Loose Parts Play Quotes

Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?” “Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says. “Your father? Why?” I ask. “He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says. “What? You’re making that up!” I exclaim. “No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’” “That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father. “So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says. “Oh, please,” I say, laughing. “No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.” “Without success,” I add. “Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death. It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true? “You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.” “I am now,” I say. “Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!” I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.

Hinduism comes closest to being a nature religion. Rivers, rocks, trees, plants, animals, and birds all play their part, both in mythology and everyday worship. This harmony is most evident in remote places like this, and I hope it does not loose its unique character in the ruthless urban advance.

I know you all, and will awhile uphold The unyoked humour of your idleness. Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wondered at By breaking through the foul and ugly mists Of vapours that did seem to strangle him. If all the year were playing holidays, To sport would be as tedious as to work; But when they seldom come, they wished-for come, And nothing pleaseth but rare accidents. So, when this loose behaviour I throw off And pay the debt I never promisèd, By how much better than my word I am, By so much shall I falsify men’s hopes; And like bright metal on a sullen ground, My reformation, glitt’ring o’er my fault, Shall show more goodly and attract more eyes Than that which hath no foil to set it off. I’ll so offend to make offence a skill, Redeeming time when men think least I will.

What sort of diary should I like mine to be? Something loose-knit and yet not slovenly, so elastic that it will embrace anything, solemn, slight or beautiful, that comes into my mind. I should like it to resemble some deep old desk or capacious hold-all, in which one flings a mass of odds and ends without looking them through. I should like to come back, after a year or two, and find that the collection had sorted itself and refined itself and coalesced, as such deposits so mysteriously do, into a mould, transparent enough to reflect the light of our life, and yet steady, tranquil compounds with the aloofness of a work of art. The main requisite, I think, on reading my old volumes, is not to play the part of a censor, but to write as the mood comes or of anything whatever; since I was curious to find how I went for things put in haphazard, and found the significance to lie where I never saw it at the time.

Cold flu looks nothing in front of cancer...complications in our personal life is like a flu and killing people on name of God or borders or countries is cancer...you can help this planet...there are ways...willingness is an action We are one...the only difference is ...few are awake, few are ready to wake up and few are just ignorant and time is coming when there will be no choice for those who is ignorant because of suffering and pain .... Bigger EGO is always drawn to Bigger Ego so many times Bigger ego ignores the important message being delivered by not a famous person. Love heals...Love not from mind...deep from heart....Mind brings games and play around with relationships...Something sacred deep from heart....L ♥ V E...Unconditional...No business of give and take....unconditional giving.... Don't be afraid and run away from loneliness and start seeking securities....Try to enjoy every part of it and then you will see ...Loneliness turned into something which we never want to loose....investigate your feeling when you feel lonely We always want something in return...we have made LOVE a business...I did it too in the past that's why I know it...this is the reason that we should change...you change, I change....everyone should think again on the way of living life and thinking and specially who thinks they know what life is. 2 births in the same life....physical and spiritual....you break the bondage (psychologically) with physical attributes of life ( detached state of mind) and try to find real "maksad" (purpose) of your existence as Being not Doing If you want to enjoy your relationship with your special one then please keep these tools handy:1) Patience2) Trust3) Freedom4) Honesty5) Respect we are all stars... twinkling with love and when there is love then there is no conflict 4 letters L ♥ V E ..imagine these letters on your hand and try to feel the deep meaning and power of these letters...feel the love you have for this life...start from there and spread love to everyone you see or meet...LOVE

You cannot train yourself to successfully and sustainedly unsee and unhear — you do them all the time, but they also fail, repeatedly, and you cheat, repeatedly, in all sorts of small ways. The book mentions that several times. It is absolutely about absolute fidelity to those particular urban protocols, exaggerations or extrapolations of the ones that I think are all around us all the time in the real world; but it's also about cheating them, and failing them, and playing a little fast and loose, which I think is an inextricable part of such norms.

PROLOGUE Have you ever had the feeling that someone was playing with your destiny? If so, this book is for you! Destiny is certainly something people like to talk about. Wherever we go, we hear it mentioned in conversations or proverbs that seek to lay bare its mysteries. If we analyse people’s attitude towards destiny a little, we find straight away that at one extreme are those who believe that everything in life is planned by a higher power and that therefore things always happen for a reason, even though our limited human understanding cannot comprehend why. In this perspective, everything is preordained, regardless of what we do or don’t do. At the other extreme we find the I can do it! believers. These focus on themselves: anything is possible if done with conviction, as part of the plan that they have drawn up themselves as the architects of their own Destiny. We can safely say that everything happens for a reason. Whether it’s because of decisions we take or simply because circumstances determine it, there is always more causation than coincidence in life. But sometimes such strange things happen! The most insignificant occurrence or decision can give way to the most unexpected futures. Indeed, such twists of fate may well be the reason why you are reading my book now. Do you have any idea of the number of events, circumstances and decisions that had to conspire for me to write this and for you to be reading it now? There are so many coincidences that had to come together that it might almost seem a whim of destiny that today we are connected by these words. One infinitesimal change in that bunch of circumstances and everything would have been quite different… All these fascinating issues are to be found in Equinox. I enjoy fantasy literature very much because of all the reality it involves. As a reader you’re relaxed, your defences down, trying to enjoy an loosely-structured adventure. This is the ideal space for you to allow yourself to be carried away to an imaginary world that, paradoxically, will leave you reflecting on real life questions that have little to do with fiction, although we may not understand them completely.

In April war was declared with Germany. Wilson and his cabinet—a cabinet that in its lack of distinction was strangely reminiscent of the twelve apostles—let loose the carefully starved dogs of war, and the press began to whoop hysterically against the sinister morals, sinister philosophy, and sinister music produced by the Teutonic temperament. Those who fancied themselves particularly broad-minded made the exquisite distinction that it was only the German Government which aroused them to hysteria; the rest were worked up to a condition of retching indecency. Any song which contained the word "mother" and the word "kaiser" was assured of a tremendous success. At last every one had something to talk about—and almost every one fully enjoyed it, as though they had been cast for parts in a sombre and romantic play.

He did atrocious things, but it was him I wanted. Always, only him. Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim. “I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose. I actually felt it, even though it was on his lips. “I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.” My eyes fluttered shut, a lone tear hanging from the tip of my eyelash. “We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.” He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine. My capturer. My monster. My savior. “I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?” My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.

It is not simply as release or play, in other words, that popular music saves society from its routine murders; it is not just relief from the long day's work or the joy that comes from cutting loose or the affirmation of community that makes it attractive, although all of these play their parts. In the Americas, popular music is a mission and strategy to recover the deep theoretical roots that extend far into the past and constitutes nothing less an alternative history of Western civilization.

I Knew a Woman" I knew a woman, lovely in her bones, When small birds sighed, she would sigh back at them; Ah, when she moved, she moved more ways than one: The shapes a bright container can contain! Of her choice virtues only gods should speak, Or English poets who grew up on Greek (I’d have them sing in chorus, cheek to cheek). How well her wishes went! She stroked my chin, She taught me Turn, and Counter-turn, and Stand; She taught me Touch, that undulant white skin; I nibbled meekly from her proffered hand; She was the sickle; I, poor I, the rake, Coming behind her for her pretty sake (But what prodigious mowing we did make). Love likes a gander, and adores a goose: Her full lips pursed, the errant note to seize; She played it quick, she played it light and loose; My eyes, they dazzled at her flowing knees; Her several parts could keep a pure repose, Or one hip quiver with a mobile nose (She moved in circles, and those circles moved). Let seed be grass, and grass turn into hay: I’m martyr to a motion not my own; What’s freedom for? To know eternity. I swear she cast a shadow white as stone. But who would count eternity in days? These old bones live to learn her wanton ways: (I measure time by how a body sways).

Life is dangerous,Gary," Gregori said softly. "You are Rambo, remember?" Savannah's laughter rang out, rivaling the jazz quartet playing on the corner. Heads turned to listen to he, then to watch her, stealing away the attention of the audience gathered in a loose semi-circle around the quartet. She moved in the human world, completely comfortable in it,a part of it. Gregori had walked unseen, and that was how he preferred it.She was dragging him into her world. He could hardly believe he was walking down a crowded street with a mortal wwith half the block staring openly at them. "I didn't know you knew who Rambo was," Savannah said, trying not to giggle. She couldn't imagine Gregori in a theater watching a Rambo movie. "You saw a Rambo flick?" Gary was incredulous. Gregori made a sound somewhere between contempt and derision. "I read Gary's memories on the subject. Interesting. Silly,but interesting." He glanced at Gary. "This is your hero?" Gary's grin was as michievous as Savannah's. "Until I met you, Gregori." Gregori growled, a low rumble of menace. His two companions just laughed disrespectfully, not in the least intimidated. "I'll bet he's a secret Rambo fan," Savannah whispered confidentially. Gary nodded. "He probably sneaks into movie theaters for every old showing.

A big stash allows me to have a fluid sense of creativity - a looseness that is very much like playing. It opens me up, unlocks things. The creative bit takes all the other pieces - the possibility, the abundance, the connections, and the actual work of making yarn - bundles them, and explodes like a glitter bomb. It gets everywhere, it makes me smile, and a I can't escape it. My stash is the spark. Even if I haven't spun for days or weeks, even when I'm feeling dull-witted or anti-craft, I still spend time with my stash. It pulls on doors that have been locked, slides under the crack and clicks them open from the inside. After an hour tossing my fibers around, I am revitalized for making yarn, yes, but for things well beyond that, too. My sash fees like an extension of me that I sometimes forget about: the part that plays, that connects things that don't seem to go, that experiments and makes things.

Her husband’s suffering and dangers, and the danger of her child, all blended in her mind, with a confused and stunning sense of the risk she was running, in leaving the only home she had ever known, and cutting loose from the protection of a friend whom she loved and revered. Then there was the parting from every familiar object,—the place where she had grown up, the trees under which she had played, the groves where she had walked many an evening in happier days, by the side of her young husband,—everything, as it lay in the clear, frosty starlight, seemed to speak reproachfully to her, and ask her whither could she go from a home like that?

She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.” Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs. “What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts. “Don’t be ridiculous.” “I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—” He took the boxers from her. “Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over. Right. After he got the boxers on, he took off the bathrobe and . . . Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts. Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?” She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—” “Gina.” Max stopped her before she reached the door. He motioned for her to come back. She held out the green shorts, but instead of taking them, he took her arm, pulled her close. “I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little. Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle. And then, before her heart even had a chance to start beating again, he kissed her. And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated. And, God. That was a miracle, too. Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now? Yes, she’d been waiting for years for him to say that he loved her, but . . . Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’” She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted. It was obvious that he wanted her to say something, but she was completely speechless.

By now, certain alternate theories are beginning to circulate online. It's the government, they say. Or it's Big Pharma. Some kind of germ must have gotten loose from a lab at the college. Think about it, they say: Do you really believe that a completely new virus could show up in the most powerful country on earth without scientists knowing exactly what it is? They probably engineered it themselves. They might be spreading this thing on purpose, testing out a biological weapon. They might be withholding the cure. Or maybe there's no sickness at all—that's what some have begun posting online. Isn't Santa Lora the perfect location for a hoax? An isolated town, surrounded by forest, only one road in and one road out. And those people you see on TV? Those could be hired victims. Those could be crisis actors paid to play their parts. And the supposedly sick? Come on, how hard is it to pretend you're asleep? Maybe, a few begin to say, Santa Lora is not even a real town. Has anyone ever heard of this place? And look it up: there's no such saint as Santa Lora. It's made-up. The whole damn place is probably just a set on some back lot in Culver City. Don't those houses look a little too quaint? Don't be naïve, say others—they don't need a set. All that footage is probably just streaming out of some editing room in the valley. If you look closely, you can tell that some of those houses repeat. Now just ask yourself, they say, who stands to benefit from all this. It always comes back to money, right? The medical-industrial complex. And who do you think pays the salaries of these so-called journalists reporting all this fake news? Just watch: in a few months, Big Pharma will be selling the vaccine.

The day we visited, mothers were chatting comfortably on one of the benches while their children ran around happily exploring and playing games. The beauty of natural playgrounds is that they tap directly into children’s passions. In traditional playspaces constructed of metal and plastic, decisions about what to play are made by the designers. First you swing. Then you go down the slide. Too often, the result is competition, with kids arguing over who gets to do what, followed by frustration and tears. Conversely, in natural play areas, the child is boss. Imaginations are fired up as kids invent games with the available loose parts. Studies show that interactions tend to be more cooperative as well. Bullying is greatly decreased, and both vandalism and aggressive behavior also go down if there is a tree canopy. And with greater engagement comes longer play intervals, about three times longer compared with old-style play equipment.

Indeed, he could not be long in discovering that people beyond a suspicion of unbalance, or not obviously coveting the moment's arrest of attention gained them by their statements, never had experience with or knowledge of the restless dead. Slowly accepting this as evidence that no such things existed, Mr. Lecky found terrors deeper, and to him more plausible, to fill that unoccupied place - the simple sense of himself alone, and, not unassociated with it, the conception of a homicidal maniac quietly pursuing him. The first was exemplified by chance solitude in what he had considered deep woods. No part in it was played by natural dismay which he might have felt at finding himself lost, and none by any tangible suggestion of danger. Mr. Lecky could not even remember where or when it was. Long ago, under a seamless gray sky which would probably end with snow; in an autumnal silence free from birds, unmoved by the least breath of wind, he had come to be walking at random impulse. Leaves, yellow, tan, drifted deep and loose over the difficulties of an uneven hillside. His feet crashed and crackled in them. He was not going anywhere. He had nothing in mind. It might have been this receptive vacancy of thought which let him, little by little, grow aware of a menace. The unnatural light leaf-buried ground, the low dark sky, the solitary noise of his unskilled progress - none of them was good. He began to notice that though the fall of leaves left an apparent bright openness, in reality it merely pushed to a distance the point at which the woods became as impenetrable as a wall. He walked more and more slowly, listening, hearing nothing; looking, seeing nothing. Soon he stopped, for he was not going any farther. Standing in the deep leaves beneath trees bare and practically dead in the catalepsy of impending winter, he knew that he did not want to be here. A great evil - no more to be named than, met, to be escaped - waited fairly close. So he left. He got out of those woods onto an open road where he need not watch for anything he could not see.

I wanted to go home, to Velaris, but I had to stay, to make sure things were set in motion, that you were all right. So I waited as long as I could, then I sent a tug through the bond. Then you came to find me. 'I almost told you then, but... You were so sad. And tired. And for once, you looked at me like... like I was worth something. So I promised myself that the next time I saw you, I'd free you of the bargain. Because I was selfish, and knew that if I let go right then, he'd lock you up and I'd never get to see you again. When I went to leave you... I think transforming you into Fae made the bond lock into place permanently. I'd known it existed, but it hit me then- hit me so strong that I panicked. I knew if I stayed a second longer, I'd damn the consequences and take you with me. And you'd hate me forever. 'I landed at the Night Court, right as Mor was waiting for me, and I was so frantic, so... unhinged, that I told her everything. I hadn't seen her in fifty years, and my first words to her were, "She's my mate." And for three months... for three months I tried to convince myself that you were better off without me. I tried to convince myself that everything I'd done had made you hate me. But I felt you through the bond, through your open mental shields. I felt your pain, and sadness, and loneliness. I felt you struggling to escape the darkness of Amarantha the same way I was. I heard you were going to marry him, and I told myself you were happy. I should you let you be happy, even if it killed me. Even if you were my mate, you'd earned that happiness. 'The day of your wedding, I'd planned to get rip-roaring drunk with Cassian, who had no idea why, but... But then I felt you again, I felt your panic, and despair, and heard you beg someone- anyone- to save you. I lost it. I winnowed to the wedding, and barely remembered who I was supposed to be, the part I was supposed to play. All I could see was you, in your stupid wedding dress- so thin. So, so thin, and pale. And I wanted to kill him for it, but I had to get you out. Had to call in that bargain, just once, to get you away, to see if you were all right.' Rhys looked at me, eyes desolate. 'It killed me, Feyre, to send you back. To see you waste away, month by month. It killed me to know he was sharing your bed. Not just because you were my mate, but because I...' He glanced down, then up at me again. 'I knew... I knew I was in love with you that moment I picked up the knife to kill Amarantha.' 'When you finally came here... I decided I wouldn't tell you. Any of it. I wouldn't let you out of the bargain, because your hatred was better than facing the two alternatives: that you felt nothing for me, or that you... you might feel something similar, and if I let myself love you, you would be taken from me. The way my family was- the way my friends were. So I didn't tell you. I watched as you faded away. Until that day... that day he locked you up. 'I would have killed him if he'd been there. But I broke some very, very fundamental rules in taking you away. Amren said if I got you to admit that we were mates, it would keep any trouble from our door, but... I couldn't force the bond on you. I couldn't try to seduce you into accepting the bond, either. Even if it gave Tamlin license to wage war on me. You had been through so much already. I didn't want you to think that everything I did was to win you, just to keep my lands safe. But I couldn't... I couldn't stop being around you, and loving you, and wanting you. I still can't stay away.' He leaned back, loosing a long breath.

At such a time [at dawn] I would dream of being a baker who delivers bread, a fitter from the electric company, or an insurance man collecting the weekly installments. Or at least a chimney sweep. In the morning, at dawn, I would enter some half-opened gateway, still lighted by the watchman's lantern. I would put two fingers to my hat, crack a joke, and enter the labyrinth to leave late in the evening, at the other end of the city. I would spend all day going from apartment to apartment, conducting one never-ending conversation from one end of the city to the other, divided into parts among the householders; I would ask something in one apartment and receive a reply in another, make a joke in one place and collect the fruits of laughter in the third or fourth. Among the banging of doors I would squeeze through narrow passages, through bedrooms full of furniture, I would upset chamberpots, walk into squeaking perambulators in which babies cry, pick up rattles dropped by infants. I would stop for longer than necessary in kitchens and hallways, where servant girls were tidying up. The girls, busy, would stretch their young legs, tauten their high insteps, play with their cheap shining shoes, or clack around in loose slippers.

BITCH THE POT Tea and gossip go together. At least, that’s the stereotypical view of a tea gathering: a group of women gathered around the teapot exchanging tittle-tattle. As popularity of the beverage imported from China (‘tea’ comes from the Mandarin Chinese cha) increased, it became particularly associated with women, and above all with their tendency to gossip. Francis Grose’s Classical Dictionary of the Vulgar Tongue lists various slang terms for tea, including ‘prattle-broth’, ‘cat-lap’ (‘cat’ being a contemporary slang for a gossipy old woman), and ‘scandal broth’. To pour tea, meanwhile, was not just to ‘play mother’, as one enduring English expression has it, but also to ‘bitch the pot’ – to drink tea was to simply ‘bitch’. At this time a bitch was a lewd or sensual woman as well as a potentially malicious one, and in another nineteenth-century dictionary the phraseology is even more unguarded, linking tea with loose morals as much as loquaciousness: ‘How the blowens [whores] lush the slop. How the wenches drink tea!’ The language of tea had become another vehicle for sexism, and a misogynistic world view in which the air women exchanged was as hot as the beverage they sipped. ‘Bitch party’ and ‘tabby party’ (again the image of cattiness) were the terms of choice for such gossipy gatherings. Men, it seems, were made of stronger stuff, and drank it too. Furthermore, any self-respecting man would ensure his wife and daughters stayed away from tea. The pamphleteer and political writer William Cobbett declared in 1822: The gossip of the tea-table is no bad preparatory school for the brothel. The girl that has been brought up, merely to boil the tea kettle, and to assist in the gossip inseparable from the practice, is a mere consumer of food, a pest to her employer, and a curse to her husband, if any man be so unfortunate as to affix his affections upon her. In the twenty-first century, to ‘spill the T’ has become a firm part of drag culture slang for gossiping. T here may stand for either ‘truth’ or the drink, but either way ‘weak tea’ has come to mean a story that doesn’t quite hold up – and it’s often one told by women. Perhaps it’s time for bitches to make a fresh pot.

I withdrew back into the window frame. She took a hasty gulp from her glass and looked down at her lap. “I’m saying that this is what’s it’s like, when every man you kiss thinks he’s unearthed you, and everyone has a role for you to play, the brave little refugee, the obedient daughter, the foreign girl with loose morals . . .” Her hand made a quick mechanical gesture. “You do what you can with that. You can’t stop life from happening, can you? You don’t get to choose what parts you get. So you take your opportunities. You use the means available to you. Your life becomes something that takes you further and further away from yourself. It sounds cynical, I know. It is cynical.

He may believe that he can skimp his intellectual labour without wearing his moral natuee thin or that he can break the laws of his moral nature without breaking his intellectual integrity. He may think that he can play fast and loose with his will without weakening his conscience or without impairing the truthfulness of his intellectual processes... For man is a unit. Weakness in one part becomes weakness in every part

He may believe that he can skimp his intellectual labour without wearing his moral natuere thin or that he can break the laws of his moral nature without breaking his intellectual integrity. He may think that he can play fast and loose with his will without weakening his conscience or without impairing the truthfulness of his intellectual processes... For man is a unit. Weakness in one part becomes weakness in every part

One smiles often when reading incidents in their labors. A string of packhorses is so driven as to break up a congregation, and a fire-engine is brought out and played over the throng to achieve the same purpose. Hand-bells, old kettles, marrowbones and cleavers, trumpets, drums, and entire bands of music were engaged to drown the Preachers' voices. In one case the parish bull was let loose, and in others dogs were set to fight. The preachers needed to have faces set like flints, and so indeed they had. John Furz says,: "As soon as I began to preach, a man came straight forward, and presented a gun at my face; swearing that he would blow my brains out, if I spake another word. However, I continued speaking, and he continued swearing, sometimes putting the muzzle of the gun to my mouth, sometimes against my ear. While we were singing the last hymn, he got behind me, fired the gun, and burned off part of my hair." After this, my brethren, We ought never to speak of petty interruptions or annoyances. The proximity of a blunderbuss in the hands of a son of Belial is not very conducive to collected thought and clear utterance, but the experience of Furz was probably no worse than that of John Nelson, who coolly says, "But when I was in the middle of my discourse, one at the outside of the congregation threw a stone, which cut me on the head: however, that made the people give -greater attention, especially when they saw the blood run down my face; so that all was quiet till I had done, and was Singing a hymn.

Are you certain you’re unharmed?” he asked as the carriage surged into motion. “My nerves are a little rattled, as can be expected, but other than that, I’m fine.” She caught his eye. “I’m incredibly grateful that you and everyone else worked so hard to find me, and were able to rid me of Silas once and for all.” A smile tugged at her lips. “I’m sure after a few weeks have passed, or . . . maybe a few years, when it’s not so very fresh to me, I’ll be able to laugh about it and tell people I was able to participate in my very own gothic-style story, quite like one our favorite author, Mr. Grimstone, might pen.” The mention of Mr. Grimstone had him leaning forward. “We have much to discuss.” Lucetta immediately took to looking wary. “Why do I have the feeling we’re no longer talking about me and . . . my abduction?” “Because we need to talk about us, and talk about where we go from here before we get back to Abigail’s house and everyone distracts us.” Lucetta’s wariness immediately increased. “I’m not certain there’s any need for that, Bram. The danger to me has passed, which means I’m free to return to the theater, and . . . you and I are free to go on our merry ways—and our separate merry ways, at that.” Bram settled back against the carriage seat. “I never took you for a coward, Lucetta.” Temper flashed in her eyes. “I’m not a coward.” “Then why aren’t you willing to at least see where whatever this is between us leads?” “There’s nothing between us.” “Your lips said differently a few days ago, and . . . you enjoy my company—you can’t deny that.” “Perhaps I do enjoy your company, but we’ll leave my lips out of further discussion, if you please. The truth of the matter is that I don’t trust you, I don’t like secrets, which you’re obviously keeping, and . . . I have no desire to become attached to a gentleman who spends time in a dungeon, of all places, and has a mausoleum marking the entrance to his drive.” “Ah, well, yes, but you see, those are some of the things I’d like to discuss with you.” He sent her what he hoped was a most charming smile, but one that only had her arching a brow his way again. Clearing his throat, he sat forward. “To continue, I have to admit that I’ve thought out my explanation regarding all of the things I need to explain in a certain order. So . . . if you’ll humor me, I wrote down a list, and . . .” Digging a hand into his jacket pocket, he pulled out the list and read it through, nodding before he lifted his head. “First, I need to say that—” he blew out a breath—“I’ve bungled practically everything with you so far, starting when I almost drowned you in the moat, er . . . twice.” “You won’t get an argument from me on that.” “I neglected to warn you about my goat.” Her lips twitched right at the corners. “That might be being a little hard on yourself, Bram. You couldn’t have known someone would turn Geoffrey loose on me up in the tower room.” “True, but I should have mentioned that I owned a goat with a curious dislike for ladies in skirts.” “I don’t believe Geoffrey is really at the root of the issues I have with you and Ravenwood, Bram.” He caught her eye and nodded. “I’m at the root of your issues, Lucetta—me and all of my secrets—which is why . . .” He consulted his notes again before he lifted his head. “I’m going to tell you everything, and then . . . ” He glanced one last time at his notes before he looked her way. “After you hear me out, I’d greatly appreciate it if you’d consider allowing me to . . . court you.” “Court me?” She began inching toward the carriage door, which was rather disturbing considering the carriage was traveling at a fast clip down the road. Stiffening his resolve, and ignoring the disbelief in her eyes, he nodded. “It would be my greatest honor to court you, especially since I should have asked to court you before I kissed you, and certainly before I offered to marry you . . . twice.” “You

An odourless poison leaked out of him. His dearest childhood memories were of the practical jokes he had played on the servants. Stringing ropes to trip them up, setting off firecrackers under their beds, unscrewing the seat on the long drop. You could imagine that he had found his vocation in the process. His work, which involved jailing people for petty offences, was a malevolent prank. The way he spoke about it, forced removals, detention without trial, the troops in the townships were simply larger examples of the same mischief. I was struck by the intimacy of his racial obsession. His prejudice was a passion. It caused him an exquisite sort of pain, like worrying a loose tooth with your tongue or scratching a mosquito bite until it bleeds. In the mirror of his stories, however, the perspective was reversed. While he was always hurting someone, doing harm and causing trouble, he saw himself as the victim. All these people he didn’t like, these inferior creatures among whom he was forced to live, made him miserable. It was he who suffered. I understand this better now than I did then. At the time, I was trying to grasp my own part in the machinery of power and more often than not I misjudged the mechanism. Seid Sand, nicht das Öl im Getriebe der Welt, my friend Sabine had told me. Seid unbequem. Be troublesome. Be sand, not oil in the workings of the world. Sand? Must I be ground down to nothing? Should I let myself be milled? It was abject. Surely one could be a spanner in the works rather than a handful of dust? I’d rather be a hammer than a nail. These thoughts were driven from my mind by Louis’s suffering face, the downturned lips, the wincing eyes. Even his crispy hair looked hurt. You could see it squirming as he combed it in the mornings, gazing mournfully at his face in the shaving mirror. I could have shouted at him. ‘Look around you! See how privileged we are. We’ve all eaten ourselves sick, just look at the debris, paper plates full of bones and peels, crumpled serviettes and balls of foil, bloody juices. And yet we haven’t made a dent in the supply.’ The dish on the edge of the fire was full of meat, thick chops and coils of wors soldered to the stainless steel with grease. The fat of the land was still sizzling on the blackened bars of the grill. You would think the feast was about to begin." (from "Double Negative" by Ivan Vladislavic, Teju Cole)

You there! What are you doing?” A sentry was approaching, her strides swift and purposeful. “Identify yourself!” She held a lantern close to me, and I squinted in the light, my heart thrumming loudly. On the chance that I could still pull off the charade, I attempted to mimic a Cokyrian accent. The inflection was subtle, but not terribly different from our own, and I hoped that guard would be none the wiser. “I was sent to deliver a message.” “And what message is that?” Her voice was skeptical and she laid a hand on the hilt of the sword at her hip. “The message is not for you.” The sentry laughed. “Get out of here, girl. I have no interest in arresting you. I’ll consider this an amusing part of my night duty as long as you don’t cause any trouble.” “The message is from Rava,” I tried again, my natural stubbornness overcoming my fear. “For her brother.” “Messages should be taken to the main building,” she pronounced, no longer confident that she should send me away. “Rava instructed me to deliver it to no one but Saadi. She said he would be in the officer’s barracks.” The woman deliberated, looking dubiously at me, although she ultimately decided in my favor. “Then I’ll take you to him. We’ll see what he has to say about this.” The sentry grabbed my arm and led me toward the building. There were two guards at its entrance, and she instructed one of them to fetch Saadi. Despite the coolness of the weather, I could feel myself sweating. If Saadi refused to come, I would be locked up and likely taken to Rava in the morning. But if he did come, how did I know he would be happy to see me? He might not approve of the game I was playing. Nausea roiled my stomach, and I glanced at the Cokyrians on each side of me, trying to decide if I should beat a hasty retreat. Too afraid of the consequences if I failed to get away, I waited, praying the fates would smile upon me. It wasn’t long before footfalls reached my ears, and the door to the barracks swung open. Saadi stood there in breeches and a loose, unlaced shirt, strapping on his weapons, obviously having been awakened. Would he be angry that I had disturbed his sleep? “Well?” the guard who discovered me prompted. “I recognize her,” Saadi answered, staring directly at the woman. “She works for my sister as an errand girl.” I briefly closed my eyes in relief. Saadi waved the guard back to her post and issued an order to the man behind him to retrieve his cloak. When it was thrust into his hands, he escorted me back across the base, not speaking until we were out of earshot of those on patrol. “So, Rava has a message for me?” I shoved him unthinkingly, teasingly, and he laughed, jumping away. “You wanted to see me, remember?” I pointed out. “But you never picked a time or place!” “So you decided to do it for me. Fair enough, but I’m dying to know what you have in mind to do.” “I don’t have anything in mind.” We had reached the thoroughfare, and he chuckled. “You braved Cokyrian soldiers and the stronghold of the military base, but don’t have a thing in mind for us to do?” “That’s right,” I admitted, irritated that he was laughing at me. “Would you grow up please?” “Shaselle, there’s nothing ‘grown-up’ about what we’re doing. I assume you snuck away from home to see me, and I have a five o’clock call in the morning.” I came to a halt and turned to face him, my eyes issuing a challenge. “If you want to go back, feel free. Tell those soldiers that Rava just wanted to make sure her baby brother went to bed on time.” He grinned, enjoying my feisty responses, and smoothed his bronze hair forward, a habit I still found annoying. It also served to make my heart flutter.

BY THE SWEAT OF THEIR BROW YOU SHALL TAX THEM? This is also why you pay taxes, for the authorities are God’s servants, who give their full time to governing. Romans 13:6 Onerous taxes hurt hard workers, slam job creators, and make us less competitive against other nations. High government spending is unsustainable and leads to national bankruptcy. Printing more dollars only leads to inflation and squeezes out private borrowing. High taxes, excessive regulation, and an ever-expanding welfare state discourage enterprise and undermine our nation’s work ethic. Politicians and bureaucrats always want to expand the size of government, and they will take inaction on our part—our failing to protest against taxes, regulations, and unnecessary government programs—as not only a sign of approval, but a signal to expand government’s reach even further. Only when a law contradicts God’s higher authority can we disobey it, and our obligation to pay taxes doesn’t rise to that level, doggone it. But what we can do is elect politicians willing to support freedom, reward hard work, and honor savings and investment by rolling back unnecessary taxes, government programs, and regulations. To do that, we need to do more than vote; we need to volunteer on campaigns, and we need to help educate our neighbors, friends, and community about the consequences we all suffer when government plays fast and loose with our tax dollars. We need to show how big government is unjust government, robbing hardworking Peters to pay bureaucrat-preferred Pauls.

A block from his hotel, Gary cleared his throat. “I thought you said going back to my room might be dangerous.” “Life is dangerous, Gary,” Gregori said softly. “You are Rambo, remember?” Savannah’s laughter rang out, rivaling the jazz quartet playing on the corner. Heads turned to listen to her, then to watch her, stealing away the attention of the audience gathered in a loose semi-circle around the quartet. She moved in the human world, completely comfortable in it, a part of it. Gregori had walked unseen, and that was how he preferred it. She was dragging him into her world. He could hardly believe he was walking down a crowded street with a mortal with half the block staring openly at them. “I didn’t know you knew who Rambo was,” Savannah said, trying not to giggle. She couldn’t imagine Gregori in a theater watching a Rambo movie. “You saw a Rambo flick?” Gary was incredulous. Gregori made a sound somewhere between contempt and derision. “I read Gary’s memories on the subject. Interesting. Silly, but interesting.” He glanced at Gary. “This is your hero?” Gary’s grin was as mischievous as Savannah’s. “Until I met you, Gregori.” Gregori growled, a low rumble of menace. His two companions just laughed disrespectfully, not in the least intimidated. “I’ll bet he’s a secret Rambo fan,” Savannah whispered confidentially. Gary nodded. “He probably sneaks into movie theaters for every old showing.

For each stop—each timbre, or type of sound, that the organ could make (viz. blockflöte, trumpet, piccolo)—there was a separate row of pipes, arranged in a line from long to short. Long pipes made low notes, short high. The tops of the pipes defined a graph: not a straight line but an upward-tending curve. The organist/math teacher sat down with a few loose pipes, a pencil, and paper, and helped Lawrence figure out why. When Lawrence understood, it was as if the math teacher had suddenly played the good part of Bach’s Fantasia and Fugue in G Minor on a pipe organ the size of the Spiral Nebula in Andromeda—

Fane took deliberate steps down the aisle of the bench, straight to the edge. He jumped from the bleachers, causing them to rock in his wake. I swore I felt a thud inside the pit of my stomach when he landed. Mr. Mooney nodded at Fane. “You two are playing Clayton and Tyler.” Fane walked past me and took two rackets off the floor. He handed me one. I took it from his outstretched hand then followed several steps behind. Part of me was relieved he didn’t say anything. All I could think about was the obscene gesture he’d made right before my world turned up-side-down. I hardly noticed his hair. I was too distracted by his lips. And now his abs. Luckily, I wouldn’t have to look at either while we played side by side. At the far court, Clayton and Tyler bounced birdies up and down on the strings of their rackets. Clayton nudged Tyler as we approached. “Oh great. Goth boy and zombie girl. This should be fun.” I took my place beside Fane. He held his racket loose and lazy. I barely held mine at all. Clayton pelted the birdie at me. I tried to shield my face and ended up dropping my racket. “Oh, come on!” Clayton shouted. I picked up the birdie and threw it over the net. Clayton served the birdie to Fane, who smacked it over the net with the flick of a wrist. Tyler launched the birdie at me. It hit me on the shoulder, but I swung anyway as it bounced to the floor.

… The frayed and gritty edges of everyone’s world were being worried away by neighbors you’d never noticed until the air spilled over with the tragedy of their loss. The war had taken them or their children; killed them, lost them, torn off body parts, shipped them back brain-fried…. … Tales fell from hearts in heavy, wet tones of grief and confusion…. … Even when rare moments of relative calm and clarity crept briefly through our days, they crawled in with head hanging through that most familiar of all tunnels, our sense of loss. Each new friend seemed only to step in and announce himself with his last breath. Why hadn’t we loved him earlier when there had been more time? That overriding sense of loss was the dismal cloud through which you viewed the world. Dreading life’s relentless advance, but knowing your locks could never keep it out…. … As the late 60’s gave in and died, and I trudged through my first year as an art student in college, even the old folks were growing up. Their World War II glories clouded over. Someone had shot the president, his brother, and a great civil rights leader, dragging us all out of our warm, snuggly innocence. People seemed infested by life, burdened by the stifling weight of it, until we could only force shallow, labored breaths. Each new day was just an old one playing through again, a dust-laden August, a storm always riding right on top of you that never quite cut loose. It settled into your joints until they grew achy, too heavy to lift; tarring all hearts with a dark, heavy plaque. Days stuck together as walking and breathing grew tedious. Until even my bubbly sister couldn’t offer up a smile without a shadow lurking inside it. We trudged through life as our mighty nation killed our sons and broke our buddies, defending itself from skinny barefoot farmers with sticks, in rice swamps somewhere on the other side of existence, where you couldn’t tell the good guys from the bad. Some lost tiny nowhere that hadn’t even existed when you’d been a kid; when the world had been innocent and untainted. Back when Father Knew Best, Beaver’s mom fed his dad all the answers, and Annie Oakley never had to shoot to kill…. - From “Entertaining Naked People

The reorganisation of the world has at first to be mainly the work of a "movement" or a Party or a religion or cult, whatever we choose to call it. We may call it New Liberalism or the New Radicalism or what not. It will not be a close-knit organisation, toeing the Party line and so forth. It may be a very loose-knit and many faceted, but if a sufficient number of minds throughout the world, irrespective of race, origin or economic and social habituations, can be brought to the free and candid recognition of the essentials of the human problem, then their effective collaboration in a conscious, explicit and open effort to reconstruct human society will ensue. And to begin with they will do all they can to spread and perfect this conception of a new world order, which they will regard as the only working frame for their activities, while at the same time they will set themselves to discover and associate with themselves, everyone, everywhere, who is intellectually able to grasp the same broad ideas and morally disposed to realise them. The distribution of this essential conception one may call propaganda, but in reality it is education. The opening phase of this new type of Revolution must involve therefore a campaign for re-invigorated and modernised education throughout the world, an education that will have the same ratio to the education of a couple of hundred years ago, as the electric lighting of a contemporary city has to the chandeliers and oil lamps of the same period. On its present mental levels humanity can do no better than what it is doing now. Vitalising education is only possible when it is under the influence of people who are themselves learning. It is inseparable from the modern idea of education that it should be knit up to incessant research. We say research rather than science. It is the better word because it is free from any suggestion of that finality which means dogmatism and death. All education tends to become stylistic and sterile unless it is kept in close touch with experimental verification and practical work, and consequently this new movement of revolutionary initiative, must at the same time be sustaining realistic political and social activities and working steadily for the collectivisation of governments and economic life. The intellectual movement will be only the initiatory and correlating part of the new revolutionary drive. These practical activities must be various. Everyone engaged in them must be thinking for himself and not waiting for orders. The only dictatorship he will recognise is the dictatorship of the plain understanding and the invincible fact. And if this culminating Revolution is to be accomplished, then the participation of every conceivable sort of human+being who has the mental grasp to see these broad realities of the world situation and the moral quality to do something about it, must be welcomed. Previous revolutionary thrusts have been vitiated by bad psychology. They have given great play to the gratification of the inferiority complexes that arise out of class disadvantages. It is no doubt very unjust that anyone should be better educated, healthier and less fearful of the world than anyone else, but that is no reason why the new Revolution should not make the fullest use of the health, education, vigour and courage of the fortunate. The Revolution we are contemplating will aim at abolishing the bitterness of frustration. But certainly it will do nothing to avenge it. Nothing whatever. Let the dead past punish its dead.

I want you too.” Her words are no more than a whisper “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief. With how close I am to her, the move has my face coming dangerously close to her own. “You want me?” “Why?” I ask. But I already know the answer. Because no one knows where Astarte’s arrow will strike, but when she aims, she strikes true. Because the gods are cruel and love to toy with their half-mortal children even more than they love to play with the mortals. Because Adrienne’s fate is somehow woven with mine and Jadi’s. Jadi told me that, he told me, and –fool that I am – I ignored him. “I’m sorry,” I say, trying to soften my voice. To curb the mocking, defensive bite in my words. “I just don’t see how you could. Not after how I’ve treated you.” Adrienne gives me a lopsided grin, then reaches over to lightly pat my shoulder. “You not that bad.” Her smile falls, expression growing serious. “I don’t know how explain it. I just feel… it feels…” she trails off, brow furrowing in frustration. She tucks her hands under her chin, and without thinking about it, I grasp them in my own. “I know.” The words come out in a low rumble. “I know. You don’t have to explain.” Because I feel it too. The pull towards her. It’s more than a physical attraction. More than desire – though that is certainly part of it. And now that I’m looking at her, with her mouth close to my own and her hands in mine and the heat of her body mixing with my own beneath the blankets. It feels right, and there’s no room for hesitation. Only action. I lean forward, slowly enough that she has time to object, my eyes never leaving her own. My nose brushes against hers for a brief moment, and then she’s pushing forward, her lips pressing against mine with a raw urgency that has fire racing through my veins and lust clouding my vision. It’s too much. Too much. I pull back, angling my body over hers, keeping my weight on my elbows as I cup her face in one hand, my thumb stroking the underside of her jaw, fingers tangling in her loose hair. I stare down at her – at her dilated pupils and sleep-mussed hair. At her parted lips and the delicate line of her throat. I can see her pulse thundering beneath the skin, and the rosy flush spreading down her neck. She’s so delicate. I’m torn between wanting to worship her and devour her. Carefully, I brush my mouth against hers, then trace the shape of her lips with my teeth and tongue. My hands tremble where they grip her face, keeping her from chasing my teasing kisses. It’s almost embarrassing, the way I’m quaking like an autumn leaf above her. She lets out a frustrated whimper, and I deepen the kiss, swallowing up the sound as I tangle my tongue with her own. When her own kisses become more insistent, I pull back, waiting for her to retreat before delving forward again. “Good,” I murmur, my thumb stroking her pulse point when she relaxes beneath me. “There’s no rush.” I’m speaking more to myself than to her. Because more than anything, I want to feel myself buried deep inside her. I want to push the fabric between us aside and feel her wet and clenching around me. I want to bury my head between her thighs and taste her, to turn those faint whimpers into wild, throaty cries. But now isn’t the time for that. I kiss her again, slowly this time. Deep. Controlled. I need to be controlled. Take this slow. Her thighs part, long limbs twining with mine, the heels of her feet pressing against the backs of my legs. Pulling me towards her, until my cock is pressed against her core and I can practically feel the heat of her, even with our clothes between us. She rocks against me, her faint mewling cry swallowed up by my mouth, and it’s like something in me snaps. Something primal and hungry and dark. Something that’s only come out with Jadi.

Let us now remind ourselves that the artist is also a man, and as a man responsible for all that his will consents to; "in order that a man may make right use of his art, he needs to have a virtue which will rectify his appetite." The man is responsible directly, as a murderer for example by intent if he intends to manufacture adulterated food, or drugs in excess of medical requirement; responsible as a promoter of loose living if he exhibits a pornographic picture, (by which we mean of course something essentially salacious, preserving the distinction of “obscene” from “erotic”); responsible spiritually if he is a sentimentalist or pseudo-mystic. It is a mistake to suppose that in former ages the artist’s “freedom” could have been arbitrarily denied by an external agency; it is much rather a plain and unalterable fact that the artist as such is not a free man. As artist he is morally irresponsible, indeed; but who can assert that he is an artist and not also a man? The artist can be separated from the man in logic and for purposes of understanding; but actually, the artist can only be divorced from his humanity by what is called a disintegration of personality. The doctrine of art for art's sake implies precisely such a sacrifice of humanity to art, of the whole to the part. It is significant that at the same time that individualistic tendencies are recognizable in the sphere of culture, in the other sphere of business and in the interest of profit most men are denied the opportunity of artistic operation altogether, or can function as responsible artists only in hours of leisure when they can pursue a “hobby” or play games. What shall it profit a man to be politically free if he must be either the slave of “art,” or slave of “business”?