his mind, test his intellectual powers. Socrates: Come on then, tell me the sort of man you are--once I know that, I can bring to bear on you my latest batteries with full effect. Strepsiades: What's that? By god, are you assaulting me? Socrates: No--I want to learn some things from you. What about your memory? Strepsiades: To tell the truth, it works two ways. If someone owes me something, I remember really well. But if it's poor me that owes the money, I forget a lot. Socrates: Do you have a natural gift for speech? Strepsiades: Not for speaking--only for evading debt. Socrates: ... Now, what do you do if someone hits you? Strepsiades: If I get hit, I wait around a while, then find witnesses, hang around some more, then go to court.

ESTABLISH STABLE ANCHORS OF ATTENTION Mindfulness meditation typically involves something known as an anchor of attention—a neutral reference point that helps support mental stability. An anchor might be the sensation of our breath coming in and out of the nostrils, or the rising and falling of our abdomen. When we become lost in thought during practice, we can return to our anchor, fixing our attention on the stimuli we’ve chosen. But anchors can also intensify trauma. The breath, for instance, is far from neutral for many survivors. It’s an area of the body that can hold tension related to a trauma and connect to overwhelming, life-threatening events. When Dylan paid attention to the rising and falling of his abdomen, he would be swamped with memories of mocking faces while walking down the hallway. Other times, feeling a constriction of his breath in the chest echoed a feeling of immobility, which was a traumatic reminder. For Dylan, the breath simply wasn’t a neutral anchor. As a remedy, we can encourage survivors to establish stabilizing anchors of attention. This means finding a focus of attention that supports one’s window of tolerance—creating stability in the nervous system as opposed to dysregulation. Each person’s anchor will vary: for some, it could be the sensations of their hands resting on their thighs, or their buttocks on the cushion. Other stabilizing anchors might include another sense altogether, such as hearing or sight. When Dylan and I worked together, it took a while until he could find a part of his body that didn’t make him more agitated. He eventually found that the sense of hearing was a neutral anchor of attention. At my office, he’d listen for the sound of the birds or the traffic outside, which he found to be stabilizing. “It’s subtle,” he said to me, opening his eyes and rubbing the back of his neck with his hand. “But it is a lot less charged. I’m not getting riled up the same way, which is a huge relief.” In sessions together, Dylan’s anchor was a spot he’d rest his attention on at the beginning of a session or a place to return to if he felt overwhelmed. If he practiced meditation at home—I’d recommended short periods if he could stay in his window of tolerance—he used hearing as an anchor, or “home base” as he called it. “I finally feel like I can access a kind of refuge,” he said quietly, placing his hand on his belly. “My body hasn’t felt safe in so long. It’s a relief to finally feel like I’m learning how to be in here.” Anchors of attention you can offer students and clients practicing mindfulness—besides the sensation of the breath in the abdomen or nostrils—include different physical sensations (feet, buttocks, back, hands) and other senses (seeing, smelling, hearing). One client of mine had a soft blanket that she would touch slowly as an anchor. Another used a candle. For some, walking meditation is a great way to develop more stable anchors of attention, such as the feeling of one’s feet on the ground—whatever supports stability and one’s window of tolerance. Experimentation is key. Using subtler anchors does come with benefits and drawbacks. One advantage to working with the breath is that it is dynamic and tends to hold our attention more easily. When we work with a sense that’s less tactile—hearing, for instance—we may be more prone to drifting off into distraction. The more tangible the anchor, the easier it is to return to it when attention wanders.

DOC’S BRAN-OATMEAL-RAISIN COOKIES Preheat oven to 350 degrees F., rack in the middle position. ¾ cup raisins (either regular or golden, your choice) ¾ cup boiling water 1 cup white (granulated) sugar ½ cup brown sugar (pack it down when you measure it) ¾ cup (1 and ½ sticks, 6 ounces) salted butter, softened to room temperature 2 large eggs ½ teaspoon salt 1 teaspoon baking soda 1 teaspoon ground cinnamon ¼ teaspoon grated nutmeg (freshly grated is best) 1 teaspoon vanilla extract 2 cups all-purpose flour (pack it down in the cup when you measure it) 1 and ½ cups dry quick oatmeal (I used Quaker Quick 1-Minute) 2 cups bran flake cereal Place ¾ cup of raisins in a 2-cup Pyrex measuring cup or a small bowl that can tolerate boiling water without cracking. Pour the ¾ cup boiling water over the raisins in the cup. Stir a bit with a fork so they don’t stick together, and then leave them, uncovered, on the counter to plump up. Prepare your cookie sheets by spraying them with Pam or another nonstick cooking spray, or lining them with parchment paper that you also spray with Pam or another nonstick cooking spray. Hannah’s 1st Note: This cookie dough is a lot easier to make if you use an electric mixer. Place the cup of white sugar in the bottom of a mixing bowl. Add the half-cup of brown sugar. Mix them together until they’re a uniform color. Place the softened butter in the mixer bowl and beat it together with the sugars until the mixture is nice and fluffy. Mix in the eggs, one at a time, beating after each addition. Add the salt, baking soda, cinnamon, nutmeg and vanilla extract. Beat until the mixture is smooth and well incorporated. On LOW speed, add the flour, one-half cup at a time, beating after each addition. Continue to beat until everything is well blended. Drain the raisins by dumping them in a strainer. Throw away any liquid that remains, then gently pat the raisins dry with a paper towel. With the mixer running on LOW speed, add the raisins to the cookie dough. With the mixer remaining on LOW speed, add the dry oatmeal in half-cup increments, mixing after each increment. Turn the mixer OFF, and let the dough rest while you prepare the bran flakes. Measure 2 cups of bran flake cereal and place them in a 1-quart freezer bag. Roll the bag up from the bottom, getting out as much air as possible, and then seal it with the bran flakes inside. Squeeze the bran flakes with your fingers, crushing them inside the bag. Place the bag on the counter and squash the bran flakes with your hands. Once they’re in fairly small pieces, take the bag over to the mixer. Turn the mixer on LOW speed. Open the bag and add the crushed bran flakes to your cookie dough, mixing until they’re well incorporated. Turn off the mixer, scrape down the sides of the bowl with a rubber spatula, and give the bowl a final stir by hand. Drop the dough by rounded Tablespoonfuls (use a Tablespoon from your silverware drawer, not one you’d use for measuring ingredients) onto your prepared cookie sheet. There should be 12 cookie dough mounds on every standard-size cookie sheet. Hannah’s 2nd Note: Lisa and I use a level 2-Tablespoon scooper to form these cookies down at The Cookie Jar. Bake Doc’s Bran-Oatmeal-Raisin Cookies at 350 degrees F. for 13 to 15 minutes, or until golden brown on top. Remove the cookies from the oven, and let them cool on the cookie sheets for 2 minutes. Then remove them to a wire rack to cool completely. Yield: 2 to 3 dozen delicious cookies, depending on cookie size. Hannah’s 3rd Note: Doc had to warn the Lake Eden Memorial Hospital cooks not to let the patients have more than two cookies. Since they contain bran and bran is an aid to the digestive system, patients who eat a lot of these cookies could be spending a lot of time in the little room with the porcelain fixtures.

I closed my eyes, listened to the music, and began sipping the coffee. It was ungodly strong but also delicious, and I realized someone had employed a lot of care to impart that much richness without bitterness or anything else creeping in to overpower the flavor. I had been expecting just a routine cup of coffee, and was struck by the notion that even in an everyday thing like coffee preparation, there was a way of doing things right, with care and maybe even devotion. Maybe this was part of what Miyamoto had been trying to describe as we had taken our tea at Nakajima. I wasn’t unfamiliar with what it meant to be ruthlessly squared away—ask any combat veteran about the care that goes into planning, training, weapons maintenance, and everything else on which your life might hang in the balance in the field—but this was different. Lion spoke of devotion brought to bear on small things, everyday things, things that otherwise might have seemed inconsequential or have been overlooked entirely, and like the confidence that characterized the place, I sensed this kind of everyday devotion was also something to which a person might want to aspire.

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Memories both bittersweet and precious all have their place Been through a lot, but no more than I could face Endured no more than my heart could take Nothing that I would think to forsake

The preparations also meant buying lots of food: eggs by the hundred, goose fat that had to be rendered and the cracklings, called "greeven" reserved for the holiday, potatoes by the sackful, nuts, wine, and of course matza. Father ate a different matza called "shmoora". It was baked of less refined wheat flour, under special supervision, with him present at the baking. Even to-day orthodox rabbis eat "matza shmoora". On the day before the Seder, all the dishes and glasses were put away and the pessach stuff put in place. All this to commemorate the exodus of our Israelite ancestors from bondage in Egypt and the rejoicing in freedom. In their hurry, they baked unleavened bread-matza. It was a time of good food, great expectations; it was also the joyous expectation of spring and warmth after our long, cruel winters. We would always get new shoes, socks, a new spring coat or a dress. We would put on the new clothes for the seder.

In order to optimize the memory-dominated effects, let us try using the same method we used in Example 6-6 in order to reduce the number of allocations we make in our numpy code. Allocations are quite a bit worse than the cache misses we discussed previously. Instead of simply having to find the right data in RAM when it is not found in the cache, an allocation also must make a request to the operating system for an available chunk of data and then reserve it. The request to the operating system generates quite a lot more overhead than simply filling a cache — while filling a cache miss is a hardware routine that is optimized on the motherboard, allocating memory requires talking to another process, the kernel, in order to complete. In order to remove the allocations in Example 6-9, we will preallocate some scratch space at the beginning of the code and then only use in-place operations. In-place operations, such as +=, *=, etc., reuse one of the inputs as their output. This means that we don’t need to allocate space to store the result of the calculation.

This makes it tough to find a lot of solid material on him because so much of his work got discounted as irrelevant. Most of it just ends up buried in pseudo-science books. Pretty much the only place you can find him is lumped in with guys like Edgar Cayce or Immanuel Velikovsky. He believed in telepathy, shared dreaming, race memories, all that kind of stuff. The idea that people’s minds can all connect on some extra-sensory level.

I talked yesterday about caring, I care about these moldy old riding gloves. I smile at them flying through the breeze beside me because they have been there for so many years and are so old and so tired and so rotten there is something kind of humorous about them. They have become filled with oil and sweat and dirt and spattered bugs and now when I set them down flat on a table, even when they are not cold, they won't stay flat. They've got a memory of their own. They cost only three dollars and have been restitched so many times it is getting impossible to repair them, yet I take a lot of time and pains to do it anyway because I can't imagine any new pair taking their place. That is impractical, but practicality isn't the whole thing with gloves or with anything else.

The world would be a much better place if people treated one another with decency and respect. There is no reason to be cruel to someone who is down or has any sort of problem, physical or otherwise. Trust me, man. I know. And today, if you’re being bullied, you do not have to just suck it up. If you have or your child has a problem, tell someone in authority and talk about the pain. There are a lot of people out there who provide helpful guidance and support, like counselors, spiritual leaders, teachers, coaches, etc., all you need to do is reach out. Bullying is a problem that has really left its mark on our society, and I know there is more we can all do to stop it.

Chapter 5 Eyebright For Eye Strain The other night, I took a break from writing and went for a walk. It was dark, but the moon was bright giving me the light I needed to see my way up the road and back. When I returned I could see a few lights on in the house, but what really stood out was my laptop that I had left open; it’s bright white light standing out. I thought, “man, I stare at that light for hours at a time!” No wonder my eyes feel tired so often. Many people do this for eight or more hours every day. When we are viewing the screens of our devices, we blink less than normal which can cause dryness and soreness. The intense focus can also be the root of headaches and other eye related symptoms. Relief can be achieved by taking frequent ‘eye breaks’ which involve looking at something in the distance every twenty minutes or so (there are even apps to remind you!), and making sure your screen is just below eye level. But the reality is many of us are spending a lot of time focusing intently on electronic devices and straining our eyes. Symptoms of eye strain range from dry, sore, or itchy eyes, to headaches, light sensitivity and blurred vision. Mother Nature in her infinite wisdom has provided us with a wild herb that works directly to reduce the discomforts of eye strain and many other eye issues. Eyebright, a tiny flowered, weedy looking herb found wild in Europe, Asia and North America can be used to treat all eye disorders. Eyebright’s tannin content, which acts as an astringent, and its anti-inflammatory and antibacterial properties, combine to make the perfect eye wash. Its 3 major antioxidant vitamins bring in eye-specific support as well:  Vitamin C, in conjunction with Eyebright’s high content of Quercetin, assists in reducing swelled and runny eyes; Vitamin E has been shown to help improve visual sharpness; and Vitamin A protects the cornea and prevents dry eyes. Eyebright is the perfect solution for eyestrain symptoms, but it can also be used for many other eye disorders including conjunctivitis and itchy or runny eyes caused by allergies. Traditionally it has been used to improve memory and treat vertigo and epilepsy. Harvesting and drying Eyebright is easy. The high tannin content makes it a fast-drying herb. Simply cut the flowering tops of the plant and dry for a day or two in an oven with just the pilot light on, or in an airy spot out of the sun for several days. The dried herb will have retained its colors, though the flowers will have diminished considerably in size. How To Use Eyebright How to make an eye bath:   Boil 2 cups of water and pour over 1 cup of dried or fresh herb and let sit for 20 minutes or more. Strain well using cheesecloth or an unbleached coffee filter, store in a sterile glass jar (just dip in the boiling water before adding the herbs and let stand, open side up), cool, lid tightly and place in refrigerator for up to a week. When you wash your face in the morning or evening, use a sterile eyecup or other small sterile container to ‘wash’ your eyes with this herbal extract. If you are experiencing a painful eye condition, it is better to warm the eye bath liquid slightly before use. You can also dip cotton balls in the solution and press one on each eye (with lid closed) as a compress. Eyebright Tea: Using the same method for making an eye bath, simply drink the tea for relief of eye symptoms due to eyestrain, colds and allergies.

Seibel: So some folks today would say, “Well, certainly assembly has all these opportunities to really corrupt memory through software bugs, but C is also more prone to that than some other languages.” You can get pointers off into la-la land and you can walk past the ends of arrays. You don't find that at all problematic? Thompson: No, you get around that with idioms in the language. Some people write fragile code and some people write very structurally sound code, and this is a condition of people. I think in almost any language you can write fragile code. My definition of fragile code is, suppose you want to add a feature—good code, there's one place where you add that feature and it fits; fragile code, you've got to touch ten places. Seibel: So when there's a security breach that turns out to be due to a buffer overflow, what do you say to the criticism that C and C++ are partly responsible—that if people would use a language that checked array bounds or had garbage collection, they'd avoid a lot of these kinds of problems? Thompson: Bugs are bugs. You write code with bugs because you do. If it's a safe language in the sense of run-time-safe, the operating system crashes instead of doing a buffer overflow in a way that's exploitable. The ping of death was the IP stack in the operating system. It seems to me that there'd be more pings of death. There wouldn't be pings of “take over the machine becoming superuser.” There'd be pings of death.

The twanging of life Fifth part : EDC The journey of happiness is a lot of sadness, the voyage of having money is a lot of work and the way of moving on in this life is a lot of contributions so what is it, that gives us the strength, the power and the motivation to continue when we are tired, sad and contributed ?!. Sometimes an inspirational or a helpful environment such as EDC's environment can help us to renew ourselves and be filled with strength to face our life's difficulties and sadness because the environment has elements and the elements of EDC are the teachers and students who they come in many forms of happiness and enjoying, however the root of EDC is the idea that, what the teachers and students are doing over there is meaningful because when you have the feeling that your actions in a such environment are meaningful and have a value definitely you will become filled with strength and vigor to fulfill your life's purpose, when I am in EDC looking at the people over there especially in the office of teachers, I see that, it is possible for EDC to be a home and not a place, the home of laughing, enjoying, making relationships and building the people's personalities and then I have learned the greatest lesson in my life which is, "home is people, not a house of family and job is friends, not a place of working" .. EDC is not where you go to learn English language, it is where you find the light when the tree of your life grows in darkness because I do think what you notice most when you haven't been in EDC for a while is, how much the trees of EDC have grown around your memories in your mind, how much the trees of EDC have played a certain feeling in your heart, actually I do strongly believe that, this what happens for those who are far away from EDC. When time passes in EDC, it is the teachers and students who knew, you whom you want to be with, you whom you want to see because they are the ones you can talk to, you can trust and you can find happiness with, so when enough time passes, what is it matter what they did to you  ?!.

[There are some] beliefs you currently believe, that are in your way. (...) You believe so much in them. And we understand why you believe in them. Because: when you believe something, you offer a vibration about it, and you KEEP RECREATING it. So, something that happened a long time ago, you keep renewing your membership to. You keep bringing it forwards. And so, then the memory, which could be very slight or non-existent at this point, is really active and alive, because you talked about it today. And you talked about it yesterday. And you talked about it the day before, even if it had happened 20 years ago. And so, when people encounter you, you are a fresh new person. And if you are like most humans, you are regurgitating a lot of old stuff. So, things don´t change very much, if that´s what is going on with you. Oh, different faces and different places, but same old, same old! Because you continue to offer this same old belief-patterns.

Garden of the Dragons (The ’Halla, Vol. # 3) Chapter Ten Excerpt (original editing) ... Hachiman, surveys he the woe, Wipes his brow, hate does flow. A ruined life, heh, a loss of face, He must have her now, to his disgrace (Wed to Kari now, locked in time and place). Battle over, moon still shines, Lilies float soft in quiet time. Scented visions and memories sear remains, Of this terrible night of what was feigned. Visuals lithe, of sword and blade, Disguise the carnage and the pain. Petals soft, they hide our gaze, And cover the ground and its grave. Flowers and moon in water light, T'winkills the calm of a zen-burst night. Now to life, the poem to seek repose, And bury beneath those riddles she holds. Nectars sweet, precious flowers, A fragranted grave that allures and empowers. Heart~beat, heart~beat, tells the way, Of things long remembered and a far lost day. How many memories, Kari knew, That stain with age, being so few. Samurai remembers - feels it as a man, Clutches he his fist; wind in hand. . . . ". . .I have searched for you a very long time." "Do not waste breath, kill. It is our way here." "Not before I have my say, Corpse-eater." "No wonder you took so long to find me." "I have had a lot of time for thought," quietly he, "- T'is a shame we could not agree." "No more room for that," forcefully he snapped, "You dishonored me twice and now, I will take one back." "- Not enough? Hachi," said cordially she, "If you are going to - cut the artery, please." Tilt she her neck, exposed but her vein, Samurai frowned, decidedly vain. Looked he at his hands - "They're already too bloody for today." "Hummph. Such trite man'ers are atrocious. For yourself you are much too engaged." ("Yet, a moment and it is done," thought he, "But to gain it thus, a hollow travesty. I must face her in all her strength, The bladed Valkyrie, the one called great"). "I could kill you now, but I'd rather not, This room is too unbecoming for the proper job." "Charmed that you still think so highly of me." "- Only then of your haunted beauty, I shall be free." Feeling that weight, slowly dropped he his blade, Time enough - rituals to cleanse and to pray. Tossed his sword, pined her down - Smooshed her face to the floor, Pinching it to a frown. "Oh no, my little angel, you have it all wrong! I mean only to kill you when you are strong. Do not fear, I won't let anyone harm you in strife, In the meantime, try not to flirt with your life. Stay healthy - then we shall settle our love, unrequite." A biting grin creased Samurai's scarved face, "Let us fix it properly, according to my r'ace." "Bushido," mouthed Kari, her voice empty as the word. "And there will be no running away this time - Rest assured." Slowly withdrew he and left the room, "Bastard," spit Kari, caustic of his doom. The girl breathing vexiously, then calmly in the dark, The door closed, silent, the light dribbling out. Sounds below, drip mute in time, Reality presses, she makes her fate thind. And Skuld drinking, contemplates she her sibylline, It was her hour now, the night of the wolverine.

Rakesh Roshan Rakesh Roshan is a producer, director, and actor in Bollywood films. A member of the successful Roshan film family, Mr. Roshan opened his own production company in 1982 and has been producing Hindi movies ever since. His film Kaho Naa…Pyaar Hai won nine Filmfare awards, including those for best movie and best director. I didn’t have the privilege of meeting Diana personally, but as a keen observer I learned a lot about her through the media and television coverage of her various activities and her visits to various countries, including India. I vividly remember when she came to my country and visited places that interested her, such as Mother Teresa’s Missionaries of Charity, various homes of the destitute, orphanages, hospitals, and so on. On all of these occasions, her kind looks, kind words, and kind actions, such as holding the poor orphan children in her lap, caring for them with love, and wiping their tears, were sufficient indications to convey the passion that Diana had in her heart for the service of the poor and underprivileged. Wherever she went, she went with such noble mission. She derived a sort of divine pleasure through her visits to charitable institutions, orphanages, and homes of the destitute. By minutely looking at her, one could see a deity in Diana--dedicated to love and kindness--devoted to charity and goodness and the darling of all she met. For such human virtues, love for the poor and concern for the suffering of humanity, Diana commands the immense respect, admiration, and affection of the whole world. Wherever she went, she was received with genuine affection and warmth, unlike politically staged receptions.

Want to be a good friend? Here’s what a friend does well: they listen, they stand by you, they tell you the brutal truth, they cause your tears from time to time, but then help you wipe them dry, they laugh with you…a lot, they don’t bring up your bad memories, they try to love the people you love, they go places with you at the most inconvenient times, they laugh some more, they create experiences and a string of memories held together by love, mostly that’s what they do…they love you even when you don’t love you.

I couldn’t breathe in that place,” he admitted. Cat marveled at his senses. Even with his eyes closed he’d known she was looking at him. That crazy sixth-sense of his kicking in. “Completely understandable. You have a lot of not so great memories in there. In several hospitals in several states and several countries.” Harper grinned, the flash of teeth bold and vibrant. “At least this hospital wasn’t being bombed like the one I went through in Iraq.” “Or in the path of a once in a lifetime blizzard like the time you were at Walter Reed.” He gave her a nod, his smile fading. “You’ve been at most of them with me. I appreciate that, Cat.” Wow. She sucked in a breath at his softly spoken words. “I was your wife. Where else would I have been?” Harper rocked his head toward her. “You could have stayed home like a lot of the wives did.” She shook her head, grimacing. “That’s not where a wife belongs when her husband is hurt. She belongs at his side. Rooting him on to recover as fully as possible.” “There were a lot of guys that had no one, either in Germany or when they got home.” “I know,” she admitted. “But with my parents living within easy driving distance, I had an advantage. They were always ready to watch the kids at a second’s notice.” He

We continued our drive, not making any permanent decisions that day about where we’d live. We’d been engaged less than twenty-four hours, after all; there was no huge rush. When we finally returned to his house, we curled up on his couch and watched a movie. Gone With the Wind, of all things. He was a fan. And as I lay there that afternoon and watched the South crumble around Scarlett O’Hara’s knees for what had to have been the 304th time in my life, I touched the arms that held me so sweetly and securely…and I sighed contentedly, wondering how on earth I’d ever found this person. When he walked me to my car late that afternoon, minutes after Scarlett had declared that tomorrow is another day, Marlboro Man rested his hands lightly on my waist. He caressed my rib cage up and down, touching his forehead to mine and closing his eyes--as if he were recording the moment in his memory. And it tickled like crazy, his fingertips on my ribs, but I didn’t care; I was engaged to this man, I told myself, and there’ll likely be much rib caressing in the future. I needed to toughen up, to be able to withstand such displays of romance without my knees buckling beneath me and without my forgetting my mother’s maiden name and who my first grade teacher had been. Otherwise I had lots of years of trouble--and decreased productivity--ahead. So I stood there and took it, closing my eyes as well and trying with all my might to will away the ticklish sensations. They had no place here. Begone, Satan! Ree, hold strong. My mind won, and we stood there and continued to thumb our nose at the reality that we were two separate bodies…and the western sun behind us changed from yellow to orange to pink to a brilliant, impossible red--the same color as the ever-burning fire between us. On the drive home, my whole torso felt warm. Like when you’ve awakened from the most glorious dream you’ve ever had, and you’re still half-in, half-out, and you still feel the dream and it’s still real. I forced myself to think, to look around me, to take it all in. One day, I told myself as I drove down that rural country road, I’m going to be driving down a road like this to run to the grocery store in town…or pick up the mail on the highway…or take my kids to cell lessons.

Sean searched his memory for how he’d convinced her to take a chance on him in the first place and his mind was a blur. He’d probably been relentless in his pursuit because he did remember how he had felt when he first saw her. He’d taken one look at her and thought, Oh, Mary, Jesus and Joseph! She just did something to him. He had a lot of experience with attraction, but this was animal attraction. Primal and raw. He’d wanted her immediately. And he still wanted her that bad. Sean

Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)

When they clean out a man’s memory on this place called Mars, they don’t really clean it completely. They just clean out the middle of it, sort of. They always leave a lot of stuff in the corners. There is a story around about how they tried cleaning out a few memories completely. The poor people who had that done to them couldn’t walk, couldn’t talk, couldn’t do anything. The only thing anybody could think of to do with them was to housebreak them, teach them a basic vocabulary of a thousand words, and give them jobs in military or industrial public relations.

Once, not so long ago, when I was someone else who looked a lot like me, I typed some words and cast them into the ether. They delivered me a man, sore and battered from years of sacrifice, from self-imposed duty. He had done the right thing for so long he deserved to do something wrong. He came to me filled with a hope that was smothered by doubt, with a hungry mouth that had forgotten how to explore, how to take its time. He was clumsily confident, stoic and unapologetic. I melted into his perfect fumbling arms, into blood itself, that I may beat my way into his heart. He taught me that love can wreck and build simultaneously. He pushed me away again and again. Every time I came back stronger and he came back harder, yet softer. He taught me no matter how hard you fight, not all believe in something you cannot see, don't believe in, he taught me you can resist something into existence. We gave birth to our own hearts and traversed their unfathomable depth. We emerged scathed and bruised, fully human, finally recognized. But even we were mortal, even this was fleeting. Memory is as vast and unreachable as the millions of foreign suns already extinguished, but still on display, in the infinite dome of our dark, shining sky. There is a place buried within us that aches, but can never be filled by another, that will never be whole, a place of darkness that yearns for a light it will never fully feel the warmth of, a place only music can almost reach. But sometimes, with the right kind of eyes, you see someone, for a moment, who gives some meaning to the aching. They show you all of your broken pieces, kiss your forehead, and you're ready to fight for that which is not seen again... Christian Lea I WROTE THIS!!!

Things I know about Project Moonlark I’m the moonlark—which means I get to have lots of people trying to kill me. Calla came up with the name for the project because of the way moonlarks treat their eggs. She also helped the Black Swan figure out my genetics, which are mostly based off alicorn DNA. That’s why I have brown eyes and can teleport. (And yeah, it’s hard not to feel like “the horse girl.”) They chose a lot of the abilities they gave me because they were hoping I’d be able to use them to heal broken minds (since the Black Swan knew some of their members might endure memory breaks—like poor Prentice). I grew up with humans, partly to make sure no one found me. But mostly so I’d understand humans differently from how other elves understand them. And I guess I do, but… I’m not sure what I’m supposed to do with that information. It’s possible I may end up manifesting another special ability (or more than one—anything’s possible at this point). But I hope not. Five is seriously enough! My biological mother is Councillor Oralie, which means she lied to me every time she saw me for years (and signed me up for a genetic experiment and then totally abandoned me). I also can’t tell anyone who she is, because then she’d have to resign from the Council, and that would create so much chaos that it could give the Neverseen the opportunity to take control. So, lucky me—I get to be unmatchable! The Black Swan loves to tell me I have a choice in all of this, and I guess I do for certain things. But it’s not like I can change my genetics. Or everything I’ve gone through. Or the fact that everyone’s expecting me to be this big important THING, and I have no idea what I’m supposed to do or how I’m supposed to do it. Sometimes I wonder if the real reason the Black Swan won’t tell me what they’re planning is because they don’t actually have a PLAN. They just made their little moonlark and are expecting me to figure out the rest. Which, you know, would be pretty terrifying if I’m right. But at the same time… I kinda think it might be better—because if they do have a PLAN, then wouldn’t that mean they also knew exactly what the Neverseen were going to do and could’ve prevented it all from happening in the first place?

Thus it was probably inevitable that Los Lobos would approach the members of the Blasters and attempt to get their music to the more established band. Memories of their first meeting have dimmed over time: both the Alvins recall it taking place backstage after a show they played at the Whisky a Go Go on the Sunset Strip, while the Lobos remember it as happening at a date somewhere in the San Fernando Valley, possibly at the Country Club in Reseda. Rosas says, “At the end of the show, Dave and Louie were walking out to the car in the parking lot, and Phil Alvin was walking right there next to them. Their cars weren’t that far from each other. Everybody looked at each other. And I guess Dave and Louie said, ‘Hey, man, we’re fans. You guys were great tonight.’ Then Phil does a double take. He says, ‘Hey, where do I know you guys from? . . . Did you guys do a documentary or something?’ You know how Phil is—he’s a walking library. So Dave and Louie go, ‘Yeah, we did do a documentary, way back, some years ago.’ That’s how the connection got made, right there.

Because we are energy imbedded in a physical body, all of our bodies ' cells are like pieces of a hologram, storing the memory of anything that has happened. So it happens that those places where energy, pain, memory, or contractions are stored will respond as the energies which aim to transform us pass through the body. It's what we feel when there are pains, jerking movements, heat, vibrations, rushes, and other phenomena that arise during and after a kundalini. Most people have connected certain of these events with the raising of the chakras, which is another term for suggesting that new possibilities arise as contraction escapes. People carry their stress in different ways, just as we live our lives in different ways, and so there may be a wide variety of reactions to this energy revolution or clearing process. If an old injury causes physical problems, it can be particularly sensitive. When our diet is poor, or our environment allows us to live where emotional energy is dangerous, this may make us more vulnerable to difficulties. If any kind of trauma has happened or there is a history of drinking or substance use, this transformation will specifically threaten the body, which is trying to clear it from the previous memories and experiences with which we are associated. If there's a psychological propensity to contract and a deep desire for control, the cycle can be very difficult due to our aversion to it. These are just a few guidelines for these and other reasons that can help you move through this experience and find inner peace. •       At times the energy will feel coarse and heavy. But it is uncommonly intense. Normally it is the anxiety that causes pain, and the attempt to stop it. If you have a lot of body movement, place yourself on the bed once or twice a day and allow the energy to move through you and clear up anything that doesn't belong to you, and anything that's in your best interest to release at that time. It will usually run for a few minutes— may be up to 20— and then stop, and you'll feel more relaxed. Especially if you work in an environment where you may pick up negative energy or other people's pain such as healing or therapeutic work, or in places where alcohol use is high or in hospitals, you need to do this. If this process involves persistent physical pain, you should have a medical evaluation. •       Find out what your body wants to eat, really. Individuals often need to make major dietary changes such as giving up intake of alcohol and recreational drugs, eliminating red meat, consuming smaller and simpler meals. If you have a recurring energy problem that is too serious, do detective work to see what could cause the problem.

Then it’s a drive to Pittsburgh for TV where I see Hunter. He’s real beat up, but the pride is evident in his face. That twinkle in his eye you never get to see, almost like he had reconnected with a little part of himself, that part of him that just wanted to be a “rassler.” Vince loved it. Steph was really stoked about it too. Pat can’t stop talking about it. He’s asking people in catering: “Oh! My god! Did you see that match?!” This all makes me feel good. I’m proud every time somebody comes up to tell me how much they enjoyed watching it, that it felt really unique. That match doesn’t have any historical significance and will probably just be another one lost in the annals of time. I doubt you’ll find that shit on Peacock or whatever, but I hope the people that were there have fond memories of it. Maybe it was the first show they brought their kids to, or it was just a fun night out with the gang drinking giant cans of Molson Canadian and watching some wrestling. A night at the matches. Maybe some kid got a blow job in the parking lot. I’d like to think so. I’d go on to wrestle Hunter a few more times, in places like Belgium and the UK. We always had dope matches. Turns out that HHH kid can work. He’s just gotta do something about those skinny calves.

The Pitjantjatjara and Pintupi don’t wash with water—for one thing because there isn’t much water in the desert, but for another because they don’t want to bother the Rainbow Serpent, the all-powerful creator god who lives around the water holes. Instead they use ashes from their fires to wash themselves, and it doesn’t deodorize them. The thing that fascinated me most was that they have absolutely no possessions. This is connected to the fact that they don’t believe in tomorrow; there is only today. For example, it is very rare to find a kangaroo in the desert. When they find one, they have food to eat, which is a big deal for them. But after they kill and cook the kangaroo, they can never finish it: there’s always lots of meat left. But since they’re always moving from place to place, when they wake up the next morning, they don’t take the meat with them. They just leave everything—the next day is the next day. Ulay and I separated, because among the Aborigines, the men stay with men and the women with women. The two sexes only make love during nights with a full moon, then they separate again. This creates total harmony—they don’t get a chance to bother each other! My main job with the women was watching them present their dreams. Every morning we would go to a field somewhere, and in hierarchical order, starting with the oldest women and moving down to the youngest, they would show us, using a stick to make drawings in the dirt, what they’d dreamed the night before. Each woman would then assign the rest of us roles to act out the dream as they interpreted it. They all had dreams; they all had to show them—dreams playing all day long! As spring turned to summer, the heat would rise to 50 degrees Celsius or more—130-plus degrees Fahrenheit. It’s like a hot wall. If you just stand up and walk a few paces, your heart feels like it’s going to hammer through your chest. You can’t. There are very few trees; there’s very little shade of any kind. So you literally have to be motionless for long periods of time. You function before sunrise and after sunset—that’s it. To stay motionless during the day, you have to slow down everything: your breathing, even your heartbeat. I also want to mention that Aboriginals are the only people I know who don’t take drugs of any kind. Even tea is much too strong a stimulant for them. That’s why they don’t have any kind of resistance to alcohol—it completely wipes out their memory. In the beginning, there were flies everywhere. I was covered with them—in my nose, in my mouth, all over my body. It was impossible to chase them away. Then after three months, I woke up one morning without a single fly on me. It was then that I understood that the flies had been drawn to me because I was something strange and different: as I became one with my surroundings, I lost my attraction.

Ah, do we really have to use that word? It’s trouble. Every gay person has his or her own take on it. For some it means strange and eccentric and kind of mysterious. That’s okay, we like that. But some gay girls and boys don’t. They think they’re more normal than strange. And for others “queer” conjures up those awful memories of adolescent suffering. Queer. It’s forcibly bittersweet and quaint at best—weakening and painful at worst. Couldn’t we just use “gay” instead? It’s a much brighter word and isn’t it synonymous with “happy”? When will you militants grow up and get over the novelty of being different? Well, yes, “gay” is great. It has its place. But when a lot of lesbians and gay men wake up in the morning we feel angry and disgusted, not gay. So we’ve chosen to call ourselves queer. Using “queer” is a way of reminding us how we are perceived by the rest of the world. It’s a way of telling ourselves we don’t have to be witty and charming people who keep our lives discreet and marginalized in the straight world . . . it is also a sly and ironic weapon we can steal from the homophobe’s hands and use against him.

You really don’t like him, do you?” Xavier asked in surprise. “Who?” I asked innocently. “Darius,” he said, his gaze moving over my shoulder. “This is the part where I insult him and he’s right behind me, isn’t it?” Xavier’s eyes sparked with amusement and he nodded. Well far be it from me to disappoint. “In that case, I happen to think he’s a vindictive, pretentious twat-waffle who really needs to pull the stick out of his ass and let loose more often,” I said. “I thought we were being nice this evening?” Darius murmured behind me and I stifled a flinch at just how close he was. “You said you’d be nice. I made no such promises,” I pointed out, turning to look up at him as he moved to my side. Although now that I thought about it, maybe I had... the champagne tequila cocktail taking place in my digestive system was wreaking havoc with my memory as well as my manners. Now that he and Xavier were so close to each other it was obvious they were brothers, though Xavier didn’t seem as intense as Darius. But they shared the same jaw, the same colouring, even though Xavier’s build was a lot less stacked. “Well you’re making Xavier smile so I’ll forgive you this once,” Darius said. “Poor Tory is starving to death,” Xavier said, though his smile fell a little in response to his brother’s words. “Maybe you can find her something good to eat while I take my leave of this party.” I followed his gaze and noticed Lionel looking our way. He didn’t seem pleased about something and Xavier got to his feet hastily. “It was nice to meet you,” I said. “You too, Tory. See you later, Darius.” Xavier tucked his chair back into place and quickly left the room. (Tory)

Father, I was a terrible son—carrying memories from my previous life. I didn’t love you like I should’ve, as my father,” I said as I took to my feet. I took the bottle of alcohol in hand and gulped once. It was a strong liquor, burning like fire on the way down, and once I was done, I splashed some of it over his grave. “But now I do see myself as your son.” Maybe alcohol wasn’t the best for someone like Paul, who’d screwed up by drowning himself in the stuff. But surely, today could be an exception. We were celebrating a new life in the world. “I finally understand now. I’m still just a kid. A brat who pretended to be an adult by using his previous memories.” I took another swig, then poured some for Paul. Another swig, then a pour. Soon the bottle was completely empty. “Now that I have a child in the world and I’m a parent, I know I have to grow up right away. And in order to do that, I’ll have to make a bunch of mistakes, grieve over them, and change—slowly, gradually. I’m sure that’s how you had to do it too, so I’ll do the best I can.” I popped the lid back over the bottle and set it in front of his grave. “I’ll come back again. Next time, I’ll bring everyone else along, too,” I said, turning to leave. Many things had fallen into place, with a great deal of pain and a great deal of joy along the way. I’d repeated horrible mistakes along the way, but it wasn’t over. No matter how much I screwed up or got things wrong, it wasn’t the end. I still had a lot of life to live in this world. And that’s what I was going to do: live to the fullest, so that no matter when I died, I’d have no regrets.

Curtis Rouanzoin waves a thin metal rod back and forth in front of my eyes as I recall memories of my mother. He then places headphones over my ears and plays tones that jump from the right earpiece to the left one as I keep remembering and feeling pain, remembering and feeling pain—until I’m just remembering. Lindsay Joy Greene ducks as I send my fist flying into the air with all my strength, releasing anger that feels like it’s been trapped in my wrist for decades. I do it over and over again with each hand, until I just don’t need to anymore. Olga Stevko spends eight hours hypnotizing me. I walk around her office, entering the minds of my parents in search of the things they didn’t get from their parents. Then I imagine flowing these qualities to each person in my family back seven generations and then forward to me in the moment I was conceived, until I feel like I actually grew up with them. Greg Cason gives me homework. Lots of it. Thought records, goal sheets, written exposures, gratitude diaries, behavioral experiments—each one chipping away at my fears and pathological accommodation until I can see them as the delusions they are. Barbara McNally tells me to close my eyes; picture myself and my mother in a room with a white light coming from me and an X over her; and then imagine yelling, “Give me the fucking keys!” as I punch her in the face repeatedly. I am at war. It is a strange fucking war. But I am winning.

You expect the Alamo to be huge, but it's not. History often happens in places that are smaller than you expect. Memory and history have a magnifying effect. The seeds of memory come with a lot of fluff, but that fluff helps it spread and grow. You never really burn it all off, but sometimes it does take root - and sometimes it ignites other things.

People devote more effort to correcting the errors of the past than they do to improving the future. In Seattle, Basra, Baghdad, and other places, you can see the past’s skiff tugging on the wrist of every pedestrian or passenger. This is the invisible skiff we drag with us over dry land. The fact that no one acknowledges its existence makes it very powerful. The skiff that accompanies me bumps a lot when I drag it through the city’s streets. It delays me at every turn. Memory’s film clips, which encircle this skiff, make it capsize and wobble, capsize and wobble.

I missed that guy sometimes, the old me. Actually, I missed him a lot. Every day he seemed to be receding farther and farther into memory, becoming a little less defined, harder to identify, and I figured someday I wouldn’t remember him at all.

Well, the homes directly across the street are empty because of foreclosures. And it’s a working-class neighborhood. There might not have been many people at the other homes at that time of the morning. And the school is set far enough back that the sounds might not have carried.” “But presumably you had traffic along the street. And kids and teachers at the windows probably screaming their heads off. Cell phones hitting 911. Cruisers rolling. I was at Precinct Two when the guys started pouring out of the place. What is the time to the school from there by car? Fifteen minutes?” “About that, yeah.” “And even if nobody on the outside saw him leave, there had to be eyeballs at the school windows. Kids using phones as cameras. From what I remember, there’s not an exit in this building that’s not visible from some classroom window.” “And you knew this because you, what, snuck out a lot?” “All the time.” “Well, you got me there. I went to high school in the next county. This is your turf, not mine.” “And that still doesn’t cover his ingress. How did he walk in here and no one see him? Even if it was in the rear. There are windows overlooking it.” “Yeah, but the second and third floors are unused.” “But the first floor has windows

Which is why,” Avi continued, “we can recognize we are in the box to begin with. When we are noticing we are in the box, it is because we are noticing that we aren’t feeling and seeing in one direction like we are in another. We are able to recognize the difference because the difference is within us. Which is to say that we have out-of-the-box places within us—relationships and memories that are not twisted and distorted by blame and self-justification.” “Okay,” Lou said, “but what does that have to do with getting out of the box when we’re feeling stuck?” “It has to do with it because it means we are not stuck.” “Huh?” “Think of that night with Yusuf under the stars,” Avi continued. “It turns out that I had a wealth of out-of-the-box memories regarding my father. Once I allowed myself to find my way to those memories, a lot of things started to look and feel different.

This was the place where I fell in love with you Harlow, and even though I had a lot of bad memories here, I had the best memories here too. Memories of when we would sit on the swings and talk about the future when times were innocent, what do you want now Harlow? What are your dreams for the future? ~Beckett

Shake Me Down" Shake me down, Not a lot of people left around, Who knows now, Softly laying on the ground, ooooh Not a lot people left around, ooooh. ooooh In my life, I have seen, People walk into the sea, Just to find memories, Plagued by constant misery, Their eyes cast down, Fixed upon the ground, Their eyes cast down I'll keep my eyes fixed on the sun Shake me down, Cut my hair on a silver cloud, Broken sound, Softly laying on the ground, ooooh Not a lot people left around, ooooh, ooooh In my past, bittersweet, There's no love between the sheets, Taste the blood, broken dreams, Lonely times indeed, With eyes cast down, Fixed upon the ground, Eyes cast down I'll keep my eyes fixed on the sun Turn back now its time for me to let go, Way down had to find a place to lay low, Lampshade turned around into a light post Walk around the corner, Never saw it coming still, I try to make a move, It almost stopped me from belief, I don't wanna know the future, But I'm like rolling thunder, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, I'll keep my eyes fixed on the- I'll keep my eyes fixed on the- I'll keep my eyes fixed on the sun Shake me down, Not a lot of people left around, ooooh, ooooh

They don't teach this in school anymore?' Anya asks and clucks in dismay. 'When I was a girl, we made memory palaces to helps us memorize for our examinations. You chose an actual place, a palace works best, but any building with lots of rooms would do, and then you furnished it with whatever you wished to remember.... Bur once you had learned the rooms, in your imagination you could add anything you wish. So, when we needed to memorize the Law of God, for instance, we closed our eyes and put a question and answer in each room." Page 68-69

But we left camp after a while and we was driving in a real spooky place cause all the roads up near camp are dark and in the woods and we had to drive for a while to get to a highway cause there was no street lights or anything and nothing but woods and my dad asked me if I had a good time and I told him I did, but that’s really a lie and I felt like telling him what it was like at that mean old camp, but I thought he’d get mad and tell me I’m making it up and I thought I’d tell him some other time like Febuary and cause I didn’t think he’d believe me anyway, but so I changed my mind and then I thought I should tell him now cause he’ll wonder howcome I never told him sooner, so when he said that’s a nasty gash and when he said what did I do, stumble on the trail and hit a big rock or something? I told him no and I told him that lots of bad things happened to me at camp and that I never want to go there again cause I hate it and I almost cried. But he said I always had a bibid emigination cause he’s sure it wasn’t that bad! And I don’t know about those big words either, but what he said made me kind of mad cause grownups always think they know what happened to you better than you do yourself.

Addison,” Taylor said quietly. “Has it ever occurred to you that maybe Corbin really cares for you?” “What? Don’t be silly.” I frowned. “I’m just a conquest to him—it’s a feather in his cap to be able to say that a non-glam Auditor is his consort. It’s like… like a mobster showing off his girlfriend who also just happens to be a cop or a judge.” “Maybe not.” Taylor looked thoughtful. “I’ve heard rumors about Corbin.” “Such as?” I raised an eyebrow and made a go on signal with one hand. “Well, he’s not nearly the playboy he makes himself out to be for one thing,” Taylor said. “He’s almost never with anyone—he mostly keeps to himself except to feed occasionally. And he never pays the Crimson Debt or lets anyone else pay it for him.” “Meaning he doesn’t feed on anyone during sex or let them feed on him?” I said. She nodded. “Honestly, I don’t think he has that much sex at all. Not even glam-sex.” “Oh come on, Taylor—he’s a vampire,” I objected. “Sex and blood, that’s what they’re all about—that’s what they do.” “Most of them maybe. But if what I’ve heard is right, Corbin mostly keeps to himself.” “But why?” I asked, frowning. “I mean, it’s not for lack of willing partners, I’m sure.” He got under my skin like a bad rash but there was no denying Corbin was gorgeous. “I don’t know why, exactly.” Taylor shrugged. “They say he had someone once—a human—but he lost her. Now he mostly keeps to himself out of respect for her memory.” I thought of what he’d told me, about having a human female he loved enough to be gentle with once and how she’d “died anyway.” “Why didn’t he just bond her to him?” I asked. Vamps can bond any human they want, which greatly increases the human’s lifespan, sometimes even enough to match the vamp’s. It makes them a little more durable too, though under the law they’re still not supposed to have sex with the vamp that bonds them. “I don’t know.” Taylor shook her head. “But I do know you’re pretty much the only girl he’s shown an interest in. I mean, he does a lot of casual flirting, you know?” “Yeah, I know.” I nodded. Nobody was better at eye-fucking than Corbin. “But none of it amounts to anything. I mean, I’ve never heard of him taking anyone into one of his daylight resting places the way he took you. Not vampire, not human—no one,” Taylor emphasized.

Outside, the chat of mockingbirds, sleepless beneath the bright moonlight, tugged her back into a childhood memory, another full moon night such as this one, when she had complained to her mother about the filching habit that had earned the birds their name. “Why they gotta steal the other birds’ songs anyway? Why don’t they sing their own song instead?” Her mama had pinched her cheek, forcing her to smile. “They ain’t stealing nothing, baby,” she had said, winking at May. “They just trying to imagine what it’s like to be one of those other birds. Of course they may get the melody wrong in places, but it’s love that make them try in the first place. They just trying to see things through others’ eyes. Be a lot better world if people did that, too. Now you leave those poor mockingbirds be.

Second essay: ‘Guilt’, ‘bad conscience’ and related matters 1 To breed an animal with the prerogative to promise – is that not pre- cisely the paradoxical task which nature has set herself with regard to humankind? is it not the real problem of humankind? . . . The fact that this problem has been solved to a large degree must seem all the more sur- prising to the person who can fully appreciate the opposing force, forget- fulness. Forgetfulness is not just a vis inertiae, as superficial people believe, but is rather an active ability to suppress, positive in the strongest sense of the word, to which we owe the fact that what we simply live through, experience, take in, no more enters our consciousness during digestion (one could call it spiritual ingestion) than does the thousand-fold process which takes place with our physical consumption of food, our so-called ingestion. To shut the doors and windows of consciousness for a while; not to be bothered by the noise and battle with which our underworld of serviceable organs work with and against each other; a little peace, a little tabula rasa of consciousness to make room for something new, above all for the nobler functions and functionaries, for ruling, predicting, pre- determining (our organism runs along oligarchic lines, you see) – that, as I said, is the benefit of active forgetfulness, like a doorkeeper or guardian of mental order, rest and etiquette: from which we can immediately see how there could be no happiness, cheerfulness, hope, pride, immediacy, without forgetfulness. The person in whom this apparatus of suppression is damaged, so that it stops working, can be compared (and not just com- pared –) to a dyspeptic; he cannot ‘cope’ with anything . . . And precisely 35 On the Genealogy of Morality this necessarily forgetful animal, in whom forgetting is a strength, repre- senting a form of robust health, has bred for himself a counter-device, memory, with the help of which forgetfulness can be suspended in certain cases, – namely in those cases where a promise is to be made: conse- quently, it is by no means merely a passive inability to be rid of an impres- sion once it has made its impact, nor is it just indigestion caused by giving your word on some occasion and finding you cannot cope, instead it is an active desire not to let go, a desire to keep on desiring what has been, on some occasion, desired, really it is the will’s memory: so that a world of strange new things, circumstances and even acts of will may be placed quite safely in between the original ‘I will’, ‘I shall do’ and the actual dis- charge of the will, its act, without breaking this long chain of the will. But what a lot of preconditions there are for this! In order to have that degree of control over the future, man must first have learnt to distinguish between what happens by accident and what by design, to think causally, to view the future as the present and anticipate it, to grasp with certainty what is end and what is means, in all, to be able to calculate, compute – and before he can do this, man himself will really have to become reliable, regular, necessary, even in his own self-image, so that he, as someone making a promise is, is answerable for his own future!

The Aftermath A lot of time has passed since that fateful day in August of 1965. I visited Oak Island a few months ago. Surprisingly, it felt really good to be there. Parts of the island, untouched by the lust for gold, are still beautiful. As I walked, I thought to myself, This is a good place. More than good. It is a wonderful place. But at the far end of the island--the Money Pit end--everything is different. The beaches have been scraped bare. The clearing, no longer a high, flat expanse, has been gouged out and re-formed into lopsided, jagged terrain. The Money Pit, once part of a 32-foot-high plateau, now sits on misshapen, uneven land, almost down to sea level. That end of the island is ugly, ruined. At home I pull out old photographs and letters and journals. I want to remember a time before the accident, before the deaths, a time when all of Oak Island was a beautiful and happy place; the time when my father, mother, and brothers first came to the island. They had been brimming with enthusiasm. They were embarking on a wonderful adventure, and the Restalls just might be the ones to solve this baffling, centuries-old puzzle. Here was a shot at fortune and fame. They lived in a bubble of good wishes, good cheer, and boundless expectations. It was an extraordinary time, when anything seemed possible. Of course, there was also the back-breaking labour and the endless frustration, but after all, what’s an adventure without adversity? I try to hang on to the good memories of Oak Island, but darker images keep creeping in--the disappointments and obstacles, one-by-one, year after year, that gradually wore the family down. In time, the hunt for treasure crowded out all else in their lives. Nothing mattered but Oak Island and its treasure--at least for my dad. Oak Island does that. Men go there seeking riches and fame, and forget who they are. During my family’s final year, only my father was still steadfast in his belief in the Restall hunt for treasure. By that time, conversations among the four of them were strained. Doubts, disagreements, and long silences had settled in. The hunt for treasure was like a job that took every thought, every bit of energy, every cent. Day after day, nothing but drab, drone-like hark work--no glamour here. It seemed to my mother and brothers that this job was one that would never be finished. Until it was finished--but with such a horrible ending.

The scar on my face. Do you know how I got it?” “Your family was attacked by some Craven when you were a child,” he answered. “Vikter…” “He filled you in?” A faint, tired smile pulled at my lips. “It’s not the only scar.” When he said nothing, I slipped my hand out from under my sleeve. “When I was six, my parents decided to leave the capital for Niel Valley. They wanted a much quieter life, or so I’m told. I don’t remember much from the trip other than my mother and father being incredibly tense throughout the whole thing. Ian and I were young and didn’t know a lot about the Craven, so we weren’t afraid of being out there or stopping at one of the smaller villages—a place I was told later hadn’t seen a Craven attack in decades. There was just a short wall, like most of the smaller towns, and we were staying at the inn only for one night. The place smelled like cinnamon and cloves. I remember that.” I closed my eyes. “They came at night, in the mist. There was no time once they appeared. My father…he went out onto the street to try and fend them off while my mother hid us, but they came through the door and the windows before she could even step outside.” The memory of my mother’s screams forced my eyes open. I swallowed. “A woman—someone who was staying at the inn—was able to grab Ian and pull him into this hidden room, but I hadn’t wanted to leave my mom and it just…” Dark and disjointed flashes of the night attempted to piece themselves together. Blood on the floor, the walls, running down my mother’s arms. Losing my grip on her slippery hand, and then grabbing hands and snapping teeth. The claws… And then the soul-crushing, fiery pain until, finally, nothing. “I woke up days later, back in the capital. Queen Ileana was by my side. She told me what had happened. That our parents were gone.

Pam got out a notepad and a pen. These days, with her memory issues, if she didn’t write things down, they didn’t happen. She wrote down Fiona Arthur’s name. Then she wrote down Tully’s name. If she got the news she feared, she’d need to pack, find a new place to live. There’d be a lot of paperwork. Her daughter may have had her troubles but if there was one role Tully was born for, it was this.