Lorenzo And Jessica Quotes

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In such a night stood Dido with a willow in her hand upon the wild sea-banks, and waft her love to come again to Carthage Jessica: In such a night Medea gathered the enchanted herbs that did renew old Aeson. Lorenzo: In such a night did Jessica steal from the wealthy Jew, and with an unthrift love did run from Venice, as far as Belmont. Jessica: In such a night did young Lorenzo swear he lov'd her well, stealing her soul with many vows of faith, and ne'er a true one. Lorenzo: In such a night did pretty Jessica (like a little shrow) slander her love, and he forgave it her. Jessica: I would out-night you, did nobody come; but hark, I hear the footing of a man.
William Shakespeare (The Merchant of Venice)
Who are you? Tell me for more certainty. Albeit, I'll swear that I do know your tongue. Lorenzo: Lorenzo, and thy love. Jessica: Lorenzo, certain, and my love indeed. For who love I so much? And now who knows but you, Lorenzo, whether I am yours? Lorenzo: Heaven and thy thoughts are witness that thou art.
William Shakespeare (The Merchant of Venice)
Portia we can admire because, having seen her leave her Earthly Paradise to do a good deed in this world (one notices, incidentally, that in this world she appears in disguise), we know that she is aware of her wealth as a moral responsibility, but the other inhabitants of Belmont, Bassanio, Gratiano, Lorenzo and Jessica, for all their beauty and charm, appear as frivolous members of a leisure class, whose carefree life is parasitic upon the labors of others, including usurers. When we learn that Jessica has spent fourscore ducats of her father’s money in an evening and bought a monkey with her mother’s ring, we cannot take this as a comic punishment for Shylock’s sin of avarice; her behavior seems rather an example of the opposite sin of conspicuous waste. Then, with the example in our minds of self-sacrificing love as displayed by Antonio, while we can enjoy the verbal felicity of the love duet between Lorenzo and Jessica, we cannot help noticing that the pairs of lovers they recall, Troilus and Cressida, Aeneas and Dido, Jason and Medea, are none of them examples of self-sacrifice or fidelity. […] Belmont would like to believe that men and women are either good or bad by nature, but Antonio and Shylock remind us that this is an illusion; in the real world, no hatred is totally without justification, no love totally innocent.
W.H. Auden (The Dyer's Hand and Other Essays)
JESSICA.- Adiós, mi buen Launcelot. (Sale LAUNCELOT.) ¡Ay, qué aborrecible pecado cometo al avergonzarme de ser hija de mi padre! Pero, aunque soy su hija por la sangre, no lo soy por el carácter. ¡Oh, Lorenzo! Si mantienes tu promesa, haré cesar la lucha, convirtiéndome en cristiana y tu amante esposa. (Sale
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