Lord Of The Flies Destruction Quotes

We've searched our database for all the quotes and captions related to Lord Of The Flies Destruction. Here they are! All 13 of them:

And a word carries far-very far-deals destruction through time as the bullets go flying through space.
Joseph Conrad (Lord Jim)
Sirs, I am but a nameless man, A rhymester without a home, Yet since I come of the Wessex clay And carry the cross of Rome, I will even answer the mighty earl That asked of Wessex men Why they be meek and monkish folk, And bow to the White Lord's broken yoke; What sign have we save blood and smoke? Here is my answer then. That on you is fallen the shadow, And not upon the Name; That though we scatter and though we fly, And you hang over us like the sky, You are more tired of victory, Than we are tired of shame. That though you hunt the Christian man Like a hare on the hill-side, The hare has still more heart to run Than you have heart to ride. That though all lances split on you, All swords be heaved in vain, We have more lust again to lose Than you to win again. Your lord sits high in the saddle, A broken-hearted king, But our king Alfred, lost from fame, Fallen among foes or bonds of shame, In I know not what mean trade or name, Has still some song to sing. Our monks go robed in rain and snow, But the heart of flame therein, But you go clothed in feasts and flames, When all is ice within; Nor shall all iron dooms make dumb Men wandering ceaselessly, If it be not better to fast for joy Than feast for misery. Nor monkish order only Slides down, as field to fen, All things achieved and chosen pass, As the White Horse fades in the grass, No work of Christian men. Ere the sad gods that made your gods Saw their sad sunrise pass, The White Horse of the White Horse Vale, That you have left to darken and fail, Was cut out of the grass. Therefore your end is on you, Is on you and your kings, Not for a fire in Ely fen, Not that your gods are nine or ten, But because it is only Christian men Guard even heathen things. For our God hath blessed creation, Calling it good. I know What spirit with whom you blindly band Hath blessed destruction with his hand; Yet by God's death the stars shall stand And the small apples grow.
G.K. Chesterton (The Ballad of the White Horse)
91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge
Anonymous (Holy Bible: English Standard Version (ESV))
PSALM 91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge [2]— 10     p no evil shall be allowed to befall you,          q no plague come near your tent.     11  r For he will command his  s angels concerning you         to  t guard you in all your ways. 12    On their hands they will bear you up,         lest you  u strike your foot against a stone. 13    You will tread on  v the lion and the  w adder;         the young lion and  x the serpent you will  y trample underfoot.     14 “Because he  z holds fast to me in love, I will deliver him;         I will protect him, because he  a knows my name. 15    When he  b calls to me, I will answer him;         I will be with him in trouble;         I will rescue him and  c honor him. 16    With  d long life I will satisfy him         and  e show him my salvation.
Anonymous (Holy Bible: English Standard Version (ESV))
Only a fool says in his heart There is no Creator, no King of kings, Only mules would dare to bray These lethal mutterings. Over darkened minds as these The Darkness bears full sway, Fruitless, yet, bearing fruit, In their fell, destructive way. Sterile, though proliferate, A filthy progeny sees the day, When Evil, Thought and Action mate: Breeding sin, rebels and decay. The blackest deeds and foul ideals, Multiply throughout the earth, Through deadened, lifeless, braying souls, The Darkness labours and gives birth. Taking the Lord’s abundant gifts And rotting them to the core, They dress their dish and serve it out Foul seeds to infect thousands more. ‘The Tree of Life is dead!’ they cry, ‘And that of Knowledge not enough, Let us glut on the ashen apples Of Sodom and Gomorrah.’ Have pity on Thy children, Lord, Left sorrowing on this earth, While fools and all their kindred Cast shadows with their murk, And to the dwindling wise, They toss their heads and wryly smirk. The world daily grinds to dust Virtue’s fair unicorns, Rather, it would now beget Vice’s mutant manticores. Wisdom crushed, our joy is gone, Buried under anxious fears For lost rights and freedoms, We shed many bitter tears. Death is life, Life is no more, Humanity buried in a tomb, In a fatal prenatal world Where tiny flowers Are ripped from the womb, Discarded, thrown away, Inconvenient lives That barely bloomed. Our elders fare no better, Their wisdom unwanted by and by, Boarded out to end their days, And forsaken are left to die. Only the youthful and the useful, In this capital age prosper and fly. Yet, they too are quickly strangled, Before their future plans are met, Professions legally pre-enslaved Held bound by mounting student debt. Our leaders all harangue for peace Yet perpetrate the horror, Of economic greed shored up Through manufactured war. Our armies now welter In foreign civilian gore. How many of our kin are slain For hollow martial honour? As if we could forget, ignore, The scourge of nuclear power, Alas, victors are rarely tried For their woeful crimes of war. Hope and pray we never see A repeat of Hiroshima. No more! Crimes are legion, The deeds of devil-spawn! What has happened to the souls Your Divine Image was minted on? They are now recast: Crooked coins of Caesar and The Whore of Babylon. How often mankind shuts its ears To Your music celestial, Mankind would rather march To the anthems of Hell. If humanity cannot be reclaimed By Your Mercy and great Love Deservedly we should be struck By Vengeance from above. Many dread the Final Day, And the Crack of Doom For others the Apocalypse Will never come too soon. ‘Lift up your heads, be glad’, Fools shall bray no more For at last the Master comes To thresh His threshing floor.
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
PSALM 91 He who dwells in  athe shelter of the Most High will abide in  bthe shadow of the Almighty. 2 I will say [1] to the LORD, “My  crefuge and my  dfortress, my God, in whom I  etrust.” 3 For he will deliver you from  fthe snare of the fowler and from the deadly pestilence. 4 He will  gcover you with his pinions, and under his  hwings you will  ifind refuge; his  jfaithfulness is  ka shield and buckler. 5  lYou will not fear  mthe terror of the night, nor the arrow that flies by day, 6 nor the pestilence that stalks in darkness, nor the destruction that wastes at noonday. 7 A thousand may fall at your side, ten thousand at your right hand, but it will not come near you. 8 You will only look with your eyes and  nsee the recompense of the wicked. 9 Because you have made the LORD your  odwelling place— the Most High, who is my  crefuge [2]— 10  pno evil shall be allowed to befall you, qno plague come near your tent. 11  rFor he will command his  sangels concerning you to  tguard you in all your ways. 12 On their hands they will bear you up, lest you  ustrike your foot against a stone. 13 You will tread on  vthe lion and the  wadder; the young lion and  xthe serpent you will  ytrample underfoot. 14 “Because he  zholds fast to me in love, I will deliver him; I will protect him, because he  aknows my name. 15 When he  bcalls to me, I will answer him; I will be with him in trouble; I will rescue him and  chonor him. 16 With  dlong life I will satisfy him and  eshow him my salvation.” How Great Are Your Works A Psalm. A Song for the Sabbath.
Anonymous (Holy Bible: English Standard Version (ESV))
And sometimes it is possible to rouse them from a seemingly meaningless life with a really good story,' Jane said, 'one that will reach their hearts and wake them up.' 'Can you give me an example?' 'One of my very favorites is fictitious but seems so appropriate now. It is Lord of the Rings.' 'What makes it such an appropriate story for the hopeless?' I asked. 'Because the might the heroes were up against seemed utterly invincible-the might of Mordor, the orcs, and the Black Riders on horses and then on those huge flying beasts. And Samwise and Frodo, two little hobbits, traveling into the heart of danger on their own..... I think it provides us with a blueprint of how we survive and turn around climate change and loos of biodiversity, poverty, racism, discrimination, greed, and corruption. The Dark Lord of Mordor and the Black Riders symbolize all the wickedness we have to fight. The fellowship of the Ring includes all those who are fighting the good fight-we have to work so hard to grow the fellowship around the world.' Jane pointed out that the land of Middle-earth was polluted by the destructive industry of that world in the same way that our environment is devastated today. And she reminded me that Lady Galadriel had given Sam a little box of earth from her orchard. 'Do you remember how he used that gift when he surveyed the devastated landscape after the Dark Lord was finally defeated? He started sprinkling little pinches of the earth all around the country-and everywhere nature sprang back to life. Well, that earth represents all the projects people are doing to restore habitats on planet Earth.
Jane Goodall (The Book of Hope: A Survival Guide for Trying Times)
In order to explain what that was, I must start by describing the encounter between myself and the sun. In fact, this experience occurred on two occasions. It often happens that, long before the decisive meeting with a person from whom only death can thereafter part one, there is a brief brush elsewhere with that same person occurring with almost total unawareness on both sides. So it was with my encounter with the sun. My first—unconscious—encounter was in the summer of the defeat, in the year 1945. A relentless sun blazed down on the lush grass of that summer that lay on the borderline between the war and the postwar period—a borderline, in fact, that was nothing more than a line of barbed wire entanglements, half broken down, half buried in the summer weeds, tilting in all directions. I walked in the sun’s rays, but had no clear understanding of the meaning they held for me. Finespun and impartial, the summer sunlight poured down prodigally on all creation alike. The war ended, yet the deep green weeds were lit exactly as before by the merciless light of noon, a clearly perceived hallucination stirring in a slight breeze; brushing the tips of the leaves with my fingers, I was astonished that they did not vanish at my touch. That same sun, as the days turned to months and the months to years, had become associated with a pervasive corruption and destruction. In part, it was the way it gleamed so encouragingly on the wings of planes leaving on missions, on forests of bayonets, on the badges of military caps, on the embroidery of military banners; but still more, far more, it was the way it glistened on the blood flowing ceaselessly from the flesh, and on the silver bodies of flies clustering on wounds. Holding sway over corruption, leading youth in droves to its death in tropical seas and countrysides, the sun lorded it over that vast rusty-red ruin that stretched away to the distant horizon.
Yukio Mishima (Sun & Steel)
It is said that, as he wandered the streets of the City, an ancient jackbird cycled three times above him, then came to rest upon Sam's shoulder, saying: "Are you not Maitreya, Lord of Light, for whom the world has waited, lo, these many years–he whose coming I prophesyed long ago in a poem?" "No, my name is Sam," he replied, "and I am about to depart the world, not enter into it Who are you?" "I am a bird who was once a poet. All morning have I flown, since the yawp of Garuda opened the day. I was flying about the ways of Heaven looking for Lord Rudra, hoping to befoul him with my droppings, when I felt the power of a weird come over the land. I have flown far, and I have seen many things, Lord of Light." "What things have you seen, bird who was a poet?" "I have seen an unlit pyre set at the end of the world, with fogs stirring all about it. I have seen the gods who come late hurrying across the snows and rushing through the upper airs, circling outside the dome. I have seen the players upon the ranga and the nepathya, rehearsing the Masque of Blood, for the wedding of Death and Destruction. I have seen the Lord Vayu raise up his hand and stop the winds that circle through Heaven. I have seen all-colored Mara atop the spire of the highest tower, and I have felt the power of the weird he lays–for I have seen the phantom cats troubled within the wood, then hurrying in this direction. I have seen the tears of a man and of a woman. I have heard the laughter of a goddess. I have seen a bright spear uplifted against the morning, and I have heard an oath spoken. I have seen the Lord of Light at last, of whom I wrote, long ago: Always dying, never dead; Ever ending, never ended; Loathed in darkness, Clothed in light, He comes, to end a world, As morning ends the night. These lines were writ By Morgan, free, Who shall, the day he dies, See this prophecy." The bird ruffled his feathers then and was still. "I am pleased, bird, that you have had a chance to see many things," said Sam, "and that within the fiction of your metaphor you have achieved a certain satisfaction. Unfortunately, poetic truth differs considerably from that which surrounds most of the business of life." "Hail, Lord of Light!" said the bird, and sprang into the air. As he rose, he was pierced through by an arrow shot from a nearby window by one who hated jackbirds. Sam hurried on.
Roger Zelazny (Lord of Light)
Later on, Orpheus stood beside the hearth fire in the center of the hall and sang about the day’s adventure. On his lips, the northern raiders were transformed from swift, deadly riders to winged and taloned monsters, part hawk, part woman. Because they could fly so high that spears and arrows couldn’t reach them, only men with the blood of the gods in their veins could end the havoc they caused. Luckily, a ship of heroes came ashore to rid the land of the hideous creatures. Zetes and Kalais, the sons of Boreas, had inherited the North Wind’s ability to fly and soon defeated the Harpies. They would trouble good Lord Phineas no more. Orpheus finished his song, and the men cheered and banged their fists on the tables so loudly that it seemed like they’d bring the roof down in pieces. As for me, I kept my mouth shut and my arms folded. Orpheus noticed my frosty look when he sat back down. “You didn’t like it,” he murmured. “They deserved better,” I replied stiffly. “They were brave fighters.” “I thought I made that clear. Just look at Zetes over there, grinning ear to ear in spite of a nasty arrow wound that probably still burns like Hephaestus’s own forge-fires. It might leave him half lame for life, but he won’t mind, because in my song, he owns the sky.” “You didn’t see the way he fought today,” I shot back. “He’s not worthy to own a mud puddle. They fought well, those women. They were as skilled and courageous as any man, so you turned them into monsters!” Orpheus was silent for a little while. Then he took a sip of wine and said, “They attacked without warning, they destroyed good ships for the sake of destruction, they violated the sanctity of a sacrifice to the gods, and they would have cut down a blind old man, king or not, if we hadn’t come ashore when we did. I won’t argue with you about their valor or their mastery of weapons and horses, but see them for what they are, lad. You say I’ve made them monsters, yet you’d make them gods. They’re women, human women, as praiseworthy and as flawed as any fighting men I’ve ever known, but plain truth makes a poor song.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
I will say to the Lord, “My refuge and my fortress, my God, in whom I trust.” For he will deliver you from the snare of the fowler and from the deadly pestilence. You will not fear the terror of the night, nor the arrow that flies by day, nor Resheph that stalks in darkness, nor Qeteb that wastes at noonday. It was a song of deliverance from demons. The “terror by night” was a Mesopotamian title for Zaqar, a dream demon. Resheph was the god of plague and pestilence whose arrows were his curses. Qeteb was Resheph’s companion deity of destruction. Saul was closing the distance between them as David sang. His murderous eyes began to weaken. His jerking spasms lessened. He slowed down until he was but a few feet away from David. He stopped when another voice joined David’s. It was Michal. She had hidden in the servants’ hallway and made her way back to the room. Her voice flowed through the air with angelic sweetness and blended with David’s in harmony. Because you have made the Lord your dwelling place the Most High, who is my refuge no evil shall be allowed to befall you, no plague come near your tent. For he will command his angels concerning you to guard you in all your ways. On their hands they will bear you up, lest you strike your foot against a stone. You will tread on the lion and the adder; the young lion and the serpent you will trample underfoot. Saul had collapsed at David’s feet. David looked up at Michal. They needed no words. They had worshipped Yahweh together and they had fought the evil spirit together. Their souls were one. She was the only woman in the whole world. He was the only man. Their lips were inexorably drawn toward each other.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
All seizures of power, no matter how ‘strong or well-meaning’ the seizers, will go the same way. That’s what power does. Meanwhile, at exactly the same time as the publication of The Lord of the Rings William Golding was bringing out his fables, Lord of the Flies (1954), and The Inheritors (1955), the meaning of which Golding conveniently summarized for commentators in a later essay, ‘Fable’, in his collection The Hot Gates: I must say that anyone who passed through those years [of World War II] without understanding that man produces evil as a bee produces honey, must have been blind or wrong in the head. (Hot Gates, p. 87) So the English choirboys, marooned on an idyllic desert island, invent murder and human sacrifice and create the ‘lord of the flies’ himself, Beelzebub; in The Inheritors our ancestors, Cro-Magnon men, exterminate the gentle and friendly Neanderthals and create an entirely false legend of ogres and cannibals to justify their actions. A very similar if more complex argument was put forward, one might add, by the other great fantasy of the 1950s, T.H. White’s The Once and Future King, a work which began like Tolkien’s with a children’s book, The Sword in the Stone (1937), but took even longer than Tolkien’s to reach termination, appearing as a whole (though still unfinished) in 1958. White’s points are too many and too self-doubting to summarize readily, but there is at least no doubt that White saw in humanity a basic urge to destruction, expressed in a work written like The Lord of the Rings, nationibus in diro bello certantibus, ‘while the nations were striving in fearful war’. Orwell, Golding, White (and several other post-war authors of fantasy and fable): the thought that they expressed in their highly different ways was that people could never be trusted, least of all if they expressed a wish for the betterment of humanity. The major disillusionment of the twentieth century has been over political good intentions, which have led only to gulags and killing fields. That is why what Gandalf says has rung true to virtually everyone who reads it – though it is, I repeat, yet one more anachronism in Middle-earth, and the greatest of them, an entirely modern conviction.
Tom Shippey (J.R.R. Tolkien: Author of the Century)
The loss of so many ancient books could be blamed on something more than the apathy of feudal lords and the negligence and greed of unscrupulous monks. It could be blamed, too, on circumstances beyond the inevitable and indiscriminate destruction of floods and fires, or the pernicious appetites of mice, warble flies, and bookworms. All these things played their part, but there was another reason so few texts survived, and that was technology: how books were made.
Ross King (The Bookseller of Florence: The Story of the Manuscripts That Illuminated the Renaissance)