Losing Streak Quotes

We've searched our database for all the quotes and captions related to Losing Streak. Here they are! All 72 of them:

I have lived one step away from losing my mind for years. I am quick and accurate in spotting unstable streaks in others.
Charlaine Harris (Shakespeare's Landlord (Lily Bard, #1))
Often out of periods of losing come the greatest strivings toward a new winning streak.
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
It's hard to walk away from a winning streak, even harder to leave the table when you're on a losing one.
Cara Bertoia (Cruise Quarters - a Novel About Casinos and Cruise Ships)
Because what I did with my one short beautiful life— was lose it on a winning streak.
Ocean Vuong (Time is a Mother)
It goes in streaks. But some things never go out of fashion.' Hunger artists, fat folks, giants, and dog acts come and go but real freaks never lose their appeal.
Katherine Dunn (Geek Love)
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
Oh, precious losing streak, you're too cute for your own good. I try to laugh about it but my face is made of wood.
Casey Renee Kiser (Gutter Kisses and a Hug on Garbage Day)
You once told me you could stand many things.” My voice was raspy from all the emotions battering against those well-honed inner defenses. “So can I. I can stand whatever Apollyon dishes out, can take the bigotry from others over what I am, the freaky ghost juju from Marie, all the craziness my mother can throw at me, and even the pain of my uncle dying. But the one thing that I would never, ever recover from would be losing you. You made me promise before to go on if that happened, but Bones”—here my words broke and tears spilled down my cheeks—“I wouldn’t want to.” He’d been near the side of the bed when I started talking, but was in my arms before the first tear fell. Very softly, his lips brushed over those wet streaks, coming back pink from the drops still shimmering on them. “No matter what happens, you will never lose me,” he whispered. “I am forever yours, Kitten, in this life or the next.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Bashere shrugged, grinning brhind his grey-streaked moustaches, "When I first slept in a saddle, Muad Cheade was Marshal-General. The man was as mad as a hare in spring thaw. Twice every day he searched his bodyservant for poison, and he drank nothing but vinegar and water which he claimed was sovereign against the poison the fellow fed him, but he ate everything the man prepared for as long as I knew him. Once he had a grove of oaks chopped down because they were looking at him. And then insisted they be given decent funerals; he gave the oration. Do you have any idea how long it takes to dig graves for twenty-three oak trees?" "Why didn't somebody do something? His Family?" "Those not as mad as him, or madder, were afraid to look at him sideways. Tenobia's father wouldn't have let anyone touch Cheade anyway. He might have been insane, but he could outgeneral anyone I ever saw. He never lost a battle. He never even came close to losing.
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
Was there ever a true great love? Anyone who became the object of my obsession and not simply my affections? I honestly don't think so. In part, this was my fault. It was my nature, I suppose. I could not let myself be that unmindful. Isn't that what love is-losing your mind? You don't care what people think. You don't see your beloved's fault, the slight stinginess, the bit of carelessness, the occasional streak of meanness. You don't mind that he's beneath you socially, educationally, financially, and morally-that's the worst I think, deficient morals. I always minded. I was always cautious of what could go wrong, what was already "not ideal". I paid attention to divorce rates. I ask you this: What's the chance of finding a lasting marriage? Twenty percent? Ten? Did I know any woman who escaped having her heart crushed like a recyclable can? Not a one. From what I have observed, when the anesthesia of love wears off, there is always the pain of consequences. You don't have to be stupid to marry the wrong man.
Amy Tan (Saving Fish from Drowning)
this is not a Quote it's a poem. "A Thousand Kisses Deep" The ponies run, the girls are young, The odds are there to beat. You win a while, and then it’s done – Your little winning streak. And summoned now to deal With your invincible defeat, You live your life as if it’s real, A Thousand Kisses Deep. I’m turning tricks, I’m getting fixed, I’m back on Boogie Street. You lose your grip, and then you slip Into the Masterpiece. And maybe I had miles to drive, And promises to keep: You ditch it all to stay alive, A Thousand Kisses Deep. And sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go, A Thousand Kisses Deep. Confined to sex, we pressed against The limits of the sea: I saw there were no oceans left For scavengers like me. I made it to the forward deck. I blessed our remnant fleet – And then consented to be wrecked, A Thousand Kisses Deep. I’m turning tricks, I’m getting fixed, I’m back on Boogie Street. I guess they won’t exchange the gifts That you were meant to keep. And quiet is the thought of you, The file on you complete, Except what we forgot to do, A Thousand Kisses Deep. And sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go, A Thousand Kisses Deep. The ponies run, the girls are young, The odds are there to beat . . .
Leonard Cohen
But we’d have each other. And that’s enough for me.” She was crying now, the tears streaking down her face and carrying her mascara with them. I put my arms around her and wiped her cheek with my thumb. “I love you so much, sweetheart. So, so much. And it’s in part because of things like that. You’re an idealist and a romantic, and you have a beautiful soul. And I wish the world was ready to be the way you see it. I wish that the rest of the people on earth with us were capable of living up to your expectations. But they aren’t. The world is ugly, and no one wants to give anyone the benefit of the doubt about anything. When we lose our work and our reputations, when we lose our friends and, eventually, what money we have, we will be destitute. I’ve lived that life before. And I cannot let it happen to you. I will do whatever I can to prevent you from living that way. Do you hear me? I love you too much to let you live only for me.” She heaved into my body, her tears growing inside her. For a moment, I thought she might flood the backyard. “I love you,” she said. “I love you, too,” I whispered into her ear. “I love you more than anything else in the entire world.” “It’s not wrong,” Celia said. “It shouldn’t be wrong, to love you. How can it be wrong?” “It’s not wrong, sweetheart. It’s not,” I said. “They’re wrong.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
The idea is that people remember two things about an experience: the peak, and the end. In a poker game, when people think about another player they'll mostly remember any really good hands that the player got, and how he was doing at the end of the game. You took care to win only on believable hands and to leave on a losing streak—you completely blanked their peak-end retention.
Anonymous
Cancer, he’d said near the end, is the great equalizer. It doesn’t care who you are or what kind of salary you make. It doesn’t give one damn if you are a good person or a bad one. It is the ultimate villain because it’s not capable of mercy. It only knows how to destroy and that’s exactly what it does. Destroys everything.
Kristine Wyllys (Losing Streak (The Lane, #2))
Are you being unreasonable to start a fight?” he asks. “It’s fine if you are, but can you save your rage until we get home? If we’re going to fight about this, we should fight about it somewhere we can make up.” “We’re not fighting, and I’m not being unreasonable.” “My bad. I meant dramatic.” I mumble that I’m not and he tugs a little on my ponytail to force me to look up at him. “And you are.” He pecks my lips and I melt like the weak woman I am. “But I don’t mind. We haven’t had a fight yet. It’s a good experience for you.” “If you tell me I’m dramatic one more time we are going to be fighting.” He grins, and after a losing streak, seeing him genuinely happy after a game is a dream. “You’re not doing a lot for your ‘I’m not dramatic’ case.” “We’re officially fighting,” I declare. In my head I sound serious and intimidating, but he gives me that damn smile and kisses the tip of my nose, and it’s clear he does not care one bit. “Two wins and a fight with you? I’m so lucky.
Hannah Grace (Daydream (Maple Hills, #3))
Honestly, I'd rather be anywhere else. Even home, where my dad begins almost every conversation with, "You should lose the black clothes and wear something with color." Puh-lease. Like I want to look like every Barbie clone in Hell High, a.k.a. Oklahoma's insignificant Haloway High School. Ironically, Dad doesn't appreciate the bright blue streaks in my originally blond/now-dyed-black hair. Go figure. That's color, right?
Gena Showalter
Poker is so volatile that it’s possible for a theoretically winning player to have a losing streak that persists for months, or even for a full year. The flip side of this is that it’s possible for a losing player to go on a long winning streak before he realizes that he isn’t much good.
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail-but Some Don't)
Was there ever a great true love? Anyone who became the object of my obsession and not simply my affections?...I could not let myself become that unmindful. Isn't that what love is - losing your mind? You don't care what people think. You don't see your beloved's faults, the slight stinginess, the bit of carelessness, the occasional streak of meanness. You don't mind that he is beneath you socially, educationally, financially, and morally - that's the worst, I think, deficient morals.
Amy Tan (Saving Fish from Drowning)
Are you referring to the day you instructed me to ‘follow the white rabbit,’ plied me with absinthe and brownies, and tried to have your way with me? Didn’t take long for you to lose your romantic streak, did it?
Elle Lothlorien (Alice in Wonderland)
I might not like what you do, but you’re not going to lose me, Gin.” “Why not?” I said, forcing the words out through the lump of emotion that clogged my throat. “What’s changed?” Bria looked at me. “Because we came down here, and I saw how Donovan treated you. How he thought he was so much better than you, so much more righteous, and I realize that it’s the same way I’ve been treating you for months now, when you’ve done nothing but save my life over and over again. With no question, no hesitation, and nothing asked in return. Not one damn thing.” Tears streaked down her cheeks, and her blue eyes were agonizingly bright in her face. “The truth is that I’m ashamed of myself for acting like him and most especially for taking you for granted. When we found out that Callie was in trouble, you were the first one to do anything about it. You immediately stepped up and offered to help her. If it wasn’t for you, Callie would be dead now and probably Donovan along with her. You saved her not because I asked you to and not even because she was my friend but because you saw someone who was in trouble and you realized you could help her. Maybe you are an assassin, maybe you are one of the bad guys, but you know what? I don’t give a damn anymore. You’re my sister first, and that’s all that matters to me.” I blinked and was surprised to find hot tears sliding down my own cheeks, one after another in a torrent that I couldn’t control. She . . . she . . . understood. She actually understood who and what I was and that I would probably never change or give up being the Spider. She knew it all, and she was still here with me. All sorts of emotions surged through my heart then, but there was one that drowned out all the others—relief. Pure, sweet relief that she wasn’t going to walk out of my life, that she was going to stick with me through the good and the bad and whatever else the world threw at us. I reached forward and wrapped my arms around Bria, and she did the same to me. We stood like that for several minutes, still and quiet, with silent sobs shaking both of our bodies. Just letting out all the fear and anger and guilt that had crept up on us both and had created this gulf between us. But we’d overcome those emotions, and I’d be damned if we’d ever grow apart like this again.
Jennifer Estep (By a Thread (Elemental Assassin #6))
Pull-heavy, right-handed hitters should also have seen shifts, but rarely did. According to BIS’s database, the first shift employed against a right-handed hitter in the modern era didn’t occur until June 11, 2009, when the Phillies shifted left against Gary Sheffield.
Travis Sawchik (Big Data Baseball: Math, Miracles, and the End of a 20-Year Losing Streak)
It’s true I’ve got a cold streak. I recognize that. But if they—my father and mother—had loved me a little more, I would have been able to feel more—to feel real sadness, for example.” “Do you think you weren’t loved enough?” She tilted her head and looked at me. Then she gave a sharp, little nod. “Somewhere between ‘not enough’ and ‘not at all.’ I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. But they never gave that to me. Never, not once. If I tried to cuddle up and beg for something, they’d just shove me away and yell at me. ‘No! That costs too much!’ It’s all I ever heard. So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. I was still in elementary school at the time—fifth or sixth grade—but I made up my mind once and for all.” “Wow,” I said. “And did your search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are times in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. ‘Now I see, Midori. What a fool I’ve been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?’” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is. Not that anyone can understand me, though.” Midori gave her head a little shake against my shoulder. “For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn’t begin at all.” “I’ve never met a girl who thinks like you.
Haruki Murakami (Norwegian Wood)
From my bed I can see the moon tonight, so bright and ripe and salmon pink it looks as if it might drop from the sky. I imagine pirates on deck just before sunrise with the wood groaning and the moonlight streaking across the water in a straight line from the horizon. Did Caesar see the moon exactly so as he strode down the Roman Forum on the way to some debaucherous celebration? And what about Moses and Galileo and some wretched young Londoner pulling a cart full of corpses during the plague? or an American Indian crouched by a fire in a small clearing surrounded by huge primeval trees that glow orange from the flame?
Jonathan Hull (Losing Julia)
Dear Bill, I came to this black wall again, to see and touch your name. William R. Stocks. And as I do, I wonder if anyone ever stops to realize that next to your name, on this black wall, is your mother's heart. A heart broken fifteen years ago today, when you lost your life in Vietnam. And as I look at your name, I think of how many, many times I used to wonder how scared and homesick you must have been, in that strange country called Vietnam. And if and how it might have changed you, for you were the most happy-go-lucky kid in the world, hardly ever sad or unhappy. And until the day I die, I will see you as you laughed at me, even when I was very mad at you. And the next thing I knew, we were laughing together. But on this past New Year's Day, I talked by phone to a friend of yours from Michigan, who spent your last Christmas and the last four months of your life with you. Jim told me how you died, for he was there and saw the helicopter crash. He told me how your jobs were like sitting ducks; they would send you men out to draw the enemy into the open, and then, they would send in the big guns and planes to take over. He told me how after a while over there, instead of a yellow streak, the men got a mean streak down their backs. Each day the streak got bigger, and the men became meaner. Everyone but you, Bill. He said how you stayed the same happy-go-lucky guy that you were when you arrived in Vietnam. And he said how you, of all people, should never have been the one to die. How lucky you were to have him for a friend. And how lucky he was to have had you. They tell me the letters I write to you and leave here at this memorial are waking others up to the fact that there is still much pain left from the Vietnam War. But this I know; I would rather to have had you for twenty-one years and all the pain that goes with losing you, than never to have had you at all. -Mom
Eleanor Wimbish
One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light
Émile Zola (Delphi Complete Works of Emile Zola)
La mala racha" Mientras dura la mala racha pierdo todo. Se me caen las cosas de los bolsillos y de la memoria: pierdo llaves. lapiceras, dinero, documentos, nombres, caras, palabras. Yo no se si será gualicho de alguien que me quiere mal y me piensa peor, o pura casualidad, pero a veces el bajón demora en irse y yo ando de pérdida en pérdida, pierdo lo que encuentro, no encuentro lo que busco, y siento mucho miedo de que se me caiga la vida en alguna distracción. "When Luck Runs Out” During streaks of bad luck, I lose everything. Things fall out of my pockets and my memory: I lose keys, pens, money, documents, names, faces, words. I don’t know whether someone wishes me harm and has put the evil eye on me or whether it’s pure happenstance, but sometimes this slump just won’t end and I lose one thing after another. I lose what I find, I can’t find what I’m looking for, and I’m quite afraid of losing life through some little hole in my pocket.” Eduardo Galeano: El libro de los abrazos (The Book of Embraces)
Eduardo Galeano
One more thing about the kind of audience that football has decided it wants: the clubs have got to make sure that they're good, that there aren't any lean years, because the new crowd won't tolerate failure. These are not the sort of people who will come to watch you play Wimbledon in March when you're eleventh in the First Division and out of all the Cup competitions. Why should they? They've got plenty of other things to do. So, Arsenal... no more seventeen-year losing streaks, like the one between 1953 and 1970, right? No flirting with relegation, like in 1975 and 1976, or the odd half-decade where you don't even get to a final, like we had between 1981 and 1987. We mug punters put up with that, and at least twenty thousand of us would turn up no matter how bad you were (and sometimes you were very, very bad indeed); but this new lot... I'm not so sure.
Nick Hornby (Fever Pitch)
We got to the casino and ordered some drinks. We then walked around, drinking and losing. We had some drinks at the craps table and lost money there. We had some drinks at the slot machines and lost a little more over there. Our drinking and money lasted longer at the blackjack tables, but even there our drinks and winning streak dried up. The more we drank, the flirtier we became. Although I was hemorrhaging money like crazy, I was the luckiest guy in the casino.
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
If you chart the gambler’s fortunes over time, what you find is the gambler wins for a period, or loses for a period. In other words, everything in the world goes in streaks. It’s a real phenomenon, and you see it everywhere: in weather, in river flooding, in baseball, in heart rhythms, in stock markets. Once things go bad, they tend to stay bad. Like the old folk saying that bad things come in threes. Complexity theory tells us the folk wisdom is right. Bad things cluster. Things go to hell together. That’s the real world.
Michael Crichton (The Lost World (Jurassic Park, #2))
She was afraid of us moving in together. With Mark, domestic intimacy had become domestic claustrophobia; and had riddled romance (though she never quite said this) like woodworm. It wasn't that she was resistant to the glamourlessness of stray toenails and washing up and underpants and mug-rings and hoovering and boredom; on the contrary: it was that she was horrified by her own willingness to sink so deeply into the comfort of such details. A no nonsense streak in her identified the ordinary with truth, the exotic with delusion. She and Mark had delighted in dehumbugging their own romance, had (she confessed) Larkinized themselves into mundanity addicts. In Mark's case (she suspected) because he knew deep down he had no magic in him; in her own because she knew deep down that she had too much (no nonsense streak or not), and that to release it would be to lose him - and perhaps herself. Therefore they had wallowed together in cosiness, both suffering, Mark for fear of her leaving him, her for fear (certainty, actually) that the romantic inside her would rise up and smash their deadening familiarity to pieces.
Glen Duncan
Her. Her. Her. Future breezes implore me to stay. But I'm no future. I'm no past. Only ever contemporary of this path. I'll sacrifice everything for all her seasons give from losing. She, I sigh from The Mountain top. By her now. My only role. And for that freedom, spread my polar chill, reaching even the warmest times, a warning upon the back of every life that would by harming Hailey's play, ever wayward around this vegetative rush of orbit & twine, awaken among these cascading cliffs of bellicose ice me. And my Vengeance. At once. The Justice of my awful loss set free upon this crowded land. An old terror violent for the glee of ends. But to those who would tend her, harrowed by such Beauty & Fleeting Presence to do more, my cool cries will kiss their gentle foreheads and my tears will kiss their tender cheeks, and then if the Love of their Kindness, which only Kindness ever finds, spills my ear, for a while I might slip down and play amidst her canopies of gold. Solitude. Hailey's bare feet. And all her patience now assumes. Garland of Spring's Sacred Bloom. By you, ever sixteen, this World's preserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so dangerously resumes. I'll destroy no World so long it keeps turning with flurry & gush, petals & stems bending and lush, and allways our hushes returning anew. Everyone betrays the Dream but who cares for it? O Hailey no, I could never walk away from you. - Haloes! Haleskarth! Contraband! I can walk away from anything. Everyone loves the Dream but I kill it. Bald Eagles soar over me: —Reveille Rebel! I jump free this weel. On fire. Blaze a breeze. I'll devastate the World. \\ Samsara! Samarra! Grand! I can walk away from anything. Everyone loves the Dream but I kill it. Atlas Mountain Cedars gush over me: —Up Boogaloo! I leap free this spring. On fire. How my hair curls. I'll destroy the World. - Him. Him. Him. Future winds imploring me to stay. But I'm no tomorrow. I'm no yesterday. Only ever contemporary of this way. I will sacrifice everything for all his seasons miss of soaring. He, I sigh from The Mountain top. By him now. My only role. And for that freedom, spread my polar chill, reaching even the warmest climes, a warning upon the back of every life that would by harming Sam's play, ever wayward around this animal streak of orbit & wind, awaken among these cataracts of belligerent ice me. And my Justice. At once. The Vengeance of my awful loss set free upon this crowded land. An old terror violent for the delirium of ends. But to those who would protect him, frightened by such Beauty & Savage Presence to do more, my cool cries will kiss their tender foreheads and my tears will kiss their gentle cheeks, and then if the Kindness of their Love, which only Loving ever binds, spills my ear, for a while I might slip down and play among his foals so green. My barrenness. Sam's solitude. And all his patience now presumes. Luster of Spring's Sacred Brood. By you, ever sixteen, this World's reserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so terrifyingly elects. I'll destroy no World so long it keeps turning with scurry & blush, fledgling & charms beading with dews, and allways our rush returning renewed. Everyone betrays the Dream but who cares for it? O Sam no, I could never walk away from you.
Mark Z. Danielewski (Only Revolutions)
Finally, some people tell me that they avoid science fiction because it’s depressing. This is quite understandable if they happened to hit a streak of post-holocaust cautionary tales or a bunch of trendies trying to outwhine each other, or overdosed on sleaze-metal-punk-virtual-noir Capitalist Realism. But the accusation often, I think, reflects some timidity or gloom in the reader’s own mind: a distrust of change, a distrust of the imagination. A lot of people really do get scared and depressed if they have to think about anything they’re not perfectly familiar with; they’re afraid of losing control. If it isn’t about things they know all about already they won’t read it, if it’s a different color they hate it, if it isn’t McDonald’s they won’t eat at it. They don’t want to know that the world existed before they were, is bigger than they are, and will go on without them. They do not like history. They do not like science fiction. May they eat at McDonald’s and be happy in Heaven." Pro: "But what I like in and about science fiction includes these particular virtues: vitality, largeness, and exactness of imagination; playfulness, variety, and strength of metaphor; freedom from conventional literary expectations and mannerism; moral seriousness; wit; pizzazz; and beauty. Let me ride a moment on that last word. The beauty of a story may be intellectual, like the beauty of a mathematical proof or a crystalline structure; it may be aesthetic, the beauty of a well-made work; it may be human, emotional, moral; it is likely to be all three. Yet science fiction critics and reviewers still often treat the story as if it were a mere exposition of ideas, as if the intellectual “message” were all. This reductionism does a serious disservice to the sophisticated and powerful techniques and experiments of much contemporary science fiction. The writers are using language as postmodernists; the critics are decades behind, not even discussing the language, deaf to the implications of sounds, rhythms, recurrences, patterns—as if text were a mere vehicle for ideas, a kind of gelatin coating for the medicine. This is naive. And it totally misses what I love best in the best science fiction, its beauty." "I am certainly not going to talk about the beauty of my own stories. How about if I leave that to the critics and reviewers, and I talk about the ideas? Not the messages, though. There are no messages in these stories. They are not fortune cookies. They are stories.
Ursula K. Le Guin (A Fisherman of the Inland Sea)
Maybe nostalgia is itself the problem. A Democrat I met in Macon during a conversation we had about the local enthusiasm for Trump told me that “people want to go back to Mayberry”, the setting of the beloved old Andy Griffith Show. (As it happens, the actual model for Mayberry, Mount Airy, a bedraggled town in North Carolina, has gone all in on the Trump revolution, as the Washington Post recently reported.) Maybe it’s also true, as my liberal friends believe, that what people in this part of the country secretly long to go back to are the days when the Klan was riding high or when Quantrill was terrorizing the people of neighboring Kansas, or when Dred Scott was losing his famous court case. For sure, there is a streak of that ugly sentiment in the Trump phenomenon. But I want to suggest something different: that the nostalgic urge does not necessarily have to be a reactionary one. There is nothing un-progressive about wanting your town to thrive, about recognizing that it isn’t thriving today, about figuring out that the mid-century, liberal way worked better. For me, at least, that is how nostalgia unfolds. When I drive around this part of the country, I always do so with a WPA guidebook in hand, the better to help me locate the architectural achievements of the Roosevelt years. I used to patronize a list of restaurants supposedly favored by Harry Truman (they are slowly disappearing). And these days, as I pass Trump sign after Trump sign, I wonder what has made so many of Truman’s people cast their lot with this blustering would-be caudillo. Maybe what I’m pining for is a liberal Magic Kingdom, a non-racist midwest where things function again. For a countryside dotted with small towns where the business district has reasonable job-creating businesses in it, taverns too. For a state where the giant chain stores haven’t succeeded in putting everyone out of business. For an economy where workers can form unions and buy new cars every couple of years, where farmers enjoy the protection of the laws, and where corporate management has not been permitted to use every trick available to them to drive down wages and play desperate cities off one against the other. Maybe it’s just an impossible utopia, a shimmering Mayberry dream. But somehow I don’t think so.
Thomas Frank (Rendezvous with Oblivion: Reports from a Sinking Society)
The most visible feature of self-oriented perfectionism is this hypercompetitive streak fused to a sense of never being good enough. Hypercompetitiveness reflects a paradox because people high in self-oriented perfectionism can recoil from competition due to fear of failure and fear of losing other people's approval. Socially-prescribed perfectionism makes for a hugely pressured life, spent at the whim of everyone else's opinions, trying desperately to be somebody else, somebody perfect. Perfectionism lurks beneath the surface of mental distress. Someone who scores high on perfectionism also scores high on anxiety. The ill-effects of self-oriented perfectionism correlate with anxiety and it predicts increases in depression over time. There are links between other-oriented perfectionism and higher vindictiveness, a grandiose desire for admiration and hostility toward others, as well as lower altruism, compliance with social norms and trust. People with high levels of socially-prescribed perfectionism typically report elevated loneliness, worry about the future, need for approval, poor-quality relationships, rumination and brooding, fears of revealing imperfections to others, self-harm, worse physical health, lower life satisfaction and chronically low self-esteem. Perfectionism makes people extremely insecure, self-conscious and vulnerable to even the smallest hassles. Perfection is man's ultimate illusion. It simply doesn't exist in the universe. If you are a perfectionist, you are guaranteed to be a loser in whatever you do. Socially-prescribed perfectionism has an astonishingly strong link with burnout. What I don't have - or how perfectionism grows in the soil of our manufactured discontent. No matter what the advertisement says, you will go on with your imperfect existence whether you make that purchase or not. And that existence is - can only ever be - enough. Make a promise to be kind to yourself, taking ownership of your imperfections, recognizing your shared humanity and understanding that no matter how hard your culture works to teach you otherwise, no one is perfect and everyone has an imperfect life. Socially-prescribed perfectionism is the emblem of consumer culture. Research shows that roaming outside, especially in new places, contributes to enhanced well-being. Other benefits of getting out there in nature include improved attention, lower stress, better mood, reduced risk of psychiatric disorders and even upticks in empathy and cooperation. Perfection is not necessary to live an active and fulfilling life.
Thomas Curran (The Perfection Trap: Embracing the Power of Good Enough)
You and Patrick looked awfully cozy,” Ryder says, setting Mama’s note back on the counter. So I was right--he had been watching us. “So?” “So, nothing.” He shrugs. “Just making an observation.” “Yeah, you never just make an observation. Oh, and you and Rosie looked pretty cozy, too. I sure hope you’re not leading her on. You know she likes you.” A muscle in his jaw works furiously as he shoves his cell phone back into his pocket. “That’s the kind of guy you think I am? Seriously, Jem?” I swallow hard, unable to reply. Because the truth is, I don’t know. “I’ll see you later,” he says, his voice cold and clipped. He turns and stalks out. For some unknown reason, I follow him--down the hall, out the front door. “Don’t walk out on me,” I holler as he rounds the Durango and opens the driver’s-side door. “If you have something to say to me, then say it.” He gets in and slams the car door shut, but I throw it open again. “C’mon,” I taunt, motioning with one hand. I’m totally losing it now--white spots dancing before my eyes, tears streaking down my cheeks. I can barely catch my breath, like I’m about to hyperventilate. This isn’t about Ryder, I realize. It’s about Nan. The sudden realization hits me hard. What if I never see her again? My knees buckle, and I start to go down. Somehow, Ryder manages to catch me just before I hit the ground. “Shit, Jemma! What’s the matter with you?” He drags me to my feet and presses me against the side of his truck. “Take a deep breath. Jesus!” I do what he says. By the third, I’ve slowed my heart rate to something nearing normal. Only, my cheeks are burning with mortification now. This is the second time I’ve broken down in front of Ryder. He must think I’ve lost my mind--that I’ve totally gone off the deep end. “Just go,” I say, my voice shaking. He rakes both hands through his hair. “Are you kidding me? I can’t leave you alone like this.” “Go,” I repeat, more forcefully this time. “Just get in your car and leave, okay?” “C’mon, Jemma. You know I can’t.” “I swear I’m okay.” I straighten my spine and lift my chin, trying my best to look calm, collected, and reasonably sane. “Seriously, Ryder. I just need to be alone right now.” “Fine,” he says, shaking his head. “If you say so.” I step away from the car, feeling queasy now as he slips inside and starts the engine. But before he pulls out, he rolls down his window and meets my gaze. His dark eyes look intense, full of conflict. For a split second, I wonder what’s going on inside his head--if he’s judging me. If he has any idea what I’m going through. If he even cares. “She’s going to be okay, Jemma,” he says, then slides his sunglasses on and drives away. I guess he does get it, after all.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Gray couldn’t help hating her just a little and Charlene had been happy to join in. Worse than losing her spot at the top, Gray hadn’t been able to perform magic without freezing up after streaking in front of her peers. Raj McKenna clearly respected power. That’s what he really wanted from Gray—to strip her of her most prized spell and make it his own. Let’s how fast he’d ditch her once he’d gotten what he wanted. Gray pushed her
Nikki Jefford (Entangled (Spellbound, #1))
When one tries to learn and fails, the experience can trigger uncertainty about one's ability to learn. The resulting loss of "smart status" and fear of future failure can freeze cognition; if this becomes chronic, it can give rise to hopelessness and pessimism in the classroom. When a student is on a losing streak—has fallen into a pattern of what he or she believes to be inevitable failure—it's easy to lose heart and see no option but to give up. If that student is unlucky, a naïve adult or two will decide that if a little intimidation doesn't motivate success in school, a great deal of intimidation just might. This is exactly the wrong approach.
Rick Stiggins (The Perfect Assessment System)
Above, a vivid painting hung over the fireplace. Inside its frame, a woman was transforming into a tree. The lower half of her body was bark and roots, plunging into soil, while her waist and chest arched upwards and her outstretched hands reached for the sky. The nymph's dark hair was a knotted mass of branches around her head, sprouting bright green leaves. It was the myth of Daphne---the nymph who begged the river god to save her from Apollo and was turned into a laurel tree. "It must be a terrible thing to lose," Hawthorne said, making her jump. He looked up from where he crouched near the fire: to the woman in the frame. His left forearm was streaked with black ash. "What's a terrible thing to lose?" Hawthorne's eyes glittered as he studied the nymph. "Your humanity." "But it was her choice," said Emeline, feeling defensive of Daphne. If the river god hadn't turned her into a laurel, she would have fallen prey to Apollo. "She asked to be saved." Firelight flickered over Hawthorne's face as his gray-eyed gaze caught hers and held it. "Saved," he murmured, considering this. "Is that really what the river god did? As a tree, her life is forfeit. She'll never be human again. She'll never laugh or sing, ponder or love, again. Don't you think she would have preferred the river god defeat Apollo, or at the very least warn him away, instead of taking something so precious from her?
Kristen Ciccarelli (Edgewood)
My antidote is to constantly create a world for me and stick to it. I don’t go out much. When I do, people start planting thoughts in my head that I don’t want. I would go home and think their thoughts. Bad seeds... unimportant seeds and I lose my streak of knowing what’s true. That’s where I’m at. I’ve this need to be sensitive to my inner voice. And what feeds that are movies I like... the book I’m reading... some paintings. Instead, when I am with others, my mind is occupied with repetitious jokes, and their envy, and ego. My antidote is the equivalent of a cozy castle of reality—protecting things and people I choose," she said. "A customized balance of my favorite worlds.
Kristian Ventura (A Happy Ghost)
Losing streaks. If you get on one, you can't let it throw you off. You have to ride it out. We all go through them. I said: Even you? He said: Everyone. No one is special in this life. We all lose sometimes. Life's plenty easy when you're winning. It's what you do when you're down. That's the real test. I said: I used to think I was special. He said: I know. I wanted him to tell me I still was. I would have eaten my left pinky to hear it. Torn it off with my teeth. But you can't ask someone to tell you that.
Jami Attenberg (Saint Mazie)
I thought about losing my temper with Mom or Lindsay or Mamaw, and how those were among the few times Papaw ever showed a mean streak, because, as he once told me, “the measure of a man is how he treats the women in his family.” His wisdom came from experience, from his own earlier failures with treating the women in his family well.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
was certain would be my completely grown-up middle school self. I had been such a conformist back then. I filed my nails into perfect parabolas and wore tiny bathing suits, and squeezed lemon juice onto my head in the hot sun to bring out the blond streaks in my hair. I wore pearls with my preppy blouses and was absolutely convinced that if I could lose five pounds, I would finally be pretty. But then Lizzy and I discovered punk rock.
Annalee Newitz (The Future of Another Timeline)
Do you ever get the feeling you’re on a bit of a downer. A losing streak? Perhaps being deliberately overlooked by Lady Luck. You know, being victimised by the gods of chance.
Ian Atkinson (Life's a Bastard Then You Die, Part 1)
Let’s play rummy,” he said. “I don’t know how to play,” I said. “You’ll have to teach me.” He gave me a rundown on the basics; then we started a game. For some strange reason I was able to beat him at rummy even though he’d been playing the card game his whole life. So we moved on to dominoes. Again Jep taught me the basics, and we practiced a little then started a game. I beat him again. He wasn’t smiling and raising his eyebrow anymore, and I could tell the competition was heating up and he wasn’t enjoying losing to me. We moved on to board games, and he pulled out Battleship. “I’ve never played it,” I said. “Okay, I’ll teach you.” And wouldn’t you know it? I won again. Although I wasn’t as outwardly competitive as the Robertson clan, you have to have a strong competitive streak to do well in sports, and I definitely had that inside me. I liked winning, but I could tell Jep didn’t like losing. I found out later that the Robertsons were extremely competitive and played for blood, whether it was Monopoly, dominoes, or card games. But back then I didn’t know, and what Jep said next really surprised me. “I want you to leave.” His face was stern and his eyes hard. “What?” I said, laughing. I thought he was joking. He wasn’t. “I want you to leave this house right now.” “You want me to leave?” “Yes.” So I did. I gathered up my stuff, walked out the front door, and got in my car. Jep trailed behind, and right before I drove away, he leaned over and said, “I’m sorry I’m so competitive. I learned it from my grandparents, my dad, and my uncles.” He told me later about the domino games at Granny and Pa’s with loud arguing and slamming of dominoes on the table. “I knew those games,” Jep said. “I was really good. None of my friends could stay with me at all, so when you beat me, I was embarrassed. Nobody was supposed to beat me at those games.” So we learned early on to only play on the same team. We never play against each other if we can help it. Otherwise, I’ll be out in the doghouse when I beat Jep!
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Gregori did not look at him but stared out into the storm. The child she carries is my lifemate. It is female and belongs to me. There was an unmistakable warning note, an actual threat. In all their centuries together, such a thing had never happened. Mikhail immediately closed his mind to Raven. She could never hope to understand how Gregori felt. Without a lifemate, the healer had no choice but to eventually destroy himself or become the very epitome of evil. The vampire. The walking dead. Gregori had spent endless centuries waiting for his lifemate, holding on when those younger than he had given in. Gregori had defended their people, lived a solitary existence so that he might keep their race safe. He was far more alone than the others of his kind, and far more susceptible to the call of power as he had to hunt and kill often. Mikhail could not blame his oldest friend for his possessive, protective streak toward the unborn child. He spoke calmly and firmly, hoping to avoid a confrontation. Gregori had held on for so long, this promise of a lifemate could send him careening over the edge into the dark madness if he felt there was a danger to the female child. Raven is not like Carpathian woman. You have always known and accepted that. She will not remain in seclusion during this time. She would wither and die. Gregori actually snarled, a menacing rumble that froze Shea in place, put Jacques into a crouch, and had Mikhail shifting position for a better defense. Raven pushed past Mikhail’s strong body and fearlessly laid a hand on the healer’s arm. Everyone else might think Gregori could turn at any moment, but he had held on for centuries, and she believed implicitly that he would no more hurt her than he would her child. “Gregori, don’t be angry with Mikhail.” Her voice was soft and gentle. “His first duty to me is to see to my happiness.” “It is to see to your protection.” Gregori’s voice was a blend of heat and light. “In a way it’s the same thing. Don’t blame him for having to make adjustments for what you consider my shortcomings. It hasn’t been easy for him, or for me, for that matter. We could have waited to conceive until I’d had time to become more familiar with Carpathian ways, but that would have taken more time than you have. You’re far more than a close friend to us— you’re family, a part of our hearts. We weren’t willing to risk losing you. So we both pray this child is a female and that she grows to love and cherish you as we do, that this is the one who will be your other half.” Gregori stirred as if to say something. Do not say anything! Mikhail hissed in the healer’s head. She believes the child will have a choice. Gregori bowed his head mentally to Mikhail. If Mikhail chose to allow his wife the comforting if false thought that the female child would have a choice in such a matter, then so be it.
Christine Feehan (Dark Desire (Dark, #2))
Leliana advanced like a predator, hair lashing like a whip behind her. She abandoned the reins, riding the horse like they had merged into one charging centaur. She aroused images of deities on winged horses, of untamed forests in a windstorm, of legendary heroes of legendary quests. Burning desire shot straight to his loins at the sight of her. He ached for this woman, this goddess that streaked across his vision like a figment of his imagination, of his deepest desires and most guarded wishes. He could lose himself, mind, body, and soul, to a woman like that. Any sane man would.
Natalia Marx (Fireheart)
Your stitches are bleeding.” “They’re staples,” I correct her, trying to lighten the mood. The girl is even whiter than she usually is. And she’s breathing heavy, almost panting. If she passes out, I swear I’m losing the bet with Lucky. If she can’t handle a little streak of my blood, how’s she gonna handle having sex with me? Unless we’re not naked, so she doesn’t have to see my various scars. Or if it’s dark, then she can pretend I’m someone white and rich. Fuck that, I want the lights on…I want to feel all of her against me and want her to know it’s me she’s with and not some other culero. “Alex, are you okay?” Brittany asks, looking totally concerned. Should I tell her I was spacing out while thinking about us having sex?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
You call that a kiss?” “Yep.” Okay, so I’m in shock the girl put my hand on her creamy cheek. Damn, you’d think I was on drugs by the way my body reacted. She had me totally under her spell a minute ago. Then the pretty witch turned my game around so she was the one with the upper hand. She surprised me, that’s for sure. I laugh, deliberately calling attention to us because I know it’s exactly what she doesn’t want. “Shh,” Brittany says, hitting me on the shoulder to shut me up. When I laugh louder, she whacks my arm with the heavy chem book. My bad arm. I wince. “Ow!” The cut on my biceps feels like a million little bees are stinging it. ¡Cabrón me dolioǃ She bites her Bobbi Brown Sandwash Petal’d frosted bottom lip, which in my opinion looks fine on her. Though I wouldn’t mind seeing her in the Pink Blossom color, too. “Did I hurt you?” she asks. “Yes,” I say through gritted teeth as I concentrate on her lip gloss instead of the pain. “Good.” I lift my sleeve to examine my wound, which now (thanks to my chem partner) has blood trickling from one of the staples the doc at the free clinic put in it after the fight at the park with the Satin Hoods. Brittany’s got a pretty good whack for someone who probably weighs a buck ten soaking wet. She sucks in her breath and scoots away. “Oh my God! I didn’t mean to hurt you, Alex. Really, I didn’t. When you threatened to show me the scar, you lifted your left sleeve.” “I wasn’t really gonna show you,” I say. “I was fuckin’ with you. It’s okay,” I tell her. Geez, you’d think the girl never saw red blood before. Then again, her blood probably runs blue. “No, it’s not okay,” she insists while shaking her head. “Your stitches are bleeding.” “They’re staples,” I correct her, trying to lighten the mood. The girl is even whiter than she usually is. And she’s breathing heavy, almost panting. If she passes out, I swear I’m losing the bet with Lucky. If she can’t handle a little streak of my blood, how’s she gonna handle having sex with me? Unless we’re not naked, so she doesn’t have to see my various scars. Or if it’s dark, then she can pretend I’m someone white and rich. Fuck that, I want the lights on…I want to feel all of her against me and want her to know it’s me she’s with and not some other culero. “Alex, are you okay?” Brittany asks, looking totally concerned. Should I tell her I was spacing out while thinking about us having sex?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
On your knees, Agent Daley. I want that ass ready for fucking now.” Oh, shit. He loved when Sloane used that tone of authority on him during sex. Dex quickly turned over, his chest pressed against the couch’s armrest so he could reach into the small drawer of the coffee table next to it. Sloane snatched the small bottle of lube and condom from Dex with one hand, the other pressed to Dex’s back, holding him against the armrest. Oh, damn, Sloane was going to fuck him just like this. “Don’t move,” Sloane demanded in a low and husky voice. All Dex could do was remain perfectly still as Sloane parted his ass cheeks before a cool, lube-slicked finger pressed against his hole, causing shivers to rack Dex’s body. First one finger, then two. Dex moved his hand to his cock only to have Sloane grab a fistful of his hair and gently pull his head back. “Did I say you could touch yourself?” “No, sir.” “So move your fucking hand away from there.” “Sloane,” Dex pleaded. God, he was so hard it hurt. Sloane took his time, prepping Dex, torturing him, his finger hitting his prostate. “Oh, shit! You asshole. Fuck me already.” Sloane leaned in, whispering against his ear. “You have an insubordinate streak in you, Agent Daley. Looks like I’m going to have to break you of it.” Oh God, yes. Just when Dex thought he was going to lose it, or punch Sloane’s lights out, Sloane’s cock started stretching him. Dex shut his eyes, releasing his breath slowly as Sloane sank farther in. The mixture of pain and pleasure was almost too much, and Dex gripped the armrest so tight his fingers hurt. “That’s
Charlie Cochet (Blood & Thunder (THIRDS, #2))
When you understand what’s involved in winning, as do professional gamblers, you’ll tend to bet more during a winning streak and less during a losing streak. However, the average person does exactly the opposite: he or she bets more after a series of losses and less after a series of wins.
Van K. Tharp (Trade Your Way to Financial Freedom)
Every once in a while, when the Brewers are in a losing streak, Bob Uecker will pull out a secret weapon. It’s a tape made by a sound effects company of a man having an explosive—and exceedingly long—bowel movement. Sophomoric? Yes. But it gets guys laughing so hard that a couple of losses or a 0-for-12 streak doesn’t seem so daunting.
Bill Schroeder (If These Walls Could Talk: Milwaukee Brewers: Stories from the Milwaukee Brewers Dugout, Locker Room, and Press Box)
Neely Thomas was used to losing. Compulsive gamblers learn how to handle it—his kids' college funds depleted, an ultimatum from his wife, his life near bottom—he was ready to unravel. But then a moment's inattention—checking the football scores instead of keeping his eyes on the road—and a traffic accident leaves an innocent boy dead. Now suddenly Neely can't stop winning. The punishment for his crime? How bad could this be? A winning streak so relentless it won't end until his lies are exposed and he's lost everything he loves.
Kendric Neal (Drawing Dead)
No, Jared wasn’t blind to Gabriel’s faults. Gabriel was far from being an angel. He had a selfish, ruthless streak, he was too possessive for his own good, and he could be an asshole towards people he disliked. Gabriel was also infamous for being a bad loser. If the team lost a match, Gabe was impossible to be around. He didn’t know how to lose. He sulked, he pouted, and he threw tantrums like a toddler when things didn’t go his way. But underneath all of that, he had the kind of vulnerability that made Jared want to wrap him in his arms and protect him from the entire world. Among other things, Jared admitted to himself ruefully.
Alessandra Hazard (Just a Bit Unhealthy (Straight Guys #3))
Tears streaked down her face, mingling with her laughter as Morana realized she was losing it. She was truly losing it. She was breaking down. And it felt fucking glorious. For a moment completely suspended in time, she floated, somewhere between agony and joy, somewhere between sensation and numbness, somewhere between caring too much and not giving a fuck, and it was utter beautiful perfection.
RuNyx . (The Reaper (Dark Verse #2))
Tears streaked down her face, mingling with her laughter as Morana realized she was losing it. She was truly losing it. She was breaking down. And it felt fucking glorious. For a moment completely suspended in time, she floated, somewhere between agony and joy, somewhere between sensation and numbness, somewhere between caring too much and not giving a fuck, and it was utter beautiful perfection. For that moment. She felt free, not weighed down by demons, by responsibilities, by histories. One moment. And then that moment ended.
RuNyx . (The Reaper (Dark Verse #2))
The day he met her, streaked in dirt and despising him, he never imagined she could do this to him. How could Margaret ever think he’d lose himself to alchemy when he has already hopelessly lost himself to her?
Allison Saft (A Far Wilder Magic)
It came to a head when Healy, in relief of Richter and playing his former team, in front of his former fans, at Nassau Coliseum, was embarrassed and quickly yanked by Keenan. Healy could clearly be seen on the bench telling Keenan to “suck my fucking cock.” In that game, the Rangers ended a nearly five-year losing streak at Nassau on Sergei Zubov’s late goal. It didn’t mean much at the time, but it felt like a giant weight had been lifted off the Rangers’ shoulders.
Rick Carpiniello (The Franchise: New York Rangers: A Curated History of the Blueshirts)
Bereaved, she made it home, thanked the neighbor and headed to bed to sob herself to sleep. Rich’s arrival from work was followed by a rattlesnake response to the two children wandering the house without supervision. Finding Gail in bed, he berated his wife for her selfishness. Gail announced the miscarriage to Rich. “I hope you’re happy.” He shrugged and said, “I’m sorry about that. Comm ci comme sa. You win some, you lose a bunch. I guess I’ll go fix spaghetti for the girls.” She turned over to look him in the eye. “It was a beautiful, perfectly formed little boy,” she said with a tear-streaked face. Rich looked a little stunned at the news. He heard his wife’s voice dull compared to the coursing blood in his ears. “Yes, he looked like you. His curls, his lashes…” Maybe he would have wanted a son, but the wheels of his mind kept turning. “There’s always another night, another baby to be had when he’s out of college, another son to be born when we’re more financially stable.” “If you wouldn’t have tricked me…” “Into this pregnancy,” she finished his thought. “And so, you think you have tricked me back.
Lynn Byk (The Fearless Moral Inventory of Elsie Finch)
Successful gamblers say that if you really want to excel in their line of work, you must be able to "ride the wave," the "wave" being losing streaks, the fear of getting busted, and the sickening feeling that strikes with smiting force when you realize you trusted someone you shouldn't have--that you were taken for a sucker.
Beth Raymer (Lay the Favorite: A Memoir of Gambling)
A withered woman sits in a chair hardly moving, her face red and swollen, her eyesight almost gone, her hearing gone, her breathing scratchy like the rustle of dead leaves on stones. Years pass. There are few visitors. Gradually, the woman gains strength, eats more, loses the heavy lines in her face. She hears voices, music. Vague shadows gather themselves into light and lines and images of tables, chairs, people’s faces. The woman makes excursions from her small house, goes to the market, occasionally visits a friend, drinks tea at cafés in good weather. She takes needles and yarn from the bottom drawer of her dresser and crochets. She smiles when she likes her work. One day her husband, with whitened face, is carried into her house. In hours, his cheeks become pink, he stands stooped over, straightens out, speaks to her. Her house becomes their house. They eat meals together, tell jokes, laugh. They travel through the country, visit friends. Her white hair darkens with brown streaks, her voice resonates with new tones. She goes to a retirement party at the gymnasium, begins teaching history. She loves her students, argues with them after class. She reads during her lunch hour and at night. She meets friends and discusses history and current events. She helps her husband with the accounts at his chemist’s store, walks with him at the foot of the mountains, makes love to him. Her skin becomes soft, her hair long and brown, her breasts firm. She sees her husband for the first time in the library of the university, returns his glances. She attends classes. She graduates from the gymnasium, with her parents and sister crying tears of happiness. She lives at home with her parents, spends hours with her mother walking through the woods by their house, helps with the dishes. She tells stories to her younger sister, is read to at night before bed, grows smaller. She crawls. She nurses.
Alan Lightman (Einstein's Dreams)
Don't you get sick of winning?” Wes fiddled with his tie, a sign he was seriously stuck. “I could ask the same of you and your losing streak.
E.V. Drake (The Scribemaster Chronicles)
Outside Caracas patriots hardly fared better. The “Legions of Hell”—hordes of wild and truculent plainsmen—rode out of the barren llanos to punish anyone who dared call himself a rebel. Leading these colored troops was the fearsome José Tomás Boves. A Spanish sailor from Asturias, Boves had been arested at sea for smuggling, sent to the dungeons of Puerto Cabello, then exiled to the Venezuelan prairie, where he fell in with marauding cowboys. He was fair-haired, strong-shouldered, with an enormous head, piercing blue eyes, and a pronounced sadistic streak. Loved by his feral cohort with a passion verging on worship, he led them to unimaginable violence. As Bolívar’s aide Daniel O’Leary later wrote, “Of all the monsters produced by the revolution . . . Boves was the worst.” He was a barbarian of epic proportions, an Attila for the Americas. Recruited by Monteverde but beholden to no one, Boves raised a formidable army of black, pardo, and mestizo llaneros by promising them open plunder, rich booty, and a chance to exterminate the Creole class. The llaneros were accomplished horsemen, well trained in the art of warfare. They needed few worldly goods, rode bareback, covered their nakedness with loincloths. They consumed only meat, which they strapped to their horses’ flanks and cured by the sweat of the racing animals. They made tents from hides, slept on earth, reveled in hardship. They lived on the open prairie, which was parched by heat, impassable in the rains. Their weapon of choice was a long lance of alvarico palm, hardened to a sharp point in the campfire. They were accustomed to making rapid raids, swimming on horseback through rampant floods, the sum of their earthly possessions in leather pouches balanced on their heads or clenched between their teeth. They could ride at a gallop, like the armies of Genghis Khan, dangling from the side of a horse, so that their bodies were rendered invisible, untouchable, their killing lances straight and sure against a baffled enemy. In war, they had little to lose or gain, no allegiance to politics. They were rustlers and hated the ruling class, which to them meant the Creoles; they fought for the abolition of laws against their kind, which the Spaniards had promised; and they believed in the principles of harsh justice, in which a calculus of bloodshed prevailed.
Marie Arana (Bolivar: American Liberator)
The past is prelude and now we are leaving the restaurant and the fog is rolling out toward the Southern Ocean. When he kisses me, it feels natural, inevitable. It doesn’t feel like a stranger has his mouth on mine; he doesn’t taste old or male or alien. I go to see his cottage, and it is just as he described it in his letters: “I keep my horse riding tack and saddles on wooden brackets mounted on one wall, and there is usually a surfboard leaning in a corner and a wetsuit hanging in the shower. When I added the wooden loft as a bedroom, I forgot to leave space for the staircase; it now has what is essentially a ladder going up the one side. Chickens roost in the chimney’s ash trap and they emerge from their egg-laying speckled grey.” It is a home, but a wild home, cheerful, peculiar—like Pippi Longstocking’s Villa Villekulla, with a horse on the porch in an overgrown garden on the edge of town, where it “stood there ready and waiting for her.” And then what? I move to South Africa? He teaches me to ride horses and I have his baby? I become a foreign correspondent! I start a whole new life, a life I never saw coming. Either that, or I am isolated and miserable, I’ve destroyed my career, and I spend my days gathering sooty chicken eggs. A different fantasy: I fly to Cape Town. It is not as I remember it. It’s just a place, not another state of being. I am panicky and agitated. I cry without warning, and once I start, I can’t stop. It is not at all clear that my story will work out. Now I have lost my powers in that department, too. Dr. John and I make a plan to meet. But in this fantasy, I arrive at the restaurant and find it intimidating and confusing: I don’t know if I’m supposed to wait to be seated and I can’t get anyone’s attention. I’m afraid of being rude, wrong, American. When John arrives he is a stranger. I don’t know him and I don’t really like him, or worse, I can tell that he doesn’t like me. Our conversation is stilted. I know (and he suspects) that I have come all this way for an encounter that isn’t worth having, and a story that isn’t worth telling, at least not by me. I have made myself ridiculous. My losing streak continues.
Ariel Levy (The Rules Do Not Apply)
I had a pretty wicked competitive streak, but I didn’t mind losing to Julia. I’d somehow won her affections. It didn’t matter to me if I ever had another victory.
Eliza Lentzski (Damaged Goods (Don’t Call Me Hero, #2))
You guys had a good run. You can’t expect her to lose her sense of judgment forever. You know, Theo, every now and then Eraserhead will hook up with Tinker Bell, or Sling Blade Carl will marry Lara Croft—that sort of thing gives us hope—but you can’t count on it. You can’t bet that way. Why, guys like us would always be alone if some women didn’t have a deep-seated streak of self-destruction, isn’t that right, Professor?
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
Part of it was my own latent depression, permanently looking for a way out and liking what it saw at Highbury that night; but even more than that, I was as usual looking to Arsenal to show me that things did not stay bad for ever, that it was possible to change patterns, that losing streaks did not last. Arsenal, however, had other ideas: they seemed to want to show me that troughs could indeed be permanent, that some people, like some clubs, just couldn't ever find ways out of the rooms they had locked themselves into. It seemed to me that night and for the next few days that we had both of us made too many wrong choices, and had let things slide for far too long, for anything ever to come right; I was back with the feeling, much deeper and much more frightening this time, that I was chained to the club, and thus to this miserable half-life, forever.
Nick Hornby (Fever Pitch)
Cotton Fitzsimmons was a famous NBA basketball coach who was brilliant at motivating his teams. On one occasion when his team was playing the great Boston Celtics in a game they were not expected to win, Fitzsimmons hit on an idea that he thought would help motivate his players. His pre-game speech went something like this: “Gentlemen, when you go out there tonight, instead of remembering that we are in last place, pretend we are in first place; instead of being in a losing streak, pretend we are in a winning streak; instead of this being a regular game, pretend this is a playoff game!” With that, the team went onto the basketball court and were soundly beaten by the Boston Celtics. Coach Fitzsimmons was upset about the loss. But one of the players slapped him on the back and said, “Cheer up, Coach! Pretend we won!’”1
David Jeremiah (The Book of Signs: 31 Undeniable Prophecies of the Apocalypse)
Go away! All of you! Just get the hell away from me!” I turned on my heel, the sodden folds of my nightgown clinging to my legs like wet spider webs. “Regina! Don’t be an idiot!” Konner growled, his boots and cane raggedly thumping behind me. I walked faster, lengthening my stride no matter how much my thighs screamed in protest, until a hand latched on my shoulder. “No! You don’t get to say anything!” Using my finger like a sword, I jabbed my finger in the center of his chest. Freya’s jaws snapping closed with a loud pop, barely missing my fingertip by seconds as her long neck stretched out towards my hand. “You could have avoided all this by seeing it! You have that magic, if you wouldn’t be so stupid and use it!” The seeping rain slowed, turning into a fine shower of mist straight from the heavens above, and it dripped off the tightly carved lines of his face pulled sharp with tension. He was silent, still as stone, with nothing but the slight heave of his shoulders even proof that he was alive. His eyes dropped from my face, the uneven shadow of blonde hair hiding them from my sight. Part of his neck bobbed with the effort of a heavy swallow, like he had something stuck, and the tentative flicker of something else across face made me take a step back. A flash of anger, chilled by fear, a few tiny cracks started to appear in his stoic mask. Ones that I’m not sure why, but they made a strange ache start to stab deep in my heart. “Do you love him?” So soft that it was nearly lost in the rolling thunder, I would have missed it if I hadn’t seen his lips move. “Yes. No! I don’t know!” I shook my head in disbelief. I didn’t love Ivo, not like that. But I couldn’t lose him either. “He’s my friend! My best friend! Why does it matter?” “I see. It matters more than you know.” Konner drawled slowly, the thick muscles of his shoulders rolling in a shrug that sent rivers of rainwater coursing down his chest. Mixing with the streaks of bloody red and ash grey in a ghoulish highlight to his muscles, the water slowly pooled in the ruined fabric of his shirt, further pulling it down his shoulders. He led out a heavy sigh, then suddenly straightened to the full length of his imposing height. Shoulders back and spine stiff. Then he straightened, drawing himself up to his full imposing height, and clasped his right arm across his chest. With his clenched fist resting right over his heart, he slowly lowered himself down to one knee at my feet, bowing his head over until it nearly touched my thighs. “Then I’ll get him back for you. I swear it on my life!
Clair Gardenwell (Foxgloves Are For Deception (Stand With Me #1))
A puppy needs an unbelievable amount of educating. It is a task to wear threadbare the teacher’s patience and to do all kinds of things to the temper. Small wonder that many humans lose patience and temper during the process and idiotically resort to the whip, to the boot toe and to bellowing—in which case the puppy is never decently educated, but emerges from the process with a cowed and broken spirit or with an incurable streak of meanness that renders him worthless. Time, patience, firmness, wisdom, temper control, gentleness—these be the six absolute essentials for training a puppy.
Albert Payson Terhune (Lad: A Dog)
I support Dolly Sisters, sir. Always have done." "And are they any good?" "Having a poor patch at the moment, sir." "Ah, then I expect you will want to support our team, which will be very good indeed!" "Can't do that, sir. You've got to support your team, sir." "but you just said that they weren't doing well." "That's when you support your team, sir. Otherwise you're a numper." "A numper being...?" said Ridcully. "He's someone who's all cheering when things are going well, and then runs off to another team when there's a losing streak. They always shouts the loudest.
Terry Pratchett
Things were looking so bleak for the Red Sox that, following their 10th straight loss on May 11, a Boston radio station flew a genuine Salem witch to Cleveland in an attempt to snap the losing streak. Laurie Cabot, a 42-year-old teacher of “Witchcraft as a Science” at Massachusetts’s Salem State College, had been similarly pressed
Dan Epstein (Stars and Strikes: Baseball and America in the Bicentennial Summer of '76)
I’m going to spank you for each time you disobeyed me in class, Miss Irons. Do you remember how often that was?” “I think it was twenty times,” I answered immediately. “Hmm, don’t think so. Let’s try ten.” The first crack of the wooden ruler slapped against my ass with a loud thwack. It rocked me forward against King’s erection in a delicious way that had me thrusting back for the next strike. “Good fuckin’ girl,” he growled, losing his character as he beat back and forth over my ass cheeks with the wicked little ruler. My ass was on fire by the time the tenth spank landed and I was about to beg King to fuck me, but he was already lifting me off his lap to stand before him. He stared up at me with his desire bright in his eyes, a flush streaked high across his brutal cheekbones. “Take out my cock and ride me. Wanna see you fuck yourself on my cock.” Immediately, my hands were at his belt and I was straddling his lap, hissing when I slammed myself down on his cock. I couldn’t take him all the way, a fact that made me writhe and moan helplessly on top of him.
Giana Darling (Lessons in Corruption (The Fallen Men, #1))