Lord Of The Flies The Beast Quotes

Maybe there is a beast… maybe it's only us.

Fancy thinking the Beast was something you could hunt and kill! You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are what they are?

Maybe," he said hesitantly, "maybe there is a beast." [...] "What I mean is, maybe it's only us.

I know there isn't no beast—not with claws and all that, I mean—but I know there isn't no fear, either." Piggy paused. "Unless—" Ralph moved restlessly. "Unless what?" "Unless we get frightened of people.

« He squeezed his hands into fists. I picked up a grapefruit-sized rock and handed it to him. It went flying. Home run, Beast Lord style. 

The beast was harmless and horrible; and the news must reach the others as soon as possible.

Fancy thinking the Beast was something you could hunt and kill!

You're a beast and a swine and a bloody, bloody thief!

Fancy thinking the Beast was something you could hunt and kill! You knew, didn't you?' said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. 'You knew, didn't you? I'm part of you? Close, close, close! I'm the reason why it’s no go? Why things are what they are?

In a dark time, the eye begins to see, I meet my shadow in the deepening shade; I hear my echo in the echoing wood-- A lord of nature weeping to a tree. I live between the heron and the wren, Beasts of the hill and serpents of the den. What's madness but nobility of soul At odds with circumstance? The day's on fire! I know the purity of pure despair, My shadow pinned against a sweating wall. That place among the rocks--is it a cave, Or winding path? The edge is what I have. A steady storm of correspondences! A night flowing with birds, a ragged moon, And in broad day the midnight comes again! A man goes far to find out what he is-- Death of the self in a long, tearless night, All natural shapes blazing unnatural light. Dark, dark my light, and darker my desire. My soul, like some heat-maddened summer fly, Keeps buzzing at the sill. Which I is I? A fallen man, I climb out of my fear. The mind enters itself, and God the mind, And one is One, free in the tearing wind.

Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.

Maybe, he said hesitantly, maybe there is a beast. The assembly cried out savagely and Ralph stood up in amazement. You, Simon? You believe in this? I don't know, said Simon. His heartbeats were choking him. [...] Ralph shouted. Hear him! He's got the conch! What I mean is . . . maybe it's only us. Nuts! That was from Piggy, shocked out of decorum.

Grownups know things, said Piggy. They ain't afraid of the dark. They'd meet and have tea and discuss. Then things 'ud be alright--- They wouldn't set fire to the island. Or lose--- They'd build a ship--- The three boys stood in the darkness, striving unsuccessfully to convey the majesty of adult life. They wouldn't quarrel--- Or break my specs--- Or talk about a beast--- If only they could get a message to us, cried Ralph desperately. If only they could send us something grownup. . . a sign or something.

There isn’t anyone to help you. Only me. And I’m the Beast. . .

Maybe,' he said hesitantly, 'maybe there is a beast.' The assembly cried out savagely and Ralph stood up in amazement. 'You, Simon? You believe in this?' 'I don't know,' said Simon. 'But . . .' His heartbeats were choking him. The storm broke. 'Sit down!' 'Shut up!' 'Take the conch!' 'Sod you!' 'Shut up!' Ralph shouted. 'Hear him! He's got the conch!' 'What I mean is. Maybe . . . it's only us.' 'Nuts!' That was Piggy, shocked out of decorum. 'We could be sort of . . .' Simon became inarticulate in his effort to express mankind's essential illness.

He says the beast comes out of the sea." The last laugh died away. Ralph turned involuntarily, a black, humped figure against the lagoon. The assembly looked with him, considered the vast stretches of water, the high sea of beyond, unknown indigo of infinite possibility, heard silently the sough and whisper from the reef

The trouble is: Are there ghosts, Piggy? Or beasts?” “ ’Course there aren’t.” “Why not?” “’Cos things wouldn’t make sense. Houses an’ streets, an’—TV—they wouldn’t work.

Fancy thinking the Beast was something you could hunt and kill!" said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. "You knew, didn't you? I'm part of you? Close, close, close! I'm the reason whi it's no go? Why things are what they are?

Fancy thinking the Beast was something you could hunt and kill!” said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. “You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are what they are?

If you could shut your ears to the slow suck down of the sea and boil of the return, if you could forget how dun and unvisited were the ferny coverts on either side, then there was a chance that you might put the beast out of mind and dream for a while.

Fancy thinking the Beast was something you could hunt and kill!" said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. "You knew, didn't you? I'm part of you? Close, close, close! I'm the reason why it's no go? Why things are what they are?

Fancy thinking the Beast was something you could hunt and kill!” said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. “You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are what they are?” The laughter shivered again. “Come now,” said the Lord of the Flies. “Get back to the others and we’ll forget the whole thing.

Helion, High Lord of the Day Court, arrived at the Hewn City the next afternoon on a flying horse. He'd wanted to enter the dark city in a golden chariot led by four snow-white horses with manes of golden fire, Rhys had told Cassian, but Rhys had forbidden the chariot and horses, and let Helion know that he could winnow in or not come at all. Hence the pegasus. Helion's idea of a compromise. Cassian had heard the rumours of Helion's rage pegasuses. Myth claimed his prized stallion had flown so high the sun had scorched him black, but beholding the beast now... Well, Cassian might have been envious, if he didn't have wings himself.

Simon stirred in the dark. “Go on being chief.” “You shut up, young Simon! Why couldn’t you say there wasn’t a beast?” “I’m scared of him,” said Piggy, “and that’s why I know him. If you’re scared of someone you hate him but you can’t stop thinking about him. You kid yourself he’s all right really, an’ then when you see him again; it’s like asthma an’ you can’t breathe. I tell you what. He hates you too, Ralph—” “Me? Why me?” “I dunno. You got him over the fire; an’ you’re chief an’ he isn’t.” “But he’s, he’s, Jack Merridew!” “I been in bed so much I done some thinking. I know about people. I know about me. And him. He can’t hurt you: but if you stand out of the way he’d hurt the next thing. And that’s me.

And sometimes it is possible to rouse them from a seemingly meaningless life with a really good story,' Jane said, 'one that will reach their hearts and wake them up.' 'Can you give me an example?' 'One of my very favorites is fictitious but seems so appropriate now. It is Lord of the Rings.' 'What makes it such an appropriate story for the hopeless?' I asked. 'Because the might the heroes were up against seemed utterly invincible-the might of Mordor, the orcs, and the Black Riders on horses and then on those huge flying beasts. And Samwise and Frodo, two little hobbits, traveling into the heart of danger on their own..... I think it provides us with a blueprint of how we survive and turn around climate change and loos of biodiversity, poverty, racism, discrimination, greed, and corruption. The Dark Lord of Mordor and the Black Riders symbolize all the wickedness we have to fight. The fellowship of the Ring includes all those who are fighting the good fight-we have to work so hard to grow the fellowship around the world.' Jane pointed out that the land of Middle-earth was polluted by the destructive industry of that world in the same way that our environment is devastated today. And she reminded me that Lady Galadriel had given Sam a little box of earth from her orchard. 'Do you remember how he used that gift when he surveyed the devastated landscape after the Dark Lord was finally defeated? He started sprinkling little pinches of the earth all around the country-and everywhere nature sprang back to life. Well, that earth represents all the projects people are doing to restore habitats on planet Earth.

I saw him assess the field ahead- and transform. The talons came first. Replacing fingers and feet. Then dark scales or perhaps feathers, I couldn't get a look at them, covered his legs, his arms, his chest. His body contorted, bones and muscles growing and shifting. The beast form Rhys had kept hidden. Never liked to unleash. Unless it was dire enough to do so. Before the Cauldron swept me away, I beheld what happened to his head, his face. It was a thing of nightmares. Nothing human or Fae in it. It was a creature that lived in black pits and only emerged at night to hunt and feast. That face... it was those creatures that had been carved into the rock of the Court of Nightmares. That made up his throne. The throne not only a representation of his power... but of what lurked within. And with the wings... Hybern soldiers began fleeing. Helion beheld what happened and ran, too- but towards Rhys. Shifting as well. If Rhys was a flying terror crafted from shadows and cold moonlight, Helion was his daytime equivalent. Gold feathers and shredding claws and feathered wings- Together, my mate and the High Lord of Day unleashed themselves upon Hybern.

So at last Ilar Sant came to this wood, which people now call St. Hilary's wood because they have forgotten all about Ilar. And he was weary with his wandering, and the day was very hot; so he stayed by this well and began to drink. And there on that great stone he saw the shining fish, and so he rested, and built an altar and a church of willow boughs, and offered the sacrifice not only for the quick and the dead, but for all the wild beasts of the woods and the streams. "And when this blessed Ilar rang his holy bell and began to offer, there came not only the Prince and his servants, but all the creatures of the wood. There, under the hazel boughs, you might see the hare, which flies so swiftly from men, come gently and fall down, weeping greatly on account of the Passion of the Son of Mary. And, beside the hare, the weasel and the pole-cat would lament grievously in the manner of penitent sinners; and wolves and lambs together adored the saint's hierurgy; and men have beheld tears streaming from the eyes of venomous serpents when Ilar Agios uttered 'Curiluson' with a loud voice—since the serpent is not ignorant that by its wickedness sorrow came to the whole world. And when, in the time of the holy ministry, it is necessary that frequent Alleluyas should be chanted and vociferated, the saint wondered what should be done, for as yet none in that place was skilled in the art of song. Then was a great miracle, since from all the boughs of the wood, from every bush and from every green tree, there resounded Alleluyas in enchanting and prolonged harmony; never did the Bishop of Rome listen to so sweet a singing in his church as was heard in this wood. For the nightingale and thrush and blackbird and blackcap, and all their companions, are gathered together and sing praises to the Lord, chanting distinct notes and yet concluding in a melody of most ravishing sweetness; such was the mass of the Fisherman. Nor was this all, for one day as the saint prayed beside the well he became aware that a bee circled round and round his head, uttering loud buzzing sounds, but not endeavouring to sting him. To be short; the bee went before Ilar, and led him to a hollow tree not far off, and straightway a swarm of bees issued forth, leaving a vast store of wax behind them. This was their oblation to the Most High, for from their wax Ilar Sant made goodly candles to burn at the Offering; and from that time the bee is holy, because his wax makes light to shine upon the Gifts.

That even those very sins that Satan paints, and puts new names and colors upon, cost the best blood, the noblest blood, the life-blood, the heart-blood of the Lord Jesus. That Christ should come from the eternal bosom of his Father to a region of sorrow and death; that God should be manifested in the flesh, the Creator made a creature; that he who was clothed with glory should be wrapped with rags of flesh; he who filled heaven and earth with his glory should be cradled in a manger; that the almighty God should flee from weak man—the God of Israel into Egypt; that the God of the law should be subject to the law, the God of the circumcision circumcised, the God who made the heavens working at Joseph's homely trade; that he who binds the devils in chains should be tempted; that he, whose is the world, and the fullness thereof, should hunger and thirst; that the God of strength should be weary, the Judge of all flesh condemned, the God of life put to death; that he who is one with his Father should cry out of misery, "My God, my God, why have you forsaken me?" (Matt. 27:46); that he who had the keys of hell and death at his belt should lie imprisoned in the sepulcher of another, having in his lifetime nowhere to lay his head, nor after death to lay his body; that that HEAD, before which the angels do cast down their crowns, should be crowned with thorns, and those EYES, purer than the sun, put out by the darkness of death; those EARS, which hear nothing but hallelujahs of saints and angels, to hear the blasphemies of the multitude; that FACE, which was fairer than the sons of men, to be spit on by those beastly wretched Jews; that MOUTH and TONGUE, which spoke as never man spoke, accused for blasphemy; those HANDS, which freely swayed the scepter of heaven, nailed to the cross; those FEET, "like unto fine brass," nailed to the cross for man's sins; each sense pained with a spear and nails; his SMELL, with stinking odor, being crucified on Golgotha, the place of skulls; his TASTE, with vinegar and gall; his HEARING, with reproaches, and SIGHT of his mother and disciples bemoaning him; his SOUL, comfortless and forsaken; and all this for those very sins that Satan paints and puts fine colors upon! Oh! how should the consideration of this stir up the soul against sin, and work the soul to fly from it, and to use all holy means whereby sin may be subdued and destroyed!

If there's a beast, we'll hunt it down! We'll close in and beat and beat and beat !

In Lord of the Flies, Simon's journey up the mountain to see what's really up there, monster or not, is a set-piece, as is his return into the middle of the hysterical tribal dance by which the boys are trying to drive out fear. Simon is mistaken for the Beast and killed. We could see it coming, even though Simon didn't. We weren't sure—we hoped for the best, but suspected the worst. Seeing a scene like that coming, watching it build to crisis, is one of the major ways of creating tension, drama, and suspense in a story.

Perry says, “Do you remember those feasts we had in the dorm after lights out? And how we ragged about and had idiotic jokes with our pals and yelled our heads off? Then one of the prefects came and said, ‘What a filthy row! Shut up, you little brutes.’ I began to feel old when I became a prefect,” adds Perry smiling ruefully. “You were beastly smug,” declares Bryan. “Lord, how I hated you that term!” “My responsibilities were very heavy,” says Perry laughing. The conversation continues on these lines. Anybody would think my companions were middle-aged at least. “Forty years on,” I tell them.