β
There is a fountain of youth: it is your mind, your talents, the creativity you bring to your life and the lives of people you love. When you learn to tap this source, you will truly have defeated age.
β
β
Sophia Loren
β
Wait for me.β The words come out choked and pained. βI need you to wait for me.
β
β
Krista Ritchie (Addicted to You (Addicted, #1))
β
I've never tried to block out the memories of the past, even though some are painful. I don't understand people who hide from their past. Everything you live through helps to make you the person you are now.
β
β
Sophia Loren
β
Beauty is how you feel inside, and it reflects in your eyes. It is not something physical.
β
β
Sophia Loren
β
I speak for everyone here today,β he tells us, βwhen I say that you twoβLily and Lorenβare the strongest people weβve all ever had the honor to meet.
β
β
Krista Ritchie (Addicted After All (Addicted #5))
β
Sophia Loren said, "Beauty is how you feel inside, and it reflects in your eyes. It is not something physical.
β
β
Sherry Argov (Why Men Marry Bitches: A Woman's Guide to Winning Her Man's Heart)
β
Cheekbones that cut like ice and eyes like liquid scotch. Loren Hale is an alcoholic beverage and he doesn't even know it.
β
β
Krista Ritchie (Addicted to You (Addicted, #1))
β
Just repeat this phrase whenever you feel the urge to jump some other guyβs bones.β
His mouth brushes my ear. βLoren Hale fucks better.
β
β
Krista Ritchie (Addicted to You (Addicted, #1))
β
Sex appeal is fifty percent what you've got and fifty percent what people think you've got.
β
β
Sophia Loren
β
A woman's dress should be like a barbed-wire fence: serving its purpose without obstructing the view.
β
β
Sophia Loren
β
I was crazy about Heath. And his blood. Erik was an amazing guy who I really, really liked. Loren was completely delicious. Jeesh, I sucked." - Zoey Redbird (Ch 20)
β
β
P.C. Cast (Chosen (House of Night, #3))
β
Our Z's been fucking Loren Blake.
β
β
P.C. Cast (Chosen (House of Night, #3))
β
Everything you see I owe to spaghetti.
β
β
Sophia Loren
β
Nothing makes a woman more beautiful than the belief that she is beautiful.
β
β
Sophia Loren
β
After all these years, I am still involved in the process of self-discovery. It's better to explore life and make mistakes than to play it safe. Mistakes are part of the dues one pays for a full life.
β
β
Sophia Loren
β
I want nothing more in this life than to make you mine and to be yours in return. I know it may take you a while to trust that, but I will give you my love without limit or conditions, without an end.
β
β
Roni Loren (Need You Tonight (Loving on the Edge, #6))
β
He stares down into me and says, βIβll keep her safe.β
My eyes well with tears while my lips pull high. βAgainst the world, Loren Hale?β
βYeah,β he nods. βAgainst the world, Lily Calloway. Iβm familiar with that battle.
β
β
Krista Ritchie (Addicted After All (Addicted #5))
β
So who gave him his name?" I asked.
"Kerrick," Belen answered.
Not who I'd expect. "Why 'Flea'?"
A full-out grin spread across Flea's face. "Cause I'm fast and hard to catch."
"Because he's a pest and hard to squash," Belen said.
"Because he jumps about three feet in the air when you scare him," Loren added.
"Because he's annoying and makes us itch with impatience," Quain said.
"Thanks, guys. I love you too." Flea made exaggerated kissing noises and patted his ass.
β
β
Maria V. Snyder (Touch of Power (Healer, #1))
β
It is a commonplace of all religious thought, even the most primitive, that the man seeking visions and insight must go apart from his fellows and love for a time in the wilderness.
β
β
Loren Eiseley
β
Heβs Loren Hale. Ice and whiskey. Powerful and intoxicating.
β
β
Krista Ritchie (Addicted for Now (Addicted, #3))
β
Once upon a time, there was a wise man who used to go to the ocean to do his writing. He had a habit of walking on the beach before he began his work.
One day, as he was walking along the shore, he looked down the beach and saw a human figure moving like a dancer. He smiled to himself at the thought of someone who would dance to the day, and so, he walked faster to catch up.
As he got closer, he noticed that the figure was that of a young man, and that what he was doing was not dancing at all. The young man was reaching down to the shore, picking up small objects, and throwing them into the ocean.
He came closer still and called out "Good morning! May I ask what it is that you are doing?"
The young man paused, looked up, and replied "Throwing starfish into the ocean."
"I must ask, then, why are you throwing starfish into the ocean?" asked the somewhat startled wise man.
To this, the young man replied, "The sun is up and the tide is going out. If I don't throw them in, they'll die."
Upon hearing this, the wise man commented, "But, young man, do you not realize that there are miles and miles of beach and there are starfish all along every mile? You can't possibly make a difference!"
At this, the young man bent down, picked up yet another starfish, and threw it into the ocean. As it met the water, he said,
"It made a difference for that one.
β
β
Loren Eiseley
β
Every time we walk along a beach some ancient urge disturbs us so that we find ourselves shedding shoes and garments or scavenging among seaweed and whitened timbers like the homesick refugees of a long war.
β
β
Loren Eiseley (The Unexpected Universe)
β
I love forms beyond my own, and regret the borders between us
β
β
Loren Eiseley
β
Perhaps a creature of so much ingenuity and deep memory is almost bound to grow alienated from his world, his fellows, and the objects around him. He suffers from a nostalgia for which there is no remedy upon earth except as it is to be found in the enlightenment of the spirit--some ability to have a perceptive rather than an exploitive relationship with his fellow creatures.
β
β
Loren Eiseley
β
If you haven't cried, your eyes cannot be beautiful
β
β
Sophia Loren
β
I can sue you for harassment".
"Lets play that fucking game." Lo replies "lets see whose lawyers are better. I'm a goddamn Hale. My family eats shitty fucks like you for brunch. Don't you ever force yourself on a girl ever again
β
β
Krista Ritchie (Addicted for Now (Addicted, #3))
β
If there is magic on this planet, it is contained in water.
β
β
Loren Eiseley
β
I love you and no other man will ever say those words and mean them the way I do."-Loren Hale
β
β
Krista Ritchie (Ricochet (Addicted, #2))
β
When you are a mother, you are never really alone in your thoughts. You are connected to your child and to all those who touch your lives. A mother always has to think twice, once for herself and once for her child.
β
β
Sophia Loren
β
Mistakes are part of the dues one pays for a full life.
β
β
Sophia Loren
β
In this moment, I'm yours.
β
β
Krista Ritchie (Addicted to You (Addicted, #1))
β
To have dragons one must have change; that is the first principle of dragon lore.
β
β
Loren Eiseley (The Night Country)
β
you're easily lovable, Loren Hale.
β
β
Krista Ritchie
β
While wandering a deserted beach at dawn, stagnant in my work, I saw a man in the distance bending and throwing as he walked the endless stretch toward me. As he came near, I could see that he was throwing starfish, abandoned on the sand by the tide, back into the sea. When he was close enough I asked him why he was working so hard at this strange task. He said that the sun would dry the starfish and they would die. I said to him that I thought he was foolish. There were thousands of starfish on miles and miles of beach. One man alone could never make a difference. He smiled as he picked up the next starfish. Hurling it far into the sea he said, "It makes a difference for this one." I abandoned my writing and spent the morning throwing starfish.
β
β
Loren Eiseley
β
I can't help but laugh into my next sip of water. For the first time, mine doesn't seem so bad.
"I don't know why you're fucking laughing. You have a girl's name and no middle name.
β
β
Krista Ritchie (Addicted for Now (Addicted, #3))
β
Iβm getting Loren Hale tonight. My most favorite thing in the world.
β
β
Krista Ritchie (Addicted After All (Addicted #5))
β
Getting ahead in a difficult profession requires avid faith in yourself. That is why some people with mediocre talent, but with great inner drive, go so much further than people with vastly superior talent.
β
β
Sophia Loren
β
Sex appeal is something that you feel deep down inside. Itβs suggested rather than shown. Iβm not as well-stacked as Sophia Loren or Gina Lollobrigida, but there is more to sex appeal than just measurements. I donβt need a bedroom to prove my womanliness. I can convey just as much sex appeal, picking apples off a tree or standing in the rain.
β
β
Audrey Hepburn
β
Who is the beauty icon that inspires you the most? Is it Sophia Loren? Audrey Hepburn? Halle Berry? Mine is Nosferatu, because that vampire taught me my number-one and number-two favorite beauty tricks of all time: avoid the sun at all costs and always try to appear shrouded in shadows.
β
β
Mindy Kaling (Why Not Me?)
β
I hate that I had to pull out my wallet and buy respect.
β
β
Becca Ritchie (Addicted to You (Addicted, #1))
β
The need is not really for more brains, the need is now for a gentler, a more tolerant people than those who won for us against the ice, the tiger and the bear. The hand that hefted the ax, out of some old blind allegiance to the past fondles the machine gun as lovingly. It is a habit man will have to break to survive, but the roots go very deep.
β
β
Loren Eiseley (The Immense Journey)
β
One does not meet oneself until one catches the reflection from an eye other than human.
β
β
Loren Eiseley
β
Sex appeal is 50% what youβve got, and 50% what people think youβve got.β βSOPHIA LOREN
β
β
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl-A Woman's Guide to Holding Her Own in a Relationship)
β
Obviously he wants Nola to think he's an upstanding boyfriend, but the only girlfriend Loren Hale will ever treat well is his bottle of bourbon.
β
β
Krista Ritchie (Addicted to You (Addicted, #1))
β
He stands confidently in his hot pink mankini. When I told him it was the only suit left, he literally shrugged and put it on. Tan skin, ripped abs and stylish wayfarers- he instantly looked cool even wearing that damn thing. And the girls playing water volleyball even gawked at his ass
β
β
Krista Ritchie (Addicted for Now (Addicted, #3))
β
I found a few springs of rosemary and returned. Ignoring the collective sigh when I appeared, I stripped off the leaves and handed them to Loren.
He sniffed them in suspicion. "What's this?"
I guess it would take more than my word for them to trust me, "Rosemary." No glimmer of recognition. "It's to make your stew taste better. Don't you know the basic herbs and spices?"
"No. I took this job in self-defence. Quain burns everything. Belen thinks jerky is all we need to survive. Flea's idea of good meal is something that hasn't been in garbage can first. And Kerrick poisoned us---"
"Not on purpose." Kerrick said. "The meat looked done.
β
β
Maria V. Snyder (Touch of Power (Healer, #1))
β
Did you bet on me?' I ask dumbfounded.
'Yeah,' Lo says, unabashed. His eyes fall to mine. 'And I'll always bet on your side.
β
β
Krista Ritchie (Addicted for Now (Addicted, #3))
β
The journey is difficult, immense. We will travel as far as we can, but we cannot in one lifetime see all that we would like to see or to learn all that we hunger to know.
β
β
Loren Eiseley
β
For the first time in four billion years a living creature had contemplated himself and heard with a sudden, unaccountable loneliness, the whisper of the wind in the night reeds.
β
β
Loren Eiseley (The Immense Journey)
β
I think the six of usβweβre all strong. Weβre each just a different kind of strong. But we all have a
different kind of weak too. And Iβm figuring out how to bottle my weakness to help them all.
β
β
Krista Ritchie (Addicted for Now (Addicted #3))
β
No, but I do read a lot. I love to read. I could read for days and never stop. I use to be such a bookworm. I would barely look up to notice much of anything.
β
β
Jennifer Loren (The Devil's Eyes (The Devil's Eyes, #1))
β
The truth is, however, that there is nothing very βnormalβ about nature. Once upon a time there were no flowers at all.
β
β
Loren Eiseley (The Immense Journey)
β
Iβll always be yours. No distance or time apart will change that, Lily. You need to believe that.
β
β
Krista Ritchie (Addicted to You (Addicted, #1))
β
Just yesterday I was twenty and meeting some of these peopleβ€people that I'd spend my life with, that'd become my home.
Just yesterday I was twentyβ€still deeply and desperately in love with my best friend.
I grew older.
We all grow older.
In a blink of an eye, our children will grow old too.
And I'll think: just yesterday they were twenty. Headed for college. Falling in love. Memories will flood behind us, the lake house no longer filled to the brim. As quiet as the moment we first walked inβ€and we'll sit on this hill. Feeling the stillness that exists.
And then we endβ€we end where we started.
Just us.
All six of us.
β
β
Krista Ritchie
β
I want to love you more than I love this' -he waves his bottle- 'and I don't know how else to do it unless there's something to lose.
β
β
Krista Ritchie (Addicted to You (Addicted, #1))
β
Stung again by this queen bee of the Loren clan, Marissa shook it off and retorted, βSee, thatβs just it. I donβt always love Jack Storm. But with all my heart I love Jack Loren.
β
β
Lisa Gillis (Weathering Jack Storm (Silver Strings G, #2))
β
When you are a mother, you are never really alone in your thoughts. A mother always has to think twice, once for herself and once for her child.
β
β
Sophia Loren
β
Or I can just spank you," Connor says.
Loren laughs. "Before or after you tie me up?"
"after
β
β
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
β
If it should turn out that we have mishandled our own lives as several civilizations before us have done, it seems a pity that we should involve the violet and the tree frog in our departure.
β
β
Loren Eiseley
β
This is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely, magnificent power of humanity. It is . . . the supreme epitome of the reaching out.
β
β
Loren Eiseley (The Immense Journey)
β
She's easy to lead around, a shiny present here, a pretty compliment there, and you have true love and a popped cherry sacrificed to the god of deception and hormones. Young girls are so ridiculous--so predictably easy.
β
β
Kristin Cast (Chosen (House of Night, #3))
β
...did you have parents or did the devil just create you from some spare parts?
β
β
Jennifer Loren (The Devil's Eyes (The Devil's Eyes, #1))
β
I was hoping you'd finally open your eyes and realize that I was there. I was right in front of you.
β
β
Krista Ritchie (Addicted to You (Addicted, #1))
β
You could have knocked ... Or, you know, announced your entrance like they do on Downton Abbeyβ.
He steps out of his drawstring pants, now completely naked. He walks towards the glass shower door and stops. And then he knocks on it.
I have petrified by the tiled wall.
βItβs Loren Hale,β he says, a smile spreading across his lips. βMay I come in?
β
β
Krista Ritchie (Addicted for Now (Addicted, #3))
β
I am what I am and cannot be otherwise because of the shadows.
β
β
Loren Eiseley (The Unexpected Universe)
β
People say exactly what they mean when they are angry. That's when they are the most free to do so. They may not mean to hurt you, but they always mean what they say.
β
β
Jennifer Loren (The Devil's Eyes (The Devil's Eyes, #1))
β
My last tear falls. I canβt move to wipe it. I am transfixed by Loren Hale, my everything.
βI love you,β he says again, βand no other man will ever say those words and mean them the way I do.
β
β
Krista Ritchie (Ricochet (Addicted, #2))
β
I can't cohabitate with rodents." She pauses. That's a lie. I've lived with Loren for nine months, but I draw the line right here.
β
β
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
β
It's a mistake to think that once you're done with school you need never learn anything new.
β
β
Sophia Loren
β
Spaghetti can be eaten most successfully if you inhale it like a vacuum cleaner.
β
β
Sophia Loren
β
I want to live here. In his arms. Where I know itβs safe.
β
β
Krista Ritchie
β
Primitives of our own species, even today are historically shallow in their knowledge of the past. Only the poet who writes speaks his message across the millennia to other hearts.
β
β
Loren Eiseley (The Star Thrower)
β
I am sure now that life is not what it is purported to be and that nature, in the canny words of the Scotch theologue, 'is not as natural as it looks.
β
β
Loren Eiseley (The Immense Journey)
β
I wanted them all equally, but I craved them for different reasons. Houston challenged me, Loren worshiped me, and Rich made me feel like I was worthy of redemption.
β
β
B.B. Reid (Lilac)
β
When man becomes greater than nature, nature, which gave us birth, will respond.
β
β
Loren Eiseley
β
Curiosity is the single most important attribute with which humans are born. More than a simple desire to discover or know things, curiosity is a powerful tool, like a scalpel or a searchlight. Curiosity changes us. It is also a way to effect change, perhaps even on a global level.
β
β
Loren Rhoads (Morbid Curiosity Cures the Blues: True Stories of the Unsavory, Unwise, Unorthodox and Unusual from the magazine "Morbid Curiosity")
β
Ohhh,β Lily gasps in realization. She frowns a little and then turns to Loren. I hear her whisper, βSo weβre not magic?β
βWeβre definitely magic,β he whispers back with a nod.
βThen what are they?β Her eyes flicker to Connor and me, catching us watching them.
Lo purposely raises his voice so we can hear. βAn immortal god who married an immortal demon.β He flashes me a dry smile. βMatch made in purgatory.
β
β
Krista Ritchie (Fuel the Fire (Calloway Sisters, #3))
β
We are rag dolls made out of many ages and skins, changelings who have slept in wood nests or hissed in the uncouth guise of waddling amphibians. We have played such roles for infinitely longer ages than we have been men. Our identity is a dream. We are process, not reality, for reality is an illusion of the daylight β the light of our particular day.
β
β
Loren Eiseley
β
Since the first human eye saw a leaf in Devonian sandstone and a puzzled finger reached to touch it, sadness has lain over the heart of man. By this tenuous thread of living protoplasm, stretching backward into time, we are linked forever to lost beaches whose sands have long since hardened into stone. The stars that caught our blind amphibian stare have shifted far or vanished in their courses, but still that naked, glistening thread winds onward. No one knows the secret of its beginning or its end. Its forms are phantoms. The thread alone is real; the thread is life.
β
β
Loren Eiseley (The Firmament of Time)
β
Once, on ancient Earth, there was a human boy walking along a beach. There had just been a storm, and starfish had been scattered along the sands. The boy knew the fish would die, so he began to fling the fish to the sea. But every time he threw a starfish, another would wash ashore. "An old Earth man happened along and saw what the child was doing. He called out, 'Boy, what are you doing?' " 'Saving the starfish!' replied the boy. " 'But your attempts are useless, child! Every time you save one, another one returns, often the same one! You can't save them all, so why bother trying? Why does it matter, anyway?' called the old man. "The boy thought about this for a while, a starfish in his hand; he answered, "Well, it matters to this one." And then he flung the starfish into the welcoming sea.
β
β
Loren Eiseley (The Star Thrower)
β
Already he [humanity] is physically antique in this robot world he has created. All that sustains him is that small globe of grey matter through which spin his ever-changing conceptions of the universe.
β
β
Loren Eiseley (The Immense Journey)
β
Every man contains within himself a ghost continent.
β
β
Loren Eiseley
β
Lights come and go in the night sky. Men, troubled at last by the things they build, may toss in their sleep and dream bad dreams, or lie awake while the meteors whisper greenly overhead. But nowhere in all space or on a thousand worlds will there be men to share our loneliness.
β
β
Loren Eiseley (The Immense Journey)
β
We have joined the caravan, you might say, at a certain point; we will travel as far as we can, but we cannot in a lifetime see all that we would like to see or learn all that we hunger to know.
β
β
Loren Eiseley (The Immense Journey)
β
You're not going to be another name on my list of guys for the week. Okay?' (...) 'Then let me try,' he says, his hand cupping my face. 'Let me try to be enough for you.
β
β
Krista Ritchie (Addicted to You (Addicted, #1))
β
You must all, somewhere deep in your hearts, believe that you have a special beauty that is like no other and that is so valuable that you must not abandon it. Indeed, you must learn to cherish it.
β
β
Sophia Loren (Women and Beauty)
β
Did you just roll your eyes at me?"
"Yes, I did and you better get used to it if you're going to say stupid things.
β
β
Jennifer Loren (The Devil's Eyes (The Devil's Eyes, #1))
β
We are one of many appearances of the thing called Life; we are not its perfect image, for it has no perfect image except Life, and life is multitudinous and emergent in the stream of time.
β
β
Loren Eiseley (The Immense Journey)
β
In the days of the frost seek an minor sun.
β
β
Loren Eiseley (The Star Thrower)
β
Only God could save me from a certain deadly fate, and so rightfully, he sent the devil to rescue me.
β
β
Jennifer Loren (The Devil's Revenge (The Devil's Eyes, #2))
β
Being capable of doing something and actually enjoying it turned out to be two different things.
β
β
Roni Loren (Yes & I Love You (Say Everything, #1))
β
You know, there are two types of people-ones who live their lives, and ones whose lives live them. You need to be the former, not the latter. And right now, you are letting your life live you. It's crushing you and completely out of control. You can't just let life happen, not if you want some say in what happens to you.
β
β
H.M. Ward (Torn (Demon Kissed, #3))
β
Donβt you dare pee on me.
β
β
Roni Loren (Melt into You (Loving on the Edge, #2))
β
Good morning. "Getting ahead in a difficult profession requires avid faith in yourself. That is why some people with mediocre talent, but with the inner drive, go much farther than people with vastly superior talent
β
β
Sophia Loren
β
Out of the choked Devonian waters emerged sight and sound and the music that rolls invisible through the composer's brain. They are there still in the ooze along the tideline, though no one notices. The world is fixed, we say: fish in the sea, birds in the air. But in the mangrove swamps by the Niger, fish climb trees and ogle uneasy naturalists who try unsuccessfully to chase them back to the water. There are things still coming ashore.
β
β
Loren Eiseley (The Immense Journey)
β
Once in a lifetime, if one is lucky, one so merges with sunlight and air and running water that whole eons, the eons that mountains and deserts know, might pass in a single afternoon without discomfort.
...
You have probably never experienced in yourself the meandering roots of a whole watershed or felt your outstretched fingers touching, by some clairvoyant extension, the brooks of snow-line glaciers at the same time you were flowing toward the Gulf over the eroded debris of worn-down mountains.
β
β
Loren Eiseley
β
Though men in the mass forget the origins of their need, they still bring wolfhounds into city apartments, where dog and man both sit brooding in wistful discomfort.
The magic that gleams an instant between Argos and Odysseus is both the recognition of diversity and the need for affection across the illusions of form. It is nature's cry to homeless, far-wandering, insatiable man: "Do not forget your brethren, nor the green wood from which you sprang. To do so is to invite disaster.
β
β
Loren Eiseley (The Unexpected Universe)
β
It is a commonplace of all religious thought, even the most primitive, that the man seeking visions and insight must go apart from his fellows and live for a time in the wilderness. If he is of the proper sort, he will return with a message. It may not be a message from the god he set out to seek, but even if he has failed in that particular, he will have had a vision or seen a marvel, and these are always worth listening to and thinking about.... One must seek, then, what only the solitary approach can give - a natural revelation.
β
β
Loren Eiseley (The Immense Journey)
β
Man would not be man if his dreams did not exceed his grasp. ... Like John Donne, man lies in a close prison, yet it is dear to him. Like Donne's, his thoughts at times overleap the sun and pace beyond the body. If I term humanity a slime mold organism it is because our present environment suggest it. If I remember the sunflower forest it is because from its hidden reaches man arose. The green world is his sacred center. In moments of sanity he must still seek refuge there. ... If I dream by contrast of the eventual drift of the star voyagers through the dilated time of the universe, it is because I have seen thistledown off to new worlds and am at heart a voyager who, in this modern time, still yearns for the lost country of his birth.
β
β
Loren Eiseley (The Invisible Pyramid)
β
As we passed under a streetlamp I noticed, beside my own bobbing shadow, another great, leaping grotesquerie that had an uncanny suggestion of the frog world about it . . . judging from the shadow, it was soaring higher and more gaily than myself.
'Very well,' you will say, 'Why didnβt you turn around. That would be the scientific thing to do.'
But let me tell you it is not done β not on an empty road at midnight.
β
β
Loren Eiseley (The Star Thrower)